http://de.evo-art.org/index.php?action=history&feed=atom&title=Bridges_2009 2026-04-18T12:30:12Z Versionsgeschichte dieser Seite in de_evolutionary_art_org MediaWiki 1.27.4 http://de.evo-art.org/index.php?title=Bridges_2009&diff=4410&oldid=prev 2015-02-03T10:18:16Z

<p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 3. Februar 2015, 10:18 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Zeile 1:</td> <td colspan="2" class="diff-lineno">Zeile 1:</td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#The_Bridge_Conferences:_art_and_mathematics | zurück zu The Bridge Conferences: art and mathematics]] </ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Reference ==</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Reference ==</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Craig S. Kaplan and Reza Sarhangi: Bridges 2009, Mathematics, Music, Art, Architecture, Culture. 12th Annual Bridges Conference, The Banff Centre, Banff, Alberta, Canada, 2009. ISBN: 978-0-96652-020-0 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">[[</ins>Craig S. Kaplan<ins class="diffchange diffchange-inline">]] </ins>and Reza Sarhangi: Bridges 2009, Mathematics, Music, Art, Architecture, Culture. 12th Annual Bridges Conference, The Banff Centre, Banff, Alberta, Canada, 2009. ISBN: 978-0-96652-020-0 &#160;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== DOI ==</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== DOI ==</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l169" >Zeile 169:</td> <td colspan="2" class="diff-lineno">Zeile 172:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>=== Sonstige Links ===</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>=== Sonstige Links ===</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>http://bridgesmathart.org/past-conferences/bridges-2009/</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>http://bridgesmathart.org/past-conferences/bridges-2009/</div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#The_Bridge_Conferences:_art_and_mathematics | zurück zu The Bridge Conferences: art and mathematics]]</ins></div></td></tr> </table>

Gbachelier http://de.evo-art.org/index.php?title=Bridges_2009&diff=2805&oldid=prev 2015-01-02T13:29:14Z

<p>‎<span dir="auto"><span class="autocomment">Table of contents</span></span></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 2. Januar 2015, 13:29 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l51" >Zeile 51:</td> <td colspan="2" class="diff-lineno">Zeile 51:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* B. Lynn Bodner: [[The Unique Eleven-Pointed Star Polygon Design of the Topkapı Scroll]]. In: [[Bridges 2009]]. Pages 147–154 http://archive.bridgesmathart.org/2009/bridges2009-147.html http://archive.bridgesmathart.org/2009/bridges2009-147.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* B. Lynn Bodner: [[The Unique Eleven-Pointed Star Polygon Design of the Topkapı Scroll]]. In: [[Bridges 2009]]. Pages 147–154 http://archive.bridgesmathart.org/2009/bridges2009-147.html http://archive.bridgesmathart.org/2009/bridges2009-147.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Gary Greenfield: Composite Digital Mosaics using Duotone Tiles. In: [[Bridges 2009]]. Pages 155–162 http://archive.bridgesmathart.org/2009/bridges2009-155.html http://archive.bridgesmathart.org/2009/bridges2009-155.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">[[</ins>Gary Greenfield<ins class="diffchange diffchange-inline">]]</ins>: <ins class="diffchange diffchange-inline">[[</ins>Composite Digital Mosaics using Duotone Tiles<ins class="diffchange diffchange-inline">]]</ins>. In: [[Bridges 2009]]. Pages 155–162 http://archive.bridgesmathart.org/2009/bridges2009-155.html http://archive.bridgesmathart.org/2009/bridges2009-155.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Douglas Dunham: [[The Symmetry of “Circle Limit IV” and Related Patterns]]. In: [[Bridges 2009]]. Pages 163–168 http://archive.bridgesmathart.org/2009/bridges2009-163.html http://archive.bridgesmathart.org/2009/bridges2009-163.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Douglas Dunham: [[The Symmetry of “Circle Limit IV” and Related Patterns]]. In: [[Bridges 2009]]. Pages 163–168 http://archive.bridgesmathart.org/2009/bridges2009-163.html http://archive.bridgesmathart.org/2009/bridges2009-163.