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		<title>Breeding aesthetic objects: Art and artificial evolution - Versionsgeschichte</title>
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		<title>Gbachelier: Die Seite wurde neu angelegt: „Whitelaw, M.: Breeding aesthetic objects: Art and artificial evolution. In: Bentley, P.J., Corne, D. (eds.) Proceedings of the AISB 1999 Symposium on Creative …“</title>
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		<summary type="html">&lt;p&gt;Die Seite wurde neu angelegt: „Whitelaw, M.: Breeding aesthetic objects: Art and artificial evolution. In: Bentley, P.J., Corne, D. (eds.) Proceedings of the AISB 1999 Symposium on Creative …“&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Neue Seite&lt;/b&gt;&lt;/p&gt;&lt;div&gt;Whitelaw, M.: Breeding aesthetic objects: Art and artificial evolution. In: Bentley, P.J., Corne, D. (eds.) Proceedings of the AISB 1999 Symposium on Creative Evolutionary Systems (CES), Morgan Kaufmann, San Francisco (1999).   Gesamt-pdf des Symposiums: http://www.aisb.org.uk/publications/proceedings/aisb1999/AISB99_Evolutionary.pdf&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Reference ==&lt;br /&gt;
&lt;br /&gt;
== DOI ==&lt;br /&gt;
&lt;br /&gt;
== Abstract ==&lt;br /&gt;
This paper presents an account of the work of visual artists applying artificial evolutionary techniques, addressing&lt;br /&gt;
the implications of these techniques for artistic practice. It examines the forms of artistic or creative agency found within the&lt;br /&gt;
field, the nature of the evolved aesthetic object, and the possible limits to this work.&lt;br /&gt;
&lt;br /&gt;
== Extended Abstract ==&lt;br /&gt;
&lt;br /&gt;
== Bibtex == &lt;br /&gt;
&lt;br /&gt;
== Used References ==&lt;br /&gt;
R. Barter. William Latham. Arts Magazine 66(1):92,&lt;br /&gt;
1992.&lt;br /&gt;
&lt;br /&gt;
Computer Artworks. The Art of William Latham.&lt;br /&gt;
Available: http://www.artworks.co.uk/art/art4.htm,&lt;br /&gt;
24 August 1998&lt;br /&gt;
&lt;br /&gt;
R. Dawkins. The Blind Watchmaker. Longman .&lt;br /&gt;
Scientific and Technical, Harlow, 1987. &lt;br /&gt;
&lt;br /&gt;
N. Gaffney. Mutagen. Available: &lt;br /&gt;
http://rorschach.test.at/mutagen/,&lt;br /&gt;
&lt;br /&gt;
K. Kelly (1994a). Genetic Images. Wired 2.09, 1994. &lt;br /&gt;
Available: http://www.wired.com/wired/2.09/features/sims.html, 26 August 1998. 404&lt;br /&gt;
&lt;br /&gt;
K. Kelly (1994b). Out of Control: The New Biology of&lt;br /&gt;
Machines. Fourth Estate, London, 1994.&lt;br /&gt;
&lt;br /&gt;
P. Kleiweg. Peter Kleiweg. Available:&lt;br /&gt;
http://odur.let.rug.nl/~kleiweg/, October 15 1998.&lt;br /&gt;
&lt;br /&gt;
J. McClellan. William Latham. Available&lt;br /&gt;
http://www.nemeton.com/axis-mutatis/latham.html, 24 August 1998. 404&lt;br /&gt;
&lt;br /&gt;
J. Mount. John Mount&amp;#039;s International Interactive&lt;br /&gt;
Genetic Art II. Available:&lt;br /&gt;
http://www.geneticart.org/cgi-bin/mjwgenformII,&lt;br /&gt;
25 August 1998. 404&lt;br /&gt;
&lt;br /&gt;
K. Musgrave. Genetic Programming, Genetic Art.&lt;br /&gt;
Available:&lt;br /&gt;
http://www.seas.gwu.edu/faculty/musgrave/mutatis.html, 10 August 1998. 404&lt;br /&gt;
&lt;br /&gt;
S. Rooke (1998a). Genetic Art Process. Available:&lt;br /&gt;
http://www.concentric.net/~srooke/process.html, 7&lt;br /&gt;
August 1998. 404&lt;br /&gt;
&lt;br /&gt;
S. Rooke (1998b). Online Portfolio. Available:&lt;br /&gt;
http://www.concentric.net/~srooke/portfolio.html,&lt;br /&gt;
7 August 1998.&lt;br /&gt;
&lt;br /&gt;
S. Rooke (1998c). Biographical Information. Available:&lt;br /&gt;
http://www.concentric.net/~srooke/biog.html, 7&lt;br /&gt;
August 1998. 404&lt;br /&gt;
&lt;br /&gt;
S. Rooke (1998d). (srooke@concentric.net). “Re: some&lt;br /&gt;
questions.” E-mail to Mitchell Whitelaw&lt;br /&gt;
(mitchellw@spin.net.au). 11 August 1998.&lt;br /&gt;
&lt;br /&gt;
S. Rooke (1998e). (srooke@concentric.net). “Re: hi, thanks &amp;amp; a question.” E-mail to Mitchell Whitelaw&lt;br /&gt;
(mitchellw@spin.net.au). 10 August 1998.&lt;br /&gt;
&lt;br /&gt;
A. Rowbottom. Organic, Genetic and Evolutionary Art.&lt;br /&gt;
Available:http://www.netlink.co.uk/users/snaffle/form/evolutio.html, 10 August 1998. http://snaffle.users.netlink.co.uk//form/evolutio.html&lt;br /&gt;
&lt;br /&gt;
K. Sims. Artificial Evolution for Computer Graphics.&lt;br /&gt;
Computer Graphics 25(4):325-327, 1991.&lt;br /&gt;
&lt;br /&gt;
K. Sims. (1993a). Interactive Evolution. In K.Gerbel and&lt;br /&gt;
P.Weibel (eds.)Ars Electronica 93. Ars Electronica,&lt;br /&gt;
Linz, 1993.&lt;br /&gt;
&lt;br /&gt;
K. Sims. (1993b). Genetic Images. In Ars Electronica 93.&lt;br /&gt;
&lt;br /&gt;
K. Sims. Evolving 3D Morphology and Behaviour by&lt;br /&gt;
Competition. In R. Brooks amd P. Maes (eds.)&lt;br /&gt;
Artificial Life IV. MIT Press, Cambridge, 1994&lt;br /&gt;
&lt;br /&gt;
S.Todd and W. Latham. Evolutionary Art and&lt;br /&gt;
Computers. Academic Press, London, 1992.&lt;br /&gt;
&lt;br /&gt;
The Zen Room. A Global Multimedia and Internet&lt;br /&gt;
Creative Cooperative - The Zen Room Limited.&lt;br /&gt;
Available: http://www.zenroom.demon.co.uk/, 24&lt;br /&gt;
August 1998. 404&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Links ==&lt;br /&gt;
=== Full Text === &lt;br /&gt;
http://is.muni.cz/el/1421/podzim2012/IM120/breeding_esthetics_Whitelaw_M.pdf&lt;br /&gt;
&lt;br /&gt;
[[intern file]]&lt;br /&gt;
&lt;br /&gt;
=== Sonstige Links ===&lt;br /&gt;
http://dl.acm.org/citation.cfm?id=510349.510354&lt;/div&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

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