http://de.evo-art.org/index.php?action=history&feed=atom&title=Animating_Line-based_Op_ArtAnimating Line-based Op Art - Versionsgeschichte2026-06-10T17:33:50ZVersionsgeschichte dieser Seite in de_evolutionary_art_orgMediaWiki 1.27.4http://de.evo-art.org/index.php?title=Animating_Line-based_Op_Art&diff=3904&oldid=prevGbachelier: Die Seite wurde neu angelegt: „ == Reference == Tiffany C. Inglis and Craig S. Kaplan: Animating Line-based Op Art. In: Bridges 2013. Pages 159–166 == DOI == == Abstract ==…“2015-01-28T11:17:35Z<p>Die Seite wurde neu angelegt: „ == Reference == Tiffany C. Inglis and <a href="/index.php?title=Craig_S._Kaplan" title="Craig S. Kaplan">Craig S. Kaplan</a>: <a href="/index.php?title=Animating_Line-based_Op_Art" title="Animating Line-based Op Art">Animating Line-based Op Art</a>. In: <a href="/index.php?title=Bridges_2013" title="Bridges 2013">Bridges 2013</a>. Pages 159–166 == DOI == == Abstract ==…“</p>
<p><b>Neue Seite</b></p><div><br />
<br />
== Reference ==<br />
Tiffany C. Inglis and [[Craig S. Kaplan]]: [[Animating Line-based Op Art]]. In: [[Bridges 2013]]. Pages 159–166 <br />
<br />
== DOI ==<br />
<br />
== Abstract ==<br />
We describe a tiling approach to animating line-based Op Art. The tiling must be seamless along the tile edges, and we seek to<br />
minimize the number of bidirectional tiles because they interfere with the Op Art illusion. We introduce several algorithms for<br />
creating these tilings, and demonstrate that an optimal tiling can be found in polynomial time. Examples of animated Op Art can be<br />
found on our website https://sites.google.com/site/tiffanycinglis/research/animating-line-based-op-art.<br />
<br />
== Extended Abstract ==<br />
<br />
== Bibtex == <br />
<br />
== Used References ==<br />
[1] Robert Bosch and Diane Colley. Figurative mosaics from flexible Truchet tiles. Journal of Mathematics and the Arts, 0(0):1–20,<br />
December 2012.<br />
<br />
[2] F. Hadlock. Finding a maximum cut of a planar graph in polynomial time. SIAM Journal on Computing, 4(3):221–225, 1975.<br />
<br />
[3] Tiffany C. Inglis and Craig S. Kaplan. Generating Op Art lines. In Proceedings of the International Symposium on Computa-<br />
tional Aesthetics in Graphics, Visualization, and Imaging, CAe ’11, pages 25–32, New York, NY, USA, 2011. ACM.<br />
<br />
[4] Slavik Jablan and Krist ́of Fenyvesi. The Vasarely Playhouse: Look and combine! In Proceedings of Bridges 2011: Mathemat-<br />
ics, Music, Art, Architecture, Culture, pages 633–636. Tessellations Publishing, 2011.<br />
<br />
[5] Akiyoshi Kitaoka. Introduction to Visual Illusions. Tokyo: Asakura-shoten, July 2010.<br />
<br />
[6] Olly Payne. Op Art animation. http://www.op-art.co.uk/op-art-gallery/op-art-animation. Accessed: 31/01/2013. <br />
<br />
[7] Susan Petry and Glenn E. Meyer. The Perception of Illusory Contours. Springer, 1987.<br />
<br />
[8] Clifford A. Pickover. Picturing randomness with Truchet tiles. Journal of Recreational Mathematics, (21):256–259, 1989.<br />
<br />
[9] Reza Sarhangi. Modules and modularity in mosaic patterns. Journal of the Symmetrion (Symmetry: Culture and Science),<br />
19(2–3):153–163, 2008.<br />
<br />
<br />
== Links ==<br />
=== Full Text === <br />
html http://archive.bridgesmathart.org/2013/bridges2013-159.pdf<br />
<br />
[[intern file]]<br />
<br />
=== Sonstige Links ===<br />
http://archive.bridgesmathart.org/2013/bridges2013-159.</div>Gbachelier