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l160" >Zeile 160:</td> <td colspan="2" class="diff-lineno">Zeile 160:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Eva Knoll: Transferring Patterns: From Twill to Peyote Stitch. In: [[Bridges 2009]]. Pages 409–412 http://archive.bridgesmathart.org/2009/bridges2009-409.html http://archive.bridgesmathart.org/2009/bridges2009-409.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Eva Knoll: Transferring Patterns: From Twill to Peyote Stitch. In: [[Bridges 2009]]. Pages 409–412 http://archive.bridgesmathart.org/2009/bridges2009-409.html http://archive.bridgesmathart.org/2009/bridges2009-409.pdf</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2">&#160;</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Links ==</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Links ==</div></td></tr> </table>

Gbachelier http://de.evo-art.org/index.php?title=Bridges_2009&diff=2736&oldid=prev 2014-12-31T19:44:17Z

<p></p> <a href="http://de.evo-art.org/index.php?title=Bridges_2009&amp;diff=2736&amp;oldid=2725">Änderungen zeigen</a>

Gbachelier http://de.evo-art.org/index.php?title=Bridges_2009&diff=2725&oldid=prev 2014-12-31T19:34:45Z

<p></p> <a href="http://de.evo-art.org/index.php?title=Bridges_2009&amp;diff=2725&amp;oldid=2702">Änderungen zeigen</a>

Gbachelier http://de.evo-art.org/index.php?title=Bridges_2009&diff=2702&oldid=prev 2014-12-30T19:54:19Z

<p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 30. Dezember 2014, 19:54 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l17" >Zeile 17:</td> <td colspan="2" class="diff-lineno">Zeile 17:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Erik Demaine and Martin Demaine: Mathematics Is Art. Pages 1–10 http://archive.bridgesmathart.org/2009/bridges2009-1.html http://archive.bridgesmathart.org/2009/bridges2009-1.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Erik Demaine and Martin Demaine: Mathematics Is Art. Pages 1–10 http://archive.bridgesmathart.org/2009/bridges2009-1.html http://archive.bridgesmathart.org/2009/bridges2009-1.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Robert J. Lang: Mathematical Methods in Origami Design. Pages 11–20 http://archive.bridgesmathart.org/2009/bridges2009-11.html http://archive.bridgesmathart.org/2009/bridges2009-11.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Robert J. Lang: <ins class="diffchange diffchange-inline">[[</ins>Mathematical Methods in Origami Design<ins class="diffchange diffchange-inline">]]</ins>. Pages 11–20 http://archive.bridgesmathart.org/2009/bridges2009-11.html http://archive.bridgesmathart.org/2009/bridges2009-11.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Jim Bumgardner: Kircher&#039;s Mechanical Composer: A Software Implementation. Pages 21–28 http://archive.bridgesmathart.org/2009/bridges2009-21.html http://archive.bridgesmathart.org/2009/bridges2009-21.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Jim Bumgardner: Kircher&#039;s Mechanical Composer: A Software Implementation. Pages 21–28 http://archive.bridgesmathart.org/2009/bridges2009-21.html http://archive.bridgesmathart.org/2009/bridges2009-21.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l23" >Zeile 23:</td> <td colspan="2" class="diff-lineno">Zeile 23:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Dmitri Tymoczko: Three Conceptions of Musical Distance. Pages 29–38 http://archive.bridgesmathart.org/2009/bridges2009-29.html http://archive.bridgesmathart.org/2009/bridges2009-29.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Dmitri Tymoczko: Three Conceptions of Musical Distance. Pages 29–38 http://archive.bridgesmathart.org/2009/bridges2009-29.html http://archive.bridgesmathart.org/2009/bridges2009-29.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* David Swart: Using Turtles and Skeletons to Display the Viewable Sphere. Pages 39–46 http://archive.bridgesmathart.org/2009/bridges2009-39.html http://archive.bridgesmathart.org/2009/bridges2009-39.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* David Swart: <ins class="diffchange diffchange-inline">[[</ins>Using Turtles and Skeletons to Display the Viewable Sphere<ins class="diffchange diffchange-inline">]]</ins>. Pages 39–46 http://archive.bridgesmathart.org/2009/bridges2009-39.html http://archive.bridgesmathart.org/2009/bridges2009-39.