http://de.evo-art.org/index.php?action=history&feed=atom&title=Bridges_2007 Bridges 2007 - Versionsgeschichte 2026-05-07T09:05:37Z Versionsgeschichte dieser Seite in de_evolutionary_art_org MediaWiki 1.27.4 http://de.evo-art.org/index.php?title=Bridges_2007&diff=4412&oldid=prev Gbachelier am 3. Februar 2015 um 10:19 Uhr 2015-02-03T10:19:05Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 3. Februar 2015, 10:19 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Zeile 1:</td> <td colspan="2" class="diff-lineno">Zeile 1:</td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#The_Bridge_Conferences:_art_and_mathematics | zurück zu The Bridge Conferences: art and mathematics]] </ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l172" >Zeile 172:</td> <td colspan="2" class="diff-lineno">Zeile 173:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>=== Sonstige Links ===</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>=== Sonstige Links ===</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>http://www.bridgesmathart.org/2007/2007.html</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>http://www.bridgesmathart.org/2007/2007.html</div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#The_Bridge_Conferences:_art_and_mathematics | zurück zu The Bridge Conferences: art and mathematics]]</ins></div></td></tr> </table> Gbachelier http://de.evo-art.org/index.php?title=Bridges_2007&diff=2738&oldid=prev Gbachelier am 31. Dezember 2014 um 19:45 Uhr 2014-12-31T19:45:13Z <p></p> <a href="http://de.evo-art.org/index.php?title=Bridges_2007&amp;diff=2738&amp;oldid=2727">Änderungen zeigen</a> Gbachelier http://de.evo-art.org/index.php?title=Bridges_2007&diff=2727&oldid=prev Gbachelier am 31. Dezember 2014 um 19:35 Uhr 2014-12-31T19:35:55Z <p></p> <a href="http://de.evo-art.org/index.php?title=Bridges_2007&amp;diff=2727&amp;oldid=2711">Änderungen zeigen</a> Gbachelier http://de.evo-art.org/index.php?title=Bridges_2007&diff=2711&oldid=prev Gbachelier am 31. Dezember 2014 um 14:39 Uhr 2014-12-31T14:39:35Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 31. Dezember 2014, 14:39 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l17" >Zeile 17:</td> <td colspan="2" class="diff-lineno">Zeile 17:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* The Editors: Front Matter http://archive.bridgesmathart.org/2007/frontmatter.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* The Editors: Front Matter http://archive.bridgesmathart.org/2007/frontmatter.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* George W. Hart: Modular Kirigami. Pages 1–8 http://archive.bridgesmathart.org/2007/bridges2007-1.html http://archive.bridgesmathart.org/2007/bridges2007-1.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* George W. Hart: <ins class="diffchange diffchange-inline">[[</ins>Modular Kirigami<ins class="diffchange diffchange-inline">]]</ins>. Pages 1–8 http://archive.bridgesmathart.org/2007/bridges2007-1.html http://archive.bridgesmathart.org/2007/bridges2007-1.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Paul Gailiunas: Some Monohedral Tilings Derived From Regular Polygons. Pages 9–14 http://archive.bridgesmathart.org/2007/bridges2007-9.html http://archive.bridgesmathart.org/2007/bridges2007-9.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Paul Gailiunas: <ins class="diffchange diffchange-inline">[[</ins>Some Monohedral Tilings Derived From Regular Polygons<ins class="diffchange diffchange-inline">]]</ins>. Pages 9–14 http://archive.bridgesmathart.org/2007/bridges2007-9.html http://archive.bridgesmathart.org/2007/bridges2007-9.