An informational model for cellular automata aesthetic measure - Versionsgeschichte

Gubachelier: /* Used References */

2016-06-11T14:23:50Z

‎Used References

Gubachelier am 11. Juni 2016 um 14:21 Uhr

2016-06-11T14:21:37Z

Gubachelier am 11. Juni 2016 um 14:20 Uhr

2016-06-11T14:20:11Z

Gubachelier: Die Seite wurde neu angelegt: „ == Referenz == Mohammad Javaheri, Mohammad Majid Al-Rifaie, Robert Zimmer: An informational model for cellular automata aesthetic measure. In: AISB Symposium…“

2016-06-11T10:04:26Z

Die Seite wurde neu angelegt: „ == Referenz == Mohammad Javaheri, Mohammad Majid Al-Rifaie, Robert Zimmer: An informational model for cellular automata aesthetic measure. In: AISB Symposium…“

Neue Seite

== Referenz ==
Mohammad Javaheri, Mohammad Majid Al-Rifaie, Robert Zimmer: An informational model for cellular automata aesthetic measure. In: AISB Symposium on Computational Creativity. University of Kent, Canterbury, UK (2015)

== DOI ==

== Abstract ==
This paper addresses aesthetic problem in cellular automata,
taking a quantitative approach for aesthetic evaluation. Although
the Shannon’s entropy is dominant in computational methods
of aesthetics, it fails to discriminate accurately structurally different
patterns in two-dimensions. We have adapted an informational
measure to overcome the shortcomings of entropic measure by using
information gain measure. This measure is customised to robustly
quantify the complexity of multi-state cellular automata patterns.
Experiments are set up with different initial configurations in a
two-dimensional multi-state cellular whose corresponding structural
measures at global level are analysed. Preliminary outcomes on the
resulting automata are promising, as they suggest the possibility of
predicting the structural characteristics, symmetry and orientation of
cellular automata generated patterns.

== Extended Abstract ==

== Bibtex ==
@incollection{
year={2015},
isbn={},
booktitle={AISB Symposium on Computational Creativity},
volume={},
series={},
editor={},
doi={},
title={An informational model for cellular automata aesthetic measure},
url={https://www.cs.kent.ac.uk/events/2015/AISB2015/proceedings/computationalCreativity/AISB-CC2015.pdf },
publisher={},
keywords={},
author={Mohammad Javaheri and Mohammad Majid Al-Rifaie and Robert Zimmer},
pages={},
language={English}
}

