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MediaWiki\Session\Session::offsetUnset($offset) should either be compatible with ArrayAccess::offsetUnset(mixed $offset): void, or the #[\ReturnTypeWillChange] attribute should be used to temporarily suppress the notice in /mnt/web618/b0/56/5203556/htdocs/mediawiki_01/includes/session/Session.php on line 670 Deprecated: header(): Passing null to parameter #3 ($response_code) of type int is deprecated in /mnt/web618/b0/56/5203556/htdocs/mediawiki_01/includes/WebResponse.php on line 42 Deprecated: header(): Passing null to parameter #3 ($response_code) of type int is deprecated in /mnt/web618/b0/56/5203556/htdocs/mediawiki_01/includes/WebResponse.php on line 42 Deprecated: header(): Passing null to parameter #3 ($response_code) of type int is deprecated in /mnt/web618/b0/56/5203556/htdocs/mediawiki_01/includes/WebResponse.php on line 42 http://de.evo-art.org/api.php?action=feedcontributions&user=Gubachelier&feedformat=atom de_evolutionary_art_org - Benutzerbeiträge [de] 2024-03-29T12:26:41Z Benutzerbeiträge MediaWiki 1.27.4 http://de.evo-art.org/index.php?title=Literatur_zur_Evolution%C3%A4ren_Kunst&diff=33306 Literatur zur Evolutionären Kunst 2017-12-11T20:39:47Z <p>Gubachelier: /* Artikel in sonstigen Konferenzen und Workshops */</p> <hr /> <div>Verwende [[Artikel-Template]] zur Beschreibung von Artikel in Proceedings, Journals, sowie Technical Reports bzw. [[Buch-Template]] zur Beschreibung von Proceedings und Bücher<br /> <br /> <br /> == &#039;&#039;&#039;Bücher&#039;&#039;&#039; == <br /> ===[[Computers and Creativity]] 2012===<br /> - {{LitBook |Autor = [[Jon McCormack]], Mark d’Inverno (Herausgeber) |Titel = [[Computers and Creativity]] |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2012 | ISBN = 978-3-642-31726-2 | Seiten = 430}}DOI: http://link.springer.com/book/10.1007/978-3-642-31727-9<br /> ===[[Design by Evolution: Advances in Evolutionary Design]] 2008===<br /> - {{LitBook |Autor = [[Philip F. Hingston]], [[Luigi C. Barone]], [[Zbigniew Michalewicz]] (Herausgeber) |Titel = [[Design by Evolution: Advances in Evolutionary Design]] |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2008 | ISBN = 978-3540741091 | Seiten = 352}}DOI: http://link.springer.com/10.1007/978-3-540-74111-4<br /> ===[[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]] 2007===<br /> - {{LitBook |Autor = [[Juan Romero]], [[Penousal Machado]] (Herausgeber) |Titel = [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]] |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2007 | ISBN = 978-3540728764 | Seiten = 460 }}DOI: http://link.springer.com/10.1007/978-3-540-72877-1<br /> ===[[Metacreations: Art and Artificial Life]] 2004===<br /> - {{LitBook |Autor = [[Mitchell Whitelaw]] |Titel = [[Metacreations: Art and Artificial Life]] |Auflage = 1 |Verlag = MIT Press | Ort = Cambridge | Jahr = 2004 | ISBN = 978-0262232340 | Seiten = 281 }}http://mitpress.mit.edu/books/metacreation<br /> ===[[Creative Evolutionary Systems]] 2001===<br /> - {{LitBook |Autor = [[Peter J. Bentley]], [[David W. Corne]] |Titel = [[Creative Evolutionary Systems]] |Auflage = 1 |Verlag = Academic Press Inc | Ort = Orlando | Jahr = 2001 | ISBN = 978-1558606739 | Seiten = 576 }}http://dl.acm.org/citation.cfm?id=510349&amp;picked=prox&amp;cfid=441144972&amp;cftoken=22938962<br /> ===[[Evolutionary Design by Computers]] 1999===<br /> - {{LitBook | Autor = [[Peter J. Bentley]] (Herausgeber) | Titel = [[Evolutionary Design by Computers]] |Auflage = 1 | Verlag = Morgan Kaufmann Publishers | Ort = Burlington | Jahr = 1999 | ISBN = 978-1558606050 | Seiten = 446}}<br /> ===Ars Electronica: Genetic Art - Artificial Life 1993===<br /> - {{LitBook |Autor = [[Karl Gerbel]], [[Peter Weibel]] (Herausgeber) |Titel = [[Ars Electronica: Genetic Art - Artificial Life]] |Auflage = 1 |Verlag = PVS Verleger | Ort = Wien | Jahr = 1993 | ISBN = 978-3901196072 | Seiten = 445 }}http://90.146.8.18/en/archives/festival_archive/festival_catalogs/festival_catalog.asp?iProjectID=8745<br /> ===Evolutionary Art and Computers 1992===<br /> - {{LitBook |Autor = [[Stephen Todd]], [[William Latham]] |Titel = [[Evolutionary Art and Computers]] | Auflage = 1 | Verlag = Academic Press Inc | Ort = Orlando | Jahr = 1992 | ISBN = 978-0124371859 | Seiten = 288}}<br /> <br /> == &#039;&#039;&#039;EvoMUSART Konferenzen und Workshops&#039;&#039;&#039; == <br /> ===[[EvoMUSART 2017]]===<br /> {{LitBook |Autor = [[João Correia]] (Herausgeber), [[Vic Ciesielski]] (Herausgeber), [[Antonios Liapis]] (Herausgeber) |Titel = Evolutionary and Biologically Inspired Music, Sound, Art and Design: 6th European Conference, EvoMUSART 2017 (LNCS 10198) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2017 | ISBN = 978-3-319-55749-6 (Print) 978-3-319-55750-2 (Online) | Seiten = 371 }}DOI: https://doi.org/10.1007/978-3-319-55750-2<br /> <br /> ===[[EvoMUSART 2016]]===<br /> {{LitBook |Autor = [[Colin Johnson]] (Herausgeber), [[Vic Ciesielski]] (Herausgeber), [[João Correia]] (Herausgeber), [[Penousal Machado]] (Herausgeber) |Titel = Evolutionary and Biologically Inspired Music, Sound, Art and Design: 5th European Conference, EvoMUSART 2016 (LNCS 9596) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2016 | ISBN = 978-3-319-31007-7 (Print) 978-3-319-31008-4 (Online) | Seiten = 241 }}DOI: http://link.springer.com/book/10.1007%2F978-3-319-31008-4<br /> <br /> ===[[EvoMUSART 2015]]===<br /> {{LitBook |Autor = [[Colin Johnson]] (Herausgeber), [[Adrian Carballal]] (Herausgeber), [[João Correia]] (Herausgeber) |Titel = Evolutionary and Biologically Inspired Music, Sound, Art and Design: Third European Conference, EvoMUSART 2015 (LNCS 9027) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2015 | ISBN = 978-3-319-16497-7 | Seiten = 275 }}DOI: http://link.springer.com/book/10.1007%2F978-3-319-16498-4<br /> <br /> ===[[EvoMUSART 2014]]===<br /> {{LitBook |Autor = [[Juan Romero]] (Herausgeber), [[James McDermott]] (Herausgeber), [[João Correia]] (Herausgeber) |Titel = Evolutionary and Biologically Inspired Music, Sound, Art and Design: Third European Conference, EvoMUSART 2014 (LNCS 8601) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2014 | ISBN = 978-3662443347 | Seiten = 130 }}DOI: http://link.springer.com/10.1007/978-3-662-44335-4<br /> <br /> === [[EvoMUSART 2013]] ===<br /> {{LitBook |Autor = [[Penousal Machado]] (Herausgeber)|Titel = Evolutionary and Biologically Inspired Music, Sound, Art and Design: Second International Conference, EvoMUSART 2013 (LNCS 7834) |Auflage = 1 | Verlag = Springer | Ort = Berlin| Jahr = 2013 | ISBN = 978-3642369544 | Seiten = 204 }}DOI: http://link.springer.com/book/10.1007%2F978-3-642-36955-1<br /> <br /> === [[EvoMUSART 2012]] ===<br /> {{LitBook |Autor = [[Penousal Machado]] (Herausgeber), [[Juan Romero]] (Herausgeber), [[Adrian Carballal]] (Herausgeber) |Titel = Evolutionary and Biologically Inspired Music, Sound, Art and Design: First International Conference, [[EvoMUSART 2012]] (LNCS 7247) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2012 | ISBN = 978-3642291418 | Seiten = 236 }}DOI: http://link.springer.com/book/10.1007%2F978-3-642-29142-5<br /> <br /> === [[EvoMUSART 2011]] ===<br /> {{LitBook |Autor = Cecilia Di Chio et al. (Herausgeber) |Titel = Applications of Evolutionary Computation: EvoApplications 2011: EvoCOMNET, EvoFIN, EvoHOT, EvoMUSART, EvoSTIM, and EvoTRANSLOG (LNCS 6625) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2011 | ISBN = 978-3642205194 | Seiten = 548 }}DOI: http://link.springer.com/book/10.1007/978-3-642-20520-0<br /> <br /> === [[EvoMUSART 2010]] ===<br /> {{LitBook |Autor = Cecilia Di Chio (Herausgeber), Anthony Brabazon (Herausgeber), Marc Ebner (Herausgeber), Muddassar Farooq (Herausgeber), Andreas Fink (Herausgeber), Jörn Grahl (Herausgeber), [[Gary Greenfield]] (Herausgeber), [[Penousal Machado]] (Herausgeber), [[Michael O&#039;Neill]] (Herausgeber), Ernesto Tarantino (Herausgeber), Neil Urquhart (Herausgeber) |Titel = Applications of Evolutionary Computation: EvoApplications 2010: EvoCOMNET, EvoENVIRONMENT, EvoFIN, EvoMUSART, and EvoTRANSLOG (LNCS 6025) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2010 | ISBN = 978-3642122415 | Seiten = 476 }}DOI: http://link.springer.com/book/10.1007/978-3-642-12242-2<br /> <br /> === [[EvoMUSART 2009]] ===<br /> {{LitBook |Autor = Mario Giacobini et al. (Herausgeber)|Titel = Applications of Evolutionary Computing: EvoWorkshops 2009: EvoCOMNET, EvoENVIRONMENT, EvoFIN, EvoGAMES, EvoHOT, EvoIASP, EvoINTERACTION, EvoMUSART (LNCS 5484) |Auflage = 1 | Verlag = Springer | Ort = Berlin | Jahr = 2009 | ISBN = 978-3642011283 | Seiten = 831 }}DOI: http://link.springer.com/book/10.1007/978-3-642-01129-0<br /> <br /> === [[EvoMUSART 2008]] ===<br /> {{LitBook |Autor = Mario Giacobini et al. (Herausgeber) |Titel = Applications of Evolutionary Computing: EvoWorkshops 2008: EvoCOMNET, EvoFIN, EvoHOT, EvoIASP, EvoMUSART, EvoNUM, EvoSTOC, and EvoTransLog (LNCS 4974) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2008 | ISBN = 978-3540787600 | Seiten = 732 }}DOI: http://link.springer.com/book/10.1007/978-3-540-78761-7<br /> <br /> === [[EvoMUSART 2007]] ===<br /> {{LitBook |Autor = Mario Giacobini et al. (Herausgeber) |Titel = Applications of Evolutionary Computing: EvoWorkshops 2007: EvoCOMNET, EvoFIN, EvoIASP, EvoINTERACTION, EvoMUSART, EvoSTOC, and EvoTransLog (LNCS 4448) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2007 | ISBN = 978-3540718048 | Seiten = 784 }}DOI: http://link.springer.com/book/10.1007/978-3-540-71805-5<br /> <br /> === [[EvoMUSART 2006]] ===<br /> {{LitBook |Autor = Franz Rothlauf (Herausgeber), Jürgen Branke (Herausgeber) |Titel = Applications of Evolutionary Computing: EvoWorkshops 2006: EvoBIO, EvoCOMNET, EvoHOT, EvoIASP, EvoINTERACTION, EvoMUSART, and EvoSTOC (LNCS 3907) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2006 | ISBN = 978-3540332374 | Seiten = 816 }}DOI: http://link.springer.com/book/10.1007/11732242<br /> <br /> === [[EvoMUSART 2005]] ===<br /> {{LitBook |Autor = Franz Rothlauf (Herausgeber), Jürgen Branke (Herausgeber)|Titel = Applications of Evolutionary Computing: Evoworkshops: EvoBIO, EvoCOMNET, EvoHot, EvoIASP, EvoMUSART, and EvoSTOC (LNCS 3449) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2005 | ISBN = 978-3540253969 | Seiten = 652 }}DOI: http://link.springer.com/book/10.1007/b106856<br /> <br /> === [[EvoMUSART 2004]] ===<br /> {{LitBook |Autor = Franz Rothlauf (Herausgeber)|Titel = Applications of Evolutionary Computing: EvoWorkshops 2004: EvoBIO, EvoCOMNET, EvoHOT, EvoIASP, EvoMUSART, and EvoSTOC (LNCS 3005) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2004 | ISBN = 978-3540213789 | Seiten = 588 }}DOI: http://link.springer.com/book/10.1007/b96500<br /> <br /> === [[EvoMUSART 2003]] ===<br /> {{LitBook |Autor = Günther Raidl (Herausgeber), Stefano Cagnoni (Herausgeber), [[Juan Romero | Juan J. Romero Cardalda]] (Herausgeber), David W. Corne (Herausgeber) |Titel = Applications of Evolutionary Computing: EvoWorkshop 2003: EvoBIO, EvoCOP, EvoIASP, EvoMUSART, EvoROB, and EvoSTIM (LNCS 2611) | Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2003 | ISBN = 978-3540009764 | Seiten = 712 }}DOI: http://link.springer.com/book/10.1007/3-540-36605-9<br /> <br /> == &#039;&#039;&#039;Artikel&#039;&#039;&#039; == <br /> === Artikel in Büchern === <br /> ==== McCormack &amp; d’Inverno: [[Computers and Creativity]] 2012==== <br /> * [[Simon Colton]]: [[The painting fool: Stories from building an automated painter]]. In: McCormack &amp; d’Inverno: Computers and Creativity, Springer, Berlin, 2012, 3-38 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_1 http://ccg.doc.gold.ac.uk/papers/colton_tpfchapter12.pdf<br /> <br /> * [[Jon McCormack]]: [[Creative ecosystems]]. In: McCormack &amp; d’Inverno: Computers and Creativity, Springer, Berlin, 2012, 39-60 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_2 http://jonmccormack.info/~jonmc/sa/research/creative-ecosystems/ http://www.csse.monash.edu.au/~jonmc/research/Papers/EcoCreativity.pdf<br /> <br /> * Frieder Nake: [[Construction and intuition: Creativity in early computer art]]. In: McCormack &amp; d’Inverno: Computers and Creativity, Springer, Berlin, 2012, 61-94 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_3 <br /> <br /> * H. Cohen, F. Nake, D. C. Brown, P. Brown, [[Philip Galanter]], [[Jon McCormack]] and M. d&#039;Inverno: [[Evaluation of Creative Aesthetics]]. In [[Jon McCormack]] and M. d&#039;Inverno (eds) [[Computers and Creativity]], Springer, Heidelberg, pp. 95-111, 2012 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_4<br /> <br /> * [[Philip Galanter]]: [[Computational Aesthetic Evaluation: Past and Future]]. In: McCormack &amp; d’Inverno: Computers and Creativity, Springer, Berlin, 2012, 255-293 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_10 http://philipgalanter.com/downloads/galanter_computational_aesthetic_evaluation_springer.pdf<br /> <br /> * [[Juan Romero]], [[Penousal Machado]], [[Adrian Carballal]], [[João Correia]]: [[Computing aesthetics with image judgement systems]]. In: [[Jon McCormack]] &amp; d’Inverno: [[Computers and Creativity]], Springer, Berlin, 2012, 295-322 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_11 http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/rmccar.pdf<br /> <br /> * [[Jürgen Schmidhuber]]: [[A formal theory of creativity to model the creation of art]]. In: McCormack &amp; d’Inverno: Computers and Creativity, Springer, Berlin, 2012, 323-337 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_12 http://people.idsia.ch/~juergen/creativity.html http://people.idsia.ch/~juergen/creativitybook.pdf<br /> <br /> * [[Alan Dorin]], Kevin B. Korb: [[Creativity refined: bypassing the gatekeepers of appropriateness and value]]. In: McCormack &amp; d’Inverno: Computers and Creativity, Springer, Berlin, 2012, 339-360 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_13<br /> <br /> * [[Oliver Bown]]: [[Generative and Adaptive Creativity: A Unified Approach to Creativity in Nature. Humans and Machines]]. In: McCormack &amp; d’Inverno: Computers and Creativity, Springer, Berlin, 2012, 361-381 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_14<br /> <br /> * Peter Cariani: [[Creating New Informational Primitives in Minds and Machines]]. In: McCormack &amp; d’Inverno: Computers and Creativity, Springer, Berlin, 2012, 383-417 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_15 Presentation: http://www.dagstuhl.de/Materials/Files/09/09291/09291.CarianiPeter1.Slides.pdf http://drops.dagstuhl.de/opus/frontdoor.php?source_opus=2192<br /> <br /> * [[Jon McCormack]] and M. d&#039;Inverno: [[Computers and Creativity: The Road Ahead]]. In: [[Jon McCormack]] and M. d&#039;Inverno (eds) [[Computers and Creativity]], Springer, Heidelberg, pp. 421-424, 2012 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_16<br /> <br /> ==== Hingston &amp; Barone &amp; Michalewicz: [[Design by Evolution: Advances in Evolutionary Design]] 2008==== <br /> * [[Jon McCormack | McCormack, Jon]]: [[Evolutionary Design in Art]]. In: Hingston &amp; Barone &amp; Michalewicz: Design by Evolution, Springer, Berlin, 2008. 97-100. DOI: http://link.springer.com/10.1007/978-3-540-74111-4_6<br /> <br /> * [[Erwin Driessens | Driessens, Erwin]]; [[Maria Verstappen | Verstappen, Maria]]: [[Natural Processes and Artificial Procedures]]. In: Hingston &amp; Barone &amp; Michalewicz: Design by Evolution, Springer, Berlin, 2008. 101-120. DOI: http://link.springer.com/10.1007/978-3-540-74111-4_7<br /> <br /> * [[Daniel Ashlock | Ashlock, Daniel]]; [[Brooke Jamieson | Jamieson, Brooke]]: [[Evolutionary exploration of Complex Fractals]]. In: Hingston &amp; Barone &amp; Michalewicz: Design by Evolution, Springer, Berlin, 2008. 121-144. DOI: http://link.springer.com/10.1007/978-3-540-74111-4_8<br /> <br /> * [[Jeffrey Ventrella | Ventrella, Jeffrey]]: [[Evolving the Mandelbrot Set to Imitate Figurative Art]]. In: Hingston &amp; Barone &amp; Michalewicz: Design by Evolution, Springer, Berlin, 2008. 145-168. DOI: http://link.springer.com/10.1007/978-3-540-74111-4_9 http://www.ventrella.com/Tweaks/Portraits/EvolvingMandelbrot.pdf<br /> <br /> * [[Jon McCormack | McCormack, Jon]]: [[Evolutionary L-systems]]. In: Hingston &amp; Barone &amp; Michalewicz: Design by Evolution, Springer, Berlin, 2008. 169-198. DOI: http://link.springer.com/10.1007/978-3-540-74111-4_10<br /> <br /> ==== Romero &amp; Machado: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]] 2007==== <br /> * [[Juan Romero]] and [[Penousal Machado]]: [[The Art of Artificial Evolution - book preface]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, S. VII-XII. http://link.springer.com/content/pdf/bfm%3A978-3-540-72877-1%2F1.pdf<br /> <br /> * [[Matthew Lewis | Lewis, Matthew]]: [[Evolutionary Visual Art and Design]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, 3-37. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_1 http://web.info.uvt.ro/~dzaharie/cne2013/proiecte/aplicatii/EvolutionaryArt/EvolutionaryDesign.pdf <br /> <br /> * [[John Collomosse | Collomosse, John]]: [[Evolutionary Search for the Artistic Rendering of Photographs]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, 39-62. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_2 http://personal.ee.surrey.ac.uk/Personal/J.Collomosse/pubs/Collomosse-AAEChapter-2007.pdf<br /> <br /> * [[Scott Draves | Draves, Scott]]: [[Evolution and Collective Intelligence of the Electric Sheep]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, 63-78. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_3 http://draves.org/aoae07/draves-aoae07.pdf<br /> <br /> * [[Christian Jacob | Jacob, Christian]]; [[Gerald Hushlak | Hushlak, Gerald]]: [[Evolutionary and Swarm Design in Science, Art, and Music]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, 145-166. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_7<br /> <br /> * [[Martin Hemberg | Hemberg, Martin]]; [[Una-May O&#039;Reilly | O&#039;Reilly, Una-May]]; [[Achim Menges | Menges, Achim]]; [[Katrin Jonas | Jonas, Katrin]]; [[Michel Gonçalves | Gonçalves, Michel]]; - [[Steven Fuchs | Fuchs, Steven]]: [[Genr8: Architects’ Experience with an Emergent Design Tool]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, 167-188. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_8 http://projects.csail.mit.edu/emergentDesign/genr8/hemberg_chap.pdf<br /> <br /> * [[Charlie D. Frowd | Frowd, Charlie D.]]; [[Peter J. B. Hancock | Hancock, Peter J. B.]]: [[Evolving Human Faces]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]], Springer, Berlin, 2007, 189-210. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_9 http://www.evofit.co.uk/wp-content/uploads/2014/03/Frowd-and-Hancock-2007.-Evolving-human-faces.pdf<br /> <br /> * [[A. E. Eiben | Eiben, A. E.]]: [[Evolutionary Reproduction of Dutch Masters: The Mondriaan and Escher Evolvers]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, 211-224. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_10 http://www.cs.vu.nl/%7Egusz/papers/2008-Eiben-Evolutionary-reproduction-of-dutch-masters.pdf<br /> <br /> * [[Nicolas Monmarche | Monmarche, Nicolas]]; [[Isabelle Mahnich | Mahnich, Isabelle]]; [[Mohamed Slimane | Slimane, Mohamed]]: [[Artificial Art Made by Artificial Ants]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, 227-247. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_11<br /> <br /> * [[Günter Bachelier | Bachelier, Günter]]: [[Embedding of Pixel-Based Evolutionary Algorithms in My Global Art Process]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, 249-268. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_12 http://www.evogenio.com/de/GBEvoArt/SpringerEArtBook2006rev.pdf<br /> <br /> * [[Alan Dorin | Dorin, Alan]]: [[A Survey of Virtual Ecosystems in Generative Electronic Art]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, 289-309. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_14<br /> <br /> * [[Philip Galanter | Galanter, Philip]]: [[Complexism and the Role of Evolutionary Art]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, 311-332. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_15 http://www.philipgalanter.com/downloads/complexism_chapter.pdf<br /> <br /> * [[Craig Neufeld | Neufeld, Craig]]; [[Brian J. Ross | Ross, Brian J.]]; [[William Ralph | Ralph, William]]: [[The Evolution of Artistic Filters]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, 335-356. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_16<br /> <br /> * [[Gary Greenfield | Greenfield, Gary]]: [[Co-evolutionary Methods in Evolutionary Art]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, 357-380. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_17<br /> <br /> * [[Penousal Machado | Machado, Penousal]]; [[Juan Romero | Romero, Juan]]; [[Bill Manaris | Manaris, Bill]]: [[Experiments in Computational Aesthetics]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, 381-415. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_18 http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/mrm07a.pdf<br /> <br /> * [[Jon McCormack | McCormack, Jon]]: [[Facing the Future: Evolutionary Possibilities for Human-Machine Creativity]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, 417-451. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_19 http://www.csse.monash.edu.au/~jonmc/research/Papers/FacingTheFutureEXTRACT.pdf<br /> <br /> ==== Bentley &amp; Corne: [[Creative Evolutionary Systems]] 2001 ====<br /> * [[Steven Rooke]]: [[Eons of genetically evolved algorithmic images]]. In: Bentley, Peter J.; Corne, David W.: Creative Evolutionary Systems. Academic Press, 2001. 339 - 365. http://dx.doi.org/10.1016/B978-155860673-9/50052-5<br /> <br /> * [[Luigi Pagliarini]], [[Henrik Hautop Lund]]: [[Arts, robots, and evolution as a tool for creativity]]. In: Bentley, Peter J.; Corne, David W.: Creative Evolutionary Systems. Academic Press, 2001. 367 - 385<br /> <br /> * [[Paul Brown]]: [[Stepping stones in the mist]]. In: Bentley, Peter J.; Corne, David W.: Creative Evolutionary Systems. Academic Press, 2001. 387 - 407<br /> <br /> * [[Peter J. B. Hancock]], [[Charlie D. Frowd]]: [[Evolutionary generation of faces]]. In: Bentley, Peter J.; Corne, David W.: Creative Evolutionary Systems. Academic Press, 2001. 409 - 423 http://www.researchgate.net/publication/2372180_Evolutionary_Generation_of_Faces/links/0deec526f813c147e1000000<br /> <br /> * [[A. E. Eiben]], [[R. Nabuurs]], [[I. Booij]]: [[The Escher evolver: evolution to the people]]. In: Bentley, Peter J.; Corne, David W.: Creative Evolutionary Systems. Academic Press, 2001. 425 - 439<br /> <br /> ==== Bentley: [[Evolutionary Design by Computers]] 1999 ==== <br /> * [[Stephen Todd]]; [[William Latham]]: [[The Mutation and growth of Art by Computers]]. In: Bentley: [[Evolutionary Design by Computers]]. Morgan Kaufmann, 1999. 221-250 <br /> <br /> * [[Michael Witbrock | Witbrock, Michael]]; [[Scott Neil-Teilly | Neil-Teilly, Scott]]: Evolving Genetic Art. In: Bentley: [[Evolutionary Design by Computers]]. Morgan Kaufmann, 1999. 251-260 <br /> <br /> * [[Andrew Rowbottom | Rowbottom, Andrew]]: Evolutionary Art and form. In: Bentley: [[Evolutionary Design by Computers]]. Morgan Kaufmann, 1999. 261-278<br /> <br /> === Artikel in EvoMUSART Konferenzen und Workshops === <br /> ====[[EvoMUSART 2017]]====<br /> * [[Mohammad Majid al-Rifaie]], [[Anna Ursyn]], [[Robert Zimmer]], [[Mohammad Ali Javaheri Javid]]: [[On Symmetry, Aesthetics and Quantifying Symmetrical Complexity]]. In: [[EvoMUSART 2017]], 17-32. DOI: https://doi.org/10.1007/978-3-319-55750-2_2<br /> <br /> * [[Aidan Breen]], [[Colm O’Riordan]], [[Jerome Sheahan]]: [[Evolved Aesthetic Analogies to Improve Artistic Experience]]. In: [[EvoMUSART 2017]], 65-80. DOI: https://doi.org/10.1007/978-3-319-55750-2_5<br /> <br /> * [[Antonios Liapis]]: [[Mixed-Initiative Creative Drawing with webIconoscope]]. In: [[EvoMUSART 2017]], 144-159. DOI: https://doi.org/10.1007/978-3-319-55750-2_10<br /> <br /> * [[Nuno Lourenço]], [[Filipe Assunção]], [[Catarina Maçãs]], [[Penousal Machado]]: [[EvoFashion: Customising Fashion Through Evolution]]. In: [[EvoMUSART 2017]], 176-189. DOI: https://doi.org/10.1007/978-3-319-55750-2_12<br /> <br /> * [[Jon McCormack]]: [[Niche Constructing Drawing Robots]]. In: [[EvoMUSART 2017]], 201-216. DOI: https://doi.org/10.1007/978-3-319-55750-2_14<br /> <br /> * [[Manuel Muehlbauer]], [[Jane Burry]], [[Andy Song]]: [[Automated Shape Design by Grammatical Evolution]]. In: [[EvoMUSART 2017]], 217-229. DOI: https://doi.org/10.1007/978-3-319-55750-2_15<br /> <br /> * [[Aneta Neumann]], [[Bradley Alexander]], [[Frank Neumann]]: [[Evolutionary Image Transition Using Random Walks]]. In: [[EvoMUSART 2017]], 230-245. DOI: https://doi.org/10.1007/978-3-319-55750-2_16<br /> <br /> * [[Yasser S. Arenas Rebolledo]], [[Peter van der Putten]], [[Maarten H. Lamers]]: [[Assessing Augmented Creativity: Putting a Lovelace Machine for Interactive Title Generation Through a Human Creativity Test]]. In: [[EvoMUSART 2017]], 262-274. DOI: https://doi.org/10.1007/978-3-319-55750-2_18<br /> <br /> * [[Nazanin Alsadat Tabatabaei Anaraki]]: [[Fashion Design Aid System with Application of Interactive Genetic Algorithms]]. In: [[EvoMUSART 2017]], 289-303. DOI: https://doi.org/10.1007/978-3-319-55750-2_20<br /> <br /> * [[Sam D. Verkoelen]], [[Maarten H. Lamers]], [[Peter van der Putten]]: [[Exploring the Exactitudes Portrait Series with Restricted Boltzmann Machines]]. In: [[EvoMUSART 2017]], 321-337. DOI: https://doi.org/10.1007/978-3-319-55750-2_22<br /> <br /> * [[Miri Weiss Cohen]], [[Leticia Cherchiglia]], [[Rachel Costa]]: [[Evolving Mondrian-Style Artworks]]. In: [[EvoMUSART 2017]], 338-353. DOI: https://doi.org/10.1007/978-3-319-55750-2_23<br /> <br /> ====[[EvoMUSART 2016]]====<br /> * [[Edward Davies]], [[Phillip Tew]], [[David Glowacki]], [[Jim Smith]], [[Thomas Mitchell]]: [[Evolving Atomic Aesthetics and Dynamics]]. In: [[EvoMUSART 2016]], 17-30. DOI: http://dx.doi.org/10.1007/978-3-319-31008-4_2<br /> <br /> * [[Sebastian Hølt Bak]], [[Nina Rask]], [[Sebastian Risi]]: [[Towards Adaptive Evolutionary Architecture]]. In: [[EvoMUSART 2016]], 47-62. DOI: http://dx.doi.org/10.1007/978-3-319-31008-4_4<br /> <br /> * [[Mohammad Ali Javaheri Javid]], [[Tim Blackwell]], [[Robert Zimmer]], [[Mohammad Majid al-Rifaie]]: [[Correlation Between Human Aesthetic Judgement and Spatial Complexity Measure]]. In: [[EvoMUSART 2016]], 79-91. DOI: http://dx.doi.org/10.1007/978-3-319-31008-4_6<br /> <br /> * [[Antonios Liapis]]: [[Exploring the Visual Styles of Arcade Game Assets]]. In: [[EvoMUSART 2016]], 92-109. DOI: http://dx.doi.org/10.1007/978-3-319-31008-4_7<br /> <br /> * [[Ashley Mills]]: [[Animating Typescript Using Aesthetically Evolved Images]]. In: [[EvoMUSART 2016]], 126-134. DOI: http://dx.doi.org/10.1007/978-3-319-31008-4_9<br /> <br /> * [[Tieta Putri]], [[Ramakrishnan Mukundan]]: [[Iterative Brush Path Extraction Algorithm for Aiding Flock Brush Simulation of Stroke-Based Painterly Rendering]]. In: [[EvoMUSART 2016]], 152-162. DOI: http://dx.doi.org/10.1007/978-3-319-31008-4_11<br /> <br /> * [[Alessandro Re]], [[Mauro Castelli]], [[Leonardo Vanneschi]]: [[A Comparison Between Representations for Evolving Images]]. In: [[EvoMUSART 2016]], 163-185. DOI: http://dx.doi.org/10.1007/978-3-319-31008-4_12<br /> <br /> * [[Adriano Vinhas]], [[Filipe Assunção]], [[João Correia]], [[Anikó Ekárt]], [[Penousal Machado]]: [[Fitness and Novelty in Evolutionary Art]]. In: [[EvoMUSART 2016]], 225-240. DOI: http://dx.doi.org/10.1007/978-3-319-31008-4_16 https://research.aston.ac.uk/portal/files/19735113/evomusart2016.pdf<br /> <br /> ====[[EvoMUSART 2015]]====<br /> * [[Allan Campbell]], [[Vic Ciesielksi]], [[A. K. Qin]]: [[Feature Discovery by Deep Learning for Aesthetic Analysis of Evolved Abstract Images]]. In: [[EvoMUSART 2015]], 27-38. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_3<br /> <br /> * [[Gary Greenfield]]: [[Avoidance Drawings Evolved Using Virtual Drawing Robots]]. In: [[EvoMUSART 2015]], 78-88. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_8<br /> <br /> * [[Christoph Klemmt]], [[Rajat Sodhi]]: [[Echo]]. In: [[EvoMUSART 2015]], 125-135. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_12<br /> <br /> * [[Tiago Martins]], [[João Correia]], [[Ernesto Costa]], [[Penousal Machado]]: [[Evotype: Evolutionary Type Design]]. In: [[EvoMUSART 2015]], 136-147. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_13 http://www.researchgate.net/publication/280308590_Evotype_Evolutionary_Type_Design<br /> <br /> * [[Kelly Moylan]], [[Brian J. Ross]]: [[Interior Illumination Design Using Genetic Programming]]. In: [[EvoMUSART 2015]], 148-160. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_14<br /> <br /> * [[Dave Murray-Rust]], [[Rocio von Jungenfeld]]: [[Lichtsuchende: Exploring the Emergence of a Cybernetic Society]]. In: [[EvoMUSART 2015]], 161-174. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_15<br /> <br /> * [[Kate Reed]], [[Duncan F. Gillies]]: [[Evolving Diverse Design Populations Using Fitness Sharing and Random Forest Based Fitness Approximation]]. In: [[EvoMUSART 2015]], 187-199. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_17<br /> <br /> * [[Wim van Eck]], [[Maarten H. Lamers]]: [[Biological Content Generation: Evolving Game Terrains Through Living Organisms]]. In: [[EvoMUSART 2015]], 224-235. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_20 http://mediatechnology.leiden.edu/images/uploads/docs/vaneck-lamers-biological-content-generation-evolving-game-terrains-through-living-organisms.pdf<br /> <br /> * [[Jinhong Zhang]], [[Rasmus Taarnby]], [[Antonios Liapis]], [[Sebastian Risi]]: [[DrawCompileEvolve: Sparking Interactive Evolutionary Art with Human Creations]]. In: [[EvoMUSART 2015]], 261-273. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_23 http://antoniosliapis.com/papers/drawcompileevolve.pdf<br /> <br /> ==== [[EvoMUSART 2014]] ====<br /> * [[Jonathan Eisenmann]], [[Matthew Lewis]], [[Rick Parent]]: [[Probabilistic Decision Making for Interactive Evolution with Sensitivity Analysis]]. In: [[EvoMUSART 2014]], 1-12. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_1<br /> <br /> * [[Penousal Machado]], [[Tiago Martins]], [[Hugo Amaro]], [[Pedro H. Abreu]]; [[An Interface for Fitness Function Design]]. In: [[EvoMUSART 2014]], 13-25. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_2 http://cdv.dei.uc.pt/wp-content/uploads/2014/06/mmaa14.pdf<br /> <br /> * [[Jon McCormack]]: [[Balancing Act: Variation and Utility in Evolutionary Art]]. In: [[EvoMUSART 2014]], 26-37. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_3 http://www.csse.monash.edu.au/~jonmc/research/Papers/McCormack_EvoMUSART2014.pdf<br /> <br /> * [[Miguel Nicolau]], [[Dan Costelloe]]: [[Size Does Not Matter: Evolving Parameters for a Cayley Graph Visualiser Using 64 Bits]]. In: [[EvoMUSART 2014]], 38-49. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_4<br /> <br /> * [[Adrian Carballal]], [[Rebeca Perez]], [[Antonino Santos]], [[Luz Castro]]: [[A Complexity Approach for Identifying Aesthetic Composite Landscapes]]. In: [[EvoMUSART 2014]], 50-61. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_5<br /> <br /> * [[Andrew Bishop]], [[Vic Ciesielski]], [[Karen Trist]]: [[Feature Construction Using Genetic Programming for Classification of Images by Aesthetic Value]]. In: [[EvoMUSART 2014]], 62-73. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_6<br /> <br /> * [[Luz Castro]], [[Rebeca Perez]], [[Antonino Santos]], [[Adrian Carballal]]: [[Authorship and Aesthetics Experiments: Comparison of Results between Human and Computational Systems]]. In: [[EvoMUSART 2014]], 74-84. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_7<br /> <br /> * [[Gary Greenfield]]: [[An Indirect Fitness Scheme for Automated Evolution of Aesthetic Images]]. In: [[EvoMUSART 2014]], 85-94. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_8<br /> <br /> * [[Jonathan Byrne]], [[Philip Cardiff]], [[Anthony Brabazon]], [[Michael O’Neill]]: [[Evolving an Aircraft Using a Parametric Design System]]. In: [[EvoMUSART 2014]], 119-130. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_11<br /> <br /> ==== [[EvoMUSART 2013]] ====<br /> * [[Jon McCormack]]: [[Aesthetics, Art, Evolution]]. In: [[EvoMUSART 2013]], 1-12. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_1 http://www.csse.monash.edu.au/~jonmc/research/Papers/McCormackEvoMUSART2013.pdf<br /> <br /> * [[Victor Ciesielski]], [[Perry Barile]], [[Karen Trist]]: [[Finding Image Features Associated with High Aesthetic Value by Machine Learning]]. In: [[EvoMUSART 2013]], 47-58. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_5 http://www.cs.rmit.edu.au/~vc/papers/evomusart13.pdf<br /> <br /> * [[Kate Reed]]: [[Aesthetic Measures for Evolutionary Vase Design]]. In: [[EvoMUSART 2013]], 59-71. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_6<br /> <br /> * [[Jonathan Eisenmann]], [[Matthew Lewis]], [[Rick Parent]]: [[Inverse Mapping with Sensitivity Analysis for Partial Selection in Interactive Evolution]]. In: [[EvoMUSART 2013]], 72-84. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_7<br /> <br /> * [[Mohammad Majid al-Rifaie]], [[John Mark Bishop]]: [[Swarmic Sketches and Attention Mechanism]]. In: [[EvoMUSART 2013]], 85-96. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_8<br /> <br /> * [[Mohammad Majid al-Rifaie]], [[John Mark Bishop]]: [[Swarmic Paintings and Colour Attention]]. In: [[EvoMUSART 2013]], 97-108. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_9<br /> <br /> * [[Eelco den Heijer]]: [[Evolving Glitch Art]]. In: [[EvoMUSART 2013]], 109-120. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_10 http://www.few.vu.nl/~eelco/publications/Eelco-den-Heijer-Evolving-Glitch-2013.pdf<br /> <br /> * [[Mario García Valdez]], [[Leonardo Trujillo]], [[Francisco Fernández de Vega]], [[Juan Julián Merelo Guervós]], [[Gustavo Olague]]: [[EvoSpace-Interactive: A Framework to Develop Distributed Collaborative-Interactive Evolutionary Algorithms for Artistic Design]]. In: [[EvoMUSART 2013]], 121-132. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_11 <br /> <br /> * [[João Correia]], [[Penousal Machado]], [[Juan Romero]], [[Adrián Carballal]]: [[Feature Selection and Novelty in Computational Aesthetics]]. In: [[EvoMUSART 2013]], 133-144. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_12 http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/cmrc13.pdf<br /> <br /> * [[Patrick Janssen]], [[Vignesh Kaushik]]: [[Decision Chain Encoding: Evolutionary Design Optimization with Complex Constraints]]. In: [[EvoMUSART 2013]], 157-167. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_14<br /> <br /> * [[Malik Nairat]], [[Palle Dahlstedt]], [[Mats G. Nordahl]]: [[Story Characterization Using Interactive Evolution in a Multi-Agent System]]. In: [[EvoMUSART 2013]], 168-179. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_15<br /> <br /> * [[Antonios Liapis]], [[Georgios N. Yannakakis]], [[Julian Togelius]]: [[Sentient World: Human-Based Procedural Cartography - An Experiment in Interactive Sketching and Iterative Refining]]. In: [[EvoMUSART 2013]], 180-191. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_16 http://yannakakis.net/wp-content/uploads/2013/08/SentientWorld.pdf<br /> <br /> ==== [[EvoMUSART 2012]] ====<br /> * [[Steven Bergen]], [[Brian J. Ross]]: [[Aesthetic 3D Model Evolution]]. In: [[EvoMUSART 2012]], 11-22. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_2<br /> <br /> * [[Jonathan Byrne]], [[Erik Hemberg]], [[Anthony Brabazon]], [[Michael O&#039;Neill]]: [[A Local Search Interface for Interactive Evolutionary Architectural Design]]. In: [[EvoMUSART 2012]], 23-34. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_3 http://ncra.ucd.ie/papers/localsearchinterface.pdf<br /> <br /> * [[Simon Colton]]: [[Evolving a Library of Artistic Scene Descriptors]]. In: [[EvoMUSART 2012]], 35-47. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_4 http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.299.421&amp;rep=rep1&amp;type=pdf<br /> <br /> * [[Eelco den Heijer]], [[A. E. Eiben]]: [[Evolving Pop Art Using Scalable Vector Graphics]]. In: [[EvoMUSART 2012]], 48-59. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_5<br /> <br /> * [[Eelco den Heijer]], [[A. E. Eiben]]: [[Maintaining Population Diversity in Evolutionary Art]]. In: [[EvoMUSART 2012]], 60-71. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_6<br /> <br /> * [[Gary Greenfield]]: [[A Platform for Evolving Controllers for Simulated Drawing Robots]]. In: [[EvoMUSART 2012]], 108-116. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_10<br /> <br /> * [[Gregory Hornby]], [[Josh Bongard]]: [[Learning Comparative User Models for Accelerating Human-Computer Collaborative Search]]. In: [[EvoMUSART 2012]], 117-128. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_11 http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.310.1679&amp;rep=rep1&amp;type=pdf<br /> <br /> * [[Colin G. Johnson]]: [[Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used?]] In: [[EvoMUSART 2012]], 129-140. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_12<br /> <br /> * [[Yang Li]], [[Changjun Hu]], [[Ming Chen]], [[Jingyuan Hu]]: [[Investigating Aesthetic Features to Model Human Preference in Evolutionary Art]]. In: [[EvoMUSART 2012]], 153-164. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_14<br /> <br /> * [[Penousal Machado]], [[João Correia]], [[Juan Romero]]: [[Expression-Based Evolution of Faces]]. In: [[EvoMUSART 2012]], 187-198. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_17 http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/mjc12a.pdf<br /> <br /> * [[James McDermott]]: [[Graph Grammars as a Representation for Interactive Evolutionary 3D Design]]. In: [[EvoMUSART 2012]], 199-210. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_18<br /> <br /> ==== [[EvoMUSART 2011]] ==== <br /> * [[Jonathan Byrne | Byrne, Jonathan]]; [[Michael Fenton | Fenton, Michael]]; [[James McDermott | McDermott, James]]; [[James McDermott | McDermott, James]]; [[Michael O&#039;Neill | O&#039;Neill, Michael]]; [[Ciaran McNally | McNally, Ciaran]]; [[Elizabeth Shotton | Shotton, Elizabeth]]: [[Combining Structural Analysis and Multi-Objective Criteria for Evolutionary Architectural Design]]. In: [[EvoMUSART 2011]], 204-213. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_21 http://ncra.ucd.ie/papers/multiDesign.pdf<br /> <br /> * [[Simon Colton | Colton, Simon]]; [[Michael Cook | Cook, Michael]]; [[Azalea Raad | Raad, Azalea]]: [[Ludic Considerations of Tablet-Based Evo-Art]]. In: [[EvoMUSART 2011]], 223-233. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_23 http://ccg.doc.gold.ac.uk/papers/colton_evomusart11.pdf<br /> <br /> * [[Eelco den Heijer | Heijer, Eelco den]]; [[A. E. Eiben | Eiben, A. E.]]: [[Evolving Art Using Multiple Aesthetic Measures]]. In: [[EvoMUSART 2011]], 234-243. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_24 http://www.few.vu.nl/~eelco/publications/E-den-Heijer-and-AE-Eiben-Evolving-Art-Using-Multiple-Aesthetic-Measures-2011.pdf<br /> <br /> * [[Tom De Smedt | Smedt, Tom De]]; [[Ludivine Lechat | Lechat, Ludivine]]; [[Walter Daelemans | Daelemans, Walter]]: [[Generative Art Inspired by Nature, Using NodeBox]]. In: [[EvoMUSART 2011]], 264-273. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_27 http://www.clips.ua.ac.be/sites/default/files/desmedt-generative-art.pdf<br /> <br /> * [[Anikó Ekárt | Ekárt, Anikó]]; [[Divya Sharma | Sharma, Divya]]; [[Stayko Chalakov | Chalakov, Stayko]]: [[Modelling Human Preference in Evolutionary Art]]. In: [[EvoMUSART 2011]], 303-312. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_31 http://core.kmi.open.ac.uk/download/pdf/4896281.pdf<br /> <br /> * [[Robert W. J. Flack | Flack, Robert W. J.]]; [[Brian J. Ross | Ross, Brian J.]]: [[Evolution of Architectural Floor Plans]]. In: [[EvoMUSART 2011]], 313-322. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_32<br /> <br /> * [[Liraz Mor | Mor, Liraz]]; [[Chao Liu | Liu, Chao]]; [[Sebastian Von Mammen | Von Mammen, Sebastian]]: [[Interactive Biomimetic Space: An Interactive Installation to Explore Living Architecture]]. In: [[EvoMUSART 2011]], 364-373. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_37<br /> <br /> * [[Miguel Nicolau | Nicolau, Miguel]]; [[Dan Costelloe | Costelloe, Dan]]: [[Using Grammatical Evolution to Parameterise Interactive 3D Image Generation]]. In: [[EvoMUSART 2011]], 374-383. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_38 http://ncra.ucd.ie/papers/66250374.pdf<br /> <br /> * [[Craig Reynolds | Reynolds, Craig]]: [[Evolving Textures from High Level Descriptions: Gray with an Accent Color]]. In: [[EvoMUSART 2011]], 384-393. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_39<br /> <br /> * [[Juan Romero | Romero, Juan]]; [[Penousal Machado | Machado, Penousal]]; [[Adrian Carballal | Carballal, Adrian]]; [[Olga Osorio | Osorio, Olga]]: [[Aesthetic Classification and Sorting Based on Image Compression]]. In: [[EvoMUSART 2011]], 394-403. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_40 http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/rmco11.pdf<br /> <br /> * [[Paulo Urbano | Urbano, Paulo]]: [[The T. albipennis Sand Painting Artists]]. In: [[EvoMUSART 2011]], 414-423. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_42<br /> <br /> * [[Eirini Vouliouri | Vouliouri, Eirini]]: [[Merging Aesthetics with Functionality: An Interactive Genetic Algorithm Based on the Principle of Weighted Mutation]]. In: [[EvoMUSART 2011]], 424-433. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_43<br /> <br /> ==== [[EvoMUSART 2010]] ==== <br /> * [[Jae C. Oh | Oh, Jae C.]].; [[Edward Zajec | Zajec, Edward]]: [[Evolving Artistic Styles through Visual Dialogues]]. In: [[EvoMUSART 2010]], 261-270. DOI: http://link.springer.com/10.1007/978-3-642-12242-2_27 <br /> <br /> * [[Penousal Machado | Machado, Penousal]]; [[Henrique Nunes | Nunes, Henrique]]; [[Juan Romero | Romero, Juan]]: [[Graph-Based Evolution of Visual Languages]]. In: [[EvoMUSART 2010]], 271-280. DOI: http://link.springer.com/10.1007/978-3-642-12242-2_28 http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/mnr10.pdf <br /> <br /> * [[Shahrul Badariah Mat Sah | Sah, Shahrul Badariah Mat]]; [[Victor Ciesielski | Ciesielski, Victor]]; [[Daryl D’Souza | D’Souza, Daryl]]: [[Refinement Techniques for Animated Evolutionary Photomosaics Using Limited Tile Collections]]. In: [[EvoMUSART 2010]], 281-290. DOI: http://link.springer.com/10.1007/978-3-642-12242-2_29 http://www.cs.rmit.edu.au/~vc/papers/evomusart10.pdf<br /> <br /> * [[Gary Greenfield | Greenfield, Gary]]: [[Generative Art and Evolutionary Refinement]]. In: [[EvoMUSART 2010]], 291-300. DOI: http://link.springer.com/10.1007/978-3-642-12242-2_30 <br /> <br /> * [[Yang Li | Li, Yang]]; [[Chang-Jun Hu | Hu, Chang-Jun]]: [[Aesthetic Learning in an Interactive Evolutionary Art System]]. In: [[EvoMUSART 2010]], 301-310. DOI: http://link.springer.com/10.1007/978-3-642-12242-2_31<br /> <br /> * [[Eelco den Heijer | Heijer, Eelco den]]; [[A. E. Eiben | Eiben, A. E.]]: [[Comparing Aesthetic Measures for Evolutionary Art]]. In: [[EvoMUSART 2010]], 311-320. DOI: http://link.springer.com/10.1007/978-3-642-12242-2_32 http://www.few.vu.nl/~eelco/publications/E-den-Heijer-and-AE-Eiben-Comparing-aesthetic-Measures-for-Evolutionary-Art-2010.pdf<br /> <br /> * [[Philip Galanter | Galanter, Philip]]: [[The Problem with Evolutionary Art Is]]. In: [[EvoMUSART 2010]], 321-330. DOI: http://link.springer.com/10.1007/978-3-642-12242-2_33 http://philipgalanter.com/downloads/evostar2010%20-%20galanter%20-%20the%20problem%20with%20evo%20art.pdf<br /> <br /> ==== [[EvoMUSART 2009]] ==== <br /> * [[Simon Colton | Colton, Simon]]; [[Pedro Torres | Torres, Pedro]]: [[Evolving Approximate Image Filters]]. In: [[EvoMUSART 2009]], 467-477. DOI: http://link.springer.com/10.1007/978-3-642-01129-0_53 http://ccg.doc.gold.ac.uk/papers/colton_evomusart09.pdf<br /> <br /> * [[Palle Dahlstedt | Dahlstedt, Palle]]: [[On the Role of Temporary Storage in Interactive Evolution]]. In: [[EvoMUSART 2009]], 478-487. DOI: http://link.springer.com/10.1007/978-3-642-01129-0_54 <br /> <br /> * [[Alice Eldridge | Eldridge, Alice]]; [[Alan Dorin | Dorin, Alan]]: [[Filterscape: Energy Recycling in a Creative Ecosystem]]. In: [[EvoMUSART 2009]], 508-517. DOI: http://link.springer.com/10.1007/978-3-642-01129-0_57 http://www.ecila.org/ecila_files/content/papers/eldridgeDorinEvoMusart09.pdf<br /> <br /> * [[Gary Greenfield | Greenfield, Gary]]: [[Evolved Ricochet Compositions]]. In: [[EvoMUSART 2009]], 518-527. DOI: http://link.springer.com/10.1007/978-3-642-01129-0_58<br /> <br /> * [[Jon McCormack | McCormack, Jon]]; [[Oliver Bown | Bown, Oliver]]: [[Life&#039;s What You Make: Niche Construction and Evolutionary Art]]. In: [[EvoMUSART 2009]], 528-537. DOI: http://link.springer.com/10.1007/978-3-642-01129-0_59 http://www.csse.monash.edu.au/~jonmc/research/Papers/McCormack_EvoMUSART09.pdf<br /> <br /> * [[Juan Romero | Romero, Juan]]; [[Penousal Machado | Machado, Penousal]]; [[Antonino Santos | Santos, Antonino]]: [[On the Socialization of Evolutionary Art]]. In: [[EvoMUSART 2009]], 557-566. DOI: http://link.springer.com/10.1007/978-3-642-01129-0_62 http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/rms09.pdf<br /> <br /> * [[Rob Saunders | Saunders, Rob]]; [[Kazjon Grace | Grace, Kazjon]]: [[Teaching Evolutionary Design Systems by Extending Context Free]]. In: [[EvoMUSART 2009]], 591-596. DOI: http://link.springer.com/10.1007/978-3-642-01129-0_67<br /> <br /> * [[Graham Wakefield | Wakefield, Graham]]; [[Haru (Hyunkyung) Ji | Ji, Haru (Hyunkyung)]]: [[Artificial Nature: Immersive World Making]]. In: [[EvoMUSART 2009]], 597-602. DOI: http://link.springer.com/10.1007/978-3-642-01129-0_68 http://www.mat.ucsb.edu/Publications/09_WakefieldJi_EvoWorkshops_ArtificialNatureImmersiveWorldMaking.pdf<br /> <br /> ==== [[EvoMUSART 2008]] ==== <br /> * [[Simon Colton | Colton, Simon]]: [[Automatic invention of fitness functions with application to scene generation]]. In: [[EvoMUSART 2008]], 381-391. DOI: http://link.springer.com/10.1007/978-3-540-78761-7_41 http://www.thepaintingfool.com/papers/colton_evomusart08.pdf<br /> <br /> * [[Alice Eldridge | Eldridge, Alice]]; [[Alan Dorin | Dorin, Alan]]; [[Jon McCormack | McCormack, Jon]]: [[Manipulating artificial ecosystems]]. In: [[EvoMUSART 2008]], 392-401. DOI: http://link.springer.com/10.1007/978-3-540-78761-7_42 http://dx.doi.org/10.1007/978-3-540-78761-7_42<br /> <br /> * [[Gary Greenfield | Greenfield, Gary]]: [[Evolved diffusion limited aggregation compositions]]. In: [[EvoMUSART 2008]], 402-411. DOI: http://link.springer.com/10.1007/978-3-540-78761-7_43<br /> <br /> * [[William Latham]]; [[Miki Shaw | Shaw, Miki]]; [[Stephen Todd]]; [[Frederic Fol Leymarie | Leymarie, Frederic Fol]]; [[Benjamin Jefferys | Jefferys, Benjamin]]; [[Lawrence Kelley | Kelley, Lawrence]]: [[Using DNA to generate 3D organic art forms]]. In: [[EvoMUSART 2008]], 433-442. DOI: http://link.springer.com/10.1007/978-3-540-78761-7_46<br /> <br /> * [[Penousal Machado | Machado, Penousal]]; [[Fernando Graca | Graca, Fernando]]: [[Evolutionary pointillist modules: evolving assemblages of 3D objects]]. In: [[EvoMUSART 2008]], 453-462. DOI: http://link.springer.com/10.1007/978-3-540-78761-7_48 http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/mg08.pdf<br /> <br /> * [[Jon Bird | Bird, Jon]]; [[Phil Husbands | Husbands, Phil]]; [[Martin Perris | Perris, Martin]]; [[Bill Bigge | Bigge, Bill]]; [[Paul Brown | Brown, Paul]]: [[Implicit fitness functions for evolving a drawing robot]]. In: [[EvoMUSART 2008]], 473-478. DOI: http://link.springer.com/10.1007/978-3-540-78761-7_50 http://www.sussex.ac.uk/Users/philh/pubs/evomusart08Bird.pdf<br /> <br /> * [[Miguel Frade | Frade, Miguel]]; [[Francisco Fernández De Vega | De Vega, Francisco Fernández]]; [[Carlos Cotta | Cotta, Carlos]]: [[Modelling video games&#039; landscapes by means of genetic terrain programming: a new approach for improving users&#039; experience]]. In: [[EvoMUSART 2008]], 485-490. DOI: http://link.springer.com/10.1007/978-3-540-78761-7_52 http://www.lcc.uma.es/~ccottap/papers/frade08gtp.pdf<br /> <br /> * [[Sebastian Von Mammen | Von Mammen, Sebastian]];[[Joyce Wong | Wong, Joyce]]; [[Christian Jacob | Jacob, Christian]]: [[Virtual constructive swarm compositions and inspiration]]. In: [[EvoMUSART 2008]], 491-496. DOI: http://link.springer.com/10.1007/978-3-540-78761-7_53<br /> <br /> * [[Gunnar Tufte | Tufte, Gunnar]]; [[Espen Gangvik | Gangvik, Espen]]: [[Trans - former 13: exploration and adaptation of evolution expressed in a dynamic sculpture]]. In: [[EvoMUSART 2008]], 509-514. DOI: http://link.springer.com/10.1007/978-3-540-78761-7_56 http://www.idi.ntnu.no/~gunnart/evoMusArt08draft3.pdf<br /> <br /> ==== [[EvoMUSART 2007]] ==== <br /> * [[Victor Ciesielski | Ciesielski, Victor]]; [[Marsha Berry | Berry, Marsha]]; [[Karen Trist | Trist, Karen]]; [[Daryl D&#039;Souza | D&#039;Souza, Daryl]]: [[Evolution of Animated Photomosaics]]. In: [[EvoMUSART 2007]], 498-507. DOI: http://link.springer.com/10.1007/978-3-540-71805-5_55<br /> <br /> * [[David Augustus Hart | Hart, David Augustus]]: [[Toward Greater Artistic Control for Interactive Evolution of Images and Animation]]. In: [[EvoMUSART 2007]], 527-536. DOI: http://link.springer.com/10.1007/978-3-540-71805-5_58 http://dahart.com/paper/hart_evomusart_2007_paper.pdf<br /> <br /> * [[Olgierd Unold | Unold, Olgierd]]: [[Maciej Troc | Troc, Maciej]]: [[Curve, Draft, and Style: Three Steps to the Image]]. In: [[EvoMUSART 2007]], 601-608. DOI: http://link.springer.com/10.1007/978-3-540-71805-5_66<br /> <br /> ==== [[EvoMUSART 2006]] ==== <br /> * [[John Collomosse | Collomosse, John]]: [[Supervised Genetic Search for Parameter Selection in Painterly Rendering]]. In: [[EvoMUSART 2006]], 599-610. DOI: http://link.springer.com/10.1007/11732242_57<br /> <br /> * [[Gary Greenfield | Greenfield, Gary]]: [[Robot Paintings Evolved Using Simulated Robots]]. In: [[EvoMUSART 2006]], 611-621. DOI: http://link.springer.com/10.1007/11732242_58<br /> <br /> * [[Paulo Urbano | Urbano, Paulo]]: [[Consensual Paintings]]. In: [[EvoMUSART 2006]], 622-632. DOI: http://link.springer.com/10.1007/11732242_59<br /> <br /> * [[Tristan Basa | Basa, Tristan]]; [[Christian Anthony Go | Go, Christian Anthony]]; [[Kil-Sang Yoo | Yoo, Kil-Sang]]; [[Won-Hyung Lee | Lee, Won-Hyung]]: [[Using Physiological Signals to Evolve Art]]. In: [[EvoMUSART 2006]], 633-641. DOI: http://link.springer.com/10.1007/11732242_60<br /> <br /> * [[Nuno A. C. Henriques | Henriques, Nuno A. C.]]; [[Nuno Correia | Correia, Nuno]]; [[Jônatas Manzolli | Manzolli, Jônatas]]; [[Luís Correia | Correia, Luís]]; [[Teresa Chambel | Chambel, Teresa]]: [[MovieGene: Evolutionary Video Production Based on Genetic Algorithms and Cinematic Properties]]. In: [[EvoMUSART 2006]], 707-711. DOI: http://link.springer.com/10.1007/11732242_67<br /> <br /> ==== [[EvoMUSART 2005]] ==== <br /> * [[Jon McCormack]]: [[Open Problems in Evolutionary Music and Art]]. In: [[EvoMUSART 2005]], 428-436. DOI: http://link.springer.com/10.1007/978-3-540-32003-6_43 http://www.csse.monash.edu.au/~jonmc/research/Papers/OpenProblemsSV.pdf<br /> <br /> * [[John Collomosse | Collomosse, John]]; [[Peter M. Hall | Hall, Peter M.]]: [[Genetic Paint: A Search for Salient Paintings]]. In: [[EvoMUSART 2005]], 437-447. DOI: http://link.springer.com/10.1007/978-3-540-32003-6_44 http://personal.ee.surrey.ac.uk/Personal/J.Collomosse/pubs/Collomosse-EVOm-2005.pdf<br /> <br /> * [[Alan Dorin | Dorin, Alan]]: [[Artificial Life, Death and Epidemics in Evolutionary, Generative Electronic Art]]. In: [[EvoMUSART 2005]], 448-457. DOI: http://link.springer.com/10.1007/978-3-540-32003-6_45 http://www.csse.monash.edu.au/~aland/PAPERS/evoMusArt2005preprint.pdf<br /> <br /> * [[Scott Draves | Draves, Scott]]: [[The Electric Sheep Screen-Saver: A Case Study in Aesthetic Evolution]]. In: [[EvoMUSART 2005]], 458-467. DOI: http://link.springer.com/10.1007/978-3-540-32003-6_46 http://draves.org/evomusart05/evomusart05draves.pdf<br /> <br /> * [[Tim Blackwell | Blackwell, Tim]]; [[Janis Jefferies | Jefferies, Janis]]: [[Swarm Tech-Tiles Tim]]. In: [[EvoMUSART 2005]], 468-477. DOI: http://link.springer.com/10.1007/978-3-540-32003-6_47 http://igor.gold.ac.uk/~mas01tb/papers/SwarmTechtiles.pdf<br /> <br /> * [[Gary Greenfield | Greenfield, Gary]]: [[Evolutionary Methods for Ant Colony Paintings]]. In: [[EvoMUSART 2005]], 478-487. DOI: http://link.springer.com/10.1007/978-3-540-32003-6_48<br /> <br /> * [[Paulo Urbano | Urbano, Paulo]]: [[Playing in the Pheromone Playground: Experiences in Swarm Painting]]. In: [[EvoMUSART 2005]], 527-532. DOI: http://link.springer.com/10.1007/978-3-540-32003-6_53<br /> <br /> ==== [[EvoMUSART 2004]] ==== <br /> * [[Tim Blackwell | Blackwell, Tim]]; [[Michael Young | Young, Michael]]: [[Swarm Granulator]]. In: [[EvoMUSART 2004]], 399-408. DOI: http://link.springer.com/10.1007/978-3-540-24653-4_41 http://igor.gold.ac.uk/~mas01tb/papers/SwarmGranulator.pdf<br /> <br /> * [[Matthew Lewis | Lewis, Matthew]]: [[Aesthetic Video Filter Evolution in an Interactive Real-Time Framework]]. In: [[EvoMUSART 2004]], 409-418. DOI: http://link.springer.com/10.1007/978-3-540-24653-4_42 http://accad.osu.edu/research/interactive_performance_htmls/video.pdf<br /> <br /> * [[Hans E. Dehlinger | Dehlinger, Hans E.]]: [[Generative Art: Fuzzy Polygon Clipping in Program Generated Line Oriented Drawings]]. In: [[EvoMUSART 2004]], 419-426. DOI: http://link.springer.com/10.1007/978-3-540-24653-4_43<br /> <br /> * [[Gary Greenfield | Greenfield, Gary]]: [[Tilings of Sequences of Co-evolved Images]]. In: [[EvoMUSART 2004]], 427-436. DOI: http://link.springer.com/10.1007/978-3-540-24653-4_44<br /> <br /> * [[Penousal Machado | Machado, Penousal]]; [[Juan Romero | Romero, Juan]]; [[Maria Luisa Santos | Santos, Maria Luisa]]; [[Amilcar Cardoso | Cardoso, Amilcar]]; [[Bill Manaris | Manaris, Bill]]: [[Adaptive Critics for Evolutionary Artists]]. In: [[EvoMUSART 2004]], 437-446. DOI: http://link.springer.com/10.1007/978-3-540-24653-4_45 http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/mrs+04.pdf<br /> <br /> * [[Nils Svangard | Svangard, Nils]]; [[Peter Nordin | Nordin, Peter]]: [[Automated Aesthetic Selection of Evolutionary Art by Distance Based Classification of Genomes and Phenomes Using the Universal Similarity Metric]]. In: [[EvoMUSART 2004]], 447-456. DOI: http://link.springer.com/10.1007/978-3-540-24653-4_46<br /> <br /> * [[Paul Nemirovsky | Nemirovsky, Paul]]; [[Rebecca Luger-Guil | Luger-Guil, Rebecca]]: [[Improvisational Media Space: Architecture and Strategies for Evolution]]. In: [[EvoMUSART 2004]], 457-466. DOI: http://link.springer.com/10.1007/978-3-540-24653-4_47 http://web.media.mit.edu/~pauln/research/emonic/docs/evomusart2004.pdf<br /> <br /> * [[Alan Dorin | Dorin, Alan]]: [[The Virtual Ecosystem as Generative Electronic Art]]. In: [[EvoMUSART 2004]], 467-476. DOI: http://link.springer.com/10.1007/978-3-540-24653-4_48 http://www.csse.monash.edu.au/~aland/PAPERS/evoMusArt2004preprint.pdf<br /> <br /> * [[Jon McCormack]]: [[Aesthetic Evolution of L-Systems Revisited]]. In: [[EvoMUSART 2004]], 477-486. DOI: http://link.springer.com/10.1007/978-3-540-24653-4_49 http://www.springerlink.com/index/28W67F21352R35LN.pdf<br /> <br /> ==== [[EvoMUSART 2003]] ==== <br /> * [[Mauro Annunziato | Annunziato, Mauro]]; [[Piero Pierucci | Pierucci, Piero]]: [[The Emergence of Social Learning in Artificial Societies]]. In: [[EvoMUSART 2003]], 467-478. DOI: http://link.springer.com/10.1007/3-540-36605-9_43 http://www.plancton.com/papers/evoart.pdf<br /> <br /> * [[Jon Bird | Bird, Jon]]; [[Joe Faith | Faith, Joe]]; [[Andy Webster | Webster, Andy]]: [[Tabula Rasa: A Case Study in Evolutionary Curation]]. In: [[EvoMUSART 2003]], 479-489. DOI: http://link.springer.com/10.1007/3-540-36605-9_44<br /> <br /> * [[Evelyne Lutton | Lutton, Evelyne]], [[Emmanuel Cayla | Cayla, Emmanuel]]; [[Jonathan Chapuis | Chapuis, Jonathan]]: [[ArtiE-Fract: The Artist’s Viewpoint]]. In: [[EvoMUSART 2003]], 547-558. DOI: http://link.springer.com/10.1007/3-540-36605-9_47 http://evelyne.lutton.free.fr/Papers/134_lutton.pdf<br /> <br /> * [[Paul Nemirovsky | Nemirovsky, Paul]]; [[Richard Watson | Watson, Richard]]: [[Genetic Improvisation Model A Framework for Real-Time Performance Environments]]. In: [[EvoMUSART 2003]], 510-521. DOI: http://link.springer.com/10.1007/3-540-36605-9_50 http://www.media.mit.edu/~pauln/research/emonic/docs/evomusart2003.pdf<br /> <br /> * [[Juan Romero | Romero, Juan]]; [[Penousal Machado | Machado, Penousal]]; [[Antonio Santos | Santos, Antonio]]; [[Amílcar Cardoso | Cardoso, Amílcar]]: [[On the Development of Critics in Evolutionary Computation Artists]]. In: [[EvoMUSART 2003]], 559-569. DOI: http://link.springer.com/10.1007/3-540-36605-9_51 http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/rmsc03.pdf<br /> <br /> * [[Yago Saez | Saez, Yago]]; [[Oscar Sanjuan | Sanjuan, Oscar]]; [[Javier Segovia | Segovia, Javier]]; [[Pedro Isasi | Isasi, Pedro]]: [[Genetic Algorithms for the Generation of Models with Micropopulations]]. In: [[EvoMUSART 2003]], 570-580. DOI: http://link.springer.com/10.1007/3-540-36605-9_52 http://e-archivo.uc3m.es/bitstream/10016/3985/1/genetic_LNCS_2003_ps.pdf<br /> <br /> === Artikel in sonstigen Konferenzen und Workshops === <br /> Hauptsächlich zusammengestellt aus den &quot;Used References&quot; der EvoArt Bücher und EvoMUSART-Konferenzen, der [http://www.cs.bham.ac.uk/~wbl/biblio/ GP-Bibliography], und den Comp Aesthetic-Konferenzen, den Generative Art Konferenzen (bis 2015), den Computational Creativity Konferenzen (bis 2016) und den Briges Konferenzen<br /> <br /> ====2017====<br /> * Adam Colestock: [[Let the Numbers Do the Walking: Generating Turtle Dances on the Plane from Integer Sequences]]. In: [[Bridges 2017]], Pages 139–146. http://archive.bridgesmathart.org/2017/bridges2017-139.pdf<br /> <br /> * Douglas Dunham and John Shier: [[New Kinds of Fractal Patterns]]. In: [[Bridges 2017]], Pages 111–116. http://archive.bridgesmathart.org/2017/bridges2017-111.pdf<br /> <br /> * Frank A. Farris: [[Natural Color Symmetry]]. In: [[Bridges 2017]], Pages 131–138. http://archive.bridgesmathart.org/2017/bridges2017-131.pdf<br /> <br /> * Lena Gieseke, Paul Asente, Jingwan Lu, Martin Fuchs: [[Organized order in ornamentation]]. In: CAE &#039;17. https://doi.org/10.1145/3092912.3092913 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a04/a04-C01-gieseke.pdf<br /> <br /> * Craig S. Kaplan: [[Interwoven Islamic Geometric Patterns]]. In: [[Bridges 2017]], Pages 71–78. http://archive.bridgesmathart.org/2017/bridges2017-71.pdf<br /> <br /> * Eryk Kopczyński, Dorota Celińska and Marek Čtrnáct: [[HyperRogue: Playing with Hyperbolic Geometry]]. In: [[Bridges 2017]], Pages 9–16. http://archive.bridgesmathart.org/2017/bridges2017-9.pdf<br /> <br /> * Xiao-Chang Liu, Ming-Ming Cheng, Yu-Kun Lai Paul L. Rosin: [[Depth-aware neural style transfer]]. In: NPAR &#039;17. https://doi.org/10.1145/3092919.3092924 https://dl.acm.org/authorize?N32487<br /> <br /> * Taneli Luotoniemi: [[Crooked Houses: Visualizing the Polychora with Hyperbolic Patchwork]]. In: [[Bridges 2017]], Pages 17–24. http://archive.bridgesmathart.org/2017/bridges2017-17.pdf<br /> <br /> * Jacob Rus: [[Flowsnake Earth]]. In: [[Bridges 2017]], Pages 237–244. http://archive.bridgesmathart.org/2017/bridges2017-237.pdf<br /> <br /> * Amir Semmo, Tobias Isenberg, Jürgen Döllner: [[Neural style transfer: a paradigm shift for image-based artistic rendering?]] In: NPAR &#039;17. https://doi.org/10.1145/3092919.3092920 https://dl.acm.org/authorize?N32488<br /> <br /> ====2016====<br /> * Benoit Arbelot, Romain Vergne, Thomas Hurtut, and Joëlle Thollot: [[Automatic Texture Guided Color Transfer and Colorization]]. In: [[Computational Aesthetics 2016]] CAE&#039;16, 21-32, http://dx.doi.org/10.2312/exp.20161060 http://dl.acm.org/citation.cfm?id=2981328&amp;CFID=558819604&amp;CFTOKEN=68186175<br /> <br /> * Leonid Berov and Kai-Uwe Kuhnberger: [[Visual Hallucination For Computational Creation]]. In: [[Computational Creativity 2016 ICCC 2016]], 107-114, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/Visual-Hallucination-For-Computational-Creation.pdf<br /> <br /> * Debarun Bhattacharjya: [[Preference Models for Creative Artifacts and Systems]]. In: [[Computational Creativity 2016 ICCC 2016]], 52-59, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/Preference-Models-for-Creative-Artifacts-and-Systems.pdf<br /> <br /> * John Charnley, Simon Colton, Maria Teresa Llano Rodriguez and Joseph Corneli: [[The FloWr Online Platform: Automated Programming and Computational Creativity as a Service]]. In: [[Computational Creativity 2016 ICCC 2016]], 363-370, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/The-FloWr-Online-Platform.pdf <br /> <br /> * Joao Correia, Tiago Martins, Pedro Martins and Penousal Machado: [[X-Faces: The eXploit Is Out There]]. In: [[Computational Creativity 2016 ICCC 2016]], 164-171, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/X-Faces-The-eXploit-Is-Out-There.pdf<br /> <br /> * Mark d’Inverno and Arthur Still: [[A History of Creativity for Future AI Research]]. In: [[Computational Creativity 2016 ICCC 2016]], 147-154, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/A-History-of-Creativity-for-Future-AI-Research.pdf<br /> <br /> * Celso França, Luis Fabricio Wanderley Goes, Alvaro Amorim, Rodrigo Rocha and Alysson Ribeiro Da Silva-Regent: [[Dependent Creativity: A Domain Independent Metric for the Assessment of Creative Artifacts]]. In: [[Computational Creativity 2016 ICCC 2016]], 68-75, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/Regent-Dependent-Creativity.pdf<br /> <br /> * Brendan Galea, Ehsan Kia, Nicholas Aird, and Paul G. Kry: [[Stippling with Aerial Robots]]. In: [[Computational Aesthetics 2016]] CAE&#039;16, 125-134 http://dx.doi.org/10.2312/exp.20161071 http://dl.acm.org/citation.cfm?id=2981342&amp;CFID=558819604&amp;CFTOKEN=68186175<br /> <br /> * Christian Guckelsberger, Christoph Salge, Rob Saunders and Simon Colton: [[Supportive and Antagonistic Behaviour in Distributed Computational Creativity via Coupled Empowerment Maximisation]]. In: [[Computational Creativity 2016 ICCC 2016]], 9-16, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/Supportive-and-Antagonistic-Behaviour-in-Distributed-Computational-Creativity.pdf<br /> <br /> * Derrall Heath and Dan Ventura: [[Before A Computer Can Draw, It Must First Learn To See]]. In: [[Computational Creativity 2016 ICCC 2016]], 172-179, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/Before-A-Computer-Can-Draw-It-Must-First-Learn-To-See.pdf<br /> <br /> * Akın Kazakci, Mehdi Cherti and Balazs Kegl: [[Digits that are not: Generating new types through deep neural nets]]. In: [[Computational Creativity 2016 ICCC 2016]], 188-195, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/Digits-that-are-not.pdf<br /> <br /> * Joel Lehman, Sebastian Risi and Jeff Clune: [[Creative Generation of 3D Objects with Deep Learning and Innovation Engines]]. In: [[Computational Creativity 2016 ICCC 2016]], 180-187, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/Creative-Generation-of-3D-Objects-with-Deep-Learning-and-Innovation-Engines.pdf<br /> <br /> * Simo Linkola, Tapio Takala and Hannu Toivonen: [[Novelty-Seeking Multi-Agent System]]. In: [[Computational Creativity 2016 ICCC 2016]], 1-8, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/Novelty-Seeking-Multi-Agent-Systems.pdf <br /> <br /> * Alain Lioret: [[Quantum Art]]. In: [[Computational Aesthetics 2016]] CAE&#039;16, 135-139. http://dx.doi.org/10.2312/exp.20161072 http://dl.acm.org/citation.cfm?id=2981343&amp;CFID=558819604&amp;CFTOKEN=68186175<br /> <br /> * Yiming Liu, Aseem Agarwala, Jingwan Lu, and Szymon Rusinkiewicz: [[Data-Driven Iconification]]. In: [[Computational Aesthetics 2016]] CAE&#039;16, 113-124. http://dx.doi.org/10.2312/exp.20161070 http://dl.acm.org/citation.cfm?id=2981341&amp;CFID=558819604&amp;CFTOKEN=68186175<br /> <br /> * Pedro Martins, Senja Pollak, Tanja Urbancic and Amilcar Cardoso: [[Optimality Principles in Computational Approaches to Conceptual Blending: Do We Need Them (at) All?]] In: [[Computational Creativity 2016 ICCC 2016]], 346-353, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/Optimality-Principles-in-Computational-Approaches-to-Conceptual-Blending.pdf<br /> <br /> * Graeme McCaig, Steve Dipaola and Liane Gabora: [[Deep Convolutional Networks as Models of Generalization and Blending within Visual Creativity]]. In: [[Computational Creativity 2016 ICCC 2016]], 156-163, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/Deep-Convolutional-Networks-as-Models-of-Generalization-and-Blending.pdf<br /> <br /> * Santiago Montesdeoca, Hock-Soon Seah, and Hans-Martin Rall: [[Art-directed Watercolor Rendered Animation]]. In: [[Computational Aesthetics 2016]] CAE&#039;16, 51-58. http://dx.doi.org/10.2312/exp.20161063 http://dl.acm.org/citation.cfm?id=2981332&amp;CFID=558819604&amp;CFTOKEN=68186175<br /> <br /> * David Mould and Paul L. Rosin: [[A Benchmark Image Set for Evaluating Stylization]]. In: [[Computational Aesthetics 2016]] CAE&#039;16, 11-20, http://dx.doi.org/10.2312/exp.20161059 http://dl.acm.org/citation.cfm?id=2981327&amp;CFID=558819604&amp;CFTOKEN=68186175 <br /> <br /> * Huy Quoc Phan, Jingwan Lu, Paul Asente, Antoni B. Chan, and Hongbo Fu: [[Patternista: Learning Element Style Compatibility and Spatial Composition for Ring-based Layout Decoration]]. In: [[Computational Aesthetics 2016]] CAE&#039;16, 79-88. http://dx.doi.org/10.2312/exp.20161066 http://dl.acm.org/citation.cfm?id=2981336&amp;CFID=558819604&amp;CFTOKEN=68186175<br /> <br /> * Senja Pollak, Biljana Mileva Boshkoska, Dragana Miljkovic, Geraint Wiggins and Nada Lavrac: [[Computational Creativity Conceptualisation Grounded on ICCC Papers]]. In: [[Computational Creativity 2016 ICCC 2016]], 123-130, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/Computational-Creativity-Conceptualisation-Grounded-on-ICCC-Papers.pdf<br /> <br /> * Antoine Saillenfest, Jean-Louis Dessalles and Olivier Auber: [[Role of Simplicity in Creative Behaviour: The Case of the Poietic Generator]]. In: [[Computational Creativity 2016 ICCC 2016]], 33-40, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/Role-of-Simplicity-in-Creative-Behaviour.pdf <br /> <br /> * Dan Ventura: [[Mere Generation: Essential Barometer or Dated Concept?]]. In: [[Computational Creativity 2016 ICCC 2016]], 17-24, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/Mere-Generation.pdf<br /> <br /> * Georgios N. Yannakakis and Antonios Liapis: [[Searching for Surprise]]. In: [[Computational Creativity 2016 ICCC 2016]], 25-32, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/Searching-for-Surprise.pdf <br /> <br /> * Martin Znidarsic, Amilcar Cardoso, Pablo Gervas, Pedro Martins, Raquel Hervas, Ana Alves, Hugo Oliveira, Ping Xiao, Simo Linkola, Hannu Toivonen, Janez Kranjc and Nada Lavrac: [[Computational Creativity Infrastructure for Online Software Composition: A Conceptual Blending Use Case]]. In: [[Computational Creativity 2016 ICCC 2016]], 371-378, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/Computational-Creativity-Infrastructure-for-Online-Software-Composition.pdf<br /> <br /> ====2015====<br /> * [[Filipe Assunção]], [[João Correia]], [[Pedro Martins]], [[Penousal Machado]]: [[Evolving Families of Shapes]]. In Proceedings of the Twenty-Fourth International Joint Conference on Artificial Intelligence, IJCAI 2015, Buenos Aires, Argentina, July 25-31, 2015, 2015, pp. 4134-4135. http://ijcai.org/Proceedings/15/Papers/580.pdf http://cdv.dei.uc.pt/wp-content/uploads/2015/08/ijcai15c.pdf<br /> <br /> * Sema Berkiten, Xinyi Fan, and Szymon Rusinkiewicz: [[Semi-Automatic Digital Epigraphy from Images with Normals]]. In: [[Computational Aesthetics 2015]] NPAR&#039;15, 91-102. http://dx.doi.org/10.2312/exp.20151182 http://dl.acm.org/citation.cfm?id=2810002.2810006&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 http://gfx.cs.princeton.edu/pubs/Berkiten_2015_SDE/epigraphy_NPAR15.pdf<br /> <br /> * &lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; Daniel Berio and Frederic Fol Leymarie: [[Computational Models for the Analysis and Synthesis of Graffiti Tag Strokes]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 35-47. http://dx.doi.org/10.2312/exp.20151177 http://dl.acm.org/citation.cfm?id=2811242&amp;CFID=724111209&amp;CFTOKEN=48939661 http://doc.gold.ac.uk/autograff/papers/CompModelsGraffitiTagStrokes.pdf<br /> <br /> * Alexandra Bonnici and Kenneth P. Camilleri: [[A Combined Junction-Cue Dictionary for Labelling Sketch Drawings with Artistic Shadows and Table-line Cues]]. In: [[Computational Aesthetics 2015]] SBIM&#039;15, 123-129. http://dx.doi.org/10.2312/exp.20151185 http://dl.acm.org/citation.cfm?id=2810210.2810219&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661<br /> <br /> * Luis Cardona and Suguru Saito: [[Hybrid-Space Localized Stylization Method for View-Dependent Lines Extracted from 3D Models]]. In: [[Computational Aesthetics 2015]] NPAR&#039;15, 79-89. http://dx.doi.org/10.2312/exp.20151181 http://dl.acm.org/citation.cfm?id=2810002.2810004&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661<br /> <br /> * Çagla Çıg and Tevfik Metin Sezgin: [[Real-Time Activity Prediction: A Gaze-Based Approach for Early Recognition of Pen-Based Interaction Tasks]]. In: [[Computational Aesthetics 2015]] SBIM&#039;15, 59-65. http://dx.doi.org/10.2312/exp.20151179 http://dl.acm.org/citation.cfm?id=2810210.2810216&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 http://www.researchgate.net/profile/Cagla_Cig/publication/276272037_Real-Time_Activity_Prediction_A_Gaze-Based_Approach_for_Early_Recognition_of_Pen-Based_Interaction_Tasks/links/555452eb08ae6943a86f4999.pdf?inViewer=true&amp;pdfJsDownload=true&amp;disableCoverPage=true&amp;origin=publication_detail<br /> <br /> * [[Simon Colton]], Jakob Halskov, Dan Ventura, Ian Gouldstone, Michael Cook and Blanca Perez­-Ferrer: [[The Painting Fool Sees! New Projects with the Automated Painter]]. In: [[Computational Creativity 2015 ICCC 2015]], 189-196. http://computationalcreativity.net/iccc2015/proceedings/8_2Colton.pdf<br /> <br /> * Ahmed Elgammal and Babak Saleh: [[Quantifying Creativity in Art Networks]] In: [[Computational Creativity 2015 ICCC 2015]], 39-46. http://computationalcreativity.net/iccc2015/proceedings/2_3Elgammal.pdf<br /> <br /> * &lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; Jakub Fišer, Paul Asente, and Daniel Sýkora: [[ShipShape: A Drawing Beautification Assistant]]. In: [[Computational Aesthetics 2015]] SBIM&#039;15, 49-57. http://dx.doi.org/10.2312/exp.20151178 http://dl.acm.org/citation.cfm?id=2810210.2810215&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 http://dcgi.felk.cvut.cz/home/sykorad/Fiser15-SBIM.pdf<br /> <br /> * Angus Graeme Forbes and Javier Villegas: [[Video Granular Synthesis]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 195-201. http://dx.doi.org/10.2312/exp.20151192 http://dl.acm.org/citation.cfm?id=2811252&amp;CFID=724111209&amp;CFTOKEN=48939661 https://www.evl.uic.edu/documents/forbes_videogranularsynthesis_cae2015.pdf<br /> <br /> * &lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; Lena Gieseke, Sven Klingel, and Martin Fuchs: [[Shake it up - Image Decomposition and Rearrangements of Its Constituents]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 141-147. http://dx.doi.org/10.2312/exp.20151187 http://dl.acm.org/citation.cfm?id=2811247&amp;CFID=724111209&amp;CFTOKEN=48939661 http://www.visus.uni-stuttgart.de/uploads/tx_vispublications/Gieseke_SIU_2015.pdf<br /> <br /> * Kazjon Grace and Mary Lou Maher: [[Specific curiosity as a cause and consequence of transformational creativity]]. In: [[Computational Creativity 2015 ICCC 2015]], 260-267. http://computationalcreativity.net/iccc2015/proceedings/11_3Grace.pdf<br /> <br /> * Martin Guay, Rémi Ronfard, Michael Gleicher, and Marie-Paule Cani: [[Adding Dynamics to Sketch-based Character Animations]]. In: [[Computational Aesthetics 2015]] SBIM&#039;15, 27-34. http://dx.doi.org/10.2312/exp.20151176 http://dl.acm.org/citation.cfm?id=2810210.2810213&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 https://hal.inria.fr/hal-01154847/document <br /> <br /> * Derrall Heath, Aaron Dennis and Dan Ventura: [[Imagining Imagination: A Computational Framework Using Associative Memory Models and Vector Space Models]]. In: [[Computational Creativity 2015 ICCC 2015]], 244-251. http://computationalcreativity.net/iccc2015/proceedings/11_1Heath.pdf<br /> <br /> * Britton Horn, Gillian Smith, Rania Masri and Janos Stone: [[Visual Information Vases: Towards a Framework for Transmedia Creative Inspiration]]. In: [[Computational Creativity 2015 ICCC 2015]], 182-188. http://computationalcreativity.net/iccc2015/proceedings/8_1Horn.pdf<br /> <br /> * &lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; Hristina Hristova, Olivier Le Meur, Rémi Cozot, and Kadi Bouatouch: [[Style-aware Robust Color Transfer]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 67-77. http://dx.doi.org/10.2312/exp.20151180 http://dl.acm.org/citation.cfm?id=2811244&amp;CFID=724111209&amp;CFTOKEN=48939661 http://people.irisa.fr/Hristina.Hristova/styleCT_camera_ready.pdf http://people.irisa.fr/Hristina.Hristova/main.pdf (slides)<br /> <br /> * Li Ji, Amy Gooch, L. Gammon, Brian Wyvill: [[Rendering artistic light patterns]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 1-13. http://dx.doi.org/10.2312/exp.20151174 http://dl.acm.org/citation.cfm?id=2811241&amp;CFID=724111209&amp;CFTOKEN=48939661<br /> <br /> * Javaheri Javid, M.A., Blackwell, T., Zimmer, R., Al-Rifaie, M.M.: [[Spatial complexity measure for characterising cellular automata generated 2D patterns]]. In: Pereira, F., [[Penousal Machado]], Costa, E., Cardoso, A. (eds.) EPIA 2015. LNCS, vol. 9273, pp. 201–212. Springer, Heidelberg (2015) http://dx.doi.org/10.1007/978-3-319-23485-4_21<br /> <br /> * Javid, M.A.J., al-Rifaie, M.M., Zimmer, R.: [[An informational model for cellular automata aesthetic measure]]. In: AISB Symposium on Computational Creativity. University of Kent, Canterbury, UK (2015) https://www.cs.kent.ac.uk/events/2015/AISB2015/proceedings/computationalCreativity/AISB-CC2015.pdf<br /> <br /> * David Joyner, Darren Bedwell, Chris Graham, Warren Lemmon, Oscar Martinez and Ashok K. Goel: [[Using Human Computation to Acquire Novel Methods for Addressing Visual Analogy Problems on Intelligence Tests]]. In: [[Computational Creativity 2015 ICCC 2015]], 23-30. http://computationalcreativity.net/iccc2015/proceedings/2_1Joyner.pdf<br /> <br /> * &lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; Katrin Lang and Marc Alexa: [[The Markov Pen: Online Synthesis of Free-Hand Drawing Styles]]. In: [[Computational Aesthetics 2015]] NPAR&#039;15, 203-215. http://dx.doi.org/10.2312/exp.20151193 http://dl.acm.org/citation.cfm?id=2810002.2810010&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 http://cybertron.cg.tu-berlin.de/klang/markov-pen/<br /> <br /> * &lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; Xin Lu, Zhe Lin, Xiaohui Shen, Radomir Mech, James Z Wang: [[Deep multi-patch aggregation network for image style, aesthetics, and quality estimation]]. 