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Bridges 1999 - Versionsgeschichte
2026-04-16T16:46:52Z
Versionsgeschichte dieser Seite in de_evolutionary_art_org
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http://de.evo-art.org/index.php?title=Bridges_1999&diff=4420&oldid=prev
Gbachelier am 3. Februar 2015 um 10:22 Uhr
2015-02-03T10:22:54Z
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<td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 3. Februar 2015, 10:22 Uhr</td>
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<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#The_Bridge_Conferences:_art_and_mathematics | zurück zu The Bridge Conferences: art and mathematics]] </ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Reference ==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Reference ==</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Reza Sarhangi: Bridges 1999, Mathematics, Music, Art, Architecture, Culture. 2th Annual Bridges Conference, 1999. ISBN 0-9665201-1-4.  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Reza Sarhangi: Bridges 1999, Mathematics, Music, Art, Architecture, Culture. 2th Annual Bridges Conference, 1999. ISBN 0-9665201-1-4.  </div></td></tr>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>=== Sonstige Links ===</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>=== Sonstige Links ===</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>http://bridgesmathart.org/past-conferences/1999-2/</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>http://bridgesmathart.org/past-conferences/1999-2/</div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#The_Bridge_Conferences:_art_and_mathematics | zurück zu The Bridge Conferences: art and mathematics]]</ins></div></td></tr>
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Gbachelier
http://de.evo-art.org/index.php?title=Bridges_1999&diff=4297&oldid=prev
Gbachelier am 1. Februar 2015 um 15:48 Uhr
2015-02-01T15:48:32Z
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<td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 1. Februar 2015, 15:48 Uhr</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Reference ==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Reference ==</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Reza Sarhangi: Bridges 1999, Mathematics, Music, Art, Architecture, Culture. 2th Annual Bridges Conference, 1999. ISBN 0-9665201-1-4.  </div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Reza Sarhangi: Bridges 1999, Mathematics, Music, Art, Architecture, Culture. 2th Annual Bridges Conference, 1999. ISBN 0-9665201-1-4.  </div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td colspan="2"> </td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">the pdfs are full of ocr errors!!!!!!!!!!!!!!!!!!!!! urls in references are mostly wrong: "/" often recognized as "l" !!!!!!!!!!!!!!!!!!!!! </ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== DOI ==</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== DOI ==</div></td></tr>
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Gbachelier
http://de.evo-art.org/index.php?title=Bridges_1999&diff=2792&oldid=prev
Gbachelier am 2. Januar 2015 um 12:00 Uhr
2015-01-02T12:00:51Z
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<td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 2. Januar 2015, 12:00 Uhr</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l19" >Zeile 19:</td>
<td colspan="2" class="diff-lineno">Zeile 19:</td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Lawrence Holbrook: Mathematical "Abstracts". In: [[Bridges 1999]]. Pages 21–26 http://archive.bridgesmathart.org/1999/bridges1999-21.html http://archive.bridgesmathart.org/1999/bridges1999-21.pdf</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Lawrence Holbrook: Mathematical "Abstracts". In: [[Bridges 1999]]. Pages 21–26 http://archive.bridgesmathart.org/1999/bridges1999-21.html http://archive.bridgesmathart.org/1999/bridges1999-21.pdf</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Jay Kappraff: Systems of Proportion in Design and Architecture and their Relationship to Dynamical Systems Theory. In: [[Bridges 1999]]. Pages 27–40 http://archive.bridgesmathart.org/1999/bridges1999-27.html http://archive.bridgesmathart.org/1999/bridges1999-27.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Jay Kappraff: <ins class="diffchange diffchange-inline">[[</ins>Systems of Proportion in Design and Architecture and their Relationship to Dynamical Systems Theory<ins class="diffchange diffchange-inline">]]</ins>. In: [[Bridges 1999]]. Pages 27–40 http://archive.bridgesmathart.org/1999/bridges1999-27.html http://archive.bridgesmathart.org/1999/bridges1999-27.pdf</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Gary <del class="diffchange diffchange-inline">R. </del>Greenfield: On <del class="diffchange diffchange-inline">Understanding </del>the <del class="diffchange diffchange-inline">Search Problem </del>for <del class="diffchange diffchange-inline">Image Spaces</del>. In: [[Bridges 1999]]. Pages 41–54 http://archive.bridgesmathart.org/1999/bridges1999-41.html http://archive.bridgesmathart.org/1999/bridges1999-41.