== Used References ==
[1] Andrienko, Yu. A., Brilliantov, N. V., and Kurths, J., ‘Complexity of
two-dimensional patterns’, Eur. Phys. J. B, 15(3), 539–546, (2000).
[2] Rudolf Arnheim, Art and visual perception: A psychology of the creative
eye, Univ of California Press, 1954.
[3] Rudolf Arnheim, ‘Towards a psychology of art/entropy and art an essay
on disorder and order’, The Regents of the University of California,
(1966).
[4] Rudolf Arnheim, Visual thinking, Univ of California Press, 1969.
[5] Honor Beddard and Dodds Dodds, Digital Pioneers, V&A Pattern,
V&A Publishing, 2009.
[6] M. Bense and G. Nee, ‘Computer grafik’, in edition rot, eds., Max
Bense and Elisabeth Walther, volume 19, Walther, Stuttgart, (1965).
[7] Max Bense, Aestetica: Programmierung des Sch¨onen, allgemeine Texttheorie
und Text¨asthetik..., Agis-Verlag, 1960.
[8] Max Bense, Kleine abstrakte ¨asthetik, E. Walther, 1969.
[9] Katie A Bentley, ‘Exploring aesthetic pattern formation’, in Generative
Art 2002 conference proceedings, (2002).
[10] Daniel Ellis Berlyne, ‘Conflict and information-theory variables as determinants
of human perceptual curiosity.’, Journal of experimental
psychology, 53(6), 399, (1957).
[11] G.D. Birkhoff, Aesthetic Measure, Harvard University Press, 1933.
[12] Paul Brown, ‘Stepping stones in the mist’, in Creative evolutionary systems,
pp. 387–407. Morgan Kaufmann Publishers Inc., (2001).
[13] Alan Dorin, ‘The virtual ecosystem as generative electronic art’, in Applications
of Evolutionary Computing, 467–476, Springer, (2004).
[14] Hans J Eysenck, ‘An experimental study of aesthetic preference for
polygonal figures’, The Journal of General Psychology, 79(1), 3–17,
(1968).
[15] Hans J¨urgen Eysenck, ‘The empirical determination of an aesthetic formula.’,
Psychological Review, 48(1), 83, (1941).
[16] Hans Jurgen Eysenck, ‘The experimental study of the ‘good gestalt’ –a
new approach.’, Psychological Review, 49(4), 344, (1942).
[17] Herbert W. Franke, ‘A cybernetic approach to aesthetics’, Leonardo,
10(3), 203–206, (1977).
[18] John Frazer, An evolutionary architecture, Architectural Association
Publications, Themes VII, 1995.
[19] Philip Galanter, ‘Computational aesthetic evaluation: past and future’,
in Computers and Creativity, eds., Jon McCormack and Mark
d’IInverno, pp. 255–293. Springer, (2012).
[20] Leo Geurts and Lambert Meertens, ‘Crystallization’, Computers and
Automation, 19(8), 22, (1970).
[21] Mohammad Ali Javaheri Javid, Mohammad Majid al Rifaie, and Robert
Zimmer, ‘Detecting Symmetry in Cellular Automata Generated Patterns
Using Swarm Intelligence’, in Theory and Practice of Natural
Computing, eds., Adrian-Horia Dediu, Manuel Lozano, and Carlos
Mart´ın-Vide, volume 8890 of Lecture Notes in Computer Science, pp.
83–94. Springer International Publishing, (2014).
[22] Mohammad Ali Javaheri Javid and Rene te Boekhorst, ‘Cell Dormancy
in Cellular Automata’, in International Conference on Computational
Science (3), eds., Vassil N. Alexandrov, G. Dick van Albada, Peter
M. A. Sloot, and Jack Dongarra, volume 3993 of Lecture Notes in Computer
Science, pp. 367–374. Springer, (2006).
[23] Kenneth C Knowlton, ‘Explor-a generator of images from explicit patterns,
local operations, and randomness’, in Proceedings of 9th Meeting
of UAIDE, pp. 544–583, (1970).
[24] S. Kullback and R. A. Leibler, ‘On Information and Sufficiency’, The
Annals of Mathematical Statistics, 22(1), pp. 79–86, (1951).
[25] Ming Li, An introduction to Kolmogorov complexity and its applications,
Springer, 1997.
[26] Penousal Machado and Am´ılcar Cardoso, ‘Computing aesthetics’, in
Advances in Artificial Intelligence, 219–228, Springer, (1998).
[27] Jon McCormack, ‘Evolving sonic ecosystems’, Kybernetes, 32(1/2),
184–202, (2003).
[28] Abraham Moles, Information theory and esthetic perception. Trans. JE
Cohen., U. Illinois Press, 1968.
[29] Frieder Nake, ‘Information aesthetics: An heroic experiment’, Journal
of Mathematics and the Arts, 6(2-3), 65–75, (2012).
[30] Jaume Rigau, Miquel Feixas, and Mateu Sbert, ‘Conceptualizing
birkhoff’s aesthetic measure using shannon entropy and kolmogorov
complexity’, in Workshop on Computational Aesthetics, eds., Douglas
W. Cunningham, Gary Meyer, and Laszlo Neumann, pp. 105–112,
Banff, Alberta, Canada, (2007). Eurographics Association.
[31] Ir Remko Scha, ‘Kunstmatige Kunst’, De Commectie, 2(1), 4–7, (2006).
[32] L.F. Schwartz and L.R. Schwartz, The Computer Artist’s Handbook:
Concepts, Techniques, and Applications, W W Norton & Company Incorporated,
1992.
[33] Claude Shannon, ‘A mathematical theory of communication’, The Bell
System Technical Journal, 27, 379–423 & 623–656, (October 1948).
[34] Karl Sims, ‘Interactive evolution of equations for procedural models’,
The Visual Computer, 9(8), 466–476, (1993).
[35] Tom´aˇs Staudek, Exact Aesthetics. Object and Scene to Message, Ph.D.
dissertation, Faculty of Informatics, Masaryk University of Brno, 2002.
[36] Peter Struycken, ‘Splash 1972/1974’, in Artist and computer, ed., Ruth
Leavitt, 30–31, Harmony Books, (1976).
[37] Renate Wackerbauer, Annette Witt, Harald Atmanspacher, J¨urgen
Kurths, and Herbert Scheingraber, ‘A comparative classification of
complexity measures’, Chaos, Solitons & Fractals, 4(1), 133–173,
(1994).
[38] D. J. Wilson, ‘An experimental investigation of Birkhoff’s aesthetic
measure’, The Journal of Abnormal and Social Psychology, 34(3), 390,
(July 1939).
[39] Stephen Wolfram, A New Kind of Science, Wolfram Media Inc., 2002.
[40] Wojciech H Zurek, ‘Algorithmic randomness and physical entropy’,
Physical Review A, 40(8), 4731, (1989).

