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Gbachelier: Die Seite wurde neu angelegt: „ == Referenz == Monmarche, Nicolas; Mahnich, Isabelle; Slimane, Mohamed: Artificial Art Made by Artificial Ants. In: Literatur_zur_Evolutionären_Kunst#Romer…“

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Die Seite wurde neu angelegt: „ == Referenz == Monmarche, Nicolas; Mahnich, Isabelle; Slimane, Mohamed: Artificial Art Made by Artificial Ants. In: Literatur_zur_Evolutionären_Kunst#Romer…“

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== Referenz ==
Monmarche, Nicolas; Mahnich, Isabelle; Slimane, Mohamed: Artificial Art Made by Artificial Ants. In: [[Literatur_zur_Evolutionären_Kunst#Romero_.26_Machado:_The_Art_of_Artificial_Evolution | Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007]], S. 227-247.

== DOI ==
http://link.springer.com/10.1007/978-3-540-72877-1_11

== Abstract ==
We present how we have considered the artificial ant paradigm as a tool for the generation of music and painting. From an aesthetic perspective, we are interested in demonstrating that swarm intelligence and self-organization can lead to spatio-temporal structures that can reach an artistic dimension. In our case, the use of artificial pheromones can lead to the creation of melodies thanks to a cooperative behavior of the ant-agents but also to the emergence of abstract paintings thanks to competitive behaviors within the artificial colonies. The user’s point of view is also taken into account through interactive genetic algorithms.

== Extended Abstract ==

== Bibtex ==

== Links ==
=== Full Text ===
[extern file]

[[intern file]]

