http://de.evo-art.org/index.php?action=history&feed=atom&title=Abstract_Overlays_using_a_Transport_Network_Model 2026-05-16T13:59:56Z Versionsgeschichte dieser Seite in de_evolutionary_art_org MediaWiki 1.27.4 http://de.evo-art.org/index.php?title=Abstract_Overlays_using_a_Transport_Network_Model&diff=2812&oldid=prev 2015-01-02T13:41:45Z

<p>Die Seite wurde neu angelegt: „== Reference == <a href="/index.php?title=Gary_Greenfield" title="Gary Greenfield">Gary Greenfield</a>: <a href="/index.php?title=Abstract_Overlays_using_a_Transport_Network_Model" title="Abstract Overlays using a Transport Network Model">Abstract Overlays using a Transport Network Model</a>. In: <a href="/index.php?title=Bridges_2011" title="Bridges 2011">Bridges 2011</a>. Pages 45–50 == DOI == == Abstract == For…“</p> <p><b>Neue Seite</b></p><div>== Reference ==<br /> [[Gary Greenfield]]: [[Abstract Overlays using a Transport Network Model]]. In: [[Bridges 2011]]. Pages 45–50 <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> For artistic purposes, we modify a unusual model for pattern formation derived from simulating transport networks<br /> using virtual ants. More specifically, by suitably coloring the pheromone trails produced by the virtual ants that form<br /> the transport networks, and by overlaying a series of such networks, we obtain abstract pieces that have interesting<br /> depth and color interactions. Moreover, because of the way they are formed, these patterns also tile the plane. The<br /> elegance and simplicity that results is contrasted with the complexity of the underlying simulation — a central theme<br /> which informs our work.<br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> <br /> == Used References ==<br /> [1] Greenfield G., Ant paintings using a multiple pheromone model, BRIDGES 2006 Conference Proceed-<br /> ings, eds. R. Sarhangi and J. Sharp, 2006, 319–326.<br /> <br /> [2] Greenfield G., Case Study: A Sculptor-Programmer Collaboration, University of Richmond Technical<br /> Report TR-93-03, 1993.<br /> <br /> [3] Greenfield G., Evolutionary methods for ant colony paintings, Applications of Evolutionary Computing,<br /> EvoWorkshops 2005 Proceedings, Springer-Verlag Lecture Notes in Computer Science, LNCS 3449,<br /> eds. F. Rothlauf et al., 2005, 478–487.<br /> <br /> [4] Greenfield G., Generative art and evolutionary refinement, EvoApplications 2010, Part II, LNCS 6025,<br /> Springer-Verlag, eds. C. Di Chio et al., 2010, 291–300.<br /> <br /> [5] Hauer E., Continua, Princeton Architectural Press, New York, NY, 2004.<br /> <br /> [6] Jones J., characteristics of pattern formation and evolution approximations of Physarum transport net-<br /> works, Artifical Life, 16, 2010, 127–153.<br /> <br /> [7] Roelofs R., About weaving and helical holes, BRIDGES 2010 Conference Proceedings, eds. G. Hart<br /> and R. Sarhangi, 2010, 75—84.<br /> <br /> [8] Roelofs R., Connected holes, BRIDGES 2008 Conference Proceedings, eds. R. Sarhangi and C. Sequin,<br /> 2008, 29—38.<br /> <br /> [9] Turk G., Generating textures on arbitrary surfaces using reaction-diffusion, Compugter Gaphics, 25(4),<br /> 1991, 289-297.<br /> <br /> [10] Wan L., Liu X., Wong T. and Leung C., Evolving mazes from images, IEEE Transactions on Visual-<br /> ization and Computer Graphics, 16(2), 2010, 287–297<br /> <br /> [11] Witkin A. and Kass M., Reaction-diffusion textures, Computer Gaphics, 25(4), 1991, 299-308.<br /> <br /> [12] Young D., A local activator-inhibitor model of vertebrate skin patterns, Mathematical Bioscineces,<br /> 72(1), 1984.<br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> http://archive.bridgesmathart.org/2011/bridges2011-45.pdf<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> http://archive.bridgesmathart.org/2011/bridges2011-45.html</div>

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