http://de.evo-art.org/index.php?action=history&feed=atom&title=Bridges_2005 Bridges 2005 - Versionsgeschichte 2026-04-20T10:23:11Z Versionsgeschichte dieser Seite in de_evolutionary_art_org MediaWiki 1.27.4 http://de.evo-art.org/index.php?title=Bridges_2005&diff=4414&oldid=prev Gbachelier am 3. Februar 2015 um 10:20 Uhr 2015-02-03T10:20:06Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 3. Februar 2015, 10:20 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Zeile 1:</td> <td colspan="2" class="diff-lineno">Zeile 1:</td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#The_Bridge_Conferences:_art_and_mathematics | zurück zu The Bridge Conferences: art and mathematics]] </ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Reference ==</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Reference ==</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Reza Sarhangi and Robert V. Moody: Bridges 2005, Mathematics, Music, Art, Architecture, Culture. 8th Annual Bridges Conference, Banff, 2005. ISBN: 0-9665201-6-5</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Reza Sarhangi and Robert V. Moody: Bridges 2005, Mathematics, Music, Art, Architecture, Culture. 8th Annual Bridges Conference, Banff, 2005. ISBN: 0-9665201-6-5</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l191" >Zeile 191:</td> <td colspan="2" class="diff-lineno">Zeile 194:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>=== Sonstige Links ===</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>=== Sonstige Links ===</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>http://www.bridgesmathart.org/2005_Program.html</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>http://www.bridgesmathart.org/2005_Program.html</div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#The_Bridge_Conferences:_art_and_mathematics | zurück zu The Bridge Conferences: art and mathematics]]</ins></div></td></tr> </table> Gbachelier http://de.evo-art.org/index.php?title=Bridges_2005&diff=4180&oldid=prev Gbachelier: /* Table of contents */ 2015-01-31T11:03:36Z <p>‎<span dir="auto"><span class="autocomment">Table of contents</span></span></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 31. Januar 2015, 11:03 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l151" >Zeile 151:</td> <td colspan="2" class="diff-lineno">Zeile 151:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Irene Rousseau: Mosaic Art: from Pebbles to Pixels. In: [[Bridges 2005]]. Pages 435–442 http://archive.bridgesmathart.org/2005/bridges2005-435.html http://archive.bridgesmathart.org/2005/bridges2005-435.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Irene Rousseau: Mosaic Art: from Pebbles to Pixels. In: [[Bridges 2005]]. Pages 435–442 http://archive.bridgesmathart.org/2005/bridges2005-435.html http://archive.bridgesmathart.org/2005/bridges2005-435.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Gary <del class="diffchange diffchange-inline">R. </del>Greenfield: [[Serial Polar Transformation Motifs Revisited]]. In: [[Bridges 2005]]. Pages 443–448 http://archive.bridgesmathart.org/2005/bridges2005-443.html http://archive.bridgesmathart.org/2005/bridges2005-443.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">[[</ins>Gary Greenfield<ins class="diffchange diffchange-inline">]]</ins>: [[Serial Polar Transformation Motifs Revisited]]. In: [[Bridges 2005]]. Pages 443–448 http://archive.bridgesmathart.org/2005/bridges2005-443.html http://archive.bridgesmathart.org/2005/bridges2005-443.