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== Reference ==
Mike Blow: An Investigation into Aesthetic Preference using Generative Art.

== DOI ==

== Abstract ==
The existence of a universal aesthetic
preference has long been a topic of debate.
Several years ago, thinking about
generative art, I realised that it would be
possible to evolve pictures according to
the viewer’s personal preference. I also
realised that the resulting pictures, if taken
from a wide variety of people, might
indicate some kind of universal aesthetic
preference. This paper describes a ‘first-
draft’ implementation of that idea. Prior to
that I present an overview of the study of
aesthetics and of computer-generated art.

== Extended Abstract ==

== Bibtex ==

== Used References ==
[1] Cohen, H. The further exploits of Aaron, painter. Stanford Electronic Humanities Review
4(2), 1995.

[2] Dawkins, R. (1987). The Blind Watchmaker. W.W. Norton and Company. New York,
London.

[3] Mandelbrot, B. (1987). The Fractal Geometry of Nature, W.H. Freeman and Company.

[4] Saunders, R., Gero, J.S. (2001) Designing for interest and novelty, Proceedings of Ninth
International Conference on Computer Aided Architectural Design Futures, pp. 725-738.

[5] Sims, K. (1991). Artificial Evolution for Computer Graphics, Computer Graphics
(Siggraph '91 proceedings), pp.319-328.

[6] Sims, K. (1994). Evolving 3D Morphology and Behavior by Competition, Artificial
Life IV Proceedings, ed.by Brooks & Maes, MIT Press, pp.28-39.

[7] Soddu, C. and Colabella, E. (1997) Argenic Design, The European Academy of Design
Contextual Design, Design in Context Conference, Stockholm.

[8] Spehar, B., Clifford, C.W.G., Newell, B. & Taylor, R.P. (2003). Universal aesthetic of
fractals, Computers & Graphics, 27, 813-820.

[9] Sudweeks, F. & Simoff, S.J. Quantifying Beauty: An Information System for Evaluating
Universal Aesthetics. http://www.it.murdoch.edu.au/~sudweeks/papers/beauty.pdf

[10] Taylor, R. (2002) Fractal Expressionism—Where Art Meets Science, Art And
Complexity, Ed. J. Casti, Elsevier Press.[11] Thomas, D. (2003), Aesthetic selection of morphogenetic art forms, Kybernetes: The
International Journal of Systems & Cybernetics, vol 32, pp. 144-155

[12] Todd, S., Latham, W. (1992). Evolutionary Art and Computers, London, San Diego
CA. Academic Press.

== Links ==
=== Full Text ===
http://www.evolutionaryart.co.uk/mikeblow_cai.pdf

[[intern file]]

=== Sonstige Links ===
http://www.evolutionaryart.co.uk/index.php

@@ Zeile 53: / Zeile 53: @@
 [10] Taylor, R. (2002) Fractal Expressionism—Where Art Meets Science, Art And
-Complexity, Ed. J. Casti, Elsevier Press.[11] Thomas, D. (2003), Aesthetic selection of morphogenetic art forms, Kybernetes: The
+Complexity, Ed. J. Casti, Elsevier Press.
 International Journal of Systems & Cybernetics, vol 32, pp. 144-155

An Investigation into Aesthetic Preference using Generative Art - Versionsgeschichte

Gbachelier am 19. November 2014 um 19:40 Uhr

Gbachelier: Die Seite wurde neu angelegt: „ == Reference == Mike Blow: An Investigation into Aesthetic Preference using Generative Art. == DOI == == Abstract == The existence of a universal aesthetic…“