Aesthetics, Art, Evolution - Versionsgeschichte

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‎Bibtex

Gubachelier am 31. Oktober 2015 um 13:22 Uhr

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Gbachelier am 4. November 2014 um 10:35 Uhr

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‎Used References

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‎Referenz

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== Referenz ==
[[Jon McCormack]]: Aesthetics, Art, Evolution. In: [[Literatur_zur_Evolution%C3%A4ren_Kunst#EvoMUSART_2013 | EvoMUSART 2013]], S. 1-12.

== DOI ==
http://link.springer.com/10.1007/978-3-642-36955-1_1

== Abstract ==
This paper discusses issues in evolutionary art related to Art Theory and Aesthetics with a view to better understanding how they might contribute to both research and practice. Aesthetics is a term often used in evolutionary art, but is regularly used with conflicting or naïve understandings. A selective history of evolutionary art as art is provided, with an examination of some art theories from within the field. A brief review of aesthetics as studied in philosophy and art theory follows. It is proposed that evolutionary art needs to resolve some important conflicts and be clearer about what what it means by terms like “art” and “aesthetics”. Finally some possibilities for how to resolve these conflicts are described.

== Extended Abstract ==

== Bibtex ==

== Links ==
=== Full Text ===
[http://www.csse.monash.edu.au/~jonmc/research/Papers/McCormackEvoMUSART2013.pdf extern file]

[[intern file]]

=== Sonstige Links ===
[http://jonmccormack.info/~jonmc/sa/news/evomusart-2013/ Aesthetics, Art, Evolution overview]

@@ Zeile 21: / Zeile 21: @@
   doi={10.1007/978-3-642-36955-1_1},
   title={Aesthetics, Art, Evolution},
-  url={http://dx.doi.org/10.1007/978-3-642-36955-1_1 },
+  url={http://dx.doi.org/10.1007/978-3-642-36955-1_1 http://de.evo-art.org/index.php?title=Aesthetics,_Art,_Evolution },
   publisher={Springer Berlin Heidelberg},
   keywords={Evolutionary Art; Art Theory; Aesthetics},

← Nächstältere Version		Version vom 31. Oktober 2015, 13:22 Uhr
Zeile 12:		Zeile 12:

	== Bibtex ==		== Bibtex ==
		+	@incollection{
		+	year={2013},
		+	isbn={978-3-642-36954-4},
		+	booktitle={Evolutionary and Biologically Inspired Music, Sound, Art and Design},
		+	volume={7834},
		+	series={Lecture Notes in Computer Science},
		+	editor={Machado, Penousal and McDermott, James and Carballal, Adrian},
		+	doi={10.1007/978-3-642-36955-1_1},
		+	title={Aesthetics, Art, Evolution},
		+	url={http://dx.doi.org/10.1007/978-3-642-36955-1_1 },
		+	url={http://de.evo-art.org/index.php?title=Aesthetics,_Art,_Evolution },
		+	publisher={Springer Berlin Heidelberg},
		+	keywords={Evolutionary Art; Art Theory; Aesthetics},
		+	author={McCormack, Jon},
		+	pages={1-12},
		+	language={English}
		+	}