== Links ==

=== Full Text ===
https://www.cs.kent.ac.uk/events/2015/AISB2015/proceedings/computationalCreativity/AISB-CC2015.pdf

[[internal file]]

=== Sonstige Links ===
https://www.sites.google.com/site/aisb2015cc/home

https://www.cs.kent.ac.uk/events/2015/AISB2015/ https://www.cs.kent.ac.uk/events/2015/AISB2015/proceedings.html

https://www.researchgate.net/publication/282682689_An_informational_model_for_cellular_automata_aesthetic_measure

@@ Zeile 145: / Zeile 145: @@
 Banff, Alberta, Canada, (2007). Eurographics Association.
 [32] L.F. Schwartz and L.R. Schwartz, The Computer Artist’s Handbook:
 Concepts, Techniques, and Applications, W W Norton & Company Incorporated,

@@ Zeile 1: / Zeile 1: @@
 == Referenz ==
-Mohammad Javaheri, Mohammad Majid Al-Rifaie, Robert Zimmer: An informational model for cellular automata aesthetic measure. In: AISB Symposium on Computational Creativity. University of Kent, Canterbury, UK (2015)
+Mohammad Javaheri, Mohammad Majid Al-Rifaie, Robert Zimmer: [[An informational model for cellular automata aesthetic measure]]. In: AISB Symposium on Computational Creativity. University of Kent, Canterbury, UK (2015)
 == DOI ==