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Gary <del class="diffchange diffchange-inline">R. </del>Greenfield: Composite <del class="diffchange diffchange-inline">Diffusion Limited Aggregation Paintings</del>. Pages 15–20 http://archive.bridgesmathart.org/2007/bridges2007-15.html http://archive.bridgesmathart.org/2007/bridges2007-15.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">[[</ins>Gary Greenfield<ins class="diffchange diffchange-inline">]]</ins>: <ins class="diffchange diffchange-inline">[[</ins>Composite <ins class="diffchange diffchange-inline">diffusion limited aggregation paintings]]</ins>. Pages 15–20 http://archive.bridgesmathart.org/2007/bridges2007-15.html http://archive.bridgesmathart.org/2007/bridges2007-15.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Greg N. Frederickson: Symmetry and Structure in Twist-Hinged Dissections of Polygonal Rings and Polygonal Anti-Rings. Pages 21–28 http://archive.bridgesmathart.org/2007/bridges2007-21.html http://archive.bridgesmathart.org/2007/bridges2007-21.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Greg N. Frederickson: Symmetry and Structure in Twist-Hinged Dissections of Polygonal Rings and Polygonal Anti-Rings. Pages 21–28 http://archive.bridgesmathart.org/2007/bridges2007-21.html http://archive.bridgesmathart.org/2007/bridges2007-21.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l75" >Zeile 75:</td> <td colspan="2" class="diff-lineno">Zeile 75:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Benjamin Storch: Anticlastic Form - Manifesting Fields of Tension. Pages 189–194 http://archive.bridgesmathart.org/2007/bridges2007-189.html http://archive.bridgesmathart.org/2007/bridges2007-189.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Benjamin Storch: Anticlastic Form - Manifesting Fields of Tension. Pages 189–194 http://archive.bridgesmathart.org/2007/bridges2007-189.html http://archive.bridgesmathart.org/2007/bridges2007-189.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* B.G. Thomas and M.A. Hann: Patterned Polyhedra: Tiling the Platonic Solids. Pages 195–202 http://archive.bridgesmathart.org/2007/bridges2007-195.html http://archive.bridgesmathart.org/2007/bridges2007-195.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* B.G. Thomas and M.A. Hann: <ins class="diffchange diffchange-inline">[[</ins>Patterned Polyhedra: Tiling the Platonic Solids<ins class="diffchange diffchange-inline">]]</ins>. Pages 195–202 http://archive.bridgesmathart.org/2007/bridges2007-195.html http://archive.bridgesmathart.org/2007/bridges2007-195.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* B. Lynn Bodner: Frieze Patterns of the Alhambra. Pages 203–208 http://archive.bridgesmathart.org/2007/bridges2007-203.html http://archive.bridgesmathart.org/2007/bridges2007-203.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* B. Lynn Bodner: Frieze Patterns of the Alhambra. Pages 203–208 http://archive.bridgesmathart.org/2007/bridges2007-203.html http://archive.bridgesmathart.org/2007/bridges2007-203.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l83" >Zeile 83:</td> <td colspan="2" class="diff-lineno">Zeile 83:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Alan Sutcliffe: A Simple Procedure to Generate Curves and Surfaces. Pages 217–224 http://archive.bridgesmathart.org/2007/bridges2007-217.html http://archive.bridgesmathart.org/2007/bridges2007-217.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Alan Sutcliffe: A Simple Procedure to Generate Curves and Surfaces. Pages 217–224 http://archive.bridgesmathart.org/2007/bridges2007-217.html http://archive.bridgesmathart.org/2007/bridges2007-217.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Douglas McKenna: The 7 Curve, Carpets, Quilts, and Other Asymmetric, Square-Filling, Threaded Tile Designs. Pages 225–232 http://archive.bridgesmathart.org/2007/bridges2007-225.html http://archive.bridgesmathart.org/2007/bridges2007-225.