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* George W. Hart: Orderly Tangles Revisited. In: [[Bridges 2005]]. Pages 449–456 http://archive.bridgesmathart.org/2005/bridges2005-449.html http://archive.bridgesmathart.org/2005/bridges2005-449.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* George W. Hart: Orderly Tangles Revisited. In: [[Bridges 2005]]. Pages 449–456 http://archive.bridgesmathart.org/2005/bridges2005-449.html http://archive.bridgesmathart.org/2005/bridges2005-449.pdf</div></td></tr> </table> Gbachelier http://de.evo-art.org/index.php?title=Bridges_2005&diff=4178&oldid=prev Gbachelier: /* Table of contents */ 2015-01-31T10:57:40Z <p>‎<span dir="auto"><span class="autocomment">Table of contents</span></span></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 31. Januar 2015, 10:57 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l143" >Zeile 143:</td> <td colspan="2" class="diff-lineno">Zeile 143:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Douglas G. Burkholder: Symmetric Linear Constructions in Motion. In: [[Bridges 2005]]. Pages 403–410 http://archive.bridgesmathart.org/2005/bridges2005-403.html http://archive.bridgesmathart.org/2005/bridges2005-403.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Douglas G. Burkholder: Symmetric Linear Constructions in Motion. In: [[Bridges 2005]]. Pages 403–410 http://archive.bridgesmathart.org/2005/bridges2005-403.html http://archive.bridgesmathart.org/2005/bridges2005-403.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Marjorie Senechal: <del class="diffchange diffchange-inline">[[</del>Coxetering Crystals<del class="diffchange diffchange-inline">]]</del>. In: [[Bridges 2005]]. Pages 411–418 http://archive.bridgesmathart.org/2005/bridges2005-411.html http://archive.bridgesmathart.org/2005/bridges2005-411.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Marjorie Senechal: Coxetering Crystals. In: [[Bridges 2005]]. Pages 411–418 http://archive.bridgesmathart.org/2005/bridges2005-411.html http://archive.bridgesmathart.org/2005/bridges2005-411.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* David A. Richter: Two Results Concerning the Zome Model of the 600-Cell. In: [[Bridges 2005]]. Pages 419–426 http://archive.bridgesmathart.org/2005/bridges2005-419.html http://archive.bridgesmathart.org/2005/bridges2005-419.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* David A. Richter: Two Results Concerning the Zome Model of the 600-Cell. In: [[Bridges 2005]]. Pages 419–426 http://archive.bridgesmathart.org/2005/bridges2005-419.html http://archive.bridgesmathart.org/2005/bridges2005-419.pdf</div></td></tr> </table> Gbachelier http://de.evo-art.org/index.php?title=Bridges_2005&diff=4175&oldid=prev Gbachelier: /* Table of contents */ 2015-01-31T10:41:23Z <p>‎<span dir="auto"><span class="autocomment">Table of contents</span></span></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 31. Januar 2015, 10:41 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l123" >Zeile 123:</td> <td colspan="2" class="diff-lineno">Zeile 123:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Dirk Huylebrouck: z-Irrationality search: After a Golden Section Approach, Another Esthetic but Vain Attempt. In: [[Bridges 2005]]. Pages 347–348 http://archive.bridgesmathart.org/2005/bridges2005-347.html http://archive.bridgesmathart.org/2005/bridges2005-347.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Dirk Huylebrouck: z-Irrationality search: After a Golden Section Approach, Another Esthetic but Vain Attempt. In: [[Bridges 2005]]. Pages 347–348 http://archive.bridgesmathart.org/2005/bridges2005-347.html http://archive.bridgesmathart.org/2005/bridges2005-347.