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Goran Konjevod and Ana Maria Kuprešanin: Notation for a Class of Paperfolded Models. Pages 47–54 http://archive.bridgesmathart.org/2009/bridges2009-47.html http://archive.bridgesmathart.org/2009/bridges2009-47.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Goran Konjevod and Ana Maria Kuprešanin: Notation for a Class of Paperfolded Models. Pages 47–54 http://archive.bridgesmathart.org/2009/bridges2009-47.html http://archive.bridgesmathart.org/2009/bridges2009-47.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Philip Van Loocke: The Art of Iterated Function Systems with Expanding Functions. Pages 55–62 http://archive.bridgesmathart.org/2009/bridges2009-55.html http://archive.bridgesmathart.org/2009/bridges2009-55.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Philip Van Loocke: <ins class="diffchange diffchange-inline">[[</ins>The Art of Iterated Function Systems with Expanding Functions<ins class="diffchange diffchange-inline">]]</ins>. Pages 55–62 http://archive.bridgesmathart.org/2009/bridges2009-55.html http://archive.bridgesmathart.org/2009/bridges2009-55.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Karl Schaffer: Harmonious Dances. Pages 63–68 http://archive.bridgesmathart.org/2009/bridges2009-63.html http://archive.bridgesmathart.org/2009/bridges2009-63.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Karl Schaffer: Harmonious Dances. Pages 63–68 http://archive.bridgesmathart.org/2009/bridges2009-63.html http://archive.bridgesmathart.org/2009/bridges2009-63.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l41" >Zeile 41:</td> <td colspan="2" class="diff-lineno">Zeile 41:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* John Brosz, Sheelagh Carpendale, Faramarz Samavati, Hao Wang and Alan Dunning: Art and Nonlinear Projection. Pages 105–114 http://archive.bridgesmathart.org/2009/bridges2009-105.html http://archive.bridgesmathart.org/2009/bridges2009-105.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* John Brosz, Sheelagh Carpendale, Faramarz Samavati, Hao Wang and Alan Dunning: Art and Nonlinear Projection. Pages 105–114 http://archive.bridgesmathart.org/2009/bridges2009-105.html http://archive.bridgesmathart.org/2009/bridges2009-105.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Russell Hendel: Aesthetically Pleasing Azulejo Patterns. Pages 115–122 http://archive.bridgesmathart.org/2009/bridges2009-115.html http://archive.bridgesmathart.org/2009/bridges2009-115.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Russell Hendel: <ins class="diffchange diffchange-inline">[[</ins>Aesthetically Pleasing Azulejo Patterns<ins class="diffchange diffchange-inline">]]</ins>. Pages 115–122 http://archive.bridgesmathart.org/2009/bridges2009-115.html http://archive.bridgesmathart.org/2009/bridges2009-115.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Carolyn Yackel: Marking a Physical Sphere with a Projected Platonic Solid. Pages 123–130 http://archive.bridgesmathart.org/2009/bridges2009-123.html http://archive.bridgesmathart.org/2009/bridges2009-123.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Carolyn Yackel: Marking a Physical Sphere with a Projected Platonic Solid. Pages 123–130 http://archive.bridgesmathart.org/2009/bridges2009-123.html http://archive.bridgesmathart.org/2009/bridges2009-123.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l47" >Zeile 47:</td> <td colspan="2" class="diff-lineno">Zeile 47:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Glenn Laigo, Ma. Louise Antonette N. De las Peñas and René Felix: Coloring Uniform Honeycombs. Pages 131–138 http://archive.bridgesmathart.org/2009/bridges2009-131.html http://archive.bridgesmathart.org/2009/bridges2009-131.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Glenn Laigo, Ma. Louise Antonette N. De las Peñas and René Felix: Coloring Uniform Honeycombs. Pages 131–138 http://archive.bridgesmathart.org/2009/bridges2009-131.html http://archive.bridgesmathart.org/2009/bridges2009-131.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Robert Bosch and Andrew Pike: Map-Colored Mosaics. Pages 139–146 http://archive.bridgesmathart.org/2009/bridges2009-139.html http://archive.bridgesmathart.org/2009/bridges2009-139.