=== Sonstige Links ===

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	== Bibtex ==		== Bibtex ==
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		+	== Used References ==
		+	Bonabeau, E., Dorigo, M., Theraulaz, G. (1999). Swarm Intelligence: From Natural to Artificial Systems. Oxford University Press. New York
		+
		+	Root-Bernstein, R. (2001). Music, creativity and scientific thinking. Leonardo, 34(1): 63–68
		+
		+	Guéret, C., Monmarché, N., Slimane, M. (2004). Ants can play music. In: Fourth International Workshop on Ant Colony Optimization and Swarm Intelligence (ANTS 2004). Lecture Notes in Computer Science. Université Libre de Bruxelles, Belgique. Springer, 310–317
		+
		+	Aupetit, S., Bordeau, V., Monmarché, N., Slimane, M., Venturini, G. (2003). Interactive Evolution of Ant Paintings. In: IEEE Congress on Evolutionary Computation. Vol. 2. Canberra. IEEE Press, 1376–1383
		+
		+	Hölldobler, B., Wilson, E. (1990). The Ants. Springer
		+
		+	Stützle, T., Dorigo, M. (1999). ACO algorithms for the Traveling Salesman Problem. In Miettinen, K., Mäkelä, M., Neittaanmäki, P., Periaux, J., eds.: Evolutionary Algorithms in Engineering and Computer Science: Recent Advances in Genetic Algorithms, Evolution Strategies, Evolutionary Programming, Genetic Programming and Industrial Applications. John Wiley & Sons
		+
		+	Dorigo, M., Stützle, T. (2004). Ant Colony Optimization. MIT Press
		+
		+	Lopez de Mantaras, R., Arcos, J. (2002). AI and music, from composition to expressive performance. AI magazine, 23(3): 43–57
		+	T., J. (1996). Self-Similar Melodies. Edition 75
		+
		+	hen, C., Miikkulainen, R. (2001). Creating melodies with evolving recurrent neural networks. In: Proceedings of the 2001 International Joint Conference on Neural Networks (IJCNN–2001), 2241–2246
		+
		+	Eck, D., Schmidhuber, J. (2002). Finding temporal structure in music: Blues improvisation with LSTM recurrent networks. In Bourlard, H., ed.: Proceedings of IEEE Workshop on Neural Networks for Signal Processing XII, 747–756
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		+	Henz, M., Lauer, S., Zimmermann, D. (1996). COMPOzE — intention-based music composition through constraint programming. In: Proceedings of the 8th IEEE International Conference on Tools with Artificial Intelligence. Toulouse, France. IEEE Computer Society Press, 118–121
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		+	Wulfhorst, R.D., Flores, L.V., Nakayama, L., Flores, C.D., Alvares, L.O.C., Viccari, R.M. (2001). An open architecture for a musical multi-agent system. In: Proceedings of Brazilian Symposium on Computer Music
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		+	Moroni, A., Manzolli, J., Von Zuben, F., Gudwin, R. (2000). Vox populi: An interactive evolutionary system for algorithmic music composition. Leonardo Music Journal, 10: 49–54
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		+	Todd, P., Werner, G. (1998). Frankensteinian Methods for Evolutionary Music Composition. In Griffith, N., Todd, P., eds.: Musical Networks: Parallel Distributed Perception and Performance. MIT Press/Bradford Books
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		+	Bentley, P., Corne, D., eds. (2001). Creative Evolutionary Systems. Morgan Kaufmann
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		+	Cope, D. (1990). Pattern matching as an engine for the computer simulation of musical style. In Association, I.C.M., ed.: Proceedings of the International Computer Music Conference. San Francisco, 288–291
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		+	Franklin, J. (2001). Multi-phase learning for jazz improvisation and interaction. In: Proceedings of the Eighth Biennal Symposium on Art and Technology. New London, Connecticut
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		+	Biles, J. (1994). GEMJAM: a genetic algorithm for generating jazz solos. In: Proceedings of the International Computer Music Conference. San Francisco. International Computer Music Association, 131–137
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		+	Morales-Manzanares, R., Morales, E., Danenberg, R., Berger, J. (2001). SICIB: An interactive music composition system using body movements. New Music Research, 25(2): 25–36
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		+	Todd, P., Miranda, E. (2003). Putting some (artificial) life into models of musical creativity. In Deliege, I., Wiggins, G., eds.: Musical Creativity: Current Research in Theory and Practise. Psychology Press
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		+	Blackwell, T., P., B. (2002). Improvised music with swarms. In: Proceedings of the World Congress on Evolutionary Computation (CEC’2002), 1462–1467
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		+	Blackwell, T., M., Y. (2004). Swarm granulator. In Raidl, G.R., et al., eds.: Applications of Evolutionary Computing, EvoWorkshops2004: EvoBIO, EvoCOMNET, EvoHOT, EvoIASP, EvoMUSART, EvoSTOC. Lecture Notes in Computer Science. Coimbra, Portugal. Springer, 399–408
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		+	Tzafestas, E. (2000). Integrating drawing tools with behavioral modeling in digital painting. In: Proceedings of the 1st International Workshop “Bridging the Gap: Bringing Together New Media Artists and Multimedia Technologists”. Los Angeles, CA
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		+	Moura, L., Garcia Pereira, H. (2004). Man + Robots: Symbiotic Art. Institut d’art contemporain. Villeurbanne, France
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		+	Urbano, P. (2005). Playing in the pheromone playground: Experiences in swarm painting. In Rothlauf, F., et al., eds.: Applications on Evolutionary Computing: EvoWorkkshops 2005: EvoBIO, EvoCOMNET, EvoHOT, EvoIASP, EvoMUSART, and EvoSTOC. Lecture Notes in Computer Science. Lausanne, Switzerland. Springer Berlin/Heidelberg, 527
		+
		+	Ramos, V., Almeida, F. (2000). Artificial ant colonies in digital image habitats – a mass behaviour effect study on pattern recognition. In Dorigo, M., Middendoff, M., Stützle, T., eds.: From Ant Colonies to Artificial Ants: Proceedings of the Second International Workshop on Ant Algorithms (ANTS’2000). Brussels, Belgium, 113–116
		+
		+	Bourjot, C., Chevrier, V., Thomas, V. (2003). A new swarm mechanism based on social spiders colonies: from web weaving to region detection. Web Intelligence and Agent Systems: An International Journal – WIAS
		+
		+	Campolongo, G., Vena, S. (2006). Science of networks and music: A new approach on musical analysis and creation. In Rothlauf, F., et al., eds.: Applications of Evolutionary Computing, EvoWorkshops2006: EvoBIO, EvoCOMNET, EvoHOT, EvoIASP, EvoInteraction, EvoMUSART, EvoSTOC. Lecture Notes in Computer Science. Springer, 642–651
		+
		+	Dorigo, M., Maniezzo, V., Colorni, A. (1996). The Ant System: Optimization by a colony of cooperating agents. IEEE Transactions on Systems, Man, and Cybernetics–Part B, 26(1): 29–41
		+
		+	Minsky, M. (1993). Music, Mind and Meaning. In Schwanauer, S., Levitt, D., eds.: Machine Models of Music. MIT Press, 327–354
		+
		+	Lebocey, P., Fortune, J., Puret, A., Monmarché, N., Gaucher, P., Slimane, M., Lastu, D. (2006). On the popularization of artificial insects: an interactive exhibition for a wide audience to explain and demonstrate computer science and robotic problem solving taking inspiration of insects. In Dorigo, M., Gambardella, L., Birattari, M., Martinoli, A., Poli, R., Stützle, T., eds.: Ant Colony Optimization and Swarm Intelligence, 5th International Workshop, ANTS 2006. Lecture Notes in Computer Science. Bruxelles, Belgium. Springer, 476–483
		+
		+	Monmarché, N., Slimane, M., Venturini, G. (2003). Fourmis artistiques ou l’art artificiel pictural et musical. In: Hypertextes et Hypermédias, Réalisations, Outils & Méthodes (H2PTM’03). Paris, France. Hermes, 109–118
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		+	Greenfield, G. (2005). Evolutionary methods for ant colony paintings. In Rothlauf, F., et al., eds.: Applications on Evolutionary Computing: EvoWorkkshops 2005: EvoBIO, EvoCOMNET, EvoHOT, EvoIASP, EvoMUSART, and EvoSTOC. Lecture Notes in Computer Science. Lausanne, Switzerland, 478
		+
		+	Lesbros, V. (1996). From images to sounds, a dual representation. Computer Music Journal, 20(3): 59–69

	== Links ==		== Links ==

@@ Zeile 8: / Zeile 8: @@
 == Abstract ==
 We present how we have considered the artificial ant paradigm as a tool for the generation of music and painting. From an aesthetic perspective, we are interested in demonstrating that swarm intelligence and self-organization can lead to spatio-temporal structures that can reach an artistic dimension. In our case, the use of artificial pheromones can lead to the creation of melodies thanks to a cooperative behavior of the ant-agents but also to the emergence of abstract paintings thanks to competitive behaviors within the artificial colonies. The user’s point of view is also taken into account through interactive genetic algorithms.
 == Extended Abstract ==
 == Bibtex ==
+ @incollection{
+ year={2008},
 == Used References ==

Artificial Art Made by Artificial Ants - Versionsgeschichte

Gubachelier am 2. November 2015 um 20:24 Uhr

Gbachelier am 12. Oktober 2014 um 08:32 Uhr

Gbachelier: Die Seite wurde neu angelegt: „ == Referenz == Monmarche, Nicolas; Mahnich, Isabelle; Slimane, Mohamed: Artificial Art Made by Artificial Ants. In: Literatur_zur_Evolutionären_Kunst#Romer…“