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Craig S. Kaplan: [[Aliasing Artifacts and Accidental Algorithmic Art]]. In: [[Bridges 2005]]. Pages 349–356 http://archive.bridgesmathart.org/2005/bridges2005-349.html http://archive.bridgesmathart.org/2005/bridges2005-349.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">[[</ins>Craig S. Kaplan<ins class="diffchange diffchange-inline">]]</ins>: [[Aliasing Artifacts and Accidental Algorithmic Art]]. In: [[Bridges 2005]]. Pages 349–356 http://archive.bridgesmathart.org/2005/bridges2005-349.html http://archive.bridgesmathart.org/2005/bridges2005-349.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Reza Sarhangi and Jay Zimmerman: [[Symmetries and Design Science: Two Graduate Courses for a Mathematics Education Program]]. In: [[Bridges 2005]]. Pages 357–366 http://archive.bridgesmathart.org/2005/bridges2005-357.html http://archive.bridgesmathart.org/2005/bridges2005-357.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Reza Sarhangi and Jay Zimmerman: [[Symmetries and Design Science: Two Graduate Courses for a Mathematics Education Program]]. In: [[Bridges 2005]]. Pages 357–366 http://archive.bridgesmathart.org/2005/bridges2005-357.html http://archive.bridgesmathart.org/2005/bridges2005-357.pdf</div></td></tr> </table> Gbachelier http://de.evo-art.org/index.php?title=Bridges_2005&diff=2747&oldid=prev Gbachelier am 31. Dezember 2014 um 22:33 Uhr 2014-12-31T22:33:42Z <p></p> <a href="http://de.evo-art.org/index.php?title=Bridges_2005&amp;diff=2747&amp;oldid=2739">Änderungen zeigen</a> Gbachelier http://de.evo-art.org/index.php?title=Bridges_2005&diff=2739&oldid=prev Gbachelier am 31. Dezember 2014 um 19:47 Uhr 2014-12-31T19:47:07Z <p></p> <a href="http://de.evo-art.org/index.php?title=Bridges_2005&amp;diff=2739&amp;oldid=2200">Änderungen zeigen</a> Gbachelier http://de.evo-art.org/index.php?title=Bridges_2005&diff=2200&oldid=prev Gbachelier: /* Table of contents */ 2014-12-11T19:55:50Z <p>‎<span dir="auto"><span class="autocomment">Table of contents</span></span></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 11. Dezember 2014, 19:55 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l182" >Zeile 182:</td> <td colspan="2" class="diff-lineno">Zeile 182:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Mara Alagic and Diana Palenz: Dynamic Geometry/Art in Mathematics Classroom. Pages 531–535 http://archive.bridgesmathart.org/2005/bridges2005-531.html http://archive.bridgesmathart.org/2005/bridges2005-531.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Mara Alagic and Diana Palenz: Dynamic Geometry/Art in Mathematics Classroom. Pages 531–535 http://archive.bridgesmathart.org/2005/bridges2005-531.html http://archive.bridgesmathart.org/2005/bridges2005-531.pdf</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2">&#160;</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Links ==</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Links ==</div></td></tr> </table> Gbachelier http://de.evo-art.org/index.php?title=Bridges_2005&diff=2199&oldid=prev Gbachelier am 11. Dezember 2014 um 19:49 Uhr 2014-12-11T19:49:11Z <p></p> <a href="http://de.evo-art.org/index.php?title=Bridges_2005&amp;diff=2199&amp;oldid=2198">Änderungen zeigen</a> Gbachelier http://de.evo-art.org/index.php?title=Bridges_2005&diff=2198&oldid=prev Gbachelier: Die Seite wurde neu angelegt: „== Reference == Reza Sarhangi and Robert V. Moody: Bridges 2005, Mathematics, Music, Art, Architecture, Culture. 