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">[[</ins>Gary Greenfield<ins class="diffchange diffchange-inline">]]</ins>: <ins class="diffchange diffchange-inline">[[</ins>On <ins class="diffchange diffchange-inline">understanding </ins>the <ins class="diffchange diffchange-inline">search problem </ins>for <ins class="diffchange diffchange-inline">image spaces]]</ins>. In: [[Bridges 1999]]. Pages 41–54 http://archive.bridgesmathart.org/1999/bridges1999-41.html http://archive.bridgesmathart.org/1999/bridges1999-41.pdf</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Nathaniel A. Friedman: Geometric Sculpture for K-12: Geos, Hyperseeing, and Hypersculptures. In: [[Bridges 1999]]. Pages 55–62 http://archive.bridgesmathart.org/1999/bridges1999-55.html http://archive.bridgesmathart.org/1999/bridges1999-55.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Nathaniel A. Friedman: <ins class="diffchange diffchange-inline">[[</ins>Geometric Sculpture for K-12: Geos, Hyperseeing, and Hypersculptures<ins class="diffchange diffchange-inline">]]</ins>. In: [[Bridges 1999]]. Pages 55–62 http://archive.bridgesmathart.org/1999/bridges1999-55.html http://archive.bridgesmathart.org/1999/bridges1999-55.pdf</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Andrea M. Karkowski: The Marriage of Mathematics and Psychology: An Enduring Love Story. In: [[Bridges 1999]]. Pages 63–66 http://archive.bridgesmathart.org/1999/bridges1999-63.html http://archive.bridgesmathart.org/1999/bridges1999-63.pdf</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Andrea M. Karkowski: The Marriage of Mathematics and Psychology: An Enduring Love Story. In: [[Bridges 1999]]. Pages 63–66 http://archive.bridgesmathart.org/1999/bridges1999-63.html http://archive.bridgesmathart.org/1999/bridges1999-63.pdf</div></td></tr>
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Gbachelier
http://de.evo-art.org/index.php?title=Bridges_1999&diff=2745&oldid=prev
Gbachelier am 31. Dezember 2014 um 19:50 Uhr
2014-12-31T19:50:59Z
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<a href="http://de.evo-art.org/index.php?title=Bridges_1999&diff=2745&oldid=2226">Änderungen zeigen</a>
Gbachelier
http://de.evo-art.org/index.php?title=Bridges_1999&diff=2226&oldid=prev
Gbachelier am 13. Dezember 2014 um 12:28 Uhr
2014-12-13T12:28:15Z
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<td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 13. Dezember 2014, 12:28 Uhr</td>
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<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Michael Field: Harmony, Chromatics, and Chaos. Pages 1–20 http://archive.bridgesmathart.org/1999/bridges1999-1.html http://archive.bridgesmathart.org/1999/bridges1999-1.pdf</div></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Michael Field: Harmony, Chromatics, and Chaos. Pages 1–20 http://archive.bridgesmathart.org/1999/bridges1999-1.html http://archive.bridgesmathart.org/1999/bridges1999-1.pdf</div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Lawrence Holbrook: Mathematical "Abstracts". Pages 21–26</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Lawrence Holbrook: Mathematical "Abstracts". Pages 21–26 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-21.html http://archive.bridgesmathart.org/1999/bridges1999-21.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Jay Kappraff: Systems of Proportion in Design and Architecture and their Relationship to Dynamical Systems Theory. Pages 27–40</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Jay Kappraff: Systems of Proportion in Design and Architecture and their Relationship to Dynamical Systems Theory. Pages 27–40 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-27.html http://archive.bridgesmathart.org/1999/bridges1999-27.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Gary R. Greenfield: On Understanding the Search Problem for Image Spaces. Pages 41–54</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Gary R. Greenfield: On Understanding the Search Problem for Image Spaces. Pages 41–54 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-41.html http://archive.bridgesmathart.org/1999/bridges1999-41.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Nathaniel A. Friedman: Geometric Sculpture for K-12: Geos, Hyperseeing, and Hypersculptures. Pages 55–62</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Nathaniel A. Friedman: Geometric Sculpture for K-12: Geos, Hyperseeing, and Hypersculptures. Pages 55–62 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-55.html http://archive.bridgesmathart.org/1999/bridges1999-55.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Andrea M. Karkowski: The Marriage of Mathematics and Psychology: An Enduring Love Story. Pages 63–66</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Andrea M. Karkowski: The Marriage of Mathematics and Psychology: An Enduring Love Story. Pages 63–66 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-63.html http://archive.bridgesmathart.org/1999/bridges1999-63.