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		<id>http://de.evo-art.org/index.php?action=history&amp;feed=atom&amp;title=Bridges_2008</id>
		<title>Bridges 2008 - Versionsgeschichte</title>
		<link rel="self" type="application/atom+xml" href="http://de.evo-art.org/index.php?action=history&amp;feed=atom&amp;title=Bridges_2008"/>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Bridges_2008&amp;action=history"/>
		<updated>2026-04-18T12:30:11Z</updated>
		<subtitle>Versionsgeschichte dieser Seite in de_evolutionary_art_org</subtitle>
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	<entry>
		<id>http://de.evo-art.org/index.php?title=Bridges_2008&amp;diff=4411&amp;oldid=prev</id>
		<title>Gbachelier am 3. Februar 2015 um 10:18 Uhr</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Bridges_2008&amp;diff=4411&amp;oldid=prev"/>
				<updated>2015-02-03T10:18:43Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&#039;diff-marker&#039; /&gt;
				&lt;col class=&#039;diff-content&#039; /&gt;
				&lt;col class=&#039;diff-marker&#039; /&gt;
				&lt;col class=&#039;diff-content&#039; /&gt;
				&lt;tr style=&#039;vertical-align: top;&#039; lang=&#039;de&#039;&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Nächstältere Version&lt;/td&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Version vom 3. Februar 2015, 10:18 Uhr&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Zeile 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#The_Bridge_Conferences:_art_and_mathematics | zurück zu The Bridge Conferences: art and mathematics]] &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Reference ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Reference ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Reza Sarhangi and Carlo Séquin: Bridges 2008, Mathematics, Music, Art, Architecture, Culture. 11th Annual Bridges Conference, Leeuwarden, The Netherlands, 2008. ISBN: 9780966520194&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Reza Sarhangi and Carlo Séquin: Bridges 2008, Mathematics, Music, Art, Architecture, Culture. 11th Annual Bridges Conference, Leeuwarden, The Netherlands, 2008. ISBN: 9780966520194&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l195&quot; &gt;Zeile 195:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 198:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Sonstige Links ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Sonstige Links ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;http://www.bridgesmathart.org/2008/2008.html&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;http://www.bridgesmathart.org/2008/2008.html&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#The_Bridge_Conferences:_art_and_mathematics | zurück zu The Bridge Conferences: art and mathematics]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Bridges_2008&amp;diff=4101&amp;oldid=prev</id>
		<title>Gbachelier: /* Table of contents */</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Bridges_2008&amp;diff=4101&amp;oldid=prev"/>
				<updated>2015-01-30T10:50:10Z</updated>
		
		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Table of contents&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&#039;diff-marker&#039; /&gt;
				&lt;col class=&#039;diff-content&#039; /&gt;
				&lt;col class=&#039;diff-marker&#039; /&gt;
				&lt;col class=&#039;diff-content&#039; /&gt;
				&lt;tr style=&#039;vertical-align: top;&#039; lang=&#039;de&#039;&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Nächstältere Version&lt;/td&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Version vom 30. Januar 2015, 10:50 Uhr&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l25&quot; &gt;Zeile 25:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 25:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Rinus Roelofs: [[Connected Holes]]. In: [[Bridges 2008]]. Pages 29–38 http://archive.bridgesmathart.org/2008/bridges2008-29.html http://archive.bridgesmathart.org/2008/bridges2008-29.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Rinus Roelofs: [[Connected Holes]]. In: [[Bridges 2008]]. Pages 29–38 http://archive.bridgesmathart.org/2008/bridges2008-29.html http://archive.bridgesmathart.org/2008/bridges2008-29.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Craig S. Kaplan: [[Metamorphosis in Escher’s Art]]. In: [[Bridges 2008]]. Pages 39–46 http://archive.bridgesmathart.org/2008/bridges2008-39.html http://archive.bridgesmathart.org/2008/bridges2008-39.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Craig S. Kaplan&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;: [[Metamorphosis in Escher’s Art]]. In: [[Bridges 2008]]. Pages 39–46 http://archive.bridgesmathart.org/2008/bridges2008-39.html http://archive.bridgesmathart.org/2008/bridges2008-39.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Gail Kaplan: The Catenary: Art, Architecture, History, and Mathematics. In: [[Bridges 2008]]. Pages 47–54 http://archive.bridgesmathart.org/2008/bridges2008-47.html http://archive.bridgesmathart.org/2008/bridges2008-47.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Gail Kaplan: The Catenary: Art, Architecture, History, and Mathematics. In: [[Bridges 2008]]. Pages 47–54 http://archive.bridgesmathart.org/2008/bridges2008-47.html http://archive.bridgesmathart.org/2008/bridges2008-47.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l186&quot; &gt;Zeile 186:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 186:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Toshihiro Bando: Spatial Anisotropy in Aesthetic Impression of Simple Color Arrangement Patterns. In: [[Bridges 2008]]. Pages 489–490 http://archive.bridgesmathart.org/2008/bridges2008-489.html http://archive.bridgesmathart.org/2008/bridges2008-489.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Toshihiro Bando: Spatial Anisotropy in Aesthetic Impression of Simple Color Arrangement Patterns. In: [[Bridges 2008]]. Pages 489–490 http://archive.bridgesmathart.org/2008/bridges2008-489.html http://archive.bridgesmathart.org/2008/bridges2008-489.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Links ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Links ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Bridges_2008&amp;diff=2802&amp;oldid=prev</id>
		<title>Gbachelier am 2. Januar 2015 um 13:24 Uhr</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Bridges_2008&amp;diff=2802&amp;oldid=prev"/>
				<updated>2015-01-02T13:24:26Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&#039;diff-marker&#039; /&gt;
				&lt;col class=&#039;diff-content&#039; /&gt;
				&lt;col class=&#039;diff-marker&#039; /&gt;
				&lt;col class=&#039;diff-content&#039; /&gt;