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Douglas McKenna: <ins class="diffchange diffchange-inline">[[</ins>The 7 Curve, Carpets, Quilts, and Other Asymmetric, Square-Filling, Threaded Tile Designs<ins class="diffchange diffchange-inline">]]</ins>. Pages 225–232 http://archive.bridgesmathart.org/2007/bridges2007-225.html http://archive.bridgesmathart.org/2007/bridges2007-225.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Reza Sarhangi: Geometric Constructions and their Arts in Historical Perspective. Pages 233–240 http://archive.bridgesmathart.org/2007/bridges2007-233.html http://archive.bridgesmathart.org/2007/bridges2007-233.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Reza Sarhangi: Geometric Constructions and their Arts in Historical Perspective. Pages 233–240 http://archive.bridgesmathart.org/2007/bridges2007-233.html http://archive.bridgesmathart.org/2007/bridges2007-233.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l129" >Zeile 129:</td> <td colspan="2" class="diff-lineno">Zeile 129:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Charalampos Saitis: Fractal Art: Closer to Heaven? Modern Mathematics, the art of Nature, and the nature of Art. Pages 369–376 http://archive.bridgesmathart.org/2007/bridges2007-369.html http://archive.bridgesmathart.org/2007/bridges2007-369.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Charalampos Saitis: Fractal Art: Closer to Heaven? Modern Mathematics, the art of Nature, and the nature of Art. Pages 369–376 http://archive.bridgesmathart.org/2007/bridges2007-369.html http://archive.bridgesmathart.org/2007/bridges2007-369.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Edmund Harriss: Images of the Ammann-Beenker Tiling. Pages 377–378 http://archive.bridgesmathart.org/2007/bridges2007-377.html http://archive.bridgesmathart.org/2007/bridges2007-377.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Edmund Harriss: <ins class="diffchange diffchange-inline">[[</ins>Images of the Ammann-Beenker Tiling<ins class="diffchange diffchange-inline">]]</ins>. Pages 377–378 http://archive.bridgesmathart.org/2007/bridges2007-377.html http://archive.bridgesmathart.org/2007/bridges2007-377.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Carlo H. Séquin: Symmetric Embedding of Locally Regular Hyperbolic Tilings. Pages 379–388 http://archive.bridgesmathart.org/2007/bridges2007-379.html http://archive.bridgesmathart.org/2007/bridges2007-379.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Carlo H. Séquin: Symmetric Embedding of Locally Regular Hyperbolic Tilings. Pages 379–388 http://archive.bridgesmathart.org/2007/bridges2007-379.html http://archive.bridgesmathart.org/2007/bridges2007-379.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l159" >Zeile 159:</td> <td colspan="2" class="diff-lineno">Zeile 159:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Julie Dobson and Jenny Gage: Using Art to Teach Maths, Using Maths to Create Art. Pages 445–452 http://archive.bridgesmathart.org/2007/bridges2007-445.html http://archive.bridgesmathart.org/2007/bridges2007-445.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Julie Dobson and Jenny Gage: Using Art to Teach Maths, Using Maths to Create Art. Pages 445–452 http://archive.bridgesmathart.org/2007/bridges2007-445.html http://archive.bridgesmathart.org/2007/bridges2007-445.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Carol Bier: From Folding and Cutting to Geometry and Algorithms: Integrating Islamic Art into the Mathematics Curriculum. Pages 453–458 http://archive.bridgesmathart.org/2007/bridges2007-453.html http://archive.bridgesmathart.org/2007/bridges2007-453.