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AAAI Press (2015) http://ijcai.org/Proceedings/15/Papers/350.pdf<br /> <br /> * Nguyen, A., Yosinski, J., Clune, J.: [[Innovation engines: automated creativity and improved stochastic optimization via deep learning]]. In: Proceedings of the Genetic and Evolutionary Computation Conference (2015) http://dx.doi.org/10.1145/2739480.2754703 http://www.evolvingai.org/files/InnovationEngine_gecco15.pdf<br /> <br /> * David Norton, Derrall Heath and Dan Ventura: [[Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI]]. In: [[Computational Creativity 2015 ICCC 2015]], 31-38. http://computationalcreativity.net/iccc2015/proceedings/2_2Norton.pdf<br /> <br /> * &lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; Paul L. Rosin and Yu-Kun Lai: [[Non-Photorealistic Rendering of Portraits]]. 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In: [[Computational Creativity 2015 ICCC 2015]], 252-259. http://computationalcreativity.net/iccc2015/proceedings/11_2Takala.pdf<br /> <br /> * &lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; Brian Wyvill: [[Painting with Flowsnakes]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 171-182. http://dx.doi.org/10.2312/exp.20151190 http://dl.acm.org/citation.cfm?id=2811251&amp;CFID=724111209&amp;CFTOKEN=48939661 http://webhome.cs.uvic.ca/~blob/publications/flowpaint.pdf<br /> <br /> * Qiuying Xu, Yotam Gingold, and Karan Singh: [[Inverse Toon Shading: Interactive Normal Field Modeling with Isophotes]]. In: [[Computational Aesthetics 2015]] SBIM&#039;15, 15-25. http://dx.doi.org/10.2312/exp.20151175 http://dl.acm.org/citation.cfm?id=2810210.2810212&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 http://www.dgp.toronto.edu/~karan/papers/inverse_toon_shading_SBIM2015.pdf<br /> <br /> * Xuemiao Xu, Linyuan Zhong, Minshan Xie, Jing Qin, Yilan Chen, Qiang Jin, Tien-Tsin Wong, and Guoqiang Han: [[Texture-Aware ASCII Art Synthesis with Proportional Fonts]]. In: [[Computational Aesthetics 2015]] NPAR&#039;15, 183-193. http://dx.doi.org/10.2312/exp.20151191 http://dl.acm.org/citation.cfm?id=2810002.2810009&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661<br /> <br /> * Kemal Tugrul Yesilbek, Cansu Sen, Serike Cakmak, and T. Metin Sezgin: [[SVM-based Sketch Recognition: Which Hyperparameter Interval to Try]]? In: [[Computational Aesthetics 2015]] SBIM&#039;15, 117-121. http://dx.doi.org/10.2312/exp.20151184 http://dl.acm.org/citation.cfm?id=2810210.2810218&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 http://iui.ku.edu.tr/sezgin_publications/2015/SVM_Hyperparameter_Expressive15.pdf<br /> <br /> ====2014====<br /> * Rinat Abdrashitov, Karan Singh, JiaXian Yao and Emilie Guy: [[Mosaic: Sketch-Based Interface for Creating Digital Decorative Mosaics]]. In: [[Computational Aesthetics 2014]]. http://dx.doi.org/10.1145/2630407.2630409 http://www.dgp.toronto.edu/~karan/papers/mosaicSBIM2014.pdf<br /> <br /> * Abdalla Ahmed: [[Modular Line-Based Halftoning via Recursive Division]]. In: [[Computational Aesthetics 2014]]. http://dx.doi.org/10.1145/2630397.2630403<br /> <br /> * Abdalla Ahmed: [[Line-Based Rendering with Truchet-Like Tiles]]. In: [[Computational Aesthetics 2014]]. http://dx.doi.org/10.1145/2630099.2630111<br /> <br /> * Cristina Amati, Niloy Mitra and Tim Weyrich: [[A Study of Image Colourfulness]]. In: [[Computational Aesthetics 2014]]. http://dx.doi.org/10.1145/2630099.2630801 http://reality.cs.ucl.ac.uk/projects/image-colourfulness/image-colourfulness.pdf<br /> <br /> * Agnese Augello, Ignazio Infantino, Giovanni Pilato, Riccardo Rizzo and Filippo Vella: [[Combining Representational Domains for Computational Creativity]]. In: [[Computational Creativity 2014 ICCC 2014]]. http://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//13.2_Augello.pdf<br /> <br /> * W. Barry and [[Brian J. Ross]]: [[Virtual Photography Using Multi-Objective Particle Swarm Optimization]]. GECCO 2014, pp. 285-292, Vancouver, BC, July 2014. DOI: http://dx.doi.org/10.1145/2576768.2598210 http://www.cosc.brocku.ca/~bross/psoPhotos/GECCO_2014_07_12.pptx Presentation<br /> <br /> * Mark Benjamin, Adam Finkelstein and Stephen DiVerdi: [[Painting With Triangles]]. In: [[Computational Aesthetics 2014]]. http://dx.doi.org/10.1145/2630397.2630399 http://gfx.cs.princeton.edu/pubs/Benjamin_2014_PWT/tripaint.pdf<br /> <br /> * Nikolaus Bezruczko: [[Stochastic Generative Image Model Contributes to MRI Artistic Judgment Aptitude Validation]]. In: [[Generative Art 2014]]. http://www.generativeart.com/GA2014_proceedings.pdf#page=259<br /> <br /> * Corina Blajovici: [[An Evolutionary Approach for Generating 2D and 3D Fractal Art]]. In: 10th Joint Conf. on Math. and Comp. Sci., May 22–25, 2014, Cluj, Romania. http://www.cs.ubbcluj.ro/~macs/2014/abstracts/abs_Blajovici_Corina.pdf<br /> <br /> * [[Oliver Bown]]: [[A Model of Runaway Evolution of Creative Domains]]. In: [[Computational Creativity 2014 ICCC 2014]]. http://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//12.1_Bown.pdf<br /> <br /> * Allan Campbell, [[Victor Ciesielski | Ciesielski, Victor]], and Karen Trist: [[A self organizing map based method for understanding features associated with high aesthetic value evolved abstract images]]. In: 2014 IEEE Congress on Evolutionary Computation (CEC), pp. 2274–2281. IEEE (2014) <br /> <br /> * David Chappell: [[Taking a Point for a Walk: Pattern Formation with Self-Interacting Curves]]. In: [[Bridges 2014]]. Pages 337–340 http://archive.bridgesmathart.org/2014/bridges2014-337.html http://archive.bridgesmathart.org/2014/bridges2014-337.pdf<br /> <br /> * [[Simon Colton]], Alison Pease, Joe Corneli, Michael Cook and Maria Teresa Llano: [[Assessing Progress in Building Autonomously Creative Systems]]. In: [[Computational Creativity 2014 ICCC 2014]]. http://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//8.4_Colton.pdf<br /> <br /> * [[Simon Colton]] and Dan Ventura: [[You Can’t Know my Mind: A Festival of Computational Creativity]]. In: [[Computational Creativity 2014 ICCC 2014]]. http://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//15.8_Colton.pdf<br /> <br /> * Michael Cook and [[Simon Colton]]: [[Ludus Ex Machina: Building A 3D Game Designer That Competes Alongside Humans]]. In: [[Computational Creativity 2014 ICCC 2014]]. http://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//4.2_Cook.pdf<br /> <br /> * Marie-Pascale Corcuff, Renaud Munch, Gwenn Rannou: [[RANDOMNESS, (DIS)ORDER, AND GENERATIVITY]]. In: [[Generative Art 2014]]. http://www.generativeart.com/GA2014_proceedings.pdf#page=230<br /> <br /> * [[Joao Correia]] and [[Penousal Machado]]: [[Semantic Operators for Evolutionary Art]]. In: Semantic Methods in Genetic Programming, 13 September 2014. http://www.cs.put.poznan.pl/kkrawiec/smgp2014/uploads/Site/Correia.pdf<br /> <br /> * Nicholas Davis, Yanna Popova, Ivan Sysoev, Chih-Pin Hsiao, Dingtian Zhang and Brian Magerko: [[Building Artistic Computer Colleagues with an Enactive Model of Creativity]]. In: [[Computational Creativity 2014 ICCC 2014]]. http://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//2.3_Davis.pdf<br /> <br /> * Tom De Smedt, Lucas Nijs and [[Walter Daelemans]]: [[Creative Web Services with Pattern]]. In: [[Computational Creativity 2014 ICCC 2014]]. http://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//13.5_DeSmedt.pdf<br /> <br /> * Kazjon Grace and Mary Lou Maher: [[What to Expect when you’re Expecting: The Role of Unexpectedness in Computationally Evaluating Creativity]]. In: [[Computational Creativity 2014 ICCC 2014]]. http://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//8.2_Grace.pdf<br /> <br /> * [[Gary Greenfield]]: [[Target Curves for Pick-up, Carry, and Drop Mobile Automata]]. In: [[Bridges 2014]]. Pages 381–384 http://archive.bridgesmathart.org/2014/bridges2014-381.html http://archive.bridgesmathart.org/2014/bridges2014-381.pdf<br /> <br /> * Francesco E. Guida: [[Generative Visual Identities. New scenarios in corporate identity]]. In: [[Generative Art 2014]]. http://www.generativeart.com/GA2014_proceedings.pdf#page=121 (no c&amp;p)<br /> <br /> * Marcel Hlawatsch, Michael Burch and Daniel Weiskopf: [[Bubble Hierarchies]]. In: [[Computational Aesthetics 2014]]. http://dx.doi.org/10.1145/2630099.2630107 http://www.visus.uni-stuttgart.de/en/institute/people/research-associates/marcel-hlawatsch.html http://www.profitippliga.de/papers/65.pdf<br /> <br /> * Colin G. Johnson: [[Is it Time for Computational Creativity to Grow Up and Start Being Irresponsible?]] In: [[Computational Creativity 2014 ICCC 2014]]. http://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//12.3_Johnson.pdf<br /> <br /> * Anna Jordanous: [[Stepping Back to Progress Forwards: Setting Standards for Meta-Evaluation of Computational Creativity]]. In: [[Computational Creativity 2014 ICCC 2014]]. http://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//8.3_Jordanous.pdf<br /> <br /> * Anna Kantosalo, Jukka M. Toivanen, Ping Xiao and Hannu Toivonen: [[From Isolation to Involvement: Adapting Machine Creativity Software to Support Human-Computer Co-Creation]]. In: [[Computational Creativity 2014 ICCC 2014]]. http://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//1.1_Kantosalo.pdf<br /> <br /> * Vinee V. Kawade; Arti V. Bang: [[Content Based Image Retrieval using interactive genetic algorithm]]. 2014 Annual IEEE India Conference (INDICON), 1 - 6. http://dx.doi.org/10.1109/INDICON.2014.7030501<br /> <br /> * Shin-ichiro Kondo, Masahiro Toyoura and Xiaoyang Mao: [[Skirt Image Retrieval based on Sketches]]. In: [[Computational Aesthetics 2014]]. http://dx.doi.org/10.1145/2630407.2630410 http://www.vc.media.yamanashi.ac.jp/docs/2014/Sketch_SBIM14.pdf<br /> <br /> * Julian Kratt, Ferdinand Eisenkeil, Sören Pirk and Andrei Sharf: [[Non-Realistic 3D Object Stylization]]. In: [[Computational Aesthetics 2014]]. http://dx.doi.org/10.1145/2630099.2630102 http://www.informatik.uni-konstanz.de/index.php?eID=tx_nawsecuredl&amp;u=0&amp;g=0&amp;t=1422269606&amp;hash=fa6bc050ed6b5d661170f0617acc4acfb3f154da&amp;file=fileadmin/informatik/ag-deussen/2014/Kratt.etal-2014-Abstraction.pdf<br /> <br /> * Cheryl Lau, Yuliy Schwartzburg, Appu Shaji, Zahra Sadeghipoor and Sabine Süsstrunk: [[Creating Personalized Jigsaw Puzzles]]. In: [[Computational Aesthetics 2014]]. http://dx.doi.org/10.1145/2630397.2630405 http://infoscience.epfl.ch/record/199960/files/lau_2014_CreatingPersonalizedJigsawPuzzles.pdf<br /> <br /> * Antonios Liapis, Georgios N. Yannakakis and Julian Togelius: [[Computational Game Creativity]]. In: [[Computational Creativity 2014 ICCC 2014]]. http://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//4.1_Liapis.pdf<br /> <br /> * Jingbo Liu, Hongbo Fu and Chiew-Lan Tai: [[Dynamic Sketching: Simulating the Process of Observational Drawings]]. In: [[Computational Aesthetics 2014]]. http://dx.doi.org/10.1145/2630099.2630103 http://sweb.cityu.edu.hk/hongbofu/doc/Dynamic_sketching_CAe14.pdf<br /> <br /> * Antonios Liapis, Georgios N. Yannakakis and Julian Togelius: [[Computational Game Creativity]]. In: [[Computational Creativity 2014 ICCC 2014]]. http://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//4.1_Liapis.pdf<br /> <br /> * Xin Lu, Zhe Lin, Hailin Jin, Jianchao Yang, James Z. Wang: [[Rapid: Rating pictorial aesthetics using deep learning]]. In: Proceedings of the ACM International Conference on Multimedia, pp. 457–466. ACM (2014) http://infolab.stanford.edu/~wangz/project/imsearch/Aesthetics/ACMMM2014/lu.pdf<br /> <br /> * [[Penousal Machado]] and [[Joao Correia]]: [[Semantic aware methods for evolutionary art]]. GECCO &#039;14: Proceedings of the 2014 conference on Genetic and evolutionary computation, pp. 301-308, ACM, 12-16 July 2014. DOI: http://dx.doi.org/10.1145/2576768.2598293<br /> <br /> * [[Jon McCormack]] and M. d&#039;Inverno: [[On the Future of Computers and Creativity]]. AISB 2014 Symposium on Computational Creativity, London, 1–4 April 2014 http://www.csse.monash.edu.au/~jonmc/research/Papers/AISB14McCormack-dInverno.pdf<br /> <br /> * David Mould: [[Authorial Subjective Evaluation of Non-Photorealistic Images]]. In: [[Computational Aesthetics 2014]]. http://dx.doi.org/10.1145/2630397.2630400 http://gigl.scs.carleton.ca/sites/default/files/david_mould/position-jun7.pdf<br /> <br /> * David Norton, Derrall Heath and Dan Ventura: [[Autonomously Managing Competing Objectives to Improve the Creation and Curation of Artifacts]]. In: [[Computational Creativity 2014 ICCC 2014]]. http://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//2.1_Norton.pdf<br /> <br /> * Diarmuid P. O’Donoghue, James Power, Sian O’Briain, Feng Dong, Aidan Mooney, Donny Hurley, Yalemisew Abgaz and Charles Markham: [[Can a Computationally Creative System Create Itself? Creative Artefacts and Creative Processes]]. In: [[Computational Creativity 2014 ICCC 2014]]. http://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//9.1_ODonoghue.pdf<br /> <br /> * Peter O&#039;Donovan, Aseem Agarwala and Aaron Hertzmann: [[Collaborative Filtering of Color Aesthetics]]. In: [[Computational Aesthetics 2014]]. http://dx.doi.org/10.1145/2630099.2630100 http://www.dgp.toronto.edu/~donovan/cfcolor/cfcolor.pdf<br /> <br /> * M. Oraei and [[Brian J. Ross]]: [[Passive Solar Building Design Using Genetic Programming]]. GECCO 2014, pp. 1111-1118, Vancouver, BC, July 2014. DOI: http://dx.doi.org/10.1145/2576768.2598211 http://www.cosc.brocku.ca/~bross/SolarGP/PassiveSolarGECO2014.pptx Presentation<br /> <br /> * Yolanda Pérez-Pimentel; Ismael Osuna-Galan; Juan Villegas-Cortez; Carlos Avilés-Cruz: [[A Genetic Algorithm Applied to Content-Based Image Retrieval for Natural Scenes Classification]]. Artificial Intelligence (MICAI), 2014 13th Mexican International Conference on, 155 - 161. http://dx.doi.org/10.1109/MICAI.2014.30<br /> <br /> * Alejandro Lopez Rincon: [[Artificial Drawing + Unity]]. In: [[Generative Art 2014]]. http://www.generativeart.com/GA2014_proceedings.pdf#page=35<br /> <br /> * Risi, Sebastian, Zhang, J., Taarnby, R., Greve, P., Piskur, J., Liapis, A., Togelius, J.: [[The case for a mixed-initiative collaborative neuroevolution approach]]. In: Proceedings of the ALIFE Workshop on Artificial Life and the Web (2014) http://arxiv.org/abs/1408.0998 http://arxiv.org/pdf/1408.0998<br /> <br /> * Babak Saleh, Kanako Abe and Ahmed Elgammal: [[Knowledge Discovery of Artistic Influences: A Metric Learning Approach]]. In: [[Computational Creativity 2014 ICCC 2014]]. http://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//9.3_Saleh.pdf<br /> <br /> * Jongcheon Shin, Joonsung Yoon: [[Toward genetic aesthetics: mutation of bio information and generative art system]]. In: [[Generative Art 2014]]. http://www.generativeart.com/GA2014_proceedings.pdf#page=189<br /> <br /> * Celestino Soddu: [[Generative Art Geometry. Logical interpretations for Generative Algorithms]]. In: [[Generative Art 2014]]. http://www.generativeart.com/GA2014_proceedings.pdf#page=11<br /> <br /> * [[Tatsuo Unemi]]: [[Automated Daily Production of Evolutionary Audio Visual Art — An Experimental Practice]]. In: [[Computational Creativity 2014 ICCC 2014]]. http://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//2.2_Unemi.pdf<br /> <br /> * [[Tatsuo Unemi]] and Daniel Bisig: [[Visual Liquidizer or Virtual Merge #1 (Installation)]]. In: [[Generative Art 2014]]. http://www.generativeart.com/GA2014_proceedings.pdf#page=384<br /> <br /> * [[Tatsuo Unemi]] and Daniel Bisig: [[Visual deformation by swarm – a technique for virtual liquidization of objects + Visual Liquidizer or Virtual Merge #1 (Installation)]]. In: [[Generative Art 2014]]. http://www.generativeart.com/GA2014_proceedings.pdf#page=348<br /> <br /> * Daniel Weiskopf, Michael Burch and Corinna Vehlow: [[Frayed Cell Diagrams]]. In: [[Computational Aesthetics 2014]]. http://dx.doi.org/10.1145/2630099.2630109 http://www.profitippliga.de/66.php http://www.profitippliga.de/papers/66.pdf<br /> <br /> * Brian G. Woolley and [[Kenneth O. Stanley]] (2014): [[A Novel Human-Computer Collaboration: Combining Novelty Search with Interactive Evolution]]. In: Proceedings of the Genetic and Evolutionary Computation Conference (GECCO-2014). New York, NY: ACM. DOI: http://dx.doi.org/10.1145/2576768.2598353 http://eplex.cs.ucf.edu/papers/woolley_gecco14.pdf<br /> <br /> ====2013====<br /> * Zainab AlMeraj, [[Craig S. Kaplan]], Paul Asente: [[Patch-Based Geometric Texture Synthesis]]. In: Donald H. House, Cindy Grimm (Eds.): Workshop on [[Computational Aesthetics 2013]]. 15-20 DOI: http://dl.acm.org/citation.cfm?doid=2487276.2487278<br /> <br /> * Harith Al-Sahaf and Mengjie Zhang and Mark Johnston: [[A One-Shot Learning Approach to Image Classification Using Genetic Programming]]. Proceedings of the 26th Australasian Joint Conference on Artificial Intelligence (AI2013), LNAI, Vol. 8272, pp. 110-122, Springer, 1-6 December 2013. http://dx.doi.org/10.1007/978-3-319-03680-9_13<br /> * Michael Burch, Daniel Weiskopf: The Aesthetics of Rapidly-Exploring Random Trees. In: Donald H. House, Cindy Grimm (Eds.): Workshop on [[Computational Aesthetics 2013]]. 45-52 DOI: http://dl.acm.org/citation.cfm?doid=2487276.2487285<br /> <br /> * Seyed Ali Amirshahi, Christoph Redies, Joachim Denzler: [[How Self-Similar are Artworks at Different Levels of Spatial Resolution?]]. In: Donald H. House, Cindy Grimm (Eds.): Workshop on [[Computational Aesthetics 2013]]. 93-100 DOI: http://dl.acm.org/citation.cfm?doid=2487276.2487282<br /> <br /> * Paul Asente, Nathan Carr: Creating Contour Gradients using 3D Bevels. In: Donald H. 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Second IEEE International Conference on Self-Adaptive and Self-Organizing Systems Workshops, SASOW 2008, pp. 84-89, IEEE Press, 20-24 October 2008. http://dx.doi.org/10.1109/SASOW.2008.18<br /> <br /> * Katayoon Etemad, Faramarz F. Samavati, Przemyslaw Prusinkiewicz: [[Animating Persian Floral Patterns]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, [[Jon McCormack]] (Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 25-32 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/025-032 http://innovis.cpsc.ucalgary.ca/innovis/uploads/Publications/Publications/animating.pdf<br /> <br /> * Cristiano D. Ferreira and Ricardo da Silva Torres and Marcos Andre Goncalves and Weiguo Fan: [[Image Retrieval with Relevance Feedback based on Genetic Programming]]. 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MIT Press, Cambridge (2008) https://dx.doi.org/10.1162/EVCO_a_00025 http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.365.3998 http://eplex.cs.ucf.edu/papers/lehman_alife08.pdf<br /> <br /> * Thomas Luft, Frank Kobs, Walter Zinser, Oliver Deussen: [[Watercolor Illustrations of CAD Data]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, [[Jon McCormack]] (Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 57-63 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/049-056 http://www.researchgate.net/go.Deref.html?url=http%3A%2F%2Fwww.cgmi.inf.uni-konstanz.de%2Fpublikationen%2F2008%2Fcadillustrations%2FLuft%2520et%2520al.%2520--%2520Watercolor%2520Illustrations%2520of%2520CAD%2520Data.pdf&amp;ev=pub_ext_doc_dlext&amp;origin=publication_detail<br /> <br /> * Luo, Y., Tang, X.: [[Photo and video quality evaluation: Focusing on the subject]]. In: Forsyth, D., Torr, P., Zisserman, A. (eds.) ECCV 2008, Part III. LNCS, vol. 5304, pp. 386–399. 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Journal of General Psychology 15, 231–240 (1936) DOI: http://dx.doi.org/10.1080/00221309.1936.9917921<br /> <br /> === &#039;&#039;&#039;Technical Reports, Dissertations, Thesis, related Books &amp; Book Chapters, ...&#039;&#039;&#039; ===<br /> Hauptsächlich zusammengestellt aus den &quot;Used References&quot; der EvoArt Bücher und EvoMUSART-Konferenzen, der [http://www.cs.bham.ac.uk/~wbl/biblio/ GP-Bibliography], den Comp Aesthetic-Konferenzen, den Generative Art Konferenzen<br /> <br /> <br /> <br /> ====2016====<br /> * Zhangyang Wang, Shiyu Chang, Florin Dolcos, Diane Beck, Ding Liu, and Thomas Huang: [[Brain-Inspired Deep Networks for Image Aesthetics Assessment]]. arXiv:1601.04155v2 [cs.CV] 15 Mar 2016 https://arxiv.org/pdf/1601.04155<br /> <br /> ====2015====<br /> * [[Filipe Assunção | Assunção, Filipe]]: Grammar based evolutionary design. Master’s thesis, Department of Informatic Engineering, Faculty of Sciences and Technology, University of Coimbra, July 2015 <br /> <br /> * [[Penousal Machado]], [[João Correia]], [[Filipe Assunção]]: [[Graph-based evolutionary art]]. In: Gandomi, A., Alavi, A.H., Ryan, C. (eds.) Handbook of Genetic Programming Applications. Springer, Heidelberg (2015) http://dx.doi.org/10.1007/978-3-319-20883-1_1 http://www.conceptcreationtechnology.eu/?q=system/files/machado2015.pdf<br /> <br /> * [[Adriano Vinhas | Vinhas, Adriano]]: [[Novelty and figurative expression-based evolutionary art]]. Master’s thesis, Department of Informatic Engineering, Faculty of Sciences and Technology, University of Coimbra, July 2015<br /> <br /> ====2014====<br /> * W. Barry and [[Brian J. Ross]]: [[Virtual Photography Using Multi-Objective Particle Swarm Optimization_TR | Virtual Photography Using Multi-Objective Particle Swarm Optimization]]. Brock COSC TR CS-14-01, January 2014. http://www.cosc.brocku.ca/files/downloads/research/cs1401.pdf (c&amp;p problems)<br /> <br /> * Ellen Dissanayake: [[A bona fide ethological view of art: The artification hypothesis]]. In C. Sütterlin, W. Schiefenhövel, ed., C. Lehmann, J. Forster, G. Apfelauer (eds.) Art As Behaviour: An Ethological Approach to Visual and Verbal Art, Music and Architecture, pp. 42-60. Hanse Studies Vol. 10. BIS Verlag Oldenburg. http://ellendissanayake.com/publications/pdf/Dissanayake_EthologicalViewOfArt.pdf<br /> <br /> * M.M.O. Gholami and [[Brian J. Ross]]: [[Passive Solar Building Design Using Genetic Programming_TR | Passive Solar Building Design Using Genetic Programming]]. Brock COSC TR CS-14-02, January 2014. http://www.cosc.brocku.ca/files/downloads/research/cs1402.pdf<br /> <br /> * Shiry Ginosar, Daniel Haas, Timothy Brown, Jitendra Malik: [[Detecting people in cubist art]]. arXiv preprint arXiv:1409.6235 (2014) http://arxiv.org/abs/1409.6235 http://arxiv.org/pdf/1409.6235v1<br /> <br /> * Sean Luke: [[Essentials of Metaheuristics - A Set of Undergraduate Lecture Notes]]. Department of Computer Science, George Mason University, Second Edition, Online Version 2.1, October, 2014. http://cs.gmu.edu/~sean/book/metaheuristics/<br /> <br /> * M. Maghoumi and [[Brian J. Ross]]: [[Feature Extraction Languages and Visual Pattern Recognition]]. Brock COSC TR CS-14-03, January 2014. http://www.cosc.brocku.ca/files/downloads/research/cs1403.pdf<br /> <br /> * Jeremy J. Ramsden: [[Design of Nanotechnology Products]]. Applied Nanotechnology, Micro and Nano Technologies, pp. 177-181, William Andrew Publishing, 2014. http://dx.doi.org/10.1016/B978-1-4557-3189-3.00015-4<br /> <br /> * Spratt, E.L., Elgammal, A.: [[Computational beauty: Aesthetic judgment at the intersection of art and science]]. arXiv preprint arXiv:1410.2488 (2014) http://arxiv.org/abs/1410.2488<br /> <br /> ====2013====<br /> * Maryam Baniasadi: [[Genetic Programming for Non-Photorealistic Rendering]]. Master Thesis &amp; Technical Report # CS-13-08 June 2013, Brock University, Department of Computer Science. http://www.cosc.brocku.ca/files/downloads/research/cs1308.pdf<br /> <br /> * Thomas Burt: [[Interactive Evolutionary Computation by Duplication and Diversification of L-Systems]]. PhD Thesis, THE UNIVERSITY OF CALGARY, 2013. http://algorithmicbotany.org/papers/tburt.th2013.pdf<br /> <br /> * Gregory Chaitin: Proving Darwin: Making Biology Mathematical. 2013, ISBN-13: 978-1400077984. <br /> <br /> * Oliver Deussen and Tobias Isenberg. [[Halftoning and Stippling]]. In Paul Rosin and John Collomosse, editors, Image and Video based Artistic Stylisation, volume 42 of Computational Imaging and Vision, chapter 3, pages 45–61. Springer, London, Heidelberg, 2013. ISBN 978-1-4471-4518-9 (hardcopy) and 978-1-4471-4519-6 (e-book). DOI http://dx.doi.org/10.1007/978-1-4471-4519-6_3 http://tobias.isenberg.cc/personal/papers/Deussen_2013_HS.pdf<br /> <br /> * [[Steve DiPaola]]: [[Face, Portrait, Mask - Using a Parameterized System to Explore Synthetic Face Space]]. 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Lam: [[Discovery of Texture Features Using Genetic Programming]]. PhD Thesis, School of Computer Science and Information Technology, Science, Engineering, and Technology Portfolio, RMIT University, Melbourne, Victoria, Australia 30 March 2012. http://researchbank.rmit.edu.au/eserv/rmit:160245/Lam.pdf<br /> <br /> * Nake, F.: [[Information aesthetics: an heroic experiment]]. J. Math. Arts 6(2–3), 65–75 (2012) http://dx.doi.org/10.1080/17513472.2012.679458<br /> <br /> * Peitgen, H., Saupe, D. (eds.): The Science of Fractal Images. Springer-Verlag (2012), ISBN-13: 978-1461283492 (Reprint from 1988)<br /> <br /> * Richard J. Preen and Larry Bull: [[Evolution of Supershapes for the Generation of Three-Dimensional Designs]]. 2012. http://arxiv-web3.library.cornell.edu/pdf/1204.4107v1.pdf<br /> <br /> * Tinghuai Wang: [[Computer Vision for the Structured Representation and Stylisation of Visual Media Collections]]. PhD Thesis, Department of Electronic Engineering, University of Surrey, UK, July 2012. https://sites.google.com/site/tinghuaiw/thesis http://sdrv.ms/1fgfCWo<br /> <br /> * Woolley, B.G., Stanley, K.O.: [[Exploring promising stepping stones by combining novelty search with interactive evolution]]. CoRR abs/1207.6682 (2012) http://arxiv.org/pdf/1207.6682v1<br /> <br /> ====2011====<br /> * Fabio Aiolli, Alessandro Sperduti: [[A Preference Optimization Based Unifying Framework for Supervised Learning Problems]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 19-42. http://dx.doi.org/10.1007/978-3-642-14125-6_2<br /> <br /> * Robert Arens: [[Learning SVM Ranking Functions from User Feedback Using Document Metadata and Active Learning in the Biomedical Domain]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 363-383. http://dx.doi.org/10.1007/978-3-642-14125-6_17 http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.153.4482 http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.153.4482&amp;rep=rep1&amp;type=pdf<br /> <br /> * Alejandro Bellogín, Iván Cantador, Pablo Castells, Álvaro Ortigosa: [[Discerning Relevant Model Features in a Content-based Collaborative Recommender System]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 429-455. http://dx.doi.org/10.1007/978-3-642-14125-6_20 http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.157.4032 http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.157.4032&amp;rep=rep1&amp;type=pdf<br /> <br /> * [[Steven Bergen]]: [[Automatic Structure Generation using Genetic Programming and Fractal Geometry]]. Master Thesis Brock University, Ontario (2011) http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.228.7562 https://dr.library.brocku.ca/bitstream/handle/10464/3916/Brock_Bergen_Raphael_2011.pdf?sequence=2 https://dr.library.brocku.ca/handle/10464/3916 <br /> <br /> * [[Steven Bergen]] and [[Brian J. Ross]]: [[Automatic and Interactive Evolution of Vector Graphics Images with Genetic Algorithms_TR | Automatic and Interactive Evolution of Vector Graphics Images with Genetic Algorithms]]. Brock COSC TR CS-11-01, January 2011. http://www.cosc.brocku.ca/files/downloads/research/cs1101.pdf<br /> <br /> * G. J. Chaitin: [[A mathematical theory of evolutionand biological creativity]]. Talk at workshop on “Randomness, Structure and Causality: Measures of Complexity from Theory to Applications” organized by Jim Crutchfield and Jon Machta at the Santa Fe Institute in New Mexico 10 January 2011. https://www.academia.edu/5794341/Proving_Darwin<br /> <br /> * Yann Chevaleyre, Frédéric Koriche, Jérôme Lang, Jérôme Mengin, Bruno Zanuttini: [[Learning Ordinal Preferences on Multiattribute Domains: The Case of CP-nets]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 273-296. http://dx.doi.org/10.1007/978-3-642-14125-6_13 http://www.lamsade.dauphine.fr/~lang/papers/cklmz09.pdf <br /> <br /> * C. Coia and [[Brian J. Ross]]: [[Automatic Evolution of Conceptual Building Architectures_TR | Automatic Evolution of Conceptual Building Architectures]]. Brock COSC TR CS-11-02, January 2011. http://www.cosc.brocku.ca/files/downloads/research/cs1102.pdf<br /> <br /> * Krzysztof Dembczyński, Wojciech Kotłowski, Roman Słowiński, Marcin Szeląg: [[Learning of Rule Ensembles for Multiple Attribute Ranking Problems]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 217-247. http://dx.doi.org/10.1007/978-3-642-14125-6_11<br /> <br /> * [[Steve DiPaola]] and Nathan Sorenson: [[CGP, Creativity and Art]]. In: Cartesian Genetic Programming, Natural Computing Series, pp. 293-307, Springer, 2011. http://dx.doi.org/10.1007/978-3-642-17310-3_10 http://ivizlab.sfu.ca/papers/cgp2010.pdf<br /> <br /> * Flack, R.W.J.: [[Evolution of Architectural Floor Plans]]. Master’s thesis, Brock University, St Catharines, Ontario, Canada (2011) http://www.cosc.brocku.ca/~bross/FloorPlans/ http://www.cosc.brocku.ca/files/downloads/research/cs1103.pdf<br /> <br /> * Johannes Fürnkranz, Eyke Hüllermeier (eds.): [[Preference Learning]]. Springer Berlin Heidelberg, 2011. ISBN: 978-3-642-14124-9 (Print) 978-3-642-14125-6 (Online), DOI: 10.1007/978-3-642-14125-6, http://link.springer.com/book/10.1007/978-3-642-14125-6<br /> <br /> * Johannes Fürnkranz, Eyke Hüllermeier: [[Preference Learning: An Introduction]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 1-17. http://dx.doi.org/10.1007/978-3-642-14125-6_1 http://www.ke.tu-darmstadt.de/publications/papers/PLBook-Introduction.pdf<br /> <br /> * Johannes Fürnkranz, Eyke Hüllermeier: [[Preference Learning and Ranking by Pairwise Comparison]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 65-82. http://dx.doi.org/10.1007/978-3-642-14125-6_4 http://www.ke.tu-darmstadt.de/publications/papers/PLBook-Pairwise.pdf <br /> <br /> * Marco de Gemmis , Leo Iaquinta, Pasquale Lops, Cataldo Musto, Fedelucio Narducci, Giovanni Semeraro: [[Learning Preference Models in Recommender Systems]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 387-407. http://dx.doi.org/10.1007/978-3-642-14125-6_18 http://www.academia.edu/download/30470669/preference_learning.pdf<br /> <br /> * Joachim Giesen, Klaus Mueller, Bilyana Taneva, Peter Zolliker : [[Choice-Based Conjoint Analysis: Classification vs. Discrete Choice Models]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 297-315. http://dx.doi.org/10.1007/978-3-642-14125-6_14 http://cvc.cs.sunysb.edu/Publications/2011/GMTZ11/cbca.pdf<br /> <br /> * Toshihiro Kamishima, Hideto Kazawa, Shotaro Akaho: [[A Survey and Empirical Comparison of Object Ranking Methods]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 181-201. http://dx.doi.org/10.1007/978-3-642-14125-6_9 http://www.kamishima.net/archive/2009-b-pl2.pdf <br /> <br /> * Toshihiro Kamishima, Shotaro Akaho: [[Dimension Reduction for Object Ranking]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 203-215. http://dx.doi.org/10.1007/978-3-642-14125-6_10 http://www.kamishima.net/archive/2009-b-pl1.pdf <br /> <br /> * Alexandros Karatzoglou, Markus Weimer: [[Collaborative Preference Learning]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 409-427. http://dx.doi.org/10.1007/978-3-642-14125-6_19 http://www.researchgate.net/publication/241276611<br /> <br /> * C.-C. Lai and Y.-C. Chen. [[A user-oriented image retrieval system based on interactive genetic algorithm]]. Instrumentation and Measurement, IEEE Transactions on, 60(10):3318-3325, oct. 2011. http://dx.doi.org/10.1109/TIM.2011.2135010<br /> <br /> * Menkman, R.: [[The Glitch Moment(um)]]. Network Notebooks, vol. 04. Institute of Network Cultures, Amsterdam (2011). ISBN 9789081602167 http://networkcultures.org/_uploads/NN%234_RosaMenkman.pdf<br /> <br /> * Nadin, M. (2011). [[Semiotic machine]]. An entry of the Semiotics Encyclopedia Online. http://www.semioticon.com/seo/S/semiotic_machine.html.<br /> <br /> * Newall, M.: [[What is a Picture?: Depiction, Realism, Abstraction]]. Palgrave Macmillan (2011) Review: http://ndpr.nd.edu/news/29411-what-is-a-picture-depiction-realism-abstraction/<br /> <br /> * Pearson, M.: Generative Art. A PRACTICAL GUIDE using Processing. Manning Publications, pap/psc edn. (Jul 2011) ISBN-13: 978-1935182627 http://de.scribd.com/doc/74093210/Generative-Art-Matt-Pearson<br /> <br /> * Pearson, M.: Generative Art In HTML5 [Processing, JavaScript, Tutorial] http://www.creativeapplications.net/processing/generative-art-in-html5-processing-javascript-tutorial/<br /> <br /> * Filip Radlinski, Madhu Kurup, Thorsten Joachims : [[Evaluating Search Engine Relevance with Click-Based Metrics]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 337-361. http://dx.doi.org/10.1007/978-3-642-14125-6_16 https://github.com/tolleiv/thesis/blob/master/Research/Papers/__Radlinski11%20-%20Evaluating%20Search%20Engine%20Relevance%20with%20Click-Based%20Metrics.pdf<br /> <br /> * Lukas Sekanina and Simon L. Harding and Wolfgang Banzhaf and Taras Kowaliw: [[Image Processing and CGP]]. Cartesian Genetic Programming, Natural Computing Series, pp. 181-215, Springer, 2011. http://dx.doi.org/10.1007/978-3-642-17310-3_6<br /> <br /> * Vicenç Torra: [[Learning Aggregation Operators for Preference Modeling]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 317-333. http://dx.doi.org/10.1007/978-3-642-14125-6_15<br /> <br /> * Evgeni Tsivtsivadze, Tapio Pahikkala, Jorma Boberg, Tapio Salakoski, Tom Heskes: [[Co-Regularized Least-Squares for Label Ranking]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 107-123. http://dx.doi.org/10.1007/978-3-642-14125-6_6<br /> <br /> * Shankar Vembu, Thomas Gärtner: [[Label Ranking Algorithms: A Survey]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 45-64. http://dx.doi.org/10.1007/978-3-642-14125-6_3 http://www-kd.iai.uni-bonn.de/pubattachments/399/VembuG09Book.pdf<br /> <br /> * Willem Waegeman, Bernard De Baets: [[A Survey on ROC-based Ordinal Regression]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 127-154. http://dx.doi.org/10.1007/978-3-642-14125-6_7<br /> <br /> * Fusun Yaman, Thomas J. Walsh, Michael L. Littman, Marie desJardins: [[Learning Lexicographic Preference Models]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 251-272. http://dx.doi.org/10.1007/978-3-642-14125-6_12<br /> <br /> * Philip L. H. Yu, Wai Ming Wan, Paul H. Lee: [[Decision Tree Modeling for Ranking Data]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 83-106. http://dx.doi.org/10.1007/978-3-642-14125-6_5 http://www.researchgate.net/publication/252998138 <br /> <br /> * Jianping Zhang, Jerzy W. Bala, Ali Hadjarian, Brent Han: [[Ranking Cases with Classification Rules]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 155-177. http://dx.doi.org/10.1007/978-3-642-14125-6_8<br /> <br /> ====2010====<br /> * Arnheim, R.: Towards a Psychology of Art, Collected Essays. University of California Press; 45th Anniversary Edition edition (August 13, 2010), ISBN-13: 978-0520266018<br /> <br /> * [[Steven Bergen]], [[Brian J. Ross]]: [[Evolutionary Art Using Summed Multi-objective Ranks]]. In: Genetic Programming - Theory and Practice VIII, pp. 227–244. Springer (May 2010) DOI: http://link.springer.com/chapter/10.1007%2F978-1-4419-7747-2_14 http://www.cosc.brocku.ca/~bross/JNeticTextures/paper_images/ Präsentation: http://www.cosc.brocku.ca/~bross/JNeticTextures/GPTP2010.pptx<br /> <br /> * Boden, M.: Creativity and Art: Three Roads to Surprise. Oxford University Press (2010), ISBN-13: 978-0199590735<br /> <br /> * Harold Cohen: [[Driving the Creative Machine]]. Orcas Center, Crossroads Lecture Series. http://www.aaronshome.com/aaron/publications/index.html http://www.aaronshome.com/aaron/publications/orcastalk2s.pdf<br /> <br /> * Koren, L.: Which “Aesthetics” Do You Mean?: Ten Definitions. Imperfect Publishing (2010), ISBN-13: 978-0981484617<br /> <br /> * Jordan William Miller: [[Thesis: Accurate and Discernible Photocollages]]. MS Thesis, Department of Computer Science, University of Saskatchewan, Saskatoon, 2010. http://ecommons.usask.ca/bitstream/handle/10388/etd-02282010-235736/thesisAugc.pdf?sequence=1<br /> <br /> * Reynolds, C.: Texture Synthesis Diary (2010), http://www.red3d.com/cwr/texsyn/diary.html<br /> <br /> * Vinod K. Valsalam: [[Utilizing Symmetry in Evolutionary Design]]. Dissertation and Technical Report AI-10-04 Department of Computer Sciences, The University of Texas at Austin, August 2010. http://nn.cs.utexas.edu/downloads/papers/valsalam.phdtr10.pdf<br /> <br /> ====2009====<br /> * Harold Cohen: [[The Art of Self-Assembly: the Self-Assembly of Art]]. Dagstuhl Seminar on Computational Creativity. http://www.aaronshome.com/aaron/publications/index.html http://www.aaronshome.com/aaron/publications/dagpaper.odt<br /> <br /> * Datta, Ritendra: [[Semantics and aesthetics inference for image search: statistical learning approaches]]. Dissertation at Pennsylvania State University (2009) https://etda.libraries.psu.edu/paper/9360/5028<br /> <br /> * Ellen Dissanayake, Steven Brown: [[The arts are more than aesthetics: Neuroaesthetics as narrow aesthetics]]. In Martin Skov &amp; Oshin Vartanian (eds.), Neuroaesthetics. Amityville, NY: Baywood, pp. 43-57. http://ellendissanayake.com/publications/pdf/Brown_Dissanayake.pdf<br /> <br /> * Dutton, D. (2009). The art instinct : beauty, pleasure, &amp; human evolution (1st U.S. ed.). New York: Bloomsbury Press.<br /> <br /> * Erhan, H., Woodbury, R., Salmasi, N.H.: [[Visual sensitivity analysis of parametric design models: improving agility in design]]. Master’s thesis, School of Interactive Arts and Technology - Simon Fraser University (2009). http://summit.sfu.ca/system/files/iritems1/585/Parametric_Design_Models.pdf http://summit.sfu.ca/item/585<br /> <br /> * Wojciech Jaskowski and Krzysztof Krawiec and Bartosz Wieloch: [[Genetic Programming for Generative Learning and Recognition of Hand-Drawn Shapes]]. Evolutionary Image Analysis and Signal Processing, Studies in Computational Intelligence, Vol. 213, pp. 73-90, Springer, 2009. http://dx.doi.org/10.1007/978-3-642-01636-3_5<br /> <br /> * Martin H. Luerssen: [[Experimental Investigations into Graph Grammar Evolution: A Novel Approach to Evolutionary Design]]. Verlag Dr. Mueller, February 22 2009. ISBN 363912328X.<br /> <br /> * Sebastian von Mammen: [[Swarm Grammars: Modeling Computational Development through Highly Dynamic Complex Processes]]. PhD thesis, University of Calgary, June 2009. http://www.vonmammen.org/ScienceBlog/2010/08/swarm-grammars-modeling-computational-development-through-highly-dynamic-complex-processes/ http://www.vonmammen.org/science/PhDthesis-SvMammen.pdf<br /> <br /> * Moradi, I., Scott, A., Gilmore, J., Murphy, C.: Glitch: Designing Imperfection. Mark Batty Publisher (2009), ISBN-13: 978-0979966668<br /> <br /> * Gustavo Olague and Leonardo Trujillo: [[A Genetic Programming Approach to the Design of Interest Point Operators]]. In: Bio-Inspired Hybrid Intelligent Systems for Image Analysis and Pattern Recognition. Studies in Computational Intelligence, Vol. 256, pp. 49-65, Springer, 2009. http://dx.doi.org/10.1007/978-3-642-04516-5_3<br /> <br /> * Scruton, R.: Beauty. Oxford University Press, Oxford (2009). ISBN13: 9780199559527 Review: http://www.theguardian.com/books/2009/mar/21/beauty-roger-scruton-art-books<br /> <br /> * [[Hideyuki Takagi]]: [[New IEC Research and Frameworks]]. In: Fodor, J., Kacprzyk, J. (eds.) Aspects of Soft Computing, Intelligent Robotics and Control. SCI, vol. 241, pp. 65–76. Springer, Heidelberg (2009) DOI: http://link.springer.com/chapter/10.1007%2F978-3-642-03633-0_4<br /> <br /> * Leonardo Trujillo and Gustavo Olague: [[Detecting Scale-Invariant Regions Using Evolved Image Operators]]. Evolutionary Image Analysis and Signal Processing, Studies in Computational Intelligence, Vol. 213, pp. 21-40, Springer, 2009. http://dx.doi.org/10.1007/978-3-642-01636-3_2 http://www.researchgate.net/publication/225908610_Detecting_Scale-Invariant_Regions_Using_Evolved_Image_Operators<br /> <br /> ====2008====<br /> * Alsing, R.: Genetic Programming: Evolution of MonaLisa (2008), http://rogeralsing.com/2008/12/07/genetic-programming-evolution-of-mona-lisa/ <br /> <br /> * Ashlock, D., Gent, S., Bryden, K.: Embryogenesis of artificial landscapes. In: Design by Evolution. Natural Computing Series, pp. 203–221. Springer, Heidelberg (2008). DOI: http://link.springer.com/chapter/10.1007%2F978-3-540-74111-4_12 http://www.researchgate.net/publication/226816433_Embryogenesis_of_Artificial_Landscapes/links/0c960525c3fa0a830a000000<br /> <br /> * Ellen Dissanayake: [[THE ARTS AFTER DARWIN: DOES ART HAVE AN ORIGIN AND ADAPTIVE FUNCTION?]] In Zijlmans, K.. &amp; van Damme, W. (2008). World Art Studies: Exploring Concepts and Approaches, pp. 241-263. Amsterdam: Valiz. http://ellendissanayake.com/publications/pdf/EllenDissanayake_ArtsAfterDarwinWAS08.pdf<br /> <br /> * Edmund O. Harriss: [[Tilings and Patterns]]. 2008, 43 pages. http://www.mathematicians.org.uk/eoh/tap/ http://www.mathematicians.org.uk/eoh/tap/M34AP45_Notes.pdf http://www.mathematicians.org.uk/eoh/<br /> <br /> * Li, M., Vitányi, P.: [[An Introduction To Kolmogorov Complexity and its Applications]]. 3nd edn. Springer, New York (2008). http://www.springer.com/mathematics/applications/book/978-0-387-33998-6<br /> <br /> * Reaves, David: [[Aesthetic image rating (AIR) algorithm]]. Ph.D. thesis University of Texas at Austin (2008) http://www.cs.utexas.edu/ftp/techreports/honor_theses/cs-08-04-reaves.pdf<br /> <br /> * Welsch, W.: On the Universal Appreciation of Beauty. International Yearbook of Aesthetics 12, 6–32 (2008) (dt: [[ZUR UNIVERSALEN SCHÄTZUNG DES SCHÖNEN]]: http://www2.uni-jena.de/welsch/UNIVERSA2.pdf)<br /> <br /> ====2007====<br /> * [[Peter J. Bentley]]: Digital Biology. How nature is transforming our technology and our lives. Simon &amp; Schuster, 2007. ISBN 0-7432-0447-6<br /> <br /> * Ashlock, D., Bryden, K., Gent, S.: Creating spatially constrained virtual plants using L-systems. In: Smart Engineering System Design: Neural Networks, Evolutionary Programming, and Artificial Life, pp. 185–192. ASME Press (2005)<br /> <br /> * Peter von Buelow, Genetically Engineered Architecture - Design Exploration with Evolutionary Computation, VDM Verlag, Saarbrücken, Germany, 2007 ISBN-13: 978-3836447218 http://dl.acm.org/citation.cfm?id=1564939&amp;CFID=588525319&amp;CFTOKEN=29804931<br /> <br /> * Asmatullah Chaudhry: [[Image Restoration using Machine Learning]]. Thesis, Faculty of CS and Engineering, Topi, Pakistan, March 2007. http://prr.hec.gov.pk/thesis/2056.pdf (no c&amp;p)<br /> <br /> * Coello, C.C., Veldhuizen, D.V., Lamont, G. (2002). [[Evolutionary Algorithms for Solving Multi-Objective Problems]]. 2nd ed. 2007 Springer. http://www.springer.com/computer/swe/book/978-0-387-33254-3 http://www.inf.ufpr.br/aurora/disciplinas/topicosia2/livros/Evolutionary%20Algorithms%20For%20Solving%20Multi-Objective%20Problems%202Nd%20Edition.pdf<br /> <br /> * Dahlstedt, P.: Evolution in creative sound design. In: Miranda, E.R., Biles, J.A. (eds.) Evolutionary Computer Music, pp. 79–99. Springer, London (2007). DOI: http://link.springer.com/chapter/10.1007%2F978-1-84628-600-1_4 http://www.musicasalolejos.com/blog/wp-content/uploads/2012/09/Dahlstedt2006_EvolCrea-longversion1.pdf<br /> <br /> * Doulgerakis, A.: Genetic Programming + Unfolding Embryology in Automated Layout Planning. Master’s thesis, University Of London (2007). http://eprints.ucl.ac.uk/4981/ http://discovery.ucl.ac.uk/4981/1/4981.pdf<br /> <br /> * M.A. Hann, B.G. Thomas: [[BEYOND THE BILATERAL - SYMMETRY IN TWO-DIMENSIONAL DESIGN]]. School of Design, University of Leeds. 2007. http://www.sd.polyu.edu.hk/iasdr/proceeding/papers/Beyond%20the%20Bilateral%20-%20Symmetry%20in%20Two-dimensional%20Design.pdf<br /> <br /> * Colin Martindale, Paul Locher and Vladimir M. Petrov (eds.): [[Evolutionary and Neurocognitive Approaches to Aesthetics, Creativity and the Arts]]. 2007, 254 Seiten. ISBN-13: 978-0895033062 https://www.baywood.com/books/previewbook.asp?id=978-0-89503-306-2<br /> <br /> * Colin Martindale: A Neural-Network Theory of Beauty. In: Martindale, C., Locher, P., Petrov, V.M. (eds.) Evolutionary and neurocognitive approaches to aesthetics, creativity, and the arts, pp. 181–194. Baywood Pub., Amityville (2007)<br /> <br /> * Monro, Gordon: [[THE CONCEPT OF EMERGENCE IN GENERATIVE ART]]. Master-Thesis, Sydney Conservatorium of Music, University of Sydney, 2007 http://www.gommog.com/archive/docs/MMus_Essay.pdf<br /> <br /> * Moura, L., Ramos, V.: [[Swarm paintings – nonhuman art]]. Architopia Book, Art, Architecture and Science pp. 5–24 (2007). http://www.leonelmoura.com/ http://www.lxxl.pt/aswarm/aswarm.html http://www.lxxl.pt/aswarm/aswarm2.html http://www.lxxl.pt/aswarm/aswarm3.html http://www.lxxl.pt/aswarm/aswarm4.html <br /> <br /> * Nishio, K., et al.: Fuzzy fitness assignment in an interactive genetic algorithm for a cartoon face search. In: Sanchez, E., Shibata, T., Zadeh, L.A. (eds.) Genetic Algorithms and Fuzzy Logic Systems: Soft Computing Perspectives, vol. 7. World Scientific (1997). http://eecs.wsu.edu/~nazerfard/Presentation/AI09.pdf<br /> <br /> * Perris, M.: Evolving Ecologically Inspired Drawing Behaviours. MSc dissertation, Department of Informatics, University of Sussex (2007)<br /> <br /> * Marcos Nadal Roberts: [[COMPLEXITY AND AESTHETIC PREFERENCE FOR DIVERSE VISUAL STIMULI]]. DOCTORAL THESIS, Departament de Psicologia, Universitat de les Illes Balears, 2007. 439 Seiten http://www.tdx.cat/bitstream/10803/9447/1/tmnr1de1.pdf<br /> <br /> * Sasaki, M.: Morphogenesis of Flux Structure. From the realization of Free 3D Forms by Architects to Evolving the Most Logical Structure by Computer Calculation. In: Sakamoto, T., Ferré, A.T. (eds.) From Control to Design. Parametric/Algorithmic Architecture, pp. 68–69. Actar, Barcelona (2007) http://www.aaschool.ac.uk/PUBLIC/WHATSON/exhibitions.php?item=105#morphogenesis-of-flux-structure<br /> <br /> * Schnier, T., Beale, R., Yao, X., Hendley, B., Byrne, W.: [[Nature Inspired Creative Design – Bringing Together Ideas from Nature]], Computer Science, Engineering, Art, Design. In: Innes, T. (ed.) Designing for the 21st Century: Interdisciplinary Questions and Insights, Gower Ashgate, pp. 192–204 (2007) http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.62.1800 http://www.cs.bham.ac.uk/~xin/papers/ACDM06.pdf<br /> <br /> ====2006====<br /> * Harold Cohen: [[AARON, Colorist: from Expert System to Expert]]. October 2006. http://www.aaronshome.com/aaron/publications/index.html http://www.aaronshome.com/aaron/publications/urbana-final.doc<br /> <br /> * Harold Cohen: Creativity: a Contribution to Ed Feigenbaum’s Festschrift. Panel on Creativity, Learning and Discovery. Stanford, March 2006. http://www.aaronshome.com/aaron/publications/index.html http://www.aaronshome.com/aaron/publications/edfest3.doc<br /> <br /> * Stian Edvardsen: [[Classification of Images using Color, CBIR Distance Measures and Genetic Programming: An evolutionary Experiment]]. Undergraduate Theses from Norwegian University of Science and Technology. Faculty of Information Technology, Mathematics and Electrical Engineering, Department of Computer and Information Science, June 2006. http://ntnu.diva-portal.org/smash/get/diva2:348194/FULLTEXT01.pdf<br /> <br /> * Grünbaum, Branko: [[What symmetry groups are present in the Alhambra?]] Notices AMS 2006. http://www.ams.org/notices/200606/comm-grunbaum.pdf<br /> <br /> * Jaśkowski, W.: [[Genetic programming with cross-task knowledge sharing for learning of visual concepts]]. 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Australian Centre for the Moving Image, Melbourne (2004), ISBN 1 920805 08 7. http://diotima.infotech.monash.edu.au/~jonmc/sa/research/impossible-nature-the-art-of-jon-mccormack/ Review 1: http://www.gordonmonro.com/archive/McCormack_review.html Review 2: http://www.leonardo.info/reviews/dec2005/impossible_harle.html<br /> <br /> * Moura, L., Pereira, H.: [[Man + Robots: Symbiotic Art]]. Institut d’Art Contemporain, Lyon/Villeurbanne, France (2004). ISBN-13: 978-2905985675<br /> <br /> * Iman Moradi: [[Glitch Aesthetics]]. Thesis, School of Design Technology, Department of Architecture, The University of Huddersfield, January 27th 2004. http://www.haraldpeterstrom.com/content/5.pdfs/Iman%20Moradi%20%E2%80%93%20Glitch%20Aesthetics.pdf<br /> <br /> * Yip, C.: Evolving Image Filters. Master’s thesis, Imperial College of Science, Technology, and Medicine (2004)<br /> <br /> * Yu, J. (2004). Evolutionary Design of 2D Fractals and 3D Plant Structures for Computer Graphics. Master’s thesis. 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Evolutionary Algorithms in Engineering Applications, pp. 69–85. Springer, Heidelberg (1997)<br /> <br /> * Russell, J.A.: Reading emotion from and into faces: Resurrecting a dimensionalcontextual perspective. In: Russel, J.A., Fernández-Dols, J.M. (eds.) The Psychology of Facial Expression, pp. 295–320. Cambridge University Press, Cambridge (1997) DOI: http://dx.doi.org/10.1017/CBO9780511659911.015<br /> <br /> ====1996====<br /> * Epstein, J.M.: Growing Artificial Societies: social science from the bottom up. Brookings Institution, Washington (1996), ISBN-13: 978-0262550253. <br /> <br /> * Hargittai, I., Hargittai, M. (1996). Symmetry: A Unifying Concept. Shelter Publications. Bolinas, Calif. Berkeley, <br /> <br /> * Holland, J.H. (1998). Hidden Order: How Adaptation Builds Complexity. Addison Wesley Publishing Company, ISBN-13: 978-0201442304.<br /> <br /> * Riccardo Poli: [[Genetic Programming for Image Analysis]]. TR Number CSRP-96-1, January 1996. http://citeseer.ist.psu.edu/583482.html http://cswww.essex.ac.uk/staff/rpoli/papers/Poli-GP1996.pdf<br /> <br /> * Riccardo Poli: [[Genetic Programming for Feature Detection and Image Segmentation]]. Evolutionary Computing, Lecture Notes in Computer Science, Number 1143, pp. 110-125, Springer-Verlag, 1-2 April 1996. http://citeseer.ist.psu.edu/viewdoc/summary?doi=10.1.1.37.3791&amp;rank=1 http://cswww.essex.ac.uk/staff/rpoli/papers/Poli-AISB-1996.pdf (no c&amp;p)<br /> <br /> * Sprott, Julien Clinton: [[The computer artist and art critic]]. In: Pickover, C. (ed.) Fractal Horizons, pp. 77–115. St. Martin’s Press, New York (1996). Abstract: http://sprott.physics.wisc.edu/pubs/paper211.htm http://sprott.physics.wisc.edu/pubs.htm<br /> <br /> * Traxler, C., Gervautz, M. (1996). [[Using Genetic Algorithms to Improve the Visual Quality of Fractal Plants Generated with CSG-PL-Systems]]. Technical Report TR-186-2-96-04. Institute of Computer Graphics, Vienna University of Technology. http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.55.5488 http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.55.5488&amp;rep=rep1&amp;type=pdf<br /> <br /> ====1995====<br /> * Dissanayake, E.: Homo aestheticus: where art comes from and why. University of Washington Press, Seattle (1995), ISBN-13: 978-0295974798. http://en.wikipedia.org/wiki/Ellen_Dissanayake<br /> <br /> * Fisher, Y. (ed.): Fractal Image Compression: Theory and Application. Springer, London (1995), ISBN-13: 978-3540942115. http://dl.acm.org/citation.cfm?id=191581<br /> <br /> * Frazer, J.H.: An Evolutionary Architecture. AA Publications, London, UK (1995), ISBN-13: 978-1870890472. http://www.aaschool.ac.uk/publications/ea/intro.html<br /> <br /> * Kauffman, S.A.: At home in the universe: the search for laws of self-organization and complexity. Oxford University Press, New York (1995), ISBN-13: 978-0195111309. Review: http://web.stanford.edu/class/symbsys205/Kauffman.htm<br /> <br /> * Resnick, Philip: Using Information Content to Evaluate Semantic Similarity in a Taxonomy. (1995). http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.55.5277 http://arxiv.org/pdf/cmp-lg/9511007v1.pdf<br /> <br /> * Stricker, M., Orengo, M.: [[Similarity of color images]]. Storage and Retrieval of Image and Video Databases III 2, 381–392 (1995). http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.41.2789 http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.41.2789&amp;rep=rep1&amp;type=pdf<br /> <br /> * Wolpert, D.H., Macready, W.G. (1995). [[No free lunch theorems for search]]. SFI-TR-95-02-010 Santa Fe Institute 1995. http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.33.5447&amp;rank=1 http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.33.5447&amp;rep=rep1&amp;type=pdf<br /> <br /> ====1994====<br /> * Boden, M.A. (1994). What is creativity? In Boden, M.A., ed.: Dimensions of Creativity. MIT Press. Cambridge, MA, 75–117, ISBN-13: 978-0262522199. <br /> <br /> * Casti, J.L.: Complexification: explaining a paradoxical world through the science of surprise. HarperCollins, New York (1994), ISBN-13: 978-0060168889. <br /> <br /> * Cohen, J., Stewart, I. (1994). The Collapse of Chaos: Discovering Simplicity in a Complex World. Viking. New York, ISBN-13: 978-0670849833. <br /> <br /> * Hobden, A. (1994). Genetic Algorithms for Graphics Textures. Technical Report EPCC-SS94-03. Edinburgh Parallel Computing Centre (EPCC)<br /> <br /> * Sapidis, N.S. (ed.): Designing Fair Curves and Surfaces: Shape Quality in Geometric Modeling and Computer-Aided Design. SIAM Activity Group on Geometric Design. Society for Industrial and Applied Mathematics (1994), ISBN-13: 978-0898713329. http://dl.acm.org/citation.cfm?id=527539<br /> <br /> * Rowley, T.: A toolkit for visual genetic programming. Technical Report GCG-74, The Geometry Center, University of Minnesota (1994). http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.55.4789 http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.55.4789&amp;rep=rep1&amp;type=pdf<br /> <br /> * Thom, R.: Structural stability and morphogenesis: an outline of a general theory of models. Westview Press (January 21, 1994), ISBN-13: 978-0201406856.<br /> <br /> * Wolfram, S.: [[Cellular Automata and Complexity: Collected Papers]]. Addison-Wesley, Reading (1994). http://www.stephenwolfram.com/publications/cellular-automata-complexity/ http://wac.36f4.edgecastcdn.net/0036F4/small/stephen-wolfram/books/cellular-automata-and-complexity-collected-papers.pdf<br /> <br /> ====1993====<br /> * Baker, E.: [[Evolving line drawings]]. Technical Report TR-21-93, Harvard University Center for Research in Computing Technology (1993). http://www.eecs.harvard.edu/margo/papers/graphics94/paper.pdf<br /> <br /> * Cambel, A.B. (1993). Applied Chaos Theory: A Paradigm for Complexity. Academic Press. Boston, ISBN-13: 978-0121559403. https://www.elsevier.com/books/applied-chaos-theory/cambel/978-0-12-155940-3<br /> <br /> * [[Jon McCormack]]: [[Interactive Evolution of L-System Grammars for Computer Graphics Modelling]]. In: Bossomaier, T. (ed.) Complex Systems: from Biology to Computation, pp. 118–130. ISO Press, Amsterdam (1993). http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.16.6763 http://www.csse.monash.edu.au/~jonmc/research/Papers/L-systems-evol.pdf<br /> <br /> * Kauffman, S.A.: The Origins of Order: Self-Organization and Selection in Evolution. Oxford University Press, Oxford (1993), ISBN 0-19-507951-5.<br /> <br /> * Madras, N, Slade, G (1993) The Self-Avoiding Walk. BirkHauser, Boston. https://books.google.de/books?hl=de&amp;lr=&amp;id=JsoFCAAAQBAJ&amp;oi=fnd&amp;pg=PR11&amp;dq=the+self-avoiding+walk&amp;ots=ov5cISxBdN&amp;sig=6Rb_I_zPH0Jrq2wtlxKiYG5RyrM#v=onepage&amp;q=the%20self-avoiding%20walk&amp;f=false (Neuauflage 2013: 978-1461460244)<br /> <br /> ====1992====<br /> * Moreton, H.P.: Minimum Curvature Variation Curves, Networks and Surfaces for Fair Free-Form Shape Design. University of California at Berkeley (1992)<br /> <br /> * Waldrop, M. (1992). Complexity: The Emerging Science at the Edge of Order and Chaos. Simon and Schuster. New York, ISBN-13: 978-0671872342. Review by Robert Dare: http://web.mit.edu/esd.83/www/notebook/WaldropReview.PDF <br /> <br /> ====1991====<br /> * Cariani, P.: [[Emergence and Artificial Life]]. In: Langton, C.G., Taylor, C., Farmer, D., Rasmussen, S. (eds.) Artificial Life II. SFI Studies in the Sciences of Complexity, pp. 775–797. Addison-Wesley, Redwood City (1991). http://www.cariani.com/CarianiNewWebsite/Publications_files/CarianiArtificialLife-II-1991.pdf<br /> <br /> * McCorduck, P.: [[AARON’s Code: Meta-Art, Artificial Intelligence, and the Work of Harold Cohen]]. W. H. Freeman and Company (1991), ISBN-13: 978-0716721734. http://www.pamelamc.com/html/aaron_s_code.html<br /> <br /> * Martindale, C. (1991). Cognitive psychology: a neural-network approach, Brooks/Cole Publishing Company, Pacific Grove, California. http://psycnet.apa.org/psycinfo/1990-98844-000<br /> <br /> * [[Stephen Todd]], [[William Latham]]: [[Mutator: a subjective human interface for evolution of computer sculptures]]. Tech. rep. (1991)<br /> <br /> ====1990====<br /> * Lotman, I.F.U.M.: Universe of the mind: a semiotic theory of culture. 1990, Bloomington: Indiana University Press, ISBN-13: 978-0253214058.<br /> <br /> * Mandelbrot, B.B. (1990). [[The Fractal Geometry of Nature]]. Updated and augmented. W.H. Freeman. San Francisco, ISBN-13: 978-0716711865. http://en.wikipedia.org/wiki/The_Fractal_Geometry_of_Nature http://is.muni.cz/el/1456/jaro2014/BPM_NUMA/The_Fractal_Geometry_of_Nature_-_B._Mandelbrot.pdf<br /> <br /> * Martindale, C. (1990). The clockwork muse: the predictability of artistic change. New York, N.Y.: BasicBooks. http://psycnet.apa.org/psycinfo/1990-98581-000<br /> <br /> * Prusinkiewicz, P.W., Lindenmayer, Aristid (1990). The Algorithmic Beauty of Plants. Springer. ISBN 978-0-387-97297-8. http://algorithmicbotany.org/papers/#abop http://algorithmicbotany.org/papers/abop/abop.pdf<br /> <br /> ==== &lt; 1990 ====<br /> * Dissanayake, Ellen: What is art for? University of Washington Press, Seattle (1988), ISBN-13: 978-0295970172. http://www.washington.edu/uwpress/search/books/DISWHA.html<br /> <br /> * Ventrella, J.: Creatures in the complex plane. IRIS Universe (1988)<br /> <br /> * Washburn, D.K., Crowe, D. (1988). Symmetries of Culture: Theory and Practice of Plane Pattern Analysis. University of Washington Press. Seattle, ISBN-13: 978-0295970844. (siehe auch: Crowe, D.: Symmetries of Culture. Proc. Bridges 2001. http://archive.bridgesmathart.org/2001/bridges2001-1.pdf)<br /> <br /> * Birren, F.: Principles of color: a review of past traditions and modern theories of color harmony. Schiffer Publishing (1987), ISBN-13: 978-0887401039. <br /> <br /> * Grünbaum, Branko, Shephard, G.C., eds. (1986). [[Tilings and Patterns Grünbaum&amp;Shephard]]. Freeman. New York, ISBN-13: 978-0716711933. http://www.math.washington.edu/~grunbaum/<br /> <br /> * Lord, E.A., Wilson, C.B.: The Mathematical Description of Shape and Form. Halsted Press (1984), ISBN-13: 978-0470200438.<br /> <br /> * Stevens, P.S. (1981). [[Handbook of Regular Patterns: An Introduction to Symmetry in Two Dimensions]]. MIT Press. Cambridge, Mass. ISBN-13: 978-0262690881.<br /> <br /> * Arnheim, R. (1974). [[Entropy and Art, an Essay on Order and Disorder]]. University of California Press. Berkeley, California. <br /> <br /> * John Henry Martin: [[AN EVALUATION OF MAITIAND GRAVES PRINCIPLE OF AESTHETIC ORDER]]. Thesis, 1972. http://spectrum.library.concordia.ca/4851/1/MK11403.pdf<br /> <br /> * Stiny, G., Gips, J.: Shape grammars and the generative specification of paintings and sculpture. In: Freiman, C.V. (ed.) Information Processing, vol. 71, pp. 1460–1465. North Holland Publishing Co., Amsterdam (1971)<br /> <br /> * Berlyne, D.E. (1971). [[Aesthetics and Psychobiology]]. Appleton-Century-Crofts. New York, N.Y.. http://www.jstor.org/discover/10.2307/1179240?uid=3737864&amp;uid=2129&amp;uid=2&amp;uid=70&amp;uid=4&amp;sid=21105088052003 http://www.skidmore.edu/~flip/Site/Lab/Entries/2008/10/24_Aesthetics_files/Berlyne%20Aesthetics%20&amp;%20Psychobio.pdf<br /> <br /> * Moles, A. A. (1966). Information theory and esthetic perception. Urbana,: University of Illinois Press.<br /> <br /> * Bense, M. (1965). Aesthetica; Einführung in die neue Aesthetik. Baden-Baden,: Agis-Verlag.<br /> <br /> * Zipf, George Kingsley: Human Behavior and the Principle of Least Effort: An Introduction to Human Ecology. Martino Fine Books (June 6, 2012), (Reprint from 1949), ISBN-13: 978-1614273127. http://csiss.org/classics/content/99 <br /> <br /> * Graves, M.: Design Judgment Test. The Psychological Corporation, New York (1948)<br /> <br /> * Walter Benjamin: The Work of Art in the Age of Mechanical Reproduction. 1936 https://docs.google.com/viewer?a=v&amp;pid=explorer&amp;chrome=true&amp;srcid=0By0icMQ-4hgWNTM5ZTE4MjQtODU2MS00YTQ2LWJiYmEtMjI5MWQ0MDQ2ODA2&amp;hl=en_US<br /> <br /> * Birkhoff, G.: Aesthetic Measure. Harvard University Press, Cambridge (1933)<br /> <br /> ==== Unknown date ====<br /> * Annunziato, M.: The nagual experiment, http://www.plancton.com/papers/nagual.pdf (unknown date)<br /> <br /> * Mike Blow: [[An Investigation into Aesthetic Preference using Generative Art]]. http://www.evolutionaryart.co.uk/index.php http://www.evolutionaryart.co.uk/mikeblow_cai.pdf (unknown date)<br /> <br /> * Jian Yin Shen, Tom Gedeon: [[Cyber-Genetic Neo-Plasticism – An AI program Creating Mondrian-like Paintings by using Interactive Bacterial Evolution Algorithm]]. http://escience.anu.edu.au/project/06S2/report/JianShen_report.pdf http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.140.2252 (unknown date)<br /> <br /> * Sudweeks, F. &amp; Simoff, S.J. [[Quantifying Beauty: An Information System for Evaluating Universal Aesthetics]]. http://www.it.murdoch.edu.au/~sudweeks/papers/beauty.pdf (unknown date)</div> Gubachelier http://de.evo-art.org/index.php?title=Literatur_zur_Evolution%C3%A4ren_Kunst&diff=33305 Literatur zur Evolutionären Kunst 2017-12-11T20:38:59Z <p>Gubachelier: /* Artikel in sonstigen Konferenzen und Workshops */</p> <hr /> <div>Verwende [[Artikel-Template]] zur Beschreibung von Artikel in Proceedings, Journals, sowie Technical Reports bzw. [[Buch-Template]] zur Beschreibung von Proceedings und Bücher<br /> <br /> <br /> == &#039;&#039;&#039;Bücher&#039;&#039;&#039; == <br /> ===[[Computers and Creativity]] 2012===<br /> - {{LitBook |Autor = [[Jon McCormack]], Mark d’Inverno (Herausgeber) |Titel = [[Computers and Creativity]] |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2012 | ISBN = 978-3-642-31726-2 | Seiten = 430}}DOI: http://link.springer.com/book/10.1007/978-3-642-31727-9<br /> ===[[Design by Evolution: Advances in Evolutionary Design]] 2008===<br /> - {{LitBook |Autor = [[Philip F. Hingston]], [[Luigi C. Barone]], [[Zbigniew Michalewicz]] (Herausgeber) |Titel = [[Design by Evolution: Advances in Evolutionary Design]] |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2008 | ISBN = 978-3540741091 | Seiten = 352}}DOI: http://link.springer.com/10.1007/978-3-540-74111-4<br /> ===[[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]] 2007===<br /> - {{LitBook |Autor = [[Juan Romero]], [[Penousal Machado]] (Herausgeber) |Titel = [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]] |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2007 | ISBN = 978-3540728764 | Seiten = 460 }}DOI: http://link.springer.com/10.1007/978-3-540-72877-1<br /> ===[[Metacreations: Art and Artificial Life]] 2004===<br /> - {{LitBook |Autor = [[Mitchell Whitelaw]] |Titel = [[Metacreations: Art and Artificial Life]] |Auflage = 1 |Verlag = MIT Press | Ort = Cambridge | Jahr = 2004 | ISBN = 978-0262232340 | Seiten = 281 }}http://mitpress.mit.edu/books/metacreation<br /> ===[[Creative Evolutionary Systems]] 2001===<br /> - {{LitBook |Autor = [[Peter J. Bentley]], [[David W. Corne]] |Titel = [[Creative Evolutionary Systems]] |Auflage = 1 |Verlag = Academic Press Inc | Ort = Orlando | Jahr = 2001 | ISBN = 978-1558606739 | Seiten = 576 }}http://dl.acm.org/citation.cfm?id=510349&amp;picked=prox&amp;cfid=441144972&amp;cftoken=22938962<br /> ===[[Evolutionary Design by Computers]] 1999===<br /> - {{LitBook | Autor = [[Peter J. Bentley]] (Herausgeber) | Titel = [[Evolutionary Design by Computers]] |Auflage = 1 | Verlag = Morgan Kaufmann Publishers | Ort = Burlington | Jahr = 1999 | ISBN = 978-1558606050 | Seiten = 446}}<br /> ===Ars Electronica: Genetic Art - Artificial Life 1993===<br /> - {{LitBook |Autor = [[Karl Gerbel]], [[Peter Weibel]] (Herausgeber) |Titel = [[Ars Electronica: Genetic Art - Artificial Life]] |Auflage = 1 |Verlag = PVS Verleger | Ort = Wien | Jahr = 1993 | ISBN = 978-3901196072 | Seiten = 445 }}http://90.146.8.18/en/archives/festival_archive/festival_catalogs/festival_catalog.asp?iProjectID=8745<br /> ===Evolutionary Art and Computers 1992===<br /> - {{LitBook |Autor = [[Stephen Todd]], [[William Latham]] |Titel = [[Evolutionary Art and Computers]] | Auflage = 1 | Verlag = Academic Press Inc | Ort = Orlando | Jahr = 1992 | ISBN = 978-0124371859 | Seiten = 288}}<br /> <br /> == &#039;&#039;&#039;EvoMUSART Konferenzen und Workshops&#039;&#039;&#039; == <br /> ===[[EvoMUSART 2017]]===<br /> {{LitBook |Autor = [[João Correia]] (Herausgeber), [[Vic Ciesielski]] (Herausgeber), [[Antonios Liapis]] (Herausgeber) |Titel = Evolutionary and Biologically Inspired Music, Sound, Art and Design: 6th European Conference, EvoMUSART 2017 (LNCS 10198) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2017 | ISBN = 978-3-319-55749-6 (Print) 978-3-319-55750-2 (Online) | Seiten = 371 }}DOI: https://doi.org/10.1007/978-3-319-55750-2<br /> <br /> ===[[EvoMUSART 2016]]===<br /> {{LitBook |Autor = [[Colin Johnson]] (Herausgeber), [[Vic Ciesielski]] (Herausgeber), [[João Correia]] (Herausgeber), [[Penousal Machado]] (Herausgeber) |Titel = Evolutionary and Biologically Inspired Music, Sound, Art and Design: 5th European Conference, EvoMUSART 2016 (LNCS 9596) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2016 | ISBN = 978-3-319-31007-7 (Print) 978-3-319-31008-4 (Online) | Seiten = 241 }}DOI: http://link.springer.com/book/10.1007%2F978-3-319-31008-4<br /> <br /> ===[[EvoMUSART 2015]]===<br /> {{LitBook |Autor = [[Colin Johnson]] (Herausgeber), [[Adrian Carballal]] (Herausgeber), [[João Correia]] (Herausgeber) |Titel = Evolutionary and Biologically Inspired Music, Sound, Art and Design: Third European Conference, EvoMUSART 2015 (LNCS 9027) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2015 | ISBN = 978-3-319-16497-7 | Seiten = 275 }}DOI: http://link.springer.com/book/10.1007%2F978-3-319-16498-4<br /> <br /> ===[[EvoMUSART 2014]]===<br /> {{LitBook |Autor = [[Juan Romero]] (Herausgeber), [[James McDermott]] (Herausgeber), [[João Correia]] (Herausgeber) |Titel = Evolutionary and Biologically Inspired Music, Sound, Art and Design: Third European Conference, EvoMUSART 2014 (LNCS 8601) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2014 | ISBN = 978-3662443347 | Seiten = 130 }}DOI: http://link.springer.com/10.1007/978-3-662-44335-4<br /> <br /> === [[EvoMUSART 2013]] ===<br /> {{LitBook |Autor = [[Penousal Machado]] (Herausgeber)|Titel = Evolutionary and Biologically Inspired Music, Sound, Art and Design: Second International Conference, EvoMUSART 2013 (LNCS 7834) |Auflage = 1 | Verlag = Springer | Ort = Berlin| Jahr = 2013 | ISBN = 978-3642369544 | Seiten = 204 }}DOI: http://link.springer.com/book/10.1007%2F978-3-642-36955-1<br /> <br /> === [[EvoMUSART 2012]] ===<br /> {{LitBook |Autor = [[Penousal Machado]] (Herausgeber), [[Juan Romero]] (Herausgeber), [[Adrian Carballal]] (Herausgeber) |Titel = Evolutionary and Biologically Inspired Music, Sound, Art and Design: First International Conference, [[EvoMUSART 2012]] (LNCS 7247) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2012 | ISBN = 978-3642291418 | Seiten = 236 }}DOI: http://link.springer.com/book/10.1007%2F978-3-642-29142-5<br /> <br /> === [[EvoMUSART 2011]] ===<br /> {{LitBook |Autor = Cecilia Di Chio et al. (Herausgeber) |Titel = Applications of Evolutionary Computation: EvoApplications 2011: EvoCOMNET, EvoFIN, EvoHOT, EvoMUSART, EvoSTIM, and EvoTRANSLOG (LNCS 6625) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2011 | ISBN = 978-3642205194 | Seiten = 548 }}DOI: http://link.springer.com/book/10.1007/978-3-642-20520-0<br /> <br /> === [[EvoMUSART 2010]] ===<br /> {{LitBook |Autor = Cecilia Di Chio (Herausgeber), Anthony Brabazon (Herausgeber), Marc Ebner (Herausgeber), Muddassar Farooq (Herausgeber), Andreas Fink (Herausgeber), Jörn Grahl (Herausgeber), [[Gary Greenfield]] (Herausgeber), [[Penousal Machado]] (Herausgeber), [[Michael O&#039;Neill]] (Herausgeber), Ernesto Tarantino (Herausgeber), Neil Urquhart (Herausgeber) |Titel = Applications of Evolutionary Computation: EvoApplications 2010: EvoCOMNET, EvoENVIRONMENT, EvoFIN, EvoMUSART, and EvoTRANSLOG (LNCS 6025) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2010 | ISBN = 978-3642122415 | Seiten = 476 }}DOI: http://link.springer.com/book/10.1007/978-3-642-12242-2<br /> <br /> === [[EvoMUSART 2009]] ===<br /> {{LitBook |Autor = Mario Giacobini et al. (Herausgeber)|Titel = Applications of Evolutionary Computing: EvoWorkshops 2009: EvoCOMNET, EvoENVIRONMENT, EvoFIN, EvoGAMES, EvoHOT, EvoIASP, EvoINTERACTION, EvoMUSART (LNCS 5484) |Auflage = 1 | Verlag = Springer | Ort = Berlin | Jahr = 2009 | ISBN = 978-3642011283 | Seiten = 831 }}DOI: http://link.springer.com/book/10.1007/978-3-642-01129-0<br /> <br /> === [[EvoMUSART 2008]] ===<br /> {{LitBook |Autor = Mario Giacobini et al. (Herausgeber) |Titel = Applications of Evolutionary Computing: EvoWorkshops 2008: EvoCOMNET, EvoFIN, EvoHOT, EvoIASP, EvoMUSART, EvoNUM, EvoSTOC, and EvoTransLog (LNCS 4974) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2008 | ISBN = 978-3540787600 | Seiten = 732 }}DOI: http://link.springer.com/book/10.1007/978-3-540-78761-7<br /> <br /> === [[EvoMUSART 2007]] ===<br /> {{LitBook |Autor = Mario Giacobini et al. (Herausgeber) |Titel = Applications of Evolutionary Computing: EvoWorkshops 2007: EvoCOMNET, EvoFIN, EvoIASP, EvoINTERACTION, EvoMUSART, EvoSTOC, and EvoTransLog (LNCS 4448) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2007 | ISBN = 978-3540718048 | Seiten = 784 }}DOI: http://link.springer.com/book/10.1007/978-3-540-71805-5<br /> <br /> === [[EvoMUSART 2006]] ===<br /> {{LitBook |Autor = Franz Rothlauf (Herausgeber), Jürgen Branke (Herausgeber) |Titel = Applications of Evolutionary Computing: EvoWorkshops 2006: EvoBIO, EvoCOMNET, EvoHOT, EvoIASP, EvoINTERACTION, EvoMUSART, and EvoSTOC (LNCS 3907) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2006 | ISBN = 978-3540332374 | Seiten = 816 }}DOI: http://link.springer.com/book/10.1007/11732242<br /> <br /> === [[EvoMUSART 2005]] ===<br /> {{LitBook |Autor = Franz Rothlauf (Herausgeber), Jürgen Branke (Herausgeber)|Titel = Applications of Evolutionary Computing: Evoworkshops: EvoBIO, EvoCOMNET, EvoHot, EvoIASP, EvoMUSART, and EvoSTOC (LNCS 3449) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2005 | ISBN = 978-3540253969 | Seiten = 652 }}DOI: http://link.springer.com/book/10.1007/b106856<br /> <br /> === [[EvoMUSART 2004]] ===<br /> {{LitBook |Autor = Franz Rothlauf (Herausgeber)|Titel = Applications of Evolutionary Computing: EvoWorkshops 2004: EvoBIO, EvoCOMNET, EvoHOT, EvoIASP, EvoMUSART, and EvoSTOC (LNCS 3005) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2004 | ISBN = 978-3540213789 | Seiten = 588 }}DOI: http://link.springer.com/book/10.1007/b96500<br /> <br /> === [[EvoMUSART 2003]] ===<br /> {{LitBook |Autor = Günther Raidl (Herausgeber), Stefano Cagnoni (Herausgeber), [[Juan Romero | Juan J. Romero Cardalda]] (Herausgeber), David W. Corne (Herausgeber) |Titel = Applications of Evolutionary Computing: EvoWorkshop 2003: EvoBIO, EvoCOP, EvoIASP, EvoMUSART, EvoROB, and EvoSTIM (LNCS 2611) | Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2003 | ISBN = 978-3540009764 | Seiten = 712 }}DOI: http://link.springer.com/book/10.1007/3-540-36605-9<br /> <br /> == &#039;&#039;&#039;Artikel&#039;&#039;&#039; == <br /> === Artikel in Büchern === <br /> ==== McCormack &amp; d’Inverno: [[Computers and Creativity]] 2012==== <br /> * [[Simon Colton]]: [[The painting fool: Stories from building an automated painter]]. In: McCormack &amp; d’Inverno: Computers and Creativity, Springer, Berlin, 2012, 3-38 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_1 http://ccg.doc.gold.ac.uk/papers/colton_tpfchapter12.pdf<br /> <br /> * [[Jon McCormack]]: [[Creative ecosystems]]. In: McCormack &amp; d’Inverno: Computers and Creativity, Springer, Berlin, 2012, 39-60 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_2 http://jonmccormack.info/~jonmc/sa/research/creative-ecosystems/ http://www.csse.monash.edu.au/~jonmc/research/Papers/EcoCreativity.pdf<br /> <br /> * Frieder Nake: [[Construction and intuition: Creativity in early computer art]]. In: McCormack &amp; d’Inverno: Computers and Creativity, Springer, Berlin, 2012, 61-94 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_3 <br /> <br /> * H. Cohen, F. Nake, D. C. Brown, P. Brown, [[Philip Galanter]], [[Jon McCormack]] and M. d&#039;Inverno: [[Evaluation of Creative Aesthetics]]. In [[Jon McCormack]] and M. d&#039;Inverno (eds) [[Computers and Creativity]], Springer, Heidelberg, pp. 95-111, 2012 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_4<br /> <br /> * [[Philip Galanter]]: [[Computational Aesthetic Evaluation: Past and Future]]. In: McCormack &amp; d’Inverno: Computers and Creativity, Springer, Berlin, 2012, 255-293 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_10 http://philipgalanter.com/downloads/galanter_computational_aesthetic_evaluation_springer.pdf<br /> <br /> * [[Juan Romero]], [[Penousal Machado]], [[Adrian Carballal]], [[João Correia]]: [[Computing aesthetics with image judgement systems]]. In: [[Jon McCormack]] &amp; d’Inverno: [[Computers and Creativity]], Springer, Berlin, 2012, 295-322 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_11 http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/rmccar.pdf<br /> <br /> * [[Jürgen Schmidhuber]]: [[A formal theory of creativity to model the creation of art]]. In: McCormack &amp; d’Inverno: Computers and Creativity, Springer, Berlin, 2012, 323-337 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_12 http://people.idsia.ch/~juergen/creativity.html http://people.idsia.ch/~juergen/creativitybook.pdf<br /> <br /> * [[Alan Dorin]], Kevin B. Korb: [[Creativity refined: bypassing the gatekeepers of appropriateness and value]]. In: McCormack &amp; d’Inverno: Computers and Creativity, Springer, Berlin, 2012, 339-360 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_13<br /> <br /> * [[Oliver Bown]]: [[Generative and Adaptive Creativity: A Unified Approach to Creativity in Nature. Humans and Machines]]. In: McCormack &amp; d’Inverno: Computers and Creativity, Springer, Berlin, 2012, 361-381 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_14<br /> <br /> * Peter Cariani: [[Creating New Informational Primitives in Minds and Machines]]. In: McCormack &amp; d’Inverno: Computers and Creativity, Springer, Berlin, 2012, 383-417 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_15 Presentation: http://www.dagstuhl.de/Materials/Files/09/09291/09291.CarianiPeter1.Slides.pdf http://drops.dagstuhl.de/opus/frontdoor.php?source_opus=2192<br /> <br /> * [[Jon McCormack]] and M. d&#039;Inverno: [[Computers and Creativity: The Road Ahead]]. In: [[Jon McCormack]] and M. d&#039;Inverno (eds) [[Computers and Creativity]], Springer, Heidelberg, pp. 421-424, 2012 DOI: http://link.springer.com/chapter/10.1007/978-3-642-31727-9_16<br /> <br /> ==== Hingston &amp; Barone &amp; Michalewicz: [[Design by Evolution: Advances in Evolutionary Design]] 2008==== <br /> * [[Jon McCormack | McCormack, Jon]]: [[Evolutionary Design in Art]]. In: Hingston &amp; Barone &amp; Michalewicz: Design by Evolution, Springer, Berlin, 2008. 