				&lt;tr style=&#039;vertical-align: top;&#039; lang=&#039;de&#039;&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Nächstältere Version&lt;/td&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Version vom 2. Januar 2015, 13:24 Uhr&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l19&quot; &gt;Zeile 19:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 19:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Bernd Krauskopf, Hinke M. Osinga and and Benjamin Storch: [[The Sculpture Manifold: A Band from a Surface, a Surface from a Band]]. In: [[Bridges 2008]]. Pages 9–14 http://archive.bridgesmathart.org/2008/bridges2008-9.html http://archive.bridgesmathart.org/2008/bridges2008-9.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Bernd Krauskopf, Hinke M. Osinga and and Benjamin Storch: [[The Sculpture Manifold: A Band from a Surface, a Surface from a Band]]. In: [[Bridges 2008]]. Pages 9–14 http://archive.bridgesmathart.org/2008/bridges2008-9.html http://archive.bridgesmathart.org/2008/bridges2008-9.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Gary &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;R. &lt;/del&gt;Greenfield: Color Mixing using Colliding Particles. In: [[Bridges 2008]]. Pages 15–20 http://archive.bridgesmathart.org/2008/bridges2008-15.html http://archive.bridgesmathart.org/2008/bridges2008-15.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Gary Greenfield&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Color Mixing using Colliding Particles&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. In: [[Bridges 2008]]. Pages 15–20 http://archive.bridgesmathart.org/2008/bridges2008-15.html http://archive.bridgesmathart.org/2008/bridges2008-15.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* B. Lynn Bodner: [[Hankin’s ‘Polygons in Contact’ Grid Method for Recreating a Decagonal Star Polygon Design]]. In: [[Bridges 2008]]. Pages 21–28 http://archive.bridgesmathart.org/2008/bridges2008-21.html http://archive.bridgesmathart.org/2008/bridges2008-21.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* B. Lynn Bodner: [[Hankin’s ‘Polygons in Contact’ Grid Method for Recreating a Decagonal Star Polygon Design]]. In: [[Bridges 2008]]. Pages 21–28 http://archive.bridgesmathart.org/2008/bridges2008-21.html http://archive.bridgesmathart.org/2008/bridges2008-21.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Bridges_2008&amp;diff=2737&amp;oldid=prev</id>
		<title>Gbachelier am 31. Dezember 2014 um 19:44 Uhr</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Bridges_2008&amp;diff=2737&amp;oldid=prev"/>
				<updated>2014-12-31T19:44:47Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;a href=&quot;http://de.evo-art.org/index.php?title=Bridges_2008&amp;amp;diff=2737&amp;amp;oldid=2726&quot;&gt;Änderungen zeigen&lt;/a&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Bridges_2008&amp;diff=2726&amp;oldid=prev</id>
		<title>Gbachelier am 31. Dezember 2014 um 19:35 Uhr</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Bridges_2008&amp;diff=2726&amp;oldid=prev"/>
				<updated>2014-12-31T19:35:15Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;a href=&quot;http://de.evo-art.org/index.php?title=Bridges_2008&amp;amp;diff=2726&amp;amp;oldid=2710&quot;&gt;Änderungen zeigen&lt;/a&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Bridges_2008&amp;diff=2710&amp;oldid=prev</id>
		<title>Gbachelier am 31. Dezember 2014 um 13:20 Uhr</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Bridges_2008&amp;diff=2710&amp;oldid=prev"/>
				<updated>2014-12-31T13:20:24Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&#039;diff-marker&#039; /&gt;
				&lt;col class=&#039;diff-content&#039; /&gt;
				&lt;col class=&#039;diff-marker&#039; /&gt;
				&lt;col class=&#039;diff-content&#039; /&gt;
				&lt;tr style=&#039;vertical-align: top;&#039; lang=&#039;de&#039;&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Nächstältere Version&lt;/td&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Version vom 31. Dezember 2014, 13:20 Uhr&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l15&quot; &gt;Zeile 15:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 15:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* The Editors: Front Matter http://archive.bridgesmathart.org/2008/frontmatter.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* The Editors: Front Matter http://archive.bridgesmathart.org/2008/frontmatter.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Doris Schattschneider: Lessons in Duality and Symmetry from M.C. Escher. Pages 1–8 http://archive.bridgesmathart.org/2008/bridges2008-1.html http://archive.bridgesmathart.org/2008/bridges2008-1.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Doris Schattschneider: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Lessons in Duality and Symmetry from M.C. Escher&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. Pages 1–8 http://archive.bridgesmathart.org/2008/bridges2008-1.html http://archive.bridgesmathart.org/2008/bridges2008-1.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Bernd Krauskopf, Hinke M. Osinga and and Benjamin Storch: The Sculpture Manifold: A Band from a Surface, a Surface from a Band. Pages 9–14 http://archive.bridgesmathart.org/2008/bridges2008-9.html http://archive.bridgesmathart.org/2008/bridges2008-9.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Bernd Krauskopf, Hinke M. Osinga and and Benjamin Storch: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;The Sculpture Manifold: A Band from a Surface, a Surface from a Band&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. Pages 9–14 http://archive.bridgesmathart.org/2008/bridges2008-9.html http://archive.bridgesmathart.org/2008/bridges2008-9.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Gary R. Greenfield: Color Mixing using Colliding Particles. Pages 15–20 http://archive.bridgesmathart.org/2008/bridges2008-15.html http://archive.bridgesmathart.org/2008/bridges2008-15.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Gary R. Greenfield: Color Mixing using Colliding Particles. Pages 15–20 http://archive.bridgesmathart.org/2008/bridges2008-15.html http://archive.bridgesmathart.org/2008/bridges2008-15.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* B. Lynn Bodner: Hankin’s ‘Polygons in Contact’ Grid Method for Recreating a Decagonal Star Polygon Design. Pages 21–28 http://archive.bridgesmathart.org/2008/bridges2008-21.html http://archive.bridgesmathart.org/2008/bridges2008-21.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* B. Lynn Bodner: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Hankin’s ‘Polygons in Contact’ Grid Method for Recreating a Decagonal Star Polygon Design&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. Pages 21–28 http://archive.bridgesmathart.org/2008/bridges2008-21.html http://archive.bridgesmathart.org/2008/bridges2008-21.