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Daniel C. Isaksen and Alabama P. Petrofsky: Mobius Knitting. Pages 67–76</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Daniel C. Isaksen and Alabama P. Petrofsky: Mobius Knitting. Pages 67–76 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-67.html http://archive.bridgesmathart.org/1999/bridges1999-67.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Kent W. Hooper: Diagrammatic Relations in Interart Discourse. Pages 77–90</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Kent W. Hooper: Diagrammatic Relations in Interart Discourse. Pages 77–90 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-77.html http://archive.bridgesmathart.org/1999/bridges1999-77.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Erik D. Demaine, Martin L. Demaine and Anna Lubiw: Polyhedral Sculptures with Hyperbolic Paraboloids. Pages 91–100</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Erik D. Demaine, Martin L. Demaine and Anna Lubiw: Polyhedral Sculptures with Hyperbolic Paraboloids. Pages 91–100 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-91.html http://archive.bridgesmathart.org/1999/bridges1999-91.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Joel K. Haack: The Mathematics of the Just Intonation Used in the Music of Terry Riley. Pages 101–110</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Joel K. Haack: The Mathematics of the Just Intonation Used in the Music of Terry Riley. Pages 101–110 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-101.html http://archive.bridgesmathart.org/1999/bridges1999-101.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Irene Rousseau: Math at the Service of Meaning: Links Between Geometry, Mythology, and Philosophy in Mosaic Art. Pages 111–122</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Irene Rousseau: Math at the Service of Meaning: Links Between Geometry, Mythology, and Philosophy in Mosaic Art. Pages 111–122 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-111.html http://archive.bridgesmathart.org/1999/bridges1999-111.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Stephen Eberhart: Some Briggsian Bridges Between Sense Perception, Postage Stamps, and Stylized Proportions or A Musician-Mathematician Looks at Life. Pages 123–130</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Stephen Eberhart: Some Briggsian Bridges Between Sense Perception, Postage Stamps, and Stylized Proportions or A Musician-Mathematician Looks at Life. Pages 123–130 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-123.html http://archive.bridgesmathart.org/1999/bridges1999-123.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Eva Knoll and Simon Morgan: Barn-Raising an Endo-Pentakis-Icosi-Dodecaherdon. Pages 131–136</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Eva Knoll and Simon Morgan: Barn-Raising an Endo-Pentakis-Icosi-Dodecaherdon. Pages 131–136 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-131.html http://archive.bridgesmathart.org/1999/bridges1999-131.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* David Gerhard: Audio Visualization in Phase Space. Pages 137–144</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* David Gerhard: Audio Visualization in Phase Space. Pages 137–144 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-137.html http://archive.bridgesmathart.org/1999/bridges1999-137.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Reza Sarhangi: The Sky Within: Mathematical Aesthetics of Persian Dome Interiors. Pages 145–156</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Reza Sarhangi: The Sky Within: Mathematical Aesthetics of Persian Dome Interiors. Pages 145–156 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-145.html http://archive.bridgesmathart.org/1999/bridges1999-145.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Beverly Finkbeiner Mayhew: Where's the BEAT? Discovering the Musical Rhythms and Accompanying Mathematical Patterns in Poetry. Pages 157–160</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Beverly Finkbeiner Mayhew: Where's the BEAT? Discovering the Musical Rhythms and Accompanying Mathematical Patterns in Poetry. Pages 157–160 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-157.html http://archive.bridgesmathart.org/1999/bridges1999-157.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Carlo H. Séquin: Analogies from 2D to 3D - Exercises in Disciplined Creativity. Pages 161–172</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Carlo H. Séquin: Analogies from 2D to 3D - Exercises in Disciplined Creativity. Pages 161–172 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-161.html http://archive.bridgesmathart.org/1999/bridges1999-161.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Kim Williams: The Well-Rounded Architect: Spheres and Circles in Architectural Design. Pages 173–184</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Kim Williams: The Well-Rounded Architect: Spheres and Circles in Architectural Design. Pages 173–184 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-173.html http://archive.bridgesmathart.org/1999/bridges1999-173.