97-100. DOI: http://link.springer.com/10.1007/978-3-540-74111-4_6<br /> <br /> * [[Erwin Driessens | Driessens, Erwin]]; [[Maria Verstappen | Verstappen, Maria]]: [[Natural Processes and Artificial Procedures]]. In: Hingston &amp; Barone &amp; Michalewicz: Design by Evolution, Springer, Berlin, 2008. 101-120. DOI: http://link.springer.com/10.1007/978-3-540-74111-4_7<br /> <br /> * [[Daniel Ashlock | Ashlock, Daniel]]; [[Brooke Jamieson | Jamieson, Brooke]]: [[Evolutionary exploration of Complex Fractals]]. In: Hingston &amp; Barone &amp; Michalewicz: Design by Evolution, Springer, Berlin, 2008. 121-144. DOI: http://link.springer.com/10.1007/978-3-540-74111-4_8<br /> <br /> * [[Jeffrey Ventrella | Ventrella, Jeffrey]]: [[Evolving the Mandelbrot Set to Imitate Figurative Art]]. In: Hingston &amp; Barone &amp; Michalewicz: Design by Evolution, Springer, Berlin, 2008. 145-168. DOI: http://link.springer.com/10.1007/978-3-540-74111-4_9 http://www.ventrella.com/Tweaks/Portraits/EvolvingMandelbrot.pdf<br /> <br /> * [[Jon McCormack | McCormack, Jon]]: [[Evolutionary L-systems]]. In: Hingston &amp; Barone &amp; Michalewicz: Design by Evolution, Springer, Berlin, 2008. 169-198. DOI: http://link.springer.com/10.1007/978-3-540-74111-4_10<br /> <br /> ==== Romero &amp; Machado: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]] 2007==== <br /> * [[Juan Romero]] and [[Penousal Machado]]: [[The Art of Artificial Evolution - book preface]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, S. VII-XII. http://link.springer.com/content/pdf/bfm%3A978-3-540-72877-1%2F1.pdf<br /> <br /> * [[Matthew Lewis | Lewis, Matthew]]: [[Evolutionary Visual Art and Design]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, 3-37. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_1 http://web.info.uvt.ro/~dzaharie/cne2013/proiecte/aplicatii/EvolutionaryArt/EvolutionaryDesign.pdf <br /> <br /> * [[John Collomosse | Collomosse, John]]: [[Evolutionary Search for the Artistic Rendering of Photographs]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, 39-62. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_2 http://personal.ee.surrey.ac.uk/Personal/J.Collomosse/pubs/Collomosse-AAEChapter-2007.pdf<br /> <br /> * [[Scott Draves | Draves, Scott]]: [[Evolution and Collective Intelligence of the Electric Sheep]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, 63-78. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_3 http://draves.org/aoae07/draves-aoae07.pdf<br /> <br /> * [[Christian Jacob | Jacob, Christian]]; [[Gerald Hushlak | Hushlak, Gerald]]: [[Evolutionary and Swarm Design in Science, Art, and Music]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, 145-166. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_7<br /> <br /> * [[Martin Hemberg | Hemberg, Martin]]; [[Una-May O&#039;Reilly | O&#039;Reilly, Una-May]]; [[Achim Menges | Menges, Achim]]; [[Katrin Jonas | Jonas, Katrin]]; [[Michel Gonçalves | Gonçalves, Michel]]; - [[Steven Fuchs | Fuchs, Steven]]: [[Genr8: Architects’ Experience with an Emergent Design Tool]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, 167-188. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_8 http://projects.csail.mit.edu/emergentDesign/genr8/hemberg_chap.pdf<br /> <br /> * [[Charlie D. Frowd | Frowd, Charlie D.]]; [[Peter J. B. Hancock | Hancock, Peter J. B.]]: [[Evolving Human Faces]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]], Springer, Berlin, 2007, 189-210. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_9 http://www.evofit.co.uk/wp-content/uploads/2014/03/Frowd-and-Hancock-2007.-Evolving-human-faces.pdf<br /> <br /> * [[A. E. Eiben | Eiben, A. E.]]: [[Evolutionary Reproduction of Dutch Masters: The Mondriaan and Escher Evolvers]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, 211-224. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_10 http://www.cs.vu.nl/%7Egusz/papers/2008-Eiben-Evolutionary-reproduction-of-dutch-masters.pdf<br /> <br /> * [[Nicolas Monmarche | Monmarche, Nicolas]]; [[Isabelle Mahnich | Mahnich, Isabelle]]; [[Mohamed Slimane | Slimane, Mohamed]]: [[Artificial Art Made by Artificial Ants]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, 227-247. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_11<br /> <br /> * [[Günter Bachelier | Bachelier, Günter]]: [[Embedding of Pixel-Based Evolutionary Algorithms in My Global Art Process]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, 249-268. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_12 http://www.evogenio.com/de/GBEvoArt/SpringerEArtBook2006rev.pdf<br /> <br /> * [[Alan Dorin | Dorin, Alan]]: [[A Survey of Virtual Ecosystems in Generative Electronic Art]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, 289-309. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_14<br /> <br /> * [[Philip Galanter | Galanter, Philip]]: [[Complexism and the Role of Evolutionary Art]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, 311-332. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_15 http://www.philipgalanter.com/downloads/complexism_chapter.pdf<br /> <br /> * [[Craig Neufeld | Neufeld, Craig]]; [[Brian J. Ross | Ross, Brian J.]]; [[William Ralph | Ralph, William]]: [[The Evolution of Artistic Filters]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, 335-356. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_16<br /> <br /> * [[Gary Greenfield | Greenfield, Gary]]: [[Co-evolutionary Methods in Evolutionary Art]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, 357-380. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_17<br /> <br /> * [[Penousal Machado | Machado, Penousal]]; [[Juan Romero | Romero, Juan]]; [[Bill Manaris | Manaris, Bill]]: [[Experiments in Computational Aesthetics]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, 381-415. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_18 http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/mrm07a.pdf<br /> <br /> * [[Jon McCormack | McCormack, Jon]]: [[Facing the Future: Evolutionary Possibilities for Human-Machine Creativity]]. In: [[Juan Romero]]; [[Penousal Machado]]: [[The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music]]. Springer, Berlin, 2007, 417-451. DOI: http://link.springer.com/10.1007/978-3-540-72877-1_19 http://www.csse.monash.edu.au/~jonmc/research/Papers/FacingTheFutureEXTRACT.pdf<br /> <br /> ==== Bentley &amp; Corne: [[Creative Evolutionary Systems]] 2001 ====<br /> * [[Steven Rooke]]: [[Eons of genetically evolved algorithmic images]]. In: Bentley, Peter J.; Corne, David W.: Creative Evolutionary Systems. Academic Press, 2001. 339 - 365. http://dx.doi.org/10.1016/B978-155860673-9/50052-5<br /> <br /> * [[Luigi Pagliarini]], [[Henrik Hautop Lund]]: [[Arts, robots, and evolution as a tool for creativity]]. In: Bentley, Peter J.; Corne, David W.: Creative Evolutionary Systems. Academic Press, 2001. 367 - 385<br /> <br /> * [[Paul Brown]]: [[Stepping stones in the mist]]. In: Bentley, Peter J.; Corne, David W.: Creative Evolutionary Systems. Academic Press, 2001. 387 - 407<br /> <br /> * [[Peter J. B. Hancock]], [[Charlie D. Frowd]]: [[Evolutionary generation of faces]]. In: Bentley, Peter J.; Corne, David W.: Creative Evolutionary Systems. Academic Press, 2001. 409 - 423 http://www.researchgate.net/publication/2372180_Evolutionary_Generation_of_Faces/links/0deec526f813c147e1000000<br /> <br /> * [[A. E. Eiben]], [[R. Nabuurs]], [[I. Booij]]: [[The Escher evolver: evolution to the people]]. In: Bentley, Peter J.; Corne, David W.: Creative Evolutionary Systems. Academic Press, 2001. 425 - 439<br /> <br /> ==== Bentley: [[Evolutionary Design by Computers]] 1999 ==== <br /> * [[Stephen Todd]]; [[William Latham]]: [[The Mutation and growth of Art by Computers]]. In: Bentley: [[Evolutionary Design by Computers]]. Morgan Kaufmann, 1999. 221-250 <br /> <br /> * [[Michael Witbrock | Witbrock, Michael]]; [[Scott Neil-Teilly | Neil-Teilly, Scott]]: Evolving Genetic Art. In: Bentley: [[Evolutionary Design by Computers]]. Morgan Kaufmann, 1999. 251-260 <br /> <br /> * [[Andrew Rowbottom | Rowbottom, Andrew]]: Evolutionary Art and form. In: Bentley: [[Evolutionary Design by Computers]]. Morgan Kaufmann, 1999. 261-278<br /> <br /> === Artikel in EvoMUSART Konferenzen und Workshops === <br /> ====[[EvoMUSART 2017]]====<br /> * [[Mohammad Majid al-Rifaie]], [[Anna Ursyn]], [[Robert Zimmer]], [[Mohammad Ali Javaheri Javid]]: [[On Symmetry, Aesthetics and Quantifying Symmetrical Complexity]]. In: [[EvoMUSART 2017]], 17-32. DOI: https://doi.org/10.1007/978-3-319-55750-2_2<br /> <br /> * [[Aidan Breen]], [[Colm O’Riordan]], [[Jerome Sheahan]]: [[Evolved Aesthetic Analogies to Improve Artistic Experience]]. In: [[EvoMUSART 2017]], 65-80. DOI: https://doi.org/10.1007/978-3-319-55750-2_5<br /> <br /> * [[Antonios Liapis]]: [[Mixed-Initiative Creative Drawing with webIconoscope]]. In: [[EvoMUSART 2017]], 144-159. DOI: https://doi.org/10.1007/978-3-319-55750-2_10<br /> <br /> * [[Nuno Lourenço]], [[Filipe Assunção]], [[Catarina Maçãs]], [[Penousal Machado]]: [[EvoFashion: Customising Fashion Through Evolution]]. In: [[EvoMUSART 2017]], 176-189. DOI: https://doi.org/10.1007/978-3-319-55750-2_12<br /> <br /> * [[Jon McCormack]]: [[Niche Constructing Drawing Robots]]. In: [[EvoMUSART 2017]], 201-216. DOI: https://doi.org/10.1007/978-3-319-55750-2_14<br /> <br /> * [[Manuel Muehlbauer]], [[Jane Burry]], [[Andy Song]]: [[Automated Shape Design by Grammatical Evolution]]. In: [[EvoMUSART 2017]], 217-229. DOI: https://doi.org/10.1007/978-3-319-55750-2_15<br /> <br /> * [[Aneta Neumann]], [[Bradley Alexander]], [[Frank Neumann]]: [[Evolutionary Image Transition Using Random Walks]]. In: [[EvoMUSART 2017]], 230-245. DOI: https://doi.org/10.1007/978-3-319-55750-2_16<br /> <br /> * [[Yasser S. Arenas Rebolledo]], [[Peter van der Putten]], [[Maarten H. Lamers]]: [[Assessing Augmented Creativity: Putting a Lovelace Machine for Interactive Title Generation Through a Human Creativity Test]]. In: [[EvoMUSART 2017]], 262-274. DOI: https://doi.org/10.1007/978-3-319-55750-2_18<br /> <br /> * [[Nazanin Alsadat Tabatabaei Anaraki]]: [[Fashion Design Aid System with Application of Interactive Genetic Algorithms]]. In: [[EvoMUSART 2017]], 289-303. DOI: https://doi.org/10.1007/978-3-319-55750-2_20<br /> <br /> * [[Sam D. Verkoelen]], [[Maarten H. Lamers]], [[Peter van der Putten]]: [[Exploring the Exactitudes Portrait Series with Restricted Boltzmann Machines]]. In: [[EvoMUSART 2017]], 321-337. DOI: https://doi.org/10.1007/978-3-319-55750-2_22<br /> <br /> * [[Miri Weiss Cohen]], [[Leticia Cherchiglia]], [[Rachel Costa]]: [[Evolving Mondrian-Style Artworks]]. In: [[EvoMUSART 2017]], 338-353. DOI: https://doi.org/10.1007/978-3-319-55750-2_23<br /> <br /> ====[[EvoMUSART 2016]]====<br /> * [[Edward Davies]], [[Phillip Tew]], [[David Glowacki]], [[Jim Smith]], [[Thomas Mitchell]]: [[Evolving Atomic Aesthetics and Dynamics]]. In: [[EvoMUSART 2016]], 17-30. DOI: http://dx.doi.org/10.1007/978-3-319-31008-4_2<br /> <br /> * [[Sebastian Hølt Bak]], [[Nina Rask]], [[Sebastian Risi]]: [[Towards Adaptive Evolutionary Architecture]]. In: [[EvoMUSART 2016]], 47-62. DOI: http://dx.doi.org/10.1007/978-3-319-31008-4_4<br /> <br /> * [[Mohammad Ali Javaheri Javid]], [[Tim Blackwell]], [[Robert Zimmer]], [[Mohammad Majid al-Rifaie]]: [[Correlation Between Human Aesthetic Judgement and Spatial Complexity Measure]]. In: [[EvoMUSART 2016]], 79-91. DOI: http://dx.doi.org/10.1007/978-3-319-31008-4_6<br /> <br /> * [[Antonios Liapis]]: [[Exploring the Visual Styles of Arcade Game Assets]]. In: [[EvoMUSART 2016]], 92-109. DOI: http://dx.doi.org/10.1007/978-3-319-31008-4_7<br /> <br /> * [[Ashley Mills]]: [[Animating Typescript Using Aesthetically Evolved Images]]. In: [[EvoMUSART 2016]], 126-134. DOI: http://dx.doi.org/10.1007/978-3-319-31008-4_9<br /> <br /> * [[Tieta Putri]], [[Ramakrishnan Mukundan]]: [[Iterative Brush Path Extraction Algorithm for Aiding Flock Brush Simulation of Stroke-Based Painterly Rendering]]. In: [[EvoMUSART 2016]], 152-162. DOI: http://dx.doi.org/10.1007/978-3-319-31008-4_11<br /> <br /> * [[Alessandro Re]], [[Mauro Castelli]], [[Leonardo Vanneschi]]: [[A Comparison Between Representations for Evolving Images]]. In: [[EvoMUSART 2016]], 163-185. DOI: http://dx.doi.org/10.1007/978-3-319-31008-4_12<br /> <br /> * [[Adriano Vinhas]], [[Filipe Assunção]], [[João Correia]], [[Anikó Ekárt]], [[Penousal Machado]]: [[Fitness and Novelty in Evolutionary Art]]. In: [[EvoMUSART 2016]], 225-240. DOI: http://dx.doi.org/10.1007/978-3-319-31008-4_16 https://research.aston.ac.uk/portal/files/19735113/evomusart2016.pdf<br /> <br /> ====[[EvoMUSART 2015]]====<br /> * [[Allan Campbell]], [[Vic Ciesielksi]], [[A. K. Qin]]: [[Feature Discovery by Deep Learning for Aesthetic Analysis of Evolved Abstract Images]]. In: [[EvoMUSART 2015]], 27-38. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_3<br /> <br /> * [[Gary Greenfield]]: [[Avoidance Drawings Evolved Using Virtual Drawing Robots]]. In: [[EvoMUSART 2015]], 78-88. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_8<br /> <br /> * [[Christoph Klemmt]], [[Rajat Sodhi]]: [[Echo]]. In: [[EvoMUSART 2015]], 125-135. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_12<br /> <br /> * [[Tiago Martins]], [[João Correia]], [[Ernesto Costa]], [[Penousal Machado]]: [[Evotype: Evolutionary Type Design]]. In: [[EvoMUSART 2015]], 136-147. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_13 http://www.researchgate.net/publication/280308590_Evotype_Evolutionary_Type_Design<br /> <br /> * [[Kelly Moylan]], [[Brian J. Ross]]: [[Interior Illumination Design Using Genetic Programming]]. In: [[EvoMUSART 2015]], 148-160. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_14<br /> <br /> * [[Dave Murray-Rust]], [[Rocio von Jungenfeld]]: [[Lichtsuchende: Exploring the Emergence of a Cybernetic Society]]. In: [[EvoMUSART 2015]], 161-174. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_15<br /> <br /> * [[Kate Reed]], [[Duncan F. Gillies]]: [[Evolving Diverse Design Populations Using Fitness Sharing and Random Forest Based Fitness Approximation]]. In: [[EvoMUSART 2015]], 187-199. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_17<br /> <br /> * [[Wim van Eck]], [[Maarten H. Lamers]]: [[Biological Content Generation: Evolving Game Terrains Through Living Organisms]]. In: [[EvoMUSART 2015]], 224-235. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_20 http://mediatechnology.leiden.edu/images/uploads/docs/vaneck-lamers-biological-content-generation-evolving-game-terrains-through-living-organisms.pdf<br /> <br /> * [[Jinhong Zhang]], [[Rasmus Taarnby]], [[Antonios Liapis]], [[Sebastian Risi]]: [[DrawCompileEvolve: Sparking Interactive Evolutionary Art with Human Creations]]. In: [[EvoMUSART 2015]], 261-273. DOI: http://link.springer.com/chapter/10.1007/978-3-319-16498-4_23 http://antoniosliapis.com/papers/drawcompileevolve.pdf<br /> <br /> ==== [[EvoMUSART 2014]] ====<br /> * [[Jonathan Eisenmann]], [[Matthew Lewis]], [[Rick Parent]]: [[Probabilistic Decision Making for Interactive Evolution with Sensitivity Analysis]]. In: [[EvoMUSART 2014]], 1-12. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_1<br /> <br /> * [[Penousal Machado]], [[Tiago Martins]], [[Hugo Amaro]], [[Pedro H. Abreu]]; [[An Interface for Fitness Function Design]]. In: [[EvoMUSART 2014]], 13-25. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_2 http://cdv.dei.uc.pt/wp-content/uploads/2014/06/mmaa14.pdf<br /> <br /> * [[Jon McCormack]]: [[Balancing Act: Variation and Utility in Evolutionary Art]]. In: [[EvoMUSART 2014]], 26-37. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_3 http://www.csse.monash.edu.au/~jonmc/research/Papers/McCormack_EvoMUSART2014.pdf<br /> <br /> * [[Miguel Nicolau]], [[Dan Costelloe]]: [[Size Does Not Matter: Evolving Parameters for a Cayley Graph Visualiser Using 64 Bits]]. In: [[EvoMUSART 2014]], 38-49. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_4<br /> <br /> * [[Adrian Carballal]], [[Rebeca Perez]], [[Antonino Santos]], [[Luz Castro]]: [[A Complexity Approach for Identifying Aesthetic Composite Landscapes]]. In: [[EvoMUSART 2014]], 50-61. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_5<br /> <br /> * [[Andrew Bishop]], [[Vic Ciesielski]], [[Karen Trist]]: [[Feature Construction Using Genetic Programming for Classification of Images by Aesthetic Value]]. In: [[EvoMUSART 2014]], 62-73. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_6<br /> <br /> * [[Luz Castro]], [[Rebeca Perez]], [[Antonino Santos]], [[Adrian Carballal]]: [[Authorship and Aesthetics Experiments: Comparison of Results between Human and Computational Systems]]. In: [[EvoMUSART 2014]], 74-84. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_7<br /> <br /> * [[Gary Greenfield]]: [[An Indirect Fitness Scheme for Automated Evolution of Aesthetic Images]]. In: [[EvoMUSART 2014]], 85-94. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_8<br /> <br /> * [[Jonathan Byrne]], [[Philip Cardiff]], [[Anthony Brabazon]], [[Michael O’Neill]]: [[Evolving an Aircraft Using a Parametric Design System]]. In: [[EvoMUSART 2014]], 119-130. DOI: http://link.springer.com/10.1007/978-3-662-44335-4_11<br /> <br /> ==== [[EvoMUSART 2013]] ====<br /> * [[Jon McCormack]]: [[Aesthetics, Art, Evolution]]. In: [[EvoMUSART 2013]], 1-12. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_1 http://www.csse.monash.edu.au/~jonmc/research/Papers/McCormackEvoMUSART2013.pdf<br /> <br /> * [[Victor Ciesielski]], [[Perry Barile]], [[Karen Trist]]: [[Finding Image Features Associated with High Aesthetic Value by Machine Learning]]. In: [[EvoMUSART 2013]], 47-58. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_5 http://www.cs.rmit.edu.au/~vc/papers/evomusart13.pdf<br /> <br /> * [[Kate Reed]]: [[Aesthetic Measures for Evolutionary Vase Design]]. In: [[EvoMUSART 2013]], 59-71. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_6<br /> <br /> * [[Jonathan Eisenmann]], [[Matthew Lewis]], [[Rick Parent]]: [[Inverse Mapping with Sensitivity Analysis for Partial Selection in Interactive Evolution]]. In: [[EvoMUSART 2013]], 72-84. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_7<br /> <br /> * [[Mohammad Majid al-Rifaie]], [[John Mark Bishop]]: [[Swarmic Sketches and Attention Mechanism]]. In: [[EvoMUSART 2013]], 85-96. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_8<br /> <br /> * [[Mohammad Majid al-Rifaie]], [[John Mark Bishop]]: [[Swarmic Paintings and Colour Attention]]. In: [[EvoMUSART 2013]], 97-108. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_9<br /> <br /> * [[Eelco den Heijer]]: [[Evolving Glitch Art]]. In: [[EvoMUSART 2013]], 109-120. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_10 http://www.few.vu.nl/~eelco/publications/Eelco-den-Heijer-Evolving-Glitch-2013.pdf<br /> <br /> * [[Mario García Valdez]], [[Leonardo Trujillo]], [[Francisco Fernández de Vega]], [[Juan Julián Merelo Guervós]], [[Gustavo Olague]]: [[EvoSpace-Interactive: A Framework to Develop Distributed Collaborative-Interactive Evolutionary Algorithms for Artistic Design]]. In: [[EvoMUSART 2013]], 121-132. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_11 <br /> <br /> * [[João Correia]], [[Penousal Machado]], [[Juan Romero]], [[Adrián Carballal]]: [[Feature Selection and Novelty in Computational Aesthetics]]. In: [[EvoMUSART 2013]], 133-144. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_12 http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/cmrc13.pdf<br /> <br /> * [[Patrick Janssen]], [[Vignesh Kaushik]]: [[Decision Chain Encoding: Evolutionary Design Optimization with Complex Constraints]]. In: [[EvoMUSART 2013]], 157-167. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_14<br /> <br /> * [[Malik Nairat]], [[Palle Dahlstedt]], [[Mats G. Nordahl]]: [[Story Characterization Using Interactive Evolution in a Multi-Agent System]]. In: [[EvoMUSART 2013]], 168-179. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_15<br /> <br /> * [[Antonios Liapis]], [[Georgios N. Yannakakis]], [[Julian Togelius]]: [[Sentient World: Human-Based Procedural Cartography - An Experiment in Interactive Sketching and Iterative Refining]]. In: [[EvoMUSART 2013]], 180-191. DOI: http://link.springer.com/10.1007/978-3-642-36955-1_16 http://yannakakis.net/wp-content/uploads/2013/08/SentientWorld.pdf<br /> <br /> ==== [[EvoMUSART 2012]] ====<br /> * [[Steven Bergen]], [[Brian J. Ross]]: [[Aesthetic 3D Model Evolution]]. In: [[EvoMUSART 2012]], 11-22. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_2<br /> <br /> * [[Jonathan Byrne]], [[Erik Hemberg]], [[Anthony Brabazon]], [[Michael O&#039;Neill]]: [[A Local Search Interface for Interactive Evolutionary Architectural Design]]. In: [[EvoMUSART 2012]], 23-34. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_3 http://ncra.ucd.ie/papers/localsearchinterface.pdf<br /> <br /> * [[Simon Colton]]: [[Evolving a Library of Artistic Scene Descriptors]]. In: [[EvoMUSART 2012]], 35-47. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_4 http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.299.421&amp;rep=rep1&amp;type=pdf<br /> <br /> * [[Eelco den Heijer]], [[A. E. Eiben]]: [[Evolving Pop Art Using Scalable Vector Graphics]]. In: [[EvoMUSART 2012]], 48-59. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_5<br /> <br /> * [[Eelco den Heijer]], [[A. E. Eiben]]: [[Maintaining Population Diversity in Evolutionary Art]]. In: [[EvoMUSART 2012]], 60-71. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_6<br /> <br /> * [[Gary Greenfield]]: [[A Platform for Evolving Controllers for Simulated Drawing Robots]]. In: [[EvoMUSART 2012]], 108-116. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_10<br /> <br /> * [[Gregory Hornby]], [[Josh Bongard]]: [[Learning Comparative User Models for Accelerating Human-Computer Collaborative Search]]. In: [[EvoMUSART 2012]], 117-128. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_11 http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.310.1679&amp;rep=rep1&amp;type=pdf<br /> <br /> * [[Colin G. Johnson]]: [[Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used?]] In: [[EvoMUSART 2012]], 129-140. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_12<br /> <br /> * [[Yang Li]], [[Changjun Hu]], [[Ming Chen]], [[Jingyuan Hu]]: [[Investigating Aesthetic Features to Model Human Preference in Evolutionary Art]]. In: [[EvoMUSART 2012]], 153-164. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_14<br /> <br /> * [[Penousal Machado]], [[João Correia]], [[Juan Romero]]: [[Expression-Based Evolution of Faces]]. In: [[EvoMUSART 2012]], 187-198. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_17 http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/mjc12a.pdf<br /> <br /> * [[James McDermott]]: [[Graph Grammars as a Representation for Interactive Evolutionary 3D Design]]. In: [[EvoMUSART 2012]], 199-210. DOI: http://link.springer.com/10.1007/978-3-642-29142-5_18<br /> <br /> ==== [[EvoMUSART 2011]] ==== <br /> * [[Jonathan Byrne | Byrne, Jonathan]]; [[Michael Fenton | Fenton, Michael]]; [[James McDermott | McDermott, James]]; [[James McDermott | McDermott, James]]; [[Michael O&#039;Neill | O&#039;Neill, Michael]]; [[Ciaran McNally | McNally, Ciaran]]; [[Elizabeth Shotton | Shotton, Elizabeth]]: [[Combining Structural Analysis and Multi-Objective Criteria for Evolutionary Architectural Design]]. In: [[EvoMUSART 2011]], 204-213. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_21 http://ncra.ucd.ie/papers/multiDesign.pdf<br /> <br /> * [[Simon Colton | Colton, Simon]]; [[Michael Cook | Cook, Michael]]; [[Azalea Raad | Raad, Azalea]]: [[Ludic Considerations of Tablet-Based Evo-Art]]. In: [[EvoMUSART 2011]], 223-233. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_23 http://ccg.doc.gold.ac.uk/papers/colton_evomusart11.pdf<br /> <br /> * [[Eelco den Heijer | Heijer, Eelco den]]; [[A. E. Eiben | Eiben, A. E.]]: [[Evolving Art Using Multiple Aesthetic Measures]]. In: [[EvoMUSART 2011]], 234-243. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_24 http://www.few.vu.nl/~eelco/publications/E-den-Heijer-and-AE-Eiben-Evolving-Art-Using-Multiple-Aesthetic-Measures-2011.pdf<br /> <br /> * [[Tom De Smedt | Smedt, Tom De]]; [[Ludivine Lechat | Lechat, Ludivine]]; [[Walter Daelemans | Daelemans, Walter]]: [[Generative Art Inspired by Nature, Using NodeBox]]. In: [[EvoMUSART 2011]], 264-273. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_27 http://www.clips.ua.ac.be/sites/default/files/desmedt-generative-art.pdf<br /> <br /> * [[Anikó Ekárt | Ekárt, Anikó]]; [[Divya Sharma | Sharma, Divya]]; [[Stayko Chalakov | Chalakov, Stayko]]: [[Modelling Human Preference in Evolutionary Art]]. In: [[EvoMUSART 2011]], 303-312. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_31 http://core.kmi.open.ac.uk/download/pdf/4896281.pdf<br /> <br /> * [[Robert W. J. Flack | Flack, Robert W. J.]]; [[Brian J. Ross | Ross, Brian J.]]: [[Evolution of Architectural Floor Plans]]. In: [[EvoMUSART 2011]], 313-322. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_32<br /> <br /> * [[Liraz Mor | Mor, Liraz]]; [[Chao Liu | Liu, Chao]]; [[Sebastian Von Mammen | Von Mammen, Sebastian]]: [[Interactive Biomimetic Space: An Interactive Installation to Explore Living Architecture]]. In: [[EvoMUSART 2011]], 364-373. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_37<br /> <br /> * [[Miguel Nicolau | Nicolau, Miguel]]; [[Dan Costelloe | Costelloe, Dan]]: [[Using Grammatical Evolution to Parameterise Interactive 3D Image Generation]]. In: [[EvoMUSART 2011]], 374-383. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_38 http://ncra.ucd.ie/papers/66250374.pdf<br /> <br /> * [[Craig Reynolds | Reynolds, Craig]]: [[Evolving Textures from High Level Descriptions: Gray with an Accent Color]]. In: [[EvoMUSART 2011]], 384-393. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_39<br /> <br /> * [[Juan Romero | Romero, Juan]]; [[Penousal Machado | Machado, Penousal]]; [[Adrian Carballal | Carballal, Adrian]]; [[Olga Osorio | Osorio, Olga]]: [[Aesthetic Classification and Sorting Based on Image Compression]]. In: [[EvoMUSART 2011]], 394-403. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_40 http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/rmco11.pdf<br /> <br /> * [[Paulo Urbano | Urbano, Paulo]]: [[The T. albipennis Sand Painting Artists]]. In: [[EvoMUSART 2011]], 414-423. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_42<br /> <br /> * [[Eirini Vouliouri | Vouliouri, Eirini]]: [[Merging Aesthetics with Functionality: An Interactive Genetic Algorithm Based on the Principle of Weighted Mutation]]. In: [[EvoMUSART 2011]], 424-433. DOI: http://link.springer.com/10.1007/978-3-642-20520-0_43<br /> <br /> ==== [[EvoMUSART 2010]] ==== <br /> * [[Jae C. Oh | Oh, Jae C.]].; [[Edward Zajec | Zajec, Edward]]: [[Evolving Artistic Styles through Visual Dialogues]]. In: [[EvoMUSART 2010]], 261-270. DOI: http://link.springer.com/10.1007/978-3-642-12242-2_27 <br /> <br /> * [[Penousal Machado | Machado, Penousal]]; [[Henrique Nunes | Nunes, Henrique]]; [[Juan Romero | Romero, Juan]]: [[Graph-Based Evolution of Visual Languages]]. In: [[EvoMUSART 2010]], 271-280. DOI: http://link.springer.com/10.1007/978-3-642-12242-2_28 http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/mnr10.pdf <br /> <br /> * [[Shahrul Badariah Mat Sah | Sah, Shahrul Badariah Mat]]; [[Victor Ciesielski | Ciesielski, Victor]]; [[Daryl D’Souza | D’Souza, Daryl]]: [[Refinement Techniques for Animated Evolutionary Photomosaics Using Limited Tile Collections]]. In: [[EvoMUSART 2010]], 281-290. DOI: http://link.springer.com/10.1007/978-3-642-12242-2_29 http://www.cs.rmit.edu.au/~vc/papers/evomusart10.pdf<br /> <br /> * [[Gary Greenfield | Greenfield, Gary]]: [[Generative Art and Evolutionary Refinement]]. In: [[EvoMUSART 2010]], 291-300. DOI: http://link.springer.com/10.1007/978-3-642-12242-2_30 <br /> <br /> * [[Yang Li | Li, Yang]]; [[Chang-Jun Hu | Hu, Chang-Jun]]: [[Aesthetic Learning in an Interactive Evolutionary Art System]]. In: [[EvoMUSART 2010]], 301-310. DOI: http://link.springer.com/10.1007/978-3-642-12242-2_31<br /> <br /> * [[Eelco den Heijer | Heijer, Eelco den]]; [[A. E. Eiben | Eiben, A. E.]]: [[Comparing Aesthetic Measures for Evolutionary Art]]. In: [[EvoMUSART 2010]], 311-320. DOI: http://link.springer.com/10.1007/978-3-642-12242-2_32 http://www.few.vu.nl/~eelco/publications/E-den-Heijer-and-AE-Eiben-Comparing-aesthetic-Measures-for-Evolutionary-Art-2010.pdf<br /> <br /> * [[Philip Galanter | Galanter, Philip]]: [[The Problem with Evolutionary Art Is]]. In: [[EvoMUSART 2010]], 321-330. DOI: http://link.springer.com/10.1007/978-3-642-12242-2_33 http://philipgalanter.com/downloads/evostar2010%20-%20galanter%20-%20the%20problem%20with%20evo%20art.pdf<br /> <br /> ==== [[EvoMUSART 2009]] ==== <br /> * [[Simon Colton | Colton, Simon]]; [[Pedro Torres | Torres, Pedro]]: [[Evolving Approximate Image Filters]]. In: [[EvoMUSART 2009]], 467-477. DOI: http://link.springer.com/10.1007/978-3-642-01129-0_53 http://ccg.doc.gold.ac.uk/papers/colton_evomusart09.pdf<br /> <br /> * [[Palle Dahlstedt | Dahlstedt, Palle]]: [[On the Role of Temporary Storage in Interactive Evolution]]. In: [[EvoMUSART 2009]], 478-487. DOI: http://link.springer.com/10.1007/978-3-642-01129-0_54 <br /> <br /> * [[Alice Eldridge | Eldridge, Alice]]; [[Alan Dorin | Dorin, Alan]]: [[Filterscape: Energy Recycling in a Creative Ecosystem]]. In: [[EvoMUSART 2009]], 508-517. DOI: http://link.springer.com/10.1007/978-3-642-01129-0_57 http://www.ecila.org/ecila_files/content/papers/eldridgeDorinEvoMusart09.pdf<br /> <br /> * [[Gary Greenfield | Greenfield, Gary]]: [[Evolved Ricochet Compositions]]. In: [[EvoMUSART 2009]], 518-527. DOI: http://link.springer.com/10.1007/978-3-642-01129-0_58<br /> <br /> * [[Jon McCormack | McCormack, Jon]]; [[Oliver Bown | Bown, Oliver]]: [[Life&#039;s What You Make: Niche Construction and Evolutionary Art]]. In: [[EvoMUSART 2009]], 528-537. DOI: http://link.springer.com/10.1007/978-3-642-01129-0_59 http://www.csse.monash.edu.au/~jonmc/research/Papers/McCormack_EvoMUSART09.pdf<br /> <br /> * [[Juan Romero | Romero, Juan]]; [[Penousal Machado | Machado, Penousal]]; [[Antonino Santos | Santos, Antonino]]: [[On the Socialization of Evolutionary Art]]. In: [[EvoMUSART 2009]], 557-566. DOI: http://link.springer.com/10.1007/978-3-642-01129-0_62 http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/rms09.pdf<br /> <br /> * [[Rob Saunders | Saunders, Rob]]; [[Kazjon Grace | Grace, Kazjon]]: [[Teaching Evolutionary Design Systems by Extending Context Free]]. In: [[EvoMUSART 2009]], 591-596. DOI: http://link.springer.com/10.1007/978-3-642-01129-0_67<br /> <br /> * [[Graham Wakefield | Wakefield, Graham]]; [[Haru (Hyunkyung) Ji | Ji, Haru (Hyunkyung)]]: [[Artificial Nature: Immersive World Making]]. In: [[EvoMUSART 2009]], 597-602. DOI: http://link.springer.com/10.1007/978-3-642-01129-0_68 http://www.mat.ucsb.edu/Publications/09_WakefieldJi_EvoWorkshops_ArtificialNatureImmersiveWorldMaking.pdf<br /> <br /> ==== [[EvoMUSART 2008]] ==== <br /> * [[Simon Colton | Colton, Simon]]: [[Automatic invention of fitness functions with application to scene generation]]. In: [[EvoMUSART 2008]], 381-391. DOI: http://link.springer.com/10.1007/978-3-540-78761-7_41 http://www.thepaintingfool.com/papers/colton_evomusart08.pdf<br /> <br /> * [[Alice Eldridge | Eldridge, Alice]]; [[Alan Dorin | Dorin, Alan]]; [[Jon McCormack | McCormack, Jon]]: [[Manipulating artificial ecosystems]]. In: [[EvoMUSART 2008]], 392-401. DOI: http://link.springer.com/10.1007/978-3-540-78761-7_42 http://dx.doi.org/10.1007/978-3-540-78761-7_42<br /> <br /> * [[Gary Greenfield | Greenfield, Gary]]: [[Evolved diffusion limited aggregation compositions]]. In: [[EvoMUSART 2008]], 402-411. DOI: http://link.springer.com/10.1007/978-3-540-78761-7_43<br /> <br /> * [[William Latham]]; [[Miki Shaw | Shaw, Miki]]; [[Stephen Todd]]; [[Frederic Fol Leymarie | Leymarie, Frederic Fol]]; [[Benjamin Jefferys | Jefferys, Benjamin]]; [[Lawrence Kelley | Kelley, Lawrence]]: [[Using DNA to generate 3D organic art forms]]. In: [[EvoMUSART 2008]], 433-442. DOI: http://link.springer.com/10.1007/978-3-540-78761-7_46<br /> <br /> * [[Penousal Machado | Machado, Penousal]]; [[Fernando Graca | Graca, Fernando]]: [[Evolutionary pointillist modules: evolving assemblages of 3D objects]]. In: [[EvoMUSART 2008]], 453-462. DOI: http://link.springer.com/10.1007/978-3-540-78761-7_48 http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/mg08.pdf<br /> <br /> * [[Jon Bird | Bird, Jon]]; [[Phil Husbands | Husbands, Phil]]; [[Martin Perris | Perris, Martin]]; [[Bill Bigge | Bigge, Bill]]; [[Paul Brown | Brown, Paul]]: [[Implicit fitness functions for evolving a drawing robot]]. In: [[EvoMUSART 2008]], 473-478. DOI: http://link.springer.com/10.1007/978-3-540-78761-7_50 http://www.sussex.ac.uk/Users/philh/pubs/evomusart08Bird.pdf<br /> <br /> * [[Miguel Frade | Frade, Miguel]]; [[Francisco Fernández De Vega | De Vega, Francisco Fernández]]; [[Carlos Cotta | Cotta, Carlos]]: [[Modelling video games&#039; landscapes by means of genetic terrain programming: a new approach for improving users&#039; experience]]. In: [[EvoMUSART 2008]], 485-490. DOI: http://link.springer.com/10.1007/978-3-540-78761-7_52 http://www.lcc.uma.es/~ccottap/papers/frade08gtp.pdf<br /> <br /> * [[Sebastian Von Mammen | Von Mammen, Sebastian]];[[Joyce Wong | Wong, Joyce]]; [[Christian Jacob | Jacob, Christian]]: [[Virtual constructive swarm compositions and inspiration]]. In: [[EvoMUSART 2008]], 491-496. DOI: http://link.springer.com/10.1007/978-3-540-78761-7_53<br /> <br /> * [[Gunnar Tufte | Tufte, Gunnar]]; [[Espen Gangvik | Gangvik, Espen]]: [[Trans - former 13: exploration and adaptation of evolution expressed in a dynamic sculpture]]. In: [[EvoMUSART 2008]], 509-514. DOI: http://link.springer.com/10.1007/978-3-540-78761-7_56 http://www.idi.ntnu.no/~gunnart/evoMusArt08draft3.pdf<br /> <br /> ==== [[EvoMUSART 2007]] ==== <br /> * [[Victor Ciesielski | Ciesielski, Victor]]; [[Marsha Berry | Berry, Marsha]]; [[Karen Trist | Trist, Karen]]; [[Daryl D&#039;Souza | D&#039;Souza, Daryl]]: [[Evolution of Animated Photomosaics]]. In: [[EvoMUSART 2007]], 498-507. DOI: http://link.springer.com/10.1007/978-3-540-71805-5_55<br /> <br /> * [[David Augustus Hart | Hart, David Augustus]]: [[Toward Greater Artistic Control for Interactive Evolution of Images and Animation]]. In: [[EvoMUSART 2007]], 527-536. DOI: http://link.springer.com/10.1007/978-3-540-71805-5_58 http://dahart.com/paper/hart_evomusart_2007_paper.pdf<br /> <br /> * [[Olgierd Unold | Unold, Olgierd]]: [[Maciej Troc | Troc, Maciej]]: [[Curve, Draft, and Style: Three Steps to the Image]]. In: [[EvoMUSART 2007]], 601-608. DOI: http://link.springer.com/10.1007/978-3-540-71805-5_66<br /> <br /> ==== [[EvoMUSART 2006]] ==== <br /> * [[John Collomosse | Collomosse, John]]: [[Supervised Genetic Search for Parameter Selection in Painterly Rendering]]. In: [[EvoMUSART 2006]], 599-610. DOI: http://link.springer.com/10.1007/11732242_57<br /> <br /> * [[Gary Greenfield | Greenfield, Gary]]: [[Robot Paintings Evolved Using Simulated Robots]]. In: [[EvoMUSART 2006]], 611-621. DOI: http://link.springer.com/10.1007/11732242_58<br /> <br /> * [[Paulo Urbano | Urbano, Paulo]]: [[Consensual Paintings]]. In: [[EvoMUSART 2006]], 622-632. DOI: http://link.springer.com/10.1007/11732242_59<br /> <br /> * [[Tristan Basa | Basa, Tristan]]; [[Christian Anthony Go | Go, Christian Anthony]]; [[Kil-Sang Yoo | Yoo, Kil-Sang]]; [[Won-Hyung Lee | Lee, Won-Hyung]]: [[Using Physiological Signals to Evolve Art]]. In: [[EvoMUSART 2006]], 633-641. DOI: http://link.springer.com/10.1007/11732242_60<br /> <br /> * [[Nuno A. C. Henriques | Henriques, Nuno A. C.]]; [[Nuno Correia | Correia, Nuno]]; [[Jônatas Manzolli | Manzolli, Jônatas]]; [[Luís Correia | Correia, Luís]]; [[Teresa Chambel | Chambel, Teresa]]: [[MovieGene: Evolutionary Video Production Based on Genetic Algorithms and Cinematic Properties]]. In: [[EvoMUSART 2006]], 707-711. DOI: http://link.springer.com/10.1007/11732242_67<br /> <br /> ==== [[EvoMUSART 2005]] ==== <br /> * [[Jon McCormack]]: [[Open Problems in Evolutionary Music and Art]]. In: [[EvoMUSART 2005]], 428-436. DOI: http://link.springer.com/10.1007/978-3-540-32003-6_43 http://www.csse.monash.edu.au/~jonmc/research/Papers/OpenProblemsSV.pdf<br /> <br /> * [[John Collomosse | Collomosse, John]]; [[Peter M. Hall | Hall, Peter M.]]: [[Genetic Paint: A Search for Salient Paintings]]. In: [[EvoMUSART 2005]], 437-447. DOI: http://link.springer.com/10.1007/978-3-540-32003-6_44 http://personal.ee.surrey.ac.uk/Personal/J.Collomosse/pubs/Collomosse-EVOm-2005.pdf<br /> <br /> * [[Alan Dorin | Dorin, Alan]]: [[Artificial Life, Death and Epidemics in Evolutionary, Generative Electronic Art]]. In: [[EvoMUSART 2005]], 448-457. DOI: http://link.springer.com/10.1007/978-3-540-32003-6_45 http://www.csse.monash.edu.au/~aland/PAPERS/evoMusArt2005preprint.pdf<br /> <br /> * [[Scott Draves | Draves, Scott]]: [[The Electric Sheep Screen-Saver: A Case Study in Aesthetic Evolution]]. In: [[EvoMUSART 2005]], 458-467. DOI: http://link.springer.com/10.1007/978-3-540-32003-6_46 http://draves.org/evomusart05/evomusart05draves.pdf<br /> <br /> * [[Tim Blackwell | Blackwell, Tim]]; [[Janis Jefferies | Jefferies, Janis]]: [[Swarm Tech-Tiles Tim]]. In: [[EvoMUSART 2005]], 468-477. DOI: http://link.springer.com/10.1007/978-3-540-32003-6_47 http://igor.gold.ac.uk/~mas01tb/papers/SwarmTechtiles.pdf<br /> <br /> * [[Gary Greenfield | Greenfield, Gary]]: [[Evolutionary Methods for Ant Colony Paintings]]. In: [[EvoMUSART 2005]], 478-487. DOI: http://link.springer.com/10.1007/978-3-540-32003-6_48<br /> <br /> * [[Paulo Urbano | Urbano, Paulo]]: [[Playing in the Pheromone Playground: Experiences in Swarm Painting]]. In: [[EvoMUSART 2005]], 527-532. DOI: http://link.springer.com/10.1007/978-3-540-32003-6_53<br /> <br /> ==== [[EvoMUSART 2004]] ==== <br /> * [[Tim Blackwell | Blackwell, Tim]]; [[Michael Young | Young, Michael]]: [[Swarm Granulator]]. In: [[EvoMUSART 2004]], 399-408. DOI: http://link.springer.com/10.1007/978-3-540-24653-4_41 http://igor.gold.ac.uk/~mas01tb/papers/SwarmGranulator.pdf<br /> <br /> * [[Matthew Lewis | Lewis, Matthew]]: [[Aesthetic Video Filter Evolution in an Interactive Real-Time Framework]]. In: [[EvoMUSART 2004]], 409-418. DOI: http://link.springer.com/10.1007/978-3-540-24653-4_42 http://accad.osu.edu/research/interactive_performance_htmls/video.pdf<br /> <br /> * [[Hans E. Dehlinger | Dehlinger, Hans E.]]: [[Generative Art: Fuzzy Polygon Clipping in Program Generated Line Oriented Drawings]]. In: [[EvoMUSART 2004]], 419-426. DOI: http://link.springer.com/10.1007/978-3-540-24653-4_43<br /> <br /> * [[Gary Greenfield | Greenfield, Gary]]: [[Tilings of Sequences of Co-evolved Images]]. In: [[EvoMUSART 2004]], 427-436. DOI: http://link.springer.com/10.1007/978-3-540-24653-4_44<br /> <br /> * [[Penousal Machado | Machado, Penousal]]; [[Juan Romero | Romero, Juan]]; [[Maria Luisa Santos | Santos, Maria Luisa]]; [[Amilcar Cardoso | Cardoso, Amilcar]]; [[Bill Manaris | Manaris, Bill]]: [[Adaptive Critics for Evolutionary Artists]]. In: [[EvoMUSART 2004]], 437-446. DOI: http://link.springer.com/10.1007/978-3-540-24653-4_45 http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/mrs+04.pdf<br /> <br /> * [[Nils Svangard | Svangard, Nils]]; [[Peter Nordin | Nordin, Peter]]: [[Automated Aesthetic Selection of Evolutionary Art by Distance Based Classification of Genomes and Phenomes Using the Universal Similarity Metric]]. In: [[EvoMUSART 2004]], 447-456. DOI: http://link.springer.com/10.1007/978-3-540-24653-4_46<br /> <br /> * [[Paul Nemirovsky | Nemirovsky, Paul]]; [[Rebecca Luger-Guil | Luger-Guil, Rebecca]]: [[Improvisational Media Space: Architecture and Strategies for Evolution]]. In: [[EvoMUSART 2004]], 457-466. DOI: http://link.springer.com/10.1007/978-3-540-24653-4_47 http://web.media.mit.edu/~pauln/research/emonic/docs/evomusart2004.pdf<br /> <br /> * [[Alan Dorin | Dorin, Alan]]: [[The Virtual Ecosystem as Generative Electronic Art]]. In: [[EvoMUSART 2004]], 467-476. DOI: http://link.springer.com/10.1007/978-3-540-24653-4_48 http://www.csse.monash.edu.au/~aland/PAPERS/evoMusArt2004preprint.pdf<br /> <br /> * [[Jon McCormack]]: [[Aesthetic Evolution of L-Systems Revisited]]. In: [[EvoMUSART 2004]], 477-486. DOI: http://link.springer.com/10.1007/978-3-540-24653-4_49 http://www.springerlink.com/index/28W67F21352R35LN.pdf<br /> <br /> ==== [[EvoMUSART 2003]] ==== <br /> * [[Mauro Annunziato | Annunziato, Mauro]]; [[Piero Pierucci | Pierucci, Piero]]: [[The Emergence of Social Learning in Artificial Societies]]. In: [[EvoMUSART 2003]], 467-478. DOI: http://link.springer.com/10.1007/3-540-36605-9_43 http://www.plancton.com/papers/evoart.pdf<br /> <br /> * [[Jon Bird | Bird, Jon]]; [[Joe Faith | Faith, Joe]]; [[Andy Webster | Webster, Andy]]: [[Tabula Rasa: A Case Study in Evolutionary Curation]]. In: [[EvoMUSART 2003]], 479-489. DOI: http://link.springer.com/10.1007/3-540-36605-9_44<br /> <br /> * [[Evelyne Lutton | Lutton, Evelyne]], [[Emmanuel Cayla | Cayla, Emmanuel]]; [[Jonathan Chapuis | Chapuis, Jonathan]]: [[ArtiE-Fract: The Artist’s Viewpoint]]. In: [[EvoMUSART 2003]], 547-558. DOI: http://link.springer.com/10.1007/3-540-36605-9_47 http://evelyne.lutton.free.fr/Papers/134_lutton.pdf<br /> <br /> * [[Paul Nemirovsky | Nemirovsky, Paul]]; [[Richard Watson | Watson, Richard]]: [[Genetic Improvisation Model A Framework for Real-Time Performance Environments]]. In: [[EvoMUSART 2003]], 510-521. DOI: http://link.springer.com/10.1007/3-540-36605-9_50 http://www.media.mit.edu/~pauln/research/emonic/docs/evomusart2003.pdf<br /> <br /> * [[Juan Romero | Romero, Juan]]; [[Penousal Machado | Machado, Penousal]]; [[Antonio Santos | Santos, Antonio]]; [[Amílcar Cardoso | Cardoso, Amílcar]]: [[On the Development of Critics in Evolutionary Computation Artists]]. In: [[EvoMUSART 2003]], 559-569. DOI: http://link.springer.com/10.1007/3-540-36605-9_51 http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/rmsc03.pdf<br /> <br /> * [[Yago Saez | Saez, Yago]]; [[Oscar Sanjuan | Sanjuan, Oscar]]; [[Javier Segovia | Segovia, Javier]]; [[Pedro Isasi | Isasi, Pedro]]: [[Genetic Algorithms for the Generation of Models with Micropopulations]]. In: [[EvoMUSART 2003]], 570-580. DOI: http://link.springer.com/10.1007/3-540-36605-9_52 http://e-archivo.uc3m.es/bitstream/10016/3985/1/genetic_LNCS_2003_ps.pdf<br /> <br /> === Artikel in sonstigen Konferenzen und Workshops === <br /> Hauptsächlich zusammengestellt aus den &quot;Used References&quot; der EvoArt Bücher und EvoMUSART-Konferenzen, der [http://www.cs.bham.ac.uk/~wbl/biblio/ GP-Bibliography], und den Comp Aesthetic-Konferenzen, den Generative Art Konferenzen, den Computational Creativity Konferenzen und den Briges Konferenzen<br /> <br /> ====2017====<br /> * Adam Colestock: [[Let the Numbers Do the Walking: Generating Turtle Dances on the Plane from Integer Sequences]]. In: [[Bridges 2017]], Pages 139–146. http://archive.bridgesmathart.org/2017/bridges2017-139.pdf<br /> <br /> * Douglas Dunham and John Shier: [[New Kinds of Fractal Patterns]]. In: [[Bridges 2017]], Pages 111–116. http://archive.bridgesmathart.org/2017/bridges2017-111.pdf<br /> <br /> * Frank A. Farris: [[Natural Color Symmetry]]. In: [[Bridges 2017]], Pages 131–138. http://archive.bridgesmathart.org/2017/bridges2017-131.pdf<br /> <br /> * Lena Gieseke, Paul Asente, Jingwan Lu, Martin Fuchs: [[Organized order in ornamentation]]. In: CAE &#039;17. https://doi.org/10.1145/3092912.3092913 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a04/a04-C01-gieseke.pdf<br /> <br /> * Craig S. Kaplan: [[Interwoven Islamic Geometric Patterns]]. In: [[Bridges 2017]], Pages 71–78. http://archive.bridgesmathart.org/2017/bridges2017-71.pdf<br /> <br /> * Eryk Kopczyński, Dorota Celińska and Marek Čtrnáct: [[HyperRogue: Playing with Hyperbolic Geometry]]. In: [[Bridges 2017]], Pages 9–16. http://archive.bridgesmathart.org/2017/bridges2017-9.pdf<br /> <br /> * Xiao-Chang Liu, Ming-Ming Cheng, Yu-Kun Lai Paul L. Rosin: [[Depth-aware neural style transfer]]. In: NPAR &#039;17. https://doi.org/10.1145/3092919.3092924 https://dl.acm.org/authorize?N32487<br /> <br /> * Taneli Luotoniemi: [[Crooked Houses: Visualizing the Polychora with Hyperbolic Patchwork]]. In: [[Bridges 2017]], Pages 17–24. http://archive.bridgesmathart.org/2017/bridges2017-17.pdf<br /> <br /> * Jacob Rus: [[Flowsnake Earth]]. In: [[Bridges 2017]], Pages 237–244. http://archive.bridgesmathart.org/2017/bridges2017-237.pdf<br /> <br /> * Amir Semmo, Tobias Isenberg, Jürgen Döllner: [[Neural style transfer: a paradigm shift for image-based artistic rendering?]] In: NPAR &#039;17. https://doi.org/10.1145/3092919.3092920 https://dl.acm.org/authorize?N32488<br /> <br /> ====2016====<br /> * Benoit Arbelot, Romain Vergne, Thomas Hurtut, and Joëlle Thollot: [[Automatic Texture Guided Color Transfer and Colorization]]. In: [[Computational Aesthetics 2016]] CAE&#039;16, 21-32, http://dx.doi.org/10.2312/exp.20161060 http://dl.acm.org/citation.cfm?id=2981328&amp;CFID=558819604&amp;CFTOKEN=68186175<br /> <br /> * Leonid Berov and Kai-Uwe Kuhnberger: [[Visual Hallucination For Computational Creation]]. In: [[Computational Creativity 2016 ICCC 2016]], 107-114, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/Visual-Hallucination-For-Computational-Creation.pdf<br /> <br /> * Debarun Bhattacharjya: [[Preference Models for Creative Artifacts and Systems]]. In: [[Computational Creativity 2016 ICCC 2016]], 52-59, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/Preference-Models-for-Creative-Artifacts-and-Systems.pdf<br /> <br /> * John Charnley, Simon Colton, Maria Teresa Llano Rodriguez and Joseph Corneli: [[The FloWr Online Platform: Automated Programming and Computational Creativity as a Service]]. In: [[Computational Creativity 2016 ICCC 2016]], 363-370, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/The-FloWr-Online-Platform.pdf <br /> <br /> * Joao Correia, Tiago Martins, Pedro Martins and Penousal Machado: [[X-Faces: The eXploit Is Out There]]. In: [[Computational Creativity 2016 ICCC 2016]], 164-171, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/X-Faces-The-eXploit-Is-Out-There.pdf<br /> <br /> * Mark d’Inverno and Arthur Still: [[A History of Creativity for Future AI Research]]. In: [[Computational Creativity 2016 ICCC 2016]], 147-154, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/A-History-of-Creativity-for-Future-AI-Research.pdf<br /> <br /> * Celso França, Luis Fabricio Wanderley Goes, Alvaro Amorim, Rodrigo Rocha and Alysson Ribeiro Da Silva-Regent: [[Dependent Creativity: A Domain Independent Metric for the Assessment of Creative Artifacts]]. In: [[Computational Creativity 2016 ICCC 2016]], 68-75, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/Regent-Dependent-Creativity.pdf<br /> <br /> * Brendan Galea, Ehsan Kia, Nicholas Aird, and Paul G. Kry: [[Stippling with Aerial Robots]]. In: [[Computational Aesthetics 2016]] CAE&#039;16, 125-134 http://dx.doi.org/10.2312/exp.20161071 http://dl.acm.org/citation.cfm?id=2981342&amp;CFID=558819604&amp;CFTOKEN=68186175<br /> <br /> * Christian Guckelsberger, Christoph Salge, Rob Saunders and Simon Colton: [[Supportive and Antagonistic Behaviour in Distributed Computational Creativity via Coupled Empowerment Maximisation]]. In: [[Computational Creativity 2016 ICCC 2016]], 9-16, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/Supportive-and-Antagonistic-Behaviour-in-Distributed-Computational-Creativity.pdf<br /> <br /> * Derrall Heath and Dan Ventura: [[Before A Computer Can Draw, It Must First Learn To See]]. In: [[Computational Creativity 2016 ICCC 2016]], 172-179, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/Before-A-Computer-Can-Draw-It-Must-First-Learn-To-See.pdf<br /> <br /> * Akın Kazakci, Mehdi Cherti and Balazs Kegl: [[Digits that are not: Generating new types through deep neural nets]]. In: [[Computational Creativity 2016 ICCC 2016]], 188-195, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/Digits-that-are-not.pdf<br /> <br /> * Joel Lehman, Sebastian Risi and Jeff Clune: [[Creative Generation of 3D Objects with Deep Learning and Innovation Engines]]. In: [[Computational Creativity 2016 ICCC 2016]], 180-187, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/Creative-Generation-of-3D-Objects-with-Deep-Learning-and-Innovation-Engines.pdf<br /> <br /> * Simo Linkola, Tapio Takala and Hannu Toivonen: [[Novelty-Seeking Multi-Agent System]]. In: [[Computational Creativity 2016 ICCC 2016]], 1-8, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/Novelty-Seeking-Multi-Agent-Systems.pdf <br /> <br /> * Alain Lioret: [[Quantum Art]]. In: [[Computational Aesthetics 2016]] CAE&#039;16, 135-139. http://dx.doi.org/10.2312/exp.20161072 http://dl.acm.org/citation.cfm?id=2981343&amp;CFID=558819604&amp;CFTOKEN=68186175<br /> <br /> * Yiming Liu, Aseem Agarwala, Jingwan Lu, and Szymon Rusinkiewicz: [[Data-Driven Iconification]]. 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In: [[Computational Creativity 2016 ICCC 2016]], 156-163, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/Deep-Convolutional-Networks-as-Models-of-Generalization-and-Blending.pdf<br /> <br /> * Santiago Montesdeoca, Hock-Soon Seah, and Hans-Martin Rall: [[Art-directed Watercolor Rendered Animation]]. In: [[Computational Aesthetics 2016]] CAE&#039;16, 51-58. http://dx.doi.org/10.2312/exp.20161063 http://dl.acm.org/citation.cfm?id=2981332&amp;CFID=558819604&amp;CFTOKEN=68186175<br /> <br /> * David Mould and Paul L. Rosin: [[A Benchmark Image Set for Evaluating Stylization]]. In: [[Computational Aesthetics 2016]] CAE&#039;16, 11-20, http://dx.doi.org/10.2312/exp.20161059 http://dl.acm.org/citation.cfm?id=2981327&amp;CFID=558819604&amp;CFTOKEN=68186175 <br /> <br /> * Huy Quoc Phan, Jingwan Lu, Paul Asente, Antoni B. Chan, and Hongbo Fu: [[Patternista: Learning Element Style Compatibility and Spatial Composition for Ring-based Layout Decoration]]. In: [[Computational Aesthetics 2016]] CAE&#039;16, 79-88. http://dx.doi.org/10.2312/exp.20161066 http://dl.acm.org/citation.cfm?id=2981336&amp;CFID=558819604&amp;CFTOKEN=68186175<br /> <br /> * Senja Pollak, Biljana Mileva Boshkoska, Dragana Miljkovic, Geraint Wiggins and Nada Lavrac: [[Computational Creativity Conceptualisation Grounded on ICCC Papers]]. In: [[Computational Creativity 2016 ICCC 2016]], 123-130, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/Computational-Creativity-Conceptualisation-Grounded-on-ICCC-Papers.pdf<br /> <br /> * Antoine Saillenfest, Jean-Louis Dessalles and Olivier Auber: [[Role of Simplicity in Creative Behaviour: The Case of the Poietic Generator]]. In: [[Computational Creativity 2016 ICCC 2016]], 33-40, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/Role-of-Simplicity-in-Creative-Behaviour.pdf <br /> <br /> * Dan Ventura: [[Mere Generation: Essential Barometer or Dated Concept?]]. In: [[Computational Creativity 2016 ICCC 2016]], 17-24, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/Mere-Generation.pdf<br /> <br /> * Georgios N. Yannakakis and Antonios Liapis: [[Searching for Surprise]]. In: [[Computational Creativity 2016 ICCC 2016]], 25-32, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/Searching-for-Surprise.pdf <br /> <br /> * Martin Znidarsic, Amilcar Cardoso, Pablo Gervas, Pedro Martins, Raquel Hervas, Ana Alves, Hugo Oliveira, Ping Xiao, Simo Linkola, Hannu Toivonen, Janez Kranjc and Nada Lavrac: [[Computational Creativity Infrastructure for Online Software Composition: A Conceptual Blending Use Case]]. In: [[Computational Creativity 2016 ICCC 2016]], 371-378, http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/01/Computational-Creativity-Infrastructure-for-Online-Software-Composition.pdf<br /> <br /> ====2015====<br /> * [[Filipe Assunção]], [[João Correia]], [[Pedro Martins]], [[Penousal Machado]]: [[Evolving Families of Shapes]]. In Proceedings of the Twenty-Fourth International Joint Conference on Artificial Intelligence, IJCAI 2015, Buenos Aires, Argentina, July 25-31, 2015, 2015, pp. 4134-4135. http://ijcai.org/Proceedings/15/Papers/580.pdf http://cdv.dei.uc.pt/wp-content/uploads/2015/08/ijcai15c.pdf<br /> <br /> * Sema Berkiten, Xinyi Fan, and Szymon Rusinkiewicz: [[Semi-Automatic Digital Epigraphy from Images with Normals]]. In: [[Computational Aesthetics 2015]] NPAR&#039;15, 91-102. http://dx.doi.org/10.2312/exp.20151182 http://dl.acm.org/citation.cfm?id=2810002.2810006&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 http://gfx.cs.princeton.edu/pubs/Berkiten_2015_SDE/epigraphy_NPAR15.pdf<br /> <br /> * &lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; Daniel Berio and Frederic Fol Leymarie: [[Computational Models for the Analysis and Synthesis of Graffiti Tag Strokes]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 35-47. http://dx.doi.org/10.2312/exp.20151177 http://dl.acm.org/citation.cfm?id=2811242&amp;CFID=724111209&amp;CFTOKEN=48939661 http://doc.gold.ac.uk/autograff/papers/CompModelsGraffitiTagStrokes.pdf<br /> <br /> * Alexandra Bonnici and Kenneth P. Camilleri: [[A Combined Junction-Cue Dictionary for Labelling Sketch Drawings with Artistic Shadows and Table-line Cues]]. In: [[Computational Aesthetics 2015]] SBIM&#039;15, 123-129. http://dx.doi.org/10.2312/exp.20151185 http://dl.acm.org/citation.cfm?id=2810210.2810219&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661<br /> <br /> * Luis Cardona and Suguru Saito: [[Hybrid-Space Localized Stylization Method for View-Dependent Lines Extracted from 3D Models]]. In: [[Computational Aesthetics 2015]] NPAR&#039;15, 79-89. http://dx.doi.org/10.2312/exp.20151181 http://dl.acm.org/citation.cfm?id=2810002.2810004&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661<br /> <br /> * Çagla Çıg and Tevfik Metin Sezgin: [[Real-Time Activity Prediction: A Gaze-Based Approach for Early Recognition of Pen-Based Interaction Tasks]]. In: [[Computational Aesthetics 2015]] SBIM&#039;15, 59-65. http://dx.doi.org/10.2312/exp.20151179 http://dl.acm.org/citation.cfm?id=2810210.2810216&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 http://www.researchgate.net/profile/Cagla_Cig/publication/276272037_Real-Time_Activity_Prediction_A_Gaze-Based_Approach_for_Early_Recognition_of_Pen-Based_Interaction_Tasks/links/555452eb08ae6943a86f4999.pdf?inViewer=true&amp;pdfJsDownload=true&amp;disableCoverPage=true&amp;origin=publication_detail<br /> <br /> * [[Simon Colton]], Jakob Halskov, Dan Ventura, Ian Gouldstone, Michael Cook and Blanca Perez­-Ferrer: [[The Painting Fool Sees! New Projects with the Automated Painter]]. In: [[Computational Creativity 2015 ICCC 2015]], 189-196. http://computationalcreativity.net/iccc2015/proceedings/8_2Colton.pdf<br /> <br /> * Ahmed Elgammal and Babak Saleh: [[Quantifying Creativity in Art Networks]] In: [[Computational Creativity 2015 ICCC 2015]], 39-46. http://computationalcreativity.net/iccc2015/proceedings/2_3Elgammal.pdf<br /> <br /> * &lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; Jakub Fišer, Paul Asente, and Daniel Sýkora: [[ShipShape: A Drawing Beautification Assistant]]. In: [[Computational Aesthetics 2015]] SBIM&#039;15, 49-57. http://dx.doi.org/10.2312/exp.20151178 http://dl.acm.org/citation.cfm?id=2810210.2810215&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 http://dcgi.felk.cvut.cz/home/sykorad/Fiser15-SBIM.pdf<br /> <br /> * Angus Graeme Forbes and Javier Villegas: [[Video Granular Synthesis]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 195-201. http://dx.doi.org/10.2312/exp.20151192 http://dl.acm.org/citation.cfm?id=2811252&amp;CFID=724111209&amp;CFTOKEN=48939661 https://www.evl.uic.edu/documents/forbes_videogranularsynthesis_cae2015.pdf<br /> <br /> * &lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; Lena Gieseke, Sven Klingel, and Martin Fuchs: [[Shake it up - Image Decomposition and Rearrangements of Its Constituents]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 141-147. http://dx.doi.org/10.2312/exp.20151187 http://dl.acm.org/citation.cfm?id=2811247&amp;CFID=724111209&amp;CFTOKEN=48939661 http://www.visus.uni-stuttgart.de/uploads/tx_vispublications/Gieseke_SIU_2015.pdf<br /> <br /> * Kazjon Grace and Mary Lou Maher: [[Specific curiosity as a cause and consequence of transformational creativity]]. In: [[Computational Creativity 2015 ICCC 2015]], 260-267. http://computationalcreativity.net/iccc2015/proceedings/11_3Grace.pdf<br /> <br /> * Martin Guay, Rémi Ronfard, Michael Gleicher, and Marie-Paule Cani: [[Adding Dynamics to Sketch-based Character Animations]]. In: [[Computational Aesthetics 2015]] SBIM&#039;15, 27-34. http://dx.doi.org/10.2312/exp.20151176 http://dl.acm.org/citation.cfm?id=2810210.2810213&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 https://hal.inria.fr/hal-01154847/document <br /> <br /> * Derrall Heath, Aaron Dennis and Dan Ventura: [[Imagining Imagination: A Computational Framework Using Associative Memory Models and Vector Space Models]]. In: [[Computational Creativity 2015 ICCC 2015]], 244-251. http://computationalcreativity.net/iccc2015/proceedings/11_1Heath.pdf<br /> <br /> * Britton Horn, Gillian Smith, Rania Masri and Janos Stone: [[Visual Information Vases: Towards a Framework for Transmedia Creative Inspiration]]. In: [[Computational Creativity 2015 ICCC 2015]], 182-188. http://computationalcreativity.net/iccc2015/proceedings/8_1Horn.pdf<br /> <br /> * &lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; Hristina Hristova, Olivier Le Meur, Rémi Cozot, and Kadi Bouatouch: [[Style-aware Robust Color Transfer]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 67-77. http://dx.doi.org/10.2312/exp.20151180 http://dl.acm.org/citation.cfm?id=2811244&amp;CFID=724111209&amp;CFTOKEN=48939661 http://people.irisa.fr/Hristina.Hristova/styleCT_camera_ready.pdf http://people.irisa.fr/Hristina.Hristova/main.pdf (slides)<br /> <br /> * Li Ji, Amy Gooch, L. Gammon, Brian Wyvill: [[Rendering artistic light patterns]]. 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Goel: [[Using Human Computation to Acquire Novel Methods for Addressing Visual Analogy Problems on Intelligence Tests]]. In: [[Computational Creativity 2015 ICCC 2015]], 23-30. http://computationalcreativity.net/iccc2015/proceedings/2_1Joyner.pdf<br /> <br /> * &lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; Katrin Lang and Marc Alexa: [[The Markov Pen: Online Synthesis of Free-Hand Drawing Styles]]. In: [[Computational Aesthetics 2015]] NPAR&#039;15, 203-215. http://dx.doi.org/10.2312/exp.20151193 http://dl.acm.org/citation.cfm?id=2810002.2810010&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 http://cybertron.cg.tu-berlin.de/klang/markov-pen/<br /> <br /> * &lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; Xin Lu, Zhe Lin, Xiaohui Shen, Radomir Mech, James Z Wang: [[Deep multi-patch aggregation network for image style, aesthetics, and quality estimation]]. The IEEE International Conference on Computer Vision (ICCV), 2015, pp. 990-998. http://www.cv-foundation.org/openaccess/content_iccv_2015/html/Lu_Deep_Multi-Patch_Aggregation_ICCV_2015_paper.html http://www.cv-foundation.org/openaccess/content_iccv_2015/papers/Lu_Deep_Multi-Patch_Aggregation_ICCV_2015_paper.pdf<br /> <br /> * Kirk Martini: [[Multiobjective optimization of structure and visual qualities]]. In: Proceedings of the Symposium on Simulation for Architecture &amp; Urban Design SimAUD &#039;15, 182-188. http://dl.acm.org/citation.cfm?id=2873046&amp;CFID=558819604&amp;CFTOKEN=68186175 https://www.researchgate.net/publication/282953590_Multiobjective_optimization_of_structure_and_visual_qualities<br /> <br /> * &lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; Jiayu Li and David Mould: [[Image Warping for a Painterly Effect]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 131-140. http://dx.doi.org/10.2312/exp.20151186 http://dl.acm.org/citation.cfm?id=2811246&amp;CFID=724111209&amp;CFTOKEN=48939661 http://gigl.scs.carleton.ca/sites/default/files/jiayu_li/warping-eg.pdf<br /> <br /> * &lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; Domingo Martín, Vicente del Sol, Celia Romo, and Tobias Isenberg: [[Drawing Characteristics for Reproducing Traditional Hand-Made Stippling]]. In: [[Computational Aesthetics 2015]] NPAR&#039;15, 103-115. http://dx.doi.org/10.2312/exp.20151183 http://dl.acm.org/citation.cfm?id=2810002.2810007&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 http://tobias.isenberg.cc/personal/papers/Martin_2015_DCR.pdf<br /> <br /> * [[Penousal Machado]], [[Adriano Vinhas]], Correia, J.A., [[Anikó Ekárt]]: [[Evolving ambiguous images]]. In: Proceedings of the 24th International Conference on Artificial Intelligence, IJCAI 2015, pp. 2473–2479. AAAI Press (2015) http://ijcai.org/Proceedings/15/Papers/350.pdf<br /> <br /> * Nguyen, A., Yosinski, J., Clune, J.: [[Innovation engines: automated creativity and improved stochastic optimization via deep learning]]. In: Proceedings of the Genetic and Evolutionary Computation Conference (2015) http://dx.doi.org/10.1145/2739480.2754703 http://www.evolvingai.org/files/InnovationEngine_gecco15.pdf<br /> <br /> * David Norton, Derrall Heath and Dan Ventura: [[Accounting for Bias in the Evaluation of Creative Computational Systems: An Assessment of DARCI]]. In: [[Computational Creativity 2015 ICCC 2015]], 31-38. http://computationalcreativity.net/iccc2015/proceedings/2_2Norton.pdf<br /> <br /> * &lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; Paul L. Rosin and Yu-Kun Lai: [[Non-Photorealistic Rendering of Portraits]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 159-170. http://dx.doi.org/10.2312/exp.20151189 http://dl.acm.org/citation.cfm?id=2811249&amp;CFID=724111209&amp;CFTOKEN=48939661 http://www.researchgate.net/publication/280093554_Non-Photorealistic_Rendering_of_Portraits<br /> <br /> * &lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; Amir Semmo, Daniel Limberger, Jan Eric Kyprianidis, and Jürgen Döllner: [[Image Stylization by Oil Paint Filtering using Color Palettes]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 149-158. http://dx.doi.org/10.2312/exp.20151188 http://dl.acm.org/citation.cfm?id=2811248&amp;CFID=724111209&amp;CFTOKEN=48939661 https://hpi.de/fileadmin/user_upload/fachgebiete/doellner/publications/2015/SLKD2015/asemmo-cae2015-authors-version.pdf<br /> <br /> * Tapio Takala: [[Preconceptual Creativity]]. In: [[Computational Creativity 2015 ICCC 2015]], 252-259. http://computationalcreativity.net/iccc2015/proceedings/11_2Takala.pdf<br /> <br /> * &lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; Brian Wyvill: [[Painting with Flowsnakes]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 171-182. http://dx.doi.org/10.2312/exp.20151190 http://dl.acm.org/citation.cfm?id=2811251&amp;CFID=724111209&amp;CFTOKEN=48939661 http://webhome.cs.uvic.ca/~blob/publications/flowpaint.pdf<br /> <br /> * Qiuying Xu, Yotam Gingold, and Karan Singh: [[Inverse Toon Shading: Interactive Normal Field Modeling with Isophotes]]. In: [[Computational Aesthetics 2015]] SBIM&#039;15, 15-25. http://dx.doi.org/10.2312/exp.20151175 http://dl.acm.org/citation.cfm?id=2810210.2810212&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 http://www.dgp.toronto.edu/~karan/papers/inverse_toon_shading_SBIM2015.pdf<br /> <br /> * Xuemiao Xu, Linyuan Zhong, Minshan Xie, Jing Qin, Yilan Chen, Qiang Jin, Tien-Tsin Wong, and Guoqiang Han: [[Texture-Aware ASCII Art Synthesis with Proportional Fonts]]. In: [[Computational Aesthetics 2015]] NPAR&#039;15, 183-193. http://dx.doi.org/10.2312/exp.20151191 http://dl.acm.org/citation.cfm?id=2810002.2810009&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661<br /> <br /> * Kemal Tugrul Yesilbek, Cansu Sen, Serike Cakmak, and T. Metin Sezgin: [[SVM-based Sketch Recognition: Which Hyperparameter Interval to Try]]? In: [[Computational Aesthetics 2015]] SBIM&#039;15, 117-121. http://dx.doi.org/10.2312/exp.20151184 http://dl.acm.org/citation.cfm?id=2810210.2810218&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 http://iui.ku.edu.tr/sezgin_publications/2015/SVM_Hyperparameter_Expressive15.pdf<br /> <br /> ====2014====<br /> * Rinat Abdrashitov, Karan Singh, JiaXian Yao and Emilie Guy: [[Mosaic: Sketch-Based Interface for Creating Digital Decorative Mosaics]]. In: [[Computational Aesthetics 2014]]. http://dx.doi.org/10.1145/2630407.2630409 http://www.dgp.toronto.edu/~karan/papers/mosaicSBIM2014.pdf<br /> <br /> * Abdalla Ahmed: [[Modular Line-Based Halftoning via Recursive Division]]. In: [[Computational Aesthetics 2014]]. http://dx.doi.org/10.1145/2630397.2630403<br /> <br /> * Abdalla Ahmed: [[Line-Based Rendering with Truchet-Like Tiles]]. 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DOI: http://dx.doi.org/10.1145/2576768.2598210 http://www.cosc.brocku.ca/~bross/psoPhotos/GECCO_2014_07_12.pptx Presentation<br /> <br /> * Mark Benjamin, Adam Finkelstein and Stephen DiVerdi: [[Painting With Triangles]]. In: [[Computational Aesthetics 2014]]. http://dx.doi.org/10.1145/2630397.2630399 http://gfx.cs.princeton.edu/pubs/Benjamin_2014_PWT/tripaint.pdf<br /> <br /> * Nikolaus Bezruczko: [[Stochastic Generative Image Model Contributes to MRI Artistic Judgment Aptitude Validation]]. In: [[Generative Art 2014]]. http://www.generativeart.com/GA2014_proceedings.pdf#page=259<br /> <br /> * Corina Blajovici: [[An Evolutionary Approach for Generating 2D and 3D Fractal Art]]. In: 10th Joint Conf. on Math. and Comp. Sci., May 22–25, 2014, Cluj, Romania. http://www.cs.ubbcluj.ro/~macs/2014/abstracts/abs_Blajovici_Corina.pdf<br /> <br /> * [[Oliver Bown]]: [[A Model of Runaway Evolution of Creative Domains]]. 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In: Semantic Methods in Genetic Programming, 13 September 2014. http://www.cs.put.poznan.pl/kkrawiec/smgp2014/uploads/Site/Correia.pdf<br /> <br /> * Nicholas Davis, Yanna Popova, Ivan Sysoev, Chih-Pin Hsiao, Dingtian Zhang and Brian Magerko: [[Building Artistic Computer Colleagues with an Enactive Model of Creativity]]. In: [[Computational Creativity 2014 ICCC 2014]]. http://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//2.3_Davis.pdf<br /> <br /> * Tom De Smedt, Lucas Nijs and [[Walter Daelemans]]: [[Creative Web Services with Pattern]]. In: [[Computational Creativity 2014 ICCC 2014]]. http://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//13.5_DeSmedt.pdf<br /> <br /> * Kazjon Grace and Mary Lou Maher: [[What to Expect when you’re Expecting: The Role of Unexpectedness in Computationally Evaluating Creativity]]. In: [[Computational Creativity 2014 ICCC 2014]]. http://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//8.2_Grace.pdf<br /> <br /> * [[Gary Greenfield]]: [[Target Curves for Pick-up, Carry, and Drop Mobile Automata]]. In: [[Bridges 2014]]. Pages 381–384 http://archive.bridgesmathart.org/2014/bridges2014-381.html http://archive.bridgesmathart.org/2014/bridges2014-381.pdf<br /> <br /> * Francesco E. Guida: [[Generative Visual Identities. New scenarios in corporate identity]]. In: [[Generative Art 2014]]. http://www.generativeart.com/GA2014_proceedings.pdf#page=121 (no c&amp;p)<br /> <br /> * Marcel Hlawatsch, Michael Burch and Daniel Weiskopf: [[Bubble Hierarchies]]. In: [[Computational Aesthetics 2014]]. http://dx.doi.org/10.1145/2630099.2630107 http://www.visus.uni-stuttgart.de/en/institute/people/research-associates/marcel-hlawatsch.html http://www.profitippliga.de/papers/65.pdf<br /> <br /> * Colin G. Johnson: [[Is it Time for Computational Creativity to Grow Up and Start Being Irresponsible?]] In: [[Computational Creativity 2014 ICCC 2014]]. http://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//12.3_Johnson.pdf<br /> <br /> * Anna Jordanous: [[Stepping Back to Progress Forwards: Setting Standards for Meta-Evaluation of Computational Creativity]]. In: [[Computational Creativity 2014 ICCC 2014]]. http://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//8.3_Jordanous.pdf<br /> <br /> * Anna Kantosalo, Jukka M. Toivanen, Ping Xiao and Hannu Toivonen: [[From Isolation to Involvement: Adapting Machine Creativity Software to Support Human-Computer Co-Creation]]. In: [[Computational Creativity 2014 ICCC 2014]]. http://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//1.1_Kantosalo.pdf<br /> <br /> * Vinee V. Kawade; Arti V. Bang: [[Content Based Image Retrieval using interactive genetic algorithm]]. 2014 Annual IEEE India Conference (INDICON), 1 - 6. http://dx.doi.org/10.1109/INDICON.2014.7030501<br /> <br /> * Shin-ichiro Kondo, Masahiro Toyoura and Xiaoyang Mao: [[Skirt Image Retrieval based on Sketches]]. In: [[Computational Aesthetics 2014]]. http://dx.doi.org/10.1145/2630407.2630410 http://www.vc.media.yamanashi.ac.jp/docs/2014/Sketch_SBIM14.pdf<br /> <br /> * Julian Kratt, Ferdinand Eisenkeil, Sören Pirk and Andrei Sharf: [[Non-Realistic 3D Object Stylization]]. In: [[Computational Aesthetics 2014]]. http://dx.doi.org/10.1145/2630099.2630102 http://www.informatik.uni-konstanz.de/index.php?eID=tx_nawsecuredl&amp;u=0&amp;g=0&amp;t=1422269606&amp;hash=fa6bc050ed6b5d661170f0617acc4acfb3f154da&amp;file=fileadmin/informatik/ag-deussen/2014/Kratt.etal-2014-Abstraction.pdf<br /> <br /> * Cheryl Lau, Yuliy Schwartzburg, Appu Shaji, Zahra Sadeghipoor and Sabine Süsstrunk: [[Creating Personalized Jigsaw Puzzles]]. In: [[Computational Aesthetics 2014]]. http://dx.doi.org/10.1145/2630397.2630405 http://infoscience.epfl.ch/record/199960/files/lau_2014_CreatingPersonalizedJigsawPuzzles.pdf<br /> <br /> * Antonios Liapis, Georgios N. Yannakakis and Julian Togelius: [[Computational Game Creativity]]. In: [[Computational Creativity 2014 ICCC 2014]]. http://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//4.1_Liapis.pdf<br /> <br /> * Jingbo Liu, Hongbo Fu and Chiew-Lan Tai: [[Dynamic Sketching: Simulating the Process of Observational Drawings]]. In: [[Computational Aesthetics 2014]]. http://dx.doi.org/10.1145/2630099.2630103 http://sweb.cityu.edu.hk/hongbofu/doc/Dynamic_sketching_CAe14.pdf<br /> <br /> * Antonios Liapis, Georgios N. Yannakakis and Julian Togelius: [[Computational Game Creativity]]. In: [[Computational Creativity 2014 ICCC 2014]]. http://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//4.1_Liapis.pdf<br /> <br /> * Xin Lu, Zhe Lin, Hailin Jin, Jianchao Yang, James Z. Wang: [[Rapid: Rating pictorial aesthetics using deep learning]]. In: Proceedings of the ACM International Conference on Multimedia, pp. 457–466. ACM (2014) http://infolab.stanford.edu/~wangz/project/imsearch/Aesthetics/ACMMM2014/lu.pdf<br /> <br /> * [[Penousal Machado]] and [[Joao Correia]]: [[Semantic aware methods for evolutionary art]]. GECCO &#039;14: Proceedings of the 2014 conference on Genetic and evolutionary computation, pp. 301-308, ACM, 12-16 July 2014. DOI: http://dx.doi.org/10.1145/2576768.2598293<br /> <br /> * [[Jon McCormack]] and M. d&#039;Inverno: [[On the Future of Computers and Creativity]]. AISB 2014 Symposium on Computational Creativity, London, 1–4 April 2014 http://www.csse.monash.edu.au/~jonmc/research/Papers/AISB14McCormack-dInverno.pdf<br /> <br /> * David Mould: [[Authorial Subjective Evaluation of Non-Photorealistic Images]]. In: [[Computational Aesthetics 2014]]. http://dx.doi.org/10.1145/2630397.2630400 http://gigl.scs.carleton.ca/sites/default/files/david_mould/position-jun7.pdf<br /> <br /> * David Norton, Derrall Heath and Dan Ventura: [[Autonomously Managing Competing Objectives to Improve the Creation and Curation of Artifacts]]. In: [[Computational Creativity 2014 ICCC 2014]]. http://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//2.1_Norton.pdf<br /> <br /> * Diarmuid P. O’Donoghue, James Power, Sian O’Briain, Feng Dong, Aidan Mooney, Donny Hurley, Yalemisew Abgaz and Charles Markham: [[Can a Computationally Creative System Create Itself? Creative Artefacts and Creative Processes]]. In: [[Computational Creativity 2014 ICCC 2014]]. http://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//9.1_ODonoghue.pdf<br /> <br /> * Peter O&#039;Donovan, Aseem Agarwala and Aaron Hertzmann: [[Collaborative Filtering of Color Aesthetics]]. In: [[Computational Aesthetics 2014]]. http://dx.doi.org/10.1145/2630099.2630100 http://www.dgp.toronto.edu/~donovan/cfcolor/cfcolor.pdf<br /> <br /> * M. Oraei and [[Brian J. Ross]]: [[Passive Solar Building Design Using Genetic Programming]]. GECCO 2014, pp. 1111-1118, Vancouver, BC, July 2014. DOI: http://dx.doi.org/10.1145/2576768.2598211 http://www.cosc.brocku.ca/~bross/SolarGP/PassiveSolarGECO2014.pptx Presentation<br /> <br /> * Yolanda Pérez-Pimentel; Ismael Osuna-Galan; Juan Villegas-Cortez; Carlos Avilés-Cruz: [[A Genetic Algorithm Applied to Content-Based Image Retrieval for Natural Scenes Classification]]. Artificial Intelligence (MICAI), 2014 13th Mexican International Conference on, 155 - 161. http://dx.doi.org/10.1109/MICAI.2014.30<br /> <br /> * Alejandro Lopez Rincon: [[Artificial Drawing + Unity]]. 