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Rinus Roelofs: Connected Holes. Pages 29–38 http://archive.bridgesmathart.org/2008/bridges2008-29.html http://archive.bridgesmathart.org/2008/bridges2008-29.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Rinus Roelofs: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Connected Holes&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. Pages 29–38 http://archive.bridgesmathart.org/2008/bridges2008-29.html http://archive.bridgesmathart.org/2008/bridges2008-29.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Craig S. Kaplan: Metamorphosis in Escher’s Art. Pages 39–46 http://archive.bridgesmathart.org/2008/bridges2008-39.html http://archive.bridgesmathart.org/2008/bridges2008-39.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Craig S. Kaplan: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Metamorphosis in Escher’s Art&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. Pages 39–46 http://archive.bridgesmathart.org/2008/bridges2008-39.html http://archive.bridgesmathart.org/2008/bridges2008-39.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Gail Kaplan: The Catenary: Art, Architecture, History, and Mathematics. Pages 47–54 http://archive.bridgesmathart.org/2008/bridges2008-47.html http://archive.bridgesmathart.org/2008/bridges2008-47.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Gail Kaplan: The Catenary: Art, Architecture, History, and Mathematics. Pages 47–54 http://archive.bridgesmathart.org/2008/bridges2008-47.html http://archive.bridgesmathart.org/2008/bridges2008-47.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l37&quot; &gt;Zeile 37:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 37:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Eva Knoll: Building a Möbius Bracelet Using Safety Pins: A Problem of Modular Arithmetic and Staggered Positions. Pages 79–86 http://archive.bridgesmathart.org/2008/bridges2008-79.html http://archive.bridgesmathart.org/2008/bridges2008-79.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Eva Knoll: Building a Möbius Bracelet Using Safety Pins: A Problem of Modular Arithmetic and Staggered Positions. Pages 79–86 http://archive.bridgesmathart.org/2008/bridges2008-79.html http://archive.bridgesmathart.org/2008/bridges2008-79.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Robert Smits: The Brachistochrone Problem between Euclidean and Hyperbolic. Pages 87–92 http://archive.bridgesmathart.org/2008/bridges2008-87.html http://archive.bridgesmathart.org/2008/bridges2008-87.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Robert Smits: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;The Brachistochrone Problem between Euclidean and Hyperbolic&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. Pages 87–92 http://archive.bridgesmathart.org/2008/bridges2008-87.html http://archive.bridgesmathart.org/2008/bridges2008-87.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Karel Vreeburg: Sculpting from the Inside Out “540 Hidden Split Torus”. Pages 93–100 http://archive.bridgesmathart.org/2008/bridges2008-93.html http://archive.bridgesmathart.org/2008/bridges2008-93.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Karel Vreeburg: Sculpting from the Inside Out “540 Hidden Split Torus”. Pages 93–100 http://archive.bridgesmathart.org/2008/bridges2008-93.html http://archive.bridgesmathart.org/2008/bridges2008-93.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* B.G. Thomas and M.A. Hann: Patterning by Projection:Tiling the Dodecahedron and other Solids. Pages 101–108 http://archive.bridgesmathart.org/2008/bridges2008-101.html http://archive.bridgesmathart.org/2008/bridges2008-101.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* B.G. Thomas and M.A. Hann: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Patterning by Projection:Tiling the Dodecahedron and other Solids&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. Pages 101–108 http://archive.bridgesmathart.org/2008/bridges2008-101.html http://archive.bridgesmathart.org/2008/bridges2008-101.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* E.B. Meenan and B.G. Thomas: Pull-up Patterned Polyhedra: Platonic Solids for the Classroom. Pages 109–116 http://archive.bridgesmathart.org/2008/bridges2008-109.html http://archive.bridgesmathart.org/2008/bridges2008-109.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* E.B. Meenan and B.G. Thomas: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Pull-up Patterned Polyhedra: Platonic Solids for the Classroom&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. Pages 109–116 http://archive.bridgesmathart.org/2008/bridges2008-109.html http://archive.bridgesmathart.org/2008/bridges2008-109.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Anne M. Burns: From Sierpinski Triangle to Fractal Flowers. Pages 117–122 http://archive.bridgesmathart.org/2008/bridges2008-117.html http://archive.bridgesmathart.org/2008/bridges2008-117.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Anne M. Burns: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;From Sierpinski Triangle to Fractal Flowers&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. Pages 117–122 http://archive.bridgesmathart.org/2008/bridges2008-117.html http://archive.bridgesmathart.org/2008/bridges2008-117.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Douglas McKenna: Designing Symmetric Peano Curve Tiling Patterns with Escher-esque Foreground/Background Ambiguity. Pages 123–130 http://archive.bridgesmathart.org/2008/bridges2008-123.html http://archive.bridgesmathart.org/2008/bridges2008-123.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Douglas McKenna: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Designing Symmetric Peano Curve Tiling Patterns with Escher-esque Foreground/Background Ambiguity&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. Pages 123–130 http://archive.bridgesmathart.org/2008/bridges2008-123.html http://archive.bridgesmathart.org/2008/bridges2008-123.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Alan Sutcliffe: Doyle Spiral Circle Packings Animated. Pages 131–138 http://archive.bridgesmathart.org/2008/bridges2008-131.html http://archive.bridgesmathart.org/2008/bridges2008-131.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Alan Sutcliffe: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Doyle Spiral Circle Packings Animated&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. Pages 131–138 http://archive.bridgesmathart.org/2008/bridges2008-131.html http://archive.bridgesmathart.org/2008/bridges2008-131.