	== Used References ==		== Used References ==

@@ Zeile 54: / Zeile 54: @@
 Humphrey, N.K.: The illusion of beauty. Perception 2, 429–439 (1973)
-Johnson, C.G.: Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used? In: Machado, P., Romero, J., Carballal, A. (eds.) EvoMUSART 2012. LNCS, vol. 7247, pp. 129–140. Springer, Heidelberg (2012) CrossRef
+Johnson, C.G.: Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used? In: Machado, P., Romero, J., Carballal, A. (eds.) EvoMUSART 2012. LNCS, vol. 7247, pp. 129–140. Springer, Heidelberg (2012)
 Kant, I.: The critique of judgement. No. 246, 180. Clarendon Press, Oxford (1952)
@@ Zeile 66: / Zeile 66: @@
 Martindale, C., Locher, P., Petrov, V.M. (eds.): Evolutionary and Neurocognitive Approaches to Aesthetics, Creativity and the Arts. Foundations and Frontiers in Aesthetics. Baywood Publishing Co., Inc. (2007)
-McCormack, J.: Open Problems in Evolutionary Music and Art. In: Rothlauf, F., Branke, J., Cagnoni, S., Corne, D.W., Drechsler, R., Jin, Y., Machado, P., Marchiori, E., Romero, J., Smith, G.D., Squillero, G. (eds.) EvoWorkshops 2005. LNCS, vol. 3449, pp. 428–436. Springer, Heidelberg (2005) CrossRef
+McCormack, J.: Open Problems in Evolutionary Music and Art. In: Rothlauf, F., Branke, J., Cagnoni, S., Corne, D.W., Drechsler, R., Jin, Y., Machado, P., Marchiori, E., Romero, J., Smith, G.D., Squillero, G. (eds.) EvoWorkshops 2005. LNCS, vol. 3449, pp. 428–436. Springer, Heidelberg (2005)
 McCormack, J.: Facing the future: Evolutionary possibilities for human-machine creativity. In: Machado, P., Romero, J. (eds.) The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music, pp. 417–451. Springer (2008)
@@ Zeile 74: / Zeile 74: @@
 McCormack, J., Dorin, A.: Art, emergence and the computational sublime. In: Dorin, A. (ed.) Second Iteration: Conference on Generative Systems in the Electronic Arts, pp. 67–81. CEMA, Melbourne (2001)
-Nake, F.: Construction and intuition: Creativity in early computer art. In: McCormack, J., d’Inverno, M. (eds.) Computers and Creativity, pp. 61–94. Springer, Heidelberg (2012) CrossRef
+Nake, F.: Construction and intuition: Creativity in early computer art. In: McCormack, J., d’Inverno, M. (eds.) Computers and Creativity, pp. 61–94. Springer, Heidelberg (2012)
-O’Hear, A.: Art and technology: An old tension. Royal Institute of Philosophy Supplement 38, 143–158 (1995) CrossRef
+O’Hear, A.: Art and technology: An old tension. Royal Institute of Philosophy Supplement 38, 143–158 (1995)
-Oreskes, N., Shrader-Frechette, K., Belitz, K.: Verification, validation, and confirmation of numerical models in the earth sciences. Science 263, 641–646 (1994) CrossRef
+Oreskes, N., Shrader-Frechette, K., Belitz, K.: Verification, validation, and confirmation of numerical models in the earth sciences. Science 263, 641–646 (1994)
 Parikka, J.: Leonardo book review: The art of artificial evolution: A handbook on evolutionary art and music, http://www.leonardo.info/reviews/nov2008/parikka_art.html
@@ Zeile 90: / Zeile 90: @@
 Scruton, R.: Beauty. Oxford University Press, Oxford (2009)
-Takagi, H.: Interactive evolutionary computation: Fusion of the capabilities of EC optimization and human evaluation. Proceedings of the IEEE 89, 1275–1296 (2001) CrossRef
+Takagi, H.: Interactive evolutionary computation: Fusion of the capabilities of EC optimization and human evaluation. Proceedings of the IEEE 89, 1275–1296 (2001)
 Todd, S., Latham, W.: Mutator: a subjective human interface for evolution of computer sculptures. Tech. rep. (1991)
 Whitelaw, M.: Metacreation: art and artificial life. MIT Press, Cambridge (2004)
 == Links ==

← Nächstältere Version		Version vom 11. Oktober 2014, 15:02 Uhr
Zeile 12:		Zeile 12:

	== Bibtex ==		== Bibtex ==
		+
		+	== Used References ==
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		+
		+	van Assche, C., Moinot, M., Boissier, J.-L.: Images évolutives: Revue virtuelle 5. No. 5, Centre Georges Pompidou (1993)
		+
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		+
		+	Birkhoff, G.D.: Aesthetic Measure. Harvard University Press, Cambridge (1933)
		+
		+	Brafield, P.: Brainstorm: software and habitus in digital design. Digitial Creativity 21(2), 112–126 (2010), doi:10.1080/14626268.2010.483688
		+
		+	Colton, S.: The painting fool: Stories from building an automated painter. In: McCormack, J., d’Inverno, M. (eds.) Computers and Creativity, ch.1, pp. 3–38. Springer, Berlin (2012)
		+
		+	Dawkins, R.: The Blind Watchmaker. No. 332. Longman Scientific & Technical, Essex (1986)
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		+	Dennett, D.C.: Darwin’s dangerous idea: evolution and the meanings of life. Simon & Schuster, New York (1995)
		+
		+	Di Paolo, E., Noble, J., Bullock, S.: Simulation models as opaque thought experiments. In: Artifical Life VII (2000)
		+
		+	Dissanayake, E.: What is art for? University of Washington Press, Seattle (1988)
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		+	Dissanayake, E.: Homo aestheticus: where art comes from and why. University of Washington Press, Seattle (1995)
		+
		+	Ede, S.: The scientist’s mind: The artist’s temperament. In: Ede, S. (ed.) Strange and Charmed: Science and the Contemporary Visual Arts, ch.2, pp. 28–49. Calouste Gulbenkian Foundation, London (2000)
		+
		+	Foster, H.: The return of the real: the avant-garde at the end of the century. No. xix, 299. MIT Press, Cambridge (1996)
		+
		+	Galanter, P.: The Problem with Evolutionary Art Is... In: Di Chio, C., Brabazon, A., Di Caro, G.A., Ebner, M., Farooq, M., Fink, A., Grahl, J., Greenfield, G., Machado, P., O’Neill, M., Tarantino, E., Urquhart, N. (eds.) EvoApplications 2010, Part II. LNCS, vol. 6025, pp. 321–330. Springer, Heidelberg (2010)
		+
		+	Gell-Mann, M.: What is complexity? Complexity 1(1), 16–19 (1995)
		+
		+	Gerbel, K., Weibel, P. (eds.): Genetic Art - Artificial Life. Ars Electronica, PVS Verleger, Wien, Austria (1993), http://90.146.8.18/en/archives/festival_archive/festival_catalogs/festival_catalog.asp?iProjectID=8745
		+
		+	Greenfield, G., Machado, P.: Simulating artist and critic dynamics - an agent-based application of an evolutionary art system. In: Correia, A.D., Rosa, A.C., Madani, K. (eds.) IJCCI, pp. 190–197. INSTICC Press (2009)
		+
		+	Humphrey, N.K.: The illusion of beauty. Perception 2, 429–439 (1973)
		+
		+	Johnson, C.G.: Fitness in Evolutionary Art and Music: What Has Been Used and What Could Be Used? In: Machado, P., Romero, J., Carballal, A. (eds.) EvoMUSART 2012. LNCS, vol. 7247, pp. 129–140. Springer, Heidelberg (2012) CrossRef
		+
		+	Kant, I.: The critique of judgement. No. 246, 180. Clarendon Press, Oxford (1952)
		+
		+	Koren, L.: Which “Aesthetics” Do You Mean?: Ten Definitions. Imperfect Publishing (2010)
		+
		+	Krokatsis, H., Walwin, J., Flint, J., Levin, J., O’Reilly, S.: You’ll Never Know - Drawing and Random Interference. Hayward Gallery, London (2005)
		+
		+	Lewis, M.: Evolutionary visual art and design. In: Romero, J., Machado, P. (eds.) The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music, pp. 3–37. Springer (2008)
		+
		+	Martindale, C., Locher, P., Petrov, V.M. (eds.): Evolutionary and Neurocognitive Approaches to Aesthetics, Creativity and the Arts. Foundations and Frontiers in Aesthetics. Baywood Publishing Co., Inc. (2007)