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Logical interpretations for Generative Algorithms]]. In: [[Generative Art 2014]]. http://www.generativeart.com/GA2014_proceedings.pdf#page=11<br /> <br /> * [[Tatsuo Unemi]]: [[Automated Daily Production of Evolutionary Audio Visual Art — An Experimental Practice]]. In: [[Computational Creativity 2014 ICCC 2014]]. http://computationalcreativity.net/iccc2014/wp-content/uploads/2014/06//2.2_Unemi.pdf<br /> <br /> * [[Tatsuo Unemi]] and Daniel Bisig: [[Visual Liquidizer or Virtual Merge #1 (Installation)]]. In: [[Generative Art 2014]]. http://www.generativeart.com/GA2014_proceedings.pdf#page=384<br /> <br /> * [[Tatsuo Unemi]] and Daniel Bisig: [[Visual deformation by swarm – a technique for virtual liquidization of objects + Visual Liquidizer or Virtual Merge #1 (Installation)]]. In: [[Generative Art 2014]]. http://www.generativeart.com/GA2014_proceedings.pdf#page=348<br /> <br /> * Daniel Weiskopf, Michael Burch and Corinna Vehlow: [[Frayed Cell Diagrams]]. In: [[Computational Aesthetics 2014]]. http://dx.doi.org/10.1145/2630099.2630109 http://www.profitippliga.de/66.php http://www.profitippliga.de/papers/66.pdf<br /> <br /> * Brian G. Woolley and [[Kenneth O. Stanley]] (2014): [[A Novel Human-Computer Collaboration: Combining Novelty Search with Interactive Evolution]]. In: Proceedings of the Genetic and Evolutionary Computation Conference (GECCO-2014). New York, NY: ACM. DOI: http://dx.doi.org/10.1145/2576768.2598353 http://eplex.cs.ucf.edu/papers/woolley_gecco14.pdf<br /> <br /> ====2013====<br /> * Zainab AlMeraj, [[Craig S. Kaplan]], Paul Asente: [[Patch-Based Geometric Texture Synthesis]]. In: Donald H. House, Cindy Grimm (Eds.): Workshop on [[Computational Aesthetics 2013]]. 15-20 DOI: http://dl.acm.org/citation.cfm?doid=2487276.2487278<br /> <br /> * Harith Al-Sahaf and Mengjie Zhang and Mark Johnston: [[A One-Shot Learning Approach to Image Classification Using Genetic Programming]]. Proceedings of the 26th Australasian Joint Conference on Artificial Intelligence (AI2013), LNAI, Vol. 8272, pp. 110-122, Springer, 1-6 December 2013. http://dx.doi.org/10.1007/978-3-319-03680-9_13<br /> * Michael Burch, Daniel Weiskopf: The Aesthetics of Rapidly-Exploring Random Trees. In: Donald H. House, Cindy Grimm (Eds.): Workshop on [[Computational Aesthetics 2013]]. 45-52 DOI: http://dl.acm.org/citation.cfm?doid=2487276.2487285<br /> <br /> * Seyed Ali Amirshahi, Christoph Redies, Joachim Denzler: [[How Self-Similar are Artworks at Different Levels of Spatial Resolution?]]. In: Donald H. House, Cindy Grimm (Eds.): Workshop on [[Computational Aesthetics 2013]]. 93-100 DOI: http://dl.acm.org/citation.cfm?doid=2487276.2487282<br /> <br /> * Paul Asente, Nathan Carr: Creating Contour Gradients using 3D Bevels. In: Donald H. House, Cindy Grimm (Eds.): Workshop on [[Computational Aesthetics 2013]]. 63-66 DOI: http://dl.acm.org/citation.cfm?doid=2487276.2487283<br /> <br /> * Petr Burian: Reduction of fitness calculations in Cartesian Genetic Programming. International Conference on Applied Electronics (AE 2013), 10-12 September 2013. http://ieeexplore.ieee.org/xpl/articleDetails.jsp?tp=&amp;arnumber=6636478<br /> <br /> * Choi S. K., [[Steve DiPaola]]: [[How a Painter Paints: An Interdisciplinary Understanding of Embodied Creativity]]. In: Proc. Electronic Visualisation and the Arts, pp. 127-134. British Computer Society, London, 2013. http://ivizlab.sfu.ca/papers/eva2013b.pdf (c&amp;p problems)<br /> <br /> * Clune, J., Chen, A., Lipson, H.: [[Upload any object and evolve it: injecting complex geometric patterns into CPPNs for further evolution]]. In: Proceedings of the IEEE Congress on Evolutionary Computation (2013) http://dx.doi.org/10.1109/CEC.2013.6557986<br /> <br /> * Michael Cook, [[Simon Colton]] and Jeremy Gow: [[Nobody’s A Critic: On The Evaluation Of Creative Code Generators — A Case Study In Video Game Design]]. In: [[Computational Creativity 2013 ICCC 2013]]. http://www.computationalcreativity.net/iccc2013/download/iccc2013-cook-colton-gow.pdf<br /> <br /> * [[Joao Correia]], [[Penousal Machado]], [[Juan Romero]], and [[Adrián Carballal]]: [[Evolving Figurative Images Using Expression-Based Evolutionary Art]]. In: [[Computational Creativity 2013 ICCC 2013]]. pp. 24-31. http://www.computationalcreativity.net/iccc2013/download/iccc2013-correia-et-al.pdf http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/cmrc13b.pdf<br /> <br /> * [[Steve Dipaola]], Kristin Carlson, Graeme McCaig, Sara Salevati and Nathan Sorenson: [[Adaptation of an Autonomous Creative Evolutionary System for Real-World Design Application Based on Creative Cognition]]. In: [[Computational Creativity 2013 ICCC 2013]]. pp 40-44. http://www.computationalcreativity.net/iccc2013/download/iccc2013-dipaola-et-al.pdf<br /> <br /> * [[Steve DiPaola]], Smith A.: [[Interactively Exploring Picasso&#039;s Multi-dimensional Creative Process in Producing Guernica]]. In: Proc. Electronic Visualisation and the Arts, pp. 25-31. British Computer Society, London, 2013. http://ivizlab.sfu.ca/papers/eva2013a.pdf<br /> <br /> * Angus Forbes, Tobias Höllerer, George Legrady: Generative Fluid Profiles for Interactive Media Arts Projects. In: Donald H. House, Cindy Grimm (Eds.): Workshop on [[Computational Aesthetics 2013]]. 37-44 DOI: http://dl.acm.org/citation.cfm?doid=2487276.2487287 http://www.cs.ucsb.edu/~holl/pubs/Forbes-2013-Expressive.pdf<br /> <br /> * [[Philip Galanter]]: [[Xepa: Intelligent Sculptures as Experimental Platforms for Computational Aesthetic Evaluation]]. Proceedings of the IEEE VIS Arts Program (VISAP), IEEE, 2013. http://philipgalanter.com/downloads/ieee_vis_2013_galanter_xepa.pdf<br /> <br /> * [[Philip Galanter]]: [[Aesthetic Evaluation: Automated Fitness Functions for Evolutionary Art, Design, and Music]]. In: Proceeding of the fifteenth annual conference companion on Genetic and evolutionary computation conference companion GECCO 2013, 1005-1038. http://philipgalanter.com/downloads/gecco_2013_with_notes.pdf Presentation Slides<br /> <br /> * Shelley Gao, Christopher Werner, Amy Ashurst Gooch: [[Morphable guidelines for the human head]]. In: Donald H. House, Cindy Grimm (Eds.): Workshop on [[Computational Aesthetics 2013]]. 21-28 DOI: http://dl.acm.org/citation.cfm?doid=2487276.2487281 https://dspace.library.uvic.ca/bitstream/handle/1828/4554/Gao_Shelley_MSc_2013.pdf<br /> <br /> * Xihe Gao, Stephen Brooks, Dirk V. Arnold: [[Virtual Photograph Based Saliency Analysis of High Dynamic Range Images]]. In: Donald H. House, Cindy Grimm (Eds.): Workshop on [[Computational Aesthetics 2013]]. 87-92 DOI: http://dl.acm.org/citation.cfm?doid=2487276.2487286<br /> <br /> * Pablo García-Sánchez: [[A service oriented evolutionary architecture: applications and results]]. GECCO &#039;13 Companion Proceedings of the 15th annual conference companion on Genetic and evolutionary computation, 1663-1666, 978-1-4503-1964-5. http://dx.doi.org/10.1145/2464576.2482747 http://geneura.ugr.es/~pgarcia/papers/2013/soahetero.pdf<br /> <br /> * Mario García-Valdez; Juan J. Merelo; Leonardo Trujillo; Francisco Fernández-de-Vega; José C. Romero; Alejandra Mancilla: [[EvoSpace-i: a framework for interactive evolutionary algorithms]]. GECCO &#039;13 Companion Proceedings of the 15th annual conference companion on Genetic and evolutionary computation, 1301-1308, 978-1-4503-1964-5. http://dx.doi.org/10.1145/2464576.2482709 <br /> <br /> * Petra Gemeinboeck and [[Rob Saunders]]: [[Creative Machine Performance: Computational Creativity and Robotic Art]]. In: [[Computational Creativity 2013 ICCC 2013]]. http://www.computationalcreativity.net/iccc2013/download/iccc2013-gemeinboeck-saunders.pdf<br /> <br /> * Kazjon Grace, [[John Gero]] and [[Rob Saunders]]: [[Learning How to Reinterpret Creative Problems]]. In: [[Computational Creativity 2013 ICCC 2013]]. http://www.computationalcreativity.net/iccc2013/download/iccc2013-grace-gero-saunders.pdf<br /> <br /> * [[Gary Greenfield]]: [[Ant Paintings Based on the Seed Foraging Behavior of P. barbatus]]. In: [[Bridges 2013]]. Pages 43–48 http://archive.bridgesmathart.org/2013/bridges2013-43.html http://archive.bridgesmathart.org/2013/bridges2013-43.pdf<br /> <br /> * Matthias R. Guertler, Christopher Muenzberg and Udo Lindemann: [[Idea in a Bottle — A New Method for Creativity in Open Innovation]]. In: [[Computational Creativity 2013 ICCC 2013]]. http://www.computationalcreativity.net/iccc2013/download/iccc2013-guertler-muenzberg-lindemann.pdf<br /> <br /> * Peter M. Hall, Yi-Zhe Song: [[Simple Art as Abstractions of Photographs]]. In: Donald H. House, Cindy Grimm (Eds.): Workshop on [[Computational Aesthetics 2013]]. 77-86 DOI: http://dl.acm.org/citation.cfm?doid=2487276.2487288<br /> <br /> * Derrall Heath, David Norton and Dan Ventura: [[Autonomously Communicating Conceptual Knowledge Through Visual Art]]. In: [[Computational Creativity 2013 ICCC 2013]]. http://www.computationalcreativity.net/iccc2013/download/iccc2013-heath-norton-ventura.pdf<br /> <br /> * Marta Kryven, Elodie Fourquet: [[Generating Knitting Patterns from a Sketch: a CSP Approach]]. In: Donald H. House, Cindy Grimm (Eds.): Workshop on [[Computational Aesthetics 2013]]. 53-62 DOI: http://dl.acm.org/citation.cfm?doid=2487276.2487284<br /> <br /> * Nicholas Lambert; William Latham; Frederic Fol Leymarie: [[The emergence and growth of evolutionary art: 1980--1993]]]. SIGGRAPH &#039;13 ACM SIGGRAPH 2013 Art Gallery, 367-375. http://dx.doi.org/10.1145/2503649.2503656<br /> <br /> * Antonios Liapis, Héctor P. Martínez, Julian Togelius and Georgios N. Yannakakis: [[Transforming Exploratory Creativity with DeLeNoX]]. In: [[Computational Creativity 2013 ICCC 2013]]. http://www.computationalcreativity.net/iccc2013/download/iccc2013-liapis-et-al.pdf<br /> <br /> * Liapis, Antonios, Martínez, H.P., Togelius, J., Yannakakis, G.N.: [[Adaptive game level creation through rank-based interactive evolution]]. In: Proceedings of the IEEE Conference on Computational Intelligence and Games (CIG) (2013) http://dx.doi.org/10.1109/CIG.2013.6633651 http://julian.togelius.com/Liapis2013Adaptive.pdf<br /> <br /> * Liapis, Antonios, Yannakakis, G.N., Togelius, J.: [[Sentient sketchbook: computer-aided game level authoring]]. In: Proceedings of the 8th Conference on the Foundations of Digital Games, 2013, pp. 213-220 (2013) http://antoniosliapis.com/papers/sentient_sketchbook.pdf<br /> <br /> * Liapis, A., Yannakakis, G., Togelius, J.: [[Enhancements to constrained novelty search: two-population novelty search for generating game content]]. In: Proceedings of Genetic and Evolutionary Computation Conference (2013) http://dx.doi.org/10.1145/2463372.2463416 http://julian.togelius.com/Liapis2013Enhancements.pdf<br /> <br /> * Alain Lioret: [[Time Beings : Quantum Beings for Art Exploration and Creation]]. In: [[Generative Art 2013]]. http://www.generativeart.com/ga2013xWEB/proceedings1/3.pdf<br /> <br /> * [[Penousal Machado]], [[Hugo Amaro]]: [[Fitness functions for ant colony paintings]]. In: [[Computational Creativity 2013 ICCC 2013]]. pp. 32–39. http://www.computationalcreativity.net/iccc2013/download/iccc2013-machado-amaro.pdf http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/ma13.pdf<br /> <br /> * Mary Lou Maher, Douglas Fisher and Kate Brady: [[Computational Models of Surprise as a Mechanism for Evaluating Creative Design]]. 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Journal of General Psychology 15, 231–240 (1936) DOI: http://dx.doi.org/10.1080/00221309.1936.9917921<br /> <br /> === &#039;&#039;&#039;Technical Reports, Dissertations, Thesis, related Books &amp; Book Chapters, ...&#039;&#039;&#039; ===<br /> Hauptsächlich zusammengestellt aus den &quot;Used References&quot; der EvoArt Bücher und EvoMUSART-Konferenzen, der [http://www.cs.bham.ac.uk/~wbl/biblio/ GP-Bibliography], den Comp Aesthetic-Konferenzen, den Generative Art Konferenzen<br /> <br /> <br /> <br /> ====2016====<br /> * Zhangyang Wang, Shiyu Chang, Florin Dolcos, Diane Beck, Ding Liu, and Thomas Huang: [[Brain-Inspired Deep Networks for Image Aesthetics Assessment]]. arXiv:1601.04155v2 [cs.CV] 15 Mar 2016 https://arxiv.org/pdf/1601.04155<br /> <br /> ====2015====<br /> * [[Filipe Assunção | Assunção, Filipe]]: Grammar based evolutionary design. Master’s thesis, Department of Informatic Engineering, Faculty of Sciences and Technology, University of Coimbra, July 2015 <br /> <br /> * [[Penousal Machado]], [[João Correia]], [[Filipe Assunção]]: [[Graph-based evolutionary art]]. In: Gandomi, A., Alavi, A.H., Ryan, C. (eds.) Handbook of Genetic Programming Applications. Springer, Heidelberg (2015) http://dx.doi.org/10.1007/978-3-319-20883-1_1 http://www.conceptcreationtechnology.eu/?q=system/files/machado2015.pdf<br /> <br /> * [[Adriano Vinhas | Vinhas, Adriano]]: [[Novelty and figurative expression-based evolutionary art]]. Master’s thesis, Department of Informatic Engineering, Faculty of Sciences and Technology, University of Coimbra, July 2015<br /> <br /> ====2014====<br /> * W. Barry and [[Brian J. Ross]]: [[Virtual Photography Using Multi-Objective Particle Swarm Optimization_TR | Virtual Photography Using Multi-Objective Particle Swarm Optimization]]. Brock COSC TR CS-14-01, January 2014. http://www.cosc.brocku.ca/files/downloads/research/cs1401.pdf (c&amp;p problems)<br /> <br /> * Ellen Dissanayake: [[A bona fide ethological view of art: The artification hypothesis]]. In C. Sütterlin, W. Schiefenhövel, ed., C. Lehmann, J. Forster, G. Apfelauer (eds.) Art As Behaviour: An Ethological Approach to Visual and Verbal Art, Music and Architecture, pp. 42-60. Hanse Studies Vol. 10. BIS Verlag Oldenburg. http://ellendissanayake.com/publications/pdf/Dissanayake_EthologicalViewOfArt.pdf<br /> <br /> * M.M.O. Gholami and [[Brian J. Ross]]: [[Passive Solar Building Design Using Genetic Programming_TR | Passive Solar Building Design Using Genetic Programming]]. Brock COSC TR CS-14-02, January 2014. http://www.cosc.brocku.ca/files/downloads/research/cs1402.pdf<br /> <br /> * Shiry Ginosar, Daniel Haas, Timothy Brown, Jitendra Malik: [[Detecting people in cubist art]]. arXiv preprint arXiv:1409.6235 (2014) http://arxiv.org/abs/1409.6235 http://arxiv.org/pdf/1409.6235v1<br /> <br /> * Sean Luke: [[Essentials of Metaheuristics - A Set of Undergraduate Lecture Notes]]. Department of Computer Science, George Mason University, Second Edition, Online Version 2.1, October, 2014. http://cs.gmu.edu/~sean/book/metaheuristics/<br /> <br /> * M. Maghoumi and [[Brian J. Ross]]: [[Feature Extraction Languages and Visual Pattern Recognition]]. Brock COSC TR CS-14-03, January 2014. http://www.cosc.brocku.ca/files/downloads/research/cs1403.pdf<br /> <br /> * Jeremy J. Ramsden: [[Design of Nanotechnology Products]]. Applied Nanotechnology, Micro and Nano Technologies, pp. 177-181, William Andrew Publishing, 2014. http://dx.doi.org/10.1016/B978-1-4557-3189-3.00015-4<br /> <br /> * Spratt, E.L., Elgammal, A.: [[Computational beauty: Aesthetic judgment at the intersection of art and science]]. arXiv preprint arXiv:1410.2488 (2014) http://arxiv.org/abs/1410.2488<br /> <br /> ====2013====<br /> * Maryam Baniasadi: [[Genetic Programming for Non-Photorealistic Rendering]]. Master Thesis &amp; Technical Report # CS-13-08 June 2013, Brock University, Department of Computer Science. http://www.cosc.brocku.ca/files/downloads/research/cs1308.pdf<br /> <br /> * Thomas Burt: [[Interactive Evolutionary Computation by Duplication and Diversification of L-Systems]]. PhD Thesis, THE UNIVERSITY OF CALGARY, 2013. http://algorithmicbotany.org/papers/tburt.th2013.pdf<br /> <br /> * Gregory Chaitin: Proving Darwin: Making Biology Mathematical. 2013, ISBN-13: 978-1400077984. <br /> <br /> * Oliver Deussen and Tobias Isenberg. [[Halftoning and Stippling]]. In Paul Rosin and John Collomosse, editors, Image and Video based Artistic Stylisation, volume 42 of Computational Imaging and Vision, chapter 3, pages 45–61. Springer, London, Heidelberg, 2013. ISBN 978-1-4471-4518-9 (hardcopy) and 978-1-4471-4519-6 (e-book). DOI http://dx.doi.org/10.1007/978-1-4471-4519-6_3 http://tobias.isenberg.cc/personal/papers/Deussen_2013_HS.pdf<br /> <br /> * [[Steve DiPaola]]: [[Face, Portrait, Mask - Using a Parameterized System to Explore Synthetic Face Space]]. In: Electronic Visualisation in Arts and Culture, Bowen, Keene, Ng, (Eds), pp 213-227, Springer, 2013. http://ivizlab.sfu.ca/papers/evabook2013.pdf <br /> <br /> * Pradeep Garigipati: [[DUOTONE SURFACES: DIVISION OF A CLOSED SURFACE INTO EXACTLY TWO REGIONS]]. MS Thesis, Texas A&amp;M University, 2013. http://repository.tamu.edu/bitstream/handle/1969.1/149501/GARIGIPATI-THESIS-2013.pdf?sequence=1 <br /> <br /> * A. Harrington and [[Brian J. Ross]]: [[Generative Representations for Artificial Architecture and Passive Solar Performance_TR | Generative Representations for Artificial Architecture and Passive Solar Performance]]. Brock COSC TR CS-13-02, March 2013. http://www.cosc.brocku.ca/files/downloads/research/cs1302.pdf<br /> <br /> * Eelco Heijer: [[Autonomous Evolutionary Art]]. PhD Thesis, VRIJE UNIVERSITEIT, 2013, ISBN 9789461919519. http://eelcodenheijer.nl/phd_thesis_Eelco_den_Heijer.pdf<br /> <br /> ====2012====<br /> * Ahmadullin, I., Damera–Vankata, N.: [[Learning Aesthetic Measure of a Document Page Layout From Designers’ Interaction]]. Technical Report: HPL–2012–13. HP Laboratories (2012) http://www.hpl.hp.com/techreports/2012/HPL-2012-13.pdf<br /> <br /> * Al-Rifaie, M.M., Aber, A., Bishop, M.: Cooperation of nature and physiologically inspired mechanisms in visualisation. In: Ursyn, A. (ed.) Biologically-Inspired Computing for the Arts: Scientific Data through Graphics. IGI Global, United States (2012) ISBN: 9781466609426 http://www.irma-international.org/chapter/cooperation-nature-physiologically-inspired-mechanisms/65021/ http://www.igi-global.com/chapter/cooperation-nature-physiologically-inspired-mechanisms/65021<br /> <br /> * [[Jonathan Byrne]]: [[Approaches to Evolutionary Architectural Design Exploration Using Grammatical Evolution]]. Ph.D. Thesis University College Dublin, 2012. http://jonathan-byrne.com/wp-content/uploads/2012/08/main.pdf<br /> <br /> * Joseph Carroll: [[The Adaptive Function of the Arts: Alternative Evolutionary Hypotheses]]. In: Carsten Gansel, Dirk Vanderbeke (eds.): Literature und Evolution. Berlin: De Gruyter, 2012. 50-63. https://www.academia.edu/attachments/30691964/download_file?st=MTQyMDcxNDY3OSw5MS44LjczLjE3NSwyMTM4MTYwMw%3D%3D&amp;s=swp-toolbar<br /> <br /> * Gregory Chaitin: [[Life as Evolving Software]]. 2012. http://vixra.org/pdf/1202.0076v1.pdf<br /> <br /> * Simon Harding and Juergen Leitner and [[Jürgen Schmidhuber]]: [[Cartesian Genetic Programming for Image Processing]]. Genetic Programming Theory and Practice X, Genetic and Evolutionary Computation, pp. 31-44, Springer, 12-14 May 2012. http://dx.doi.org/10.1007/978-1-4614-6846-2_3 http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.301.8073 http://juxi.net/papers/CGPIP.Draft.pdf<br /> <br /> * Brian T. K. Lam: [[Discovery of Texture Features Using Genetic Programming]]. PhD Thesis, School of Computer Science and Information Technology, Science, Engineering, and Technology Portfolio, RMIT University, Melbourne, Victoria, Australia 30 March 2012. http://researchbank.rmit.edu.au/eserv/rmit:160245/Lam.pdf<br /> <br /> * Nake, F.: [[Information aesthetics: an heroic experiment]]. J. Math. Arts 6(2–3), 65–75 (2012) http://dx.doi.org/10.1080/17513472.2012.679458<br /> <br /> * Peitgen, H., Saupe, D. (eds.): The Science of Fractal Images. Springer-Verlag (2012), ISBN-13: 978-1461283492 (Reprint from 1988)<br /> <br /> * Richard J. Preen and Larry Bull: [[Evolution of Supershapes for the Generation of Three-Dimensional Designs]]. 2012. http://arxiv-web3.library.cornell.edu/pdf/1204.4107v1.pdf<br /> <br /> * Tinghuai Wang: [[Computer Vision for the Structured Representation and Stylisation of Visual Media Collections]]. PhD Thesis, Department of Electronic Engineering, University of Surrey, UK, July 2012. https://sites.google.com/site/tinghuaiw/thesis http://sdrv.ms/1fgfCWo<br /> <br /> * Woolley, B.G., Stanley, K.O.: [[Exploring promising stepping stones by combining novelty search with interactive evolution]]. CoRR abs/1207.6682 (2012) http://arxiv.org/pdf/1207.6682v1<br /> <br /> ====2011====<br /> * Fabio Aiolli, Alessandro Sperduti: [[A Preference Optimization Based Unifying Framework for Supervised Learning Problems]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 19-42. http://dx.doi.org/10.1007/978-3-642-14125-6_2<br /> <br /> * Robert Arens: [[Learning SVM Ranking Functions from User Feedback Using Document Metadata and Active Learning in the Biomedical Domain]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 363-383. http://dx.doi.org/10.1007/978-3-642-14125-6_17 http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.153.4482 http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.153.4482&amp;rep=rep1&amp;type=pdf<br /> <br /> * Alejandro Bellogín, Iván Cantador, Pablo Castells, Álvaro Ortigosa: [[Discerning Relevant Model Features in a Content-based Collaborative Recommender System]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 429-455. http://dx.doi.org/10.1007/978-3-642-14125-6_20 http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.157.4032 http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.157.4032&amp;rep=rep1&amp;type=pdf<br /> <br /> * [[Steven Bergen]]: [[Automatic Structure Generation using Genetic Programming and Fractal Geometry]]. Master Thesis Brock University, Ontario (2011) http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.228.7562 https://dr.library.brocku.ca/bitstream/handle/10464/3916/Brock_Bergen_Raphael_2011.pdf?sequence=2 https://dr.library.brocku.ca/handle/10464/3916 <br /> <br /> * [[Steven Bergen]] and [[Brian J. Ross]]: [[Automatic and Interactive Evolution of Vector Graphics Images with Genetic Algorithms_TR | Automatic and Interactive Evolution of Vector Graphics Images with Genetic Algorithms]]. Brock COSC TR CS-11-01, January 2011. http://www.cosc.brocku.ca/files/downloads/research/cs1101.pdf<br /> <br /> * G. J. Chaitin: [[A mathematical theory of evolutionand biological creativity]]. Talk at workshop on “Randomness, Structure and Causality: Measures of Complexity from Theory to Applications” organized by Jim Crutchfield and Jon Machta at the Santa Fe Institute in New Mexico 10 January 2011. https://www.academia.edu/5794341/Proving_Darwin<br /> <br /> * Yann Chevaleyre, Frédéric Koriche, Jérôme Lang, Jérôme Mengin, Bruno Zanuttini: [[Learning Ordinal Preferences on Multiattribute Domains: The Case of CP-nets]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 273-296. http://dx.doi.org/10.1007/978-3-642-14125-6_13 http://www.lamsade.dauphine.fr/~lang/papers/cklmz09.pdf <br /> <br /> * C. Coia and [[Brian J. Ross]]: [[Automatic Evolution of Conceptual Building Architectures_TR | Automatic Evolution of Conceptual Building Architectures]]. Brock COSC TR CS-11-02, January 2011. http://www.cosc.brocku.ca/files/downloads/research/cs1102.pdf<br /> <br /> * Krzysztof Dembczyński, Wojciech Kotłowski, Roman Słowiński, Marcin Szeląg: [[Learning of Rule Ensembles for Multiple Attribute Ranking Problems]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 217-247. http://dx.doi.org/10.1007/978-3-642-14125-6_11<br /> <br /> * [[Steve DiPaola]] and Nathan Sorenson: [[CGP, Creativity and Art]]. In: Cartesian Genetic Programming, Natural Computing Series, pp. 293-307, Springer, 2011. http://dx.doi.org/10.1007/978-3-642-17310-3_10 http://ivizlab.sfu.ca/papers/cgp2010.pdf<br /> <br /> * Flack, R.W.J.: [[Evolution of Architectural Floor Plans]]. Master’s thesis, Brock University, St Catharines, Ontario, Canada (2011) http://www.cosc.brocku.ca/~bross/FloorPlans/ http://www.cosc.brocku.ca/files/downloads/research/cs1103.pdf<br /> <br /> * Johannes Fürnkranz, Eyke Hüllermeier (eds.): [[Preference Learning]]. Springer Berlin Heidelberg, 2011. ISBN: 978-3-642-14124-9 (Print) 978-3-642-14125-6 (Online), DOI: 10.1007/978-3-642-14125-6, http://link.springer.com/book/10.1007/978-3-642-14125-6<br /> <br /> * Johannes Fürnkranz, Eyke Hüllermeier: [[Preference Learning: An Introduction]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 1-17. http://dx.doi.org/10.1007/978-3-642-14125-6_1 http://www.ke.tu-darmstadt.de/publications/papers/PLBook-Introduction.pdf<br /> <br /> * Johannes Fürnkranz, Eyke Hüllermeier: [[Preference Learning and Ranking by Pairwise Comparison]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 65-82. http://dx.doi.org/10.1007/978-3-642-14125-6_4 http://www.ke.tu-darmstadt.de/publications/papers/PLBook-Pairwise.pdf <br /> <br /> * Marco de Gemmis , Leo Iaquinta, Pasquale Lops, Cataldo Musto, Fedelucio Narducci, Giovanni Semeraro: [[Learning Preference Models in Recommender Systems]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 387-407. http://dx.doi.org/10.1007/978-3-642-14125-6_18 http://www.academia.edu/download/30470669/preference_learning.pdf<br /> <br /> * Joachim Giesen, Klaus Mueller, Bilyana Taneva, Peter Zolliker : [[Choice-Based Conjoint Analysis: Classification vs. Discrete Choice Models]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 297-315. http://dx.doi.org/10.1007/978-3-642-14125-6_14 http://cvc.cs.sunysb.edu/Publications/2011/GMTZ11/cbca.pdf<br /> <br /> * Toshihiro Kamishima, Hideto Kazawa, Shotaro Akaho: [[A Survey and Empirical Comparison of Object Ranking Methods]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 181-201. http://dx.doi.org/10.1007/978-3-642-14125-6_9 http://www.kamishima.net/archive/2009-b-pl2.pdf <br /> <br /> * Toshihiro Kamishima, Shotaro Akaho: [[Dimension Reduction for Object Ranking]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 203-215. http://dx.doi.org/10.1007/978-3-642-14125-6_10 http://www.kamishima.net/archive/2009-b-pl1.pdf <br /> <br /> * Alexandros Karatzoglou, Markus Weimer: [[Collaborative Preference Learning]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 409-427. http://dx.doi.org/10.1007/978-3-642-14125-6_19 http://www.researchgate.net/publication/241276611<br /> <br /> * C.-C. Lai and Y.-C. Chen. [[A user-oriented image retrieval system based on interactive genetic algorithm]]. Instrumentation and Measurement, IEEE Transactions on, 60(10):3318-3325, oct. 2011. http://dx.doi.org/10.1109/TIM.2011.2135010<br /> <br /> * Menkman, R.: [[The Glitch Moment(um)]]. Network Notebooks, vol. 04. Institute of Network Cultures, Amsterdam (2011). ISBN 9789081602167 http://networkcultures.org/_uploads/NN%234_RosaMenkman.pdf<br /> <br /> * Nadin, M. (2011). [[Semiotic machine]]. An entry of the Semiotics Encyclopedia Online. http://www.semioticon.com/seo/S/semiotic_machine.html.<br /> <br /> * Newall, M.: [[What is a Picture?: Depiction, Realism, Abstraction]]. Palgrave Macmillan (2011) Review: http://ndpr.nd.edu/news/29411-what-is-a-picture-depiction-realism-abstraction/<br /> <br /> * Pearson, M.: Generative Art. A PRACTICAL GUIDE using Processing. Manning Publications, pap/psc edn. (Jul 2011) ISBN-13: 978-1935182627 http://de.scribd.com/doc/74093210/Generative-Art-Matt-Pearson<br /> <br /> * Pearson, M.: Generative Art In HTML5 [Processing, JavaScript, Tutorial] http://www.creativeapplications.net/processing/generative-art-in-html5-processing-javascript-tutorial/<br /> <br /> * Filip Radlinski, Madhu Kurup, Thorsten Joachims : [[Evaluating Search Engine Relevance with Click-Based Metrics]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 337-361. http://dx.doi.org/10.1007/978-3-642-14125-6_16 https://github.com/tolleiv/thesis/blob/master/Research/Papers/__Radlinski11%20-%20Evaluating%20Search%20Engine%20Relevance%20with%20Click-Based%20Metrics.pdf<br /> <br /> * Lukas Sekanina and Simon L. Harding and Wolfgang Banzhaf and Taras Kowaliw: [[Image Processing and CGP]]. Cartesian Genetic Programming, Natural Computing Series, pp. 181-215, Springer, 2011. http://dx.doi.org/10.1007/978-3-642-17310-3_6<br /> <br /> * Vicenç Torra: [[Learning Aggregation Operators for Preference Modeling]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 317-333. http://dx.doi.org/10.1007/978-3-642-14125-6_15<br /> <br /> * Evgeni Tsivtsivadze, Tapio Pahikkala, Jorma Boberg, Tapio Salakoski, Tom Heskes: [[Co-Regularized Least-Squares for Label Ranking]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 107-123. http://dx.doi.org/10.1007/978-3-642-14125-6_6<br /> <br /> * Shankar Vembu, Thomas Gärtner: [[Label Ranking Algorithms: A Survey]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 45-64. http://dx.doi.org/10.1007/978-3-642-14125-6_3 http://www-kd.iai.uni-bonn.de/pubattachments/399/VembuG09Book.pdf<br /> <br /> * Willem Waegeman, Bernard De Baets: [[A Survey on ROC-based Ordinal Regression]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 127-154. http://dx.doi.org/10.1007/978-3-642-14125-6_7<br /> <br /> * Fusun Yaman, Thomas J. Walsh, Michael L. Littman, Marie desJardins: [[Learning Lexicographic Preference Models]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 251-272. http://dx.doi.org/10.1007/978-3-642-14125-6_12<br /> <br /> * Philip L. H. Yu, Wai Ming Wan, Paul H. Lee: [[Decision Tree Modeling for Ranking Data]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 83-106. http://dx.doi.org/10.1007/978-3-642-14125-6_5 http://www.researchgate.net/publication/252998138 <br /> <br /> * Jianping Zhang, Jerzy W. Bala, Ali Hadjarian, Brent Han: [[Ranking Cases with Classification Rules]]. In: Fürnkranz, J. and Hüllermeier, E.: [[Preference Learning]], 2011, 155-177. http://dx.doi.org/10.1007/978-3-642-14125-6_8<br /> <br /> ====2010====<br /> * Arnheim, R.: Towards a Psychology of Art, Collected Essays. University of California Press; 45th Anniversary Edition edition (August 13, 2010), ISBN-13: 978-0520266018<br /> <br /> * [[Steven Bergen]], [[Brian J. Ross]]: [[Evolutionary Art Using Summed Multi-objective Ranks]]. In: Genetic Programming - Theory and Practice VIII, pp. 227–244. Springer (May 2010) DOI: http://link.springer.com/chapter/10.1007%2F978-1-4419-7747-2_14 http://www.cosc.brocku.ca/~bross/JNeticTextures/paper_images/ Präsentation: http://www.cosc.brocku.ca/~bross/JNeticTextures/GPTP2010.pptx<br /> <br /> * Boden, M.: Creativity and Art: Three Roads to Surprise. Oxford University Press (2010), ISBN-13: 978-0199590735<br /> <br /> * Harold Cohen: [[Driving the Creative Machine]]. Orcas Center, Crossroads Lecture Series. http://www.aaronshome.com/aaron/publications/index.html http://www.aaronshome.com/aaron/publications/orcastalk2s.pdf<br /> <br /> * Koren, L.: Which “Aesthetics” Do You Mean?: Ten Definitions. Imperfect Publishing (2010), ISBN-13: 978-0981484617<br /> <br /> * Jordan William Miller: [[Thesis: Accurate and Discernible Photocollages]]. MS Thesis, Department of Computer Science, University of Saskatchewan, Saskatoon, 2010. http://ecommons.usask.ca/bitstream/handle/10388/etd-02282010-235736/thesisAugc.pdf?sequence=1<br /> <br /> * Reynolds, C.: Texture Synthesis Diary (2010), http://www.red3d.com/cwr/texsyn/diary.html<br /> <br /> * Vinod K. Valsalam: [[Utilizing Symmetry in Evolutionary Design]]. Dissertation and Technical Report AI-10-04 Department of Computer Sciences, The University of Texas at Austin, August 2010. http://nn.cs.utexas.edu/downloads/papers/valsalam.phdtr10.pdf<br /> <br /> ====2009====<br /> * Harold Cohen: [[The Art of Self-Assembly: the Self-Assembly of Art]]. Dagstuhl Seminar on Computational Creativity. http://www.aaronshome.com/aaron/publications/index.html http://www.aaronshome.com/aaron/publications/dagpaper.odt<br /> <br /> * Datta, Ritendra: [[Semantics and aesthetics inference for image search: statistical learning approaches]]. Dissertation at Pennsylvania State University (2009) https://etda.libraries.psu.edu/paper/9360/5028<br /> <br /> * Ellen Dissanayake, Steven Brown: [[The arts are more than aesthetics: Neuroaesthetics as narrow aesthetics]]. In Martin Skov &amp; Oshin Vartanian (eds.), Neuroaesthetics. Amityville, NY: Baywood, pp. 43-57. http://ellendissanayake.com/publications/pdf/Brown_Dissanayake.pdf<br /> <br /> * Dutton, D. (2009). The art instinct : beauty, pleasure, &amp; human evolution (1st U.S. ed.). New York: Bloomsbury Press.<br /> <br /> * Erhan, H., Woodbury, R., Salmasi, N.H.: [[Visual sensitivity analysis of parametric design models: improving agility in design]]. Master’s thesis, School of Interactive Arts and Technology - Simon Fraser University (2009). http://summit.sfu.ca/system/files/iritems1/585/Parametric_Design_Models.pdf http://summit.sfu.ca/item/585<br /> <br /> * Wojciech Jaskowski and Krzysztof Krawiec and Bartosz Wieloch: [[Genetic Programming for Generative Learning and Recognition of Hand-Drawn Shapes]]. Evolutionary Image Analysis and Signal Processing, Studies in Computational Intelligence, Vol. 213, pp. 73-90, Springer, 2009. http://dx.doi.org/10.1007/978-3-642-01636-3_5<br /> <br /> * Martin H. Luerssen: [[Experimental Investigations into Graph Grammar Evolution: A Novel Approach to Evolutionary Design]]. Verlag Dr. Mueller, February 22 2009. ISBN 363912328X.<br /> <br /> * Sebastian von Mammen: [[Swarm Grammars: Modeling Computational Development through Highly Dynamic Complex Processes]]. PhD thesis, University of Calgary, June 2009. http://www.vonmammen.org/ScienceBlog/2010/08/swarm-grammars-modeling-computational-development-through-highly-dynamic-complex-processes/ http://www.vonmammen.org/science/PhDthesis-SvMammen.pdf<br /> <br /> * Moradi, I., Scott, A., Gilmore, J., Murphy, C.: Glitch: Designing Imperfection. Mark Batty Publisher (2009), ISBN-13: 978-0979966668<br /> <br /> * Gustavo Olague and Leonardo Trujillo: [[A Genetic Programming Approach to the Design of Interest Point Operators]]. In: Bio-Inspired Hybrid Intelligent Systems for Image Analysis and Pattern Recognition. Studies in Computational Intelligence, Vol. 256, pp. 49-65, Springer, 2009. http://dx.doi.org/10.1007/978-3-642-04516-5_3<br /> <br /> * Scruton, R.: Beauty. Oxford University Press, Oxford (2009). ISBN13: 9780199559527 Review: http://www.theguardian.com/books/2009/mar/21/beauty-roger-scruton-art-books<br /> <br /> * [[Hideyuki Takagi]]: [[New IEC Research and Frameworks]]. In: Fodor, J., Kacprzyk, J. (eds.) Aspects of Soft Computing, Intelligent Robotics and Control. SCI, vol. 241, pp. 65–76. Springer, Heidelberg (2009) DOI: http://link.springer.com/chapter/10.1007%2F978-3-642-03633-0_4<br /> <br /> * Leonardo Trujillo and Gustavo Olague: [[Detecting Scale-Invariant Regions Using Evolved Image Operators]]. Evolutionary Image Analysis and Signal Processing, Studies in Computational Intelligence, Vol. 213, pp. 21-40, Springer, 2009. http://dx.doi.org/10.1007/978-3-642-01636-3_2 http://www.researchgate.net/publication/225908610_Detecting_Scale-Invariant_Regions_Using_Evolved_Image_Operators<br /> <br /> ====2008====<br /> * Alsing, R.: Genetic Programming: Evolution of MonaLisa (2008), http://rogeralsing.com/2008/12/07/genetic-programming-evolution-of-mona-lisa/ <br /> <br /> * Ashlock, D., Gent, S., Bryden, K.: Embryogenesis of artificial landscapes. In: Design by Evolution. Natural Computing Series, pp. 203–221. Springer, Heidelberg (2008). DOI: http://link.springer.com/chapter/10.1007%2F978-3-540-74111-4_12 http://www.researchgate.net/publication/226816433_Embryogenesis_of_Artificial_Landscapes/links/0c960525c3fa0a830a000000<br /> <br /> * Ellen Dissanayake: [[THE ARTS AFTER DARWIN: DOES ART HAVE AN ORIGIN AND ADAPTIVE FUNCTION?]] In Zijlmans, K.. &amp; van Damme, W. (2008). World Art Studies: Exploring Concepts and Approaches, pp. 241-263. Amsterdam: Valiz. http://ellendissanayake.com/publications/pdf/EllenDissanayake_ArtsAfterDarwinWAS08.pdf<br /> <br /> * Edmund O. Harriss: [[Tilings and Patterns]]. 2008, 43 pages. http://www.mathematicians.org.uk/eoh/tap/ http://www.mathematicians.org.uk/eoh/tap/M34AP45_Notes.pdf http://www.mathematicians.org.uk/eoh/<br /> <br /> * Li, M., Vitányi, P.: [[An Introduction To Kolmogorov Complexity and its Applications]]. 3nd edn. Springer, New York (2008). http://www.springer.com/mathematics/applications/book/978-0-387-33998-6<br /> <br /> * Reaves, David: [[Aesthetic image rating (AIR) algorithm]]. Ph.D. thesis University of Texas at Austin (2008) http://www.cs.utexas.edu/ftp/techreports/honor_theses/cs-08-04-reaves.pdf<br /> <br /> * Welsch, W.: On the Universal Appreciation of Beauty. International Yearbook of Aesthetics 12, 6–32 (2008) (dt: [[ZUR UNIVERSALEN SCHÄTZUNG DES SCHÖNEN]]: http://www2.uni-jena.de/welsch/UNIVERSA2.pdf)<br /> <br /> ====2007====<br /> * [[Peter J. Bentley]]: Digital Biology. How nature is transforming our technology and our lives. Simon &amp; Schuster, 2007. ISBN 0-7432-0447-6<br /> <br /> * Ashlock, D., Bryden, K., Gent, S.: Creating spatially constrained virtual plants using L-systems. In: Smart Engineering System Design: Neural Networks, Evolutionary Programming, and Artificial Life, pp. 185–192. ASME Press (2005)<br /> <br /> * Peter von Buelow, Genetically Engineered Architecture - Design Exploration with Evolutionary Computation, VDM Verlag, Saarbrücken, Germany, 2007 ISBN-13: 978-3836447218 http://dl.acm.org/citation.cfm?id=1564939&amp;CFID=588525319&amp;CFTOKEN=29804931<br /> <br /> * Asmatullah Chaudhry: [[Image Restoration using Machine Learning]]. Thesis, Faculty of CS and Engineering, Topi, Pakistan, March 2007. http://prr.hec.gov.pk/thesis/2056.pdf (no c&amp;p)<br /> <br /> * Coello, C.C., Veldhuizen, D.V., Lamont, G. (2002). [[Evolutionary Algorithms for Solving Multi-Objective Problems]]. 2nd ed. 2007 Springer. http://www.springer.com/computer/swe/book/978-0-387-33254-3 http://www.inf.ufpr.br/aurora/disciplinas/topicosia2/livros/Evolutionary%20Algorithms%20For%20Solving%20Multi-Objective%20Problems%202Nd%20Edition.pdf<br /> <br /> * Dahlstedt, P.: Evolution in creative sound design. In: Miranda, E.R., Biles, J.A. (eds.) Evolutionary Computer Music, pp. 79–99. Springer, London (2007). DOI: http://link.springer.com/chapter/10.1007%2F978-1-84628-600-1_4 http://www.musicasalolejos.com/blog/wp-content/uploads/2012/09/Dahlstedt2006_EvolCrea-longversion1.pdf<br /> <br /> * Doulgerakis, A.: Genetic Programming + Unfolding Embryology in Automated Layout Planning. Master’s thesis, University Of London (2007). http://eprints.ucl.ac.uk/4981/ http://discovery.ucl.ac.uk/4981/1/4981.pdf<br /> <br /> * M.A. Hann, B.G. Thomas: [[BEYOND THE BILATERAL - SYMMETRY IN TWO-DIMENSIONAL DESIGN]]. School of Design, University of Leeds. 2007. http://www.sd.polyu.edu.hk/iasdr/proceeding/papers/Beyond%20the%20Bilateral%20-%20Symmetry%20in%20Two-dimensional%20Design.pdf<br /> <br /> * Colin Martindale, Paul Locher and Vladimir M. Petrov (eds.): [[Evolutionary and Neurocognitive Approaches to Aesthetics, Creativity and the Arts]]. 2007, 254 Seiten. ISBN-13: 978-0895033062 https://www.baywood.com/books/previewbook.asp?id=978-0-89503-306-2<br /> <br /> * Colin Martindale: A Neural-Network Theory of Beauty. In: Martindale, C., Locher, P., Petrov, V.M. (eds.) Evolutionary and neurocognitive approaches to aesthetics, creativity, and the arts, pp. 181–194. Baywood Pub., Amityville (2007)<br /> <br /> * Monro, Gordon: [[THE CONCEPT OF EMERGENCE IN GENERATIVE ART]]. Master-Thesis, Sydney Conservatorium of Music, University of Sydney, 2007 http://www.gommog.com/archive/docs/MMus_Essay.pdf<br /> <br /> * Moura, L., Ramos, V.: [[Swarm paintings – nonhuman art]]. Architopia Book, Art, Architecture and Science pp. 5–24 (2007). http://www.leonelmoura.com/ http://www.lxxl.pt/aswarm/aswarm.html http://www.lxxl.pt/aswarm/aswarm2.html http://www.lxxl.pt/aswarm/aswarm3.html http://www.lxxl.pt/aswarm/aswarm4.html <br /> <br /> * Nishio, K., et al.: Fuzzy fitness assignment in an interactive genetic algorithm for a cartoon face search. In: Sanchez, E., Shibata, T., Zadeh, L.A. (eds.) Genetic Algorithms and Fuzzy Logic Systems: Soft Computing Perspectives, vol. 7. World Scientific (1997). http://eecs.wsu.edu/~nazerfard/Presentation/AI09.pdf<br /> <br /> * Perris, M.: Evolving Ecologically Inspired Drawing Behaviours. MSc dissertation, Department of Informatics, University of Sussex (2007)<br /> <br /> * Marcos Nadal Roberts: [[COMPLEXITY AND AESTHETIC PREFERENCE FOR DIVERSE VISUAL STIMULI]]. DOCTORAL THESIS, Departament de Psicologia, Universitat de les Illes Balears, 2007. 439 Seiten http://www.tdx.cat/bitstream/10803/9447/1/tmnr1de1.pdf<br /> <br /> * Sasaki, M.: Morphogenesis of Flux Structure. From the realization of Free 3D Forms by Architects to Evolving the Most Logical Structure by Computer Calculation. In: Sakamoto, T., Ferré, A.T. (eds.) From Control to Design. Parametric/Algorithmic Architecture, pp. 68–69. Actar, Barcelona (2007) http://www.aaschool.ac.uk/PUBLIC/WHATSON/exhibitions.php?item=105#morphogenesis-of-flux-structure<br /> <br /> * Schnier, T., Beale, R., Yao, X., Hendley, B., Byrne, W.: [[Nature Inspired Creative Design – Bringing Together Ideas from Nature]], Computer Science, Engineering, Art, Design. In: Innes, T. (ed.) Designing for the 21st Century: Interdisciplinary Questions and Insights, Gower Ashgate, pp. 192–204 (2007) http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.62.1800 http://www.cs.bham.ac.uk/~xin/papers/ACDM06.pdf<br /> <br /> ====2006====<br /> * Harold Cohen: [[AARON, Colorist: from Expert System to Expert]]. October 2006. http://www.aaronshome.com/aaron/publications/index.html http://www.aaronshome.com/aaron/publications/urbana-final.doc<br /> <br /> * Harold Cohen: Creativity: a Contribution to Ed Feigenbaum’s Festschrift. Panel on Creativity, Learning and Discovery. Stanford, March 2006. http://www.aaronshome.com/aaron/publications/index.html http://www.aaronshome.com/aaron/publications/edfest3.doc<br /> <br /> * Stian Edvardsen: [[Classification of Images using Color, CBIR Distance Measures and Genetic Programming: An evolutionary Experiment]]. Undergraduate Theses from Norwegian University of Science and Technology. Faculty of Information Technology, Mathematics and Electrical Engineering, Department of Computer and Information Science, June 2006. http://ntnu.diva-portal.org/smash/get/diva2:348194/FULLTEXT01.pdf<br /> <br /> * Grünbaum, Branko: [[What symmetry groups are present in the Alhambra?]] Notices AMS 2006. http://www.ams.org/notices/200606/comm-grunbaum.pdf<br /> <br /> * Jaśkowski, W.: [[Genetic programming with cross-task knowledge sharing for learning of visual concepts]]. Master’s thesis, Poznan University of Technology, Poznań, Poland (2006), http://www.cs.put.poznan.pl/wjaskowski/pub/papers/jaskowski06crosstask.pdf <br /> <br /> * Levin, G., Feinberg, J., Curtis, C.: [[The alphabet synthesis machine]] (2006). (Consulted in http://www.alphabetsynthesis.com, October 2014 =&gt; 404) http://www.flong.com/storage/pdf/reports/alphabet_report.pdf<br /> <br /> * von Mammen, S.: Swarm grammars - a new approach to dynamic growth. Technical report, University of Calgary (May 2006)<br /> <br /> * Pfeifer, R., Bongard, J. (2006). How the Body Shapes the Way We Think: A New View of Intelligence. MIT Press. Cambridge, MA<br /> <br /> * Michael A. Rosenman: The Generation of Form Using an Evolutionary Approach. In: John S. Gero, Fay Sudweeks: Artificial Intelligence in Design ’96 643-662 ISBN: 978-94-010-6610-5. http://link.springer.com/chapter/10.1007/978-94-009-0279-4_34<br /> <br /> * Rothlauf, F.: Representations for Genetic and Evolutionary Algorithms, 2nd edn. Physica-Verlag (2006)<br /> <br /> * Tufte, E.R. (2006). Beautiful Evidence. Graphics Press LLC. Cheshire, Connecticut<br /> <br /> * Wolfgang Welsch: [[Kreativität durch Zufall. Das große Vorbild der Evolution und einige künstlerische Parallelen]]. In: Kreativität - XX. Deutscher Kongreß für Philosophie, Kolloquienbeiträge (Hamburg: Meiner 2006), 1185-1210. http://www2.uni-jena.de/welsch/KREATIVI.pdf<br /> <br /> ====2005====<br /> * Joris Deguet, Yves Demazeau1, Laurent Magnin: [[Elements about the Emergence Issue: A survey of emergence definitions]]. Presentation, 2005. http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.74.1820 http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.74.1820&amp;rep=rep1&amp;type=pdf http://www.irit.fr/COLLINE/DOCUMENTS/Presentation5_230506.pdf<br /> <br /> * [[Alan Dorin]] (2005). [[Enriching Aesthetics with Artificial Life]]. In A. Adamatzky &amp; M. Komosinski (Eds.), Artificial life models in software (pp. 415-431). London: Springer-Verlag. http://www.csse.monash.edu.au/~aland/PAPERS/enrichAestheticsWWW.pdf<br /> <br /> * Henriques, N.A.C.: MovieGene: A multimedia production system using evolutionary computation. Master’s thesis, Faculty of Sciences and Technology of the New University of Lisbon (2005)<br /> <br /> * Klein, J.: Breve: A 3d simulation enviroment for multi-agent simulations and artificial life. Technical report, Complex Systems Group at Department of Physical Resource Theory, Goteborg Univeristy Sweeden and Cognitive Science, Hampshire College Amherst (2005), http://www.spiderland.org/breve/ http://www.spiderland.org/breve.pdf<br /> <br /> * Kolliopoulos, A.: [[Image segmentation for stylized non-photorealistic rendering and animation]]. Master’s thesis, Univ. Toronto (2005). http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.113.3711 http://www.dgp.toronto.edu/~alexk/kolliopoulos-thesis2005.pdf<br /> <br /> * Krokatsis, H., Walwin, J., Flint, J., Levin, J., O’Reilly, S.: You’ll Never Know - Drawing and Random Interference. Hayward Gallery, London (2005). ISBN-13: 978-1853322549<br /> <br /> * Weesatchanam, A.M.: Are Paintings by Elephants Really Art? The Elephant Art Gallery (July 31, 2006). http://www.elephantartgallery.com/learn/authentic/are-elephant-paintings-art.php<br /> <br /> ====2004====<br /> * Alpman, E.: Airfoil shape optimization using evolutionary algorithms. Aerospace Engineering Department, Pennstate University (2004). http://www.coe.psu.edu/water/images/b/b5/Alpman.pdf<br /> <br /> * Ashmore L., Miller J. F. [[Evolutionary Art with Cartesian Genetic Programming]]. Unpublished (2004) https://sites.google.com/site/julianfrancismiller/research-papers/evoart2004-ashmore.pdf?attredirects=0<br /> <br /> * Bird, J. (2004). Containing Reality: Epistemological Issues in Generative Art and Science. In: Impossible Nature: The Art of [[Jon McCormack]]. Australian Centre for the Moving Image, 40–53<br /> <br /> * Edmund O. Harriss: [[On Canonical Substitution Tilings]]. PhD Thesis. Imperial College London 2004. http://www.mathematicians.org.uk/eoh/files/Harriss_Thesis.pdf http://www.mathematicians.org.uk/eoh/<br /> <br /> * Margaret A. Boden: [[CREATIVITY IN A NUTSHELL]]. In: M. A. Boden: The Creative Mind: Myths and Mechanisms. 1-10, London, Routledge, 2004, ISBN-13: 978-0415314534. http://www.willamette.edu/~gorr/classes/ids101/links/nutshell.pdf<br /> <br /> * Margaret A. Boden: [[The Creative Mind: Myths and Mechanisms]]. London, Routledge, 2004, ISBN-13: 978-0415314534. http://cs.oswego.edu/~malloy/Courses/Files/COG468/mythsmechanisms.pdf<br /> <br /> * [[John Collomosse]]: [[Higher Level Techniques for the Artistic Rendering of Images and Video]]. PhD thesis, University of Bath, U.K. (2004). http://core.kmi.open.ac.uk/download/pdf/8767749.pdf<br /> <br /> * Dahlstedt, P.: Sounds Unheard of: Evolutionary algorithms as creative tools for the contemporary composer. PhD thesis, Chalmers University of Technology (2004) <br /> <br /> * Janssen, P.H.T.: A Design Method and a Computational Architecture for Generating and Evolving Building Designs. School of Design, Hong Kong Polytechnic University. Degree of Doctor of Philosophy (2004)<br /> <br /> * Martin, J.: [[Algorithmic beauty of buildings: Methods for procedural building generation]]. Thesis, Trinity University, San Antonio, TX, USA (2004). http://digitalcommons.trinity.edu/cgi/viewcontent.cgi?article=1003&amp;context=compsci_honors<br /> <br /> * [[Jon McCormack]]: Impossible nature: the art of [[Jon McCormack]]. Australian Centre for the Moving Image, Melbourne (2004), ISBN 1 920805 08 7. http://diotima.infotech.monash.edu.au/~jonmc/sa/research/impossible-nature-the-art-of-jon-mccormack/ Review 1: http://www.gordonmonro.com/archive/McCormack_review.html Review 2: http://www.leonardo.info/reviews/dec2005/impossible_harle.html<br /> <br /> * Moura, L., Pereira, H.: [[Man + Robots: Symbiotic Art]]. Institut d’Art Contemporain, Lyon/Villeurbanne, France (2004). ISBN-13: 978-2905985675<br /> <br /> * Iman Moradi: [[Glitch Aesthetics]]. Thesis, School of Design Technology, Department of Architecture, The University of Huddersfield, January 27th 2004. http://www.haraldpeterstrom.com/content/5.pdfs/Iman%20Moradi%20%E2%80%93%20Glitch%20Aesthetics.pdf<br /> <br /> * Yip, C.: Evolving Image Filters. Master’s thesis, Imperial College of Science, Technology, and Medicine (2004)<br /> <br /> * Yu, J. (2004). Evolutionary Design of 2D Fractals and 3D Plant Structures for Computer Graphics. Master’s thesis. Department of Computer Science, University of Calgary. http://hdl.handle.net/1880/42160<br /> <br /> ====2003====<br /> * Andy Ko, Y.-Y.: The multidisciplinary design optimization of a distributed propulsion blended-wing-body aircraft. PhD thesis, Virginia Polytechnic Institute and State University (2003). http://scholar.lib.vt.edu/theses/available/etd-04252003-110442/unrestricted/Ko_Dissertation_03.pdf (Leifur Thor Leifsson, Andy Ko, William H. Mason, Joseph A. Schetz, Raphael T. Haftka, and Bernard Grossman: Multidisciplinary Design Optimization for a Blended Wing Body Transport Aircraft with Distributed Propulsion. MAD Center Report 2005-05-01. http://www.dept.aoe.vt.edu/~mason/Mason_f/MAD050501.pdf)<br /> <br /> * Clark, A. (2003). [[Natural-Born cyborgs: Minds, Technologies, and the Future of Human Intelligence]]. Oxford University Press. New York, ISBN-13: 978-0195177510. http://it.mesce.ac.in/downloads/CriticalPerspectives/booksforreview%20CPT%20S7/Clark%20E.%20Natural-Born%20Cyborgs-%20Minds,%20Technologies,%20and%20the%20Future%20of%20Human%20Intelligence.pdf<br /> <br /> * Dickerson, R.: [[Higher-order Mandelbrot fractals: experiments in nanogeometry]] (2003). http://www.fractal.org/Bewustzijns-Besturings-Model/Higher-order-Mandelbrot-Fractals.pdf http://classes.yale.edu/fractals/Mandelset/MandelDef/HigherMandels/HigherMandels.html<br /> <br /> * Gielis, J., ed. (2003). [[Inventing the Circle – The Geometry of Nature]]. Geniaal Press. Antwerpen, ISBN-13: 978-9080775619. http://www.researchgate.net/profile/Johan_Gielis/publication/258238188_Inventing_the_Circle_the_geometry_of_nature/links/02e7e5278129571678000000?ev=pub_ext_doc_dl&amp;origin=publication_detail&amp;inViewer=true<br /> <br /> * Hornby, G.S.: [[Generative Representations for Evolutionary Design Automation]]. PhD thesis, Boston, MA (2003). http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.363.8827 http://idesign.ucsc.edu/papers/hornby_phd.pdf<br /> <br /> * Kumar, S., [[Peter J. Bentley]]: On Growth, Form and Computers. Academic Press, London (2003), ISBN-13: 978-0123909367. <br /> <br /> * Kwong, H. (2003). [[Evolutionary Design of Implicit Surfaces and Swarm Dynamics]]. Master’s thesis. Department of Computer Science, University of Calgary. Calgary, AB, Canada. http://pages.cpsc.ucalgary.ca/~jacob/Publications/MSc-Thesis-Kwong.pdf<br /> <br /> * Marcus, G.F., The algebraic mind: integrating connectionism and cognitive science. Learning, development, and conceptual change. 2003, 2001, Cambridge, Mass.: MIT Press. ISBN-13: 978-0262632683 Reviews: http://cognaction.org/rdmaterials/pdfs/papers/dale_christiansen_2003.pdf, http://www.psych.nyu.edu/gary/TAM/hadley.html<br /> <br /> * [[Jon McCormack]]: [[The application of L-systems and developmental models to computer art, animation, and music synthesis]]. PhD Thesis, School of Computer Science and Software Engineering, Monash University, Clayton. (2003). http://www.csse.monash.edu.au/~jonmc/research/Papers/McCormackThesisSml.pdf <br /> <br /> * [[Jon McCormack]]: [[A Method for Generating Phyliotaxis over Surfaces of Revolution]]. Technical Report, No. 2003/149, December, 2003. Monash University, Melbourne. http://www.csse.monash.edu.au/publications/2003/tr-2003-149-full.pdf<br /> <br /> * Odling-Smee, J., Laland, K.N., Feldman, M.W.: Niche Construction: The Neglected Process in Evolution. Monographs in Population Biology. Princeton University Press, Princeton (2003), ISBN: 9780691044378. <br /> <br /> * Quagliarella, D., D’ambrosio, D., Iollo, A.: Airfoil design using navier-stokes equations and hybrid evolutionary optimization techniques. Technical report, DTIC Document (2003). http://www.dtic.mil/cgi-bin/GetTRDoc?AD=ADA485073<br /> <br /> * [[Rob Saunders]], [[John Gero]]: [[Artificial creativity: a synthetic approach to the study of creative behavior]]. In: [[John Gero]] (ed.) Creative Design V, Key Centre of Design Computing and Cognition (2003). http://mason.gmu.edu/~jgero//publications/2001/SaundersGeroHI01.pdf<br /> <br /> * [[Hideyuki Takagi]]: [[Introduction of Interactive Evolutionary Computation and Its Applications to CG Creativity]]. In: Advances in Soft Computing, edited by L. Rutkowski and J. Kacprzyk, Heidelberg, Germany: Physica-Verlag, pp.120-127 (2003). http://link.springer.com/chapter/10.1007%2F978-3-7908-1902-1_15<br /> <br /> * R. P. 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[[The Limits of Mathematics: A Course on Information Theory and the Limits of Formal Reasoning]]. Discrete Mathematics and Theoretical Computer Science. Springer. http://www.springer.com/mathematics/book/978-1-85233-668-4 https://www.cs.auckland.ac.nz/~chaitin/lm.html https://ufrj.academia.edu/GregoryChaitin<br /> <br /> * Colton, S.: [[Automated Theory Formation in Pure Mathematics]]. Springer, Heidelberg (2002), ISBN 978-1-4471-0147-5. http://www.springer.com/mathematics/book/978-1-85233-609-7<br /> <br /> * Dartnall, T., ed. (2002). Creativity, Cognition, and Knowledge: An Interaction. Praeger. Westport, Connecticut, ISBN-13: 978-0275976804<br /> <br /> * Downey, J.: [[Glitch art]]. Ninth Letter (2002), http://jonasdowney.com/workspace/uploads/writing/glitch-art-jonasdowney.pdf <br /> <br /> * Dutton, D. (2002). [[Aesthetic universals]]. In B. Gaut &amp; D. M. Lopes (Eds.), The Routledge companion to aesthetics. 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Institute of Computer Graphics, Vienna University of Technology. http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.55.5488 http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.55.5488&amp;rep=rep1&amp;type=pdf<br /> <br /> ====1995====<br /> * Dissanayake, E.: Homo aestheticus: where art comes from and why. University of Washington Press, Seattle (1995), ISBN-13: 978-0295974798. http://en.wikipedia.org/wiki/Ellen_Dissanayake<br /> <br /> * Fisher, Y. (ed.): Fractal Image Compression: Theory and Application. Springer, London (1995), ISBN-13: 978-3540942115. http://dl.acm.org/citation.cfm?id=191581<br /> <br /> * Frazer, J.H.: An Evolutionary Architecture. AA Publications, London, UK (1995), ISBN-13: 978-1870890472. http://www.aaschool.ac.uk/publications/ea/intro.html<br /> <br /> * Kauffman, S.A.: At home in the universe: the search for laws of self-organization and complexity. Oxford University Press, New York (1995), ISBN-13: 978-0195111309. Review: http://web.stanford.edu/class/symbsys205/Kauffman.htm<br /> <br /> * Resnick, Philip: Using Information Content to Evaluate Semantic Similarity in a Taxonomy. (1995). http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.55.5277 http://arxiv.org/pdf/cmp-lg/9511007v1.pdf<br /> <br /> * Stricker, M., Orengo, M.: [[Similarity of color images]]. Storage and Retrieval of Image and Video Databases III 2, 381–392 (1995). http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.41.2789 http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.41.2789&amp;rep=rep1&amp;type=pdf<br /> <br /> * Wolpert, D.H., Macready, W.G. (1995). [[No free lunch theorems for search]]. SFI-TR-95-02-010 Santa Fe Institute 1995. http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.33.5447&amp;rank=1 http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.33.5447&amp;rep=rep1&amp;type=pdf<br /> <br /> ====1994====<br /> * Boden, M.A. (1994). What is creativity? In Boden, M.A., ed.: Dimensions of Creativity. MIT Press. Cambridge, MA, 75–117, ISBN-13: 978-0262522199. <br /> <br /> * Casti, J.L.: Complexification: explaining a paradoxical world through the science of surprise. HarperCollins, New York (1994), ISBN-13: 978-0060168889. <br /> <br /> * Cohen, J., Stewart, I. (1994). The Collapse of Chaos: Discovering Simplicity in a Complex World. Viking. New York, ISBN-13: 978-0670849833. <br /> <br /> * Hobden, A. (1994). Genetic Algorithms for Graphics Textures. Technical Report EPCC-SS94-03. Edinburgh Parallel Computing Centre (EPCC)<br /> <br /> * Sapidis, N.S. (ed.): Designing Fair Curves and Surfaces: Shape Quality in Geometric Modeling and Computer-Aided Design. SIAM Activity Group on Geometric Design. Society for Industrial and Applied Mathematics (1994), ISBN-13: 978-0898713329. http://dl.acm.org/citation.cfm?id=527539<br /> <br /> * Rowley, T.: A toolkit for visual genetic programming. Technical Report GCG-74, The Geometry Center, University of Minnesota (1994). http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.55.4789 http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.55.4789&amp;rep=rep1&amp;type=pdf<br /> <br /> * Thom, R.: Structural stability and morphogenesis: an outline of a general theory of models. Westview Press (January 21, 1994), ISBN-13: 978-0201406856.<br /> <br /> * Wolfram, S.: [[Cellular Automata and Complexity: Collected Papers]]. Addison-Wesley, Reading (1994). http://www.stephenwolfram.com/publications/cellular-automata-complexity/ http://wac.36f4.edgecastcdn.net/0036F4/small/stephen-wolfram/books/cellular-automata-and-complexity-collected-papers.pdf<br /> <br /> ====1993====<br /> * Baker, E.: [[Evolving line drawings]]. Technical Report TR-21-93, Harvard University Center for Research in Computing Technology (1993). http://www.eecs.harvard.edu/margo/papers/graphics94/paper.pdf<br /> <br /> * Cambel, A.B. (1993). Applied Chaos Theory: A Paradigm for Complexity. Academic Press. Boston, ISBN-13: 978-0121559403. https://www.elsevier.com/books/applied-chaos-theory/cambel/978-0-12-155940-3<br /> <br /> * [[Jon McCormack]]: [[Interactive Evolution of L-System Grammars for Computer Graphics Modelling]]. In: Bossomaier, T. (ed.) Complex Systems: from Biology to Computation, pp. 118–130. ISO Press, Amsterdam (1993). http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.16.6763 http://www.csse.monash.edu.au/~jonmc/research/Papers/L-systems-evol.pdf<br /> <br /> * Kauffman, S.A.: The Origins of Order: Self-Organization and Selection in Evolution. Oxford University Press, Oxford (1993), ISBN 0-19-507951-5.<br /> <br /> * Madras, N, Slade, G (1993) The Self-Avoiding Walk. BirkHauser, Boston. https://books.google.de/books?hl=de&amp;lr=&amp;id=JsoFCAAAQBAJ&amp;oi=fnd&amp;pg=PR11&amp;dq=the+self-avoiding+walk&amp;ots=ov5cISxBdN&amp;sig=6Rb_I_zPH0Jrq2wtlxKiYG5RyrM#v=onepage&amp;q=the%20self-avoiding%20walk&amp;f=false (Neuauflage 2013: 978-1461460244)<br /> <br /> ====1992====<br /> * Moreton, H.P.: Minimum Curvature Variation Curves, Networks and Surfaces for Fair Free-Form Shape Design. University of California at Berkeley (1992)<br /> <br /> * Waldrop, M. (1992). Complexity: The Emerging Science at the Edge of Order and Chaos. Simon and Schuster. New York, ISBN-13: 978-0671872342. Review by Robert Dare: http://web.mit.edu/esd.83/www/notebook/WaldropReview.PDF <br /> <br /> ====1991====<br /> * Cariani, P.: [[Emergence and Artificial Life]]. In: Langton, C.G., Taylor, C., Farmer, D., Rasmussen, S. (eds.) Artificial Life II. SFI Studies in the Sciences of Complexity, pp. 775–797. Addison-Wesley, Redwood City (1991). http://www.cariani.com/CarianiNewWebsite/Publications_files/CarianiArtificialLife-II-1991.pdf<br /> <br /> * McCorduck, P.: [[AARON’s Code: Meta-Art, Artificial Intelligence, and the Work of Harold Cohen]]. W. H. Freeman and Company (1991), ISBN-13: 978-0716721734. http://www.pamelamc.com/html/aaron_s_code.html<br /> <br /> * Martindale, C. (1991). Cognitive psychology: a neural-network approach, Brooks/Cole Publishing Company, Pacific Grove, California. http://psycnet.apa.org/psycinfo/1990-98844-000<br /> <br /> * [[Stephen Todd]], [[William Latham]]: [[Mutator: a subjective human interface for evolution of computer sculptures]]. Tech. rep. (1991)<br /> <br /> ====1990====<br /> * Lotman, I.F.U.M.: Universe of the mind: a semiotic theory of culture. 1990, Bloomington: Indiana University Press, ISBN-13: 978-0253214058.<br /> <br /> * Mandelbrot, B.B. (1990). [[The Fractal Geometry of Nature]]. Updated and augmented. W.H. Freeman. San Francisco, ISBN-13: 978-0716711865. http://en.wikipedia.org/wiki/The_Fractal_Geometry_of_Nature http://is.muni.cz/el/1456/jaro2014/BPM_NUMA/The_Fractal_Geometry_of_Nature_-_B._Mandelbrot.pdf<br /> <br /> * Martindale, C. (1990). The clockwork muse: the predictability of artistic change. New York, N.Y.: BasicBooks. http://psycnet.apa.org/psycinfo/1990-98581-000<br /> <br /> * Prusinkiewicz, P.W., Lindenmayer, Aristid (1990). The Algorithmic Beauty of Plants. Springer. ISBN 978-0-387-97297-8. http://algorithmicbotany.org/papers/#abop http://algorithmicbotany.org/papers/abop/abop.pdf<br /> <br /> ==== &lt; 1990 ====<br /> * Dissanayake, Ellen: What is art for? University of Washington Press, Seattle (1988), ISBN-13: 978-0295970172. http://www.washington.edu/uwpress/search/books/DISWHA.html<br /> <br /> * Ventrella, J.: Creatures in the complex plane. IRIS Universe (1988)<br /> <br /> * Washburn, D.K., Crowe, D. (1988). Symmetries of Culture: Theory and Practice of Plane Pattern Analysis. University of Washington Press. Seattle, ISBN-13: 978-0295970844. (siehe auch: Crowe, D.: Symmetries of Culture. Proc. Bridges 2001. http://archive.bridgesmathart.org/2001/bridges2001-1.pdf)<br /> <br /> * Birren, F.: Principles of color: a review of past traditions and modern theories of color harmony. Schiffer Publishing (1987), ISBN-13: 978-0887401039. <br /> <br /> * Grünbaum, Branko, Shephard, G.C., eds. (1986). [[Tilings and Patterns Grünbaum&amp;Shephard]]. Freeman. New York, ISBN-13: 978-0716711933. http://www.math.washington.edu/~grunbaum/<br /> <br /> * Lord, E.A., Wilson, C.B.: The Mathematical Description of Shape and Form. Halsted Press (1984), ISBN-13: 978-0470200438.<br /> <br /> * Stevens, P.S. (1981). [[Handbook of Regular Patterns: An Introduction to Symmetry in Two Dimensions]]. MIT Press. Cambridge, Mass. ISBN-13: 978-0262690881.<br /> <br /> * Arnheim, R. (1974). [[Entropy and Art, an Essay on Order and Disorder]]. University of California Press. Berkeley, California. <br /> <br /> * John Henry Martin: [[AN EVALUATION OF MAITIAND GRAVES PRINCIPLE OF AESTHETIC ORDER]]. Thesis, 1972. http://spectrum.library.concordia.ca/4851/1/MK11403.pdf<br /> <br /> * Stiny, G., Gips, J.: Shape grammars and the generative specification of paintings and sculpture. In: Freiman, C.V. (ed.) Information Processing, vol. 71, pp. 1460–1465. North Holland Publishing Co., Amsterdam (1971)<br /> <br /> * Berlyne, D.E. (1971). [[Aesthetics and Psychobiology]]. Appleton-Century-Crofts. New York, N.Y.. http://www.jstor.org/discover/10.2307/1179240?uid=3737864&amp;uid=2129&amp;uid=2&amp;uid=70&amp;uid=4&amp;sid=21105088052003 http://www.skidmore.edu/~flip/Site/Lab/Entries/2008/10/24_Aesthetics_files/Berlyne%20Aesthetics%20&amp;%20Psychobio.pdf<br /> <br /> * Moles, A. A. (1966). Information theory and esthetic perception. Urbana,: University of Illinois Press.<br /> <br /> * Bense, M. (1965). Aesthetica; Einführung in die neue Aesthetik. Baden-Baden,: Agis-Verlag.<br /> <br /> * Zipf, George Kingsley: Human Behavior and the Principle of Least Effort: An Introduction to Human Ecology. Martino Fine Books (June 6, 2012), (Reprint from 1949), ISBN-13: 978-1614273127. http://csiss.org/classics/content/99 <br /> <br /> * Graves, M.: Design Judgment Test. The Psychological Corporation, New York (1948)<br /> <br /> * Walter Benjamin: The Work of Art in the Age of Mechanical Reproduction. 