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Carlo H. Séquin: Intricate Isohedral Tilings of 3D Euclidean Space. Pages 139–148 http://archive.bridgesmathart.org/2008/bridges2008-139.html http://archive.bridgesmathart.org/2008/bridges2008-139.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Carlo H. Séquin: Intricate Isohedral Tilings of 3D Euclidean Space. Pages 139–148 http://archive.bridgesmathart.org/2008/bridges2008-139.html http://archive.bridgesmathart.org/2008/bridges2008-139.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l55&quot; &gt;Zeile 55:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 55:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* James L. Hunt and John Sharp: The Mathematics of the Channel Anamorphosis. Pages 149–154 http://archive.bridgesmathart.org/2008/bridges2008-149.html http://archive.bridgesmathart.org/2008/bridges2008-149.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* James L. Hunt and John Sharp: The Mathematics of the Channel Anamorphosis. Pages 149–154 http://archive.bridgesmathart.org/2008/bridges2008-149.html http://archive.bridgesmathart.org/2008/bridges2008-149.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Zsófia Ruttkay: A Sangaku Revived. Pages 155–162 http://archive.bridgesmathart.org/2008/bridges2008-155.html http://archive.bridgesmathart.org/2008/bridges2008-155.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Zsófia Ruttkay: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;A Sangaku Revived&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. Pages 155–162 http://archive.bridgesmathart.org/2008/bridges2008-155.html http://archive.bridgesmathart.org/2008/bridges2008-155.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Wolfgang Baatz, Massimo Fornasier, Peter A. Markowich and and Carola-Bibiane Schönlieb: Inpainting of Ancient Austrian Frescoes. Pages 163–170 http://archive.bridgesmathart.org/2008/bridges2008-163.html http://archive.bridgesmathart.org/2008/bridges2008-163.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Wolfgang Baatz, Massimo Fornasier, Peter A. Markowich and and Carola-Bibiane Schönlieb: Inpainting of Ancient Austrian Frescoes. Pages 163–170 http://archive.bridgesmathart.org/2008/bridges2008-163.html http://archive.bridgesmathart.org/2008/bridges2008-163.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l77&quot; &gt;Zeile 77:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 77:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Robert Bosch: Connecting the Dots: The Ins and Outs of TSP Art. Pages 235–242 http://archive.bridgesmathart.org/2008/bridges2008-235.html http://archive.bridgesmathart.org/2008/bridges2008-235.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Robert Bosch: Connecting the Dots: The Ins and Outs of TSP Art. Pages 235–242 http://archive.bridgesmathart.org/2008/bridges2008-235.html http://archive.bridgesmathart.org/2008/bridges2008-235.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Stanley Spencer: Manipulating Images with Fractal Julia Sets. Pages 243–250 http://archive.bridgesmathart.org/2008/bridges2008-243.html http://archive.bridgesmathart.org/2008/bridges2008-243.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Stanley Spencer: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Manipulating Images with Fractal Julia Sets&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. Pages 243–250 http://archive.bridgesmathart.org/2008/bridges2008-243.html http://archive.bridgesmathart.org/2008/bridges2008-243.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Reza Sarhangi: Making Patterns on the Surfaces of Swing-Hinged Dissections. Pages 251–258 http://archive.bridgesmathart.org/2008/bridges2008-251.html http://archive.bridgesmathart.org/2008/bridges2008-251.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Reza Sarhangi: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Making Patterns on the Surfaces of Swing-Hinged Dissections&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. Pages 251–258 http://archive.bridgesmathart.org/2008/bridges2008-251.html http://archive.bridgesmathart.org/2008/bridges2008-251.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Jace Miller and Ergun Akleman: Edge-Based Intersected Polyhedral Paper Sculptures Constructed by Interlocking Slitted Planar Pieces. Pages 259–264 http://archive.bridgesmathart.org/2008/bridges2008-259.html http://archive.bridgesmathart.org/2008/bridges2008-259.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Jace Miller and Ergun Akleman: Edge-Based Intersected Polyhedral Paper Sculptures Constructed by Interlocking Slitted Planar Pieces. Pages 259–264 http://archive.bridgesmathart.org/2008/bridges2008-259.html http://archive.bridgesmathart.org/2008/bridges2008-259.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l95&quot; &gt;Zeile 95:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 95:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Paul Prudence: Recursion, Symmetry &amp;amp; Tessellation with Software based Video Feedback Systems. Pages 305–310 http://archive.bridgesmathart.org/2008/bridges2008-305.html http://archive.bridgesmathart.org/2008/bridges2008-305.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Paul Prudence: Recursion, Symmetry &amp;amp; Tessellation with Software based Video Feedback Systems. Pages 305–310 http://archive.bridgesmathart.org/2008/bridges2008-305.html http://archive.bridgesmathart.org/2008/bridges2008-305.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Glenn R. Laigo, Ia Kristine D. Puzon and and Ma. Louise Antonette N. De Las Peñas: Coxeter Groups in Colored Tilings and Patterns. Pages 311–318 http://archive.bridgesmathart.org/2008/bridges2008-311.html http://archive.bridgesmathart.org/2008/bridges2008-311.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Glenn R. Laigo, Ia Kristine D. Puzon and and Ma. Louise Antonette N. De Las Peñas: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Coxeter Groups in Colored Tilings and Patterns&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. Pages 311–318 http://archive.bridgesmathart.org/2008/bridges2008-311.html http://archive.bridgesmathart.org/2008/bridges2008-311.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Chris Bartlett and D Huylebrouck: Porter’s Golden Section, Experimentally. Pages 319–326 http://archive.bridgesmathart.org/2008/bridges2008-319.html http://archive.bridgesmathart.org/2008/bridges2008-319.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Chris Bartlett and D Huylebrouck: Porter’s Golden Section, Experimentally. Pages 319–326 http://archive.bridgesmathart.org/2008/bridges2008-319.html http://archive.bridgesmathart.org/2008/bridges2008-319.