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Robert Bosch and Andrew Pike: <ins class="diffchange diffchange-inline">[[</ins>Map-Colored Mosaics<ins class="diffchange diffchange-inline">]]</ins>. Pages 139–146 http://archive.bridgesmathart.org/2009/bridges2009-139.html http://archive.bridgesmathart.org/2009/bridges2009-139.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* B. Lynn Bodner: The Unique Eleven-Pointed Star Polygon Design of the Topkapı Scroll. Pages 147–154 http://archive.bridgesmathart.org/2009/bridges2009-147.html http://archive.bridgesmathart.org/2009/bridges2009-147.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* B. Lynn Bodner: <ins class="diffchange diffchange-inline">[[</ins>The Unique Eleven-Pointed Star Polygon Design of the Topkapı Scroll<ins class="diffchange diffchange-inline">]]</ins>. Pages 147–154 http://archive.bridgesmathart.org/2009/bridges2009-147.html http://archive.bridgesmathart.org/2009/bridges2009-147.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Gary Greenfield: Composite Digital Mosaics using Duotone Tiles. Pages 155–162 http://archive.bridgesmathart.org/2009/bridges2009-155.html http://archive.bridgesmathart.org/2009/bridges2009-155.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Gary Greenfield: Composite Digital Mosaics using Duotone Tiles. Pages 155–162 http://archive.bridgesmathart.org/2009/bridges2009-155.html http://archive.bridgesmathart.org/2009/bridges2009-155.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Douglas Dunham: The Symmetry of “Circle Limit IV” and Related Patterns. Pages 163–168 http://archive.bridgesmathart.org/2009/bridges2009-163.html http://archive.bridgesmathart.org/2009/bridges2009-163.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Douglas Dunham: <ins class="diffchange diffchange-inline">[[</ins>The Symmetry of “Circle Limit IV” and Related Patterns<ins class="diffchange diffchange-inline">]]</ins>. Pages 163–168 http://archive.bridgesmathart.org/2009/bridges2009-163.html http://archive.bridgesmathart.org/2009/bridges2009-163.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Vi Hart: Symmetry and Transformations in the Musical Plane. Pages 169–176 http://archive.bridgesmathart.org/2009/bridges2009-169.html http://archive.bridgesmathart.org/2009/bridges2009-169.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Vi Hart: Symmetry and Transformations in the Musical Plane. Pages 169–176 http://archive.bridgesmathart.org/2009/bridges2009-169.html http://archive.bridgesmathart.org/2009/bridges2009-169.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* B.G. Thomas: Counterchange Patterns and Polyhedra. Pages 177–182 http://archive.bridgesmathart.org/2009/bridges2009-177.html http://archive.bridgesmathart.org/2009/bridges2009-177.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* B.G. Thomas: <ins class="diffchange diffchange-inline">[[</ins>Counterchange Patterns and Polyhedra<ins class="diffchange diffchange-inline">]]</ins>. Pages 177–182 http://archive.bridgesmathart.org/2009/bridges2009-177.html http://archive.bridgesmathart.org/2009/bridges2009-177.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Rinus Roelofs: Non-Flat Tilings with Flat Tiles. Pages 183–192 http://archive.bridgesmathart.org/2009/bridges2009-183.html http://archive.bridgesmathart.org/2009/bridges2009-183.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Rinus Roelofs: <ins class="diffchange diffchange-inline">[[</ins>Non-Flat Tilings with Flat Tiles<ins class="diffchange diffchange-inline">]]</ins>. Pages 183–192 http://archive.bridgesmathart.org/2009/bridges2009-183.html http://archive.bridgesmathart.org/2009/bridges2009-183.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Vladimir Bulatov: Using Polyhedral Stellations for Creation of Organic Geometric Sculptures. Pages 193–198 http://archive.bridgesmathart.org/2009/bridges2009-193.html http://archive.bridgesmathart.org/2009/bridges2009-193.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Vladimir Bulatov: <ins class="diffchange diffchange-inline">[[</ins>Using Polyhedral Stellations for Creation of Organic Geometric Sculptures<ins class="diffchange diffchange-inline">]]</ins>. Pages 193–198 http://archive.bridgesmathart.org/2009/bridges2009-193.html http://archive.bridgesmathart.org/2009/bridges2009-193.