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Carol Bier: <ins class="diffchange diffchange-inline">[[</ins>From Folding and Cutting to Geometry and Algorithms: Integrating Islamic Art into the Mathematics Curriculum<ins class="diffchange diffchange-inline">]]</ins>. Pages 453–458 http://archive.bridgesmathart.org/2007/bridges2007-453.html http://archive.bridgesmathart.org/2007/bridges2007-453.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Paul Hildebrandt: Zome Workshop. Pages 459–464 http://archive.bridgesmathart.org/2007/bridges2007-459.html http://archive.bridgesmathart.org/2007/bridges2007-459.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Paul Hildebrandt: Zome Workshop. Pages 459–464 http://archive.bridgesmathart.org/2007/bridges2007-459.html http://archive.bridgesmathart.org/2007/bridges2007-459.pdf</div></td></tr> </table> Gbachelier http://de.evo-art.org/index.php?title=Bridges_2007&diff=2187&oldid=prev Gbachelier: Die Seite wurde neu angelegt: „ == Reference == Reza Sarhangi and Javier Barrallo: Bridges 2007, Mathematics, Music, Art, Architecture, Culture. 10th Annual Bridges Conference, School of Ar…“ 2014-12-11T11:47:32Z <p>Die Seite wurde neu angelegt: „ == Reference == Reza Sarhangi and Javier Barrallo: Bridges 2007, Mathematics, Music, Art, Architecture, Culture. 10th Annual Bridges Conference, School of Ar…“</p> <p><b>Neue Seite</b></p><div><br /> <br /> == Reference ==<br /> Reza Sarhangi and Javier Barrallo: Bridges 2007, Mathematics, Music, Art, Architecture, Culture. 10th Annual Bridges Conference, School of Architecture, University of the Basque Country San Sebastian (Donostia), Spain, 2007. ISBN: 0-9665201-8-1 <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> <br /> == Extended Abstract ==<br /> <br /> == Reviews==<br /> <br /> == Bibtex == <br /> <br /> == Table of contents==<br /> * The Editors: Front Matter http://archive.bridgesmathart.org/2007/frontmatter.pdf<br /> <br /> * George W. Hart: Modular Kirigami. Pages 1–8 http://archive.bridgesmathart.org/2007/bridges2007-1.html http://archive.bridgesmathart.org/2007/bridges2007-1.pdf<br /> <br /> * Paul Gailiunas: Some Monohedral Tilings Derived From Regular Polygons. Pages 9–14 http://archive.bridgesmathart.org/2007/bridges2007-9.html http://archive.bridgesmathart.org/2007/bridges2007-9.pdf<br /> <br /> * Gary R. Greenfield: Composite Diffusion Limited Aggregation Paintings. Pages 15–20 http://archive.bridgesmathart.org/2007/bridges2007-15.html http://archive.bridgesmathart.org/2007/bridges2007-15.pdf<br /> <br /> * Greg N. Frederickson: Symmetry and Structure in Twist-Hinged Dissections of Polygonal Rings and Polygonal Anti-Rings. Pages 21–28 http://archive.bridgesmathart.org/2007/bridges2007-21.html http://archive.bridgesmathart.org/2007/bridges2007-21.pdf<br /> <br /> * Anne M. Burns: Imaginary Gardens - A Model for Imitating Plant Growth. Pages 29–36 http://archive.bridgesmathart.org/2007/bridges2007-29.html http://archive.bridgesmathart.org/2007/bridges2007-29.pdf<br /> <br /> * Hourieh Mashayekh and Hayedeh Mashayekh: Allahverdi Khan Bridge (Si-O-Seh Pol) of Esfahan, An Example of Art and Mathematics. Pages 37–38 http://archive.bridgesmathart.org/2007/bridges2007-37.html http://archive.bridgesmathart.org/2007/bridges2007-37.pdf<br /> <br /> * Jack Tait: Light, Movement and 3D - Light images Viewed as Photographs. Pages 39–46 http://archive.bridgesmathart.org/2007/bridges2007-39.html http://archive.bridgesmathart.org/2007/bridges2007-39.pdf<br /> <br /> * Tevfik Akgün, Irfan Kaya, Ahmet Koman and Ergun Akleman: Spiral Developable Sculptures of Ilhan Koman. Pages 47–52 