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l121&quot; &gt;Zeile 121:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 121:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Jan W. Marcus: TENSEGRITIES: Design, Analysis and Constructing. Pages 389–392 http://archive.bridgesmathart.org/2008/bridges2008-389.html http://archive.bridgesmathart.org/2008/bridges2008-389.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Jan W. Marcus: TENSEGRITIES: Design, Analysis and Constructing. Pages 389–392 http://archive.bridgesmathart.org/2008/bridges2008-389.html http://archive.bridgesmathart.org/2008/bridges2008-389.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* M.A. Hann and B.G. Thomas: Pattern by Design – Not by Chance. Pages 393–396 http://archive.bridgesmathart.org/2008/bridges2008-393.html http://archive.bridgesmathart.org/2008/bridges2008-393.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* M.A. Hann and B.G. Thomas: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Pattern by Design – Not by Chance&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. Pages 393–396 http://archive.bridgesmathart.org/2008/bridges2008-393.html http://archive.bridgesmathart.org/2008/bridges2008-393.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Vi Hart: Using Binary Numbers in Music. Pages 397–400 http://archive.bridgesmathart.org/2008/bridges2008-397.html http://archive.bridgesmathart.org/2008/bridges2008-397.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Vi Hart: Using Binary Numbers in Music. Pages 397–400 http://archive.bridgesmathart.org/2008/bridges2008-397.html http://archive.bridgesmathart.org/2008/bridges2008-397.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l129&quot; &gt;Zeile 129:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 129:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* András Bezdek: Can Geometry Create Art? Pages 405–408 http://archive.bridgesmathart.org/2008/bridges2008-405.html http://archive.bridgesmathart.org/2008/bridges2008-405.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* András Bezdek: Can Geometry Create Art? Pages 405–408 http://archive.bridgesmathart.org/2008/bridges2008-405.html http://archive.bridgesmathart.org/2008/bridges2008-405.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Artemis Moroni, Rafael Bocaletto Maiolla and and Jônatas Manzolli: Masterpiece: Interactive Evolution in Visual Domain. Pages 409–412 http://archive.bridgesmathart.org/2008/bridges2008-409.html http://archive.bridgesmathart.org/2008/bridges2008-409.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Artemis Moroni, Rafael Bocaletto Maiolla and and Jônatas Manzolli: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Masterpiece: Interactive Evolution in Visual Domain&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. Pages 409–412 http://archive.bridgesmathart.org/2008/bridges2008-409.html http://archive.bridgesmathart.org/2008/bridges2008-409.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lin Hsin Hsin: The Art of Equations. Pages 413–416 http://archive.bridgesmathart.org/2008/bridges2008-413.html http://archive.bridgesmathart.org/2008/bridges2008-413.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Lin Hsin Hsin: The Art of Equations. Pages 413–416 http://archive.bridgesmathart.org/2008/bridges2008-413.html http://archive.bridgesmathart.org/2008/bridges2008-413.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Bridges_2008&amp;diff=2185&amp;oldid=prev</id>
		<title>Gbachelier: Die Seite wurde neu angelegt: „== Reference == Reza Sarhangi and Carlo Séquin: Bridges 2008, Mathematics, Music, Art, Architecture, Culture. 11th Annual Bridges Conference, Leeuwarden, The …“</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Bridges_2008&amp;diff=2185&amp;oldid=prev"/>
				<updated>2014-12-10T18:15:15Z</updated>
		
		<summary type="html">&lt;p&gt;Die Seite wurde neu angelegt: „== Reference == Reza Sarhangi and Carlo Séquin: Bridges 2008, Mathematics, Music, Art, Architecture, Culture. 11th Annual Bridges Conference, Leeuwarden, The …“&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Neue Seite&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Reference ==&lt;br /&gt;
Reza Sarhangi and Carlo Séquin: Bridges 2008, Mathematics, Music, Art, Architecture, Culture. 11th Annual Bridges Conference, Leeuwarden, The Netherlands, 2008. ISBN: 9780966520194&lt;br /&gt;
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== DOI ==&lt;br /&gt;
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== Abstract ==&lt;br /&gt;
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== Extended Abstract ==&lt;br /&gt;
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== Reviews==&lt;br /&gt;
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== Bibtex == &lt;br /&gt;
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== Table of contents==&lt;br /&gt;
* The Editors: Front Matter http://archive.bridgesmathart.org/2008/frontmatter.pdf&lt;br /&gt;
&lt;br /&gt;
* Doris Schattschneider: Lessons in Duality and Symmetry from M.C. Escher. Pages 1–8 http://archive.bridgesmathart.org/2008/bridges2008-1.html http://archive.bridgesmathart.org/2008/bridges2008-1.pdf&lt;br /&gt;
&lt;br /&gt;
* Bernd Krauskopf, Hinke M. Osinga and and Benjamin Storch: The Sculpture Manifold: A Band from a Surface, a Surface from a Band. Pages 9–14 http://archive.bridgesmathart.org/2008/bridges2008-9.html http://archive.bridgesmathart.org/2008/bridges2008-9.pdf&lt;br /&gt;
&lt;br /&gt;
* Gary R. Greenfield: Color Mixing using Colliding Particles. Pages 15–20 http://archive.bridgesmathart.org/2008/bridges2008-15.html http://archive.bridgesmathart.org/2008/bridges2008-15.pdf&lt;br /&gt;
&lt;br /&gt;
* B. Lynn Bodner: Hankin’s ‘Polygons in Contact’ Grid Method for Recreating a Decagonal Star Polygon Design. Pages 21–28 http://archive.bridgesmathart.org/2008/bridges2008-21.html http://archive.bridgesmathart.org/2008/bridges2008-21.pdf&lt;br /&gt;
&lt;br /&gt;
* Rinus Roelofs: Connected Holes. Pages 29–38 http://archive.bridgesmathart.org/2008/bridges2008-29.html http://archive.bridgesmathart.org/2008/bridges2008-29.pdf&lt;br /&gt;
&lt;br /&gt;
* Craig S. Kaplan: Metamorphosis in Escher’s Art. Pages 39–46 http://archive.bridgesmathart.org/2008/bridges2008-39.html http://archive.bridgesmathart.org/2008/bridges2008-39.pdf&lt;br /&gt;
&lt;br /&gt;
* Gail Kaplan: The Catenary: Art, Architecture, History, and Mathematics. Pages 47–54 http://archive.bridgesmathart.org/2008/bridges2008-47.html http://archive.bridgesmathart.org/2008/bridges2008-47.pdf&lt;br /&gt;
&lt;br /&gt;
* Huib Koman, Stephan Luijks and and Arno Pronk: Mathematical Beauty in Architecture. Pages 55–62 http://archive.bridgesmathart.org/2008/bridges2008-55.html http://archive.bridgesmathart.org/2008/bridges2008-55.pdf&lt;br /&gt;
&lt;br /&gt;