1936 https://docs.google.com/viewer?a=v&amp;pid=explorer&amp;chrome=true&amp;srcid=0By0icMQ-4hgWNTM5ZTE4MjQtODU2MS00YTQ2LWJiYmEtMjI5MWQ0MDQ2ODA2&amp;hl=en_US<br /> <br /> * Birkhoff, G.: Aesthetic Measure. Harvard University Press, Cambridge (1933)<br /> <br /> ==== Unknown date ====<br /> * Annunziato, M.: The nagual experiment, http://www.plancton.com/papers/nagual.pdf (unknown date)<br /> <br /> * Mike Blow: [[An Investigation into Aesthetic Preference using Generative Art]]. http://www.evolutionaryart.co.uk/index.php http://www.evolutionaryart.co.uk/mikeblow_cai.pdf (unknown date)<br /> <br /> * Jian Yin Shen, Tom Gedeon: [[Cyber-Genetic Neo-Plasticism – An AI program Creating Mondrian-like Paintings by using Interactive Bacterial Evolution Algorithm]]. http://escience.anu.edu.au/project/06S2/report/JianShen_report.pdf http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.140.2252 (unknown date)<br /> <br /> * Sudweeks, F. &amp; Simoff, S.J. [[Quantifying Beauty: An Information System for Evaluating Universal Aesthetics]]. http://www.it.murdoch.edu.au/~sudweeks/papers/beauty.pdf (unknown date)</div> Gubachelier http://de.evo-art.org/index.php?title=Bridges_2017&diff=33304 Bridges 2017 2017-12-11T19:27:35Z <p>Gubachelier: /* Regular Papers */</p> <hr /> <div>[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#The_Bridge_Conferences:_art_and_mathematics | zurück zu The Bridge Conferences: art and mathematics]] <br /> <br /> <br /> == Reference ==<br /> David Swart, Carlo Séquin, and Kristóf Fenyvesi (eds.): Proceedings of Bridges 2017: Mathematics, Music, Art, Architecture, Culture. Bridges Conference at the University of Waterloo, Ontario, Canada, 27-31 July. Tessellations Publishing, Phoenix, Arizona, 2017. ISBN 978-1-938664-22-9<br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> <br /> == Extended Abstract ==<br /> <br /> == Reviews==<br /> <br /> == Bibtex ==<br /> @proceedings{bridges2017:1,<br /> editor = {David Swart, Carlo Séquin, and Kristóf Fenyvesi},<br /> booktitle = {Proceedings of Bridges 2017: Mathematics, Music, Art, Architecture, Culture},<br /> year = {2017},<br /> isbn = {978-1-938664-22-9},<br /> issn = {1099-6702},<br /> publisher = {Tessellations Publishing},<br /> address = {Phoenix, Arizona},<br /> url = {http://bridgesmathart.org/past-conferences/bridges-2017/ http://archive.bridgesmathart.org/2017/index.html}<br /> }<br /> <br /> == Table of contents ==<br /> * The Editors: Front Matter. http://archive.bridgesmathart.org/2017/frontmatter.pdf<br /> <br /> === Regular Papers ===<br /> <br /> * Alice Major: Numbers with Personality. In: [[Bridges 2017]], Pages 1–8. http://archive.bridgesmathart.org/2017/bridges2017-1.html http://archive.bridgesmathart.org/2017/bridges2017-1.pdf<br /> <br /> * &lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; Eryk Kopczyński, Dorota Celińska and Marek Čtrnáct: [[HyperRogue: Playing with Hyperbolic Geometry]]. In: [[Bridges 2017]], Pages 9–16. http://archive.bridgesmathart.org/2017/bridges2017-9.pdf<br /> <br /> * Taneli Luotoniemi: [[Crooked Houses: Visualizing the Polychora with Hyperbolic Patchwork]]. In: [[Bridges 2017]], Pages 17–24. http://archive.bridgesmathart.org/2017/bridges2017-17.pdf<br /> <br /> * Robert Fathauer: [[Sculptural Forms Based on Radially-developing Fractal Curves]]. In: [[Bridges 2017]], Pages 25–32. http://archive.bridgesmathart.org/2017/bridges2017-25.pdf<br /> <br /> * Vi Hart, Andrea Hawksley, Elisabetta Matsumoto and Henry Segerman: [[Non-euclidean Virtual Reality I: Explorations of H³]]. In: [[Bridges 2017]], Pages 33–40. http://archive.bridgesmathart.org/2017/bridges2017-33.pdf<br /> <br /> * Vi Hart, Andrea Hawksley, Elisabetta Matsumoto and Henry Segerman: [[Non-euclidean Virtual Reality II: Explorations of H² ✕ E]]. In: [[Bridges 2017]], Pages 41–48. http://archive.bridgesmathart.org/2017/bridges2017-41.pdf<br /> <br /> * Ellie Baker and Charles Wampler: Invertible Infinity: A Toroidal Fashion Statement. In: [[Bridges 2017]], Pages 49–56. http://archive.bridgesmathart.org/2017/bridges2017-49.pdf<br /> <br /> * James Mallos: DNA-inspired Basketmaking: Scaffold-Strand Construction of Wireframe Sculptures. In: [[Bridges 2017]], Pages 57–62. http://archive.bridgesmathart.org/2017/bridges2017-57.pdf<br /> <br /> * George Hart and Elisabeth Heathfield: Making Math Visible. In: [[Bridges 2017]], Pages 63–70. http://archive.bridgesmathart.org/2017/bridges2017-63.pdf<br /> <br /> * &lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; Craig S. Kaplan: [[Interwoven Islamic Geometric Patterns]]. In: [[Bridges 2017]], Pages 71–78. http://archive.bridgesmathart.org/2017/bridges2017-71.pdf<br /> <br /> * Henry Segerman and Rosa Zwier: [[Magnetic Sphere Constructions]]. In: [[Bridges 2017]], Pages 79–86. http://archive.bridgesmathart.org/2017/bridges2017-79.pdf<br /> <br /> * Saied Zarrinmehr, Ergun Akleman, Mahmood Ettehad, Negar Kalantar, Alireza Borhani Haghighi and Shinjiro Sueda: An Algorithmic Approach to Obtain Generalized 2D Meander-Patterns. In: [[Bridges 2017]], Pages 87–94. http://archive.bridgesmathart.org/2017/bridges2017-87.pdf<br /> <br /> * Kerry Mitchell: [[Fun with Integer Sequences]]. In: [[Bridges 2017]], Pages 95–102. http://archive.bridgesmathart.org/2017/bridges2017-95.pdf<br /> <br /> * Susan Goldstine: A Survey of Symmetry Samplers. In: [[Bridges 2017]], Pages 103–110. http://archive.bridgesmathart.org/2017/bridges2017-103.pdf<br /> <br /> * &lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; Douglas Dunham and John Shier: [[New Kinds of Fractal Patterns]]. In: [[Bridges 2017]], Pages 111–116. http://archive.bridgesmathart.org/2017/bridges2017-111.pdf<br /> <br /> * Carlo H. Séquin: [[Homage to Eva Hild]]. In: [[Bridges 2017]], Pages 117–124. http://archive.bridgesmathart.org/2017/bridges2017-117.pdf<br /> <br /> * Stephen Wassell and Mark Reynolds: [[Artwork Inspired by Dual Dodecahedra and Icosahedra]]. In: [[Bridges 2017]], Pages 125–130. http://archive.bridgesmathart.org/2017/bridges2017-125.pdf<br /> <br /> * &lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; Frank A. Farris: [[Natural Color Symmetry]]. In: [[Bridges 2017]], Pages 131–138. http://archive.bridgesmathart.org/2017/bridges2017-131.pdf<br /> <br /> * Adam Colestock: [[Let the Numbers Do the Walking: Generating Turtle Dances on the Plane from Integer Sequences]]. In: [[Bridges 2017]], Pages 139–146. http://archive.bridgesmathart.org/2017/bridges2017-139.pdf<br /> <br /> * Hideki Tsuiki: Obtaining the H and T Honeycomb from a Cross-Section of the 16-cell Honeycomb. In: [[Bridges 2017]], Pages 147–152. http://archive.bridgesmathart.org/2017/bridges2017-147.pdf<br /> <br /> * Kenneth Brecher: [[Art of Infinity]]. In: [[Bridges 2017]], Pages 153–158. http://archive.bridgesmathart.org/2017/bridges2017-153.pdf<br /> <br /> * Kento Nakamura and Kazushi Ahara: [[A Geometrical Representation and Visualization of Möbius Transformation Groups]]. In: [[Bridges 2017]], Pages 159–166. http://archive.bridgesmathart.org/2017/bridges2017-159.pdf<br /> <br /> * Stan Spencer: [[Geometric Factors and the Well Dressed Solids of Archimedes]]. In: [[Bridges 2017]], Pages 167–174. http://archive.bridgesmathart.org/2017/bridges2017-167.pdf<br /> <br /> * Mircea Draghicescu: A General Method for Building Topological Models of Polyhedra. In: [[Bridges 2017]], Pages 175–182. http://archive.bridgesmathart.org/2017/bridges2017-175.pdf<br /> <br /> * Taishi Oikawa, Kazuaki Yamazaki, Tomoko Taniguchi and Ryuhei Uehara: A Peg Solitaire Font. In: [[Bridges 2017]], Pages 183–188. http://archive.bridgesmathart.org/2017/bridges2017-183.pdf<br /> <br /> * Francesco de Comité: [[Modelling Seashells Shapes and Pigmentation Patterns: Experiments with 3D Printing]]. In: [[Bridges 2017]], Pages 189–196. http://archive.bridgesmathart.org/2017/bridges2017-189.pdf<br /> <br /> * Tom Verhoeff and Koos Verhoeff: Hopeless Love and Other Lattice Walks. In: [[Bridges 2017]], Pages 197–204. http://archive.bridgesmathart.org/2017/bridges2017-197.pdf<br /> <br /> * Veronika Irvine and Frank Ruskey: Aspects of Symmetry in Bobbin Lace. In: [[Bridges 2017]], Pages 205–212. http://archive.bridgesmathart.org/2017/bridges2017-205.pdf<br /> <br /> * Douglas Burkholder: [[Hidden Beauty in Penrose Tiling: Weavings &amp; Lace]]. In: [[Bridges 2017]], Pages 213–220. http://archive.bridgesmathart.org/2017/bridges2017-213.pdf<br /> <br /> * Leslie Love Stone and Christopher S. Brownell: Versatile Genius: A Case Study Intersecting Math, Science, Art, and California&#039;s National Parks. In: [[Bridges 2017]], Pages 221–228. http://archive.bridgesmathart.org/2017/bridges2017-221.pdf<br /> <br /> * Abdalla Ahmed and Oliver Deussen: Tuti Inter-Weaving. In: [[Bridges 2017]], Pages 229–236. http://archive.bridgesmathart.org/2017/bridges2017-229.pdf<br /> <br /> * Jacob Rus: [[Flowsnake Earth]]. In: [[Bridges 2017]], Pages 237–244. http://archive.bridgesmathart.org/2017/bridges2017-237.pdf<br /> <br /> * John Hiigli and Stephen Weil: Inter-transformability II. In: [[Bridges 2017]], Pages 245–252. http://archive.bridgesmathart.org/2017/bridges2017-245.pdf<br /> <br /> * Maria Victoria Canullo, Veronika Irvine and Robin Linhope Willson: Kissing Rings, Bracelets, Roses and Canadian Magnetic Coins: Circle Packing with Ferrite Block Magnets and Magnetic Sheet. In: [[Bridges 2017]], Pages 253–260. http://archive.bridgesmathart.org/2017/bridges2017-253.pdf<br /> <br /> * Vincent Matsko: A Mathematics and Digital Art Course. In: [[Bridges 2017]], Pages 261–268. http://archive.bridgesmathart.org/2017/bridges2017-261.pdf<br /> <br /> * Scott Vorthmann, David Hall and David Richter: Conics from Polygons: The Chord Ratio Construction. In: [[Bridges 2017]], Pages 269–276. http://archive.bridgesmathart.org/2017/bridges2017-269.pdf<br /> <br /> * Samuel Verbiese: Zometool Tribute to Fabien Vienne at Bridges Finland 2016. In: [[Bridges 2017]], Pages 277–282. http://archive.bridgesmathart.org/2017/bridges2017-277.pdf<br /> <br /> * Carlos Puente: The Artful Kaleidoscopes of the Circular and Spherical Bells. In: [[Bridges 2017]], Pages 283–290. http://archive.bridgesmathart.org/2017/bridges2017-283.pdf<br /> <br /> * Karl Schaffer: Dichromatic Dances. In: [[Bridges 2017]], Pages 291–298. http://archive.bridgesmathart.org/2017/bridges2017-291.pdf<br /> <br /> * Lisa Lajeunesse: The Golden Ratio: How Close Is Close Enough? In: [[Bridges 2017]], Pages 299–304. http://archive.bridgesmathart.org/2017/bridges2017-299.pdf<br /> <br /> * Aaron Jones, Joann Kuchera-Morin and Theodore Kim: Seeing and Hearing the Eigenvectors of a Fluid. In: [[Bridges 2017]], Pages 305–312. http://archive.bridgesmathart.org/2017/bridges2017-305.pdf<br /> <br /> * Dirk Huylebrouck: On Infinite Kepler-Poinsot Polyhedra. In: [[Bridges 2017]], Pages 313–320. http://archive.bridgesmathart.org/2017/bridges2017-313.pdf<br /> <br /> * Lali Barrière: [[Combinatorics in the Art of the Twentieth Century]]. In: [[Bridges 2017]], Pages 321–328. http://archive.bridgesmathart.org/2017/bridges2017-321.pdf<br /> <br /> * David Swart: Morphing TSP Art. In: [[Bridges 2017]], Pages 329–334. http://archive.bridgesmathart.org/2017/bridges2017-329.pdf<br /> <br /> === Short Papers ===<br /> <br /> * Robert Bosch: 3D Printed Tours. In: [[Bridges 2017]], Pages 335–338. http://archive.bridgesmathart.org/2017/bridges2017-335.pdf<br /> <br /> * Emily Grosholz: Great Books, Poetry and Mathematics. In: [[Bridges 2017]], Pages 339–342. http://archive.bridgesmathart.org/2017/bridges2017-339.pdf<br /> <br /> * Eve Torrence: Hyparhedra Revisited. In: [[Bridges 2017]], Pages 343–346. http://archive.bridgesmathart.org/2017/bridges2017-343.pdf<br /> <br /> * Felicia Tabing: Topological Images with Modular Block Print Tiles. In: [[Bridges 2017]], Pages 347–350. http://archive.bridgesmathart.org/2017/bridges2017-347.pdf<br /> <br /> * Patrick Honner: 3D Printing in the Secondary Mathematics Classroom. In: [[Bridges 2017]], Pages 351–354. http://archive.bridgesmathart.org/2017/bridges2017-351.pdf<br /> <br /> * Bianca Violet, Chiquira Wagner and Ekaterina Eremenko: Math Creations - A Math-Art Competition. In: [[Bridges 2017]], Pages 355–358. http://archive.bridgesmathart.org/2017/bridges2017-355.pdf<br /> <br /> * Courtney Huse Wika and Daniel May: The Poetics of a Cyclic Directed Graph. In: [[Bridges 2017]], Pages 359–362. http://archive.bridgesmathart.org/2017/bridges2017-359.pdf<br /> <br /> * Debra K. Borkovitz: A Temari Permutation Sampler. In: [[Bridges 2017]], Pages 363–366. http://archive.bridgesmathart.org/2017/bridges2017-363.pdf<br /> <br /> * James Hunt and Sylvia Hunt: The English Translation of the 1652 Edition of J-F Niceron&#039;s Perspective Curieuse. In: [[Bridges 2017]], Pages 367–370. http://archive.bridgesmathart.org/2017/bridges2017-367.pdf<br /> <br /> * Akihiro Matsuura and Hiroshi Shirane: Triskelion Block Families. In: [[Bridges 2017]], Pages 371–374. http://archive.bridgesmathart.org/2017/bridges2017-371.pdf<br /> <br /> * Caroline Bowen: [[Cut Colored Paper Sculptures of 3D Contour Plots of the Real and Imaginary Parts of Complex Functions]]. In: [[Bridges 2017]], Pages 375–378. http://archive.bridgesmathart.org/2017/bridges2017-375.pdf<br /> <br /> * Gary Greenfield: Ballistic Deposition and Aesthetic Patterns. In: [[Bridges 2017]], Pages 379–382. http://archive.bridgesmathart.org/2017/bridges2017-379.pdf<br /> <br /> * Jiangmei Wu: Applying Helical Triangle Tessellations in Folded Light Art. In: [[Bridges 2017]], Pages 383–386. http://archive.bridgesmathart.org/2017/bridges2017-383.pdf<br /> <br /> * Liisamaija Hautsalo and Osmo Pekonen: Émilie, an Opera about Love, Death, and Mathematics. In: [[Bridges 2017]], Pages 387–390. http://archive.bridgesmathart.org/2017/bridges2017-387.pdf<br /> <br /> * Susan Happersett: Cartesian Lace Drawings. In: [[Bridges 2017]], Pages 391–394. http://archive.bridgesmathart.org/2017/bridges2017-391.pdf<br /> <br /> * Loe Feijs, Jun Hu, Matthias Funk, Mayra Goevaerts, Teun Keusters and Caro Van Kessel: Constructing Mini-tools for Tessellations. In: [[Bridges 2017]], Pages 395–398. http://archive.bridgesmathart.org/2017/bridges2017-395.pdf<br /> <br /> * Herman Haverkort: The Sound of Space-Filling Curves. In: [[Bridges 2017]], Pages 399–402. http://archive.bridgesmathart.org/2017/bridges2017-399.pdf<br /> <br /> * Loe Feijs and Marina Toeters: A Cellular Automaton for Pied-de-poule (Houndstooth). In: [[Bridges 2017]], Pages 403–406. http://archive.bridgesmathart.org/2017/bridges2017-403.pdf<br /> <br /> * Simon Ever-Hale: How to Draw a Line. In: [[Bridges 2017]], Pages 407–410. http://archive.bridgesmathart.org/2017/bridges2017-407.pdf<br /> <br /> * Elisabetta Matsumoto: [[Quilting the Klein Quartic]]. In: [[Bridges 2017]], Pages 411–414. http://archive.bridgesmathart.org/2017/bridges2017-411.pdf<br /> <br /> * Martin Skrodzki and Konrad Polthier: Turing-Like Patterns Revisited: A Peek Into The Third Dimension. In: [[Bridges 2017]], Pages 415–418. http://archive.bridgesmathart.org/2017/bridges2017-415.pdf<br /> <br /> * Carol Bier: [[Algorithmic Aesthetics: Redefining Traditional Islamic Art]]. In: [[Bridges 2017]], Pages 419–422. http://archive.bridgesmathart.org/2017/bridges2017-419.pdf<br /> <br /> * Hiroaki Hamanaka, Takashi Horiyama and Ryuhei Uehara: [[On the Enumeration of Chequered Tilings in Polygons]]. In: [[Bridges 2017]], Pages 423–426. http://archive.bridgesmathart.org/2017/bridges2017-423.pdf<br /> <br /> * Christopher Carlson: Designing Modular Sculpture Systems. In: [[Bridges 2017]], Pages 427–430. http://archive.bridgesmathart.org/2017/bridges2017-427.pdf<br /> <br /> * Sara Greenberg, Audrey G. Chung and Alexander Wong: Nebula: Live Dynamic Projection Mapping via Object Saliency. In: [[Bridges 2017]], Pages 431–434. http://archive.bridgesmathart.org/2017/bridges2017-431.pdf<br /> <br /> * David Reimann: Transforming Squares to Strips in Expanded Polyhedral Forms. In: [[Bridges 2017]], Pages 435–438. http://archive.bridgesmathart.org/2017/bridges2017-435.pdf<br /> <br /> * Stacy Speyer: Polyhedra: Eye Candy to Feed the Mind. In: [[Bridges 2017]], Pages 439–442. http://archive.bridgesmathart.org/2017/bridges2017-439.pdf<br /> <br /> * Andrea Capozucca, Marco Fermani and Simone Giorgini: Listening to the Logistic Map. In: [[Bridges 2017]], Pages 443–446. http://archive.bridgesmathart.org/2017/bridges2017-443.pdf<br /> <br /> * Anton Bakker and Tom Verhoeff: Artistic Rendering of Curves via Lattice Paths. In: [[Bridges 2017]], Pages 447–450. http://archive.bridgesmathart.org/2017/bridges2017-447.pdf<br /> <br /> * Donald Plante: 3D Printable Golden Sponges. In: [[Bridges 2017]], Pages 451–454. http://archive.bridgesmathart.org/2017/bridges2017-451.pdf<br /> <br /> * Philip Collett and Catherina Steyn: [[Using African Designs in Virtual Manipulatives for Geometrical Concept Development]]. In: [[Bridges 2017]], Pages 455–458. http://archive.bridgesmathart.org/2017/bridges2017-455.pdf<br /> <br /> * Weiling He, Chengde Wu and Ergun Akleman: Constructing Deltahedra from Recycled Plastic Bottles. In: [[Bridges 2017]], Pages 459–462. http://archive.bridgesmathart.org/2017/bridges2017-459.pdf<br /> <br /> * Joshua Holden: The Complexity of Braids, Cables, and Weaves Modeled with Stranded Cellular Automata. In: [[Bridges 2017]], Pages 463–466. http://archive.bridgesmathart.org/2017/bridges2017-463.pdf<br /> <br /> * Gregg Helt: [[Inversive Diversions and Diversive Inversions]]. In: [[Bridges 2017]], Pages 467–470. http://archive.bridgesmathart.org/2017/bridges2017-467.pdf<br /> <br /> * JoAnne Growney: Shaping Poems -- with Visual Forms and Counting. In: [[Bridges 2017]], Pages 471–474. http://archive.bridgesmathart.org/2017/bridges2017-471.pdf<br /> <br /> * Nikita Mamedov and Robert Peck: The Interval Dissonance Rate: An Analytical Look into Chromaticism of Chopin’s Op. 10 No. 2 and Scriabin&#039;s Op. 11 No. 2. In: [[Bridges 2017]], Pages 475–478. http://archive.bridgesmathart.org/2017/bridges2017-475.pdf<br /> <br /> * Ergun Akleman, Derya Akleman, Ioannis Pavlidis and Pradeep Buddharaju: Obtaining Four Main Animation Cycles Using an Extremely Limited Set of Poses. In: [[Bridges 2017]], Pages 479–482. http://archive.bridgesmathart.org/2017/bridges2017-479.pdf<br /> <br /> * Chia-Chin Tsoo and Bih-Yaw Jin: Designing Skeletal Polyhedral Sculptures Inspired by Octet-Truss Systems and Structural Inorganic Chemistry with Bugle Beads. In: [[Bridges 2017]], Pages 483–486. http://archive.bridgesmathart.org/2017/bridges2017-483.pdf<br /> <br /> * David Brander and Jens Gravesen: Surfaces Foliated by Planar Geodesics: A Model for Curved Wood Design. In: [[Bridges 2017]], Pages 487–490. http://archive.bridgesmathart.org/2017/bridges2017-487.pdf<br /> <br /> * Nithikul Nimkulrat, Janette Matthews and Tuomas Nurmi: Tiling Notation as Design Tool for Textile Knotting. In: [[Bridges 2017]], Pages 491–494. http://archive.bridgesmathart.org/2017/bridges2017-491.pdf<br /> <br /> * Sujan Shrestha: Visualizing Math Art Activities at the GameLab. In: [[Bridges 2017]], Pages 495–498. http://archive.bridgesmathart.org/2017/bridges2017-495.pdf<br /> <br /> * Kate Jones: The Surprising Versatility of Edge-Matching Tiles. In: [[Bridges 2017]], Pages 499–502. http://archive.bridgesmathart.org/2017/bridges2017-499.pdf<br /> <br /> * Mary Klotz: [[Triaxial Weaving for Complex Repeat Patterns and Tessellations]]. In: [[Bridges 2017]], Pages 503–506. http://archive.bridgesmathart.org/2017/bridges2017-503.pdf<br /> <br /> * Nick Mendler and Vincent J. Matsko: Symmetric Binary Trees with Branching Ratios Larger than 1. In: [[Bridges 2017]], Pages 507–510. http://archive.bridgesmathart.org/2017/bridges2017-507.pdf<br /> <br /> * Raffi J. Kasparian and Alice E. Petillo: [[Introducing the Kasparian Constructions]]. In: [[Bridges 2017]], Pages 511–514. http://archive.bridgesmathart.org/2017/bridges2017-511.pdf<br /> <br /> * Reilly Smethurst: Non-Octave Guitar and Keyboard Designs for Ervin M. Wilson. In: [[Bridges 2017]], Pages 515–518. http://archive.bridgesmathart.org/2017/bridges2017-515.pdf<br /> <br /> * Andrew Smith: The Discovery and Application of the Protogon’s Spiral. In: [[Bridges 2017]], Pages 519–522. http://archive.bridgesmathart.org/2017/bridges2017-519.pdf<br /> <br /> === Workshop Papers ===<br /> <br /> * Susan Gerofsky, Eva Knoll and James Forren: Dancing Rope and Braid Into Being: Whole-body Learning in Creating Mathematical/ Architectural Structures. In: [[Bridges 2017]], Pages 523–530. http://archive.bridgesmathart.org/2017/bridges2017-523.pdf<br /> <br /> * Carol Dorf: Collaboration in Creating The Mathematical Poem. In: [[Bridges 2017]], Pages 531–532. http://archive.bridgesmathart.org/2017/bridges2017-531.pdf<br /> <br /> * Alan Russell: From Rabbit Ears to Origami Flowers: Triangle Centers and the Concept of Function. In: [[Bridges 2017]], Pages 533–538. http://archive.bridgesmathart.org/2017/bridges2017-533.pdf<br /> <br /> * Kristóf Fenyvesi, Ákos Vecsei, Diego Lieban, Zsolt Lavicza, Hogul Park and Gábor Vecsei: Omnidirectional Robot Construction at the Math Class. In: [[Bridges 2017]], Pages 539–546. http://archive.bridgesmathart.org/2017/bridges2017-539.pdf<br /> <br /> * Faye Goldman: Creating Polyhedra with Snapology. In: [[Bridges 2017]], Pages 547–552. http://archive.bridgesmathart.org/2017/bridges2017-547.pdf<br /> <br /> * Marina Barreto and Diego Lieban: The Magic of Anamorphosis in Elementary and Middle School. In: [[Bridges 2017]], Pages 553–556. http://archive.bridgesmathart.org/2017/bridges2017-553.pdf<br /> <br /> * Joy Hsiao: Star Origami. In: [[Bridges 2017]], Pages 557–562. http://archive.bridgesmathart.org/2017/bridges2017-557.pdf<br /> <br /> * Eva Knoll, Tara Taylor, Wendy Landry, Paul Carreiro, Katie Puxley and Karyn Harrison: The Aesthetics of Colour in Mathematical Diagramming. In: [[Bridges 2017]], Pages 563–570. http://archive.bridgesmathart.org/2017/bridges2017-563.pdf<br /> <br /> * Cynthia Clay: How to Use Vector Theory to Write a Story. In: [[Bridges 2017]], Pages 571–572. http://archive.bridgesmathart.org/2017/bridges2017-571.pdf<br /> <br /> * Natalija Budinski and Miroslav Novta: Folding the Dragon Curve Fractal. In: [[Bridges 2017]], Pages 573–578. http://archive.bridgesmathart.org/2017/bridges2017-573.pdf<br /> <br /> * Paul Gailiunas: Thinking Visually: Triangles as Units of Area. In: [[Bridges 2017]], Pages 579–582. http://archive.bridgesmathart.org/2017/bridges2017-579.pdf<br /> <br /> * Michael Acerra: Playing in the Lux Dimension. In: [[Bridges 2017]], Pages 583–588. http://archive.bridgesmathart.org/2017/bridges2017-583.pdf</div> Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017&diff=33303 Computational Aesthetics 2017 2017-12-11T19:13:53Z <p>Gubachelier: /* NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering */</p> <hr /> <div>[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#Computational Aesthetics Conferences | zurück zu Computational Aesthetics Conferences]] <br /> <br /> <br /> == Reference ==<br /> <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> <br /> == Extended Abstract ==<br /> <br /> == Reviews==<br /> <br /> == Bibtex == <br /> @proceedings{<br /> editor = {},<br /> booktitle = {Expressive 2017: Joint Symposium of Computational Aesthetics (CAe), Non-Photorealistic Animation and Rendering (NPAR), Sketch-Based Interfaces and Modeling (SBIM}},<br /> year = {2017},<br /> location = {Los Angeles, CA, USA},<br /> url = {http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017 },<br /> ISBN = {978-1-4503-5080-8}, <br /> publisher = {ACM},<br /> address = {New York, NY, USA},<br /> } <br /> <br /> == Table of contents ==<br /> <br /> === CAE &#039;17: Proceedings of the symposium on Computational Aesthetics === <br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Kuno Kurzhals, Michael Stoll, Andrés Bruhn, Daniel Weiskopf: FlowBrush: optical flow art. https://doi.org/10.1145/3092912.3092914 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a01/a01-C15-kurzhals.pdf <br /> <br /> <br /> &#039;&#039;&#039;SESSION: 3D (the third dimension)&#039;&#039;&#039;<br /> <br /> Kapil Dev, Nicolas Villar, Manfred Lau: Polygons, points, or voxels?: stimuli selection for crowdsourcing aesthetics preferences of 3D shape pairs. https://doi.org/10.1145/3092912.3092918 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a02/a02-C20-dev.pdf<br /> <br /> Sehee Min, Jaedong Lee, Jungdam Won, Jehee Lee: Soft shadow art. https://doi.org/10.1145/3092912.3092915 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a03/a03-C16-min.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Mapping, Patterns, and Order&#039;&#039;&#039;<br /> <br /> Lena Gieseke, Paul Asente, Jingwan Lu, Martin Fuchs: [[Organized order in ornamentation]]. In: CAE &#039;17. https://doi.org/10.1145/3092912.3092913 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a04/a04-C01-gieseke.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Rosa Azami, David Mould: Detail and color enhancement in photo stylization. https://doi.org/10.1145/3092912.3092917 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a05/a05-C41-azami.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Dmitry Kuzovkin, Tania Pouli, Rémi Cozot, Olivier Le Meur, Jonathan Kervec, Kadi Bouatouch: Context-aware clustering and assessment of photo collections. https://doi.org/10.1145/3092912.3092916 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a06/a06-C30-kuzovkin.pdf<br /> <br /> <br /> <br /> === SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling === <br /> <br /> &#039;&#039;&#039;SESSION: Sketching&#039;&#039;&#039;<br /> <br /> Tiziano Portenier, Qiyang Hu, Paolo Favaro, and Matthias Zwicker: SmartSketcher: Sketch-based Image Retrieval with Dynamic Semantic Reranking. https://doi.org/10.1145/3092907.3092910 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a01/a01-S37-portenier.pdf<br /> <br /> Swarna Keshavabhotla, Blake Williford, Shalini Kumar, Ethan Hilton, Paul Taele, Wayne Li, Julie Linsey, and Tracy Hammond: Conquering the Cube: Learning to Sketch Primitives in Perspective with an Intelligent Tutoring System. https://doi.org/10.1145/3092907.3092911 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a02/a02-S45-keshavabhotla.pdf<br /> <br /> Jorge-Ivan Herrera-Camara and Tracy Hammond: Flow2Code: From Hand-drawn Flowcharts to Code Execution. https://doi.org/10.1145/3092907.3092909 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a03/a03-S32-herrera-camara.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: 3D (The Third Dimension)&#039;&#039;&#039;<br /> <br /> Tim McGraw, Esteban Garcia, and Drew Sumner: Interactive swept surface modeling in virtual reality with motion-tracked controllers. https://doi.org/10.1145/3092907.3092908 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a04/a04-S31-mcgraw.pdf<br /> <br /> <br /> <br /> === NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering ===<br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Elad Aharoni-Mack, Yakov Shambik, Dani Lischinski: Pigment-based recoloring of watercolor paintings. https://doi.org/10.1145/3092919.3092926 https://dl.acm.org/authorize?N32474<br /> <br /> Santiago E. Montesdeoca, Hock Soon, Seah Pierre, Bénard Romain, Vergne Joëlle Thollot, Hans-Martin Rall, Davide Benvenuti: Edge- and substrate-based effects for watercolor stylization. https://doi.org/10.1145/3092919.3092928 https://dl.acm.org/authorize?N32485<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Style transfer&#039;&#039;&#039;<br /> <br /> Ming Zheng, Antoine Milliez, Markus Gross, Robert W. Sumner: Example-based brushes for coherent stylized renderings. https://doi.org/10.1145/3092919.3092929 https://dl.acm.org/authorize?N32486<br /> <br /> Xiao-Chang Liu, Ming-Ming Cheng, Yu-Kun Lai, Paul L. Rosin: [[Depth-aware neural style transfer]]. In: NPAR &#039;17. https://doi.org/10.1145/3092919.3092924 https://dl.acm.org/authorize?N32487<br /> <br /> Amir Semmo, Tobias Isenberg, Jürgen Döllner: [[Neural style transfer: a paradigm shift for image-based artistic rendering?]] In: NPAR &#039;17. https://doi.org/10.1145/3092919.3092920 https://dl.acm.org/authorize?N32488<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Mapping, patterns, and order&#039;&#039;&#039;<br /> <br /> S. Alex Brown, Faramarz Samavati: Real-time panorama maps. https://doi.org/10.1145/3092919.3092922 https://dl.acm.org/authorize?N32489<br /> <br /> Chenxi Liu Jessica Hodgins James McCann: Whole-cloth quilting patterns from photographs. https://doi.org/10.1145/3092919.3092925 https://dl.acm.org/authorize?N32480<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Marc Spicker, Franz Hahn, Thomas Lindemeier, Dietmar Saupe, Oliver Deussen: Quantifying visual abstraction quality for stipple drawings. https://doi.org/10.1145/3092919.3092923 https://dl.acm.org/authorize?N32481<br /> <br /> Noura Faraj, Gui-Song Xia, Julie Delon, Yann Gousseau: A generic framework for the structured abstraction of images. https://doi.org/10.1145/3092919.3092930 https://dl.acm.org/authorize?N32482<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Sylvain Duchêne, Carlos Aliaga, Tania Pouli, Patrick Pérez: Mixed illumination analysis in single image for interactive color grading. https://doi.org/10.1145/3092919.3092927 https://dl.acm.org/authorize?N32483<br /> <br /> Paul L. Rosin, David Mould, Itamar Berger, John Collomosse, Yu-Kun Lai, Chuan Li, Hua Li, Ariel Shamir, Michael Wand, Tinghuai Wang, Holger Winnemöller: Benchmarking non-photorealistic rendering of portraits. https://doi.org/10.1145/3092919.3092921 https://dl.acm.org/authorize?N32484<br /> <br /> === General submissions (abstracts) in CAE &#039;17, SBIM &#039;17, NPAR &#039;17 ===<br /> <br /> Irene de la Torre-Arenas, Pedro Cruz: A taxonomy of motion applications in data visualization. https://doi.org/10.1145/3092919.3122798 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a07/a07-torre-arenas.pdf<br /> <br /> Saif Castaneda, Ergun Akleman: Shading with painterly filtered layers: a technique to obtain painterly portrait animations. https://doi.org/10.1145/3092919.3122800 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a08/a08-castenada.pdf<br /> <br /> Chun-An Lai, Pei-Ying Chiang: Modeling go: a mobile sketch-based modeling system for extracting objects. https://doi.org/10.1145/3092919.3122797 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a09/a09-lai.pdf<br /> <br /> Ozan Can, Altıok Tevfik, Metin Sezgin: Characterizing user behavior for speech and sketch-based video retrieval interfaces. https://doi.org/10.1145/3092919.3122801 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a10/a10-altiok.pdf<br /> <br /> Amal Dev, Parakkat Sarang, Anil Joshi, Uday Bondi, Pundarikaksha Ramanathan Muthuganapathy: Sketch and shade: an interactive assistant for sketching and shading. https://doi.org/10.1145/3092919.3122799 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a11/a11-parakkat.pdf<br /> <br /> == Links ==<br /> === Full Text === <br /> [extern file]<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> https://expressivesymposium.com/home/program/<br /> <br /> CAE &#039;17: Proceedings of the symposium on Computational Aesthetics July 2017 https://www.siggraph.org/sites/default/files/Symposium-on-Computational-Aesthetics.html https://diglib.eg.org/handle/10.2312/2631839<br /> <br /> SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling https://diglib.eg.org/handle/10.2312/2631852<br /> <br /> NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering https://www.siggraph.org/sites/default/files/NPAR-17-open-access.html https://dl.acm.org/citation.cfm?id=3092919</div> Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017&diff=33302 Computational Aesthetics 2017 2017-12-11T19:11:01Z <p>Gubachelier: /* Table of contents */</p> <hr /> <div>[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#Computational Aesthetics Conferences | zurück zu Computational Aesthetics Conferences]] <br /> <br /> <br /> == Reference ==<br /> <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> <br /> == Extended Abstract ==<br /> <br /> == Reviews==<br /> <br /> == Bibtex == <br /> @proceedings{<br /> editor = {},<br /> booktitle = {Expressive 2017: Joint Symposium of Computational Aesthetics (CAe), Non-Photorealistic Animation and Rendering (NPAR), Sketch-Based Interfaces and Modeling (SBIM}},<br /> year = {2017},<br /> location = {Los Angeles, CA, USA},<br /> url = {http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017 },<br /> ISBN = {978-1-4503-5080-8}, <br /> publisher = {ACM},<br /> address = {New York, NY, USA},<br /> } <br /> <br /> == Table of contents ==<br /> <br /> === CAE &#039;17: Proceedings of the symposium on Computational Aesthetics === <br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Kuno Kurzhals, Michael Stoll, Andrés Bruhn, Daniel Weiskopf: FlowBrush: optical flow art. https://doi.org/10.1145/3092912.3092914 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a01/a01-C15-kurzhals.pdf <br /> <br /> <br /> &#039;&#039;&#039;SESSION: 3D (the third dimension)&#039;&#039;&#039;<br /> <br /> Kapil Dev, Nicolas Villar, Manfred Lau: Polygons, points, or voxels?: stimuli selection for crowdsourcing aesthetics preferences of 3D shape pairs. https://doi.org/10.1145/3092912.3092918 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a02/a02-C20-dev.pdf<br /> <br /> Sehee Min, Jaedong Lee, Jungdam Won, Jehee Lee: Soft shadow art. https://doi.org/10.1145/3092912.3092915 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a03/a03-C16-min.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Mapping, Patterns, and Order&#039;&#039;&#039;<br /> <br /> Lena Gieseke, Paul Asente, Jingwan Lu, Martin Fuchs: [[Organized order in ornamentation]]. In: CAE &#039;17. https://doi.org/10.1145/3092912.3092913 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a04/a04-C01-gieseke.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Rosa Azami, David Mould: Detail and color enhancement in photo stylization. https://doi.org/10.1145/3092912.3092917 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a05/a05-C41-azami.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Dmitry Kuzovkin, Tania Pouli, Rémi Cozot, Olivier Le Meur, Jonathan Kervec, Kadi Bouatouch: Context-aware clustering and assessment of photo collections. https://doi.org/10.1145/3092912.3092916 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a06/a06-C30-kuzovkin.pdf<br /> <br /> <br /> <br /> === SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling === <br /> <br /> &#039;&#039;&#039;SESSION: Sketching&#039;&#039;&#039;<br /> <br /> Tiziano Portenier, Qiyang Hu, Paolo Favaro, and Matthias Zwicker: SmartSketcher: Sketch-based Image Retrieval with Dynamic Semantic Reranking. https://doi.org/10.1145/3092907.3092910 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a01/a01-S37-portenier.pdf<br /> <br /> Swarna Keshavabhotla, Blake Williford, Shalini Kumar, Ethan Hilton, Paul Taele, Wayne Li, Julie Linsey, and Tracy Hammond: Conquering the Cube: Learning to Sketch Primitives in Perspective with an Intelligent Tutoring System. https://doi.org/10.1145/3092907.3092911 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a02/a02-S45-keshavabhotla.pdf<br /> <br /> Jorge-Ivan Herrera-Camara and Tracy Hammond: Flow2Code: From Hand-drawn Flowcharts to Code Execution. https://doi.org/10.1145/3092907.3092909 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a03/a03-S32-herrera-camara.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: 3D (The Third Dimension)&#039;&#039;&#039;<br /> <br /> Tim McGraw, Esteban Garcia, and Drew Sumner: Interactive swept surface modeling in virtual reality with motion-tracked controllers. https://doi.org/10.1145/3092907.3092908 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a04/a04-S31-mcgraw.pdf<br /> <br /> <br /> <br /> === NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering ===<br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Elad Aharoni-Mack, Yakov Shambik, Dani Lischinski: Pigment-based recoloring of watercolor paintings. https://doi.org/10.1145/3092919.3092926 https://dl.acm.org/authorize?N32474<br /> <br /> Santiago E. Montesdeoca, Hock Soon, Seah Pierre, Bénard Romain, Vergne Joëlle Thollot, Hans-Martin Rall, Davide Benvenuti: Edge- and substrate-based effects for watercolor stylization. https://doi.org/10.1145/3092919.3092928 https://dl.acm.org/authorize?N32485<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Style transfer&#039;&#039;&#039;<br /> <br /> Ming Zheng, Antoine Milliez, Markus Gross, Robert W. Sumner: Example-based brushes for coherent stylized renderings. https://doi.org/10.1145/3092919.3092929 https://dl.acm.org/authorize?N32486<br /> <br /> Xiao-Chang Liu Ming-Ming Cheng Yu-Kun Lai Paul L. Rosin: [[Depth-aware neural style transfer]]. In: NPAR &#039;17. https://doi.org/10.1145/3092919.3092924 https://dl.acm.org/authorize?N32487<br /> <br /> Amir Semmo Tobias Isenberg Jürgen Döllner: [[Neural style transfer: a paradigm shift for image-based artistic rendering?]] In: NPAR &#039;17. https://doi.org/10.1145/3092919.3092920 https://dl.acm.org/authorize?N32488<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Mapping, patterns, and order&#039;&#039;&#039;<br /> <br /> S. Alex Brown, Faramarz Samavati: Real-time panorama maps. https://doi.org/10.1145/3092919.3092922 https://dl.acm.org/authorize?N32489<br /> <br /> Chenxi Liu Jessica Hodgins James McCann: Whole-cloth quilting patterns from photographs. https://doi.org/10.1145/3092919.3092925 https://dl.acm.org/authorize?N32480<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Marc Spicker, Franz Hahn, Thomas Lindemeier, Dietmar Saupe, Oliver Deussen: Quantifying visual abstraction quality for stipple drawings. https://doi.org/10.1145/3092919.3092923 https://dl.acm.org/authorize?N32481<br /> <br /> Noura Faraj, Gui-Song Xia, Julie Delon, Yann Gousseau: A generic framework for the structured abstraction of images. https://doi.org/10.1145/3092919.3092930 https://dl.acm.org/authorize?N32482<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Sylvain Duchêne, Carlos Aliaga, Tania Pouli, Patrick Pérez: Mixed illumination analysis in single image for interactive color grading. https://doi.org/10.1145/3092919.3092927 https://dl.acm.org/authorize?N32483<br /> <br /> Paul L. Rosin, David Mould, Itamar Berger, John Collomosse, Yu-Kun Lai, Chuan Li, Hua Li, Ariel Shamir, Michael Wand, Tinghuai Wang, Holger Winnemöller: Benchmarking non-photorealistic rendering of portraits. https://doi.org/10.1145/3092919.3092921 https://dl.acm.org/authorize?N32484<br /> <br /> <br /> <br /> === General submissions (abstracts) in CAE &#039;17, SBIM &#039;17, NPAR &#039;17 ===<br /> <br /> Irene de la Torre-Arenas, Pedro Cruz: A taxonomy of motion applications in data visualization. https://doi.org/10.1145/3092919.3122798 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a07/a07-torre-arenas.pdf<br /> <br /> Saif Castaneda, Ergun Akleman: Shading with painterly filtered layers: a technique to obtain painterly portrait animations. https://doi.org/10.1145/3092919.3122800 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a08/a08-castenada.pdf<br /> <br /> Chun-An Lai, Pei-Ying Chiang: Modeling go: a mobile sketch-based modeling system for extracting objects. https://doi.org/10.1145/3092919.3122797 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a09/a09-lai.pdf<br /> <br /> Ozan Can, Altıok Tevfik, Metin Sezgin: Characterizing user behavior for speech and sketch-based video retrieval interfaces. https://doi.org/10.1145/3092919.3122801 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a10/a10-altiok.pdf<br /> <br /> Amal Dev, Parakkat Sarang, Anil Joshi, Uday Bondi, Pundarikaksha Ramanathan Muthuganapathy: Sketch and shade: an interactive assistant for sketching and shading. https://doi.org/10.1145/3092919.3122799 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a11/a11-parakkat.pdf<br /> <br /> == Links ==<br /> === Full Text === <br /> [extern file]<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> https://expressivesymposium.com/home/program/<br /> <br /> CAE &#039;17: Proceedings of the symposium on Computational Aesthetics July 2017 https://www.siggraph.org/sites/default/files/Symposium-on-Computational-Aesthetics.html https://diglib.eg.org/handle/10.2312/2631839<br /> <br /> SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling https://diglib.eg.org/handle/10.2312/2631852<br /> <br /> NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering https://www.siggraph.org/sites/default/files/NPAR-17-open-access.html https://dl.acm.org/citation.cfm?id=3092919</div> Gubachelier http://de.evo-art.org/index.php?title=Neural_style_transfer:_a_paradigm_shift_for_image-based_artistic_rendering%3F&diff=33301 Neural style transfer: a paradigm shift for image-based artistic rendering? 2017-12-11T19:06:19Z <p>Gubachelier: /* Used References */</p> <hr /> <div><br /> == Referenz == <br /> Amir Semmo Tobias Isenberg Jürgen Döllner: [[Neural style transfer: a paradigm shift for image-based artistic rendering?]] <br /> <br /> == DOI ==<br /> https://doi.org/10.1145/3092919.3092920 <br /> <br /> == Abstract ==<br /> In this meta paper we discuss image-based artistic rendering (IB-AR) based on neural style transfer (NST) and argue, while NST may represent a paradigm shift for IB-AR, that it also has to evolve as an interactive tool that considers the design aspects and mechanisms of artwork production. IB-AR received significant attention in the past decades for visual communication, covering a plethora of techniques to mimic the appeal of artistic media. Example-based rendering represents one the most promising paradigms in IB-AR to (semi-)automatically simulate artistic media with high fidelity, but so far has been limited because it relies on pre-defined image pairs for training or informs only low-level image features for texture transfers. Advancements in deep learning showed to alleviate these limitations by matching content and style statistics via activations of neural network layers, thus making a generalized style transfer practicable. We categorize style transfers within the taxonomy of IB-AR, then propose a semiotic structure to derive a technical research agenda for NSTs with respect to the grand challenges of NPAR. We finally discuss the potentials of NSTs, thereby identifying applications such as casual creativity and art production.<br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> @inproceedings{Semmo:2017:NST:3092919.3092920,<br /> author = {Semmo, Amir and Isenberg, Tobias and D\&quot;{o}llner, J\&quot;{u}rgen},<br /> title = {Neural Style Transfer: A Paradigm Shift for Image-based Artistic Rendering?},<br /> booktitle = {Proceedings of the Symposium on Non-Photorealistic Animation and Rendering},<br /> series = {NPAR &#039;17},<br /> year = {2017},<br /> isbn = {978-1-4503-5081-5},<br /> location = {Los Angeles, California},<br /> pages = {5:1--5:13},<br /> articleno = {5},<br /> numpages = {13},<br /> url = {http://doi.acm.org/10.1145/3092919.3092920 http://de.evo-art.org/index.php?title=Neural_style_transfer:_a_paradigm_shift_for_image-based_artistic_rendering%3F},<br /> doi = {10.1145/3092919.3092920},<br /> acmid = {3092920},<br /> publisher = {ACM},<br /> address = {New York, NY, USA},<br /> keywords = {convolutional neural networks, image processing, image-based artistic rendering, semiotics, style transfer, stylization},<br /> }<br /> <br /> == Used References == <br /> 1 Pierre Bénard, Adrien Bousseau, and Joëlle Thollot. 2011. State-of-the-Art Report on Temporal Coherence for Stylized Animations. Computer Graphics Forum 30, 8 (Dec. 2011), 2367--2386. http://dx.doi.org/10.1111/j.1467-8659.2011.02075.x<br /> <br /> 2 Jacques Bertin. 2010. Semiology of Graphics: Diagrams, Networks, Maps. Esri Press, Redlands, California. http://esripress.esri.com/display/index.cfm?fuseaction=display&amp;websiteID=190<br /> <br /> 3 Doug DeCarlo , Anthony Santella, Stylization and abstraction of photographs, ACM Transactions on Graphics (TOG), v.21 n.3, July 2002 https://dl.acm.org/citation.cfm?id=566650&amp;CFID=558819604&amp;CFTOKEN=68186175 http://doi.acm.org/10.1145/566654.566650<br /> <br /> 4 Kapil Dev, Mobile Expressive Renderings: The State of the Art, IEEE Computer Graphics and Applications, v.33 n.3, p.22-31, May 2013 https://dl.acm.org/citation.cfm?id=2511890&amp;CFID=558819604&amp;CFTOKEN=68186175 http://dx.doi.org/10.1109/MCG.2013.20<br /> <br /> 5 James J. DiCarlo, Davide Zoccolan, and Nicole C. Rust. 2012. How Does the Brain Solve Visual Object Recognition? Neuron 73, 3 (Feb. 2012), 415--434. http://dx.doi.org/10.1016/j.neuron.2012.01.010<br /> <br /> 6 Hasan Sheikh Faridul, Tania Pouli, Christel Chamaret, Jürgen Stauder, Alain Trémeau, and Erik Reinhard. 2014. A Survey of Color Mapping and its Applications. In Eurographics State of the Art Reports. Eurographics Association, Goslar, Germany, 43--67. http://dx.doi.org/10.2312/egst.20141035<br /> <br /> 7 Amy A. Gooch, Towards mapping the field of non-photorealistic rendering, Proceedings of the 8th International Symposium on Non-Photorealistic Animation and Rendering, June 07-10, 2010, Annecy, France https://dl.acm.org/citation.cfm?id=1809958&amp;CFID=558819604&amp;CFTOKEN=68186175 http://doi.acm.org/10.1145/1809939.1809958<br /> <br /> 8 Amy A. Gooch , Jeremy Long , Li Ji , Anthony Estey , Bruce S. Gooch, Viewing progress in non-photorealistic rendering through Heinlein&#039;s lens, Proceedings of the 8th International Symposium on Non-Photorealistic Animation and Rendering, June 07-10, 2010, Annecy, France https://dl.acm.org/citation.cfm?id=1809959&amp;CFID=558819604&amp;CFTOKEN=68186175 http://doi.acm.org/10.1145/1809939.1809959<br /> <br /> 9 Peter Hall and Ann-Sophie Lehmann. 2013. Don&#039;t Measure---Appreciate! NPR Seen Through the Prism of Art History. In Image and Video based Artistic Stylisation, Paul Rosin and John Collomosse (Eds.). Computational Imaging and Vision, vol. 42. Springer, London/Heidelberg, Chapter 16, 333--351. http://dx.doi.org/10.1007/978-1-4471-4519-6_16<br /> <br /> 10 Nick Halper, Mara Mellin, Christoph S. Herrmann, Volker Linneweber, and Thomas Strothotte. 2003. Psychology and Non-Photorealistic Rendering: The Beginning of a Beautiful Relationship. In Proc. Mensch &amp; Computer. Teubner Verlag, Wiesbaden, 277--286. http://dx.doi.org/10.1007/978-3-322-80058-9_28<br /> <br /> 11 Aaron Hertzmann, Non-Photorealistic Rendering and the science of art, Proceedings of the 8th International Symposium on Non-Photorealistic Animation and Rendering, June 07-10, 2010, Annecy, France https://dl.acm.org/citation.cfm?id=1809957&amp;CFID=558819604&amp;CFTOKEN=68186175 http://doi.acm.org/10.1145/1809939.1809957<br /> <br /> 12 Tobias Isenberg. 2013. Evaluating and Validating Non-Photorealistic and Illustrative Rendering. In Image and Video based Artistic Stylisation, Paul Rosin and John Collomosse (Eds.). Computational Imaging and Vision, Vol. 42. Springer, London/Heidelberg, Chapter 15, 311--331. http://dx.doi.org/10.1007/978-1-4471-4519-6_15<br /> <br /> 13 Tobias Isenberg. 2016. Interactive NPAR: What Type of Tools Should We Create?. In Proc. NPAR. Eurographics Association, Goslar, Germany, 89--96. http://dx.doi.org/10.2312/exp.20161067<br /> <br /> 14 Jan Eric Kyprianidis , John Collomosse , Tinghuai Wang , Tobias Isenberg, State of the &quot;Art”: A Taxonomy of Artistic Stylization Techniques for Images and Video, IEEE Transactions on Visualization and Computer Graphics, v.19 n.5, p.866-885, May 2013 https://dl.acm.org/citation.cfm?id=2479163&amp;CFID=558819604&amp;CFTOKEN=68186175 http://dx.doi.org/10.1109/TVCG.2012.160<br /> <br /> 15 Jan Eric Kyprianidis and Jürgen Döllner. 2008. Image Abstraction by Structure Adaptive Filtering. In Proc. TP.CG. 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ACM Transactions on Graphics 29, 1, Article 2 (Dec. 2009), 11 pages. http://doi.acm.org/10.1145/1640443.1640445<br /> <br /> == Links == <br /> <br /> === Full Text === <br /> https://dl.acm.org/authorize?N32488<br /> <br /> [[internal file]] <br /> <br /> <br /> === Sonstige Links ===</div> Gubachelier http://de.evo-art.org/index.php?title=Neural_style_transfer:_a_paradigm_shift_for_image-based_artistic_rendering%3F&diff=33300 Neural style transfer: a paradigm shift for image-based artistic rendering? 2017-12-11T18:48:01Z <p>Gubachelier: /* Used References */</p> <hr /> <div><br /> == Referenz == <br /> Amir Semmo Tobias Isenberg Jürgen Döllner: [[Neural style transfer: a paradigm shift for image-based artistic rendering?]] <br /> <br /> == DOI ==<br /> https://doi.org/10.1145/3092919.3092920 <br /> <br /> == Abstract ==<br /> In this meta paper we discuss image-based artistic rendering (IB-AR) based on neural style transfer (NST) and argue, while NST may represent a paradigm shift for IB-AR, that it also has to evolve as an interactive tool that considers the design aspects and mechanisms of artwork production. IB-AR received significant attention in the past decades for visual communication, covering a plethora of techniques to mimic the appeal of artistic media. Example-based rendering represents one the most promising paradigms in IB-AR to (semi-)automatically simulate artistic media with high fidelity, but so far has been limited because it relies on pre-defined image pairs for training or informs only low-level image features for texture transfers. Advancements in deep learning showed to alleviate these limitations by matching content and style statistics via activations of neural network layers, thus making a generalized style transfer practicable. We categorize style transfers within the taxonomy of IB-AR, then propose a semiotic structure to derive a technical research agenda for NSTs with respect to the grand challenges of NPAR. We finally discuss the potentials of NSTs, thereby identifying applications such as casual creativity and art production.<br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> @inproceedings{Semmo:2017:NST:3092919.3092920,<br /> author = {Semmo, Amir and Isenberg, Tobias and D\&quot;{o}llner, J\&quot;{u}rgen},<br /> title = {Neural Style Transfer: A Paradigm Shift for Image-based Artistic Rendering?},<br /> booktitle = {Proceedings of the Symposium on Non-Photorealistic Animation and Rendering},<br /> series = {NPAR &#039;17},<br /> year = {2017},<br /> isbn = {978-1-4503-5081-5},<br /> location = {Los Angeles, California},<br /> pages = {5:1--5:13},<br /> articleno = {5},<br /> numpages = {13},<br /> url = {http://doi.acm.org/10.1145/3092919.3092920 http://de.evo-art.org/index.php?title=Neural_style_transfer:_a_paradigm_shift_for_image-based_artistic_rendering%3F},<br /> doi = {10.1145/3092919.3092920},<br /> acmid = {3092920},<br /> publisher = {ACM},<br /> address = {New York, NY, USA},<br /> keywords = {convolutional neural networks, image processing, image-based artistic rendering, semiotics, style transfer, stylization},<br /> }<br /> <br /> == Used References == <br /> 1 Pierre Bénard, Adrien Bousseau, and Joëlle Thollot. 2011. 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[doi&gt;10.1145/1640443.1640445]<br /> <br /> == Links == <br /> <br /> === Full Text === <br /> https://dl.acm.org/authorize?N32488<br /> <br /> [[internal file]] <br /> <br /> <br /> === Sonstige Links ===</div> Gubachelier http://de.evo-art.org/index.php?title=Neural_style_transfer:_a_paradigm_shift_for_image-based_artistic_rendering%3F&diff=33299 Neural style transfer: a paradigm shift for image-based artistic rendering? 2017-12-09T20:54:30Z <p>Gubachelier: /* Bibtex */</p> <hr /> <div><br /> == Referenz == <br /> Amir Semmo Tobias Isenberg Jürgen Döllner: [[Neural style transfer: a paradigm shift for image-based artistic rendering?]] <br /> <br /> == DOI ==<br /> https://doi.org/10.1145/3092919.3092920 <br /> <br /> == Abstract ==<br /> In this meta paper we discuss image-based artistic rendering (IB-AR) based on neural style transfer (NST) and argue, while NST may represent a paradigm shift for IB-AR, that it also has to evolve as an interactive tool that considers the design aspects and mechanisms of artwork production. IB-AR received significant attention in the past decades for visual communication, covering a plethora of techniques to mimic the appeal of artistic media. Example-based rendering represents one the most promising paradigms in IB-AR to (semi-)automatically simulate artistic media with high fidelity, but so far has been limited because it relies on pre-defined image pairs for training or informs only low-level image features for texture transfers. Advancements in deep learning showed to alleviate these limitations by matching content and style statistics via activations of neural network layers, thus making a generalized style transfer practicable. We categorize style transfers within the taxonomy of IB-AR, then propose a semiotic structure to derive a technical research agenda for NSTs with respect to the grand challenges of NPAR. We finally discuss the potentials of NSTs, thereby identifying applications such as casual creativity and art production.<br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> @inproceedings{Semmo:2017:NST:3092919.3092920,<br /> author = {Semmo, Amir and Isenberg, Tobias and D\&quot;{o}llner, J\&quot;{u}rgen},<br /> title = {Neural Style Transfer: A Paradigm Shift for Image-based Artistic Rendering?},<br /> booktitle = {Proceedings of the Symposium on Non-Photorealistic Animation and Rendering},<br /> series = {NPAR &#039;17},<br /> year = {2017},<br /> isbn = {978-1-4503-5081-5},<br /> location = {Los Angeles, California},<br /> pages = {5:1--5:13},<br /> articleno = {5},<br /> numpages = {13},<br /> url = {http://doi.acm.org/10.1145/3092919.3092920 http://de.evo-art.org/index.php?title=Neural_style_transfer:_a_paradigm_shift_for_image-based_artistic_rendering%3F},<br /> doi = {10.1145/3092919.3092920},<br /> acmid = {3092920},<br /> publisher = {ACM},<br /> address = {New York, NY, USA},<br /> keywords = {convolutional neural networks, image processing, image-based artistic rendering, semiotics, style transfer, stylization},<br /> }<br /> <br /> == Used References == <br /> 1 Pierre Bénard, Adrien Bousseau, and Joëlle Thollot. 2011. 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[doi&gt;10.1145/1640443.1640445] <br /> <br /> == Links == <br /> <br /> === Full Text === <br /> https://dl.acm.org/authorize?N32488<br /> <br /> [[internal file]] <br /> <br /> <br /> === Sonstige Links ===</div> Gubachelier http://de.evo-art.org/index.php?title=Neural_style_transfer:_a_paradigm_shift_for_image-based_artistic_rendering%3F&diff=33298 Neural style transfer: a paradigm shift for image-based artistic rendering? 2017-12-09T20:52:46Z <p>Gubachelier: Die Seite wurde neu angelegt: „ == Referenz == Amir Semmo Tobias Isenberg Jürgen Döllner: Neural style transfer: a paradigm shift for image-based artistic rendering? == DOI == https…“</p> <hr /> <div><br /> == Referenz == <br /> Amir Semmo Tobias Isenberg Jürgen Döllner: [[Neural style transfer: a paradigm shift for image-based artistic rendering?]] <br /> <br /> == DOI ==<br /> https://doi.org/10.1145/3092919.3092920 <br /> <br /> == Abstract ==<br /> In this meta paper we discuss image-based artistic rendering (IB-AR) based on neural style transfer (NST) and argue, while NST may represent a paradigm shift for IB-AR, that it also has to evolve as an interactive tool that considers the design aspects and mechanisms of artwork production. IB-AR received significant attention in the past decades for visual communication, covering a plethora of techniques to mimic the appeal of artistic media. Example-based rendering represents one the most promising paradigms in IB-AR to (semi-)automatically simulate artistic media with high fidelity, but so far has been limited because it relies on pre-defined image pairs for training or informs only low-level image features for texture transfers. Advancements in deep learning showed to alleviate these limitations by matching content and style statistics via activations of neural network layers, thus making a generalized style transfer practicable. We categorize style transfers within the taxonomy of IB-AR, then propose a semiotic structure to derive a technical research agenda for NSTs with respect to the grand challenges of NPAR. We finally discuss the potentials of NSTs, thereby identifying applications such as casual creativity and art production.<br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> @inproceedings{Semmo:2017:NST:3092919.3092920,<br /> author = {Semmo, Amir and Isenberg, Tobias and D\&quot;{o}llner, J\&quot;{u}rgen},<br /> title = {Neural Style Transfer: A Paradigm Shift for Image-based Artistic Rendering?},<br /> booktitle = {Proceedings of the Symposium on Non-Photorealistic Animation and Rendering},<br /> series = {NPAR &#039;17},<br /> year = {2017},<br /> isbn = {978-1-4503-5081-5},<br /> location = {Los Angeles, California},<br /> pages = {5:1--5:13},<br /> articleno = {5},<br /> numpages = {13},<br /> url = {http://doi.acm.org/10.1145/3092919.3092920},<br /> doi = {10.1145/3092919.3092920},<br /> acmid = {3092920},<br /> publisher = {ACM},<br /> address = {New York, NY, USA},<br /> keywords = {convolutional neural networks, image processing, image-based artistic rendering, semiotics, style transfer, stylization},<br /> } <br /> <br /> == Used References == <br /> 1 Pierre Bénard, Adrien Bousseau, and Joëlle Thollot. 2011. 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From Image Parsing to Painterly Rendering. ACM Transactions on Graphics 29, 1, Article 2 (Dec. 2009), 11 pages. [doi&gt;10.1145/1640443.1640445] <br /> <br /> == Links == <br /> <br /> === Full Text === <br /> https://dl.acm.org/authorize?N32488<br /> <br /> [[internal file]] <br /> <br /> <br /> === Sonstige Links ===</div> Gubachelier http://de.evo-art.org/index.php?title=Organized_order_in_ornamentation&diff=33297 Organized order in ornamentation 2017-12-09T20:43:04Z <p>Gubachelier: /* Used References */</p> <hr /> <div>== Referenz == <br /> Lena Gieseke, Paul Asente, Jingwan Lu, Martin Fuchs: [[Organized order in ornamentation]]. <br /> <br /> == DOI ==<br /> https://doi.org/10.1145/3092912.3092913<br /> <br /> == Abstract ==<br /> Decorative ornamentation involves a careful balance between accent and order. Existing techniques leave artists either with tedious manual processes or the uncontrolled automatic generation of rather homogeneous patterns that lack creatively-placed visual highlights. We present a method to close this gap, offering the control and quality of manual creation, and the efficiency and accuracy of computation. At the core of our system, customizable and modularly combinable element placement functions fill a space automatically under global design constraints. We provide a set of example placement functions that implement order based on design principles for ornamentation such as balanced element distribution and symmetry. To create structural hierarchies and to guide an ornament to the space it fills, we allow artists to direct the connectivity of elements with drawn strokes. Artists can also draw guides to create vector fields, which organize the ornament along streamlines. Path planning automatically routes around obstacles while aligning the ornament to their borders. Our method combines high-level control mechanisms like taking guidance from example images to low-level control like placing single elements as visual accents and making local edits within the computed ornament. By automating tedious tasks and offering familiar input mechanisms like drawing, we enable artists to focus on the creative intent.<br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> @inproceedings{Gieseke:2017:OOO:3092912.3092913,<br /> author = {Gieseke, Lena and Asente, Paul and Lu, Jingwan and Fuchs, Martin},<br /> title = {Organized Order in Ornamentation},<br /> booktitle = {Proceedings of the Symposium on Computational Aesthetics},<br /> series = {CAE &#039;17},<br /> year = {2017},<br /> isbn = {978-1-4503-5080-8},<br /> location = {Los Angeles, California},<br /> pages = {4:1--4:9},<br /> articleno = {4},<br /> numpages = {9},<br /> url = {http://doi.acm.org/10.1145/3092912.3092913 http://de.evo-art.org/index.php?title=Organized_order_in_ornamentation},<br /> doi = {10.1145/3092912.3092913},<br /> acmid = {3092913},<br /> publisher = {ACM},<br /> address = {New York, NY, USA},<br /> keywords = {interaction techniques, modeling interfaces, paint systems, procedural modeling},<br /> } <br /> <br /> == Used References == <br /> 1 Dustin Anderson , Zoë Wood, User Driven Two-Dimensional Computer-Generated Ornamentation, Proceedings of the 4th International Symposium on Advances in Visual Computing, December 01-03, 2008, Las Vegas, NV https://dl.acm.org/citation.cfm?id=1486038&amp;CFID=558819604&amp;CFTOKEN=68186175 http://dx.doi.org/10.1007/978-3-540-89639-5_58<br /> <br /> 2 B. 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Benes, Inverse Procedural Modelling of Trees, Computer Graphics Forum, v.33 n.6, p.118-131, September 2014 https://dl.acm.org/citation.cfm?id=3071838&amp;CFID=558819604&amp;CFTOKEN=68186175 http://dx.doi.org/10.1111/cgf.12282<br /> <br /> 27 Jerry O. Talton , Yu Lou , Steve Lesser , Jared Duke , Radomír Měch , Vladlen Koltun, Metropolis procedural modeling, ACM Transactions on Graphics (TOG), v.30 n.2, p.1-14, April 2011 https://dl.acm.org/citation.cfm?id=1944851&amp;CFID=558819604&amp;CFTOKEN=68186175 http://dx.doi.org/10.1145/1944846.1944851<br /> <br /> 28 Michael T. Wong , Douglas E. Zongker , David H. Salesin, Computer-generated floral ornament, Proceedings of the 25th annual conference on Computer graphics and interactive techniques, p.423-434, July 1998 https://dl.acm.org/citation.cfm?id=280948&amp;CFID=558819604&amp;CFTOKEN=68186175 http://dx.doi.org/10.1145/280814.280948<br /> <br /> 29 Ling Xu , David Mould, Procedural Tree Modeling with Guiding Vectors, Computer Graphics Forum, v.34 n.7, p.47-56, October 2015 https://dl.acm.org/citation.cfm?id=2851385&amp;CFID=558819604&amp;CFTOKEN=68186175 http://dx.doi.org/10.1111/cgf.12744<br /> <br /> 30 Yuanyuan Li , Fan Bao , Eugene Zhang , Yoshihiro Kobayashi , Peter Wonka, Geometry Synthesis on Surfaces Using Field-Guided Shape Grammars, IEEE Transactions on Visualization and Computer Graphics, v.17 n.2, p.231-243, February 2011 https://dl.acm.org/citation.cfm?id=1920228&amp;CFID=558819604&amp;CFTOKEN=68186175 http://dx.doi.org/10.1109/TVCG.2010.36<br /> <br /> == Links == <br /> <br /> === Full Text === <br /> https://diglib.eg.org/bitstream/handle/10.2312/cae2017a04/a04-C01-gieseke.pdf<br /> <br /> [[internal file]] <br /> <br /> <br /> === Sonstige Links ===</div> Gubachelier http://de.evo-art.org/index.php?title=Depth-aware_neural_style_transfer&diff=33296 Depth-aware neural style transfer 2017-12-09T20:40:13Z <p>Gubachelier: Die Seite wurde neu angelegt: „== Referenz == Xiao-Chang Liu Ming-Ming Cheng Yu-Kun Lai Paul L. Rosin: Depth-aware neural style transfer. == DOI == https://doi.org/10.1145/3092919.309…“</p> <hr /> <div>== Referenz == <br /> Xiao-Chang Liu Ming-Ming Cheng Yu-Kun Lai Paul L. Rosin: [[Depth-aware neural style transfer]]. <br /> <br /> == DOI ==<br /> https://doi.org/10.1145/3092919.3092924<br /> <br /> == Abstract ==<br /> Neural style transfer has recently received significant attention and demonstrated amazing results. An efficient solution proposed by Johnson et al. trains feed-forward convolutional neural networks by defining and optimizing perceptual loss functions. Such methods are typically based on high-level features extracted from pre-trained neural networks, where the loss functions contain two components: style loss and content loss. However, such pre-trained networks are originally designed for object recognition, and hence the high-level features often focus on the primary target and neglect other details. As a result, when input images contain multiple objects potentially at different depths, the resulting images are often unsatisfactory because image layout is destroyed and the boundary between the foreground and background as well as different objects becomes obscured. We observe that the depth map effectively reflects the spatial distribution in an image and preserving the depth map of the content image after stylization helps produce an image that preserves its semantic content. In this paper, we introduce a novel approach for neural style transfer that integrates depth preservation as additional loss, preserving overall image layout while performing style transfer.<br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> @inproceedings{Liu:2017:DNS:3092919.3092924,<br /> author = {Liu, Xiao-Chang and Cheng, Ming-Ming and Lai, Yu-Kun and Rosin, Paul L.},<br /> title = {Depth-aware Neural Style Transfer},<br /> booktitle = {Proceedings of the Symposium on Non-Photorealistic Animation and Rendering},<br /> series = {NPAR &#039;17},<br /> year = {2017},<br /> isbn = {978-1-4503-5081-5},<br /> location = {Los Angeles, California},<br /> pages = {4:1--4:10},<br /> articleno = {4},<br /> numpages = {10},<br /> url = {http://doi.acm.org/10.1145/3092919.3092924 http://de.evo-art.org/index.php?title=Depth-aware_neural_style_transfer},<br /> doi = {10.1145/3092919.3092924},<br /> acmid = {3092924},<br /> publisher = {ACM},<br /> address = {New York, NY, USA},<br /> keywords = {deep learning, depth, non-photorealistic rendering},<br /> } <br /> <br /> == Used References == <br /> 1 Weifeng Chen, Zhao Fu, Dawei Yang, and Jia Deng. 2016. 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In ICCV. 388--396. <br /> <br /> <br /> == Links == <br /> <br /> === Full Text === <br /> https://dl.acm.org/authorize?N32487<br /> <br /> [[internal file]] <br /> <br /> <br /> === Sonstige Links ===</div> Gubachelier http://de.evo-art.org/index.php?title=Organized_order_in_ornamentation&diff=33295 Organized order in ornamentation 2017-12-09T20:25:17Z <p>Gubachelier: /* Used References */</p> <hr /> <div>== Referenz == <br /> Lena Gieseke, Paul Asente, Jingwan Lu, Martin Fuchs: [[Organized order in ornamentation]]. <br /> <br /> == DOI ==<br /> https://doi.org/10.1145/3092912.3092913<br /> <br /> == Abstract ==<br /> Decorative ornamentation involves a careful balance between accent and order. Existing techniques leave artists either with tedious manual processes or the uncontrolled automatic generation of rather homogeneous patterns that lack creatively-placed visual highlights. We present a method to close this gap, offering the control and quality of manual creation, and the efficiency and accuracy of computation. At the core of our system, customizable and modularly combinable element placement functions fill a space automatically under global design constraints. We provide a set of example placement functions that implement order based on design principles for ornamentation such as balanced element distribution and symmetry. To create structural hierarchies and to guide an ornament to the space it fills, we allow artists to direct the connectivity of elements with drawn strokes. Artists can also draw guides to create vector fields, which organize the ornament along streamlines. Path planning automatically routes around obstacles while aligning the ornament to their borders. Our method combines high-level control mechanisms like taking guidance from example images to low-level control like placing single elements as visual accents and making local edits within the computed ornament. By automating tedious tasks and offering familiar input mechanisms like drawing, we enable artists to focus on the creative intent.<br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> @inproceedings{Gieseke:2017:OOO:3092912.3092913,<br /> author = {Gieseke, Lena and Asente, Paul and Lu, Jingwan and Fuchs, Martin},<br /> title = {Organized Order in Ornamentation},<br /> booktitle = {Proceedings of the Symposium on Computational Aesthetics},<br /> series = {CAE &#039;17},<br /> year = {2017},<br /> isbn = {978-1-4503-5080-8},<br /> location = {Los Angeles, California},<br /> pages = {4:1--4:9},<br /> articleno = {4},<br /> numpages = {9},<br /> url = {http://doi.acm.org/10.1145/3092912.3092913 http://de.evo-art.org/index.php?title=Organized_order_in_ornamentation},<br /> doi = {10.1145/3092912.3092913},<br /> acmid = {3092913},<br /> publisher = {ACM},<br /> address = {New York, NY, USA},<br /> keywords = {interaction techniques, modeling interfaces, paint systems, procedural modeling},<br /> } <br /> <br /> == Used References == <br /> 1 Dustin Anderson , Zoë Wood, User Driven Two-Dimensional Computer-Generated Ornamentation, Proceedings of the 4th International Symposium on Advances in Visual Computing, December 01-03, 2008, Las Vegas, NV http://dx.doi.org/10.1007/978-3-540-89639-5_58<br /> <br /> 2 B. Beneš, O. Št&#039;ava, R. Měch, and G. Miller. 2011. Guided Procedural Modeling. Computer Graphics Forum 30, 2 (2011), 325--334. http://dx.doi.org/10.1111/j.1467-8659.2011.01886.x<br /> <br /> 3 Derek Bradley, Derek Nowrouzezahrai, and Paul Beardsley. 2013. Image-based Reconstruction and Synthesis of Dense Foliage. ACM Transactions on Graphics 32, 4, Article 74 (2013), 10 pages. http://dx.doi.org/10.1145/2461912.2461952<br /> <br /> 4 Guoning Chen, Gregory Esch, Peter Wonka, Pascal Mueller, and Eugene Zhang. 2008a. Interactive Procedural Street Modeling. ACM Transactions on Graphics 27, 3 (2008), Article 103: 1--10.<br /> <br /> 5 Weikai Chen, Xiaolong Zhang, Shiqing Xin, Yang Xia, Sylvain Lefebvre, and Wenping Wang. 2016. Synthesis of filigrees for digital fabrication. ACM Transactions on Graphics 35, 4 (2016), 98.<br /> <br /> 6 Xuejin Chen, Boris Neubert, Ying-Qing Xu, Oliver Deussen, and Sing Bing Kang. 2008b. Sketch-based Tree Modeling Using Markov Random Field. 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Journal of Computer Graphics Techniques (JCGT) 1, 1 (2012), 43--99. http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.462.6752&amp;rep=rep1&amp;type=pdf<br /> <br /> 17 Ken Nakagaki , Yasuaki Kakehi, Comp*Pass: a compass-based drawing interface, CHI &#039;14 Extended Abstracts on Human Factors in Computing Systems, April 26-May 01, 2014, Toronto, Ontario, Canada http://dx.doi.org/10.1145/2559206.2574766<br /> <br /> 18 Wojciech Palubicki, Kipp Horel, Steven Longay, Adam Runions, Brendan Lane, Radomír Měch, and Przemyslaw Prusinkiewicz. 2009. Self-organizing Tree Models for Image Synthesis. ACM Transactions on Graphics 28, 3, Article 58 (2009), 10 pages. http://dx.doi.org/10.1145/1531326.1531364<br /> <br /> 19 Yoav I. H. Parish , Pascal Müller, Procedural modeling of cities, Proceedings of the 28th annual conference on Computer graphics and interactive techniques, p.301-308, August 2001 http://dx.doi.org/10.1145/383259.383292<br /> <br /> 20 Sören Pirk , Ondrej Stava , Julian Kratt , Michel Abdul Massih Said , Boris Neubert , Radomír Měch , Bedrich Benes , Oliver Deussen, Plastic trees: interactive self-adapting botanical tree models, ACM Transactions on Graphics (TOG), v.31 n.4, p.1-10, July 2012 http://dx.doi.org/10.1145/2185520.2185546<br /> <br /> 21 Przemyslaw Prusinkiewicz, 1990. The algorithmic beauty of plants. Springer-Verlag, New York. http://dx.doi.org/10.1007/978-1-4613-8476-2<br /> <br /> 22 Przemyslaw Prusinkiewicz, Faramarz Samavati, Colin Smith, and Radoslaw Karwowski. 2003. L-system Description Of Subdivision Curves. International Journal of Shape Modeling 09, 01 (2003), 41--59. http://dx.doi.org/10.1142/S0218654303000048<br /> <br /> 23 Daniel Ritchie, Ben Mildenhall, Noah D. Goodman, and Pat Hanrahan. 2015. Controlling Procedural Modeling Programs with Stochastically-ordered Sequential Monte Carlo. ACM Transactions on Graphics 34, 4, Article 105 (2015), 11 pages. http://dx.doi.org/10.1145/2766895<br /> <br /> 24 Daniel Ritchie, Anna Thomas, Pat Hanrahan, and Noah D. Goodman. 2016. Neurally-Guided Procedural Models: Learning to Guide Procedural Models with Deep Neural Networks. arXiv preprint arXiv:1603.06143 (2016).<br /> <br /> 25 O. Št&#039;ava, B. Beneš, R. Měch, D. G. Aliaga, and P. Krištof. 2010. Inverse Procedural Modeling by Automatic Generation of L-systems. Computer Graphics Forum 29, 2 (2010), 665--674. http://dx.doi.org/10.1111/j.1467-8659.2009.01636.x<br /> <br /> 26 O. Stava , S. Pirk , J. Kratt , B. Chen , R. Mźch , O. Deussen , B. Benes, Inverse Procedural Modelling of Trees, Computer Graphics Forum, v.33 n.6, p.118-131, September 2014 http://dx.doi.org/10.1111/cgf.12282<br /> <br /> 27 Jerry O. Talton , Yu Lou , Steve Lesser , Jared Duke , Radomír Měch , Vladlen Koltun, Metropolis procedural modeling, ACM Transactions on Graphics (TOG), v.30 n.2, p.1-14, April 2011 http://dx.doi.org/10.1145/1944846.1944851<br /> <br /> 28 Michael T. Wong , Douglas E. Zongker , David H. Salesin, Computer-generated floral ornament, Proceedings of the 25th annual conference on Computer graphics and interactive techniques, p.423-434, July 1998 http://dx.doi.org/10.1145/280814.280948<br /> <br /> 29 Ling Xu , David Mould, Procedural Tree Modeling with Guiding Vectors, Computer Graphics Forum, v.34 n.7, p.47-56, October 2015 http://dx.doi.org/10.1111/cgf.12744<br /> <br /> 30 Yuanyuan Li , Fan Bao , Eugene Zhang , Yoshihiro Kobayashi , Peter Wonka, Geometry Synthesis on Surfaces Using Field-Guided Shape Grammars, IEEE Transactions on Visualization and Computer Graphics, v.17 n.2, p.231-243, February 2011 http://dx.doi.org/10.1109/TVCG.2010.36<br /> <br /> == Links == <br /> <br /> === Full Text === <br /> https://diglib.eg.org/bitstream/handle/10.2312/cae2017a04/a04-C01-gieseke.pdf<br /> <br /> [[internal file]] <br /> <br /> <br /> === Sonstige Links ===</div> Gubachelier http://de.evo-art.org/index.php?title=Organized_order_in_ornamentation&diff=33294 Organized order in ornamentation 2017-12-09T17:12:10Z <p>Gubachelier: Die Seite wurde neu angelegt: „== Referenz == Lena Gieseke, Paul Asente, Jingwan Lu, Martin Fuchs: Organized order in ornamentation. == DOI == https://doi.org/10.1145/3092912.3092913…“</p> <hr /> <div>== Referenz == <br /> Lena Gieseke, Paul Asente, Jingwan Lu, Martin Fuchs: [[Organized order in ornamentation]]. <br /> <br /> == DOI ==<br /> https://doi.org/10.1145/3092912.3092913<br /> <br /> == Abstract ==<br /> Decorative ornamentation involves a careful balance between accent and order. Existing techniques leave artists either with tedious manual processes or the uncontrolled automatic generation of rather homogeneous patterns that lack creatively-placed visual highlights. We present a method to close this gap, offering the control and quality of manual creation, and the efficiency and accuracy of computation. At the core of our system, customizable and modularly combinable element placement functions fill a space automatically under global design constraints. We provide a set of example placement functions that implement order based on design principles for ornamentation such as balanced element distribution and symmetry. To create structural hierarchies and to guide an ornament to the space it fills, we allow artists to direct the connectivity of elements with drawn strokes. Artists can also draw guides to create vector fields, which organize the ornament along streamlines. Path planning automatically routes around obstacles while aligning the ornament to their borders. Our method combines high-level control mechanisms like taking guidance from example images to low-level control like placing single elements as visual accents and making local edits within the computed ornament. By automating tedious tasks and offering familiar input mechanisms like drawing, we enable artists to focus on the creative intent.<br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> @inproceedings{Gieseke:2017:OOO:3092912.3092913,<br /> author = {Gieseke, Lena and Asente, Paul and Lu, Jingwan and Fuchs, Martin},<br /> title = {Organized Order in Ornamentation},<br /> booktitle = {Proceedings of the Symposium on Computational Aesthetics},<br /> series = {CAE &#039;17},<br /> year = {2017},<br /> isbn = {978-1-4503-5080-8},<br /> location = {Los Angeles, California},<br /> pages = {4:1--4:9},<br /> articleno = {4},<br /> numpages = {9},<br /> url = {http://doi.acm.org/10.1145/3092912.3092913 http://de.evo-art.org/index.php?title=Organized_order_in_ornamentation},<br /> doi = {10.1145/3092912.3092913},<br /> acmid = {3092913},<br /> publisher = {ACM},<br /> address = {New York, NY, USA},<br /> keywords = {interaction techniques, modeling interfaces, paint systems, procedural modeling},<br /> } <br /> <br /> == Used References == <br /> 1<br /> <br /> Dustin Anderson , Zoë Wood, User Driven Two-Dimensional Computer-Generated Ornamentation, Proceedings of the 4th International Symposium on Advances in Visual Computing, December 01-03, 2008, Las Vegas, NV [doi&gt;10.1007/978-3-540-89639-5_58]<br /> <br /> 2<br /> <br /> B. Beneš, O. Št&#039;ava, R. Měch, and G. Miller. 2011. Guided Procedural Modeling. Computer Graphics Forum 30, 2 (2011), 325--334. [doi&gt;10.1111/j.1467-8659.2011.01886.x]<br /> <br /> 3<br /> <br /> Derek Bradley, Derek Nowrouzezahrai, and Paul Beardsley. 2013. Image-based Reconstruction and Synthesis of Dense Foliage. ACM Transactions on Graphics 32, 4, Article 74 (2013), 10 pages. [doi&gt;10.1145/2461912.2461952]<br /> <br /> 4<br /> <br /> Guoning Chen, Gregory Esch, Peter Wonka, Pascal Mueller, and Eugene Zhang. 2008a. Interactive Procedural Street Modeling. ACM Transactions on Graphics 27, 3 (2008), Article 103: 1--10.<br /> <br /> 5<br /> <br /> Weikai Chen, Xiaolong Zhang, Shiqing Xin, Yang Xia, Sylvain Lefebvre, and Wenping Wang. 2016. Synthesis of filigrees for digital fabrication. ACM Transactions on Graphics 35, 4 (2016), 98.<br /> <br /> 6<br /> <br /> Xuejin Chen, Boris Neubert, Ying-Qing Xu, Oliver Deussen, and Sing Bing Kang. 2008b. Sketch-based Tree Modeling Using Markov Random Field. ACM Transactions on Graphics 27, 5 (2008), 109:1--109:9. [doi&gt;10.1145/1409060.1409062]<br /> <br /> 7<br /> <br /> Yu-Sheng Chen, Jie Shie, and Lieu-Hen Chen. 2012. A NPR System for Generating Floral Patterns based on L-System. Bulletin of Networking, Computing, Systems, and Software 1, 1 (2012). http://bncss.org/index.php/bncss/article/view/7<br /> <br /> 8<br /> <br /> Arnaud Emilien, Ulysse Vimont, Marie-Paule Cani, Pierre Poulin, and Bedrich Benes. 2015. WorldBrush: Interactive Example-based Synthesis of Procedural Virtual Worlds. ACM Transactions on Graphics 34, 4, Article 106 (2015), 11 pages. [doi&gt;10.1145/2766975]<br /> <br /> 9<br /> <br /> Katayoon Etemad, Faramarz F. Samavati, and Przemyslaw Prusinkiewicz. 2008. Animating Persian Floral Patterns. In Proceedings of the Fourth Eurographics Conference on Computational Aesthetics in Graphics, Visualization and Imaging (CA&#039;08). Eurographics Association, 25--32. [doi&gt;10.2312/COMPAESTH/COMPAESTH08/025-032]<br /> <br /> 10<br /> <br /> Takashi Ijiri, Radomír Mêch, Takeo Igarashi, and Gavin Miller. 2008. An Example-based Procedural System for Element Arrangement. Computer Graphics Forum 27, 2 (2008), 429--436. [doi&gt;10.1111/j.1467-8659.2008.01140.x]<br /> <br /> 11<br /> <br /> Rubaiat Habib Kazi , Takeo Igarashi , Shengdong Zhao , Richard Davis, Vignette: interactive texture design and manipulation with freeform gestures for pen-and-ink illustration, Proceedings of the SIGCHI Conference on Human Factors in Computing Systems, May 05-10, 2012, Austin, Texas, USA [doi&gt;10.1145/2207676.2208302]<br /> <br /> 12<br /> <br /> Markus Lipp, Peter Wonka, and Michael Wimmer. 2008. Interactive Visual Editing of Grammars for Procedural Architecture. ACM Transactions on Graphics 27, 3, Article 102 (2008), 10 pages. [doi&gt;10.1145/1360612.1360701]<br /> <br /> 13<br /> <br /> Chongyang Ma, Li-Yi Wei, Sylvain Lefebvre, and Xin Tong. 2013. Dynamic Element Textures. ACM Transactions on Graphics 32, 4, Article 90 (2013), 10 pages. [doi&gt;10.1145/2461912.2461921]<br /> <br /> 14<br /> <br /> Chongyang Ma, Li-Yi Wei, and Xin Tong. 2011. Discrete Element Textures. ACM Transactions on Graphics 30, 4, Article 62 (2011), 10 pages. [doi&gt;10.1145/2010324.1964957]<br /> <br /> 15<br /> <br /> Ron Maharik, Mikhail Bessmeltsev, Alla Sheffer, Ariel Shamir, and Nathan Carr. 2011. Digital Micrography. ACM Transactions on Graphics 30, 4, Article 100 (2011), 12 pages. [doi&gt;10.1145/2010324.1964995]<br /> <br /> 16<br /> <br /> Radomír Měch and Gavin Miller. 2012. The Deco framework for interactive procedural modeling. Journal of Computer Graphics Techniques (JCGT) 1, 1 (2012), 43--99. http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.462.6752&amp;rep=rep1&amp;type=pdf<br /> <br /> 17<br /> <br /> Ken Nakagaki , Yasuaki Kakehi, Comp*Pass: a compass-based drawing interface, CHI &#039;14 Extended Abstracts on Human Factors in Computing Systems, April 26-May 01, 2014, Toronto, Ontario, Canada [doi&gt;10.1145/2559206.2574766]<br /> <br /> 18<br /> <br /> Wojciech Palubicki, Kipp Horel, Steven Longay, Adam Runions, Brendan Lane, Radomír Měch, and Przemyslaw Prusinkiewicz. 2009. Self-organizing Tree Models for Image Synthesis. ACM Transactions on Graphics 28, 3, Article 58 (2009), 10 pages. [doi&gt;10.1145/1531326.1531364]<br /> <br /> 19<br /> <br /> Yoav I. H. Parish , Pascal Müller, Procedural modeling of cities, Proceedings of the 28th annual conference on Computer graphics and interactive techniques, p.301-308, August 2001 [doi&gt;10.1145/383259.383292]<br /> <br /> 20<br /> <br /> Sören Pirk , Ondrej Stava , Julian Kratt , Michel Abdul Massih Said , Boris Neubert , Radomír Měch , Bedrich Benes , Oliver Deussen, Plastic trees: interactive self-adapting botanical tree models, ACM Transactions on Graphics (TOG), v.31 n.4, p.1-10, July 2012 [doi&gt;10.1145/2185520.2185546]<br /> <br /> 21<br /> <br /> Przemyslaw Prusinkiewicz, 1990. The algorithmic beauty of plants. Springer-Verlag, New York. [doi&gt;10.1007/978-1-4613-8476-2]<br /> <br /> 22<br /> <br /> Przemyslaw Prusinkiewicz, Faramarz Samavati, Colin Smith, and Radoslaw Karwowski. 2003. L-system Description Of Subdivision Curves. International Journal of Shape Modeling 09, 01 (2003), 41--59. [doi&gt;10.1142/S0218654303000048]<br /> <br /> 23<br /> <br /> Daniel Ritchie, Ben Mildenhall, Noah D. Goodman, and Pat Hanrahan. 