http://archive.bridgesmathart.org/2007/bridges2007-47.html http://archive.bridgesmathart.org/2007/bridges2007-47.pdf<br /> <br /> * Dirk Huylebrouck: &quot;Gödel, Escher, Bach&quot;, in other Eras. Pages 53–58 http://archive.bridgesmathart.org/2007/bridges2007-53.html http://archive.bridgesmathart.org/2007/bridges2007-53.pdf<br /> <br /> * Gail Kaplan: Mathematics and Symmetry: A Bridge to Understanding. Pages 59–66 http://archive.bridgesmathart.org/2007/bridges2007-59.html http://archive.bridgesmathart.org/2007/bridges2007-59.pdf<br /> <br /> * Ricardo Zalaya Báez: A Proposal for the Classification of Mathematical Sculpture. Pages 67–74 http://archive.bridgesmathart.org/2007/bridges2007-67.html http://archive.bridgesmathart.org/2007/bridges2007-67.pdf<br /> <br /> * Susan McBurney: The Spirograph and Beyond. Pages 75–80 http://archive.bridgesmathart.org/2007/bridges2007-75.html http://archive.bridgesmathart.org/2007/bridges2007-75.pdf<br /> <br /> * Rinus Roelofs: Entwined Circular Rings. Pages 81–90 http://archive.bridgesmathart.org/2007/bridges2007-81.html http://archive.bridgesmathart.org/2007/bridges2007-81.pdf<br /> <br /> * Peter Hamburger, Edit Hepp and Richard Wartell: 2D and 3D Animation Using Rotations of a Jordan Curve. Pages 91–98 http://archive.bridgesmathart.org/2007/bridges2007-91.html http://archive.bridgesmathart.org/2007/bridges2007-91.pdf<br /> <br /> * Francisco Gómez, Imad Khoury, Jörg Kienzle, Erin McLeish, Andrew Melvin, Rolando Pérez-Fernández, David Rappaport and Godfried Toussaint: Mathematical Models for Binarization and Ternarization of Musical Rhythm. Pages 99–108 http://archive.bridgesmathart.org/2007/bridges2007-99.html http://archive.bridgesmathart.org/2007/bridges2007-99.pdf<br /> <br /> * Jay Zimmerman: Portraits of Groups II, Orientation Reversing Actions. Pages 109–114 http://archive.bridgesmathart.org/2007/bridges2007-109.html http://archive.bridgesmathart.org/2007/bridges2007-109.pdf<br /> <br /> * S. Louise Gould: Baskets for the Mathematics Classroom. Pages 115–122 http://archive.bridgesmathart.org/2007/bridges2007-115.html http://archive.bridgesmathart.org/2007/bridges2007-115.pdf<br /> <br /> * Elisa Prato: The Pentagram: From the Goddess to Symplectic Geometry. Pages 123–126 http://archive.bridgesmathart.org/2007/bridges2007-123.html http://archive.bridgesmathart.org/2007/bridges2007-123.pdf<br /> <br /> * James L. Mai: The Modular Color Palette: Systems of Color Selection in the Paintings of James Mai. Pages 127–134 http://archive.bridgesmathart.org/2007/bridges2007-127.html http://archive.bridgesmathart.org/2007/bridges2007-127.pdf<br /> <br /> * Bruce Kessler: A &quot;Sound&quot; Approach to Fourier Transforms: Using Music to Teach Trigonometry. Pages 135–142 http://archive.bridgesmathart.org/2007/bridges2007-135.html http://archive.bridgesmathart.org/2007/bridges2007-135.pdf<br /> <br /> * Rozhkovskaya Natasha: Magritte: Analogies in Mathematical Reasoning. Pages 143–146 http://archive.bridgesmathart.org/2007/bridges2007-143.html http://archive.bridgesmathart.org/2007/bridges2007-143.pdf<br /> <br /> * Rebecca Kessler: Zany Projects - The Art of Mixing Compass with Computer. Pages 147–148 http://archive.bridgesmathart.org/2007/bridges2007-147.html http://archive.bridgesmathart.org/2007/bridges2007-147.pdf<br /> <br /> * Carla Farsi: Breaking Color Symmetry. Pages 149–150 http://archive.bridgesmathart.org/2007/bridges2007-149.html http://archive.bridgesmathart.org/2007/bridges2007-149.pdf<br /> <br /> * Benjamin Wells: Addled Tangles of Sanguine Language - an Eclectic Syncretic Syntactic Taxonomy. Pages 151–160 http://archive.bridgesmathart.org/2007/bridges2007-151.html http://archive.bridgesmathart.org/2007/bridges2007-151.pdf<br /> <br /> * M.A. Hann and B.G. Thomas: Structure and Form in the Design Curriculum. Pages 161–168 http://archive.bridgesmathart.org/2007/bridges2007-161.html http://archive.bridgesmathart.org/2007/bridges2007-161.pdf<br /> <br /> * N.G. Nicolis: Electrostatic Patterns in the Interior of a Circular Region. Pages 169–176 http://archive.bridgesmathart.org/2007/bridges2007-169.html http://archive.bridgesmathart.org/2007/bridges2007-169.pdf<br /> <br /> * I.A. de Kok, T. Lucassen and Zs. Ruttkay: Ricochet Compositions. Pages 177–180 http://archive.bridgesmathart.org/2007/bridges2007-177.html http://archive.bridgesmathart.org/2007/bridges2007-177.pdf<br /> <br /> * T. D. Taylor: Golden Fractal Trees. Pages 181–188 http://archive.bridgesmathart.org/2007/bridges2007-181.html http://archive.bridgesmathart.org/2007/bridges2007-181.pdf<br /> <br /> * Benjamin Storch: Anticlastic Form - Manifesting Fields of Tension. Pages 189–194 http://archive.bridgesmathart.org/2007/bridges2007-189.html http://archive.bridgesmathart.org/2007/bridges2007-189.pdf<br /> <br /> * B.G. Thomas and M.A. Hann: Patterned Polyhedra: Tiling the Platonic Solids. Pages 195–202 http://archive.bridgesmathart.org/2007/bridges2007-195.html http://archive.bridgesmathart.org/2007/bridges2007-195.pdf<br /> <br /> * B. Lynn Bodner: Frieze Patterns of the Alhambra. Pages 203–208 http://archive.bridgesmathart.org/2007/bridges2007-203.html http://archive.bridgesmathart.org/2007/bridges2007-203.pdf<br /> <br /> * Özgür Gönen, Ergun Akleman and Vinod Srinivasan: Modeling D-Forms. Pages 209–216 http://archive.bridgesmathart.org/2007/bridges2007-209.html http://archive.bridgesmathart.org/2007/bridges2007-209.pdf<br /> <br /> * Alan Sutcliffe: A Simple Procedure to Generate Curves and Surfaces. Pages 217–224 http://archive.bridgesmathart.org/2007/bridges2007-217.html http://archive.bridgesmathart.org/2007/bridges2007-217.pdf<br /> <br /> * Douglas McKenna: The 7 Curve, Carpets, Quilts, and Other Asymmetric, Square-Filling, Threaded Tile Designs. Pages 225–232 http://archive.bridgesmathart.org/2007/bridges2007-225.html http://archive.bridgesmathart.org/2007/bridges2007-225.pdf<br /> <br /> * Reza Sarhangi: Geometric Constructions and their Arts in Historical Perspective. Pages 233–240 http://archive.bridgesmathart.org/2007/bridges2007-233.html http://archive.bridgesmathart.org/2007/bridges2007-233.pdf<br /> <br /> * Jessica K. Sklar: The Ideal Vacuum: Visual Metaphors for Algebraic Concepts. Pages 241–246 http://archive.bridgesmathart.org/2007/bridges2007-241.html http://archive.bridgesmathart.org/2007/bridges2007-241.pdf<br /> <br /> * Yutu Liu, Hernan Molina and Ergun Akleman: Inout Sculptures. Pages 247–252 http://archive.bridgesmathart.org/2007/bridges2007-247.html http://archive.bridgesmathart.org/2007/bridges2007-247.pdf<br /> <br /> * Chris Bartlett: Painting by the Numbers: A Porter Postscript. Pages 253–258 http://archive.bridgesmathart.org/2007/bridges2007-253.html http://archive.bridgesmathart.org/2007/bridges2007-253.pdf<br /> <br /> * Rachel W. Hall and Dmitri Tymoczko: Poverty and Polyphony: A Connection between Economics and Music. Pages 259–268 http://archive.bridgesmathart.org/2007/bridges2007-259.html http://archive.bridgesmathart.org/2007/bridges2007-259.pdf<br /> <br /> * Glyn M. Rimmington and Mara Alagic: From Modeling Foliage with L-systems to Digital Art. Pages 269–276 http://archive.bridgesmathart.org/2007/bridges2007-269.html http://archive.bridgesmathart.org/2007/bridges2007-269.pdf<br /> <br /> * Hideki Tsuiki: Does it Look Square? Hexagonal Bipyramids, Triangular Antiprismoids, and their Fractals. Pages 277–286 http://archive.bridgesmathart.org/2007/bridges2007-277.html