* Charles Gunn and John M. Sullivan: The Borromean Rings: A Video about the New IMU Logo. Pages 63–70 http://archive.bridgesmathart.org/2008/bridges2008-63.html http://archive.bridgesmathart.org/2008/bridges2008-63.pdf&lt;br /&gt;
&lt;br /&gt;
* James Mai: Systematic Approaches to Color Interaction: Limited Palettes for Simultaneous Contrast Effects. Pages 71–78 http://archive.bridgesmathart.org/2008/bridges2008-71.html http://archive.bridgesmathart.org/2008/bridges2008-71.pdf&lt;br /&gt;
&lt;br /&gt;
* Eva Knoll: Building a Möbius Bracelet Using Safety Pins: A Problem of Modular Arithmetic and Staggered Positions. Pages 79–86 http://archive.bridgesmathart.org/2008/bridges2008-79.html http://archive.bridgesmathart.org/2008/bridges2008-79.pdf&lt;br /&gt;
&lt;br /&gt;
* Robert Smits: The Brachistochrone Problem between Euclidean and Hyperbolic. Pages 87–92 http://archive.bridgesmathart.org/2008/bridges2008-87.html http://archive.bridgesmathart.org/2008/bridges2008-87.pdf&lt;br /&gt;
&lt;br /&gt;
* Karel Vreeburg: Sculpting from the Inside Out “540 Hidden Split Torus”. Pages 93–100 http://archive.bridgesmathart.org/2008/bridges2008-93.html http://archive.bridgesmathart.org/2008/bridges2008-93.pdf&lt;br /&gt;
&lt;br /&gt;
* B.G. Thomas and M.A. Hann: Patterning by Projection:Tiling the Dodecahedron and other Solids. Pages 101–108 http://archive.bridgesmathart.org/2008/bridges2008-101.html http://archive.bridgesmathart.org/2008/bridges2008-101.pdf&lt;br /&gt;
&lt;br /&gt;
* E.B. Meenan and B.G. Thomas: Pull-up Patterned Polyhedra: Platonic Solids for the Classroom. Pages 109–116 http://archive.bridgesmathart.org/2008/bridges2008-109.html http://archive.bridgesmathart.org/2008/bridges2008-109.pdf&lt;br /&gt;
&lt;br /&gt;
* Anne M. Burns: From Sierpinski Triangle to Fractal Flowers. Pages 117–122 http://archive.bridgesmathart.org/2008/bridges2008-117.html http://archive.bridgesmathart.org/2008/bridges2008-117.pdf&lt;br /&gt;
&lt;br /&gt;
* Douglas McKenna: Designing Symmetric Peano Curve Tiling Patterns with Escher-esque Foreground/Background Ambiguity. Pages 123–130 http://archive.bridgesmathart.org/2008/bridges2008-123.html http://archive.bridgesmathart.org/2008/bridges2008-123.pdf&lt;br /&gt;
&lt;br /&gt;
* Alan Sutcliffe: Doyle Spiral Circle Packings Animated. Pages 131–138 http://archive.bridgesmathart.org/2008/bridges2008-131.html http://archive.bridgesmathart.org/2008/bridges2008-131.pdf&lt;br /&gt;
&lt;br /&gt;
* Carlo H. Séquin: Intricate Isohedral Tilings of 3D Euclidean Space. Pages 139–148 http://archive.bridgesmathart.org/2008/bridges2008-139.html http://archive.bridgesmathart.org/2008/bridges2008-139.pdf&lt;br /&gt;
&lt;br /&gt;
* James L. Hunt and John Sharp: The Mathematics of the Channel Anamorphosis. Pages 149–154 http://archive.bridgesmathart.org/2008/bridges2008-149.html http://archive.bridgesmathart.org/2008/bridges2008-149.pdf&lt;br /&gt;
&lt;br /&gt;
* Zsófia Ruttkay: A Sangaku Revived. Pages 155–162 http://archive.bridgesmathart.org/2008/bridges2008-155.html http://archive.bridgesmathart.org/2008/bridges2008-155.pdf&lt;br /&gt;
&lt;br /&gt;
* Wolfgang Baatz, Massimo Fornasier, Peter A. Markowich and and Carola-Bibiane Schönlieb: Inpainting of Ancient Austrian Frescoes. Pages 163–170 http://archive.bridgesmathart.org/2008/bridges2008-163.html http://archive.bridgesmathart.org/2008/bridges2008-163.pdf&lt;br /&gt;
&lt;br /&gt;
* Robert McDermott and Will Hawkins: A Computer Aided Geometric Model of a Ten-Plane Polyhedral Transformation. Pages 171–178 http://archive.bridgesmathart.org/2008/bridges2008-171.html http://archive.bridgesmathart.org/2008/bridges2008-171.pdf&lt;br /&gt;
&lt;br /&gt;
* Rachel W. Hall: Neo-Riemannian Geometry. Pages 179–186 http://archive.bridgesmathart.org/2008/bridges2008-179.html http://archive.bridgesmathart.org/2008/bridges2008-179.pdf&lt;br /&gt;
&lt;br /&gt;
* Eric Thul and Godfried T. Toussaint: A Comparative Phylogenetic-Tree Analysis of African Timelines and North Indian Talas. Pages 187–194 http://archive.bridgesmathart.org/2008/bridges2008-187.html http://archive.bridgesmathart.org/2008/bridges2008-187.pdf&lt;br /&gt;
&lt;br /&gt;
* Jenny Gage: The Maths of Churches, Mosques, Synagogues and Temples. Pages 195–200 http://archive.bridgesmathart.org/2008/bridges2008-195.html http://archive.bridgesmathart.org/2008/bridges2008-195.pdf&lt;br /&gt;
&lt;br /&gt;
* E.M. Orbons and Zs. Ruttkay: Interactive 3D Simulation of Escher-like Impossible Worlds. Pages 201–208 http://archive.bridgesmathart.org/2008/bridges2008-201.html http://archive.bridgesmathart.org/2008/bridges2008-201.pdf&lt;br /&gt;
&lt;br /&gt;
* George W. Hart: Procedural Generation of Sculptural Forms. Pages 209–218 http://archive.bridgesmathart.org/2008/bridges2008-209.html http://archive.bridgesmathart.org/2008/bridges2008-209.pdf&lt;br /&gt;
&lt;br /&gt;
* Carl Bracken: Counting the Number of Site Swap Juggling Patterns with Respect to Particular Ceilings. Pages 219–224 http://archive.bridgesmathart.org/2008/bridges2008-219.html http://archive.bridgesmathart.org/2008/bridges2008-219.pdf&lt;br /&gt;
&lt;br /&gt;
* Tom Verhoeff and Koos Verhoeff: The Mathematics of Mitering and its Artful Application. Pages 225–234 http://archive.bridgesmathart.org/2008/bridges2008-225.html http://archive.bridgesmathart.org/2008/bridges2008-225.pdf&lt;br /&gt;
&lt;br /&gt;
* Robert Bosch: Connecting the Dots: The Ins and Outs of TSP Art. Pages 235–242 http://archive.bridgesmathart.org/2008/bridges2008-235.html http://archive.bridgesmathart.org/2008/bridges2008-235.pdf&lt;br /&gt;
&lt;br /&gt;
* Stanley Spencer: Manipulating Images with Fractal Julia Sets. Pages 243–250 http://archive.bridgesmathart.org/2008/bridges2008-243.html http://archive.bridgesmathart.org/2008/bridges2008-243.pdf&lt;br /&gt;
&lt;br /&gt;
* Reza Sarhangi: Making Patterns on the Surfaces of Swing-Hinged Dissections. Pages 251–258 http://archive.bridgesmathart.org/2008/bridges2008-251.html http://archive.bridgesmathart.org/2008/bridges2008-251.pdf&lt;br /&gt;
&lt;br /&gt;
* Jace Miller and Ergun Akleman: Edge-Based Intersected Polyhedral Paper Sculptures Constructed by Interlocking Slitted Planar Pieces. Pages 259–264 http://archive.bridgesmathart.org/2008/bridges2008-259.html http://archive.bridgesmathart.org/2008/bridges2008-259.pdf&lt;br /&gt;
&lt;br /&gt;
* Mike Kostner, Arjan Kuijper and and Franz Schubert: Diffusion Processes and Light Installations: Mathematics, Visualisation, and Perception. Pages 265–272 http://archive.bridgesmathart.org/2008/bridges2008-265.html http://archive.bridgesmathart.org/2008/bridges2008-265.pdf&lt;br /&gt;
&lt;br /&gt;
* Sándor Kabai: Interactive Demonstrations with Mathematica 6. Pages 273–280 http://archive.bridgesmathart.org/2008/bridges2008-273.html http://archive.bridgesmathart.org/2008/bridges2008-273.pdf&lt;br /&gt;