8th Annual Bridges Conference, Banff, 2005. IS…“ 2014-12-11T18:45:53Z <p>Die Seite wurde neu angelegt: „== Reference == Reza Sarhangi and Robert V. Moody: Bridges 2005, Mathematics, Music, Art, Architecture, Culture. 8th Annual Bridges Conference, Banff, 2005. IS…“</p> <p><b>Neue Seite</b></p><div>== Reference ==<br /> Reza Sarhangi and Robert V. Moody: Bridges 2005, Mathematics, Music, Art, Architecture, Culture. 8th Annual Bridges Conference, Banff, 2005. ISBN: 0-9665201-6-5<br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> <br /> == Extended Abstract ==<br /> <br /> == Reviews==<br /> <br /> == Bibtex == <br /> <br /> == Table of contents==<br /> * The Editors: Front Matter http://archive.bridgesmathart.org/2005/frontmatter.pdf<br /> <br /> * Greg N. Frederickson: The Manifold Beauty of Piano-hinged Dissections. Pages 1–8 http://archive.bridgesmathart.org/2005/bridges2005-1.html http://archive.bridgesmathart.org/2005/bridges2005-1.pdf<br /> <br /> Recursion in Nature, Mathematics and Art<br /> Anne M. Burns<br /> Pages 9–16<br /> <br /> Fairfield Porter&#039;s Secret Geometry<br /> Chris Bartlett<br /> Pages 17–24<br /> <br /> Meanders<br /> Paul Gailiunas<br /> Pages 25–30<br /> <br /> An Introduction to the Golden Tangram and its Tiling Properties<br /> Stanley Spencer<br /> Pages 31–36<br /> <br /> Spiral Tilings with C-curves Using Combinatorics to Augment Tradition<br /> Chris K. Palmer<br /> Pages 37–46<br /> <br /> The Euclidean Algorithm Generates Traditional Musical Rhythms<br /> Godfried Toussaint<br /> Pages 47–56<br /> <br /> Malekula Sand Tracings: A Case in Ethnomathematics<br /> Marcia Ascher<br /> Pages 57–64<br /> <br /> Generative Art and Aesthetics<br /> Susan Happersett<br /> Pages 65–66<br /> <br /> Geometry and Harmony<br /> David Rappaport<br /> Pages 67–72<br /> <br /> Mathematical Measures of Syncopation<br /> F. Gómez, A. Melvin, D. Rappaport and G.T. Toussaint<br /> Pages 73–84<br /> <br /> Mathematical Analogy and Metaphorical Insight<br /> Jan Zwicky<br /> Pages 85–92<br /> <br /> Beauty in Art and Mathematics: A Common Neural Substrate or the Limits of Language?<br /> Daniel J. Goldstein<br /> Pages 93–100<br /> <br /> Alice Boner and the Geometry of Temple Cave Art of India<br /> Robert V. Moody<br /> Pages 101–108<br /> <br /> A Ukrainian Easter Egg Monument Stands for Thirty Years<br /> Robert McDermott<br /> Pages 109–116<br /> <br /> The Harmony of the World<br /> Christopher Arthur<br /> Pages 117–118<br /> <br /> Pedagogical Principles for Teaching Art in Mathematics Courses<br /> Russell Jay Hendel<br /> Pages 119–120<br /> <br /> D-forms and developable surfaces<br /> John Sharp<br /> Pages 121–128<br /> <br /> (Vector) Fields of Mathematical Poetry<br /> Carla Farsi<br /> Pages 129–130<br /> <br /> Aspects of Symmetry in Arpachiyah Pottery<br /> Duncan J. Melville<br /> Pages 131–136<br /> <br /> Abstract Art from a Model for Cellular Morphogenesis<br /> Gary R. Greenfield<br /> Pages 137–142<br /> <br /> The Complexity of the Musical Vocabulary of the Nzakara Harpists<br /> Barbra Gregory<br /> Pages 143–148<br /> <br /> A Computerized Environment for Learning and Teaching 3-D Geometry<br /> Irit Wertheim, Emzar Panikashvili, Gershon Elber and Nitsa Movshovitz-Hadar<br /> Pages 149–154<br /> <br /> Symmetry and the Sacred Date Palm in the Palace of Ashurnasirpal II, King of Assyria<br /> Sarah C. Melville<br /> Pages 155–160<br /> <br /> Three-Dimensional and Dynamic