http://archive.bridgesmathart.org/2007/bridges2007-277.pdf<br /> <br /> * Farzad Mahootian: Shape, Time and Chemistry: Some Platonic Meditations. Pages 287–288 http://archive.bridgesmathart.org/2007/bridges2007-287.html http://archive.bridgesmathart.org/2007/bridges2007-287.pdf<br /> <br /> * James Mai and Daylene Zielinski: Shiva: Two Views of Burnside&#039;s Lemma at Work. Pages 289–296 http://archive.bridgesmathart.org/2007/bridges2007-289.html http://archive.bridgesmathart.org/2007/bridges2007-289.pdf<br /> <br /> * Vinod Srinivasan, Hernan Molina and Ergun Akleman: Modeling High Genus Sculptures Using Multi-Connected Handles and Holes. Pages 297–302 http://archive.bridgesmathart.org/2007/bridges2007-297.html http://archive.bridgesmathart.org/2007/bridges2007-297.pdf<br /> <br /> * Ann Robertson: Revisiting the Geometry of the Sala de Dos Hermanas. Pages 303–310 http://archive.bridgesmathart.org/2007/bridges2007-303.html http://archive.bridgesmathart.org/2007/bridges2007-303.pdf<br /> <br /> * Jay Kappraff: Ancient Harmonic Law. Pages 311–312 http://archive.bridgesmathart.org/2007/bridges2007-311.html http://archive.bridgesmathart.org/2007/bridges2007-311.pdf<br /> <br /> * Russell Jay Hendel: The Effect of Human Experience on Formal Word Meaning. Pages 313–314 http://archive.bridgesmathart.org/2007/bridges2007-313.html http://archive.bridgesmathart.org/2007/bridges2007-313.pdf<br /> <br /> * Artemis Moroni, Rafael Bocaletto Maiolla and Jônatas Manzolli: Transgenic Visual-and-Sound Compositions. Pages 315–322 http://archive.bridgesmathart.org/2007/bridges2007-315.html http://archive.bridgesmathart.org/2007/bridges2007-315.pdf<br /> <br /> * Cristina Argumedo, Mª Francisca Blanco, Dora Giordano and Miriam Pisonero: Geometry and New Urban Order. Pages 323–330 http://archive.bridgesmathart.org/2007/bridges2007-323.html http://archive.bridgesmathart.org/2007/bridges2007-323.pdf<br /> <br /> * William P. Bintz and Sara Delano Moore: The Power and Potential of Art in Literature to Teach Mathematics. Pages 331–332 http://archive.bridgesmathart.org/2007/bridges2007-331.html http://archive.bridgesmathart.org/2007/bridges2007-331.pdf<br /> <br /> * James Dean Palmer: Planar Symmetry with Turtles. Pages 333–334 http://archive.bridgesmathart.org/2007/bridges2007-333.html http://archive.bridgesmathart.org/2007/bridges2007-333.pdf<br /> <br /> * Robert W. Fathauer: Fractal Knots Created by Iterative Substitution. Pages 335–342 http://archive.bridgesmathart.org/2007/bridges2007-335.html http://archive.bridgesmathart.org/2007/bridges2007-335.pdf<br /> <br /> * Douglas G. Burkholder: Sculptures which Stellarize Non-Planar Hexagons. Pages 343–350 http://archive.bridgesmathart.org/2007/bridges2007-343.html http://archive.bridgesmathart.org/2007/bridges2007-343.pdf<br /> <br /> * Robert Bosch: Edge-Constrained Tile Mosaics. Pages 351–360 http://archive.bridgesmathart.org/2007/bridges2007-351.html http://archive.bridgesmathart.org/2007/bridges2007-351.pdf<br /> <br /> * Ma. Louise Antonette N. De Las Peñas, Glenn R. Laigo and Eden Delight B. Provido: Hyperbolic Semi-Regular Tilings and their Symmetry Properties. Pages 361–368 http://archive.bridgesmathart.org/2007/bridges2007-361.html http://archive.bridgesmathart.org/2007/bridges2007-361.pdf<br /> <br /> * Charalampos Saitis: Fractal Art: Closer to Heaven? Modern Mathematics, the art of Nature, and the nature of Art. Pages 369–376 http://archive.bridgesmathart.org/2007/bridges2007-369.html http://archive.bridgesmathart.org/2007/bridges2007-369.pdf<br /> <br /> * Edmund Harriss: Images of the Ammann-Beenker Tiling. Pages 377–378 http://archive.bridgesmathart.org/2007/bridges2007-377.html http://archive.bridgesmathart.org/2007/bridges2007-377.pdf<br /> <br /> * Carlo H. Séquin: Symmetric Embedding of Locally Regular Hyperbolic Tilings. Pages 379–388 http://archive.bridgesmathart.org/2007/bridges2007-379.html http://archive.bridgesmathart.org/2007/bridges2007-379.pdf<br /> <br /> * Simon Bexfield: When is a picture not a picture? What is really in a Random Tandem? Pages 389–394 http://archive.bridgesmathart.org/2007/bridges2007-389.html http://archive.bridgesmathart.org/2007/bridges2007-389.pdf<br /> <br /> * Douglas Dunham: A &quot;Circle Limit III&quot; Calculation. Pages 395–402 http://archive.bridgesmathart.org/2007/bridges2007-395.html http://archive.bridgesmathart.org/2007/bridges2007-395.pdf<br /> <br /> * Zafer Sagdic and Barbaros Sagdic: Designing a Modern Tower in a Mathematically-Based World. Pages 403–404 http://archive.bridgesmathart.org/2007/bridges2007-403.html http://archive.bridgesmathart.org/2007/bridges2007-403.pdf<br /> <br /> * Samuel Verbiese: Amazing Labyrinths. Pages 405–412 http://archive.bridgesmathart.org/2007/bridges2007-405.html http://archive.bridgesmathart.org/2007/bridges2007-405.pdf<br /> <br /> * Lin Hsin Hsin: The Automorphism of Amalgamation Polytopes and Tessellation. Pages 413–414 http://archive.bridgesmathart.org/2007/bridges2007-413.html http://archive.bridgesmathart.org/2007/bridges2007-413.pdf<br /> <br /> * Ülkü İnceköse: Geometrical Transformation: A Method for the Creation of Form in Contemporary Architecture. Pages 415–422 http://archive.bridgesmathart.org/2007/bridges2007-415.html http://archive.bridgesmathart.org/2007/bridges2007-415.pdf<br /> <br /> * Mara Alagic and Paul Gailiunas: Understanding Math via Arts, Creating Arts via Math. Pages 423–424 http://archive.bridgesmathart.org/2007/bridges2007-423.html http://archive.bridgesmathart.org/2007/bridges2007-423.pdf<br /> <br /> * Elaine Krajenke Ellison: Imaginative Quilted Geometric Assemblages. Pages 425–426 http://archive.bridgesmathart.org/2007/bridges2007-425.html http://archive.bridgesmathart.org/2007/bridges2007-425.pdf<br /> <br /> * Penelope Woolfitt: The Geometry of Asian Trousers. Pages 427–430 http://archive.bridgesmathart.org/2007/bridges2007-427.html http://archive.bridgesmathart.org/2007/bridges2007-427.pdf<br /> <br /> * Ann Hanson: Math/Art Projects. Pages 431–432 http://archive.bridgesmathart.org/2007/bridges2007-431.html http://archive.bridgesmathart.org/2007/bridges2007-431.pdf<br /> <br /> * Robert McDermott: Building Models to Transition from Dimension to Dimension. Pages 433–440 http://archive.bridgesmathart.org/2007/bridges2007-433.html http://archive.bridgesmathart.org/2007/bridges2007-433.pdf<br /> <br /> * Felicity Wood: Exploring Cubes Woven on the Skew. Pages 441–444 http://archive.bridgesmathart.org/2007/bridges2007-441.html http://archive.bridgesmathart.org/2007/bridges2007-441.pdf<br /> <br /> * Julie Dobson and Jenny Gage: Using Art to Teach Maths, Using Maths to Create Art. Pages 445–452 http://archive.bridgesmathart.org/2007/bridges2007-445.html http://archive.bridgesmathart.org/2007/bridges2007-445.pdf<br /> <br /> * Carol Bier: From Folding and Cutting to Geometry and Algorithms: Integrating Islamic Art into the Mathematics Curriculum. Pages 453–458 http://archive.bridgesmathart.org/2007/bridges2007-453.html http://archive.bridgesmathart.org/2007/bridges2007-453.pdf<br /> <br /> * Paul Hildebrandt: Zome Workshop. Pages 459–464 http://archive.bridgesmathart.org/2007/bridges2007-459.html http://archive.bridgesmathart.org/2007/bridges2007-459.pdf<br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> http://archive.bridgesmathart.org/2007/index.html<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> http://www.bridgesmathart.org/2007/2007.html</div> Gbachelier