&lt;br /&gt;
* Albert van den Broeke and Zsófia Ruttkay: A Closer Look at Jamnitzer&amp;#039;s Polyhedra. Pages 281–288 http://archive.bridgesmathart.org/2008/bridges2008-281.html http://archive.bridgesmathart.org/2008/bridges2008-281.pdf&lt;br /&gt;
&lt;br /&gt;
* Robert W. Fathauer, Hank Kaczmarski and and Nicholas Duchnowski: A Fractal Crystal Comprised of Cubes and Some Related Fractal Arrangements of other Platonic Solids. Pages 289–296 http://archive.bridgesmathart.org/2008/bridges2008-289.html http://archive.bridgesmathart.org/2008/bridges2008-289.pdf&lt;br /&gt;
&lt;br /&gt;
* Raymond Tennant: Medieval Islamic Architecture, Quasicrystals, and Penrose and Girih Tiles: Questions from the Classroom. Pages 297–304 http://archive.bridgesmathart.org/2008/bridges2008-297.html http://archive.bridgesmathart.org/2008/bridges2008-297.pdf&lt;br /&gt;
&lt;br /&gt;
* Paul Prudence: Recursion, Symmetry &amp;amp; Tessellation with Software based Video Feedback Systems. Pages 305–310 http://archive.bridgesmathart.org/2008/bridges2008-305.html http://archive.bridgesmathart.org/2008/bridges2008-305.pdf&lt;br /&gt;
&lt;br /&gt;
* Glenn R. Laigo, Ia Kristine D. Puzon and and Ma. Louise Antonette N. De Las Peñas: Coxeter Groups in Colored Tilings and Patterns. Pages 311–318 http://archive.bridgesmathart.org/2008/bridges2008-311.html http://archive.bridgesmathart.org/2008/bridges2008-311.pdf&lt;br /&gt;
&lt;br /&gt;
* Chris Bartlett and D Huylebrouck: Porter’s Golden Section, Experimentally. Pages 319–326 http://archive.bridgesmathart.org/2008/bridges2008-319.html http://archive.bridgesmathart.org/2008/bridges2008-319.pdf&lt;br /&gt;
&lt;br /&gt;
* Chaim Goodman-Strauss and Hop David: Perspective Drawings of Lattices. Pages 327–332 http://archive.bridgesmathart.org/2008/bridges2008-327.html http://archive.bridgesmathart.org/2008/bridges2008-327.pdf&lt;br /&gt;
&lt;br /&gt;
* Dániel Erdély and Walt van Ballegooijen: Some Interesting Observations Regarding the Spidrons. Pages 333–340 http://archive.bridgesmathart.org/2008/bridges2008-333.html http://archive.bridgesmathart.org/2008/bridges2008-333.pdf&lt;br /&gt;
&lt;br /&gt;
* Douglas Dunham and Luns Tee: A “Circle Limit III” Backbone Arc Formula. Pages 341–346 http://archive.bridgesmathart.org/2008/bridges2008-341.html http://archive.bridgesmathart.org/2008/bridges2008-341.pdf&lt;br /&gt;
&lt;br /&gt;
* Marilyn Sue Ford and Sarae Gold: Connecting Mathematics and the Arts through the Magic of Escher for Elementary School Students. Pages 347–352 http://archive.bridgesmathart.org/2008/bridges2008-347.html http://archive.bridgesmathart.org/2008/bridges2008-347.pdf&lt;br /&gt;
&lt;br /&gt;
* Roland de Jong Orlando: Module-Based Sculptural Constructions. Pages 353–362 http://archive.bridgesmathart.org/2008/bridges2008-353.html http://archive.bridgesmathart.org/2008/bridges2008-353.pdf&lt;br /&gt;
&lt;br /&gt;
* Dick Termes: Painting the Total Picture. Pages 363–368 http://archive.bridgesmathart.org/2008/bridges2008-363.html http://archive.bridgesmathart.org/2008/bridges2008-363.pdf&lt;br /&gt;
&lt;br /&gt;
* Tristram de Piro: Cosmati Pavements: The Art of Geometry. Pages 369–376 http://archive.bridgesmathart.org/2008/bridges2008-369.html http://archive.bridgesmathart.org/2008/bridges2008-369.pdf&lt;br /&gt;
&lt;br /&gt;
* Jay Zimmerman: Teaching Group Theory Using Portraits of Groups. Pages 377–380 http://archive.bridgesmathart.org/2008/bridges2008-377.html http://archive.bridgesmathart.org/2008/bridges2008-377.pdf&lt;br /&gt;
&lt;br /&gt;
* Paul Gailiunas: Four Bar Linkages. Pages 381–384 http://archive.bridgesmathart.org/2008/bridges2008-381.html http://archive.bridgesmathart.org/2008/bridges2008-381.pdf&lt;br /&gt;
&lt;br /&gt;
* Samuel Verbiese: The Tangramoid: Recent Developments. Pages 385–388 http://archive.bridgesmathart.org/2008/bridges2008-385.html http://archive.bridgesmathart.org/2008/bridges2008-385.pdf&lt;br /&gt;
&lt;br /&gt;
* Jan W. Marcus: TENSEGRITIES: Design, Analysis and Constructing. Pages 389–392 http://archive.bridgesmathart.org/2008/bridges2008-389.html http://archive.bridgesmathart.org/2008/bridges2008-389.pdf&lt;br /&gt;
&lt;br /&gt;
* M.A. Hann and B.G. Thomas: Pattern by Design – Not by Chance. Pages 393–396 http://archive.bridgesmathart.org/2008/bridges2008-393.html http://archive.bridgesmathart.org/2008/bridges2008-393.pdf&lt;br /&gt;
&lt;br /&gt;
* Vi Hart: Using Binary Numbers in Music. Pages 397–400 http://archive.bridgesmathart.org/2008/bridges2008-397.html http://archive.bridgesmathart.org/2008/bridges2008-397.pdf&lt;br /&gt;
&lt;br /&gt;
* Franz Schubert, Arjan Kuijper and and Mike Kostner: Image Stitching: From Mathematics to Arts. Pages 401–404 http://archive.bridgesmathart.org/2008/bridges2008-401.html http://archive.bridgesmathart.org/2008/bridges2008-401.pdf&lt;br /&gt;
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* András Bezdek: Can Geometry Create Art? Pages 405–408 http://archive.bridgesmathart.org/2008/bridges2008-405.html http://archive.bridgesmathart.org/2008/bridges2008-405.pdf&lt;br /&gt;
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* Artemis Moroni, Rafael Bocaletto Maiolla and and Jônatas Manzolli: Masterpiece: Interactive Evolution in Visual Domain. Pages 409–412 http://archive.bridgesmathart.org/2008/bridges2008-409.html http://archive.bridgesmathart.org/2008/bridges2008-409.pdf&lt;br /&gt;
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* Lin Hsin Hsin: The Art of Equations. Pages 413–416 http://archive.bridgesmathart.org/2008/bridges2008-413.html http://archive.bridgesmathart.org/2008/bridges2008-413.pdf&lt;br /&gt;
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* Susan McBurney: Mathematical Secrets of Seven. Pages 417–420 http://archive.bridgesmathart.org/2008/bridges2008-417.html http://archive.bridgesmathart.org/2008/bridges2008-417.pdf&lt;br /&gt;
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* Koert Feenstra: Moiré. Pages 421–424 http://archive.bridgesmathart.org/2008/bridges2008-421.html http://archive.bridgesmathart.org/2008/bridges2008-421.pdf&lt;br /&gt;
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* Cristina Argumedo and Mª Francisca Blanco Dora Giordano and Miriam Pisonero: A Geometric Model Applied To Urban Order. Pages 425–428 http://archive.bridgesmathart.org/2008/bridges2008-425.html http://archive.bridgesmathart.org/2008/bridges2008-425.pdf&lt;br /&gt;
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* Madhuri Bapat: Mathematics in Rangolee Art from India. Pages 429–432 http://archive.bridgesmathart.org/2008/bridges2008-429.html http://archive.bridgesmathart.org/2008/bridges2008-429.pdf&lt;br /&gt;