Constructions Based on Leonardo Grids<br /> Rinus Roelofs<br /> Pages 161–168<br /> <br /> The Droste-Effect and the Exponential Transform<br /> Bart de Smit<br /> Pages 169–178<br /> <br /> Some Surprising New Properties of the Spidrons<br /> Dániel Erdély<br /> Pages 179–186<br /> <br /> Video Screening<br /> Jinnah Yu and Ergun Akleman<br /> Pages 187–194<br /> <br /> Detecting Meter in Recorded Music<br /> Joseph E. Flannick, Rachel W. Hall and Robert Kelly<br /> Pages 195–202<br /> <br /> Solidifying Wireframes<br /> Vinod Srinivasan, Esan Mandal and Ergun Akleman<br /> Pages 203–210<br /> <br /> Splitting Tori, Knots, and Moebius Bands<br /> Carlo H. Séquin<br /> Pages 211–218<br /> <br /> Symmetry and Symmetry-Breaking - An Approach to Understanding Beauty<br /> Carol Bier<br /> Pages 219–226<br /> <br /> An Interdisciplinary Course: &quot;On Beauty: Perspective, Proportion, and Rationalism in Western Culture&quot;<br /> Alison Fleming, Sharon Frechette and Sarah Luria<br /> Pages 227–230<br /> <br /> Looking At Math: Using Art to Teach Mathematics<br /> Pau Atela<br /> Pages 231–236<br /> <br /> Using 3-D Models as Image Generators For Digital Fiction<br /> Michael Mahan<br /> Pages 237–244<br /> <br /> Fermat&#039;s Spiral Mandalas<br /> Robert J. Krawczyk<br /> Pages 245–250<br /> <br /> Symmetry, Proportion and Scale: Tools for the Jacquard Designer and Weaver of Silk Velvet<br /> Barbara Setsu Pickett<br /> Pages 251–254<br /> <br /> Circular Distributions and Spectra Variations in Music, How Even is Even?<br /> Richard J. Krantz and Jack Douthett<br /> Pages 255–262<br /> <br /> Illustrating Number Sequences<br /> L. Kerry Mitchell<br /> Pages 263–268<br /> <br /> Geometrical, Perceptual, and Cultural Perspectives on Figure/Ground Differences in Bakuba Pattern<br /> Donald W. Crowe and Dorothy K. Washburn<br /> Pages 269–276<br /> <br /> A Perspective on Infinity: Anamorphism and Stereographic Projection<br /> Michael Frantz<br /> Pages 277–284<br /> <br /> A Geometric Analysis of the Seven Heavens<br /> B. Lynn Bodner<br /> Pages 285–292<br /> <br /> On Parsimonious Sequences as Scales in Western Music<br /> Richard Hermann and Jack Douthett<br /> Pages 293–300<br /> <br /> TSP Art<br /> Craig S. Kaplan and Robert Bosch<br /> Pages 301–308<br /> <br /> Digitally Spelunking the Spline Mine<br /> Curtis Palmer<br /> Pages 309–312<br /> <br /> An Approach in Coloring Semi-Regular Tilings on the Hyperbolic Plane<br /> Ma. Louise Antonette N. De Las Peñas, Glenn R. Laigo and René P. Felix<br /> Pages 313–320<br /> <br /> Two and Three-Dimensional Art Inspired by Polynomiography<br /> Bahman Kalantari<br /> Pages 321–328<br /> <br /> Tessellations from Group Actions and the Mystery of Escher&#039;s Solid<br /> Ioana Mihaila<br /> Pages 329–330<br /> <br /> Wisdom in Art: Mathematics in Islamic Architecture in Iran<br /> Hourieh Mashayekh<br /> Pages 331–336<br /> <br /> NAMAN: Dream Altars, Vietnam: A Search for use of the Golden Mean and its Affect on Design and Content<br /> Michael McConnell and Jim Rose<br /> Pages 337–338<br /> <br /> Aesthetic Aspects of Venn Diagrams<br /> Barry Cipra, Peter Hamburger and Edit Hepp<br /> Pages 339–342<br /> <br /> Dynamics on Discrete Structures: A Dialog between Squares and Circles<br /> Tiziana Giorgi and Robert Smits<br /> Pages 343–344<br /> <br /> Strange Physical Motion of Balls in a Cylinder<br /> Akihiro Matsuura<br /> Pages 345–346<br /> <br /> z-Irrationality search: After a Golden Section Approach, Another Esthetic but Vain