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Paul S. LaFollette Jr.: Aesthetics, Beauty, and Computer Science. Pages 185–190</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Paul S. LaFollette Jr.: Aesthetics, Beauty, and Computer Science. Pages 185–190 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-185.html http://archive.bridgesmathart.org/1999/bridges1999-185.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Daniel Meyer and Jeanine Meyer: Teaching Mathematical Thinking through Origami. Pages 191–204</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Daniel Meyer and Jeanine Meyer: Teaching Mathematical Thinking through Origami. Pages 191–204 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-191.html http://archive.bridgesmathart.org/1999/bridges1999-191.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Brent Collins: Merging Paradigms. Pages 205–210</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Brent Collins: Merging Paradigms. Pages 205–210 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-205.html http://archive.bridgesmathart.org/1999/bridges1999-205.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Kristyann Manske, Amir Assadi, Hamid Eghbalina and Stephen Palmer: Towards Visual Perception of Periodic Tilings: A Computational Model. Pages 211–220</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Kristyann Manske, Amir Assadi, Hamid Eghbalina and Stephen Palmer: Towards Visual Perception of Periodic Tilings: A Computational Model. Pages 211–220 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-211.html http://archive.bridgesmathart.org/1999/bridges1999-211.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Richard C. Morrison: PHYSICS: A Search for Simplicity, Beauty and Symmetry. Pages 221–230</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Richard C. Morrison: PHYSICS: A Search for Simplicity, Beauty and Symmetry. Pages 221–230 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-221.html http://archive.bridgesmathart.org/1999/bridges1999-221.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Daniel F. Daniel and Gar Bethel: Repetition and Self-Similarity in Modern Poetics. Pages 231–238</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Daniel F. Daniel and Gar Bethel: Repetition and Self-Similarity in Modern Poetics. Pages 231–238 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-231.html http://archive.bridgesmathart.org/1999/bridges1999-231.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Douglas Dunham: Artistic Patterns in Hyperbolic Geometry. Pages 239–250</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Douglas Dunham: Artistic Patterns in Hyperbolic Geometry. Pages 239–250 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-239.html http://archive.bridgesmathart.org/1999/bridges1999-239.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Clifford Singer: The Conceptual Mechanics of Expression in Geometric Fields. Pages 251–256</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Clifford Singer: The Conceptual Mechanics of Expression in Geometric Fields. Pages 251–256 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-251.html http://archive.bridgesmathart.org/1999/bridges1999-251.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Joe Cusumano: Whirling Chaos: A Multisensory Kinetic Art System. Pages 257–264</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Joe Cusumano: Whirling Chaos: A Multisensory Kinetic Art System. Pages 257–264 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-257.html http://archive.bridgesmathart.org/1999/bridges1999-257.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* John M. Sullivan: "The Optiverse" and Other Sphere Eversions. Pages 265–274</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* John M. Sullivan: "The Optiverse" and Other Sphere Eversions. Pages 265–274 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-265.html http://archive.bridgesmathart.org/1999/bridges1999-265.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Don R. Schol: The Linear Visualizations of Mathematical Anomalies In Sculptural Space: An Artist Presentation. Pages 275–278</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Don R. Schol: The Linear Visualizations of Mathematical Anomalies In Sculptural Space: An Artist Presentation. Pages 275–278 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-275.html http://archive.bridgesmathart.org/1999/bridges1999-275.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Solomon Marcus: The Art-Science Marriage, From Quarrel to Understanding. Pages 279–290</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Solomon Marcus: The Art-Science Marriage, From Quarrel to Understanding. Pages 279–290 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-279.html http://archive.bridgesmathart.org/1999/bridges1999-279.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Robert W. Fathauer: Recognizable Motif Tilings Based on Post-Escher Mathematics - Abstract. Pages 291–292</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Robert W. Fathauer: Recognizable Motif Tilings Based on Post-Escher Mathematics - Abstract. Pages 291–292 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-291.html http://archive.bridgesmathart.org/1999/bridges1999-291.