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* Marcel Tünnissen: Polyhedra with Equilateral Heptagons. Pages 433–436 http://archive.bridgesmathart.org/2008/bridges2008-433.html http://archive.bridgesmathart.org/2008/bridges2008-433.pdf&lt;br /&gt;
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* Keh-Ming Lu, Alan S Tsaur and and Feng-Tse Chuang: Triblock Origami Spheroid Workshops. Pages 437–440 http://archive.bridgesmathart.org/2008/bridges2008-437.html http://archive.bridgesmathart.org/2008/bridges2008-437.pdf&lt;br /&gt;
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* Mara Alagic and Glyn Rimmington: Mathematical Eyes on Intercultural Communication Processes. Pages 441–444 http://archive.bridgesmathart.org/2008/bridges2008-441.html http://archive.bridgesmathart.org/2008/bridges2008-441.pdf&lt;br /&gt;
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* Vladimir Petrov and Lidia Mazhul: Ternary Codes in Psychology, Culture, and Art: Information Roots. Pages 445–448 http://archive.bridgesmathart.org/2008/bridges2008-445.html http://archive.bridgesmathart.org/2008/bridges2008-445.pdf&lt;br /&gt;
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* André Génard: Artistic ideas regarding ‘Print Gallery’ by M.C. Escher. Pages 449–452 http://archive.bridgesmathart.org/2008/bridges2008-449.html http://archive.bridgesmathart.org/2008/bridges2008-449.pdf&lt;br /&gt;
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* David R. M. Bailey: A Guide to Creating Escher-like Bird Motif Tessellations. Pages 453–456 http://archive.bridgesmathart.org/2008/bridges2008-453.html http://archive.bridgesmathart.org/2008/bridges2008-453.pdf&lt;br /&gt;
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* Eva Knoll, John Sharp and and Roger Tobie: Using D-Forms to Create a Calder Type Mobile. Pages 457–458 http://archive.bridgesmathart.org/2008/bridges2008-457.html http://archive.bridgesmathart.org/2008/bridges2008-457.pdf&lt;br /&gt;
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* Lajos Szilassi: Some Regular Toroids. Pages 459–460 http://archive.bridgesmathart.org/2008/bridges2008-459.html http://archive.bridgesmathart.org/2008/bridges2008-459.pdf&lt;br /&gt;
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* Junichi Yananose: Juno&amp;#039;s Spinner Truncated Icosahedron. Pages 461–462 http://archive.bridgesmathart.org/2008/bridges2008-461.html http://archive.bridgesmathart.org/2008/bridges2008-461.pdf&lt;br /&gt;
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* v: Mathematics and Arts: Finding the Horizon of Understanding for Arts Students. Pages 463–464 http://archive.bridgesmathart.org/2008/bridges2008-463.html http://archive.bridgesmathart.org/2008/bridges2008-463.pdf&lt;br /&gt;
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* Laura J. George and Hartmut F. W. Höft: Visualization of Rhyme Patterns in Two Sonnet Sequences. Pages 465–466 http://archive.bridgesmathart.org/2008/bridges2008-465.html http://archive.bridgesmathart.org/2008/bridges2008-465.pdf&lt;br /&gt;
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* Elaine Krajenke Ellison: Create a Mathematical Banner Using the Lute, the Sacred Cut, and the Spidron. Pages 467–468 http://archive.bridgesmathart.org/2008/bridges2008-467.html http://archive.bridgesmathart.org/2008/bridges2008-467.pdf&lt;br /&gt;
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* Hourieh Mashayekh and Hayedeh Mashayekh: Hammam: Bath House, an Ancient Heritage in Iran. Pages 469–470 http://archive.bridgesmathart.org/2008/bridges2008-469.html http://archive.bridgesmathart.org/2008/bridges2008-469.pdf&lt;br /&gt;
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* Marcela Carolina Franco: Shape and Transformations. Pages 471–472 http://archive.bridgesmathart.org/2008/bridges2008-471.html http://archive.bridgesmathart.org/2008/bridges2008-471.pdf&lt;br /&gt;
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* Arjan Kuijper and Helma Kuijper: Imaging, Mathematics, and Art. Pages 473–474 http://archive.bridgesmathart.org/2008/bridges2008-473.html http://archive.bridgesmathart.org/2008/bridges2008-473.pdf&lt;br /&gt;
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* Hans Kuiper: SUDOKU Puzzle Generates a Minimal Art Sculpture. Pages 475–476 http://archive.bridgesmathart.org/2008/bridges2008-475.html http://archive.bridgesmathart.org/2008/bridges2008-475.pdf&lt;br /&gt;
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* Ergun Akleman and Vinod Srinivasan: Aesthetic Beauty of Rotation. Pages 477–478 http://archive.bridgesmathart.org/2008/bridges2008-477.html http://archive.bridgesmathart.org/2008/bridges2008-477.pdf&lt;br /&gt;
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* Javier Barrallo: The Speed of Mathematics. Pages 479–480 http://archive.bridgesmathart.org/2008/bridges2008-479.html http://archive.bridgesmathart.org/2008/bridges2008-479.pdf&lt;br /&gt;
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* Evan G. Evans and Reza Sarhangi: The Hidden Art in a Dynamic Geometry Software Program. Pages 481–482 http://archive.bridgesmathart.org/2008/bridges2008-481.html http://archive.bridgesmathart.org/2008/bridges2008-481.pdf&lt;br /&gt;
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* Merrill Lessley and Paul Beale: Projecting Mathematical Curves with Laser Light: A Tribute to Ptolemy. Pages 483–484 http://archive.bridgesmathart.org/2008/bridges2008-483.html http://archive.bridgesmathart.org/2008/bridges2008-483.pdf&lt;br /&gt;
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* Akio Hizume: Fibonacci Tornado: Phylotaxy Spirals consisting of all Similar Triangles. Pages 485–486 http://archive.bridgesmathart.org/2008/bridges2008-485.html http://archive.bridgesmathart.org/2008/bridges2008-485.pdf&lt;br /&gt;
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* Dmitri Tymoczko: Three Musical Geometries. Pages 487–488 http://archive.bridgesmathart.org/2008/bridges2008-487.html http://archive.bridgesmathart.org/2008/bridges2008-487.pdf&lt;br /&gt;
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* Toshihiro Bando: Spatial Anisotropy in Aesthetic Impression of Simple Color Arrangement Patterns. Pages 489–490 http://archive.bridgesmathart.org/2008/bridges2008-489.html http://archive.bridgesmathart.org/2008/bridges2008-489.pdf&lt;br /&gt;
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== Links ==&lt;br /&gt;
=== Full Text === &lt;br /&gt;
http://archive.bridgesmathart.org/2008/index.html&lt;br /&gt;
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[[intern file]]&lt;br /&gt;
&lt;br /&gt;
=== Sonstige Links ===&lt;br /&gt;
http://www.bridgesmathart.org/2008/2008.html&lt;/div&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

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