2015. Controlling Procedural Modeling Programs with Stochastically-ordered Sequential Monte Carlo. ACM Transactions on Graphics 34, 4, Article 105 (2015), 11 pages. [doi&gt;10.1145/2766895]<br /> <br /> 24<br /> <br /> Daniel Ritchie, Anna Thomas, Pat Hanrahan, and Noah D. Goodman. 2016. Neurally-Guided Procedural Models: Learning to Guide Procedural Models with Deep Neural Networks. arXiv preprint arXiv:1603.06143 (2016).<br /> <br /> 25<br /> <br /> O. Št&#039;ava, B. Beneš, R. Měch, D. G. Aliaga, and P. Krištof. 2010. Inverse Procedural Modeling by Automatic Generation of L-systems. Computer Graphics Forum 29, 2 (2010), 665--674. [doi&gt;10.1111/j.1467-8659.2009.01636.x]<br /> <br /> 26<br /> <br /> O. Stava , S. Pirk , J. Kratt , B. Chen , R. Mźch , O. Deussen , B. Benes, Inverse Procedural Modelling of Trees, Computer Graphics Forum, v.33 n.6, p.118-131, September 2014 [doi&gt;10.1111/cgf.12282]<br /> <br /> 27<br /> <br /> Jerry O. Talton , Yu Lou , Steve Lesser , Jared Duke , Radomír Měch , Vladlen Koltun, Metropolis procedural modeling, ACM Transactions on Graphics (TOG), v.30 n.2, p.1-14, April 2011 [doi&gt;10.1145/1944846.1944851]<br /> <br /> 28<br /> <br /> Michael T. Wong , Douglas E. Zongker , David H. Salesin, Computer-generated floral ornament, Proceedings of the 25th annual conference on Computer graphics and interactive techniques, p.423-434, July 1998 [doi&gt;10.1145/280814.280948]<br /> <br /> 29<br /> <br /> Ling Xu , David Mould, Procedural Tree Modeling with Guiding Vectors, Computer Graphics Forum, v.34 n.7, p.47-56, October 2015 [doi&gt;10.1111/cgf.12744]<br /> <br /> 30<br /> <br /> Yuanyuan Li , Fan Bao , Eugene Zhang , Yoshihiro Kobayashi , Peter Wonka, Geometry Synthesis on Surfaces Using Field-Guided Shape Grammars, IEEE Transactions on Visualization and Computer Graphics, v.17 n.2, p.231-243, February 2011 [doi&gt;10.1109/TVCG.2010.36] <br /> <br /> <br /> == Links == <br /> <br /> === Full Text === <br /> https://diglib.eg.org/bitstream/handle/10.2312/cae2017a04/a04-C01-gieseke.pdf<br /> <br /> [[internal file]] <br /> <br /> <br /> === Sonstige Links ===</div> Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017&diff=33293 Computational Aesthetics 2017 2017-12-09T17:04:10Z <p>Gubachelier: /* Table of contents */</p> <hr /> <div>[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#Computational Aesthetics Conferences | zurück zu Computational Aesthetics Conferences]] <br /> <br /> <br /> == Reference ==<br /> <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> <br /> == Extended Abstract ==<br /> <br /> == Reviews==<br /> <br /> == Bibtex == <br /> @proceedings{<br /> editor = {},<br /> booktitle = {Expressive 2017: Joint Symposium of Computational Aesthetics (CAe), Non-Photorealistic Animation and Rendering (NPAR), Sketch-Based Interfaces and Modeling (SBIM}},<br /> year = {2017},<br /> location = {Los Angeles, CA, USA},<br /> url = {http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017 },<br /> ISBN = {978-1-4503-5080-8}, <br /> publisher = {ACM},<br /> address = {New York, NY, USA},<br /> } <br /> <br /> == Table of contents ==<br /> <br /> === CAE &#039;17: Proceedings of the symposium on Computational Aesthetics === <br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Kuno Kurzhals, Michael Stoll, Andrés Bruhn, Daniel Weiskopf: FlowBrush: optical flow art. https://doi.org/10.1145/3092912.3092914 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a01/a01-C15-kurzhals.pdf <br /> <br /> <br /> &#039;&#039;&#039;SESSION: 3D (the third dimension)&#039;&#039;&#039;<br /> <br /> Kapil Dev, Nicolas Villar, Manfred Lau: Polygons, points, or voxels?: stimuli selection for crowdsourcing aesthetics preferences of 3D shape pairs. https://doi.org/10.1145/3092912.3092918 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a02/a02-C20-dev.pdf<br /> <br /> Sehee Min, Jaedong Lee, Jungdam Won, Jehee Lee: Soft shadow art. https://doi.org/10.1145/3092912.3092915 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a03/a03-C16-min.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Mapping, Patterns, and Order&#039;&#039;&#039;<br /> <br /> Lena Gieseke, Paul Asente, Jingwan Lu, Martin Fuchs: [[Organized order in ornamentation]]. https://doi.org/10.1145/3092912.3092913 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a04/a04-C01-gieseke.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Rosa Azami, David Mould: Detail and color enhancement in photo stylization. https://doi.org/10.1145/3092912.3092917 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a05/a05-C41-azami.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Dmitry Kuzovkin, Tania Pouli, Rémi Cozot, Olivier Le Meur, Jonathan Kervec, Kadi Bouatouch: Context-aware clustering and assessment of photo collections. https://doi.org/10.1145/3092912.3092916 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a06/a06-C30-kuzovkin.pdf<br /> <br /> <br /> <br /> === SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling === <br /> <br /> &#039;&#039;&#039;SESSION: Sketching&#039;&#039;&#039;<br /> <br /> Tiziano Portenier, Qiyang Hu, Paolo Favaro, and Matthias Zwicker: SmartSketcher: Sketch-based Image Retrieval with Dynamic Semantic Reranking. https://doi.org/10.1145/3092907.3092910 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a01/a01-S37-portenier.pdf<br /> <br /> Swarna Keshavabhotla, Blake Williford, Shalini Kumar, Ethan Hilton, Paul Taele, Wayne Li, Julie Linsey, and Tracy Hammond: Conquering the Cube: Learning to Sketch Primitives in Perspective with an Intelligent Tutoring System. https://doi.org/10.1145/3092907.3092911 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a02/a02-S45-keshavabhotla.pdf<br /> <br /> Jorge-Ivan Herrera-Camara and Tracy Hammond: Flow2Code: From Hand-drawn Flowcharts to Code Execution. https://doi.org/10.1145/3092907.3092909 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a03/a03-S32-herrera-camara.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: 3D (The Third Dimension)&#039;&#039;&#039;<br /> <br /> Tim McGraw, Esteban Garcia, and Drew Sumner: Interactive swept surface modeling in virtual reality with motion-tracked controllers. https://doi.org/10.1145/3092907.3092908 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a04/a04-S31-mcgraw.pdf<br /> <br /> <br /> <br /> === NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering ===<br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Elad Aharoni-Mack, Yakov Shambik, Dani Lischinski: Pigment-based recoloring of watercolor paintings. https://doi.org/10.1145/3092919.3092926 https://dl.acm.org/authorize?N32474<br /> <br /> Santiago E. Montesdeoca, Hock Soon, Seah Pierre, Bénard Romain, Vergne Joëlle Thollot, Hans-Martin Rall, Davide Benvenuti: Edge- and substrate-based effects for watercolor stylization. https://doi.org/10.1145/3092919.3092928 https://dl.acm.org/authorize?N32485<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Style transfer&#039;&#039;&#039;<br /> <br /> Ming Zheng, Antoine Milliez, Markus Gross, Robert W. Sumner: Example-based brushes for coherent stylized renderings. https://doi.org/10.1145/3092919.3092929 https://dl.acm.org/authorize?N32486<br /> <br /> Xiao-Chang Liu Ming-Ming Cheng Yu-Kun Lai Paul L. Rosin: [[Depth-aware neural style transfer]]. https://doi.org/10.1145/3092919.3092924 https://dl.acm.org/authorize?N32487<br /> <br /> Amir Semmo Tobias Isenberg Jürgen Döllner: [[Neural style transfer: a paradigm shift for image-based artistic rendering?]] https://doi.org/10.1145/3092919.3092920 https://dl.acm.org/authorize?N32488<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Mapping, patterns, and order&#039;&#039;&#039;<br /> <br /> S. Alex Brown, Faramarz Samavati: Real-time panorama maps. https://doi.org/10.1145/3092919.3092922 https://dl.acm.org/authorize?N32489<br /> <br /> Chenxi Liu Jessica Hodgins James McCann: Whole-cloth quilting patterns from photographs. https://doi.org/10.1145/3092919.3092925 https://dl.acm.org/authorize?N32480<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Marc Spicker, Franz Hahn, Thomas Lindemeier, Dietmar Saupe, Oliver Deussen: Quantifying visual abstraction quality for stipple drawings. https://doi.org/10.1145/3092919.3092923 https://dl.acm.org/authorize?N32481<br /> <br /> Noura Faraj, Gui-Song Xia, Julie Delon, Yann Gousseau: A generic framework for the structured abstraction of images. https://doi.org/10.1145/3092919.3092930 https://dl.acm.org/authorize?N32482<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Sylvain Duchêne, Carlos Aliaga, Tania Pouli, Patrick Pérez: Mixed illumination analysis in single image for interactive color grading. https://doi.org/10.1145/3092919.3092927 https://dl.acm.org/authorize?N32483<br /> <br /> Paul L. Rosin, David Mould, Itamar Berger, John Collomosse, Yu-Kun Lai, Chuan Li, Hua Li, Ariel Shamir, Michael Wand, Tinghuai Wang, Holger Winnemöller: Benchmarking non-photorealistic rendering of portraits. https://doi.org/10.1145/3092919.3092921 https://dl.acm.org/authorize?N32484<br /> <br /> <br /> <br /> === General submissions (abstracts) in CAE &#039;17, SBIM &#039;17, NPAR &#039;17 ===<br /> <br /> Irene de la Torre-Arenas, Pedro Cruz: A taxonomy of motion applications in data visualization. https://doi.org/10.1145/3092919.3122798 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a07/a07-torre-arenas.pdf<br /> <br /> Saif Castaneda, Ergun Akleman: Shading with painterly filtered layers: a technique to obtain painterly portrait animations. https://doi.org/10.1145/3092919.3122800 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a08/a08-castenada.pdf<br /> <br /> Chun-An Lai, Pei-Ying Chiang: Modeling go: a mobile sketch-based modeling system for extracting objects. https://doi.org/10.1145/3092919.3122797 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a09/a09-lai.pdf<br /> <br /> Ozan Can, Altıok Tevfik, Metin Sezgin: Characterizing user behavior for speech and sketch-based video retrieval interfaces. https://doi.org/10.1145/3092919.3122801 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a10/a10-altiok.pdf<br /> <br /> Amal Dev, Parakkat Sarang, Anil Joshi, Uday Bondi, Pundarikaksha Ramanathan Muthuganapathy: Sketch and shade: an interactive assistant for sketching and shading. https://doi.org/10.1145/3092919.3122799 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a11/a11-parakkat.pdf<br /> <br /> == Links ==<br /> === Full Text === <br /> [extern file]<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> https://expressivesymposium.com/home/program/<br /> <br /> CAE &#039;17: Proceedings of the symposium on Computational Aesthetics July 2017 https://www.siggraph.org/sites/default/files/Symposium-on-Computational-Aesthetics.html https://diglib.eg.org/handle/10.2312/2631839<br /> <br /> SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling https://diglib.eg.org/handle/10.2312/2631852<br /> <br /> NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering https://www.siggraph.org/sites/default/files/NPAR-17-open-access.html https://dl.acm.org/citation.cfm?id=3092919</div> Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017&diff=33292 Computational Aesthetics 2017 2017-12-09T17:03:19Z <p>Gubachelier: /* NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering */</p> <hr /> <div>[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#Computational Aesthetics Conferences | zurück zu Computational Aesthetics Conferences]] <br /> <br /> <br /> == Reference ==<br /> <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> <br /> == Extended Abstract ==<br /> <br /> == Reviews==<br /> <br /> == Bibtex == <br /> @proceedings{<br /> editor = {},<br /> booktitle = {Expressive 2017: Joint Symposium of Computational Aesthetics (CAe), Non-Photorealistic Animation and Rendering (NPAR), Sketch-Based Interfaces and Modeling (SBIM}},<br /> year = {2017},<br /> location = {Los Angeles, CA, USA},<br /> url = {http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017 },<br /> ISBN = {978-1-4503-5080-8}, <br /> publisher = {ACM},<br /> address = {New York, NY, USA},<br /> } <br /> <br /> == Table of contents ==<br /> <br /> === CAE &#039;17: Proceedings of the symposium on Computational Aesthetics === <br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Kuno Kurzhals, Michael Stoll, Andrés Bruhn, Daniel Weiskopf: FlowBrush: optical flow art. https://doi.org/10.1145/3092912.3092914 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a01/a01-C15-kurzhals.pdf <br /> <br /> <br /> &#039;&#039;&#039;SESSION: 3D (the third dimension)&#039;&#039;&#039;<br /> <br /> Kapil Dev, Nicolas Villar, Manfred Lau: Polygons, points, or voxels?: stimuli selection for crowdsourcing aesthetics preferences of 3D shape pairs. https://doi.org/10.1145/3092912.3092918 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a02/a02-C20-dev.pdf<br /> <br /> Sehee Min, Jaedong Lee, Jungdam Won, Jehee Lee: Soft shadow art. https://doi.org/10.1145/3092912.3092915 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a03/a03-C16-min.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Mapping, Patterns, and Order&#039;&#039;&#039;<br /> <br /> Lena Gieseke, Paul Asente, Jingwan Lu, Martin Fuchs: [[Organized order in ornamentation]]. https://doi.org/10.1145/3092912.3092913 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a04/a04-C01-gieseke.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Rosa Azami, David Mould: Detail and color enhancement in photo stylization. https://doi.org/10.1145/3092912.3092917 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a05/a05-C41-azami.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Dmitry Kuzovkin, Tania Pouli, Rémi Cozot, Olivier Le Meur, Jonathan Kervec, Kadi Bouatouch: Context-aware clustering and assessment of photo collections. https://doi.org/10.1145/3092912.3092916 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a06/a06-C30-kuzovkin.pdf<br /> <br /> <br /> <br /> === SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling === <br /> <br /> &#039;&#039;&#039;SESSION: Sketching&#039;&#039;&#039;<br /> <br /> Tiziano Portenier, Qiyang Hu, Paolo Favaro, and Matthias Zwicker: SmartSketcher: Sketch-based Image Retrieval with Dynamic Semantic Reranking. https://doi.org/10.1145/3092907.3092910 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a01/a01-S37-portenier.pdf<br /> <br /> Swarna Keshavabhotla, Blake Williford, Shalini Kumar, Ethan Hilton, Paul Taele, Wayne Li, Julie Linsey, and Tracy Hammond: Conquering the Cube: Learning to Sketch Primitives in Perspective with an Intelligent Tutoring System. https://doi.org/10.1145/3092907.3092911 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a02/a02-S45-keshavabhotla.pdf<br /> <br /> Jorge-Ivan Herrera-Camara and Tracy Hammond: Flow2Code: From Hand-drawn Flowcharts to Code Execution. https://doi.org/10.1145/3092907.3092909 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a03/a03-S32-herrera-camara.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: 3D (The Third Dimension)&#039;&#039;&#039;<br /> <br /> Tim McGraw, Esteban Garcia, and Drew Sumner: Interactive swept surface modeling in virtual reality with motion-tracked controllers. https://doi.org/10.1145/3092907.3092908 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a04/a04-S31-mcgraw.pdf<br /> <br /> <br /> <br /> === NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering ===<br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Elad Aharoni-Mack, Yakov Shambik, Dani Lischinski: Pigment-based recoloring of watercolor paintings. https://doi.org/10.1145/3092919.3092926 https://dl.acm.org/authorize?N32474<br /> <br /> Santiago E. Montesdeoca, Hock Soon, Seah Pierre, Bénard Romain, Vergne Joëlle Thollot, Hans-Martin Rall, Davide Benvenuti: Edge- and substrate-based effects for watercolor stylization. https://doi.org/10.1145/3092919.3092928 https://dl.acm.org/authorize?N32485<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Style transfer&#039;&#039;&#039;<br /> <br /> Ming Zheng, Antoine Milliez, Markus Gross, Robert W. Sumner: Example-based brushes for coherent stylized renderings. https://doi.org/10.1145/3092919.3092929 https://dl.acm.org/authorize?N32486<br /> <br /> Xiao-Chang Liu Ming-Ming Cheng Yu-Kun Lai Paul L. Rosin: [[Depth-aware neural style transfer]]. https://doi.org/10.1145/3092919.3092924 https://dl.acm.org/authorize?N32487<br /> <br /> Amir Semmo Tobias Isenberg Jürgen Döllner: [[Neural style transfer: a paradigm shift for image-based artistic rendering?]] https://doi.org/10.1145/3092919.3092920 https://dl.acm.org/authorize?N32488<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Mapping, patterns, and order&#039;&#039;&#039;<br /> <br /> S. Alex Brown, Faramarz Samavati: Real-time panorama maps. https://doi.org/10.1145/3092919.3092922 https://dl.acm.org/authorize?N32489<br /> <br /> Chenxi Liu Jessica Hodgins James McCann: Whole-cloth quilting patterns from photographs. https://doi.org/10.1145/3092919.3092925 https://dl.acm.org/authorize?N32480<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Marc Spicker, Franz Hahn, Thomas Lindemeier, Dietmar Saupe, Oliver Deussen: Quantifying visual abstraction quality for stipple drawings. https://doi.org/10.1145/3092919.3092923 https://dl.acm.org/authorize?N32481<br /> <br /> Noura Faraj, Gui-Song Xia, Julie Delon, Yann Gousseau: A generic framework for the structured abstraction of images. https://doi.org/10.1145/3092919.3092930 https://dl.acm.org/authorize?N32482<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Sylvain Duchêne, Carlos Aliaga, Tania Pouli, Patrick Pérez: Mixed illumination analysis in single image for interactive color grading. https://doi.org/10.1145/3092919.3092927 https://dl.acm.org/authorize?N32483<br /> <br /> Paul L. Rosin, David Mould, Itamar Berger, John Collomosse, Yu-Kun Lai, Chuan Li, Hua Li, Ariel Shamir, Michael Wand, Tinghuai Wang, Holger Winnemöller: Benchmarking non-photorealistic rendering of portraits. https://doi.org/10.1145/3092919.3092921 https://dl.acm.org/authorize?N32484<br /> <br /> === General submissions (abstracts) in CAE &#039;17, SBIM &#039;17, NPAR &#039;17 ===<br /> <br /> Irene de la Torre-Arenas, Pedro Cruz: A taxonomy of motion applications in data visualization. https://doi.org/10.1145/3092919.3122798 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a07/a07-torre-arenas.pdf<br /> <br /> Saif Castaneda, Ergun Akleman: Shading with painterly filtered layers: a technique to obtain painterly portrait animations. https://doi.org/10.1145/3092919.3122800 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a08/a08-castenada.pdf<br /> <br /> Chun-An Lai, Pei-Ying Chiang: Modeling go: a mobile sketch-based modeling system for extracting objects. https://doi.org/10.1145/3092919.3122797 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a09/a09-lai.pdf<br /> <br /> Ozan Can, Altıok Tevfik, Metin Sezgin: Characterizing user behavior for speech and sketch-based video retrieval interfaces. https://doi.org/10.1145/3092919.3122801 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a10/a10-altiok.pdf<br /> <br /> Amal Dev, Parakkat Sarang, Anil Joshi, Uday Bondi, Pundarikaksha Ramanathan Muthuganapathy: Sketch and shade: an interactive assistant for sketching and shading. https://doi.org/10.1145/3092919.3122799 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a11/a11-parakkat.pdf<br /> <br /> == Links ==<br /> === Full Text === <br /> [extern file]<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> https://expressivesymposium.com/home/program/<br /> <br /> CAE &#039;17: Proceedings of the symposium on Computational Aesthetics July 2017 https://www.siggraph.org/sites/default/files/Symposium-on-Computational-Aesthetics.html https://diglib.eg.org/handle/10.2312/2631839<br /> <br /> SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling https://diglib.eg.org/handle/10.2312/2631852<br /> <br /> NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering https://www.siggraph.org/sites/default/files/NPAR-17-open-access.html https://dl.acm.org/citation.cfm?id=3092919</div> Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017&diff=33291 Computational Aesthetics 2017 2017-12-09T17:02:58Z <p>Gubachelier: /* Table of contents */</p> <hr /> <div>[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#Computational Aesthetics Conferences | zurück zu Computational Aesthetics Conferences]] <br /> <br /> <br /> == Reference ==<br /> <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> <br /> == Extended Abstract ==<br /> <br /> == Reviews==<br /> <br /> == Bibtex == <br /> @proceedings{<br /> editor = {},<br /> booktitle = {Expressive 2017: Joint Symposium of Computational Aesthetics (CAe), Non-Photorealistic Animation and Rendering (NPAR), Sketch-Based Interfaces and Modeling (SBIM}},<br /> year = {2017},<br /> location = {Los Angeles, CA, USA},<br /> url = {http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017 },<br /> ISBN = {978-1-4503-5080-8}, <br /> publisher = {ACM},<br /> address = {New York, NY, USA},<br /> } <br /> <br /> == Table of contents ==<br /> <br /> === CAE &#039;17: Proceedings of the symposium on Computational Aesthetics === <br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Kuno Kurzhals, Michael Stoll, Andrés Bruhn, Daniel Weiskopf: FlowBrush: optical flow art. https://doi.org/10.1145/3092912.3092914 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a01/a01-C15-kurzhals.pdf <br /> <br /> <br /> &#039;&#039;&#039;SESSION: 3D (the third dimension)&#039;&#039;&#039;<br /> <br /> Kapil Dev, Nicolas Villar, Manfred Lau: Polygons, points, or voxels?: stimuli selection for crowdsourcing aesthetics preferences of 3D shape pairs. https://doi.org/10.1145/3092912.3092918 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a02/a02-C20-dev.pdf<br /> <br /> Sehee Min, Jaedong Lee, Jungdam Won, Jehee Lee: Soft shadow art. https://doi.org/10.1145/3092912.3092915 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a03/a03-C16-min.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Mapping, Patterns, and Order&#039;&#039;&#039;<br /> <br /> Lena Gieseke, Paul Asente, Jingwan Lu, Martin Fuchs: [[Organized order in ornamentation]]. https://doi.org/10.1145/3092912.3092913 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a04/a04-C01-gieseke.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Rosa Azami, David Mould: Detail and color enhancement in photo stylization. https://doi.org/10.1145/3092912.3092917 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a05/a05-C41-azami.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Dmitry Kuzovkin, Tania Pouli, Rémi Cozot, Olivier Le Meur, Jonathan Kervec, Kadi Bouatouch: Context-aware clustering and assessment of photo collections. https://doi.org/10.1145/3092912.3092916 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a06/a06-C30-kuzovkin.pdf<br /> <br /> <br /> <br /> === SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling === <br /> <br /> &#039;&#039;&#039;SESSION: Sketching&#039;&#039;&#039;<br /> <br /> Tiziano Portenier, Qiyang Hu, Paolo Favaro, and Matthias Zwicker: SmartSketcher: Sketch-based Image Retrieval with Dynamic Semantic Reranking. https://doi.org/10.1145/3092907.3092910 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a01/a01-S37-portenier.pdf<br /> <br /> Swarna Keshavabhotla, Blake Williford, Shalini Kumar, Ethan Hilton, Paul Taele, Wayne Li, Julie Linsey, and Tracy Hammond: Conquering the Cube: Learning to Sketch Primitives in Perspective with an Intelligent Tutoring System. https://doi.org/10.1145/3092907.3092911 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a02/a02-S45-keshavabhotla.pdf<br /> <br /> Jorge-Ivan Herrera-Camara and Tracy Hammond: Flow2Code: From Hand-drawn Flowcharts to Code Execution. https://doi.org/10.1145/3092907.3092909 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a03/a03-S32-herrera-camara.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: 3D (The Third Dimension)&#039;&#039;&#039;<br /> <br /> Tim McGraw, Esteban Garcia, and Drew Sumner: Interactive swept surface modeling in virtual reality with motion-tracked controllers. https://doi.org/10.1145/3092907.3092908 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a04/a04-S31-mcgraw.pdf<br /> <br /> <br /> <br /> === NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering ===<br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Elad Aharoni-Mack, Yakov Shambik, Dani Lischinski: Pigment-based recoloring of watercolor paintings. https://doi.org/10.1145/3092919.3092926 https://dl.acm.org/authorize?N32474<br /> <br /> Santiago E. Montesdeoca, Hock Soon, Seah Pierre, Bénard Romain, Vergne Joëlle Thollot, Hans-Martin Rall, Davide Benvenuti: Edge- and substrate-based effects for watercolor stylization. https://doi.org/10.1145/3092919.3092928 https://dl.acm.org/authorize?N32485<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Style transfer&#039;&#039;&#039;<br /> <br /> Ming Zheng, Antoine Milliez, Markus Gross, Robert W. Sumner: Example-based brushes for coherent stylized renderings. https://doi.org/10.1145/3092919.3092929 https://dl.acm.org/authorize?N32486<br /> <br /> Xiao-Chang Liu Ming-Ming Cheng Yu-Kun Lai Paul L. Rosin: [[Depth-aware neural style transfer]]. https://doi.org/10.1145/3092919.3092924 https://dl.acm.org/authorize?N32487<br /> <br /> Amir Semmo Tobias Isenberg Jürgen Döllner: [Neural style transfer: a paradigm shift for image-based artistic rendering?]] https://doi.org/10.1145/3092919.3092920 https://dl.acm.org/authorize?N32488<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Mapping, patterns, and order&#039;&#039;&#039;<br /> <br /> S. Alex Brown, Faramarz Samavati: Real-time panorama maps. https://doi.org/10.1145/3092919.3092922 https://dl.acm.org/authorize?N32489<br /> <br /> Chenxi Liu Jessica Hodgins James McCann: Whole-cloth quilting patterns from photographs. https://doi.org/10.1145/3092919.3092925 https://dl.acm.org/authorize?N32480<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Marc Spicker, Franz Hahn, Thomas Lindemeier, Dietmar Saupe, Oliver Deussen: Quantifying visual abstraction quality for stipple drawings. https://doi.org/10.1145/3092919.3092923 https://dl.acm.org/authorize?N32481<br /> <br /> Noura Faraj, Gui-Song Xia, Julie Delon, Yann Gousseau: A generic framework for the structured abstraction of images. https://doi.org/10.1145/3092919.3092930 https://dl.acm.org/authorize?N32482<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Sylvain Duchêne, Carlos Aliaga, Tania Pouli, Patrick Pérez: Mixed illumination analysis in single image for interactive color grading. https://doi.org/10.1145/3092919.3092927 https://dl.acm.org/authorize?N32483<br /> <br /> Paul L. Rosin, David Mould, Itamar Berger, John Collomosse, Yu-Kun Lai, Chuan Li, Hua Li, Ariel Shamir, Michael Wand, Tinghuai Wang, Holger Winnemöller: Benchmarking non-photorealistic rendering of portraits. https://doi.org/10.1145/3092919.3092921 https://dl.acm.org/authorize?N32484<br /> <br /> <br /> <br /> === General submissions (abstracts) in CAE &#039;17, SBIM &#039;17, NPAR &#039;17 ===<br /> <br /> Irene de la Torre-Arenas, Pedro Cruz: A taxonomy of motion applications in data visualization. https://doi.org/10.1145/3092919.3122798 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a07/a07-torre-arenas.pdf<br /> <br /> Saif Castaneda, Ergun Akleman: Shading with painterly filtered layers: a technique to obtain painterly portrait animations. https://doi.org/10.1145/3092919.3122800 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a08/a08-castenada.pdf<br /> <br /> Chun-An Lai, Pei-Ying Chiang: Modeling go: a mobile sketch-based modeling system for extracting objects. https://doi.org/10.1145/3092919.3122797 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a09/a09-lai.pdf<br /> <br /> Ozan Can, Altıok Tevfik, Metin Sezgin: Characterizing user behavior for speech and sketch-based video retrieval interfaces. https://doi.org/10.1145/3092919.3122801 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a10/a10-altiok.pdf<br /> <br /> Amal Dev, Parakkat Sarang, Anil Joshi, Uday Bondi, Pundarikaksha Ramanathan Muthuganapathy: Sketch and shade: an interactive assistant for sketching and shading. https://doi.org/10.1145/3092919.3122799 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a11/a11-parakkat.pdf<br /> <br /> == Links ==<br /> === Full Text === <br /> [extern file]<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> https://expressivesymposium.com/home/program/<br /> <br /> CAE &#039;17: Proceedings of the symposium on Computational Aesthetics July 2017 https://www.siggraph.org/sites/default/files/Symposium-on-Computational-Aesthetics.html https://diglib.eg.org/handle/10.2312/2631839<br /> <br /> SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling https://diglib.eg.org/handle/10.2312/2631852<br /> <br /> NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering https://www.siggraph.org/sites/default/files/NPAR-17-open-access.html https://dl.acm.org/citation.cfm?id=3092919</div> Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017&diff=33290 Computational Aesthetics 2017 2017-12-09T16:59:15Z <p>Gubachelier: </p> <hr /> <div>[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#Computational Aesthetics Conferences | zurück zu Computational Aesthetics Conferences]] <br /> <br /> <br /> == Reference ==<br /> <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> <br /> == Extended Abstract ==<br /> <br /> == Reviews==<br /> <br /> == Bibtex == <br /> @proceedings{<br /> editor = {},<br /> booktitle = {Expressive 2017: Joint Symposium of Computational Aesthetics (CAe), Non-Photorealistic Animation and Rendering (NPAR), Sketch-Based Interfaces and Modeling (SBIM}},<br /> year = {2017},<br /> location = {Los Angeles, CA, USA},<br /> url = {http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017 },<br /> ISBN = {978-1-4503-5080-8}, <br /> publisher = {ACM},<br /> address = {New York, NY, USA},<br /> } <br /> <br /> == Table of contents ==<br /> <br /> === CAE &#039;17: Proceedings of the symposium on Computational Aesthetics === <br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Kuno Kurzhals, Michael Stoll, Andrés Bruhn, Daniel Weiskopf: FlowBrush: optical flow art. https://doi.org/10.1145/3092912.3092914 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a01/a01-C15-kurzhals.pdf <br /> <br /> <br /> &#039;&#039;&#039;SESSION: 3D (the third dimension)&#039;&#039;&#039;<br /> <br /> Kapil Dev, Nicolas Villar, Manfred Lau: Polygons, points, or voxels?: stimuli selection for crowdsourcing aesthetics preferences of 3D shape pairs. https://doi.org/10.1145/3092912.3092918 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a02/a02-C20-dev.pdf<br /> <br /> Sehee Min, Jaedong Lee, Jungdam Won, Jehee Lee: Soft shadow art. https://doi.org/10.1145/3092912.3092915 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a03/a03-C16-min.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Mapping, Patterns, and Order&#039;&#039;&#039;<br /> <br /> Lena Gieseke, Paul Asente, Jingwan Lu, Martin Fuchs: Organized order in ornamentation. https://doi.org/10.1145/3092912.3092913 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a04/a04-C01-gieseke.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Rosa Azami, David Mould: Detail and color enhancement in photo stylization. https://doi.org/10.1145/3092912.3092917 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a05/a05-C41-azami.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Dmitry Kuzovkin, Tania Pouli, Rémi Cozot, Olivier Le Meur, Jonathan Kervec, Kadi Bouatouch: Context-aware clustering and assessment of photo collections. https://doi.org/10.1145/3092912.3092916 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a06/a06-C30-kuzovkin.pdf<br /> <br /> <br /> <br /> === SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling === <br /> <br /> &#039;&#039;&#039;SESSION: Sketching&#039;&#039;&#039;<br /> <br /> Tiziano Portenier, Qiyang Hu, Paolo Favaro, and Matthias Zwicker: SmartSketcher: Sketch-based Image Retrieval with Dynamic Semantic Reranking. https://doi.org/10.1145/3092907.3092910 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a01/a01-S37-portenier.pdf<br /> <br /> Swarna Keshavabhotla, Blake Williford, Shalini Kumar, Ethan Hilton, Paul Taele, Wayne Li, Julie Linsey, and Tracy Hammond: Conquering the Cube: Learning to Sketch Primitives in Perspective with an Intelligent Tutoring System. https://doi.org/10.1145/3092907.3092911 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a02/a02-S45-keshavabhotla.pdf<br /> <br /> Jorge-Ivan Herrera-Camara and Tracy Hammond: Flow2Code: From Hand-drawn Flowcharts to Code Execution. https://doi.org/10.1145/3092907.3092909 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a03/a03-S32-herrera-camara.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: 3D (The Third Dimension)&#039;&#039;&#039;<br /> <br /> Tim McGraw, Esteban Garcia, and Drew Sumner: Interactive swept surface modeling in virtual reality with motion-tracked controllers. https://doi.org/10.1145/3092907.3092908 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a04/a04-S31-mcgraw.pdf<br /> <br /> <br /> <br /> === NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering ===<br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Elad Aharoni-Mack, Yakov Shambik, Dani Lischinski: Pigment-based recoloring of watercolor paintings. https://doi.org/10.1145/3092919.3092926 https://dl.acm.org/authorize?N32474<br /> <br /> Santiago E. Montesdeoca, Hock Soon, Seah Pierre, Bénard Romain, Vergne Joëlle Thollot, Hans-Martin Rall, Davide Benvenuti: Edge- and substrate-based effects for watercolor stylization. https://doi.org/10.1145/3092919.3092928 https://dl.acm.org/authorize?N32485<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Style transfer&#039;&#039;&#039;<br /> <br /> Ming Zheng, Antoine Milliez, Markus Gross, Robert W. Sumner: Example-based brushes for coherent stylized renderings. https://doi.org/10.1145/3092919.3092929 https://dl.acm.org/authorize?N32486<br /> <br /> Xiao-Chang Liu Ming-Ming Cheng Yu-Kun Lai Paul L. Rosin: Depth-aware neural style transfer. https://doi.org/10.1145/3092919.3092924 https://dl.acm.org/authorize?N32487<br /> <br /> Amir Semmo Tobias Isenberg Jürgen Döllner: Neural style transfer: a paradigm shift for image-based artistic rendering? https://doi.org/10.1145/3092919.3092920 https://dl.acm.org/authorize?N32488<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Mapping, patterns, and order&#039;&#039;&#039;<br /> <br /> S. Alex Brown, Faramarz Samavati: Real-time panorama maps. https://doi.org/10.1145/3092919.3092922 https://dl.acm.org/authorize?N32489<br /> <br /> Chenxi Liu Jessica Hodgins James McCann: Whole-cloth quilting patterns from photographs. https://doi.org/10.1145/3092919.3092925 https://dl.acm.org/authorize?N32480<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Marc Spicker, Franz Hahn, Thomas Lindemeier, Dietmar Saupe, Oliver Deussen: Quantifying visual abstraction quality for stipple drawings. https://doi.org/10.1145/3092919.3092923 https://dl.acm.org/authorize?N32481<br /> <br /> Noura Faraj, Gui-Song Xia, Julie Delon, Yann Gousseau: A generic framework for the structured abstraction of images. https://doi.org/10.1145/3092919.3092930 https://dl.acm.org/authorize?N32482<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Sylvain Duchêne, Carlos Aliaga, Tania Pouli, Patrick Pérez: Mixed illumination analysis in single image for interactive color grading. https://doi.org/10.1145/3092919.3092927 https://dl.acm.org/authorize?N32483<br /> <br /> Paul L. Rosin, David Mould, Itamar Berger, John Collomosse, Yu-Kun Lai, Chuan Li, Hua Li, Ariel Shamir, Michael Wand, Tinghuai Wang, Holger Winnemöller: Benchmarking non-photorealistic rendering of portraits. https://doi.org/10.1145/3092919.3092921 https://dl.acm.org/authorize?N32484<br /> <br /> <br /> <br /> === General submissions (abstracts) in CAE &#039;17, SBIM &#039;17, NPAR &#039;17 ===<br /> <br /> Irene de la Torre-Arenas, Pedro Cruz: A taxonomy of motion applications in data visualization. https://doi.org/10.1145/3092919.3122798 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a07/a07-torre-arenas.pdf<br /> <br /> Saif Castaneda, Ergun Akleman: Shading with painterly filtered layers: a technique to obtain painterly portrait animations. https://doi.org/10.1145/3092919.3122800 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a08/a08-castenada.pdf<br /> <br /> Chun-An Lai, Pei-Ying Chiang: Modeling go: a mobile sketch-based modeling system for extracting objects. https://doi.org/10.1145/3092919.3122797 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a09/a09-lai.pdf<br /> <br /> Ozan Can, Altıok Tevfik, Metin Sezgin: Characterizing user behavior for speech and sketch-based video retrieval interfaces. https://doi.org/10.1145/3092919.3122801 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a10/a10-altiok.pdf<br /> <br /> Amal Dev, Parakkat Sarang, Anil Joshi, Uday Bondi, Pundarikaksha Ramanathan Muthuganapathy: Sketch and shade: an interactive assistant for sketching and shading. https://doi.org/10.1145/3092919.3122799 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a11/a11-parakkat.pdf<br /> <br /> == Links ==<br /> === Full Text === <br /> [extern file]<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> https://expressivesymposium.com/home/program/<br /> <br /> CAE &#039;17: Proceedings of the symposium on Computational Aesthetics July 2017 https://www.siggraph.org/sites/default/files/Symposium-on-Computational-Aesthetics.html https://diglib.eg.org/handle/10.2312/2631839<br /> <br /> SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling https://diglib.eg.org/handle/10.2312/2631852<br /> <br /> NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering https://www.siggraph.org/sites/default/files/NPAR-17-open-access.html https://dl.acm.org/citation.cfm?id=3092919</div> Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017&diff=33289 Computational Aesthetics 2017 2017-12-09T16:58:30Z <p>Gubachelier: /* Table of contents */</p> <hr /> <div>[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#Computational Aesthetics Conferences | zurück zu Computational Aesthetics Conferences]] <br /> <br /> <br /> == Reference ==<br /> <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> <br /> == Extended Abstract ==<br /> <br /> == Reviews==<br /> <br /> == Bibtex == <br /> @proceedings{<br /> editor = {},<br /> booktitle = {Expressive 2017: Joint Symposium of Computational Aesthetics (CAe), Non-Photorealistic Animation and Rendering (NPAR), Sketch-Based Interfaces and Modeling (SBIM}},<br /> year = {2017},<br /> location = {Los Angeles, CA, USA},<br /> url = {http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017 },<br /> ISBN = {978-1-4503-5080-8}, <br /> publisher = {ACM},<br /> address = {New York, NY, USA},<br /> } <br /> <br /> == Table of contents ==<br /> <br /> === CAE &#039;17: Proceedings of the symposium on Computational Aesthetics === <br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Kuno Kurzhals, Michael Stoll, Andrés Bruhn, Daniel Weiskopf: FlowBrush: optical flow art. https://doi.org/10.1145/3092912.3092914 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a01/a01-C15-kurzhals.pdf <br /> <br /> <br /> &#039;&#039;&#039;SESSION: 3D (the third dimension)&#039;&#039;&#039;<br /> <br /> Kapil Dev, Nicolas Villar, Manfred Lau: Polygons, points, or voxels?: stimuli selection for crowdsourcing aesthetics preferences of 3D shape pairs. https://doi.org/10.1145/3092912.3092918 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a02/a02-C20-dev.pdf<br /> <br /> Sehee Min, Jaedong Lee, Jungdam Won, Jehee Lee: Soft shadow art. https://doi.org/10.1145/3092912.3092915 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a03/a03-C16-min.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Mapping, Patterns, and Order&#039;&#039;&#039;<br /> <br /> Lena Gieseke, Paul Asente, Jingwan Lu, Martin Fuchs: Organized order in ornamentation. https://doi.org/10.1145/3092912.3092913 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a04/a04-C01-gieseke.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Rosa Azami, David Mould: Detail and color enhancement in photo stylization. https://doi.org/10.1145/3092912.3092917 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a05/a05-C41-azami.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Dmitry Kuzovkin, Tania Pouli, Rémi Cozot, Olivier Le Meur, Jonathan Kervec, Kadi Bouatouch: Context-aware clustering and assessment of photo collections. https://doi.org/10.1145/3092912.3092916 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a06/a06-C30-kuzovkin.pdf<br /> <br /> <br /> <br /> === SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling === <br /> <br /> &#039;&#039;&#039;SESSION: Sketching&#039;&#039;&#039;<br /> <br /> Tiziano Portenier, Qiyang Hu, Paolo Favaro, and Matthias Zwicker: SmartSketcher: Sketch-based Image Retrieval with Dynamic Semantic Reranking. https://doi.org/10.1145/3092907.3092910 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a01/a01-S37-portenier.pdf<br /> <br /> Swarna Keshavabhotla, Blake Williford, Shalini Kumar, Ethan Hilton, Paul Taele, Wayne Li, Julie Linsey, and Tracy Hammond: Conquering the Cube: Learning to Sketch Primitives in Perspective with an Intelligent Tutoring System. https://doi.org/10.1145/3092907.3092911 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a02/a02-S45-keshavabhotla.pdf<br /> <br /> Jorge-Ivan Herrera-Camara and Tracy Hammond: Flow2Code: From Hand-drawn Flowcharts to Code Execution. https://doi.org/10.1145/3092907.3092909 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a03/a03-S32-herrera-camara.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: 3D (The Third Dimension)&#039;&#039;&#039;<br /> <br /> Tim McGraw, Esteban Garcia, and Drew Sumner: Interactive swept surface modeling in virtual reality with motion-tracked controllers. https://doi.org/10.1145/3092907.3092908 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a04/a04-S31-mcgraw.pdf<br /> <br /> <br /> <br /> === NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering ===<br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Elad Aharoni-Mack, Yakov Shambik, Dani Lischinski: Pigment-based recoloring of watercolor paintings. https://doi.org/10.1145/3092919.3092926 https://dl.acm.org/authorize?N32474<br /> <br /> Santiago E. Montesdeoca, Hock Soon, Seah Pierre, Bénard Romain, Vergne Joëlle Thollot, Hans-Martin Rall, Davide Benvenuti: Edge- and substrate-based effects for watercolor stylization. https://doi.org/10.1145/3092919.3092928 https://dl.acm.org/authorize?N32485<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Style transfer&#039;&#039;&#039;<br /> <br /> Ming Zheng, Antoine Milliez, Markus Gross, Robert W. Sumner: Example-based brushes for coherent stylized renderings. https://doi.org/10.1145/3092919.3092929 https://dl.acm.org/authorize?N32486<br /> <br /> Xiao-Chang Liu Ming-Ming Cheng Yu-Kun Lai Paul L. Rosin: Depth-aware neural style transfer. https://doi.org/10.1145/3092919.3092924 https://dl.acm.org/authorize?N32487<br /> <br /> Amir Semmo Tobias Isenberg Jürgen Döllner: Neural style transfer: a paradigm shift for image-based artistic rendering? https://doi.org/10.1145/3092919.3092920 https://dl.acm.org/authorize?N32488<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Mapping, patterns, and order&#039;&#039;&#039;<br /> <br /> S. Alex Brown, Faramarz Samavati: Real-time panorama maps. https://doi.org/10.1145/3092919.3092922 https://dl.acm.org/authorize?N32489<br /> <br /> Chenxi Liu Jessica Hodgins James McCann: Whole-cloth quilting patterns from photographs. https://doi.org/10.1145/3092919.3092925 https://dl.acm.org/authorize?N32480<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Marc Spicker, Franz Hahn, Thomas Lindemeier, Dietmar Saupe, Oliver Deussen: Quantifying visual abstraction quality for stipple drawings. https://doi.org/10.1145/3092919.3092923 https://dl.acm.org/authorize?N32481<br /> <br /> Noura Faraj, Gui-Song Xia, Julie Delon, Yann Gousseau: A generic framework for the structured abstraction of images. https://doi.org/10.1145/3092919.3092930 https://dl.acm.org/authorize?N32482<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Sylvain Duchêne, Carlos Aliaga, Tania Pouli, Patrick Pérez: Mixed illumination analysis in single image for interactive color grading. https://doi.org/10.1145/3092919.3092927 https://dl.acm.org/authorize?N32483<br /> <br /> Paul L. Rosin, David Mould, Itamar Berger, John Collomosse, Yu-Kun Lai, Chuan Li, Hua Li, Ariel Shamir, Michael Wand, Tinghuai Wang, Holger Winnemöller: Benchmarking non-photorealistic rendering of portraits. https://doi.org/10.1145/3092919.3092921 https://dl.acm.org/authorize?N32484<br /> <br /> <br /> <br /> === General submissions (abstracts) in CAE &#039;17, SBIM &#039;17, NPAR &#039;17 ===<br /> <br /> Irene de la Torre-Arenas, Pedro Cruz: A taxonomy of motion applications in data visualization. https://doi.org/10.1145/3092919.3122798 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a07/a07-torre-arenas.pdf<br /> <br /> Saif Castaneda, Ergun Akleman: Shading with painterly filtered layers: a technique to obtain painterly portrait animations. https://doi.org/10.1145/3092919.3122800 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a08/a08-castenada.pdf<br /> <br /> Chun-An Lai, Pei-Ying Chiang: Modeling go: a mobile sketch-based modeling system for extracting objects. https://doi.org/10.1145/3092919.3122797 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a09/a09-lai.pdf<br /> <br /> Ozan Can, Altıok Tevfik, Metin Sezgin: Characterizing user behavior for speech and sketch-based video retrieval interfaces. https://doi.org/10.1145/3092919.3122801 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a10/a10-altiok.pdf<br /> <br /> Amal Dev, Parakkat Sarang, Anil Joshi, Uday Bondi, Pundarikaksha Ramanathan Muthuganapathy: Sketch and shade: an interactive assistant for sketching and shading. https://doi.org/10.1145/3092919.3122799 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a11/a11-parakkat.pdf<br /> <br /> == Links ==<br /> === Full Text === <br /> [extern file]<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> https://expressivesymposium.com/home/program/<br /> <br /> CAE &#039;17: Proceedings of the symposium on Computational Aesthetics July 2017 https://www.siggraph.org/sites/default/files/Symposium-on-Computational-Aesthetics.html https://diglib.eg.org/handle/10.2312/2631839<br /> <br /> SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling https://www.siggraph.org/sites/default/files/SBIM-17-open-access.html<br /> <br /> NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering https://www.siggraph.org/sites/default/files/NPAR-17-open-access.html https://dl.acm.org/citation.cfm?id=3092919</div> Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017&diff=33288 Computational Aesthetics 2017 2017-12-09T16:54:57Z <p>Gubachelier: /* Table of contents */</p> <hr /> <div>[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#Computational Aesthetics Conferences | zurück zu Computational Aesthetics Conferences]] <br /> <br /> <br /> == Reference ==<br /> <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> <br /> == Extended Abstract ==<br /> <br /> == Reviews==<br /> <br /> == Bibtex == <br /> @proceedings{<br /> editor = {},<br /> booktitle = {Expressive 2017: Joint Symposium of Computational Aesthetics (CAe), Non-Photorealistic Animation and Rendering (NPAR), Sketch-Based Interfaces and Modeling (SBIM}},<br /> year = {2017},<br /> location = {Los Angeles, CA, USA},<br /> url = {http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017 },<br /> ISBN = {978-1-4503-5080-8}, <br /> publisher = {ACM},<br /> address = {New York, NY, USA},<br /> } <br /> <br /> == Table of contents ==<br /> <br /> === CAE &#039;17: Proceedings of the symposium on Computational Aesthetics === <br /> https://www.siggraph.org/sites/default/files/Symposium-on-Computational-Aesthetics.html<br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Kuno Kurzhals, Michael Stoll, Andrés Bruhn, Daniel Weiskopf: FlowBrush: optical flow art. https://doi.org/10.1145/3092912.3092914 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a01/a01-C15-kurzhals.pdf <br /> <br /> <br /> &#039;&#039;&#039;SESSION: 3D (the third dimension)&#039;&#039;&#039;<br /> <br /> Kapil Dev, Nicolas Villar, Manfred Lau: Polygons, points, or voxels?: stimuli selection for crowdsourcing aesthetics preferences of 3D shape pairs. https://doi.org/10.1145/3092912.3092918 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a02/a02-C20-dev.pdf<br /> <br /> Sehee Min, Jaedong Lee, Jungdam Won, Jehee Lee: Soft shadow art. https://doi.org/10.1145/3092912.3092915 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a03/a03-C16-min.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Mapping, Patterns, and Order&#039;&#039;&#039;<br /> <br /> Lena Gieseke, Paul Asente, Jingwan Lu, Martin Fuchs: Organized order in ornamentation. https://doi.org/10.1145/3092912.3092913 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a04/a04-C01-gieseke.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Rosa Azami, David Mould: Detail and color enhancement in photo stylization. https://doi.org/10.1145/3092912.3092917 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a05/a05-C41-azami.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Dmitry Kuzovkin, Tania Pouli, Rémi Cozot, Olivier Le Meur, Jonathan Kervec, Kadi Bouatouch: Context-aware clustering and assessment of photo collections. https://doi.org/10.1145/3092912.3092916 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a06/a06-C30-kuzovkin.pdf<br /> <br /> <br /> <br /> === SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling === <br /> https://diglib.eg.org/handle/10.2312/2631852<br /> <br /> &#039;&#039;&#039;SESSION: Sketching&#039;&#039;&#039;<br /> <br /> Tiziano Portenier, Qiyang Hu, Paolo Favaro, and Matthias Zwicker: SmartSketcher: Sketch-based Image Retrieval with Dynamic Semantic Reranking. https://doi.org/10.1145/3092907.3092910 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a01/a01-S37-portenier.pdf<br /> <br /> Swarna Keshavabhotla, Blake Williford, Shalini Kumar, Ethan Hilton, Paul Taele, Wayne Li, Julie Linsey, and Tracy Hammond: Conquering the Cube: Learning to Sketch Primitives in Perspective with an Intelligent Tutoring System. https://doi.org/10.1145/3092907.3092911 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a02/a02-S45-keshavabhotla.pdf<br /> <br /> Jorge-Ivan Herrera-Camara and Tracy Hammond: Flow2Code: From Hand-drawn Flowcharts to Code Execution. https://doi.org/10.1145/3092907.3092909 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a03/a03-S32-herrera-camara.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: 3D (The Third Dimension)&#039;&#039;&#039;<br /> <br /> Tim McGraw, Esteban Garcia, and Drew Sumner: Interactive swept surface modeling in virtual reality with motion-tracked controllers. https://doi.org/10.1145/3092907.3092908 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a04/a04-S31-mcgraw.pdf<br /> <br /> <br /> <br /> === NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering ===<br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Elad Aharoni-Mack, Yakov Shambik, Dani Lischinski: Pigment-based recoloring of watercolor paintings. https://doi.org/10.1145/3092919.3092926 https://dl.acm.org/authorize?N32474<br /> <br /> Santiago E. Montesdeoca, Hock Soon, Seah Pierre, Bénard Romain, Vergne Joëlle Thollot, Hans-Martin Rall, Davide Benvenuti: Edge- and substrate-based effects for watercolor stylization. https://doi.org/10.1145/3092919.3092928 https://dl.acm.org/authorize?N32485<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Style transfer&#039;&#039;&#039;<br /> <br /> Ming Zheng, Antoine Milliez, Markus Gross, Robert W. Sumner: Example-based brushes for coherent stylized renderings. https://doi.org/10.1145/3092919.3092929 https://dl.acm.org/authorize?N32486<br /> <br /> Xiao-Chang Liu Ming-Ming Cheng Yu-Kun Lai Paul L. Rosin: Depth-aware neural style transfer. https://doi.org/10.1145/3092919.3092924 https://dl.acm.org/authorize?N32487<br /> <br /> Amir Semmo Tobias Isenberg Jürgen Döllner: Neural style transfer: a paradigm shift for image-based artistic rendering? https://doi.org/10.1145/3092919.3092920 https://dl.acm.org/authorize?N32488<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Mapping, patterns, and order&#039;&#039;&#039;<br /> <br /> S. Alex Brown, Faramarz Samavati: Real-time panorama maps. https://doi.org/10.1145/3092919.3092922 https://dl.acm.org/authorize?N32489<br /> <br /> Chenxi Liu Jessica Hodgins James McCann: Whole-cloth quilting patterns from photographs. https://doi.org/10.1145/3092919.3092925 https://dl.acm.org/authorize?N32480<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Marc Spicker, Franz Hahn, Thomas Lindemeier, Dietmar Saupe, Oliver Deussen: Quantifying visual abstraction quality for stipple drawings. https://doi.org/10.1145/3092919.3092923 https://dl.acm.org/authorize?N32481<br /> <br /> Noura Faraj, Gui-Song Xia, Julie Delon, Yann Gousseau: A generic framework for the structured abstraction of images. https://doi.org/10.1145/3092919.3092930 https://dl.acm.org/authorize?N32482<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Sylvain Duchêne, Carlos Aliaga, Tania Pouli, Patrick Pérez: Mixed illumination analysis in single image for interactive color grading. https://doi.org/10.1145/3092919.3092927 https://dl.acm.org/authorize?N32483<br /> <br /> Paul L. Rosin, David Mould, Itamar Berger, John Collomosse, Yu-Kun Lai, Chuan Li, Hua Li, Ariel Shamir, Michael Wand, Tinghuai Wang, Holger Winnemöller: Benchmarking non-photorealistic rendering of portraits. https://doi.org/10.1145/3092919.3092921 https://dl.acm.org/authorize?N32484<br /> <br /> <br /> <br /> === General submissions (abstracts) in CAE &#039;17, SBIM &#039;17, NPAR &#039;17 ===<br /> <br /> Irene de la Torre-Arenas, Pedro Cruz: A taxonomy of motion applications in data visualization. https://doi.org/10.1145/3092919.3122798 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a07/a07-torre-arenas.pdf<br /> <br /> Saif Castaneda, Ergun Akleman: Shading with painterly filtered layers: a technique to obtain painterly portrait animations. https://doi.org/10.1145/3092919.3122800 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a08/a08-castenada.pdf<br /> <br /> Chun-An Lai, Pei-Ying Chiang: Modeling go: a mobile sketch-based modeling system for extracting objects. https://doi.org/10.1145/3092919.3122797 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a09/a09-lai.pdf<br /> <br /> Ozan Can, Altıok Tevfik, Metin Sezgin: Characterizing user behavior for speech and sketch-based video retrieval interfaces. https://doi.org/10.1145/3092919.3122801 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a10/a10-altiok.pdf<br /> <br /> Amal Dev, Parakkat Sarang, Anil Joshi, Uday Bondi, Pundarikaksha Ramanathan Muthuganapathy: Sketch and shade: an interactive assistant for sketching and shading. https://doi.org/10.1145/3092919.3122799 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a11/a11-parakkat.pdf<br /> <br /> == Links ==<br /> === Full Text === <br /> [extern file]<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> https://expressivesymposium.com/home/program/<br /> <br /> CAE &#039;17: Proceedings of the symposium on Computational Aesthetics July 2017 https://www.siggraph.org/sites/default/files/Symposium-on-Computational-Aesthetics.html https://diglib.eg.org/handle/10.2312/2631839<br /> <br /> SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling https://www.siggraph.org/sites/default/files/SBIM-17-open-access.html<br /> <br /> NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering https://www.siggraph.org/sites/default/files/NPAR-17-open-access.html https://dl.acm.org/citation.cfm?id=3092919</div> Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017&diff=33287 Computational Aesthetics 2017 2017-12-09T16:52:29Z <p>Gubachelier: /* SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling */</p> <hr /> <div>[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#Computational Aesthetics Conferences | zurück zu Computational Aesthetics Conferences]] <br /> <br /> <br /> == Reference ==<br /> <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> <br /> == Extended Abstract ==<br /> <br /> == Reviews==<br /> <br /> == Bibtex == <br /> @proceedings{<br /> editor = {},<br /> booktitle = {Expressive 2017: Joint Symposium of Computational Aesthetics (CAe), Non-Photorealistic Animation and Rendering (NPAR), Sketch-Based Interfaces and Modeling (SBIM}},<br /> year = {2017},<br /> location = {Los Angeles, CA, USA},<br /> url = {http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017 },<br /> ISBN = {978-1-4503-5080-8}, <br /> publisher = {ACM},<br /> address = {New York, NY, USA},<br /> } <br /> <br /> == Table of contents ==<br /> <br /> === CAE &#039;17: Proceedings of the symposium on Computational Aesthetics === <br /> https://www.siggraph.org/sites/default/files/Symposium-on-Computational-Aesthetics.html<br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Kuno Kurzhals, Michael Stoll, Andrés Bruhn, Daniel Weiskopf: FlowBrush: optical flow art. https://doi.org/10.1145/3092912.3092914 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a01/a01-C15-kurzhals.pdf <br /> <br /> <br /> &#039;&#039;&#039;SESSION: 3D (the third dimension)&#039;&#039;&#039;<br /> <br /> Kapil Dev, Nicolas Villar, Manfred Lau: Polygons, points, or voxels?: stimuli selection for crowdsourcing aesthetics preferences of 3D shape pairs. https://doi.org/10.1145/3092912.3092918 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a02/a02-C20-dev.pdf<br /> <br /> Sehee Min, Jaedong Lee, Jungdam Won, Jehee Lee: Soft shadow art. https://doi.org/10.1145/3092912.3092915 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a03/a03-C16-min.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Mapping, Patterns, and Order&#039;&#039;&#039;<br /> <br /> Lena Gieseke, Paul Asente, Jingwan Lu, Martin Fuchs: Organized order in ornamentation. https://doi.org/10.1145/3092912.3092913 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a04/a04-C01-gieseke.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Rosa Azami, David Mould: Detail and color enhancement in photo stylization. https://doi.org/10.1145/3092912.3092917 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a05/a05-C41-azami.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Dmitry Kuzovkin, Tania Pouli, Rémi Cozot, Olivier Le Meur, Jonathan Kervec, Kadi Bouatouch: Context-aware clustering and assessment of photo collections. https://doi.org/10.1145/3092912.3092916 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a06/a06-C30-kuzovkin.pdf<br /> <br /> <br /> <br /> === SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling === <br /> https://diglib.eg.org/handle/10.2312/2631852<br /> <br /> &#039;&#039;&#039;SESSION: Sketching&#039;&#039;&#039;<br /> <br /> Tiziano Portenier, Qiyang Hu, Paolo Favaro, and Matthias Zwicker: SmartSketcher: Sketch-based Image Retrieval with Dynamic Semantic Reranking. https://doi.org/10.1145/3092907.3092910 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a01/a01-S37-portenier.pdf<br /> <br /> Swarna Keshavabhotla, Blake Williford, Shalini Kumar, Ethan Hilton, Paul Taele, Wayne Li, Julie Linsey, and Tracy Hammond: Conquering the Cube: Learning to Sketch Primitives in Perspective with an Intelligent Tutoring System. https://doi.org/10.1145/3092907.3092911 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a02/a02-S45-keshavabhotla.pdf<br /> <br /> Jorge-Ivan Herrera-Camara and Tracy Hammond: Flow2Code: From Hand-drawn Flowcharts to Code Execution. https://doi.org/10.1145/3092907.3092909 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a03/a03-S32-herrera-camara.pdf<br /> <br /> &#039;&#039;&#039;SESSION: 3D (The Third Dimension)&#039;&#039;&#039;<br /> <br /> Tim McGraw, Esteban Garcia, and Drew Sumner: Interactive swept surface modeling in virtual reality with motion-tracked controllers. https://doi.org/10.1145/3092907.3092908 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a04/a04-S31-mcgraw.pdf<br /> <br /> === NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering ===<br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Elad Aharoni-Mack, Yakov Shambik, Dani Lischinski: Pigment-based recoloring of watercolor paintings. https://doi.org/10.1145/3092919.3092926 https://dl.acm.org/authorize?N32474<br /> <br /> Santiago E. Montesdeoca, Hock Soon, Seah Pierre, Bénard Romain, Vergne Joëlle Thollot, Hans-Martin Rall, Davide Benvenuti: Edge- and substrate-based effects for watercolor stylization. https://doi.org/10.1145/3092919.3092928 https://dl.acm.org/authorize?N32485<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Style transfer&#039;&#039;&#039;<br /> <br /> Ming Zheng, Antoine Milliez, Markus Gross, Robert W. Sumner: Example-based brushes for coherent stylized renderings. https://doi.org/10.1145/3092919.3092929 https://dl.acm.org/authorize?N32486<br /> <br /> Xiao-Chang Liu Ming-Ming Cheng Yu-Kun Lai Paul L. Rosin: Depth-aware neural style transfer. https://doi.org/10.1145/3092919.3092924 https://dl.acm.org/authorize?N32487<br /> <br /> Amir Semmo Tobias Isenberg Jürgen Döllner: Neural style transfer: a paradigm shift for image-based artistic rendering? https://doi.org/10.1145/3092919.3092920 https://dl.acm.org/authorize?N32488<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Mapping, patterns, and order&#039;&#039;&#039;<br /> <br /> S. Alex Brown, Faramarz Samavati: Real-time panorama maps. https://doi.org/10.1145/3092919.3092922 https://dl.acm.org/authorize?N32489<br /> <br /> Chenxi Liu Jessica Hodgins James McCann: Whole-cloth quilting patterns from photographs. https://doi.org/10.1145/3092919.3092925 https://dl.acm.org/authorize?N32480<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Marc Spicker, Franz Hahn, Thomas Lindemeier, Dietmar Saupe, Oliver Deussen: Quantifying visual abstraction quality for stipple drawings. https://doi.org/10.1145/3092919.3092923 https://dl.acm.org/authorize?N32481<br /> <br /> Noura Faraj, Gui-Song Xia, Julie Delon, Yann Gousseau: A generic framework for the structured abstraction of images. https://doi.org/10.1145/3092919.3092930 https://dl.acm.org/authorize?N32482<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Sylvain Duchêne, Carlos Aliaga, Tania Pouli, Patrick Pérez: Mixed illumination analysis in single image for interactive color grading. https://doi.org/10.1145/3092919.3092927 https://dl.acm.org/authorize?N32483<br /> <br /> Paul L. Rosin, David Mould, Itamar Berger, John Collomosse, Yu-Kun Lai, Chuan Li, Hua Li, Ariel Shamir, Michael Wand, Tinghuai Wang, Holger Winnemöller: Benchmarking non-photorealistic rendering of portraits. https://doi.org/10.1145/3092919.3092921 https://dl.acm.org/authorize?N32484<br /> <br /> <br /> <br /> <br /> === General submissions (abstracts) in CAE &#039;17, SBIM &#039;17, NPAR &#039;17 ===<br /> <br /> Irene de la Torre-Arenas, Pedro Cruz: A taxonomy of motion applications in data visualization. https://doi.org/10.1145/3092919.3122798 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a07/a07-torre-arenas.pdf<br /> <br /> Saif Castaneda, Ergun Akleman: Shading with painterly filtered layers: a technique to obtain painterly portrait animations. https://doi.org/10.1145/3092919.3122800 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a08/a08-castenada.pdf<br /> <br /> Chun-An Lai, Pei-Ying Chiang: Modeling go: a mobile sketch-based modeling system for extracting objects. https://doi.org/10.1145/3092919.3122797 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a09/a09-lai.pdf<br /> <br /> Ozan Can, Altıok Tevfik, Metin Sezgin: Characterizing user behavior for speech and sketch-based video retrieval interfaces. https://doi.org/10.1145/3092919.3122801 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a10/a10-altiok.pdf<br /> <br /> Amal Dev, Parakkat Sarang, Anil Joshi, Uday Bondi, Pundarikaksha Ramanathan Muthuganapathy: Sketch and shade: an interactive assistant for sketching and shading. https://doi.org/10.1145/3092919.3122799 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a11/a11-parakkat.pdf<br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> [extern file]<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> https://expressivesymposium.com/home/program/<br /> <br /> CAE &#039;17: Proceedings of the symposium on Computational Aesthetics July 2017 https://www.siggraph.org/sites/default/files/Symposium-on-Computational-Aesthetics.html https://diglib.eg.org/handle/10.2312/2631839<br /> <br /> SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling https://www.siggraph.org/sites/default/files/SBIM-17-open-access.html<br /> <br /> NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering https://www.siggraph.org/sites/default/files/NPAR-17-open-access.html https://dl.acm.org/citation.cfm?id=3092919</div> Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017&diff=33286 Computational Aesthetics 2017 2017-12-09T16:51:53Z <p>Gubachelier: /* SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling */</p> <hr /> <div>[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#Computational Aesthetics Conferences | zurück zu Computational Aesthetics Conferences]] <br /> <br /> <br /> == Reference ==<br /> <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> <br /> == Extended Abstract ==<br /> <br /> == Reviews==<br /> <br /> == Bibtex == <br /> @proceedings{<br /> editor = {},<br /> booktitle = {Expressive 2017: Joint Symposium of Computational Aesthetics (CAe), Non-Photorealistic Animation and Rendering (NPAR), Sketch-Based Interfaces and Modeling (SBIM}},<br /> year = {2017},<br /> location = {Los Angeles, CA, USA},<br /> url = {http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017 },<br /> ISBN = {978-1-4503-5080-8}, <br /> publisher = {ACM},<br /> address = {New York, NY, USA},<br /> } <br /> <br /> == Table of contents ==<br /> <br /> === CAE &#039;17: Proceedings of the symposium on Computational Aesthetics === <br /> https://www.siggraph.org/sites/default/files/Symposium-on-Computational-Aesthetics.html<br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Kuno Kurzhals, Michael Stoll, Andrés Bruhn, Daniel Weiskopf: FlowBrush: optical flow art. https://doi.org/10.1145/3092912.3092914 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a01/a01-C15-kurzhals.pdf <br /> <br /> <br /> &#039;&#039;&#039;SESSION: 3D (the third dimension)&#039;&#039;&#039;<br /> <br /> Kapil Dev, Nicolas Villar, Manfred Lau: Polygons, points, or voxels?: stimuli selection for crowdsourcing aesthetics preferences of 3D shape pairs. https://doi.org/10.1145/3092912.3092918 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a02/a02-C20-dev.pdf<br /> <br /> Sehee Min, Jaedong Lee, Jungdam Won, Jehee Lee: Soft shadow art. https://doi.org/10.1145/3092912.3092915 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a03/a03-C16-min.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Mapping, Patterns, and Order&#039;&#039;&#039;<br /> <br /> Lena Gieseke, Paul Asente, Jingwan Lu, Martin Fuchs: Organized order in ornamentation. https://doi.org/10.1145/3092912.3092913 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a04/a04-C01-gieseke.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Rosa Azami, David Mould: Detail and color enhancement in photo stylization. https://doi.org/10.1145/3092912.3092917 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a05/a05-C41-azami.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Dmitry Kuzovkin, Tania Pouli, Rémi Cozot, Olivier Le Meur, Jonathan Kervec, Kadi Bouatouch: Context-aware clustering and assessment of photo collections. https://doi.org/10.1145/3092912.3092916 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a06/a06-C30-kuzovkin.pdf<br /> <br /> <br /> <br /> === SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling === <br /> https://diglib.eg.org/handle/10.2312/2631852<br /> <br /> &#039;&#039;&#039;SESSION: Sketching&#039;&#039;&#039;<br /> <br /> Tiziano Portenier, Qiyang Hu, Paolo Favaro, and Matthias Zwicker: SmartSketcher: Sketch-based Image Retrieval with Dynamic Semantic Reranking. https://doi.org/10.1145/3092907.3092910 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a01/a01-S37-portenier.pdf<br /> <br /> Swarna Keshavabhotla, Blake Williford, Shalini Kumar, Ethan Hilton, Paul Taele, Wayne Li, Julie Linsey, and Tracy Hammond: Conquering the Cube: Learning to Sketch Primitives in Perspective with an Intelligent Tutoring System. https://doi.org/10.1145/3092907.3092911 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a02/a02-S45-keshavabhotla.pdf<br /> <br /> Jorge-Ivan Herrera-Camara and Tracy Hammond: Flow2Code: From Hand-drawn Flowcharts to Code Execution. https://doi.org/10.1145/3092907.3092909 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a03/a03-S32-herrera-camara.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: 3D (The Third Dimension)&#039;&#039;&#039;<br /> <br /> Tim McGraw, Esteban Garcia, and Drew Sumner: Interactive swept surface modeling in virtual reality with motion-tracked controllers. https://doi.org/10.1145/3092907.3092908 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a04/a04-S31-mcgraw.pdf<br /> <br /> === NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering ===<br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Elad Aharoni-Mack, Yakov Shambik, Dani Lischinski: Pigment-based recoloring of watercolor paintings. https://doi.org/10.1145/3092919.3092926 https://dl.acm.org/authorize?N32474<br /> <br /> Santiago E. Montesdeoca, Hock Soon, Seah Pierre, Bénard Romain, Vergne Joëlle Thollot, Hans-Martin Rall, Davide Benvenuti: Edge- and substrate-based effects for watercolor stylization. https://doi.org/10.1145/3092919.3092928 https://dl.acm.org/authorize?N32485<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Style transfer&#039;&#039;&#039;<br /> <br /> Ming Zheng, Antoine Milliez, Markus Gross, Robert W. Sumner: Example-based brushes for coherent stylized renderings. https://doi.org/10.1145/3092919.3092929 https://dl.acm.org/authorize?N32486<br /> <br /> Xiao-Chang Liu Ming-Ming Cheng Yu-Kun Lai Paul L. Rosin: Depth-aware neural style transfer. https://doi.org/10.1145/3092919.3092924 https://dl.acm.org/authorize?N32487<br /> <br /> Amir Semmo Tobias Isenberg Jürgen Döllner: Neural style transfer: a paradigm shift for image-based artistic rendering? https://doi.org/10.1145/3092919.3092920 https://dl.acm.org/authorize?N32488<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Mapping, patterns, and order&#039;&#039;&#039;<br /> <br /> S. Alex Brown, Faramarz Samavati: Real-time panorama maps. https://doi.org/10.1145/3092919.3092922 https://dl.acm.org/authorize?N32489<br /> <br /> Chenxi Liu Jessica Hodgins James McCann: Whole-cloth quilting patterns from photographs. https://doi.org/10.1145/3092919.3092925 https://dl.acm.org/authorize?N32480<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Marc Spicker, Franz Hahn, Thomas Lindemeier, Dietmar Saupe, Oliver Deussen: Quantifying visual abstraction quality for stipple drawings. https://doi.org/10.1145/3092919.3092923 https://dl.acm.org/authorize?N32481<br /> <br /> Noura Faraj, Gui-Song Xia, Julie Delon, Yann Gousseau: A generic framework for the structured abstraction of images. https://doi.org/10.1145/3092919.3092930 https://dl.acm.org/authorize?N32482<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Sylvain Duchêne, Carlos Aliaga, Tania Pouli, Patrick Pérez: Mixed illumination analysis in single image for interactive color grading. https://doi.org/10.1145/3092919.3092927 https://dl.acm.org/authorize?N32483<br /> <br /> Paul L. Rosin, David Mould, Itamar Berger, John Collomosse, Yu-Kun Lai, Chuan Li, Hua Li, Ariel Shamir, Michael Wand, Tinghuai Wang, Holger Winnemöller: Benchmarking non-photorealistic rendering of portraits. https://doi.org/10.1145/3092919.3092921 https://dl.acm.org/authorize?N32484<br /> <br /> <br /> <br /> <br /> === General submissions (abstracts) in CAE &#039;17, SBIM &#039;17, NPAR &#039;17 ===<br /> <br /> Irene de la Torre-Arenas, Pedro Cruz: A taxonomy of motion applications in data visualization. https://doi.org/10.1145/3092919.3122798 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a07/a07-torre-arenas.pdf<br /> <br /> Saif Castaneda, Ergun Akleman: Shading with painterly filtered layers: a technique to obtain painterly portrait animations. https://doi.org/10.1145/3092919.3122800 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a08/a08-castenada.pdf<br /> <br /> Chun-An Lai, Pei-Ying Chiang: Modeling go: a mobile sketch-based modeling system for extracting objects. https://doi.org/10.1145/3092919.3122797 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a09/a09-lai.pdf<br /> <br /> Ozan Can, Altıok Tevfik, Metin Sezgin: Characterizing user behavior for speech and sketch-based video retrieval interfaces. https://doi.org/10.1145/3092919.3122801 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a10/a10-altiok.pdf<br /> <br /> Amal Dev, Parakkat Sarang, Anil Joshi, Uday Bondi, Pundarikaksha Ramanathan Muthuganapathy: Sketch and shade: an interactive assistant for sketching and shading. https://doi.org/10.1145/3092919.3122799 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a11/a11-parakkat.pdf<br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> [extern file]<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> https://expressivesymposium.com/home/program/<br /> <br /> CAE &#039;17: Proceedings of the symposium on Computational Aesthetics July 2017 https://www.siggraph.org/sites/default/files/Symposium-on-Computational-Aesthetics.html https://diglib.eg.org/handle/10.2312/2631839<br /> <br /> SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling https://www.siggraph.org/sites/default/files/SBIM-17-open-access.html<br /> <br /> NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering https://www.siggraph.org/sites/default/files/NPAR-17-open-access.html https://dl.acm.org/citation.cfm?id=3092919</div> Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017&diff=33285 Computational Aesthetics 2017 2017-12-09T16:50:20Z <p>Gubachelier: </p> <hr /> <div>[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#Computational Aesthetics Conferences | zurück zu Computational Aesthetics Conferences]] <br /> <br /> <br /> == Reference ==<br /> <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> <br /> == Extended Abstract ==<br /> <br /> == Reviews==<br /> <br /> == Bibtex == <br /> @proceedings{<br /> editor = {},<br /> booktitle = {Expressive 2017: Joint Symposium of Computational Aesthetics (CAe), Non-Photorealistic Animation and Rendering (NPAR), Sketch-Based Interfaces and Modeling (SBIM}},<br /> year = {2017},<br /> location = {Los Angeles, CA, USA},<br /> url = {http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017 },<br /> ISBN = {978-1-4503-5080-8}, <br /> publisher = {ACM},<br /> address = {New York, NY, USA},<br /> } <br /> <br /> == Table of contents ==<br /> <br /> === CAE &#039;17: Proceedings of the symposium on Computational Aesthetics === <br /> https://www.siggraph.org/sites/default/files/Symposium-on-Computational-Aesthetics.html<br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Kuno Kurzhals, Michael Stoll, Andrés Bruhn, Daniel Weiskopf: FlowBrush: optical flow art. https://doi.org/10.1145/3092912.3092914 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a01/a01-C15-kurzhals.pdf <br /> <br /> <br /> &#039;&#039;&#039;SESSION: 3D (the third dimension)&#039;&#039;&#039;<br /> <br /> Kapil Dev, Nicolas Villar, Manfred Lau: Polygons, points, or voxels?: stimuli selection for crowdsourcing aesthetics preferences of 3D shape pairs. https://doi.org/10.1145/3092912.3092918 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a02/a02-C20-dev.pdf<br /> <br /> Sehee Min, Jaedong Lee, Jungdam Won, Jehee Lee: Soft shadow art. https://doi.org/10.1145/3092912.3092915 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a03/a03-C16-min.