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Solomon Marcus: The Theater of Mathematics and the Mathematics of the Theater - Abstract. Pages 293–294</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Solomon Marcus: The Theater of Mathematics and the Mathematics of the Theater - Abstract. Pages 293–294 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-293.html http://archive.bridgesmathart.org/1999/bridges1999-293.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Richard Krantz, Jack Douthett and John Clough: Music, Mathematics, and Magnetic Ordering - Abstract. Pages 295–296</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Richard Krantz, Jack Douthett and John Clough: Music, Mathematics, and Magnetic Ordering - Abstract. Pages 295–296 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-295.html http://archive.bridgesmathart.org/1999/bridges1999-295.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Darrell Thoman: Model Building - An Applied College Algebra Course Dealing with Observed Patterns - Abstract. Pages 297–297</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Darrell Thoman: Model Building - An Applied College Algebra Course Dealing with Observed Patterns - Abstract. Pages 297–297 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-297.html http://archive.bridgesmathart.org/1999/bridges1999-297.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Denis N. Sidorov: The Volterra Series for Modeling of Input-Output Dynamical Systems - Abstract. Pages 298–298</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Denis N. Sidorov: The Volterra Series for Modeling of Input-Output Dynamical Systems - Abstract. Pages 298–298 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-298.html http://archive.bridgesmathart.org/1999/bridges1999-298.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Isaiah Jackson and Nathan P. Ritchey: Towards A Topology of Music - Abstract. Pages 299–299</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Isaiah Jackson and Nathan P. Ritchey: Towards A Topology of Music - Abstract. Pages 299–299 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-299.html http://archive.bridgesmathart.org/1999/bridges1999-299.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Janusz Kapusta: The K-Dron A New Geometrical Shape - Its Nature, Properties, and Consequences - Abstract. Pages 300–300</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Janusz Kapusta: The K-Dron A New Geometrical Shape - Its Nature, Properties, and Consequences - Abstract. Pages 300–300 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-300.html http://archive.bridgesmathart.org/1999/bridges1999-300.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Mara Alagić: Abstraction, Reflection, and Learning - Musing of a Mathematician/Educator - Abstract. Pages 301–301</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Mara Alagić: Abstraction, Reflection, and Learning - Musing of a Mathematician/Educator - Abstract. Pages 301–301 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-301.html http://archive.bridgesmathart.org/1999/bridges1999-301.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Solomon Marcus: Reading Numbers as a Metaphor of the Universe - Abstract. Pages 302–302</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Solomon Marcus: Reading Numbers as a Metaphor of the Universe - Abstract. Pages 302–302 <ins class="diffchange diffchange-inline">http://archive.bridgesmathart.org/1999/bridges1999-302.html http://archive.bridgesmathart.org/1999/bridges1999-302.pdf</ins></div></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
<tr><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'> </td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr>
</table>
Gbachelier
http://de.evo-art.org/index.php?title=Bridges_1999&diff=2225&oldid=prev
Gbachelier: Die Seite wurde neu angelegt: „== Reference == Reza Sarhangi: Bridges 1999, Mathematics, Music, Art, Architecture, Culture. 2th Annual Bridges Conference, 1999. ISBN 0-9665201-1-4. == DOI …“
2014-12-13T12:16:43Z
<p>Die Seite wurde neu angelegt: „== Reference == Reza Sarhangi: Bridges 1999, Mathematics, Music, Art, Architecture, Culture. 2th Annual Bridges Conference, 1999. ISBN 0-9665201-1-4. == DOI …“</p>
<p><b>Neue Seite</b></p><div>== Reference ==<br />
Reza Sarhangi: Bridges 1999, Mathematics, Music, Art, Architecture, Culture. 2th Annual Bridges Conference, 1999. ISBN 0-9665201-1-4. <br />
<br />
== DOI ==<br />
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== Abstract ==<br />
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== Extended Abstract ==<br />
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== Reviews==<br />
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== Bibtex == <br />
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== Table of contents==<br />
* The Editors: Front Matter http://archive.bridgesmathart.org/1999/frontmatter.pdf<br />
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* Michael Field: Harmony, Chromatics, and Chaos. Pages 1–20 http://archive.bridgesmathart.org/1999/bridges1999-1.html http://archive.bridgesmathart.org/1999/bridges1999-1.pdf<br />