		+
		+	McCormack, J.: Open Problems in Evolutionary Music and Art. In: Rothlauf, F., Branke, J., Cagnoni, S., Corne, D.W., Drechsler, R., Jin, Y., Machado, P., Marchiori, E., Romero, J., Smith, G.D., Squillero, G. (eds.) EvoWorkshops 2005. LNCS, vol. 3449, pp. 428–436. Springer, Heidelberg (2005) CrossRef
		+
		+	McCormack, J.: Facing the future: Evolutionary possibilities for human-machine creativity. In: Machado, P., Romero, J. (eds.) The Art of Artificial Evolution: A Handbook on Evolutionary Art and Music, pp. 417–451. Springer (2008)
		+
		+	McCormack, J., Bown, O., Dorin, A., McCabe, J., Monro, G., Whitelaw, M.: Ten questions concerning generative computer art. Leonardo to Appear (2012), http://www.csse.monash.edu.au/~jonmc/research/Papers/TenQuestionsLJ-Preprint.pdf (accepted July 2012)
		+
		+	McCormack, J., Dorin, A.: Art, emergence and the computational sublime. In: Dorin, A. (ed.) Second Iteration: Conference on Generative Systems in the Electronic Arts, pp. 67–81. CEMA, Melbourne (2001)
		+
		+	Nake, F.: Construction and intuition: Creativity in early computer art. In: McCormack, J., d’Inverno, M. (eds.) Computers and Creativity, pp. 61–94. Springer, Heidelberg (2012) CrossRef
		+
		+	O’Hear, A.: Art and technology: An old tension. Royal Institute of Philosophy Supplement 38, 143–158 (1995) CrossRef
		+
		+	Oreskes, N., Shrader-Frechette, K., Belitz, K.: Verification, validation, and confirmation of numerical models in the earth sciences. Science 263, 641–646 (1994) CrossRef
		+
		+	Parikka, J.: Leonardo book review: The art of artificial evolution: A handbook on evolutionary art and music, http://www.leonardo.info/reviews/nov2008/parikka_art.html
		+
		+	Rozenberg, G., Salomaa, A.: Handbook of formal languages. Springer (1996)
		+
		+	Saunders, R., Gero, J.S.: Artificial creativity: A synthetic approach to the study of creative behaviour. In: Gero, J.S. (ed.) Proceedings of the Fifth Conference on Computational and Cognitive Models of Creative Design. pp. 113–139. Key Centre of Design Computing and Cognition, Sydney (2001), http://www.arch.usyd.edu.au/~rob/study/publications/ccmcd01/SaundersGero2001CCMCD.html and http://www.arch.usyd.edu.au/~rob/study/publications/ccmcd01/SaundersGero2001CCMCD.pdf
		+
		+	Schmidhuber, J.: A formal theory of creativity to model the creation of art. In: McCormack, J., d’Inverno, M. (eds.) Computers and Creativity, pp. 323–337. Springer, Heidelberg (2012)
		+
		+	Scruton, R.: Beauty. Oxford University Press, Oxford (2009)
		+
		+	Takagi, H.: Interactive evolutionary computation: Fusion of the capabilities of EC optimization and human evaluation. Proceedings of the IEEE 89, 1275–1296 (2001) CrossRef
		+
		+	Todd, S., Latham, W.: Mutator: a subjective human interface for evolution of computer sculptures. Tech. rep. (1991)
		+
		+	Whitelaw, M.: Metacreation: art and artificial life. MIT Press, Cambridge (2004)
		+

	== Links ==		== Links ==

@@ Zeile 98: / Zeile 98: @@
 == Links ==
 === Full Text ===
-[http://www.csse.monash.edu.au/~jonmc/research/Papers/McCormackEvoMUSART2013.pdf extern file]
+http://www.csse.monash.edu.au/~jonmc/research/Papers/McCormackEvoMUSART2013.pdf
 [[intern file]]

@@ Zeile 1: / Zeile 1: @@
 == Referenz ==
-[[Jon McCormack]]: Aesthetics, Art, Evolution. In: [[Literatur_zur_Evolution%C3%A4ren_Kunst#EvoMUSART_2013 | EvoMUSART 2013]], S. 1-12.
+[[Jon McCormack]]: Aesthetics, Art, Evolution. In: [[Literatur_zur_Evolution%C3%A4ren_Kunst#EvoMUSART_2013_2 | EvoMUSART 2013]], S. 1-12.
 == DOI ==