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Mapping, Patterns, and Order&#039;&#039;&#039;<br /> <br /> Lena Gieseke, Paul Asente, Jingwan Lu, Martin Fuchs: Organized order in ornamentation. https://doi.org/10.1145/3092912.3092913 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a04/a04-C01-gieseke.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Rosa Azami, David Mould: Detail and color enhancement in photo stylization. https://doi.org/10.1145/3092912.3092917 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a05/a05-C41-azami.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Dmitry Kuzovkin, Tania Pouli, Rémi Cozot, Olivier Le Meur, Jonathan Kervec, Kadi Bouatouch: Context-aware clustering and assessment of photo collections. https://doi.org/10.1145/3092912.3092916 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a06/a06-C30-kuzovkin.pdf<br /> <br /> <br /> <br /> === SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling === <br /> https://diglib.eg.org/handle/10.2312/2631852<br /> <br /> &#039;&#039;&#039;SESSION: Sketching&#039;&#039;&#039;<br /> <br /> Tiziano Portenier, Qiyang Hu, Paolo Favaro, and Matthias Zwicker: SmartSketcher: Sketch-based Image Retrieval with Dynamic Semantic Reranking. https://doi.org/10.1145/3092907.3092910 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a01/a01-S37-portenier.pdf<br /> <br /> Swarna Keshavabhotla, Blake Williford, Shalini Kumar, Ethan Hilton, Paul Taele, Wayne Li, Julie Linsey, and Tracy Hammond: Conquering the Cube: Learning to Sketch Primitives in Perspective with an Intelligent Tutoring System. https://doi.org/10.1145/3092907.3092911 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a02/a02-S45-keshavabhotla.pdf<br /> <br /> Jorge-Ivan Herrera-Camara and Tracy Hammond: Flow2Code: From Hand-drawn Flowcharts to Code Execution. https://doi.org/10.1145/3092907.3092909 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a03/a03-S32-herrera-camara.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: 3D (The Third Dimension)&#039;&#039;&#039;<br /> Tim McGraw, Esteban Garcia, and Drew Sumner: Interactive swept surface modeling in virtual reality with motion-tracked controllers. https://doi.org/10.1145/3092907.3092908 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a04/a04-S31-mcgraw.pdf<br /> <br /> <br /> <br /> === NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering ===<br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Elad Aharoni-Mack, Yakov Shambik, Dani Lischinski: Pigment-based recoloring of watercolor paintings. https://doi.org/10.1145/3092919.3092926 https://dl.acm.org/authorize?N32474<br /> <br /> Santiago E. Montesdeoca, Hock Soon, Seah Pierre, Bénard Romain, Vergne Joëlle Thollot, Hans-Martin Rall, Davide Benvenuti: Edge- and substrate-based effects for watercolor stylization. https://doi.org/10.1145/3092919.3092928 https://dl.acm.org/authorize?N32485<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Style transfer&#039;&#039;&#039;<br /> <br /> Ming Zheng, Antoine Milliez, Markus Gross, Robert W. Sumner: Example-based brushes for coherent stylized renderings. https://doi.org/10.1145/3092919.3092929 https://dl.acm.org/authorize?N32486<br /> <br /> Xiao-Chang Liu Ming-Ming Cheng Yu-Kun Lai Paul L. Rosin: Depth-aware neural style transfer. https://doi.org/10.1145/3092919.3092924 https://dl.acm.org/authorize?N32487<br /> <br /> Amir Semmo Tobias Isenberg Jürgen Döllner: Neural style transfer: a paradigm shift for image-based artistic rendering? https://doi.org/10.1145/3092919.3092920 https://dl.acm.org/authorize?N32488<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Mapping, patterns, and order&#039;&#039;&#039;<br /> <br /> S. Alex Brown, Faramarz Samavati: Real-time panorama maps. https://doi.org/10.1145/3092919.3092922 https://dl.acm.org/authorize?N32489<br /> <br /> Chenxi Liu Jessica Hodgins James McCann: Whole-cloth quilting patterns from photographs. https://doi.org/10.1145/3092919.3092925 https://dl.acm.org/authorize?N32480<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Marc Spicker, Franz Hahn, Thomas Lindemeier, Dietmar Saupe, Oliver Deussen: Quantifying visual abstraction quality for stipple drawings. https://doi.org/10.1145/3092919.3092923 https://dl.acm.org/authorize?N32481<br /> <br /> Noura Faraj, Gui-Song Xia, Julie Delon, Yann Gousseau: A generic framework for the structured abstraction of images. https://doi.org/10.1145/3092919.3092930 https://dl.acm.org/authorize?N32482<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Sylvain Duchêne, Carlos Aliaga, Tania Pouli, Patrick Pérez: Mixed illumination analysis in single image for interactive color grading. https://doi.org/10.1145/3092919.3092927 https://dl.acm.org/authorize?N32483<br /> <br /> Paul L. Rosin, David Mould, Itamar Berger, John Collomosse, Yu-Kun Lai, Chuan Li, Hua Li, Ariel Shamir, Michael Wand, Tinghuai Wang, Holger Winnemöller: Benchmarking non-photorealistic rendering of portraits. https://doi.org/10.1145/3092919.3092921 https://dl.acm.org/authorize?N32484<br /> <br /> <br /> <br /> <br /> === General submissions (abstracts) in CAE &#039;17, SBIM &#039;17, NPAR &#039;17 ===<br /> <br /> Irene de la Torre-Arenas, Pedro Cruz: A taxonomy of motion applications in data visualization. https://doi.org/10.1145/3092919.3122798 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a07/a07-torre-arenas.pdf<br /> <br /> Saif Castaneda, Ergun Akleman: Shading with painterly filtered layers: a technique to obtain painterly portrait animations. https://doi.org/10.1145/3092919.3122800 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a08/a08-castenada.pdf<br /> <br /> Chun-An Lai, Pei-Ying Chiang: Modeling go: a mobile sketch-based modeling system for extracting objects. https://doi.org/10.1145/3092919.3122797 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a09/a09-lai.pdf<br /> <br /> Ozan Can, Altıok Tevfik, Metin Sezgin: Characterizing user behavior for speech and sketch-based video retrieval interfaces. https://doi.org/10.1145/3092919.3122801 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a10/a10-altiok.pdf<br /> <br /> Amal Dev, Parakkat Sarang, Anil Joshi, Uday Bondi, Pundarikaksha Ramanathan Muthuganapathy: Sketch and shade: an interactive assistant for sketching and shading. https://doi.org/10.1145/3092919.3122799 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a11/a11-parakkat.pdf<br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> [extern file]<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> https://expressivesymposium.com/home/program/<br /> <br /> CAE &#039;17: Proceedings of the symposium on Computational Aesthetics July 2017 https://www.siggraph.org/sites/default/files/Symposium-on-Computational-Aesthetics.html https://diglib.eg.org/handle/10.2312/2631839<br /> <br /> SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling https://www.siggraph.org/sites/default/files/SBIM-17-open-access.html<br /> <br /> NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering https://www.siggraph.org/sites/default/files/NPAR-17-open-access.html https://dl.acm.org/citation.cfm?id=3092919</div> Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017&diff=33284 Computational Aesthetics 2017 2017-12-09T16:49:43Z <p>Gubachelier: </p> <hr /> <div>[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#Computational Aesthetics Conferences | zurück zu Computational Aesthetics Conferences]] <br /> <br /> <br /> == Reference ==<br /> <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> <br /> == Extended Abstract ==<br /> <br /> == Reviews==<br /> <br /> == Bibtex == <br /> @proceedings{<br /> editor = {},<br /> booktitle = {Expressive 2017: Joint Symposium of Computational Aesthetics (CAe), Non-Photorealistic Animation and Rendering (NPAR), Sketch-Based Interfaces and Modeling (SBIM}},<br /> year = {2017},<br /> location = {Los Angeles, CA, USA},<br /> url = {http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017 },<br /> ISBN = {978-1-4503-5080-8}, <br /> publisher = {ACM},<br /> address = {New York, NY, USA},<br /> } <br /> <br /> == Table of contents ==<br /> <br /> === CAE &#039;17: Proceedings of the symposium on Computational Aesthetics === https://www.siggraph.org/sites/default/files/Symposium-on-Computational-Aesthetics.html<br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Kuno Kurzhals, Michael Stoll, Andrés Bruhn, Daniel Weiskopf: FlowBrush: optical flow art. https://doi.org/10.1145/3092912.3092914 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a01/a01-C15-kurzhals.pdf <br /> <br /> <br /> &#039;&#039;&#039;SESSION: 3D (the third dimension)&#039;&#039;&#039;<br /> <br /> Kapil Dev, Nicolas Villar, Manfred Lau: Polygons, points, or voxels?: stimuli selection for crowdsourcing aesthetics preferences of 3D shape pairs. https://doi.org/10.1145/3092912.3092918 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a02/a02-C20-dev.pdf<br /> <br /> Sehee Min, Jaedong Lee, Jungdam Won, Jehee Lee: Soft shadow art. https://doi.org/10.1145/3092912.3092915 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a03/a03-C16-min.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Mapping, Patterns, and Order&#039;&#039;&#039;<br /> <br /> Lena Gieseke, Paul Asente, Jingwan Lu, Martin Fuchs: Organized order in ornamentation. https://doi.org/10.1145/3092912.3092913 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a04/a04-C01-gieseke.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Rosa Azami, David Mould: Detail and color enhancement in photo stylization. https://doi.org/10.1145/3092912.3092917 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a05/a05-C41-azami.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Dmitry Kuzovkin, Tania Pouli, Rémi Cozot, Olivier Le Meur, Jonathan Kervec, Kadi Bouatouch: Context-aware clustering and assessment of photo collections. https://doi.org/10.1145/3092912.3092916 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a06/a06-C30-kuzovkin.pdf<br /> <br /> <br /> <br /> === SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling === https://diglib.eg.org/handle/10.2312/2631852<br /> <br /> &#039;&#039;&#039;SESSION: Sketching&#039;&#039;&#039;<br /> <br /> Tiziano Portenier, Qiyang Hu, Paolo Favaro, and Matthias Zwicker: SmartSketcher: Sketch-based Image Retrieval with Dynamic Semantic Reranking. https://doi.org/10.1145/3092907.3092910 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a01/a01-S37-portenier.pdf<br /> <br /> Swarna Keshavabhotla, Blake Williford, Shalini Kumar, Ethan Hilton, Paul Taele, Wayne Li, Julie Linsey, and Tracy Hammond: Conquering the Cube: Learning to Sketch Primitives in Perspective with an Intelligent Tutoring System. https://doi.org/10.1145/3092907.3092911 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a02/a02-S45-keshavabhotla.pdf<br /> <br /> Jorge-Ivan Herrera-Camara and Tracy Hammond: Flow2Code: From Hand-drawn Flowcharts to Code Execution. https://doi.org/10.1145/3092907.3092909 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a03/a03-S32-herrera-camara.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: 3D (The Third Dimension)&#039;&#039;&#039;<br /> Tim McGraw, Esteban Garcia, and Drew Sumner: Interactive swept surface modeling in virtual reality with motion-tracked controllers. https://doi.org/10.1145/3092907.3092908 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a04/a04-S31-mcgraw.pdf<br /> <br /> <br /> <br /> === NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering ===<br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Elad Aharoni-Mack, Yakov Shambik, Dani Lischinski: Pigment-based recoloring of watercolor paintings. https://doi.org/10.1145/3092919.3092926 https://dl.acm.org/authorize?N32474<br /> <br /> Santiago E. Montesdeoca, Hock Soon, Seah Pierre, Bénard Romain, Vergne Joëlle Thollot, Hans-Martin Rall, Davide Benvenuti: Edge- and substrate-based effects for watercolor stylization. https://doi.org/10.1145/3092919.3092928 https://dl.acm.org/authorize?N32485<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Style transfer&#039;&#039;&#039;<br /> <br /> Ming Zheng, Antoine Milliez, Markus Gross, Robert W. Sumner: Example-based brushes for coherent stylized renderings. https://doi.org/10.1145/3092919.3092929 https://dl.acm.org/authorize?N32486<br /> <br /> Xiao-Chang Liu Ming-Ming Cheng Yu-Kun Lai Paul L. Rosin: Depth-aware neural style transfer. https://doi.org/10.1145/3092919.3092924 https://dl.acm.org/authorize?N32487<br /> <br /> Amir Semmo Tobias Isenberg Jürgen Döllner: Neural style transfer: a paradigm shift for image-based artistic rendering? https://doi.org/10.1145/3092919.3092920 https://dl.acm.org/authorize?N32488<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Mapping, patterns, and order&#039;&#039;&#039;<br /> <br /> S. Alex Brown, Faramarz Samavati: Real-time panorama maps. https://doi.org/10.1145/3092919.3092922 https://dl.acm.org/authorize?N32489<br /> <br /> Chenxi Liu Jessica Hodgins James McCann: Whole-cloth quilting patterns from photographs. https://doi.org/10.1145/3092919.3092925 https://dl.acm.org/authorize?N32480<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Marc Spicker, Franz Hahn, Thomas Lindemeier, Dietmar Saupe, Oliver Deussen: Quantifying visual abstraction quality for stipple drawings. https://doi.org/10.1145/3092919.3092923 https://dl.acm.org/authorize?N32481<br /> <br /> Noura Faraj, Gui-Song Xia, Julie Delon, Yann Gousseau: A generic framework for the structured abstraction of images. https://doi.org/10.1145/3092919.3092930 https://dl.acm.org/authorize?N32482<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Sylvain Duchêne, Carlos Aliaga, Tania Pouli, Patrick Pérez: Mixed illumination analysis in single image for interactive color grading. https://doi.org/10.1145/3092919.3092927 https://dl.acm.org/authorize?N32483<br /> <br /> Paul L. Rosin, David Mould, Itamar Berger, John Collomosse, Yu-Kun Lai, Chuan Li, Hua Li, Ariel Shamir, Michael Wand, Tinghuai Wang, Holger Winnemöller: Benchmarking non-photorealistic rendering of portraits. https://doi.org/10.1145/3092919.3092921 https://dl.acm.org/authorize?N32484<br /> <br /> <br /> <br /> <br /> === General submissions (abstracts) in CAE &#039;17, SBIM &#039;17, NPAR &#039;17 ===<br /> <br /> Irene de la Torre-Arenas, Pedro Cruz: A taxonomy of motion applications in data visualization. https://doi.org/10.1145/3092919.3122798 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a07/a07-torre-arenas.pdf<br /> <br /> Saif Castaneda, Ergun Akleman: Shading with painterly filtered layers: a technique to obtain painterly portrait animations. https://doi.org/10.1145/3092919.3122800 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a08/a08-castenada.pdf<br /> <br /> Chun-An Lai, Pei-Ying Chiang: Modeling go: a mobile sketch-based modeling system for extracting objects. https://doi.org/10.1145/3092919.3122797 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a09/a09-lai.pdf<br /> <br /> Ozan Can, Altıok Tevfik, Metin Sezgin: Characterizing user behavior for speech and sketch-based video retrieval interfaces. https://doi.org/10.1145/3092919.3122801 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a10/a10-altiok.pdf<br /> <br /> Amal Dev, Parakkat Sarang, Anil Joshi, Uday Bondi, Pundarikaksha Ramanathan Muthuganapathy: Sketch and shade: an interactive assistant for sketching and shading. https://doi.org/10.1145/3092919.3122799 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a11/a11-parakkat.pdf<br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> [extern file]<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> https://expressivesymposium.com/home/program/<br /> <br /> CAE &#039;17: Proceedings of the symposium on Computational Aesthetics July 2017 https://www.siggraph.org/sites/default/files/Symposium-on-Computational-Aesthetics.html https://diglib.eg.org/handle/10.2312/2631839<br /> <br /> SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling https://www.siggraph.org/sites/default/files/SBIM-17-open-access.html<br /> <br /> NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering https://www.siggraph.org/sites/default/files/NPAR-17-open-access.html https://dl.acm.org/citation.cfm?id=3092919</div> Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017&diff=33283 Computational Aesthetics 2017 2017-12-09T16:48:20Z <p>Gubachelier: </p> <hr /> <div>[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#Computational Aesthetics Conferences | zurück zu Computational Aesthetics Conferences]] <br /> <br /> <br /> == Reference ==<br /> <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> <br /> == Extended Abstract ==<br /> <br /> == Reviews==<br /> <br /> == Bibtex == <br /> @proceedings{<br /> editor = {},<br /> booktitle = {Expressive 2017: Joint Symposium of Computational Aesthetics (CAe), Non-Photorealistic Animation and Rendering (NPAR), Sketch-Based Interfaces and Modeling (SBIM}},<br /> year = {2017},<br /> location = {Los Angeles, CA, USA},<br /> url = {http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017 },<br /> ISBN = {978-1-4503-5080-8}, <br /> publisher = {ACM},<br /> address = {New York, NY, USA},<br /> } <br /> <br /> == Table of contents ==<br /> === CAE &#039;17: Proceedings of the symposium on Computational Aesthetics === https://www.siggraph.org/sites/default/files/Symposium-on-Computational-Aesthetics.html<br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Kuno Kurzhals, Michael Stoll, Andrés Bruhn, Daniel Weiskopf: FlowBrush: optical flow art. https://doi.org/10.1145/3092912.3092914 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a01/a01-C15-kurzhals.pdf <br /> <br /> <br /> &#039;&#039;&#039;SESSION: 3D (the third dimension)&#039;&#039;&#039;<br /> <br /> Kapil Dev, Nicolas Villar, Manfred Lau: Polygons, points, or voxels?: stimuli selection for crowdsourcing aesthetics preferences of 3D shape pairs. https://doi.org/10.1145/3092912.3092918 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a02/a02-C20-dev.pdf<br /> <br /> Sehee Min, Jaedong Lee, Jungdam Won, Jehee Lee: Soft shadow art. https://doi.org/10.1145/3092912.3092915 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a03/a03-C16-min.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Mapping, Patterns, and Order&#039;&#039;&#039;<br /> <br /> Lena Gieseke, Paul Asente, Jingwan Lu, Martin Fuchs: Organized order in ornamentation. https://doi.org/10.1145/3092912.3092913 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a04/a04-C01-gieseke.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Rosa Azami, David Mould: Detail and color enhancement in photo stylization. https://doi.org/10.1145/3092912.3092917 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a05/a05-C41-azami.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Dmitry Kuzovkin, Tania Pouli, Rémi Cozot, Olivier Le Meur, Jonathan Kervec, Kadi Bouatouch: Context-aware clustering and assessment of photo collections. https://doi.org/10.1145/3092912.3092916 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a06/a06-C30-kuzovkin.pdf<br /> <br /> <br /> <br /> &#039;&#039;&#039;SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling&#039;&#039;&#039; https://diglib.eg.org/handle/10.2312/2631852<br /> <br /> &#039;&#039;&#039;SESSION: Sketching&#039;&#039;&#039;<br /> <br /> Tiziano Portenier, Qiyang Hu, Paolo Favaro, and Matthias Zwicker: SmartSketcher: Sketch-based Image Retrieval with Dynamic Semantic Reranking. https://doi.org/10.1145/3092907.3092910 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a01/a01-S37-portenier.pdf<br /> <br /> Swarna Keshavabhotla, Blake Williford, Shalini Kumar, Ethan Hilton, Paul Taele, Wayne Li, Julie Linsey, and Tracy Hammond: Conquering the Cube: Learning to Sketch Primitives in Perspective with an Intelligent Tutoring System. https://doi.org/10.1145/3092907.3092911 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a02/a02-S45-keshavabhotla.pdf<br /> <br /> Jorge-Ivan Herrera-Camara and Tracy Hammond: Flow2Code: From Hand-drawn Flowcharts to Code Execution. https://doi.org/10.1145/3092907.3092909 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a03/a03-S32-herrera-camara.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: 3D (The Third Dimension)&#039;&#039;&#039;<br /> Tim McGraw, Esteban Garcia, and Drew Sumner: Interactive swept surface modeling in virtual reality with motion-tracked controllers. https://doi.org/10.1145/3092907.3092908 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a04/a04-S31-mcgraw.pdf<br /> <br /> <br /> <br /> &#039;&#039;&#039;NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering&#039;&#039;&#039;<br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Elad Aharoni-Mack, Yakov Shambik, Dani Lischinski: Pigment-based recoloring of watercolor paintings. https://doi.org/10.1145/3092919.3092926 https://dl.acm.org/authorize?N32474<br /> <br /> Santiago E. Montesdeoca, Hock Soon, Seah Pierre, Bénard Romain, Vergne Joëlle Thollot, Hans-Martin Rall, Davide Benvenuti: Edge- and substrate-based effects for watercolor stylization. https://doi.org/10.1145/3092919.3092928 https://dl.acm.org/authorize?N32485<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Style transfer&#039;&#039;&#039;<br /> <br /> Ming Zheng, Antoine Milliez, Markus Gross, Robert W. Sumner: Example-based brushes for coherent stylized renderings. https://doi.org/10.1145/3092919.3092929 https://dl.acm.org/authorize?N32486<br /> <br /> Xiao-Chang Liu Ming-Ming Cheng Yu-Kun Lai Paul L. Rosin: Depth-aware neural style transfer. https://doi.org/10.1145/3092919.3092924 https://dl.acm.org/authorize?N32487<br /> <br /> Amir Semmo Tobias Isenberg Jürgen Döllner: Neural style transfer: a paradigm shift for image-based artistic rendering? https://doi.org/10.1145/3092919.3092920 https://dl.acm.org/authorize?N32488<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Mapping, patterns, and order&#039;&#039;&#039;<br /> <br /> S. Alex Brown, Faramarz Samavati: Real-time panorama maps. https://doi.org/10.1145/3092919.3092922 https://dl.acm.org/authorize?N32489<br /> <br /> Chenxi Liu Jessica Hodgins James McCann: Whole-cloth quilting patterns from photographs. https://doi.org/10.1145/3092919.3092925 https://dl.acm.org/authorize?N32480<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Marc Spicker, Franz Hahn, Thomas Lindemeier, Dietmar Saupe, Oliver Deussen: Quantifying visual abstraction quality for stipple drawings. https://doi.org/10.1145/3092919.3092923 https://dl.acm.org/authorize?N32481<br /> <br /> Noura Faraj, Gui-Song Xia, Julie Delon, Yann Gousseau: A generic framework for the structured abstraction of images. https://doi.org/10.1145/3092919.3092930 https://dl.acm.org/authorize?N32482<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Sylvain Duchêne, Carlos Aliaga, Tania Pouli, Patrick Pérez: Mixed illumination analysis in single image for interactive color grading. https://doi.org/10.1145/3092919.3092927 https://dl.acm.org/authorize?N32483<br /> <br /> Paul L. Rosin, David Mould, Itamar Berger, John Collomosse, Yu-Kun Lai, Chuan Li, Hua Li, Ariel Shamir, Michael Wand, Tinghuai Wang, Holger Winnemöller: Benchmarking non-photorealistic rendering of portraits. https://doi.org/10.1145/3092919.3092921 https://dl.acm.org/authorize?N32484<br /> <br /> <br /> <br /> <br /> &#039;&#039;&#039;General submissions (abstracts) in CAE &#039;17, SBIM &#039;17, NPAR &#039;17&#039;&#039;&#039;<br /> <br /> Irene de la Torre-Arenas, Pedro Cruz: A taxonomy of motion applications in data visualization. https://doi.org/10.1145/3092919.3122798 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a07/a07-torre-arenas.pdf<br /> <br /> Saif Castaneda, Ergun Akleman: Shading with painterly filtered layers: a technique to obtain painterly portrait animations. https://doi.org/10.1145/3092919.3122800 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a08/a08-castenada.pdf<br /> <br /> Chun-An Lai, Pei-Ying Chiang: Modeling go: a mobile sketch-based modeling system for extracting objects. https://doi.org/10.1145/3092919.3122797 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a09/a09-lai.pdf<br /> <br /> Ozan Can, Altıok Tevfik, Metin Sezgin: Characterizing user behavior for speech and sketch-based video retrieval interfaces. https://doi.org/10.1145/3092919.3122801 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a10/a10-altiok.pdf<br /> <br /> Amal Dev, Parakkat Sarang, Anil Joshi, Uday Bondi, Pundarikaksha Ramanathan Muthuganapathy: Sketch and shade: an interactive assistant for sketching and shading. https://doi.org/10.1145/3092919.3122799 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a11/a11-parakkat.pdf<br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> [extern file]<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> https://expressivesymposium.com/home/program/<br /> <br /> CAE &#039;17: Proceedings of the symposium on Computational Aesthetics July 2017 https://www.siggraph.org/sites/default/files/Symposium-on-Computational-Aesthetics.html https://diglib.eg.org/handle/10.2312/2631839<br /> <br /> SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling https://www.siggraph.org/sites/default/files/SBIM-17-open-access.html<br /> <br /> NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering https://www.siggraph.org/sites/default/files/NPAR-17-open-access.html https://dl.acm.org/citation.cfm?id=3092919</div> Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017&diff=33282 Computational Aesthetics 2017 2017-12-09T16:46:50Z <p>Gubachelier: /* Table of contents */</p> <hr /> <div>[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#Computational Aesthetics Conferences | zurück zu Computational Aesthetics Conferences]] <br /> <br /> <br /> == Reference ==<br /> <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> <br /> == Extended Abstract ==<br /> <br /> == Reviews==<br /> <br /> == Bibtex == <br /> @proceedings{<br /> editor = {},<br /> booktitle = {Expressive 2017: Joint Symposium of Computational Aesthetics (CAe), Non-Photorealistic Animation and Rendering (NPAR), Sketch-Based Interfaces and Modeling (SBIM}},<br /> year = {2017},<br /> location = {Los Angeles, CA, USA},<br /> url = {http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017 },<br /> ISBN = {978-1-4503-5080-8}, <br /> publisher = {ACM},<br /> address = {New York, NY, USA},<br /> } <br /> <br /> == Table of contents ==<br /> &#039;&#039;&#039;CAE &#039;17: Proceedings of the symposium on Computational Aesthetics&#039;&#039;&#039; https://www.siggraph.org/sites/default/files/Symposium-on-Computational-Aesthetics.html<br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Kuno Kurzhals, Michael Stoll, Andrés Bruhn, Daniel Weiskopf: FlowBrush: optical flow art. https://doi.org/10.1145/3092912.3092914 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a01/a01-C15-kurzhals.pdf <br /> <br /> <br /> &#039;&#039;&#039;SESSION: 3D (the third dimension)&#039;&#039;&#039;<br /> <br /> Kapil Dev, Nicolas Villar, Manfred Lau: Polygons, points, or voxels?: stimuli selection for crowdsourcing aesthetics preferences of 3D shape pairs. https://doi.org/10.1145/3092912.3092918 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a02/a02-C20-dev.pdf<br /> <br /> Sehee Min, Jaedong Lee, Jungdam Won, Jehee Lee: Soft shadow art. https://doi.org/10.1145/3092912.3092915 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a03/a03-C16-min.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Mapping, Patterns, and Order&#039;&#039;&#039;<br /> <br /> Lena Gieseke, Paul Asente, Jingwan Lu, Martin Fuchs: Organized order in ornamentation. https://doi.org/10.1145/3092912.3092913 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a04/a04-C01-gieseke.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Rosa Azami, David Mould: Detail and color enhancement in photo stylization. https://doi.org/10.1145/3092912.3092917 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a05/a05-C41-azami.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Dmitry Kuzovkin, Tania Pouli, Rémi Cozot, Olivier Le Meur, Jonathan Kervec, Kadi Bouatouch: Context-aware clustering and assessment of photo collections. https://doi.org/10.1145/3092912.3092916 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a06/a06-C30-kuzovkin.pdf<br /> <br /> <br /> <br /> &#039;&#039;&#039;SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling&#039;&#039;&#039; https://diglib.eg.org/handle/10.2312/2631852<br /> <br /> &#039;&#039;&#039;SESSION: Sketching&#039;&#039;&#039;<br /> <br /> Tiziano Portenier, Qiyang Hu, Paolo Favaro, and Matthias Zwicker: SmartSketcher: Sketch-based Image Retrieval with Dynamic Semantic Reranking. https://doi.org/10.1145/3092907.3092910 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a01/a01-S37-portenier.pdf<br /> <br /> Swarna Keshavabhotla, Blake Williford, Shalini Kumar, Ethan Hilton, Paul Taele, Wayne Li, Julie Linsey, and Tracy Hammond: Conquering the Cube: Learning to Sketch Primitives in Perspective with an Intelligent Tutoring System. https://doi.org/10.1145/3092907.3092911 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a02/a02-S45-keshavabhotla.pdf<br /> <br /> Jorge-Ivan Herrera-Camara and Tracy Hammond: Flow2Code: From Hand-drawn Flowcharts to Code Execution. https://doi.org/10.1145/3092907.3092909 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a03/a03-S32-herrera-camara.pdf<br /> <br /> <br /> &#039;&#039;&#039;SESSION: 3D (The Third Dimension)&#039;&#039;&#039;<br /> Tim McGraw, Esteban Garcia, and Drew Sumner: Interactive swept surface modeling in virtual reality with motion-tracked controllers. https://doi.org/10.1145/3092907.3092908 https://diglib.eg.org/bitstream/handle/10.2312/sbim2017a04/a04-S31-mcgraw.pdf<br /> <br /> <br /> <br /> &#039;&#039;&#039;NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering&#039;&#039;&#039;<br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Elad Aharoni-Mack, Yakov Shambik, Dani Lischinski: Pigment-based recoloring of watercolor paintings. https://doi.org/10.1145/3092919.3092926 https://dl.acm.org/authorize?N32474<br /> <br /> Santiago E. Montesdeoca, Hock Soon, Seah Pierre, Bénard Romain, Vergne Joëlle Thollot, Hans-Martin Rall, Davide Benvenuti: Edge- and substrate-based effects for watercolor stylization. https://doi.org/10.1145/3092919.3092928 https://dl.acm.org/authorize?N32485<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Style transfer&#039;&#039;&#039;<br /> <br /> Ming Zheng, Antoine Milliez, Markus Gross, Robert W. Sumner: Example-based brushes for coherent stylized renderings. https://doi.org/10.1145/3092919.3092929 https://dl.acm.org/authorize?N32486<br /> <br /> Xiao-Chang Liu Ming-Ming Cheng Yu-Kun Lai Paul L. Rosin: Depth-aware neural style transfer. https://doi.org/10.1145/3092919.3092924 https://dl.acm.org/authorize?N32487<br /> <br /> Amir Semmo Tobias Isenberg Jürgen Döllner: Neural style transfer: a paradigm shift for image-based artistic rendering? https://doi.org/10.1145/3092919.3092920 https://dl.acm.org/authorize?N32488<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Mapping, patterns, and order&#039;&#039;&#039;<br /> <br /> S. Alex Brown, Faramarz Samavati: Real-time panorama maps. https://doi.org/10.1145/3092919.3092922 https://dl.acm.org/authorize?N32489<br /> <br /> Chenxi Liu Jessica Hodgins James McCann: Whole-cloth quilting patterns from photographs. https://doi.org/10.1145/3092919.3092925 https://dl.acm.org/authorize?N32480<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Marc Spicker, Franz Hahn, Thomas Lindemeier, Dietmar Saupe, Oliver Deussen: Quantifying visual abstraction quality for stipple drawings. https://doi.org/10.1145/3092919.3092923 https://dl.acm.org/authorize?N32481<br /> <br /> Noura Faraj, Gui-Song Xia, Julie Delon, Yann Gousseau: A generic framework for the structured abstraction of images. https://doi.org/10.1145/3092919.3092930 https://dl.acm.org/authorize?N32482<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Sylvain Duchêne, Carlos Aliaga, Tania Pouli, Patrick Pérez: Mixed illumination analysis in single image for interactive color grading. https://doi.org/10.1145/3092919.3092927 https://dl.acm.org/authorize?N32483<br /> <br /> Paul L. Rosin, David Mould, Itamar Berger, John Collomosse, Yu-Kun Lai, Chuan Li, Hua Li, Ariel Shamir, Michael Wand, Tinghuai Wang, Holger Winnemöller: Benchmarking non-photorealistic rendering of portraits. https://doi.org/10.1145/3092919.3092921 https://dl.acm.org/authorize?N32484<br /> <br /> <br /> <br /> <br /> &#039;&#039;&#039;General submissions (abstracts) in CAE &#039;17, SBIM &#039;17, NPAR &#039;17&#039;&#039;&#039;<br /> <br /> Irene de la Torre-Arenas, Pedro Cruz: A taxonomy of motion applications in data visualization. https://doi.org/10.1145/3092919.3122798 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a07/a07-torre-arenas.pdf<br /> <br /> Saif Castaneda, Ergun Akleman: Shading with painterly filtered layers: a technique to obtain painterly portrait animations. https://doi.org/10.1145/3092919.3122800 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a08/a08-castenada.pdf<br /> <br /> Chun-An Lai, Pei-Ying Chiang: Modeling go: a mobile sketch-based modeling system for extracting objects. https://doi.org/10.1145/3092919.3122797 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a09/a09-lai.pdf<br /> <br /> Ozan Can, Altıok Tevfik, Metin Sezgin: Characterizing user behavior for speech and sketch-based video retrieval interfaces. https://doi.org/10.1145/3092919.3122801 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a10/a10-altiok.pdf<br /> <br /> Amal Dev, Parakkat Sarang, Anil Joshi, Uday Bondi, Pundarikaksha Ramanathan Muthuganapathy: Sketch and shade: an interactive assistant for sketching and shading. https://doi.org/10.1145/3092919.3122799 https://diglib.eg.org/bitstream/handle/10.2312/cae2017a11/a11-parakkat.pdf<br /> <br /> == Links ==<br /> === Full Text === <br /> [extern file]<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> https://expressivesymposium.com/home/program/<br /> <br /> CAE &#039;17: Proceedings of the symposium on Computational Aesthetics July 2017 https://www.siggraph.org/sites/default/files/Symposium-on-Computational-Aesthetics.html https://diglib.eg.org/handle/10.2312/2631839<br /> <br /> SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling https://www.siggraph.org/sites/default/files/SBIM-17-open-access.html<br /> <br /> NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering https://www.siggraph.org/sites/default/files/NPAR-17-open-access.html https://dl.acm.org/citation.cfm?id=3092919</div> Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017&diff=33281 Computational Aesthetics 2017 2017-12-09T16:07:47Z <p>Gubachelier: /* Table of contents */</p> <hr /> <div>[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#Computational Aesthetics Conferences | zurück zu Computational Aesthetics Conferences]] <br /> <br /> <br /> == Reference ==<br /> <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> <br /> == Extended Abstract ==<br /> <br /> == Reviews==<br /> <br /> == Bibtex == <br /> @proceedings{<br /> editor = {},<br /> booktitle = {Expressive 2017: Joint Symposium of Computational Aesthetics (CAe), Non-Photorealistic Animation and Rendering (NPAR), Sketch-Based Interfaces and Modeling (SBIM}},<br /> year = {2017},<br /> location = {Los Angeles, CA, USA},<br /> url = {http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017 },<br /> ISBN = {978-1-4503-5080-8}, <br /> publisher = {ACM},<br /> address = {New York, NY, USA},<br /> } <br /> <br /> == Table of contents ==<br /> &#039;&#039;&#039;CAE &#039;17: Proceedings of the symposium on Computational Aesthetics&#039;&#039;&#039;<br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Kuno Kurzhals, Michael Stoll, Andrés Bruhn, Daniel Weiskopf: FlowBrush: optical flow art.<br /> <br /> <br /> &#039;&#039;&#039;SESSION: 3D (the third dimension)&#039;&#039;&#039;<br /> <br /> Kapil Dev, Nicolas Villar, Manfred Lau: Polygons, points, or voxels?: stimuli selection for crowdsourcing aesthetics preferences of 3D shape pairs<br /> <br /> Sehee Min, Jaedong Lee, Jungdam Won, Jehee Lee: Soft shadow art.<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Lena Gieseke, Paul Asente, Jingwan Lu, Martin Fuchs: Organized order in ornamentation.<br /> <br /> Rosa Azami, David Mould: Detail and color enhancement in photo stylization.<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Dmitry Kuzovkin, Tania Pouli, Rémi Cozot, Olivier Le Meur, Jonathan Kervec, Kadi Bouatouch: Context-aware clustering and assessment of photo collections.<br /> <br /> <br /> &#039;&#039;&#039;SESSION: General submissions (abstracts)&#039;&#039;&#039;<br /> <br /> Irene de la Torre-Arenas, Pedro Cruz: A taxonomy of motion applications in data visualization.<br /> <br /> Saif Castaneda, Ergun Akleman: Shading with painterly filtered layers: a technique to obtain painterly portrait animations.<br /> <br /> Chun-An Lai, Pei-Ying Chiang: Modeling go: a mobile sketch-based modeling system for extracting objects.<br /> <br /> Ozan Can, Altıok Tevfik, Metin Sezgin: Characterizing user behavior for speech and sketch-based video retrieval interfaces.<br /> <br /> Amal Dev, Parakkat Sarang, Anil Joshi, Uday Bondi, Pundarikaksha Ramanathan Muthuganapathy: Sketch and shade: an interactive assistant for sketching and shading.<br /> <br /> <br /> <br /> <br /> &#039;&#039;&#039;NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering&#039;&#039;&#039;<br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Elad Aharoni-Mack, Yakov Shambik, Dani Lischinski: Pigment-based recoloring of watercolor paintings. <br /> <br /> Santiago E. Montesdeoca, Hock Soon, Seah Pierre, Bénard Romain, Vergne Joëlle Thollot, Hans-Martin Rall, Davide Benvenuti: Edge- and substrate-based effects for watercolor stylization. <br /> <br /> <br /> &#039;&#039;&#039;SESSION: Style transfer&#039;&#039;&#039;<br /> <br /> Ming Zheng, Antoine Milliez, Markus Gross, Robert W. Sumner: Example-based brushes for coherent stylized renderings.<br /> <br /> Xiao-Chang Liu Ming-Ming Cheng Yu-Kun Lai Paul L. Rosin: Depth-aware neural style transfer.<br /> <br /> Amir Semmo Tobias Isenberg Jürgen Döllner: Neural style transfer: a paradigm shift for image-based artistic rendering?<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Mapping, patterns, and order&#039;&#039;&#039;<br /> <br /> S. Alex Brown, Faramarz Samavati: Real-time panorama maps.<br /> <br /> Chenxi Liu Jessica Hodgins James McCann: Whole-cloth quilting patterns from photographs.<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Marc Spicker, Franz Hahn, Thomas Lindemeier, Dietmar Saupe, Oliver Deussen: Quantifying visual abstraction quality for stipple drawings.<br /> <br /> Noura Faraj, Gui-Song Xia, Julie Delon, Yann Gousseau: A generic framework for the structured abstraction of images.<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Sylvain Duchêne, Carlos Aliaga, Tania Pouli, Patrick Pérez. Mixed illumination analysis in single image for interactive color grading.<br /> <br /> Paul L. Rosin, David Mould, Itamar Berger, John Collomosse, Yu-Kun Lai, Chuan Li, Hua Li, Ariel Shamir, Michael Wand, Tinghuai Wang, Holger Winnemöller: Benchmarking non-photorealistic rendering of portraits.<br /> <br /> == Links ==<br /> === Full Text === <br /> [extern file]<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> https://expressivesymposium.com/home/program/<br /> <br /> CAE &#039;17: Proceedings of the symposium on Computational Aesthetics July 2017 https://www.siggraph.org/sites/default/files/Symposium-on-Computational-Aesthetics.html https://diglib.eg.org/handle/10.2312/2631839<br /> <br /> SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling https://www.siggraph.org/sites/default/files/SBIM-17-open-access.html<br /> <br /> NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering https://www.siggraph.org/sites/default/files/NPAR-17-open-access.html https://dl.acm.org/citation.cfm?id=3092919</div> Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017&diff=33280 Computational Aesthetics 2017 2017-12-09T15:58:05Z <p>Gubachelier: /* Table of contents */</p> <hr /> <div>[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#Computational Aesthetics Conferences | zurück zu Computational Aesthetics Conferences]] <br /> <br /> <br /> == Reference ==<br /> <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> <br /> == Extended Abstract ==<br /> <br /> == Reviews==<br /> <br /> == Bibtex == <br /> @proceedings{<br /> editor = {},<br /> booktitle = {Expressive 2017: Joint Symposium of Computational Aesthetics (CAe), Non-Photorealistic Animation and Rendering (NPAR), Sketch-Based Interfaces and Modeling (SBIM}},<br /> year = {2017},<br /> location = {Los Angeles, CA, USA},<br /> url = {http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017 },<br /> ISBN = {978-1-4503-5080-8}, <br /> publisher = {ACM},<br /> address = {New York, NY, USA},<br /> } <br /> <br /> == Table of contents ==<br /> &#039;&#039;&#039;CAE &#039;17: Proceedings of the symposium on Computational Aesthetics&#039;&#039;&#039;<br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Kuno Kurzhals, Michael Stoll, Andrés Bruhn, Daniel Weiskopf: FlowBrush: optical flow art.<br /> <br /> &#039;&#039;&#039;SESSION: 3D (the third dimension)&#039;&#039;&#039;<br /> <br /> Kapil Dev, Nicolas Villar, Manfred Lau: Polygons, points, or voxels?: stimuli selection for crowdsourcing aesthetics preferences of 3D shape pairs<br /> <br /> Sehee Min, Jaedong Lee, Jungdam Won, Jehee Lee: Soft shadow art.<br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> <br /> Lena Gieseke, Paul Asente, Jingwan Lu, Martin Fuchs: Organized order in ornamentation.<br /> <br /> Rosa Azami, David Mould: Detail and color enhancement in photo stylization.<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> <br /> Dmitry Kuzovkin, Tania Pouli, Rémi Cozot, Olivier Le Meur, Jonathan Kervec, Kadi Bouatouch: Context-aware clustering and assessment of photo collections.<br /> <br /> <br /> &#039;&#039;&#039;SESSION: General submissions (abstracts)&#039;&#039;&#039;<br /> <br /> Irene de la Torre-Arenas, Pedro Cruz: A taxonomy of motion applications in data visualization.<br /> <br /> Saif Castaneda, Ergun Akleman: Shading with painterly filtered layers: a technique to obtain painterly portrait animations.<br /> <br /> Chun-An Lai, Pei-Ying Chiang: Modeling go: a mobile sketch-based modeling system for extracting objects.<br /> <br /> Ozan Can, Altıok Tevfik, Metin Sezgin: Characterizing user behavior for speech and sketch-based video retrieval interfaces.<br /> <br /> Amal Dev, Parakkat Sarang, Anil Joshi, Uday Bondi, Pundarikaksha Ramanathan Muthuganapathy: Sketch and shade: an interactive assistant for sketching and shading.<br /> <br /> == Links ==<br /> === Full Text === <br /> [extern file]<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> https://expressivesymposium.com/home/program/<br /> <br /> CAE &#039;17: Proceedings of the symposium on Computational Aesthetics July 2017 https://www.siggraph.org/sites/default/files/Symposium-on-Computational-Aesthetics.html https://diglib.eg.org/handle/10.2312/2631839<br /> <br /> SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling https://www.siggraph.org/sites/default/files/SBIM-17-open-access.html<br /> <br /> NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering https://www.siggraph.org/sites/default/files/NPAR-17-open-access.html https://dl.acm.org/citation.cfm?id=3092919</div> Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017&diff=33279 Computational Aesthetics 2017 2017-12-09T15:57:31Z <p>Gubachelier: </p> <hr /> <div>[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#Computational Aesthetics Conferences | zurück zu Computational Aesthetics Conferences]] <br /> <br /> <br /> == Reference ==<br /> <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> <br /> == Extended Abstract ==<br /> <br /> == Reviews==<br /> <br /> == Bibtex == <br /> @proceedings{<br /> editor = {},<br /> booktitle = {Expressive 2017: Joint Symposium of Computational Aesthetics (CAe), Non-Photorealistic Animation and Rendering (NPAR), Sketch-Based Interfaces and Modeling (SBIM}},<br /> year = {2017},<br /> location = {Los Angeles, CA, USA},<br /> url = {http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017 },<br /> ISBN = {978-1-4503-5080-8}, <br /> publisher = {ACM},<br /> address = {New York, NY, USA},<br /> } <br /> <br /> == Table of contents ==<br /> &#039;&#039;&#039;CAE &#039;17: Proceedings of the symposium on Computational Aesthetics&#039;&#039;&#039;<br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> Kuno Kurzhals, Michael Stoll, Andrés Bruhn, Daniel Weiskopf: FlowBrush: optical flow art.<br /> <br /> &#039;&#039;&#039;SESSION: 3D (the third dimension)&#039;&#039;&#039;<br /> Kapil Dev, Nicolas Villar, Manfred Lau: Polygons, points, or voxels?: stimuli selection for crowdsourcing aesthetics preferences of 3D shape pairs<br /> <br /> Sehee Min, Jaedong Lee, Jungdam Won, Jehee Lee: Soft shadow art.<br /> <br /> &#039;&#039;&#039;SESSION: Abstraction&#039;&#039;&#039;<br /> Lena Gieseke, Paul Asente, Jingwan Lu, Martin Fuchs: Organized order in ornamentation.<br /> <br /> Rosa Azami, David Mould: Detail and color enhancement in photo stylization.<br /> <br /> <br /> &#039;&#039;&#039;SESSION: Image BCC (benchmarking, coloring, and clustering)&#039;&#039;&#039;<br /> Dmitry Kuzovkin, Tania Pouli, Rémi Cozot, Olivier Le Meur, Jonathan Kervec, Kadi Bouatouch: Context-aware clustering and assessment of photo collections.<br /> <br /> <br /> &#039;&#039;&#039;SESSION: General submissions (abstracts)&#039;&#039;&#039;<br /> Irene de la Torre-Arenas, Pedro Cruz: A taxonomy of motion applications in data visualization.<br /> <br /> Saif Castaneda, Ergun Akleman: Shading with painterly filtered layers: a technique to obtain painterly portrait animations.<br /> <br /> Chun-An Lai, Pei-Ying Chiang: Modeling go: a mobile sketch-based modeling system for extracting objects.<br /> <br /> Ozan Can, Altıok Tevfik, Metin Sezgin: Characterizing user behavior for speech and sketch-based video retrieval interfaces.<br /> <br /> Amal Dev, Parakkat Sarang, Anil Joshi, Uday Bondi, Pundarikaksha Ramanathan Muthuganapathy: Sketch and shade: an interactive assistant for sketching and shading.<br /> <br /> <br /> <br /> <br /> <br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> [extern file]<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> https://expressivesymposium.com/home/program/<br /> <br /> CAE &#039;17: Proceedings of the symposium on Computational Aesthetics July 2017 https://www.siggraph.org/sites/default/files/Symposium-on-Computational-Aesthetics.html https://diglib.eg.org/handle/10.2312/2631839<br /> <br /> SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling https://www.siggraph.org/sites/default/files/SBIM-17-open-access.html<br /> <br /> NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering https://www.siggraph.org/sites/default/files/NPAR-17-open-access.html https://dl.acm.org/citation.cfm?id=3092919</div> Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017&diff=33278 Computational Aesthetics 2017 2017-12-09T15:52:32Z <p>Gubachelier: /* Table of contents */</p> <hr /> <div>[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#Computational Aesthetics Conferences | zurück zu Computational Aesthetics Conferences]] <br /> <br /> <br /> == Reference ==<br /> <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> <br /> == Extended Abstract ==<br /> <br /> == Reviews==<br /> <br /> == Bibtex == <br /> @proceedings{<br /> editor = {},<br /> booktitle = {Expressive 2017: Joint Symposium of Computational Aesthetics (CAe), Non-Photorealistic Animation and Rendering (NPAR), Sketch-Based Interfaces and Modeling (SBIM}},<br /> year = {2017},<br /> location = {Los Angeles, CA, USA},<br /> url = {http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017 },<br /> ISBN = {978-1-4503-5080-8}, <br /> publisher = {ACM},<br /> address = {New York, NY, USA},<br /> } <br /> <br /> == Table of contents ==<br /> &#039;&#039;CAE &#039;17: Proceedings of the symposium on Computational Aesthetics July&#039;&#039;<br /> <br /> &#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;<br /> <br /> Kuno Kurzhals, Michael Stoll, Andrés Bruhn, Daniel Weiskopf: FlowBrush: optical flow art.<br /> <br /> SESSION: 3D (the third dimension)<br /> <br /> Kapil Dev, Nicolas Villar, Manfred Lau: Polygons, points, or voxels?: stimuli selection for crowdsourcing aesthetics preferences of 3D shape pairs<br /> <br /> Sehee Min, Jaedong Lee, Jungdam Won, Jehee Lee: Soft shadow art.<br /> <br /> SESSION: Abstraction<br /> Organized order in ornamentation<br /> <br /> Lena Gieseke Paul Asente Jingwan Lu Martin Fuchs <br /> <br /> Detail and color enhancement in photo stylization<br /> <br /> Rosa Azami David Mould <br /> <br /> SESSION: Image BCC (benchmarking, coloring, and clustering)<br /> Context-aware clustering and assessment of photo collections<br /> <br /> Dmitry Kuzovkin Tania Pouli Rémi Cozot Olivier Le Meur Jonathan Kervec Kadi Bouatouch <br /> <br /> SESSION: General submissions (abstracts)<br /> A taxonomy of motion applications in data visualization<br /> <br /> Irene de la Torre - Arenas Pedro Cruz <br /> <br /> Shading with painterly filtered layers: a technique to obtain painterly portrait animations<br /> <br /> Saif Castaneda Ergun Akleman <br /> <br /> Modeling go: a mobile sketch-based modeling system for extracting objects<br /> <br /> Chun-An Lai Pei-Ying Chiang <br /> <br /> Characterizing user behavior for speech and sketch-based video retrieval interfaces<br /> <br /> Ozan Can Altıok Tevfik Metin Sezgin <br /> <br /> Sketch and shade: an interactive assistant for sketching and shading<br /> <br /> Amal Dev Parakkat Sarang Anil Joshi Uday Bondi Pundarikaksha Ramanathan Muthuganapathy<br /> <br /> == Links ==<br /> === Full Text === <br /> [extern file]<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> https://expressivesymposium.com/home/program/<br /> <br /> CAE &#039;17: Proceedings of the symposium on Computational Aesthetics July 2017 https://www.siggraph.org/sites/default/files/Symposium-on-Computational-Aesthetics.html https://diglib.eg.org/handle/10.2312/2631839<br /> <br /> SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling https://www.siggraph.org/sites/default/files/SBIM-17-open-access.html<br /> <br /> NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering https://www.siggraph.org/sites/default/files/NPAR-17-open-access.html https://dl.acm.org/citation.cfm?id=3092919</div> Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017&diff=33277 Computational Aesthetics 2017 2017-12-09T15:51:45Z <p>Gubachelier: /* Table of contents */</p> <hr /> <div>[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#Computational Aesthetics Conferences | zurück zu Computational Aesthetics Conferences]] <br /> <br /> <br /> == Reference ==<br /> <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> <br /> == Extended Abstract ==<br /> <br /> == Reviews==<br /> <br /> == Bibtex == <br /> @proceedings{<br /> editor = {},<br /> booktitle = {Expressive 2017: Joint Symposium of Computational Aesthetics (CAe), Non-Photorealistic Animation and Rendering (NPAR), Sketch-Based Interfaces and Modeling (SBIM}},<br /> year = {2017},<br /> location = {Los Angeles, CA, USA},<br /> url = {http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017 },<br /> ISBN = {978-1-4503-5080-8}, <br /> publisher = {ACM},<br /> address = {New York, NY, USA},<br /> } <br /> <br /> == Table of contents ==<br /> &#039;&#039;&#039;CAE &#039;17: Proceedings of the symposium on Computational Aesthetics July&#039;&#039;&#039;<br /> <br /> <br /> <br /> &#039;&#039;&#039;&#039;SESSION: Brushes&#039;&#039;&#039;&#039;<br /> <br /> Kuno Kurzhals, Michael Stoll, Andrés Bruhn, Daniel Weiskopf: FlowBrush: optical flow art.<br /> <br /> SESSION: 3D (the third dimension)<br /> <br /> Kapil Dev, Nicolas Villar, Manfred Lau: Polygons, points, or voxels?: stimuli selection for crowdsourcing aesthetics preferences of 3D shape pairs<br /> <br /> Sehee Min, Jaedong Lee, Jungdam Won, Jehee Lee: Soft shadow art.<br /> <br /> SESSION: Abstraction<br /> Organized order in ornamentation<br /> <br /> Lena Gieseke Paul Asente Jingwan Lu Martin Fuchs <br /> <br /> Detail and color enhancement in photo stylization<br /> <br /> Rosa Azami David Mould <br /> <br /> SESSION: Image BCC (benchmarking, coloring, and clustering)<br /> Context-aware clustering and assessment of photo collections<br /> <br /> Dmitry Kuzovkin Tania Pouli Rémi Cozot Olivier Le Meur Jonathan Kervec Kadi Bouatouch <br /> <br /> SESSION: General submissions (abstracts)<br /> A taxonomy of motion applications in data visualization<br /> <br /> Irene de la Torre - Arenas Pedro Cruz <br /> <br /> Shading with painterly filtered layers: a technique to obtain painterly portrait animations<br /> <br /> Saif Castaneda Ergun Akleman <br /> <br /> Modeling go: a mobile sketch-based modeling system for extracting objects<br /> <br /> Chun-An Lai Pei-Ying Chiang <br /> <br /> Characterizing user behavior for speech and sketch-based video retrieval interfaces<br /> <br /> Ozan Can Altıok Tevfik Metin Sezgin <br /> <br /> Sketch and shade: an interactive assistant for sketching and shading<br /> <br /> Amal Dev Parakkat Sarang Anil Joshi Uday Bondi Pundarikaksha Ramanathan Muthuganapathy<br /> <br /> == Links ==<br /> === Full Text === <br /> [extern file]<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> https://expressivesymposium.com/home/program/<br /> <br /> CAE &#039;17: Proceedings of the symposium on Computational Aesthetics July 2017 https://www.siggraph.org/sites/default/files/Symposium-on-Computational-Aesthetics.html https://diglib.eg.org/handle/10.2312/2631839<br /> <br /> SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling https://www.siggraph.org/sites/default/files/SBIM-17-open-access.html<br /> <br /> NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering https://www.siggraph.org/sites/default/files/NPAR-17-open-access.html https://dl.acm.org/citation.cfm?id=3092919</div> Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017&diff=33276 Computational Aesthetics 2017 2017-12-09T15:07:09Z <p>Gubachelier: Die Seite wurde neu angelegt: „ zurück zu Computational Aesthetics Conferences == Referen…“</p> <hr /> <div>[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#Computational Aesthetics Conferences | zurück zu Computational Aesthetics Conferences]] <br /> <br /> <br /> == Reference ==<br /> <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> <br /> == Extended Abstract ==<br /> <br /> == Reviews==<br /> <br /> == Bibtex == <br /> @proceedings{<br /> editor = {},<br /> booktitle = {Expressive 2017: Joint Symposium of Computational Aesthetics (CAe), Non-Photorealistic Animation and Rendering (NPAR), Sketch-Based Interfaces and Modeling (SBIM}},<br /> year = {2017},<br /> location = {Los Angeles, CA, USA},<br /> url = {http://de.evo-art.org/index.php?title=Computational_Aesthetics_2017 },<br /> ISBN = {978-1-4503-5080-8}, <br /> publisher = {ACM},<br /> address = {New York, NY, USA},<br /> } <br /> <br /> == Table of contents ==<br /> &#039;&#039;&#039;Working with Images&#039;&#039;&#039;<br /> <br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> [extern file]<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> https://expressivesymposium.com/home/program/<br /> <br /> CAE &#039;17: Proceedings of the symposium on Computational Aesthetics July 2017 https://www.siggraph.org/sites/default/files/Symposium-on-Computational-Aesthetics.html https://diglib.eg.org/handle/10.2312/2631839<br /> <br /> SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling https://www.siggraph.org/sites/default/files/SBIM-17-open-access.html<br /> <br /> NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering https://www.siggraph.org/sites/default/files/NPAR-17-open-access.html https://dl.acm.org/citation.cfm?id=3092919</div> Gubachelier http://de.evo-art.org/index.php?title=Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst&diff=33275 Konferenzen und Workshops zur Evolutionären Kunst 2017-12-09T14:56:17Z <p>Gubachelier: /* Thematisch verwandte Konferenzen */</p> <hr /> <div>== EvoMUSART ==<br /> ===[[EvoMUSART 2017]]===<br /> {{LitBook |Autor = [[João Correia]] (Herausgeber), [[Vic Ciesielski]] (Herausgeber), [[Antonios Liapis]] (Herausgeber) |Titel = Evolutionary and Biologically Inspired Music, Sound, Art and Design: 6th European Conference, EvoMUSART 2017 (LNCS 10198) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2017 | ISBN = 978-3-319-55749-6 (Print) 978-3-319-55750-2 (Online) | Seiten = 371 }}DOI: https://doi.org/10.1007/978-3-319-55750-2<br /> <br /> ===[[EvoMUSART 2016]]===<br /> {{LitBook |Autor = [[Colin Johnson]] (Herausgeber), [[Vic Ciesielski]] (Herausgeber), [[João Correia]] (Herausgeber), [[Penousal Machado]] (Herausgeber) |Titel = Evolutionary and Biologically Inspired Music, Sound, Art and Design: 5th European Conference, EvoMUSART 2016 (LNCS 9596) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2016 | ISBN = 978-3-319-31007-7 (Print) 978-3-319-31008-4 (Online) | Seiten = 241 }}DOI: http://link.springer.com/book/10.1007%2F978-3-319-31008-4<br /> <br /> ===[[EvoMUSART 2015]]===<br /> {{LitBook |Autor = [[Colin Johnson]] (Herausgeber), [[Adrian Carballal]] (Herausgeber), [[João Correia]] (Herausgeber) |Titel = Evolutionary and Biologically Inspired Music, Sound, Art and Design: 4th European Conference, EvoMUSART 2015 (LNCS 9027) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2015 | ISBN = 978-3-319-16497-7 | Seiten = 275 }}DOI: http://link.springer.com/book/10.1007%2F978-3-319-16498-4<br /> <br /> ===[[EvoMUSART 2014]]===<br /> {{LitBook |Autor = [[Juan Romero]] (Herausgeber), [[James McDermott]] (Herausgeber), [[João Correia]] (Herausgeber) |Titel = Evolutionary and Biologically Inspired Music, Sound, Art and Design: Third European Conference, EvoMUSART 2014 (LNCS 8601) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2014 | ISBN = 978-3662443347 | Seiten = 130 }}DOI: http://link.springer.com/10.1007/978-3-662-44335-4<br /> <br /> === [[EvoMUSART 2013]] ===<br /> {{LitBook |Autor = [[Penousal Machado]] (Herausgeber)|Titel = Evolutionary and Biologically Inspired Music, Sound, Art and Design: Second International Conference, EvoMUSART 2013 (LNCS 7834) |Auflage = 1 | Verlag = Springer | Ort = Berlin| Jahr = 2013 | ISBN = 978-3642369544 | Seiten = 204 }}DOI: http://link.springer.com/book/10.1007%2F978-3-642-36955-1<br /> <br /> === [[EvoMUSART 2012]] ===<br /> {{LitBook |Autor = [[Penousal Machado]] (Herausgeber), [[Juan Romero]] (Herausgeber), [[Adrian Carballal]] (Herausgeber) |Titel = Evolutionary and Biologically Inspired Music, Sound, Art and Design: First International Conference, EvoMUSART 2012 (LNCS 7247) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2012 | ISBN = 978-3642291418 | Seiten = 236 }}DOI: http://link.springer.com/book/10.1007%2F978-3-642-29142-5<br /> <br /> === [[EvoMUSART 2011]] ===<br /> {{LitBook |Autor = Cecilia Di Chio et al. (Herausgeber) |Titel = Applications of Evolutionary Computation: EvoApplications 2011: EvoCOMNET, EvoFIN, EvoHOT, EvoMUSART, EvoSTIM, and EvoTRANSLOG (LNCS 6625) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2011 | ISBN = 978-3642205194 | Seiten = 548 }}DOI: http://link.springer.com/book/10.1007/978-3-642-20520-0<br /> <br /> === [[EvoMUSART 2010]] ===<br /> {{LitBook |Autor = Cecilia Di Chio (Herausgeber), Anthony Brabazon (Herausgeber), Marc Ebner (Herausgeber), Muddassar Farooq (Herausgeber), Andreas Fink (Herausgeber), Jörn Grahl (Herausgeber), Gary Greenfield (Herausgeber), Penousal Machado (Herausgeber), Michael O&#039;Neill (Herausgeber), Ernesto Tarantino (Herausgeber), Neil Urquhart (Herausgeber) |Titel = Applications of Evolutionary Computation: EvoApplications 2010: EvoCOMNET, EvoENVIRONMENT, EvoFIN, EvoMUSART, and EvoTRANSLOG (LNCS 6025) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2010 | ISBN = 978-3642122415 | Seiten = 476 }}DOI: http://link.springer.com/book/10.1007/978-3-642-12242-2<br /> <br /> === [[EvoMUSART 2009]] ===<br /> {{LitBook |Autor = Mario Giacobini et al. (Herausgeber)|Titel = Applications of Evolutionary Computing: EvoWorkshops 2009: EvoCOMNET, EvoENVIRONMENT, EvoFIN, EvoGAMES, EvoHOT, EvoIASP, EvoINTERACTION, EvoMUSART (LNCS 5484) |Auflage = 1 | Verlag = Springer | Ort = Berlin | Jahr = 2009 | ISBN = 978-3642011283 | Seiten = 831 }}DOI: http://link.springer.com/book/10.1007/978-3-642-01129-0<br /> <br /> === [[EvoMUSART 2008]] ===<br /> {{LitBook |Autor = Mario Giacobini et al. (Herausgeber) |Titel = Applications of Evolutionary Computing: EvoWorkshops 2008: EvoCOMNET, EvoFIN, EvoHOT, EvoIASP, EvoMUSART, EvoNUM, EvoSTOC, and EvoTransLog (LNCS 4974) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2008 | ISBN = 978-3540787600 | Seiten = 732 }}DOI: http://link.springer.com/book/10.1007/978-3-540-78761-7<br /> <br /> === [[EvoMUSART 2007]] ===<br /> {{LitBook |Autor = Mario Giacobini et al. (Herausgeber) |Titel = Applications of Evolutionary Computing: EvoWorkshops 2007: EvoCOMNET, EvoFIN, EvoIASP, EvoINTERACTION, EvoMUSART, EvoSTOC, and EvoTransLog (LNCS 4448) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2007 | ISBN = 978-3540718048 | Seiten = 784 }}DOI: http://link.springer.com/book/10.1007/978-3-540-71805-5<br /> <br /> === [[EvoMUSART 2006]] ===<br /> {{LitBook |Autor = Franz Rothlauf (Herausgeber), Jürgen Branke (Herausgeber) |Titel = Applications of Evolutionary Computing: EvoWorkshops 2006: EvoBIO, EvoCOMNET, EvoHOT, EvoIASP, EvoINTERACTION, EvoMUSART, and EvoSTOC (LNCS 3907) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2006 | ISBN = 978-3540332374 | Seiten = 816 }}DOI: http://link.springer.com/book/10.1007/11732242<br /> <br /> === [[EvoMUSART 2005]] ===<br /> {{LitBook |Autor = Franz Rothlauf (Herausgeber), Jürgen Branke (Herausgeber)|Titel = Applications of Evolutionary Computing: Evoworkshops: EvoBIO, EvoCOMNET, EvoHot, EvoIASP, EvoMUSART, and EvoSTOC (LNCS 3449) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2005 | ISBN = 978-3540253969 | Seiten = 652 }}DOI: http://link.springer.com/book/10.1007/b106856<br /> <br /> === [[EvoMUSART 2004]] ===<br /> {{LitBook |Autor = Franz Rothlauf (Herausgeber)|Titel = Applications of Evolutionary Computing: EvoWorkshops 2004: EvoBIO, EvoCOMNET, EvoHOT, EvoIASP, EvoMUSART, and EvoSTOC (LNCS 3005) |Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2004 | ISBN = 978-3540213789 | Seiten = 588 }}DOI: http://link.springer.com/book/10.1007/b96500<br /> <br /> === [[EvoMUSART 2003]] ===<br /> {{LitBook |Autor = Günther Raidl (Herausgeber), Stefano Cagnoni (Herausgeber), Juan J. Romero Cardalda (Herausgeber), David W. Corne (Herausgeber) |Titel = Applications of Evolutionary Computing: EvoWorkshop 2003: EvoBIO, EvoCOP, EvoIASP, EvoMUSART, EvoROB, and EvoSTIM (LNCS 2611) | Auflage = 1 |Verlag = Springer | Ort = Berlin | Jahr = 2003 | ISBN = 978-3540009764 | Seiten = 712 }}DOI: http://link.springer.com/book/10.1007/3-540-36605-9<br /> <br /> == Thematisch verwandte Konferenzen ==<br /> <br /> === [[Computational Aesthetics Conferences]] ===<br /> <br /> CAe-Proceedingsüberblick: http://www.informatik.uni-trier.de/~Ley/db/conf/cae/index.html<br /> <br /> ====[[Computational Aesthetics 2017]]====<br /> https://expressivesymposium.com/home/program/<br /> CAE &#039;17: Proceedings of the symposium on Computational Aesthetics July 2017 https://www.siggraph.org/sites/default/files/Symposium-on-Computational-Aesthetics.html<br /> SBIM &#039;17: Proceedings of the Symposium on Sketch-Based Interfaces and Modeling https://www.siggraph.org/sites/default/files/SBIM-17-open-access.html<br /> NPAR &#039;17: Proceedings of the Symposium on Non-Photorealistic Animation and Rendering https://www.siggraph.org/sites/default/files/NPAR-17-open-access.html https://dl.acm.org/citation.cfm?id=3092919<br /> <br /> ====[[Computational Aesthetics 2016]]====<br /> Angus Forbes; Lyn Bartram; Pierre Bénard; Holger Winnemöller; Yotam Gingold; Ergun Akleman (eds.): Proceedings of the workshop on Computational Aesthetics, CAE 2016, Lisbon, Portugal, May 7 – 9, 2016. Eurographics Association 2016. (Expressive 2016: Joint Symposium of Computational Aesthetics (CAe), Non-Photorealistic Animation and Rendering (NPAR), Sketch-Based Interfaces and Modeling (SBIM)), ISBN 978-3-03868-000-0<br /> <br /> ====[[Computational Aesthetics 2015]]====<br /> T. Metin Sezgin, Paul L. Rosin: Proceedings of the workshop on Computational Aesthetics, CAE 2015, Istanbul, Turkey, June 20-22, 2015. Eurographics Association 2015. (Expressive 2015: Joint Symposium of Computational Aesthetics (CAe, ISBN: 978-3-905674-89-7), Non-Photorealistic Animation and Rendering (NPAR, ISBN: 978-3-905674-91-0), Sketch-Based Interfaces and Modeling (SBIM, ISBN: 978-3-905674-90-3))<br /> <br /> ====[[Computational Aesthetics 2014]]====<br /> <br /> David Mould: Expressive &#039;14 The joint symposium on Computational Aesthetics and Sketch Based Interfaces and Modeling and Non-Photorealistic Animation and Rendering. Vancouver, BC, Canada — August 08 - 10, 2014 ACM, ISBN: 978-1-4503-3019-0 <br /> <br /> ====[[Computational Aesthetics 2013]]====<br /> <br /> Donald H. House, Cindy Grimm (Eds.): Workshop on Computational Aesthetics, Anaheim, California, USA, 2013. Expressive 2013 The joint symposium on Computational Aesthetics and Sketch Based Interfaces and Modeling and Non-Photorealistic Animation and Rendering. ACM 2013. ISBN 978-1-4503-2203-4<br /> <br /> ====[[Computational Aesthetics 2012]]====<br /> <br /> Douglas W. Cunningham, Donald H. House (Eds.): Computational Aesthetics 2012: Eurographics Workshop on Computational Aesthetics, Annecy, France, 4-6 June 2012. Expressive &#039;12 Joint Symposia on Sketch-Based Interfaces and Modeling, Non-Photorealistic Animation and Computational Aesthetics, Eurographics Association 2012 ISBN 978-3-905674-43-9<br /> <br /> ====[[Computational Aesthetics 2011]]====<br /> <br /> Douglas W. Cunningham, Tobias Isenberg (Eds.): Computational Aesthetics 2011: Eurographics Workshop on Computational Aesthetics, Vancouver, Canada, 2011. SBIM/NPAR/CAe 2011 Joint Symposia on Sketch-Based Interfaces and Modeling, Non-Photorealistic Animation and Computational Aesthetics, Eurographics Association 2011 ISBN 978-1-4503-0908-0<br /> <br /> ====[[Computational Aesthetics 2010]]====<br /> <br /> Pauline Jepp, Oliver Deussen (Eds.): Computational Aesthetics 2010: Eurographics Workshop on Computational Aesthetics, London, United Kingdom, 2010. Eurographics Association 2010 ISBN 978-3-905674-24-8<br /> <br /> ====[[Computational Aesthetics 2009]]====<br /> <br /> Oliver Deussen, Peter Hall (Eds.): Computational Aesthetics 2009: Eurographics Workshop on Computational Aesthetics, Victoria, British Columbia, Canada, 2009. Eurographics Association 2009 ISBN 978-3-905674-17-0<br /> <br /> ====[[Computational Aesthetics 2008]]====<br /> <br /> Douglas W. Cunningham, Victoria Interrante, Paul Brown, [[Jon McCormack]] (Eds.): Computational Aesthetics 2008: Eurographics Workshop on Computational Aesthetics, Lisbon, Portugal, 2008. Eurographics Association 2008 ISBN 978-3-905674-08-8<br /> <br /> ====[[Computational Aesthetics 2007]]====<br /> <br /> Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.): Computational Aesthetics 2007: Eurographics Workshop on Computational Aesthetics in Graphics, Visualization and Imaging, Banff, Alberta, Canada, June 20-22, 2007. Eurographics Association 2007 ISBN 978-3-905673-43-2<br /> <br /> ====[[Computational Aesthetics 2006]]====<br /> <br /> Bruce Gooch, Laszlo Neumann, Werner Purgathofer and Mateu Sbert: Computational Aesthetics 2006: Eurographics Workshop on Computational Aesthetics in Graphics, Visualization and Imaging 2006 - 06221 Dagstuhl Report. Internationales Begegnungs- und Forschungszentrum für Informatik (IBFI), Schloss Dagstuhl, 2007, Dagstuhl, ISSN 1862-4405 http://drops.dagstuhl.de/opus/volltexte/2007/875/<br /> <br /> ====[[Computational Aesthetics 2005]]====<br /> László Neumann, Mateu Sbert, Bruce Gooch, Werner Purgathofer (Eds.): Computational Aesthetics 2005: Eurographics Workshop on Computational Aesthetics in Graphics, Visualization and Imaging 2005, Girona, Spain, May 18-20, 2005. Eurographics Association 2005 ISBN 3-905673-27-4<br /> <br /> === Generative Art ===<br /> http://www.generativeart.com/<br /> <br /> ==== [[Generative Art 2015]]====<br /> 18th GENERATIVE ART CONFERENCE Venice 9, 10 and 11 December 2015; organized by: Generative Design Lab, Politecnico di Milano University at Bevilacqua La Masa Foundation, Venice. http://www.generativeart.com/ga2015_WEB/ProgramGA2015.htm<br /> <br /> ==== [[Generative Art 2014]]====<br /> Celestino Soddu, Enrica Colabella: Generative Art 2014 GA2014 - 17th International Conference. Rome 16-19 December 2014. http://www.generativeart.com/GA2014_proceedings.pdf<br /> <br /> ==== [[Generative Art 2013]]====<br /> Celestino Soddu and Enrica Colabella (eds.): Generative Art 2013 GA2013 - 16th International Conference. Milano 10, 11 and 12 December 2013. http://www.generativeart.com/ga2013xWEB/proceedings1/index_ok.html http://www.generativeart.com/ga2013xWEB/proceedings1/GA2013_proceedings.pdf<br /> <br /> ==== [[Generative Art 2012]]====<br /> Celestino Soddu (ed.): Generative Art 2012 GA2012 - 15th International Conference. Lucca, 11, 12 and 13 December 2012. Foundation Cassa di Risparmio di Lucca San Micheletto, Lucca. http://www.generativeart.com/GA2012/ga2012_participants.html http://www.generativeart.com/bookshop/ga2012_book.htm<br /> <br /> ==== [[Generative Art 2011]]====<br /> Celestino Soddu (ed.): Generative Art 2011 GA2011, XIV generative Art Conference 5-7 December 2011, Roma, Italy, at CRUI Frescos Hall, Angelica Library Gallery and Cervantes Institute Gallery. http://www.generativeart.com/GA2011/ga2011_papers.html http://www.generativeart.com/bookshop/ebooks_free/GA2011ebook.pdf<br /> <br /> ==== [[Generative Art 2010]]====<br /> Celestino Soddu (ed.): Generative Art 2010 GA2010, XIII generative Art Conference 15-17 December 2010. ISBN 978-88-96610-06-0. http://www.generativeart.com/on/cic/GA2010/GA2010_papers.html http://www.generativeart.com/bookshop/ebooks_free/GA2010ebook.pdf<br /> <br /> ==== [[Generative Art 2009]]====<br /> Celestino Soddu (ed.): Generative Art 2009 GA2009, XII generative Art Conference 15-17 December 2009. ISBN: 9788896610008. http://www.generativeart.com/on/cic/GA2009Papers/programGA2009_bis.html http://www.generativeart.com/bookshop/ebooks_free/GA2009ebook.pdf<br /> <br /> ==== [[Generative Art 2008]]====<br /> Celestino Soddu (ed.): Generative Art 2008 GA2008, XI generative Art Conference 16-18 December 2008. ISBN: 978-88-96610-01-5. http://www.generativeart.com/on/cic/papersGA2008 http://www.generativeart.com/bookshop/ebooks_free/GA2008ebook.pdf/GA2008_papers.htm<br /> <br /> ==== [[Generative Art 2007]]====<br /> Celestino Soddu (ed.): Generative Art 2007 GA2007, X generative Art Conference 12-14 December 2007. ISBN: 9788896610084. http://www.generativeart.com/on/cic/papersGA2007/papersGA2007.htm<br /> <br /> ==== [[Generative Art 2006]]====<br /> Celestino Soddu (ed.): Generative Art 2006 GA2006, IX generative Art Conference 13-15 December 2006. http://www.generativeart.com/on/cic/papersGA2006/generativeart2006.html<br /> <br /> ==== [[Generative Art 2005]]====<br /> Celestino Soddu (ed.): Generative Art 2005 GA2005, VIII generative Art Conference. 