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* Lawrence Holbrook: Mathematical "Abstracts". Pages 21–26<br />
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* Jay Kappraff: Systems of Proportion in Design and Architecture and their Relationship to Dynamical Systems Theory. Pages 27–40<br />
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* Gary R. Greenfield: On Understanding the Search Problem for Image Spaces. Pages 41–54<br />
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* Nathaniel A. Friedman: Geometric Sculpture for K-12: Geos, Hyperseeing, and Hypersculptures. Pages 55–62<br />
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* Andrea M. Karkowski: The Marriage of Mathematics and Psychology: An Enduring Love Story. Pages 63–66<br />
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* Daniel C. Isaksen and Alabama P. Petrofsky: Mobius Knitting. Pages 67–76<br />
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* Kent W. Hooper: Diagrammatic Relations in Interart Discourse. Pages 77–90<br />
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* Erik D. Demaine, Martin L. Demaine and Anna Lubiw: Polyhedral Sculptures with Hyperbolic Paraboloids. Pages 91–100<br />
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* Joel K. Haack: The Mathematics of the Just Intonation Used in the Music of Terry Riley. Pages 101–110<br />
<br />
* Irene Rousseau: Math at the Service of Meaning: Links Between Geometry, Mythology, and Philosophy in Mosaic Art. Pages 111–122<br />
<br />
* Stephen Eberhart: Some Briggsian Bridges Between Sense Perception, Postage Stamps, and Stylized Proportions or A Musician-Mathematician Looks at Life. Pages 123–130<br />
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* Eva Knoll and Simon Morgan: Barn-Raising an Endo-Pentakis-Icosi-Dodecaherdon. Pages 131–136<br />
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* David Gerhard: Audio Visualization in Phase Space. Pages 137–144<br />
<br />
* Reza Sarhangi: The Sky Within: Mathematical Aesthetics of Persian Dome Interiors. Pages 145–156<br />
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* Beverly Finkbeiner Mayhew: Where's the BEAT? Discovering the Musical Rhythms and Accompanying Mathematical Patterns in Poetry. Pages 157–160<br />
<br />
* Carlo H. Séquin: Analogies from 2D to 3D - Exercises in Disciplined Creativity. Pages 161–172<br />
<br />
* Kim Williams: The Well-Rounded Architect: Spheres and Circles in Architectural Design. Pages 173–184<br />
<br />
* Paul S. LaFollette Jr.: Aesthetics, Beauty, and Computer Science. Pages 185–190<br />
<br />
* Daniel Meyer and Jeanine Meyer: Teaching Mathematical Thinking through Origami. Pages 191–204<br />
<br />
* Brent Collins: Merging Paradigms. Pages 205–210<br />
<br />
* Kristyann Manske, Amir Assadi, Hamid Eghbalina and Stephen Palmer: Towards Visual Perception of Periodic Tilings: A Computational Model. Pages 211–220<br />
<br />
* Richard C. Morrison: PHYSICS: A Search for Simplicity, Beauty and Symmetry. Pages 221–230<br />
<br />
* Daniel F. Daniel and Gar Bethel: Repetition and Self-Similarity in Modern Poetics. Pages 231–238<br />
<br />
* Douglas Dunham: Artistic Patterns in Hyperbolic Geometry. Pages 239–250<br />
<br />
* Clifford Singer: The Conceptual Mechanics of Expression in Geometric Fields. Pages 251–256<br />
<br />
* Joe Cusumano: Whirling Chaos: A Multisensory Kinetic Art System. Pages 257–264<br />
<br />
* John M. Sullivan: "The Optiverse" and Other Sphere Eversions. Pages 265–274<br />
<br />
* Don R. Schol: The Linear Visualizations of Mathematical Anomalies In Sculptural Space: An Artist Presentation. Pages 275–278<br />
<br />
* Solomon Marcus: The Art-Science Marriage, From Quarrel to Understanding. Pages 279–290<br />
<br />
* Robert W. Fathauer: Recognizable Motif Tilings Based on Post-Escher Mathematics - Abstract. Pages 291–292<br />
<br />
* Solomon Marcus: The Theater of Mathematics and the Mathematics of the Theater - Abstract. Pages 293–294<br />
<br />
* Richard Krantz, Jack Douthett and John Clough: Music, Mathematics, and Magnetic Ordering - Abstract. Pages 295–296<br />
<br />
* Darrell Thoman: Model Building - An Applied College Algebra Course Dealing with Observed Patterns - Abstract. Pages 297–297<br />
<br />
* Denis N. Sidorov: The Volterra Series for Modeling of Input-Output Dynamical Systems - Abstract. Pages 298–298<br />
<br />
* Isaiah Jackson and Nathan P. Ritchey: Towards A Topology of Music - Abstract. Pages 299–299<br />
<br />
* Janusz Kapusta: The K-Dron A New Geometrical Shape - Its Nature, Properties, and Consequences - Abstract. Pages 300–300<br />
<br />
* Mara Alagić: Abstraction, Reflection, and Learning - Musing of a Mathematician/Educator - Abstract. Pages 301–301<br />
<br />
* Solomon Marcus: Reading Numbers as a Metaphor of the Universe - Abstract. Pages 302–302<br />
<br />
<br />
== Links ==<br />
=== Full Text === <br />
http://archive.bridgesmathart.org/1999/index.html<br />
<br />
[[intern file]]<br />
<br />
=== Sonstige Links ===<br />
http://bridgesmathart.org/past-conferences/1999-2/</div>
Gbachelier