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Robert Rollings: Polyhedra Through the Beauty of Wood. Pages 199–206 http://archive.bridgesmathart.org/2009/bridges2009-199.html http://archive.bridgesmathart.org/2009/bridges2009-199.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Robert Rollings: Polyhedra Through the Beauty of Wood. Pages 199–206 http://archive.bridgesmathart.org/2009/bridges2009-199.html http://archive.bridgesmathart.org/2009/bridges2009-199.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* George Hart: Growth Forms. Pages 207–214 http://archive.bridgesmathart.org/2009/bridges2009-207.html http://archive.bridgesmathart.org/2009/bridges2009-207.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* George Hart: <ins class="diffchange diffchange-inline">[[</ins>Growth Forms<ins class="diffchange diffchange-inline">]]</ins>. Pages 207–214 http://archive.bridgesmathart.org/2009/bridges2009-207.html http://archive.bridgesmathart.org/2009/bridges2009-207.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* James Luke Akridge, Rachel Bowman, Peter Hamburger and Bruce Kessler: Using Works of Visual Art to Teach Matrix Transformations. Pages 215–222 http://archive.bridgesmathart.org/2009/bridges2009-215.html http://archive.bridgesmathart.org/2009/bridges2009-215.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* James Luke Akridge, Rachel Bowman, Peter Hamburger and Bruce Kessler: Using Works of Visual Art to Teach Matrix Transformations. Pages 215–222 http://archive.bridgesmathart.org/2009/bridges2009-215.html http://archive.bridgesmathart.org/2009/bridges2009-215.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l75" >Zeile 75:</td> <td colspan="2" class="diff-lineno">Zeile 75:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Akio Hizume and Yoshikazu Yamagishi: Real Tornado. Pages 239–242 http://archive.bridgesmathart.org/2009/bridges2009-239.html http://archive.bridgesmathart.org/2009/bridges2009-239.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Akio Hizume and Yoshikazu Yamagishi: Real Tornado. Pages 239–242 http://archive.bridgesmathart.org/2009/bridges2009-239.html http://archive.bridgesmathart.org/2009/bridges2009-239.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Paul Gailiunas: Concave Hexagons. Pages 243–250 http://archive.bridgesmathart.org/2009/bridges2009-243.html http://archive.bridgesmathart.org/2009/bridges2009-243.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Paul Gailiunas: <ins class="diffchange diffchange-inline">[[</ins>Concave Hexagons<ins class="diffchange diffchange-inline">]]</ins>. Pages 243–250 http://archive.bridgesmathart.org/2009/bridges2009-243.html http://archive.bridgesmathart.org/2009/bridges2009-243.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Robert Fathauer: A New Method for Designing Iterated Knots. Pages 251–258 http://archive.bridgesmathart.org/2009/bridges2009-251.html http://archive.bridgesmathart.org/2009/bridges2009-251.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Robert Fathauer: A New Method for Designing Iterated Knots. Pages 251–258 http://archive.bridgesmathart.org/2009/bridges2009-251.html http://archive.bridgesmathart.org/2009/bridges2009-251.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l99" >Zeile 99:</td> <td colspan="2" class="diff-lineno">Zeile 99:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Gail Kaplan: Honors Seminar: A Creative Interdisciplinary Approach for Student Exploration. Pages 309–312 http://archive.bridgesmathart.org/2009/bridges2009-309.html http://archive.bridgesmathart.org/2009/bridges2009-309.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Gail Kaplan: Honors Seminar: A Creative Interdisciplinary Approach for Student Exploration. Pages 309–312 http://archive.bridgesmathart.org/2009/bridges2009-309.html http://archive.bridgesmathart.org/2009/bridges2009-309.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Mehrdad Garousi and Khalil Taleslami: Realistic Image Making with Mandelbrot Set. Pages 313–314 http://archive.bridgesmathart.org/2009/bridges2009-313.html http://archive.bridgesmathart.org/2009/bridges2009-313.