14 - 17 December 2005. ISBN 9788896610077. http://www.generativeart.com/on/cic/papers2005/papersGA2005.htm http://www.generativeart.com/bookshop/ebooks_free/GA2005ebook.pdf<br /> <br /> ==== [[Generative Art 2004]]====<br /> Celestino Soddu (ed.): Generative Art 2004 GA2004, VII Generative Art Conference. Milan, Italy, 13 - 16. December 2004. ISBN 987.88.96610.11.4. http://www.generativeart.com/on/cic/papersGA2004/index_2004_proceedings.html http://www.generativeart.com/bookshop/ebooks_free/GA2004ebook.pdf<br /> <br /> ==== [[Generative Art 2003]]====<br /> Celestino Soddu (ed.): Generative Art 2003 GA2003, VI Generative Art Conference. Milan, Italy, 10 - 13. December 2003. ISBN 987.88.96610.12.1. http://www.generativeart.com/on/cic/papersGA2003/papers_GA2003.htm http://www.generativeart.com/bookshop/ebooks_free/GA2003ebook.pdf<br /> <br /> ==== [[Generative Art 2002]]====<br /> http://www.generativeart.com/on/cic/GA2002.htm<br /> <br /> ==== [[Generative Art 2001]]====<br /> http://www.generativeart.com/on/cic/GA2001.htm<br /> <br /> ==== [[Generative Art 2000]]====<br /> http://www.generativeart.com/on/cic/GA2000.htm<br /> <br /> ==== [[Generative Art 1999]]====<br /> http://www.generativeart.com/on/cic/99/papers_GA99.htm<br /> <br /> ==== [[Generative Art 1998]]====<br /> Celestino Soddu (ed.): Generative Art 1998 GA1998, 1th Generative Art Conference. Milan, Italy, 16 - 18. December 1998. ISBN 978-88-966-10-03-9. http://www.generativeart.com/on/cic/GA98.htm http://www.generativeart.com/bookshop/ebooks_free/GA98ebook.pdf<br /> <br /> === The Bridge Conferences: art and mathematics ===<br /> The Bridges Organization: art and mathematics http://bridgesmathart.org/<br /> <br /> Conference Archive: http://archive.bridgesmathart.org/<br /> <br /> ==== [[Bridges 2017]] ====<br /> David Swart, Carlo Séquin, and Kristóf Fenyvesi (eds.): Proceedings of Bridges 2017: Mathematics, Music, Art, Architecture, Culture. Bridges Conference at the University of Waterloo, Ontario, Canada, 27-31 July. ISBN 978-1-938664-22-9 http://bridgesmathart.org/past-conferences/bridges-2017/ http://archive.bridgesmathart.org/2017/index.html<br /> <br /> ==== [[Bridges 2016]] ====<br /> Eve Torrence, Bruce Torrence, Carlo H. Séquin, Douglas McKenna, Kristóf Fenyvesi, and Reza Sarhangi (eds.): Proceedings of Bridges 2016: Mathematics, Music, Art, Architecture, Culture. Bridges Conference at the University of University of Jyväskylä, Jyväskylä, Finland, August 9-13. Tessellations Publishing, Phoenix, Arizona, 2016. ISBN 978-1-938664-19-9 http://bridgesmathart.org/bridges-2016/ http://archive.bridgesmathart.org/2016/index.html<br /> <br /> ==== [[Bridges 2015]] ====<br /> Kelly Delp, [[Craig S. Kaplan]], Douglas McKenna,and Reza Sarhangi: Proceedings of Bridges 2015: Mathematics, Music, Art, Architecture, Culture. Bridges Conference at the University of Baltimore. Tessellations Publishing, Phoenix, Arizona, 2015. ISBN 978-1-938664-15-1 http://bridgesmathart.org/bridges-2015/ http://archive.bridgesmathart.org/2015/index.html<br /> <br /> ==== [[Bridges 2014]] ====<br /> [[Gary Greenfield]], George Hart and Reza Sarhangi: Proceedings of Bridges 2014: Mathematics, Music, Art, Architecture, Culture. Tessellations Publishing, Phoenix, Arizona, 2014. ISBN 978-1-938664-11-3 http://bridgesmathart.org/bridges-2014/ http://archive.bridgesmathart.org/2014/index.html<br /> <br /> ==== [[Bridges 2013]] ====<br /> George Hart, Reza Sarhangi (eds.): Bridges 2013, Mathematics, Music, Art, Architecture, Culture. Bridges Conference at the University of Twente and Saxion University of Applied Sciences Enschede, the Netherlands, 2013. ISBN: 978-1-938664-06-9 http://bridgesmathart.org/past-conferences/bridges-2013/ http://archive.bridgesmathart.org/2013/index.html<br /> <br /> ==== [[Bridges 2012]] ====<br /> Robert Bosch, Douglas McKenna, Reza Sarhangi: Bridges 2012, Mathematics, Music, Art, Architecture, Culture. 15th Annual Bridges Conference at Towson University Towson, Maryland, USA, 2012. ISBN: 978-1-938664-00-7 http://bridgesmathart.org/past-conferences/bridges-2012/ http://archive.bridgesmathart.org/2012/index.html<br /> <br /> ==== [[Bridges 2011]] ====<br /> Reza Sarhangi, Carlo Séquin: Bridges 2011, Mathematics, Music, Art, Architecture, Culture. 14th Annual Bridges Conference in the University of Coimbra, Portugal, 2011. ISBN: 978-0-9846042-6-5 http://bridgesmathart.org/past-conferences/bridges-2011/ http://archive.bridgesmathart.org/2011/index.html<br /> <br /> ==== [[Bridges 2010]] ====<br /> George W. Hart and Reza Sarhangi: Bridges 2010, Mathematics, Music, Art, Architecture, Culture. 13th Annual Bridges Conference in the City of Pécs, Hungary, 2010. ISBN: 9780984604203 http://bridgesmathart.org/past-conferences/bridges-2010/ http://archive.bridgesmathart.org/2010/index.html<br /> <br /> ==== [[Bridges 2009]] ====<br /> [[Craig S. Kaplan]] and Reza Sarhangi: Bridges 2009, Mathematics, Music, Art, Architecture, Culture. 12th Annual Bridges Conference, The Banff Centre, Banff, Alberta, Canada, 2009. ISBN: 978-0-96652-020-0 http://bridgesmathart.org/past-conferences/bridges-2009/ http://archive.bridgesmathart.org/2009/index.html<br /> <br /> ==== [[Bridges 2008]] ====<br /> Reza Sarhangi and Carlo Séquin: Bridges 2008, Mathematics, Music, Art, Architecture, Culture. 11th Annual Bridges Conference, Leeuwarden, The Netherlands, 2008. ISBN: 9780966520194 http://www.bridgesmathart.org/2008/2008.html http://archive.bridgesmathart.org/2008/index.html<br /> <br /> ==== [[Bridges 2007]] ====<br /> Reza Sarhangi and Javier Barrallo: Bridges 2007, Mathematics, Music, Art, Architecture, Culture. 10th Annual Bridges Conference, School of Architecture, University of the Basque Country<br /> San Sebastian (Donostia), Spain, 2007. ISBN: 0-9665201-8-1 http://www.bridgesmathart.org/2007/2007.html http://archive.bridgesmathart.org/2007/index.html<br /> <br /> ==== [[Bridges 2006]] ====<br /> Reza Sarhangi and John Sharp: Bridges 2006, Mathematics, Music, Art, Architecture, Culture. 9th Annual Bridges Conference, London, 2006. ISBN: 0-9665201-7-3 http://www.lkl.ac.uk/events/bridges/index.html http://archive.bridgesmathart.org/2006/index.html<br /> <br /> ==== [[Bridges 2005]] ====<br /> Reza Sarhangi and Robert V. Moody: Bridges 2005, Mathematics, Music, Art, Architecture, Culture. 8th Annual Bridges Conference, Banff, 2005. ISBN: 0-9665201-6-5 http://www.bridgesmathart.org/2005_Program.html http://archive.bridgesmathart.org/2005/index.html<br /> <br /> ==== [[Bridges 2004]] ====<br /> Reza Sarhangi and Carlo Sequin: Bridges 2004, Mathematics, Music, Art, Architecture, Culture. 7th Annual Bridges Conference, 2004. ISBN: 0-9665201-5-7 http://bridgesmathart.org/past-conferences/2004-2/ http://archive.bridgesmathart.org/2004/index.html<br /> <br /> ==== [[Bridges 2003]] ====<br /> Javier Barrallo, Jose Martfnez-Aroza, Nathaniel Friedman, Reza Sarhang, Juan Antonio Maldonado, Carlo Sequin: Bridges 2003, Mathematics, Music, Art, Architecture, Culture. 6th Annual Bridges Conference, FACULTI OF SCIENCES, UNIVERSITI OF GRANADA, Alhambra, 2003. http://www.isama.org/conf/isama03/ http://archive.bridgesmathart.org/2003/index.html<br /> <br /> ==== [[Bridges 2002]] ====<br /> Rem Sarhangi: Bridges 2002, Mathematics, Music, Art, Architecture, Culture. 5th Annual Bridges Conference, Towson University, Maryland, 2002. ISBN 0-9665201-4-9. http://bridgesmathart.org/past-conferences/2002-2/ http://archive.bridgesmathart.org/2002/index.html<br /> <br /> ==== [[Bridges 2001]] ====<br /> Reza Sarhangi and Slavik Jablan: Bridges 2001, Mathematics, Music, Art, Architecture, Culture. 4th Annual Bridges Conference, 2001. ISBN 0-9665201-3-0. http://bridgesmathart.org/past-conferences/2001-2/ http://archive.bridgesmathart.org/2001/index.html<br /> <br /> ==== [[Bridges 2000]] ====<br /> Reza Sarhangi: Bridges 2000, Mathematics, Music, Art, Architecture, Culture. 3th Annual Bridges Conference, 2000. ISBN 0-9665201-2-2. http://bridgesmathart.org/past-conferences/2000-2/ http://archive.bridgesmathart.org/2000/index.html<br /> <br /> ==== [[Bridges 1999]] ====<br /> Reza Sarhangi: Bridges 1999, Mathematics, Music, Art, Architecture, Culture. 2th Annual Bridges Conference, 1999. ISBN 0-9665201-1-4. http://bridgesmathart.org/past-conferences/1999-2/ http://archive.bridgesmathart.org/1999/index.html<br /> <br /> ==== [[Bridges 1998]] ====<br /> Reza Sarhangi: Bridges 1998, Mathematics, Music, Art, Architecture, Culture. 1th Annual Bridges Conference, 1998. ISBN 0-9665201-0-6. http://bridgesmathart.org/past-conferences/1998-2/ http://archive.bridgesmathart.org/1998/index.html<br /> <br /> === Computational Creativity ===<br /> The Association for Computational Creativity: http://computationalcreativity.net/<br /> <br /> ==== [[Computational Creativity 2016 ICCC 2016]] ====<br /> François Pachet, Amilcar Cardoso, Vincent Corruble, Fiammetta Ghedini (eds.): PROCEEDINGS OF THE SEVENTH INTERNATIONAL CONFERENCE ON COMPUTATIONAL CREATIVITY 2016, [[Computational Creativity 2016 ICCC 2016]], Paris, 27 June - 1 July. ISBN: 9782746691551 http://computationalcreativity.net/iccc2016/ http://www.computationalcreativity.net/iccc2016/wp-content/uploads/2016/08/Proceedings_ICCC16.pdf<br /> <br /> ==== [[Computational Creativity 2015 ICCC 2015]] ====<br /> Hannu Toivonen, Simon Colton, Michael Cook, Dan Ventura (eds.): PROCEEDINGS OF THE SIXTH INTERNATIONAL CONFERENCE ON COMPUTATIONAL CREATIVITY 2015, [[Computational Creativity 2015 ICCC 2015]], Brigham Young University, Provo, Utah, USA, 29th June – 3th July 2015. ISBN: 9780842529709 http://computationalcreativity.net/iccc2015/?page_id=331 http://computationalcreativity.net/iccc2015/?page_id=154 http://computationalcreativity.net/iccc2015/proceedings/ICCC2015_proceedings.pdf <br /> <br /> ==== [[Computational Creativity 2014 ICCC 2014]] ====<br /> [[Simon Colton]], Dan Ventura, Nada Lavrač, Michael Cook (eds.): Fifth International Conference on Computational Creativity 2014, [[Computational Creativity 2014 ICCC 2014]], Ljubljana, Slovenia, 9th – 13th June 2014. http://computationalcreativity.net/iccc2014/proceedings/ http://computationalcreativity.net/iccc2014/proceedings/proceedings-pdf/<br /> <br /> ==== [[Computational Creativity 2013 ICCC 2013]] ====<br /> <br /> Mary Lou Maher, Tony Veale, [[Rob Saunders]], [[Oliver Bown]]: Fourth International Conference on Computational Creativity, [[Computational Creativity 2013 ICCC 2013]]. Sydney, New South Wales, Australia, June 2013. http://www.computationalcreativity.net/iccc2013/accepted-papers/ http://www.computationalcreativity.net/iccc2013/download/ICCC2013-Proceedings.pdf<br /> <br /> ==== [[Computational Creativity 2012 ICCC 2012]] ====<br /> <br /> Mary Lou Maher, Kristian Hammond, Alison Pease, Rafael Pérez y Pérez, Dan Ventura and Geraint Wiggins (eds.): Third International Conference on Computational Creativity [[Computational Creativity 2012 ICCC 2012]]. Dublin, Ireland, May 2012. http://computationalcreativity.net/iccc2012/the-conference-program/ http://www.computationalcreativity.net/proceedings/ICCC-2012-Proceedings.pdf<br /> <br /> ==== [[Computational Creativity 2011 ICCC 2011]] ====<br /> <br /> Dan Ventura, Pablo Gervás, D. Fox Harrell, Mary Lou Maher, Alison Pease and Geraint Wiggins (eds.): Second International Conference on Computational Creativity [[Computational Creativity 2011 ICCC 2011]]. México City, México · April 2011. http://iccc11.cua.uam.mx/proceedings/index.html<br /> <br /> ==== [[Computational Creativity 2010 ICCC 2010]] ====<br /> <br /> Dan Ventura, Alison Pease, Rafael P ́erez y P ́erez, Graeme Ritchie and Tony Veale (eds.): Proceedings of the First International Conference on Computational Creativity [[Computational Creativity 2010 ICCC 2010]]. Lisbon, Portugal, January 2010 http://creative-systems.dei.uc.pt/ http://eden.dei.uc.pt/~amilcar/ftp/e-Proceedings_ICCC-X.pdf<br /> <br /> ==== [[Dagstuhl Seminar 09291 2009: Computational Creativity: An Interdisciplinary Approach]] ====<br /> <br /> Margaret Boden and Mark D&#039;Inverno and [[Jon McCormack]] (Eds.): Computational Creativity: An Interdisciplinary Approach. Dagstuhl Seminar 09291. 2009. http://drops.dagstuhl.de/opus/portals/index.php?semnr=09291</div> Gubachelier http://de.evo-art.org/index.php?title=Introducing_the_Kasparian_Constructions&diff=33274 Introducing the Kasparian Constructions 2017-12-07T10:11:47Z <p>Gubachelier: Die Seite wurde neu angelegt: „ == Referenz == Raffi J. Kasparian and Alice E. Petillo: Introducing the Kasparian Constructions. In: Bridges 2017, Pages 511–514. == DOI == == A…“</p> <hr /> <div><br /> == Referenz == <br /> Raffi J. Kasparian and Alice E. Petillo: [[Introducing the Kasparian Constructions]]. In: [[Bridges 2017]], Pages 511–514. <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> This paper serves as an introduction to a type of geometric construction discovered by Raffi J. Kasparian while writing a polyhedral construction tool, named “Archimedean.” Archimedean&#039;s unique exploratory approach to polyhedral construction led to the discovery of several objects where the faces of the polyhedron traverse the surface more than once before joining. Alice Petillo has used the Archimedean program in teaching geometry to undergraduate students at Marymount University in Arlington, Virginia for the last several years. Kasparian and Petillo have collaborated to bring this discovery to the larger mathematical community. Archimedean may be found at <br /> http://www.quantimegroup.com/solutions/pages/Archimedean2.0/Archimedean.html. <br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> @inproceedings{bridges2017:511,<br /> author = {Raffi J. Kasparian and Alice E. Petillo},<br /> title = {Introducing the Kasparian Constructions},<br /> pages = {511--514},<br /> booktitle = {Proceedings of Bridges 2017: Mathematics, Art, Music, Architecture, Education, Culture},<br /> year = {2017},<br /> editor = {David Swart, Carlo H. S\&#039;equin, and Krist\&#039;of Fenyvesi},<br /> isbn = {978-1-938664-22-9},<br /> issn = {1099-6702},<br /> publisher = {Tessellations Publishing},<br /> address = {Phoenix, Arizona},<br /> note = {Available online at \url{http://archive.bridgesmathart.org/2017/bridges2017-511.pdf}}<br /> }<br /> <br /> == Used References == <br /> [1] P. R. Cromwell. Polyhedra. Cambridge University Press. 1997.<br /> <br /> [2] B. Grünbaum. (1-2-3)-Complexes. Geombinatorics 13(2003), 65 - 72.<br /> <br /> [3] P. Taylor. The Simpler? Polyhedra. Nattygrafix. 1999.<br /> <br /> <br /> == Links == <br /> <br /> === Full Text === <br /> http://archive.bridgesmathart.org/2017/bridges2017-511.pdf<br /> <br /> [[internal file]] <br /> <br /> <br /> === Sonstige Links ===</div> Gubachelier http://de.evo-art.org/index.php?title=Triaxial_Weaving_for_Complex_Repeat_Patterns_and_Tessellations&diff=33273 Triaxial Weaving for Complex Repeat Patterns and Tessellations 2017-12-07T10:09:07Z <p>Gubachelier: Die Seite wurde neu angelegt: „ == Referenz == Mary Klotz: Triaxial Weaving for Complex Repeat Patterns and Tessellations. In: Bridges 2017, Pages 503–506. == DOI == == Abstrac…“</p> <hr /> <div><br /> == Referenz == <br /> Mary Klotz: [[Triaxial Weaving for Complex Repeat Patterns and Tessellations]]. In: [[Bridges 2017]], Pages 503–506. <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> Abstract Algorithmic color placements in triaxial weaving generate surprising repeat patterns. Periodic arrangements of complex tilings (multiple shape p3 and p6 symmetries) unfold. Tessellations, radial, threefold and sixfold symmetries and directional patterns variously appear. Two-color examples with identical sequencing on each axis are emphasized here, along with simple shifts in color placement which produce inverse colorways, rotations, or distinct pattern variations. <br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> @inproceedings{bridges2017:503,<br /> author = {Mary Klotz},<br /> title = {Triaxial Weaving for Complex Repeat Patterns and Tessellations},<br /> pages = {503--506},<br /> booktitle = {Proceedings of Bridges 2017: Mathematics, Art, Music, Architecture, Education, Culture},<br /> year = {2017},<br /> editor = {David Swart, Carlo H. S\&#039;equin, and Krist\&#039;of Fenyvesi},<br /> isbn = {978-1-938664-22-9},<br /> issn = {1099-6702},<br /> publisher = {Tessellations Publishing},<br /> address = {Phoenix, Arizona},<br /> note = {Available online at \url{http://archive.bridgesmathart.org/2017/bridges2017-503.pdf}}<br /> }<br /> <br /> == Used References == <br /> [1] Virginia Harvey The Techniques of Basketry. University of Washington Press 1986.<br /> <br /> [2] Shereen LaPlantz The Mad Weave Book.original Press de LaPlantz1984 reprint: Dover Publications 2016<br /> <br /> [3] David Mooney Ars Textrina vol. 2 Dec.1984, Vol. 3 May 1985, Vol. 5 June 1986,<br /> Charles Babbage Research Center, Winnipeg, Manitoba<br /> http://ulita.leeds.ac.uk/research/ars-textrina-textiles-group/ars-textrina-journals<br /> <br /> [4] Mary Klotz “Triaxial Weaving” Shuttle, Spindle and Dyepot magazine Interweave Press spring 1991,<br /> Vol XXIII #2, pp. 16-17<br /> <br /> [5] Elizabeth Lang-Harris, Charlene St. John Hex Weave and Mad Weave, An Introduction to Triaxial Weaving<br /> Schiffer 2013<br /> <br /> <br /> == Links == <br /> <br /> === Full Text === <br /> http://archive.bridgesmathart.org/2017/bridges2017-503.pdf<br /> <br /> [[internal file]] <br /> <br /> <br /> === Sonstige Links ===</div> Gubachelier http://de.evo-art.org/index.php?title=Inversive_Diversions_and_Diversive_Inversions&diff=33272 Inversive Diversions and Diversive Inversions 2017-12-07T10:06:39Z <p>Gubachelier: Die Seite wurde neu angelegt: „ == Referenz == Gregg Helt: Inversive Diversions and Diversive Inversions. In: Bridges 2017, Pages 467–470. == DOI == == Abstract == In this pape…“</p> <hr /> <div><br /> == Referenz == <br /> Gregg Helt: [[Inversive Diversions and Diversive Inversions]]. In: [[Bridges 2017]], Pages 467–470. <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> In this paper, we first briefly review aspects of inversive geometry and inversive fractals. Motivated by a desire to expand our geometric and artistic toolkit, we then introduce mixed-restriction limit sets as a new technique for use with iterated function systems and groups of circle inversions to create previously undiscovered 2D inversive fractals. We also apply this technique to diverse shape-based inversions that are closely related to circle inversion. Finally, we explore extending mixed-restriction limit sets and shape-based inversions into 3D to generate 3D inversive fractals. <br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> @inproceedings{bridges2017:467,<br /> author = {Gregg Helt},<br /> title = {Inversive Diversions and Diversive Inversions},<br /> pages = {467--470},<br /> booktitle = {Proceedings of Bridges 2017: Mathematics, Art, Music, Architecture, Education, Culture},<br /> year = {2017},<br /> editor = {David Swart, Carlo H. S\&#039;equin, and Krist\&#039;of Fenyvesi},<br /> isbn = {978-1-938664-22-9},<br /> issn = {1099-6702},<br /> publisher = {Tessellations Publishing},<br /> address = {Phoenix, Arizona},<br /> note = {Available online at \url{http://archive.bridgesmathart.org/2017/bridges2017-467.pdf}}<br /> }<br /> <br /> == Used References == <br /> [1] M. F. Barnsley and S. Demko, “Iterated Function Systems and the Global Construction of Fractals”,<br /> Proceedings of the Royal Society of London, vol. 399, no. 1817, pp. 243–275, 1985<br /> <br /> [2] B. B. Mandelbrot, “Self-inverse Fractals, Apollonian Nets, and Soap”, The Fractal Geometry of<br /> Nature, Chapter 18, pp. 166-179, 1982<br /> <br /> [3] V. Bulatov, “Inversive Kaleidoscopes and Their Visualization”, Proceedings of Bridges 2014:<br /> Mathematics, Music, Art, Architecture, Culture, pp. 329–332, 2014<br /> <br /> [4] R. M. Baram and H. J. Herrmann, “Self-similar Space-filling Packings in Three Dimensions”,<br /> Fractals, vol. 12, no. 03, pp. 293–301, 2004<br /> <br /> [5] C. Clancy and M. Frame, “Fractal Geometry of Restricted Sets of Circle Inversions”, Fractals, vol.<br /> 03, no. 04, pp. 689–699, 1995<br /> <br /> [6] K. Gdawiec, “Star-shaped Set Inversion Fractals”, Fractals, vol. 22, no. 04, pp. 1450009.1-7, 2014<br /> <br /> [7] J. L. Ramírez and G. N. Rubiano, “A Generalization of the Spherical Inversion”, International<br /> Journal of Mathematical Education in Science and Technology, vol. 48, no. 1, pp. 132–149, 2017<br /> <br /> [8] J. Gielis, “A generic geometric transformation that unifies a wide range of natural and abstract<br /> shapes”, American Journal of Botany, vol. 90, no. 3, pp. 333–338, 2003<br /> <br /> [9] G. Helt, “A Rose By Any Other Name...”, Proceedings of Bridges 2016: Mathematics, Music, Art,<br /> Architecture, Education, Culture, pp. 445–448, 2016<br /> <br /> [10] A. Maschke, JWildfire software, 2011. Current release v3.10 (April 2017), http://jwildfire.org<br /> <br /> <br /> == Links == <br /> <br /> === Full Text === <br /> http://archive.bridgesmathart.org/2017/bridges2017-467.pdf<br /> <br /> [[internal file]] <br /> <br /> <br /> === Sonstige Links ===</div> Gubachelier http://de.evo-art.org/index.php?title=Using_African_Designs_in_Virtual_Manipulatives_for_Geometrical_Concept_Development&diff=33271 Using African Designs in Virtual Manipulatives for Geometrical Concept Development 2017-12-07T10:03:55Z <p>Gubachelier: Die Seite wurde neu angelegt: „ == Referenz == Philip Collett and Catherina Steyn: Using African Designs in Virtual Manipulatives for Geometrical Concept Development. In: Bridges 2017…“</p> <hr /> <div><br /> == Referenz == <br /> Philip Collett and Catherina Steyn: [[Using African Designs in Virtual Manipulatives for Geometrical Concept Development]]. In: [[Bridges 2017]], Pages 455–458. <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> Promoting interest and engagement in Mathematics among learners in early High School grades is challenging in the South African educational scenario which is typified by traditional pedagogies, desolate classrooms, a lack of interesting resources and something of a rote learning culture. To enhance the attractiveness and the cultural congruence of learning materials for early High School grades we have used GeoGebra to design a set of virtual manipulatives, which incorporate Southern African indigenous art designs, for promoting concept formation in the area of Geometry. We explain the underlying pedagogy of the development and show examples of manipulatives in the design stage. Plans for incorporating the material into programs and researching the learning outcomes are also presented. <br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> @inproceedings{bridges2017:455,<br /> author = {Philip Collett and Catherina Steyn},<br /> title = {Using African Designs in Virtual Manipulatives for Geometrical Concept Development},<br /> pages = {455--458},<br /> booktitle = {Proceedings of Bridges 2017: Mathematics, Art, Music, Architecture, Education, Culture},<br /> year = {2017},<br /> editor = {David Swart, Carlo H. S\&#039;equin, and Krist\&#039;of Fenyvesi},<br /> isbn = {978-1-938664-22-9},<br /> issn = {1099-6702},<br /> publisher = {Tessellations Publishing},<br /> address = {Phoenix, Arizona},<br /> note = {Available online at \url{http://archive.bridgesmathart.org/2017/bridges2017-455.pdf}}<br /> }<br /> <br /> == Used References == <br /> [1] N. Spaull, “South Africa’s Education Crisis : The quality of education in South Africa 1994-2011,” Johannesburg, 2013.<br /> <br /> [2] I. V. S. Mullis, M. O. Martin, P. Foy, and A. Arora, Results in Mathematics, 1st ed. Chestnut Hill, MA: TIMSS &amp; PIRLS International Study Center, 2012.<br /> <br /> [3] Department of Basic Education, “Report on the Annual National Assessment of 2014 gr 1 to 6 &amp; 9,” Pretoria, 2014.<br /> <br /> [4] Department of Basic Education, “2015 National Senior Certificate Examination Diagnostic Report,” Pretoria, 2015.<br /> <br /> [5] W. A. Olivier, “Maths Unit Boosts Pupils’ X Factor An Offline Tutoring Programme is Giving Talented but Sidelined Pupils a Fighting Chance,” Mail &amp; Guardian, p. 4, 2015.<br /> <br /> [6] D. Buckingham, Beyond Technology: Children’s Learning in the Age of Digital Culture. Cambridge: Polity Press, 2007.<br /> <br /> [7] W. Daher, “Building Mathematical Knowledge in an Authentic Mobile Phone Environment,” Australas. J. Educ. Technol., vol. 26, no. 1, pp. 85–104, 2010.<br /> <br /> [8] M. Sherman, “The Role of Technology in Supporting Students’ Mathematical Thinking : Extending the Metaphors of Amplifier and Reorganizer,” Contemp. Issues Technol. Teach. Educ., vol. 14, no. 3, pp. 220–246, 2014.<br /> <br /> [9] P. Gerdes, “On Mathematics in the History of Sub-Saharan Africa,” Hist. Math., vol. 21, no. 3, pp. 345–376, 1994.<br /> <br /> [10] M. Mosimege, “Indigenous Mathematical Knowledge at South African Cultural Villages : Opportunities for Integration in Mathematics Classrooms,” in Proceedings of the 14 th Annual National Congress of AMESA, 2008, pp. 457–462.<br /> <br /> [11] A. Gray and R. Sarhangi, “Study and Application of African Designs for Use in Secondary Education,” in Proceedings of the Bridges 2001 Conference, 2001, pp. 299–306.<br /> <br /> [12] L. Rosenblum and M. Macedonia, “Ndebele painting in VR,” IEEE Comput. Graph. Appl., vol. 21, no. 2, pp. 10–13, 2001.<br /> <br /> [13] D. H. Clements, “‘Concrete’ Manipulatives, Concrete Ideas,” Contemp. Issues Early Child., vol. 1, no. 1, pp. 45–60, 1999.<br /> <br /> <br /> == Links == <br /> <br /> === Full Text === <br /> http://archive.bridgesmathart.org/2017/bridges2017-455.pdf<br /> <br /> [[internal file]] <br /> <br /> <br /> === Sonstige Links ===</div> Gubachelier http://de.evo-art.org/index.php?title=On_the_Enumeration_of_Chequered_Tilings_in_Polygons&diff=33270 On the Enumeration of Chequered Tilings in Polygons 2017-12-07T10:01:22Z <p>Gubachelier: Die Seite wurde neu angelegt: „ == Referenz == Hiroaki Hamanaka, Takashi Horiyama and Ryuhei Uehara: On the Enumeration of Chequered Tilings in Polygons. In: Bridges 2017, Pages 423…“</p> <hr /> <div><br /> == Referenz == <br /> Hiroaki Hamanaka, Takashi Horiyama and Ryuhei Uehara: [[On the Enumeration of Chequered Tilings in Polygons]]. In: [[Bridges 2017]], Pages 423–426.<br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> The Tokyo 2020 Olympic and Paralympic games emblems, called ‘harmonized chequered emblems,’ are designed with three kinds of rectangles. We enumerate all such tilings in a dodecagon with a hole. <br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> @inproceedings{bridges2017:423,<br /> author = {Hiroaki Hamanaka, Takashi Horiyama and Ryuhei Uehara},<br /> title = {On the Enumeration of Chequered Tilings in Polygons},<br /> pages = {423--426},<br /> booktitle = {Proceedings of Bridges 2017: Mathematics, Art, Music, Architecture, Education, Culture},<br /> year = {2017},<br /> editor = {David Swart, Carlo H. S\&#039;equin, and Krist\&#039;of Fenyvesi},<br /> isbn = {978-1-938664-22-9},<br /> issn = {1099-6702},<br /> publisher = {Tessellations Publishing},<br /> address = {Phoenix, Arizona},<br /> note = {Available online at \url{http://archive.bridgesmathart.org/2017/bridges2017-423.pdf}}<br /> }<br /> <br /> == Used References == <br /> [1] O. Bodini, T. Fernique, M. Rao, and E. R´emila, Distance on Rhombus Tilings, Theoretical Computer<br /> Science, 412 (2011), pp. 4787–4794.<br /> <br /> [2] K. Yamanaka, S. Nakano, Y. Matsui, R. Uehara, and K. Nakada, Efficient enumeration of all ladder<br /> lotteries and its application, Theoretical Computer Science, 411 (2010), pp. 1714–1722.<br /> <br /> <br /> == Links == <br /> <br /> === Full Text === <br /> http://archive.bridgesmathart.org/2017/bridges2017-423.pdf<br /> <br /> [[internal file]] <br /> <br /> <br /> === Sonstige Links ===</div> Gubachelier http://de.evo-art.org/index.php?title=Algorithmic_Aesthetics:_Redefining_Traditional_Islamic_Art&diff=33269 Algorithmic Aesthetics: Redefining Traditional Islamic Art 2017-12-07T09:58:58Z <p>Gubachelier: Die Seite wurde neu angelegt: „ == Referenz == Carol Bier: Algorithmic Aesthetics: Redefining Traditional Islamic Art. In: Bridges 2017, Pages 419–422. == DOI == == Abstract ==…“</p> <hr /> <div><br /> == Referenz == <br /> Carol Bier: [[Algorithmic Aesthetics: Redefining Traditional Islamic Art]]. In: [[Bridges 2017]], Pages 419–422. <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> The recent exhibition, ”Reverberating Echoes: Contemporary Art Inspired by Traditional Islamic Art,” organized by the Center for the Arts &amp; Religion at the Graduate Theological Union afforded an opportunity for me as curator to reconsider the definition of ‘traditional Islamic art.’ This effort led to the identification of an algorithmic aesthetic of pattern that characterizes artistic production in all media from the 9th through the 12th centuries in what were then Islamic lands, centered in Baghdad, but extending from Spain across North Africa through the Middle East and Iran to Central Asia and the Indian Subcontinent. <br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> @inproceedings{bridges2017:419,<br /> author = {Carol Bier},<br /> title = {Algorithmic Aesthetics: Redefining Traditional Islamic Art},<br /> pages = {419--422},<br /> booktitle = {Proceedings of Bridges 2017: Mathematics, Art, Music, Architecture, Education, Culture},<br /> year = {2017},<br /> editor = {David Swart, Carlo H. S\&#039;equin, and Krist\&#039;of Fenyvesi},<br /> isbn = {978-1-938664-22-9},<br /> issn = {1099-6702},<br /> publisher = {Tessellations Publishing},<br /> address = {Phoenix, Arizona},<br /> note = {Available online at \url{http://archive.bridgesmathart.org/2017/bridges2017-419.pdf}}<br /> }<br /> <br /> == Used References == <br /> [1] C. Bier, Reverberating Echoes: Contemporary Art Inspired by Traditional Islamic Art. Berkeley:<br /> Graduate Theological Union, 2017.<br /> <br /> [2] C. Bier, Symmetry and Pattern: The Art of Oriental Carpets, hosted by The Math Forum on-line at<br /> http://mathforum.org/geometry/rugs/ (1997-2012).<br /> <br /> [3] C. Bier, “The Decagonal Tomb Tower at Maragha and Its Architectural Context: Lines of<br /> Mathematical Thought,” in Persian Architecture and Mathematics, ed. R. Sarhangi, Nexus Network<br /> Journal 41/2 (2012), pp. 251-73.<br /> <br /> [4] C. Bier, “Geometry Made Manifest: Reorienting the Historiography of Ornament on the Iranian<br /> Plateau and Beyond,” in The Historiography of Persian Architecture, ed. M. Gharipour, pp. 41-79.<br /> London: Routledge, 2016.<br /> <br /> [5] J. Bloom, “The Introduction of the Muqarnas into Egypt,” Muqarnas 5 (1988), pp. 21-28.<br /> <br /> [6] E. Broug, Islamic Geometric Design. London: Thames &amp; Hudson. 2013.<br /> <br /> [7] R. W. Hamilton, Khirbat al-Mafjar: An Arabian Mansion in the Jordan Valley. Oxford: Clarendon<br /> Press, 1959.<br /> <br /> [8] E. Kheirandish, tr. and ed., The Arabic Version of Euclid’s Optics. New York: Springer, 1999.<br /> <br /> [9] H. Koliji, In-Between: Architectural Drawing and Imaginative Knowledge in Islamic and Western<br /> Traditions. Burlington VT: Ashgate, 2015.<br /> <br /> [10] H. Koliji, “Revisiting the Squinch: From Squaring the Circle to Circling the Square,” in Persian<br /> Architecture and Mathematics, ed. R. Sarhangi, Nexus Network Journal 41/2 (2012), pp. 291-305.<br /> <br /> [11] G. Necipoğlu, The Topkapı Scroll: Geometry and Ornament in Islamic Architecture. Santa Monica,<br /> CA: Getty Center for the History of Art and the Humanities, 1995.<br /> <br /> [12] G. Necipoğlu, ed. The Arts of Ornamental Geometry: A Persian Compendium on Similar and<br /> Complementary Interlocking Figures. Commemorating Alpay Özdural. Leiden: Brill, 2017.<br /> <br /> [13] C. K. Palmer, Shadowfolds: Selected Works 1993-2009, n.d. http://ckpalmer.magcloud.com<br /> <br /> [14] R. Rashed, The Development of Arabic Mathematics: Between Arithmetic and Algebra.<br /> Dordrecht/Boston: Kluwer, 1994.<br /> <br /> [15] R. Rashed, “Al-Qūhī and al-Sijzī on the Perfect Compass and the Continuous Drawing of Conic<br /> Sections,” Arabic Sciences and Philosophy 13/1 (2003), pp. 9–43.<br /> <br /> [16] F. Rosen, tr. The Algebra of Muḥammad ibn Mūsā al-Khwārezmī. London: Oriental Translating<br /> Fund, 1831.<br /> <br /> [17] A. I. Sabra, tr. and ed., The Optics of Ibn al-Haytham. Books I-II-III: On Direct Vision. 2vol.<br /> London: Warburg Institute, 1989.<br /> <br /> [18] Y. Tabbaa, “The Muqarnas Dome: Its Origins and Meaning,” Muqarnas 3 (1985), pp. 61-74.<br /> <br /> [19] Y. Tabbaa, The Transformation of Islamic Art during the Sunni Revival. Seattle and London:<br /> University of Washington, 2001.<br /> <br /> <br /> == Links == <br /> <br /> === Full Text === <br /> http://archive.bridgesmathart.org/2017/bridges2017-419.pdf<br /> <br /> [[internal file]] <br /> <br /> <br /> === Sonstige Links ===</div> Gubachelier http://de.evo-art.org/index.php?title=Quilting_the_Klein_Quartic&diff=33268 Quilting the Klein Quartic 2017-12-07T09:55:34Z <p>Gubachelier: /* Used References */</p> <hr /> <div><br /> == Referenz == <br /> Elisabetta Matsumoto: [[Quilting the Klein Quartic]]. In: [[Bridges 2017]], Pages 411–414. <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> The Klein Quartic curve contains the maximal number of symmetries a genus 3 surface can have: 84(g − 1) = 168. We create a fabric model of 24 regular heptagons that not only captures the platonic nature of the Klein Quartic, but it is flexible enough to be everted through any of its holes, thus illustrating 24 of the 168 symmetries, whilst rigid models can only display 12. <br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> @inproceedings{bridges2017:411,<br /> author = {Elisabetta Matsumoto},<br /> title = {Quilting the Klein Quartic},<br /> pages = {411--414},<br /> booktitle = {Proceedings of Bridges 2017: Mathematics, Art, Music, Architecture, Education, Culture},<br /> year = {2017},<br /> editor = {David Swart, Carlo H. S\&#039;equin, and Krist\&#039;of Fenyvesi},<br /> isbn = {978-1-938664-22-9},<br /> issn = {1099-6702},<br /> publisher = {Tessellations Publishing},<br /> address = {Phoenix, Arizona},<br /> note = {Available online at \url{http://archive.bridgesmathart.org/2017/bridges2017-411.pdf}}<br /> }<br /> <br /> == Used References == <br /> [1] John Baez. Klein’s Quartic Curve. Available at http://math.ucr.edu/home/baez/klein.html., 2013.<br /> <br /> [2] Greg Egan. Klein’s Quartic Curve. Available at http://www.gregegan.net/SCIENCE/KleinQuartic/<br /> KleinQuartic.html., 2006.<br /> <br /> [3] A. Hurwitz. U¨ ber algebraische Gebilde mit eindeutigen Transformationen in sich.<br /> <br /> [4] Hermann Karcher and Mathias Weber. The Geometry of Klein’s Riemannian Manifold. In Silvio Levy,<br /> editor, The Eightfold Way: The Beauty of Kleins Quartic Curve, pages 9–49. Cambridge Univ. Press,<br /> 1999.<br /> <br /> [5] Felix Klein. U¨ber die Transformationen siebenter Ordnung der elliptischen Funktionen. Math. Annalen,<br /> 14:428–471, 1879. (Translation into English by S. Levy [7].).<br /> <br /> [6] J. Lehner and M. Newman. On Riemann surfaces with maximal automorphism groups. Glasgow Math.<br /> J., 8:102–112, 1967.<br /> <br /> [7] Silvio Levy. The Eightfold Way: The Beauty of Kleins Quartic Curve. Cambridge Univ. Press, 1999.<br /> <br /> [8] H. E. Rauch and J. Lewittes. The Riemann surface of Klein with 168 automorphisms. In R. C. Gunning,<br /> editor, Problems in Analysis, pages 297–308. Princeton Univ. Press, 1970.<br /> <br /> [9] Carlo S´equin. Patterns on the Genus-3 Klein Quartic. In Proceedings of Bridges 2006: Mathematics,<br /> Music, Art, Architecture, Culture. Tessellations Publishing, 2006.<br /> <br /> [10] Mike Stay. Klein’s Quartic Curve. Available at http://math.ucr.edu/~mike/klein/. Accessed on 26 Feb<br /> 2017 at 21:19:29.<br /> <br /> == Links == <br /> <br /> === Full Text === <br /> http://archive.bridgesmathart.org/2017/bridges2017-411.pdf<br /> <br /> [[internal file]] <br /> <br /> <br /> === Sonstige Links ===</div> Gubachelier http://de.evo-art.org/index.php?title=Quilting_the_Klein_Quartic&diff=33267 Quilting the Klein Quartic 2017-12-07T09:55:05Z <p>Gubachelier: Die Seite wurde neu angelegt: „ == Referenz == Elisabetta Matsumoto: Quilting the Klein Quartic. In: Bridges 2017, Pages 411–414. == DOI == == Abstract == The Klein Quartic cur…“</p> <hr /> <div><br /> == Referenz == <br /> Elisabetta Matsumoto: [[Quilting the Klein Quartic]]. In: [[Bridges 2017]], Pages 411–414. <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> The Klein Quartic curve contains the maximal number of symmetries a genus 3 surface can have: 84(g − 1) = 168. We create a fabric model of 24 regular heptagons that not only captures the platonic nature of the Klein Quartic, but it is flexible enough to be everted through any of its holes, thus illustrating 24 of the 168 symmetries, whilst rigid models can only display 12. <br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> @inproceedings{bridges2017:411,<br /> author = {Elisabetta Matsumoto},<br /> title = {Quilting the Klein Quartic},<br /> pages = {411--414},<br /> booktitle = {Proceedings of Bridges 2017: Mathematics, Art, Music, Architecture, Education, Culture},<br /> year = {2017},<br /> editor = {David Swart, Carlo H. S\&#039;equin, and Krist\&#039;of Fenyvesi},<br /> isbn = {978-1-938664-22-9},<br /> issn = {1099-6702},<br /> publisher = {Tessellations Publishing},<br /> address = {Phoenix, Arizona},<br /> note = {Available online at \url{http://archive.bridgesmathart.org/2017/bridges2017-411.pdf}}<br /> }<br /> <br /> == Used References == <br /> [1] John Baez. Klein’s Quartic Curve. Available at http://math.ucr.edu/home/baez/klein.html., 2013.<br /> <br /> [2] Greg Egan. Klein’s Quartic Curve. Available at http://www.gregegan.net/SCIENCE/KleinQuartic/<br /> KleinQuartic.html., 2006.<br /> <br /> [3] A. Hurwitz. U¨ ber algebraische Gebilde mit eindeutigen Transformationen in sich.<br /> <br /> [4] Hermann Karcher and Mathias Weber. The Geometry of Klein’s Riemannian Manifold. In Silvio Levy,<br /> editor, The Eightfold Way: The Beauty of Kleins Quartic Curve, pages 9–49. Cambridge Univ. Press,<br /> 1999.<br /> <br /> [5] Felix Klein. U¨ber die Transformationen siebenter Ordnung der elliptischen Funktionen. Math. Annalen,<br /> 14:428–471, 1879. (Translation into English by S. Levy [7].).<br /> <br /> [6] J. Lehner and M. Newman. On Riemann surfaces with maximal automorphism groups. Glasgow Math.<br /> J., 8:102–112, 1967.<br /> <br /> [7] Silvio Levy. The Eightfold Way: The Beauty of Kleins Quartic Curve. Cambridge Univ. Press, 1999.<br /> <br /> [8] H. E. Rauch and J. Lewittes. The Riemann surface of Klein with 168 automorphisms. In R. C. Gunning,<br /> editor, Problems in Analysis, pages 297–308. Princeton Univ. Press, 1970.<br /> <br /> [9] Carlo S´equin. Patterns on the Genus-3 Klein Quartic. In Proceedings of Bridges 2006: Mathematics,<br /> Music, Art, Architecture, Culture. Tessellations Publishing, 2006.<br /> <br /> [10] Mike Stay. Klein’s Quartic Curve. Available at http://math.ucr.edu/�mike/klein/. Accessed on 26 Feb<br /> 2017 at 21:19:29.<br /> <br /> <br /> == Links == <br /> <br /> === Full Text === <br /> http://archive.bridgesmathart.org/2017/bridges2017-411.pdf<br /> <br /> [[internal file]] <br /> <br /> <br /> === Sonstige Links ===</div> Gubachelier http://de.evo-art.org/index.php?title=Cut_Colored_Paper_Sculptures_of_3D_Contour_Plots_of_the_Real_and_Imaginary_Parts_of_Complex_Functions&diff=33266 Cut Colored Paper Sculptures of 3D Contour Plots of the Real and Imaginary Parts of Complex Functions 2017-12-07T09:52:23Z <p>Gubachelier: </p> <hr /> <div><br /> == Referenz == <br /> Caroline Bowen: [[Cut Colored Paper Sculptures of 3D Contour Plots of the Real and Imaginary Parts of Complex Functions]]. In: [[Bridges 2017]], Pages 375–378. <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> I have created a series of sculptures depicting 3D contour plots of the real and imaginary parts of complex functions made from die-cut colored cardstock, acrylic rods, and acrylic spacers. The graphs were plotted as 2D contour plots in Mathematica, formatted for cutting in Adobe Illustrator, cut from colored scrapbooking paper using a Cameo Silhouette paper-cutting machine, and assembled. They evolved from a previous project, creating cutout concertina cards illustrating MacLaurin series and special functions. <br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> @inproceedings{bridges2017:375,<br /> author = {Caroline Bowen},<br /> title = {Cut Colored Paper Sculptures of 3D Contour Plots of the Real and Imaginary Parts of Complex Functions},<br /> pages = {375--378},<br /> booktitle = {Proceedings of Bridges 2017: Mathematics, Art, Music, Architecture, Education, Culture},<br /> year = {2017},<br /> editor = {David Swart, Carlo H. S\&#039;equin, and Krist\&#039;of Fenyvesi},<br /> isbn = {978-1-938664-22-9},<br /> issn = {1099-6702},<br /> publisher = {Tessellations Publishing},<br /> address = {Phoenix, Arizona},<br /> note = {Available online at \url{http://archive.bridgesmathart.org/2017/bridges2017-375.pdf}}<br /> }<br /> <br /> == Used References == <br /> [1] T. Needham. Visual Complex Analysis. Oxford University Press. 2000.<br /> <br /> [2] E. Wegert. Visual Complex Functions. Birkhäuser. 2012.<br /> <br /> [3] J. Brown and R. Churchill. Complex Variables and Applications. McGraw-Hill. 2013.<br /> <br /> <br /> == Links == <br /> <br /> === Full Text === <br /> http://archive.bridgesmathart.org/2017/bridges2017-375.pdf<br /> <br /> [[internal file]] <br /> <br /> <br /> === Sonstige Links ===</div> Gubachelier http://de.evo-art.org/index.php?title=Cut_Colored_Paper_Sculptures_of_3D_Contour_Plots_of_the_Real_and_Imaginary_Parts_of_Complex_Functions&diff=33265 Cut Colored Paper Sculptures of 3D Contour Plots of the Real and Imaginary Parts of Complex Functions 2017-12-07T09:51:39Z <p>Gubachelier: Die Seite wurde neu angelegt: „ == Referenz == http://archive.bridgesmathart.org/2017/bridges2017-375.pdf == DOI == == Abstract == I have created a series of sculptures depicting 3D conto…“</p> <hr /> <div><br /> == Referenz == <br /> http://archive.bridgesmathart.org/2017/bridges2017-375.pdf<br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> I have created a series of sculptures depicting 3D contour plots of the real and imaginary parts of complex functions made from die-cut colored cardstock, acrylic rods, and acrylic spacers. The graphs were plotted as 2D contour plots in Mathematica, formatted for cutting in Adobe Illustrator, cut from colored scrapbooking paper using a Cameo Silhouette paper-cutting machine, and assembled. They evolved from a previous project, creating cutout concertina cards illustrating MacLaurin series and special functions. <br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> @inproceedings{bridges2017:375,<br /> author = {Caroline Bowen},<br /> title = {Cut Colored Paper Sculptures of 3D Contour Plots of the Real and Imaginary Parts of Complex Functions},<br /> pages = {375--378},<br /> booktitle = {Proceedings of Bridges 2017: Mathematics, Art, Music, Architecture, Education, Culture},<br /> year = {2017},<br /> editor = {David Swart, Carlo H. S\&#039;equin, and Krist\&#039;of Fenyvesi},<br /> isbn = {978-1-938664-22-9},<br /> issn = {1099-6702},<br /> publisher = {Tessellations Publishing},<br /> address = {Phoenix, Arizona},<br /> note = {Available online at \url{http://archive.bridgesmathart.org/2017/bridges2017-375.pdf}}<br /> }<br /> <br /> == Used References == <br /> [1] T. Needham. Visual Complex Analysis. Oxford University Press. 2000.<br /> <br /> [2] E. Wegert. Visual Complex Functions. Birkhäuser. 2012.<br /> <br /> [3] J. Brown and R. Churchill. Complex Variables and Applications. McGraw-Hill. 2013.<br /> <br /> <br /> == Links == <br /> <br /> === Full Text === <br /> Caroline Bowen: [[Cut Colored Paper Sculptures of 3D Contour Plots of the Real and Imaginary Parts of Complex Functions]]. In: [[Bridges 2017]], Pages 375–378. <br /> <br /> [[internal file]] <br /> <br /> <br /> === Sonstige Links ===</div> Gubachelier http://de.evo-art.org/index.php?title=Combinatorics_in_the_Art_of_the_Twentieth_Century&diff=33264 Combinatorics in the Art of the Twentieth Century 2017-12-07T09:47:33Z <p>Gubachelier: Die Seite wurde neu angelegt: „ == Referenz == Lali Barrière: Combinatorics in the Art of the Twentieth Century. In: Bridges 2017, Pages 321–328. == DOI == == Abstract == This…“</p> <hr /> <div><br /> == Referenz == <br /> Lali Barrière: [[Combinatorics in the Art of the Twentieth Century]]. In: [[Bridges 2017]], Pages 321–328. <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> This paper is motivated by a question I asked myself: How can combinatorial structures be used in a work of art? Immediately, other questions arose: Whether there are artists that work or think combinatorially? If so, what works have they produced in this way? What are the similarities and differences between art works produced using combinatorics? This paper presents the first results of the attempt to answer these questions, being a survey of a selection of works that use or contain combinatorics in some way, including music, literature and visual arts, focusing on the twentieth century. <br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> @inproceedings{bridges2017:321,<br /> author = {Lali Barri\`{e}re},<br /> title = {Combinatorics in the Art of the Twentieth Century},<br /> pages = {321--328},<br /> booktitle = {Proceedings of Bridges 2017: Mathematics, Art, Music, Architecture, Education, Culture},<br /> year = {2017},<br /> editor = {David Swart, Carlo H. S\&#039;equin, and Krist\&#039;of Fenyvesi},<br /> isbn = {978-1-938664-22-9},<br /> issn = {1099-6702},<br /> publisher = {Tessellations Publishing},<br /> address = {Phoenix, Arizona},<br /> note = {Available online at \url{http://archive.bridgesmathart.org/2017/bridges2017-321.pdf}}<br /> }<br /> <br /> == Used References == <br /> [1] M. Bense. Aesthetica II - Aesthetische Information. Agis-Verlag, 1956.<br /> <br /> [2] D. Benson. Music: A Mathematical Offering. Cambridge University Press, 2006.<br /> <br /> [3] C. Berge, “Para un an´alisis potencial de la literatura combinatoria”. In: H. Salceda, ed. OULIPO. Atlas<br /> de Literatura Potencial, 1: Ideas Potentes. Pepitas de Calabaza, Logro˜no, Spain, 2016. (Translated<br /> from French.)<br /> <br /> [4] M. Bill, “The Mathematical Approach in Contemporary Art”. In: K. Stiles and P. Selz, eds., Theories<br /> and Documents of Contemporary Art. A Sourcebook of Artists’ Writings, University of California Press,<br /> 1996, pp. 74–77.<br /> <br /> [5] I. Calvino, “Appunti sulla narrativa come processo combinatorio”, Nuova Corrente, 46-47, 1968.<br /> <br /> [6] P. J. Cameron. Combinatorics: Topics, Techniques, Algorithms. Cambridge University Press, 1994.<br /> <br /> [7] Editions 75 – works by Tom Johnson. http://www.editions75.com/ (as of Jan. 25, 2017).<br /> <br /> [8] C. T. Funkhouser. Prehistoric Digital Poetry. An Archaeology of Forms, 1959-1995. The University of<br /> Alabama Press, 2007.<br /> <br /> [9] T. Hapke, “Wilhelm Ostwald’s Combinatorics as a Link Between In-formation and Form”, Library<br /> Trends, 61(2): 286–303, 2012.<br /> <br /> [10] D. Higgins. Pattern Poetry: Guide to an Unknown Literature. SUNY Press, 1987.<br /> <br /> [11] T. Johnson, F. Jedrzejewski. Looking at Numbers. Springer, 2014.<br /> <br /> [12] E. Knoblock, “The Sounding Algebra: Relations Between Combinatorics and Music from Mersenne<br /> to Euler”. In G. Assayag, H. G. Feichtinger, J. F. Rodrigues, eds., Music and Mathematics. A Diderot<br /> Mathematical Forum, Springer, 2002.<br /> <br /> [13] S. LeWitt, “Serial Project #1”, Aspen, 5-6, 1967.<br /> <br /> [14] M. G. Lorenzi and M. Francaviglia, “The Role of Mathematics in Contemporary Art at the Turn of the<br /> Millenium”, Aplimat - Journal of Applied Mathematics, 4(4): 215–238, 2011.<br /> <br /> [15] G. Loy. Musimathics. The mathematical Foundations of Music. Vol.1. The MIT Press, 2006.<br /> <br /> [16] Manfred Mohr. http://www.emohr.com/ (as of Jan. 25, 2017).<br /> <br /> [17] M. Mohr. Computer graphics. Une ´esthetique programm´ee. Weberdruck Pforzheim, 1971.<br /> <br /> [18] C. Nolan, “On Musical Space and Combinatorics: Historical and Conceptual Perspectives in Music<br /> Theory”. In R. Sarhangi ed., Proceedings of Bridges 2000: Mathematics, Music, Art, Architecture,<br /> Education, Culture, pages 201–208, Winfield, Kansas, 2000.<br /> <br /> [19] G. Perec, “Quatre figures pour La Vie mode d’emploi”. In: Oulipo Atlas de litt´erature potentielle,<br /> Gallimard, 1981, p. 387-395.<br /> <br /> [20] J.-M. Place, “Vera Molnar, Regard sur mes images”, Revue d’esthtique, 7, 1984.<br /> <br /> [21] R. C. Read, “Combinatorial problems in the theory of music”, Discrete Mathematics, 167-168: 543–<br /> 551, 1997.<br /> <br /> [22] M. Rottman, “Donald Judd’s Arithmetics and Sol LeWitt’s Combinatorics. On the Relationship Between<br /> Visual and Mathematical in New York Art Around 1960”. In M. Emmer, ed., Imagine Math 3.<br /> Between Culture and Mathematics, Springer, 2015.<br /> <br /> [23] A. Schoenberg, “Composition with Twelve Tones”. In Style and Idea. Selected Writings of Arnold<br /> Schoenberg, Faber &amp; Faber, 1975, pp. 102–143.<br /> <br /> [24] W. A. Sethares. Rhythm and Transforms. Springer, 2007.<br /> <br /> [25] D. R. Stinson. Combinatorial Designs: Constructions and Analysis. Springer, 2004.<br /> <br /> [26] Vera Molnar. http://www.veramolnar.com/ (as of Jan. 25, 2017).<br /> <br /> <br /> == Links == <br /> <br /> === Full Text === <br /> http://archive.bridgesmathart.org/2017/bridges2017-321.pdf<br /> <br /> [[internal file]] <br /> <br /> <br /> === Sonstige Links ===</div> Gubachelier http://de.evo-art.org/index.php?title=Flowsnake_Earth&diff=33263 Flowsnake Earth 2017-12-07T09:43:03Z <p>Gubachelier: Die Seite wurde neu angelegt: „ == Referenz == Jacob Rus: Flowsnake Earth. In: Bridges 2017, Pages 237–244. == DOI == == Abstract == By folding and gluing the edges of a collec…“</p> <hr /> <div><br /> == Referenz == <br /> Jacob Rus: [[Flowsnake Earth]]. In: [[Bridges 2017]], Pages 237–244. <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> By folding and gluing the edges of a collection of one or more regular hexagons, there are several ways to build closed polyhedra. The surface of the sphere can be mapped conformally to the faces of these polyhedra, and therefore onto the hexagons. The Gosper island is a two-dimensional fractal shape generated from a hexagon which seamlessly tiles the plane in a triangular lattice, and can be recursively subdivided into 7 congruent Gosper island shapes similar to the original. The flowsnake is a space-filling fractal curve which fills the Gosper island. When we combine these ideas we can construct several map projections from the sphere onto a collection of Gosper island shapes, each yielding as an inverse a “sphere-filling” fractal curve, and a recursive subdivision of the sphere into smaller Gosper island shapes in a succession of triangular lattices. <br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> @inproceedings{bridges2017:237,<br /> author = {Jacob Rus},<br /> title = {Flowsnake Earth},<br /> pages = {237--244},<br /> booktitle = {Proceedings of Bridges 2017: Mathematics, Art, Music, Architecture, Education, Culture},<br /> year = {2017},<br /> editor = {David Swart, Carlo H. S\&#039;equin, and Krist\&#039;of Fenyvesi},<br /> isbn = {978-1-938664-22-9},<br /> issn = {1099-6702},<br /> publisher = {Tessellations Publishing},<br /> address = {Phoenix, Arizona},<br /> note = {Available online at \url{http://archive.bridgesmathart.org/2017/bridges2017-237.pdf}}<br /> }<br /> <br /> == Used References == <br /> [1]<br /> J. P. Snyder. Map projections: A working manual. Vol. 1395. USGPO, 1987. https://pubs.er.usgs.gov/publication/pp1395<br /> <br /> [2]<br /> E. S. Popko, Divided Spheres. CRC press, 2012. http://www.dividedspheres.com<br /> <br /> [3]<br /> L. Middleton and J. Sivaswamy. Hexagonal Image Processing. Springer, 2006.<br /> <br /> [4]<br /> A. Lösch. Economics of Location. Yale, 1954.<br /> http://archive.org/stream/economicsoflocat00ls#page/110<br /> <br /> [5]<br /> N. Sloane. A003136, “Löschian numbers.” OEIS. 2017.<br /> https://oeis.org/A003136<br /> <br /> [6]<br /> M. Goldberg. “A class of multi-symmetric polyhedra.” Tohoku Math. J., First Series 43, 1937: 104–108.<br /> https://www.jstage.jst.go.jp/article/tmj1911/43/0/43_0_104/_pdf<br /> <br /> [7]<br /> M. Gardner. “Mathematical Games.” Scientific American 235, 1976: 124–133.<br /> https://scientificamerican.com/article/mathematical-games-1976-12/<br /> <br /> [8]<br /> J. Ventrella. Brainfilling Curves. Lulu.com, 2012. http://fractalcurves.com<br /> <br /> [9]<br /> R. J. Purser and M. Rančić. Office Note 467. NOAA, 2011.<br /> http://www.lib.ncep.noaa.gov/ncepofficenotes/files/on467.pdf<br /> <br /> [10]<br /> S. Pérez-Duarte and D. Swart. “The Mercator Redemption.” Proc. Bridges, 2013: 217–224.<br /> http://archive.bridgesmathart.org/2013/bridges2013-217.html<br /> <br /> [11]<br /> T. Needham. Visual Complex Analysis. Oxford, 1997. http://usf.usfca.edu/vca<br /> <br /> [12]<br /> T. Driscoll and L. N. Trefethen. Schwarz–Christoffel Mapping. Cambridge, 2002. http://www.math.udel.edu/~driscoll/SC<br /> <br /> [13]<br /> K. Sahr, D. White, and A. J. Kimerling. “Geodesic discrete global grid systems.” Cartogr. Geogr. Inf. Sci., 30(2), 2003: 121–134.<br /> http://www.discreteglobalgrids.org/publications<br /> <br /> [14]<br /> G. Irving and H. Segerman. “Developing fractal curves.” J. Math. Arts 7(3–4), 2013: 103–121. http://www.3dprintmath.com<br /> <br /> [15]<br /> R. Fathauer. “Radial Development.” 2014.<br /> http://robertfathauer.com/SphericalCurveSculp.html<br /> <br /> [16]<br /> J. Sullivan. “Conformal Tiling on a Torus.” Proc. Bridges, Coimbra, 2011: 593–596. http://archive.bridgesmathart.org/2011/bridges2011-593.html<br /> <br /> [17]<br /> D. M. German et al. “Flattening the Viewable Sphere.” Computational Aesthetics, 2007: 23–28. http://dl.acm.org/citation.cfm?id=2381258<br /> <br /> == Links == <br /> <br /> === Full Text === <br /> http://archive.bridgesmathart.org/2017/bridges2017-237.pdf<br /> <br /> [[internal file]] <br /> <br /> <br /> === Sonstige Links ===</div> Gubachelier http://de.evo-art.org/index.php?title=Hidden_Beauty_in_Penrose_Tiling:_Weavings_%26_Lace&diff=33262 Hidden Beauty in Penrose Tiling: Weavings & Lace 2017-12-06T18:28:43Z <p>Gubachelier: Die Seite wurde neu angelegt: „ == Referenz == Douglas Burkholder: Hidden Beauty in Penrose Tiling: Weavings &amp; Lace. In: Bridges 2017, Pages 213–220. == DOI == == Abstract == W…“</p> <hr /> <div><br /> == Referenz == <br /> Douglas Burkholder: [[Hidden Beauty in Penrose Tiling: Weavings &amp; Lace]]. In: [[Bridges 2017]], Pages 213–220. <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> We explore Penrose’s tiling using kites and darts in search for hidden beauty. We focus on the iterative subdivision process that can be used to create Penrose tilings by subdividing half kites and half darts into smaller half kites and half darts. By selectively coloring the half darts and half kites, based only on their relative position in the subdivision process, we create 15 unexpected and distinctive patterns hidden within Penrose tiling. These patterns tend to have the appearance of a weaving. Alternately, by selectively discarding tiles as we recursively subdivide, we can obtain fractal patterns that appear lacelike. We finish by filling the negative spaces in the fractal patterns with pursuit curves. <br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> @inproceedings{bridges2017:213,<br /> author = {Douglas Burkholder},<br /> title = {Hidden Beauty in Penrose Tiling: Weavings \&amp; Lace},<br /> pages = {213--220},<br /> booktitle = {Proceedings of Bridges 2017: Mathematics, Art, Music, Architecture, Education, Culture},<br /> year = {2017},<br /> editor = {David Swart, Carlo H. S\&#039;equin, and Krist\&#039;of Fenyvesi},<br /> isbn = {978-1-938664-22-9},<br /> issn = {1099-6702},<br /> publisher = {Tessellations Publishing},<br /> address = {Phoenix, Arizona},<br /> note = {Available online at \url{http://archive.bridgesmathart.org/2017/bridges2017-213.pdf}}<br /> }<br /> <br /> == Used References == <br /> [1] Beautiful Penrose Tile in Architecture: http://www.eschertile.com/penrose.htm<br /> <br /> [2] D.G. Burkholder. Unexpected Beauty Hidden in Radin-Conway’s Pinwheel Tiling. In Bridges Baltimore 2015:<br /> Mathematics, Music, Art, Architecture, Culture: 383-386. 2015.<br /> <br /> [3] B. Grünbaum and G.C. Shephard, Tilings and Patterns, W.H. Freeman. 1987.<br /> <br /> [4] D. Reimann. Binomial Pursuit. MAA Mathematics Magazine: 89 (3). 2016.<br /> <br /> [5] The Tiling Encyclopedia: http://tilings.math.uni-bielefeld.de/<br /> <br /> <br /> == Links == <br /> <br /> === Full Text === <br /> http://archive.bridgesmathart.org/2017/bridges2017-213.pdf<br /> <br /> [[internal file]] <br /> <br /> <br /> === Sonstige Links ===</div> Gubachelier http://de.evo-art.org/index.php?title=Modelling_Seashells_Shapes_and_Pigmentation_Patterns:_Experiments_with_3D_Printing&diff=33261 Modelling Seashells Shapes and Pigmentation Patterns: Experiments with 3D Printing 2017-12-06T18:26:26Z <p>Gubachelier: Die Seite wurde neu angelegt: „ == Referenz == Francesco de Comité: Modelling Seashells Shapes and Pigmentation Patterns: Experiments with 3D Printing. In: Bridges 2017, Pages 189…“</p> <hr /> <div><br /> == Referenz == <br /> Francesco de Comité: [[Modelling Seashells Shapes and Pigmentation Patterns: Experiments with 3D Printing]]. In: [[Bridges 2017]], Pages 189–196. <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> This paper describes the method I used to generate realistic 3D printed seashells, from the point of view of their general shape and of the patterns that decorate them. The method, and the associated program are general enough to cover a large range of existing seashell specimens. Examples are given. Comparisons with previous works are made, limits are highlighted, giving directions for future works. <br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> @inproceedings{bridges2017:189,<br /> author = {Francesco de Comit\&#039;{e}},<br /> title = {Modelling Seashells Shapes and Pigmentation Patterns: Experiments with 3D Printing},<br /> pages = {189--196},<br /> booktitle = {Proceedings of Bridges 2017: Mathematics, Art, Music, Architecture, Education, Culture},<br /> year = {2017},<br /> editor = {David Swart, Carlo H. S\&#039;equin, and Krist\&#039;of Fenyvesi},<br /> isbn = {978-1-938664-22-9},<br /> issn = {1099-6702},<br /> publisher = {Tessellations Publishing},<br /> address = {Phoenix, Arizona},<br /> note = {Available online at \url{http://archive.bridgesmathart.org/2017/bridges2017-189.pdf}}<br /> }<br /> <br /> == Used References == <br /> [1] Modelling seashells (David Bachman blog). http://mathartblog.com/?p=257<br /> (accessed 07/04/2017).<br /> <br /> [2] R. Chirat, D. E. Moulton, and A. Goriely. Mechanical basis of morphogenesis and convergent evolution<br /> of spiny seashells. Proceedings of the National Academy of Sciences, 2013(110), 2013 Mar.<br /> <br /> [3] Deborah R. Fowler, Hans Meinhardt, and Przemyslaw Prusinkiewicz. Modeling seashells. In Proceedings<br /> of the 19th Annual Conference on Computer Graphics and Interactive Techniques, SIGGRAPH<br /> 1992, Chicago, IL, USA, July 27-31, 1992, pages 379–387, 1992.<br /> <br /> [4] H. Meinhardt, P. Prusinkiewicz, and D.R. Fowler. The Algorithmic Beauty of Sea Shells. The Virtual<br /> Laboratory. Springer Berlin Heidelberg, 2003.<br /> <br /> [5] Hans Meinhardt and Martin Klingler. Pattern formation by coupled oscillations: The pigmentation<br /> patterns on the shells of molluscs, pages 184–198. Springer Berlin Heidelberg, Berlin, Heidelberg,<br /> 1987.<br /> <br /> [6] H. Moseley. On the geometrical forms of turbinated and discoid shells. Philosophical Transactions of<br /> the Royal Society of London, 128:351–370, 1838.<br /> <br /> [7] David M. Raup. Computer as aid in describing form in gastropod shells. Science, 138(3537):150–152,<br /> 1962.<br /> <br /> [8] D’Arcy Wentworth Thompson. On Growth and Form. Cambridge University Press, 1945.<br /> <br /> [9] A. M. Turing. The chemical basis of morphogenesis. Philosophical Transactions of the Royal Society<br /> of London B: Biological Sciences, 237(641):37–72, 1952.<br /> <br /> [10] C.H. Waddington and Russell J. Cowe. Computer simulation of a molluscan pigmentation pattern.<br /> Journal of Theoretical Biology, 25(2):219 – 225, 1969.<br /> <br /> [11] S. Wolfram. Cellular automata as models of complexity. Nature, 311(5985):419–424, 1985.<br /> <br /> <br /> == Links == <br /> <br /> === Full Text === <br /> http://archive.bridgesmathart.org/2017/bridges2017-189.pdf<br /> <br /> [[internal file]] <br /> <br /> <br /> === Sonstige Links ===</div> Gubachelier http://de.evo-art.org/index.php?title=Geometric_Factors_and_the_Well_Dressed_Solids_of_Archimedes&diff=33260 Geometric Factors and the Well Dressed Solids of Archimedes 2017-12-06T18:23:51Z <p>Gubachelier: Die Seite wurde neu angelegt: „ == Referenz == Stan Spencer: Geometric Factors and the Well Dressed Solids of Archimedes. In: Bridges 2017, Pages 167–174. == DOI == == Abstract…“</p> <hr /> <div><br /> == Referenz == <br /> Stan Spencer: [[Geometric Factors and the Well Dressed Solids of Archimedes]]. In: [[Bridges 2017]], Pages 167–174. <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> I have shown, in previous papers, that any regular polygon with n sides can be dissected into a set of isosceles triangles. These same triangles can be used to create other regular polygons with m sides provided that m is a factor of n. An enlarged version of each triangle can be created using the same isosceles triangles. In this paper I have shown how these ideas can be used to create Archimedean solids from the dissection of a single polygon. Well Dressing is a tradition in many small villages in the Pennine areas of rural England in which village wells are decorated with mosaics made from natural materials. The polygons for these solids can be in the form of an irregular tiling or a fractal. In the case of a fractal pattern I have used decorations from the Well Dressing at Hodthorpe Primary School as an inspiration for for colour choices and a source of images for decorating Archimedian solids <br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> @inproceedings{bridges2017:167,<br /> author = {Stan Spencer},<br /> title = {Geometric Factors and the Well Dressed Solids of Archimedes},<br /> pages = {167--174},<br /> booktitle = {Proceedings of Bridges 2017: Mathematics, Art, Music, Architecture, Education, Culture},<br /> year = {2017},<br /> editor = {David Swart, Carlo H. S\&#039;equin, and Krist\&#039;of Fenyvesi},<br /> isbn = {978-1-938664-22-9},<br /> issn = {1099-6702},<br /> publisher = {Tessellations Publishing},<br /> address = {Phoenix, Arizona},<br /> note = {Available online at \url{http://archive.bridgesmathart.org/2017/bridges2017-167.pdf}}<br /> }<br /> <br /> == Used References == <br /> [1] Stanley Spencer. An Introduction to the Tiling Properties of Precious Triangles, In Javier Barrallo,<br /> Nathaniel Friedman, Juan Antonio Maldonado, Jose Martinez-Aroza, Reza Sarhangi and<br /> Carlo Sequin, editors, Meeting Alhambra, ISAMA-BRIDGES Conference Proceedings 2003,pages<br /> 291–298, ISBN 1099-6702. University of Granada, Granada, Spain. Available online at url<br /> http://archive.bridgesmathart.org/2003/bridges2003-291.html (as of April 20 2017)<br /> <br /> [2] Stanley Spencer. Creating Self Similar Tiling Patterns and Fractals using the Geometric Factors<br /> of a Regular Polygon, In Gary Greenfield, George Hart and Reza Sarhangi, editors, Proceedings<br /> of Bridges 2014: Mathematics, Music, Art, Architecture, Culture, pages 279–284,<br /> ISBN 978-1-938664-11-3. Tessellations Publishing, Phoenix, Arizon. Available online at url<br /> http://archive.bridgesmathart.org/2014/bridges2014-279.html (as of April 20 2017)<br /> <br /> [3] James Mai. Juan Gris’ Color Symmetries, In Gary Greenfield, George Hart and Reza Sarhangi, editors,<br /> Proceedings of Bridges 2014: Mathematics, Music, Art, Architecture, Culture, pages 197–<br /> 204, ISBN 978-1-938664-11-3. Tessellations Publishing, Phoenix, Arizon. Available online at url<br /> http://archive.bridgesmathart.org/2014/bridges2014-197.html (as of April 20 2017)<br /> <br /> [4] Glyn Williams. Welldressing Venues. Available online at url http://welldressing.com/venue.php (as of<br /> April 20 2017)<br /> <br /> [5] Glyn Williams. Welldressing pictures. Available online at url http://welldressing.com/photo.php (as of<br /> April 20 2017)<br /> <br /> [6] Rod Kirkpatrick video. Available online at url https://www.youtube.com/watch?v=jSvIf7OSmTU (as<br /> of April 20 2017)<br /> <br /> <br /> == Links == <br /> <br /> === Full Text === <br /> http://archive.bridgesmathart.org/2017/bridges2017-167.pdf<br /> <br /> [[internal file]] <br /> <br /> <br /> === Sonstige Links ===</div> Gubachelier http://de.evo-art.org/index.php?title=A_Geometrical_Representation_and_Visualization_of_M%C3%B6bius_Transformation_Groups&diff=33259 A Geometrical Representation and Visualization of Möbius Transformation Groups 2017-12-06T18:20:35Z <p>Gubachelier: Die Seite wurde neu angelegt: „ == Referenz == Kento Nakamura and Kazushi Ahara: A Geometrical Representation and Visualization of Möbius Transformation Groups. In: Bridges 2017, P…“</p> <hr /> <div><br /> == Referenz == <br /> Kento Nakamura and Kazushi Ahara: [[A Geometrical Representation and Visualization of Möbius Transformation Groups]]. In: [[Bridges 2017]], Pages 159–166. <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> In this paper, we propose a system which enables us to create computer graphics arts originating from Kleinian groups easily and intuitively. Using this system, we can realize various types of Möbius transformations by arranging some circles and lines on the plane. The system uses the efficient rendering algorithm called IIS, introduced in the previous paper by the authors. In the 3D space, making a change circles and lines into spheres and planes, we extend the system to the 3D graphics of Kleinian groups. <br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> @inproceedings{bridges2017:159,<br /> author = {Kento Nakamura and Kazushi Ahara},<br /> title = {A Geometrical Representation and Visualization of M\&quot;{o}bius Transformation Groups},<br /> pages = {159--166},<br /> booktitle = {Proceedings of Bridges 2017: Mathematics, Art, Music, Architecture, Education, Culture},<br /> year = {2017},<br /> editor = {David Swart, Carlo H. S\&#039;equin, and Krist\&#039;of Fenyvesi},<br /> isbn = {978-1-938664-22-9},<br /> issn = {1099-6702},<br /> publisher = {Tessellations Publishing},<br /> address = {Phoenix, Arizona},<br /> note = {Available online at \url{http://archive.bridgesmathart.org/2017/bridges2017-159.pdf}}<br /> }<br /> <br /> == Used References == <br /> [1] David Mumford, Caroline Series, David Wright. Indra’s Pearls. Cambridge University Press, 2002.<br /> <br /> [2] Kento Nakamura and Kazushi Ahara. A New Algorithm for Rendering Kissing Schottky Groups.<br /> In Proceedings of Bridges 2016: Mathematics, Music, Art, Architecture, Education, Culture,<br /> Pages 367-370. Tessellations Publishing, 2016. http://archive.bridgesmathart.org/2016/bridges2016-367.html<br /> <br /> [3] Iwaniec, Tadeusz and Martin, Gaven. The Liouville theorem. Analysis and topology, Pages 339-361.<br /> World Scientific Publishing, 1998.<br /> <br /> <br /> == Links == <br /> <br /> === Full Text === <br /> http://archive.bridgesmathart.org/2017/bridges2017-159.pdf<br /> <br /> [[internal file]] <br /> <br /> <br /> === Sonstige Links ===</div> Gubachelier http://de.evo-art.org/index.php?title=Art_of_Infinity&diff=33258 Art of Infinity 2017-12-06T18:18:11Z <p>Gubachelier: Die Seite wurde neu angelegt: „ == Referenz == Kenneth Brecher: Art of Infinity. In: Bridges 2017, Pages 153–158. == DOI == == Abstract == Infinity has been the subject of pain…“</p> <hr /> <div><br /> == Referenz == <br /> Kenneth Brecher: [[Art of Infinity]]. In: [[Bridges 2017]], Pages 153–158. <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> Infinity has been the subject of paintings, sculptures and other visual art forms, as well as works of poetry and fiction. Several of these creations combining artistic, scientific and mathematical ideas of infinity are discussed here. A new sculpture in this genre designed by the author and his collaborator Randy Rhine is also presented. <br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> @inproceedings{bridges2017:153,<br /> author = {Kenneth Brecher},<br /> title = {Art of Infinity},<br /> pages = {153--158},<br /> booktitle = {Proceedings of Bridges 2017: Mathematics, Art, Music, Architecture, Education, Culture},<br /> year = {2017},<br /> editor = {David Swart, Carlo H. S\&#039;equin, and Krist\&#039;of Fenyvesi},<br /> isbn = {978-1-938664-22-9},<br /> issn = {1099-6702},<br /> publisher = {Tessellations Publishing},<br /> address = {Phoenix, Arizona},<br /> note = {Available online at \url{http://archive.bridgesmathart.org/2017/bridges2017-153.pdf}}<br /> }<br /> <br /> == Used References == <br /> [1] E. Maor, To Infinity and Beyond, Birkhauser, Boston, 1987.<br /> <br /> [2] I. Peterson, Fragments of Infinity, Wiley &amp; Sons, New York, 2011.<br /> <br /> [3] C. A. Pickover, The Mobius Strip, Thunder’s Mouth Press, New York, 2006.<br /> <br /> [4] R. Zawitz, Infinity and Tao, Infinity Gallery, Hong Kong, 2010.<br /> <br /> [5] R. Anuszkiewicz, Inward Eye, (images by R. A., text by W. Blake), Aquarius Press, Baltimore, 1970.<br /> <br /> [6] J. L. Borges, The Tower of Babel, (engravings by E. Desmazieres), Godine, Boston, 2000.<br /> <br /> [7] S. Kernan, The Secret Books, (including writings of Borges), Leetes Island Books, Stony Creek, 1999.<br /> <br /> <br /> == Links == <br /> <br /> === Full Text === <br /> http://archive.bridgesmathart.org/2017/bridges2017-153.pdf<br /> <br /> [[internal file]] <br /> <br /> <br /> === Sonstige Links ===</div> Gubachelier http://de.evo-art.org/index.php?title=Let_the_Numbers_Do_the_Walking:_Generating_Turtle_Dances_on_the_Plane_from_Integer_Sequences&diff=33257 Let the Numbers Do the Walking: Generating Turtle Dances on the Plane from Integer Sequences 2017-12-06T18:15:28Z <p>Gubachelier: Die Seite wurde neu angelegt: „ == Referenz == Adam Colestock: Let the Numbers Do the Walking: Generating Turtle Dances on the Plane from Integer Sequences. In: Bridges 2017, Pages…“</p> <hr /> <div><br /> == Referenz == <br /> Adam Colestock: [[Let the Numbers Do the Walking: Generating Turtle Dances on the Plane from Integer Sequences]]. In: [[Bridges 2017]], Pages 139–146. <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> I tell a story of a dancing turtle and introduce a mathematical form based in turtle geometry and modular arithmetic. Sequences of integers generated from a discrete parametric function determine the turn angles for a single meandering point and produce symmetric and varied designs on the plane. I also analyze the mathematical properties of the form, highlight emergent features within the form set and show designed objects incorporating these patterns. Finally, I propose several variations of the initial algorithm that hold promise for future inquiry and mathematics-driven making. <br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> @inproceedings{bridges2017:139,<br /> author = {Adam Colestock},<br /> title = {Let the Numbers Do the Walking: Generating Turtle Dances on the Plane from Integer Sequences},<br /> pages = {139--146},<br /> booktitle = {Proceedings of Bridges 2017: Mathematics, Art, Music, Architecture, Education, Culture},<br /> year = {2017},<br /> editor = {David Swart, Carlo H. S\&#039;equin, and Krist\&#039;of Fenyvesi},<br /> isbn = {978-1-938664-22-9},<br /> issn = {1099-6702},<br /> publisher = {Tessellations Publishing},<br /> address = {Phoenix, Arizona},<br /> note = {Available online at \url{http://archive.bridgesmathart.org/2017/bridges2017-139.pdf}}<br /> }<br /> <br /> == Used References == <br /> [1] Papert, Seymour. Mindstorms: Children, computers, and powerful ideas. Basic Books, Inc., 1980.<br /> <br /> [2] Abelson, Harold, and Andrea A. DiSessa. Turtle geometry: The computer as a medium for exploring<br /> mathematics. MIT press, 1986.<br /> <br /> [3] Turtle Art. https://turtleart.org/ (as of January 30, 2017)<br /> <br /> [4] Gailiunas, P. (2005). Meanders. In Renaissance Banff: Mathematics, Music, Art, Culture, pages 25-30. Bridges<br /> Conference. Available online at http://archive.bridgesmathart.org/2005/bridges2005-25.pdf<br /> <br /> [5] Zantema, Hans. Turtle graphics of morphic sequences. Fractals 24.01 (2016): 1650009.<br /> <br /> [6] Verhoeff, Tom. 3D turtle geometry: artwork, theory, program equivalence and symmetry. International<br /> Journal of Arts and Technology 3.2-3 (2010): 288-319.<br /> <br /> [7] Reas, Casey, and Ben Fry. Processing: a programming handbook for visual designers and artists. No. 6812.<br /> MIT Press, 2007.<br /> <br /> [8] Chappell, David. Sinuous Meander Patterns in Natural Coordinates. In Robert Bosch, Douglas McKenna and<br /> Reza Sarhangi, editors, Proceedings of Bridges 2012: Mathematics, Music, Art, Architecture, Culture, pages<br /> 183-190, Phoenix, Arizona, 2012, Tessellations Publishing. Available online at<br /> http://archive.bridgesmathart.org/2012/bridges2012-183.html<br /> <br /> [9] Ramachandran, Vilayanur S., and Edward M. Hubbard. &quot;Synaesthesia--a window into perception, thought and<br /> language.&quot; Journal of consciousness studies 8.12 (2001): 3-34.<br /> <br /> [10] N. J. A. Sloane. The On-Line Encyclopedia of Integer Sequences. http://oeis.org (as of January 30,<br /> 2017)<br /> <br /> <br /> == Links == <br /> <br /> === Full Text === <br /> http://archive.bridgesmathart.org/2017/bridges2017-139.pdf<br /> <br /> [[internal file]] <br /> <br /> <br /> === Sonstige Links ===</div> Gubachelier Deprecated: header(): Passing null to parameter #3 ($response_code) of type int is deprecated in /mnt/web618/b0/56/5203556/htdocs/mediawiki_01/includes/WebResponse.php on line 42