@@ Zeile 45: / Zeile 45: @@
 [1] Andrienko, Yu. A., Brilliantov, N. V., and Kurths, J., ‘Complexity of
 two-dimensional patterns’, Eur. Phys. J. B, 15(3), 539–546, (2000).
 [2] Rudolf Arnheim, Art and visual perception: A psychology of the creative
 eye, Univ of California Press, 1954.
 [3] Rudolf Arnheim, ‘Towards a psychology of art/entropy and art an essay
 on disorder and order’, The Regents of the University of California,
 (1966).
 [4] Rudolf Arnheim, Visual thinking, Univ of California Press, 1969.
 [5] Honor Beddard and Dodds Dodds, Digital Pioneers, V&A Pattern,
 V&A Publishing, 2009.
 [6] M. Bense and G. Nee, ‘Computer grafik’, in edition rot, eds., Max
 Bense and Elisabeth Walther, volume 19, Walther, Stuttgart, (1965).
 [7] Max Bense, Aestetica: Programmierung des Sch¨onen, allgemeine Texttheorie
 und Text¨asthetik..., Agis-Verlag, 1960.
 [8] Max Bense, Kleine abstrakte ¨asthetik, E. Walther, 1969.
 [9] Katie A Bentley, ‘Exploring aesthetic pattern formation’, in Generative
 Art 2002 conference proceedings, (2002).
 [10] Daniel Ellis Berlyne, ‘Conflict and information-theory variables as determinants
 of human perceptual curiosity.’, Journal of experimental
 psychology, 53(6), 399, (1957).
 [11] G.D. Birkhoff, Aesthetic Measure, Harvard University Press, 1933.
 [12] Paul Brown, ‘Stepping stones in the mist’, in Creative evolutionary systems,
 pp. 387–407. Morgan Kaufmann Publishers Inc., (2001).
 [13] Alan Dorin, ‘The virtual ecosystem as generative electronic art’, in Applications
 of Evolutionary Computing, 467–476, Springer, (2004).
 [14] Hans J Eysenck, ‘An experimental study of aesthetic preference for
 polygonal figures’, The Journal of General Psychology, 79(1), 3–17,
 (1968).
 [15] Hans J¨urgen Eysenck, ‘The empirical determination of an aesthetic formula.’,
 Psychological Review, 48(1), 83, (1941).
 [16] Hans Jurgen Eysenck, ‘The experimental study of the ‘good gestalt’ –a
 new approach.’, Psychological Review, 49(4), 344, (1942).
 [17] Herbert W. Franke, ‘A cybernetic approach to aesthetics’, Leonardo,
 (3), 203–206, (1977).
 [18] John Frazer, An evolutionary architecture, Architectural Association
 Publications, Themes VII, 1995.
 [19] Philip Galanter, ‘Computational aesthetic evaluation: past and future’,
 in Computers and Creativity, eds., Jon McCormack and Mark
 d’IInverno, pp. 255–293. Springer, (2012).
 [20] Leo Geurts and Lambert Meertens, ‘Crystallization’, Computers and
 Automation, 19(8), 22, (1970).
 [21] Mohammad Ali Javaheri Javid, Mohammad Majid al Rifaie, and Robert
 Zimmer, ‘Detecting Symmetry in Cellular Automata Generated Patterns
@@ Zeile 90: / Zeile 110: @@
 Mart´ın-Vide, volume 8890 of Lecture Notes in Computer Science, pp.
 –94. Springer International Publishing, (2014).
 [22] Mohammad Ali Javaheri Javid and Rene te Boekhorst, ‘Cell Dormancy
 in Cellular Automata’, in International Conference on Computational
@@ Zeile 95: / Zeile 116: @@
 M. A. Sloot, and Jack Dongarra, volume 3993 of Lecture Notes in Computer
 Science, pp. 367–374. Springer, (2006).
 [23] Kenneth C Knowlton, ‘Explor-a generator of images from explicit patterns,
 local operations, and randomness’, in Proceedings of 9th Meeting
 of UAIDE, pp. 544–583, (1970).
 [24] S. Kullback and R. A. Leibler, ‘On Information and Sufficiency’, The
 Annals of Mathematical Statistics, 22(1), pp. 79–86, (1951).
 [25] Ming Li, An introduction to Kolmogorov complexity and its applications,
 Springer, 1997.
 [26] Penousal Machado and Am´ılcar Cardoso, ‘Computing aesthetics’, in
 Advances in Artificial Intelligence, 219–228, Springer, (1998).
 [27] Jon McCormack, ‘Evolving sonic ecosystems’, Kybernetes, 32(1/2),
 –202, (2003).
 [28] Abraham Moles, Information theory and esthetic perception. Trans. JE
 Cohen., U. Illinois Press, 1968.
 [29] Frieder Nake, ‘Information aesthetics: An heroic experiment’, Journal
 of Mathematics and the Arts, 6(2-3), 65–75, (2012).
 [30] Jaume Rigau, Miquel Feixas, and Mateu Sbert, ‘Conceptualizing
 birkhoff’s aesthetic measure using shannon entropy and kolmogorov
@@ Zeile 115: / Zeile 144: @@
 W. Cunningham, Gary Meyer, and Laszlo Neumann, pp. 105–112,
 Banff, Alberta, Canada, (2007). Eurographics Association.
 [31] Ir Remko Scha, ‘Kunstmatige Kunst’, De Commectie, 2(1), 4–7, (2006).
 [32] L.F. Schwartz and L.R. Schwartz, The Computer Artist’s Handbook:
 Concepts, Techniques, and Applications, W W Norton & Company Incorporated,
 .
 [33] Claude Shannon, ‘A mathematical theory of communication’, The Bell
 System Technical Journal, 27, 379–423 & 623–656, (October 1948).
 [34] Karl Sims, ‘Interactive evolution of equations for procedural models’,
 The Visual Computer, 9(8), 466–476, (1993).
 [35] Tom´aˇs Staudek, Exact Aesthetics. Object and Scene to Message, Ph.D.
 dissertation, Faculty of Informatics, Masaryk University of Brno, 2002.
 [36] Peter Struycken, ‘Splash 1972/1974’, in Artist and computer, ed., Ruth
 Leavitt, 30–31, Harmony Books, (1976).
 [37] Renate Wackerbauer, Annette Witt, Harald Atmanspacher, J¨urgen
 Kurths, and Herbert Scheingraber, ‘A comparative classification of
 complexity measures’, Chaos, Solitons & Fractals, 4(1), 133–173,
 (1994).
 [38] D. J. Wilson, ‘An experimental investigation of Birkhoff’s aesthetic
 measure’, The Journal of Abnormal and Social Psychology, 34(3), 390,
 (July 1939).
 [39] Stephen Wolfram, A New Kind of Science, Wolfram Media Inc., 2002.
 [40] Wojciech H Zurek, ‘Algorithmic randomness and physical entropy’,
 Physical Review A, 40(8), 4731, (1989).