Attempt<br /> Dirk Huylebrouck<br /> Pages 347–348<br /> <br /> Aliasing Artifacts and Accidental Algorithmic Art<br /> Craig S. Kaplan<br /> Pages 349–356<br /> <br /> Symmetries and Design Science: Two Graduate Courses for a Mathematics Education Program<br /> Reza Sarhangi and Jay Zimmerman<br /> Pages 357–366<br /> <br /> Making Mathematical Posters<br /> Ulrich Hermisson and Robert V. Moody<br /> Pages 367–368<br /> <br /> Golden Fields, Generalized Fibonacci Sequences, and Chaotic Matrices<br /> Jay Kappraff, Slavik Jablan, Gary Adamson and Radmila Sazdanovich<br /> Pages 369–378<br /> <br /> Space from Nonspace: Emergent Spatiality in Dynamic Graphs<br /> Tim Boykett<br /> Pages 379–380<br /> <br /> Satellite Ballet by Flower Constellations<br /> Daniele Mortari<br /> Pages 381–382<br /> <br /> Anamorphosis.com: Computers, Mathematics and Art<br /> Phillip Kent<br /> Pages 383–384<br /> <br /> Mathematical Models of Gothic Structures<br /> Javier Barrallo and Santiago Sanchez-Beitia<br /> Pages 385–392<br /> <br /> Donald Coxeter: The Man who Saved Geometry<br /> Siobhan Roberts<br /> Pages 393–402<br /> <br /> Symmetric Linear Constructions in Motion<br /> Douglas G. Burkholder<br /> Pages 403–410<br /> <br /> Coxetering Crystals<br /> Marjorie Senechal<br /> Pages 411–418<br /> <br /> Two Results Concerning the Zome Model of the 600-Cell<br /> David A. Richter<br /> Pages 419–426<br /> <br /> Fractal Tilings Based on Dissections of Polyhexes<br /> Robert W. Fathauer<br /> Pages 427–434<br /> <br /> Mosaic Art: from Pebbles to Pixels<br /> Irene Rousseau<br /> Pages 435–442<br /> <br /> Serial Polar Transformation Motifs Revisited<br /> Gary R. Greenfield<br /> Pages 443–448<br /> <br /> <br /> Orderly Tangles Revisited<br /> George W. Hart<br /> Pages 449–456<br /> <br /> Factor Group Transformations on Escher Patterns<br /> Joshua Jacobs<br /> Pages 457–462<br /> <br /> Symmetrical Hamiltonian Manifolds on Regular 3D and 4D Polytopes<br /> Carlo H. Séquin<br /> Pages 463–472<br /> <br /> Coxeter and the Artists: Two-Way Inspiration, Part 2<br /> Doris Schattschneider<br /> Pages 473–480<br /> <br /> Polyhedral Transformation: Explosion-Implosion<br /> Robert McDermott<br /> Pages 481–488<br /> <br /> Some New Tilings of the Sphere with Congruent Triangles<br /> Robert J. MacG. Dawson<br /> Pages 489–496<br /> <br /> H.S.M. Coxeter and Tony Bomford&#039;s Colored Hyperbolic Rugs<br /> Douglas Dunham<br /> Pages 497–504<br /> <br /> Paper Polylinks<br /> George W. Hart<br /> Pages 505–508<br /> <br /> A Thousand Cranes and Statistics<br /> Cheryl Whitelaw<br /> Pages 509–510<br /> <br /> A Method for Illustrating Border and Wallpaper Patterns<br /> Gwen L. Fisher<br /> Pages 511–518<br /> <br /> Tessellation Techniques<br /> Stefanie Mandelbaum and Jacqueline S. Guttman<br /> Pages 519–520<br /> <br /> Connecting Gross-motor Movement, Dance, and Mathematics in the Elementary Curriculum<br /> Virginia Usnick and Marilyn Sue Ford<br /> Pages 521–522<br /> <br /> A Physical Proof for Five and Only Five Regular Solids<br /> Robert McDermott<br /> Pages 523–528<br /> <br /> Playing Mathematics and Doing Music<br /> John Belcher<br /> Pages 529–530<br /> <br /> Dynamic Geometry/Art in Mathematics Classroom<br /> Mara Alagic and Diana Palenz<br /> Pages 531–535<br /> <br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> http://archive.bridgesmathart.org/2005/index.html<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> http://www.bridgesmathart.org/2005_Program.html</div> Gbachelier