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Mehrdad Garousi and Khalil Taleslami: <ins class="diffchange diffchange-inline">[[</ins>Realistic Image Making with Mandelbrot Set<ins class="diffchange diffchange-inline">]]</ins>. Pages 313–314 http://archive.bridgesmathart.org/2009/bridges2009-313.html http://archive.bridgesmathart.org/2009/bridges2009-313.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Tamara Lakins: An Interdisciplinary First Seminar on Symmetry. Pages 315–316 http://archive.bridgesmathart.org/2009/bridges2009-315.html http://archive.bridgesmathart.org/2009/bridges2009-315.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Tamara Lakins: An Interdisciplinary First Seminar on Symmetry. Pages 315–316 http://archive.bridgesmathart.org/2009/bridges2009-315.html http://archive.bridgesmathart.org/2009/bridges2009-315.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l105" >Zeile 105:</td> <td colspan="2" class="diff-lineno">Zeile 105:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Peter Smith: This Equation is Art. Pages 317–318 http://archive.bridgesmathart.org/2009/bridges2009-317.html http://archive.bridgesmathart.org/2009/bridges2009-317.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Peter Smith: This Equation is Art. Pages 317–318 http://archive.bridgesmathart.org/2009/bridges2009-317.html http://archive.bridgesmathart.org/2009/bridges2009-317.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* André Génard: ZenArt, graphic geometrical modules. Pages 319–320 http://archive.bridgesmathart.org/2009/bridges2009-319.html http://archive.bridgesmathart.org/2009/bridges2009-319.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* André Génard: <ins class="diffchange diffchange-inline">[[</ins>ZenArt, graphic geometrical modules<ins class="diffchange diffchange-inline">]]</ins>. Pages 319–320 http://archive.bridgesmathart.org/2009/bridges2009-319.html http://archive.bridgesmathart.org/2009/bridges2009-319.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Samuel Verbiese: Amazing Labyrinths, further Amazing Labyrinths, further developments. Pages 321–322 http://archive.bridgesmathart.org/2009/bridges2009-321.html http://archive.bridgesmathart.org/2009/bridges2009-321.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Samuel Verbiese: Amazing Labyrinths, further Amazing Labyrinths, further developments. Pages 321–322 http://archive.bridgesmathart.org/2009/bridges2009-321.html http://archive.bridgesmathart.org/2009/bridges2009-321.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l111" >Zeile 111:</td> <td colspan="2" class="diff-lineno">Zeile 111:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Edward Belbruno: Finding a New Route to the Moon Using Paintings. Pages 323–324 http://archive.bridgesmathart.org/2009/bridges2009-323.html http://archive.bridgesmathart.org/2009/bridges2009-323.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Edward Belbruno: Finding a New Route to the Moon Using Paintings. Pages 323–324 http://archive.bridgesmathart.org/2009/bridges2009-323.html http://archive.bridgesmathart.org/2009/bridges2009-323.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* David Reimann: Text from Truchet Tiles. Pages 325–326 http://archive.bridgesmathart.org/2009/bridges2009-325.html http://archive.bridgesmathart.org/2009/bridges2009-325.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* David Reimann: <ins class="diffchange diffchange-inline">[[</ins>Text from Truchet Tiles<ins class="diffchange diffchange-inline">]]</ins>. Pages 325–326 http://archive.bridgesmathart.org/2009/bridges2009-325.html http://archive.bridgesmathart.org/2009/bridges2009-325.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Sandy Spitzer: Geometry and Geodesy: Estimating the Earth&#039;s Circumference with Prospective Elementary Teachers. Pages 327–328 http://archive.bridgesmathart.org/2009/bridges2009-327.html http://archive.bridgesmathart.org/2009/bridges2009-327.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Sandy Spitzer: Geometry and Geodesy: Estimating the Earth&#039;s Circumference with Prospective Elementary Teachers. Pages 327–328 http://archive.bridgesmathart.org/2009/bridges2009-327.html http://archive.bridgesmathart.org/2009/bridges2009-327.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l121" >Zeile 121:</td> <td colspan="2" class="diff-lineno">Zeile 121:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Brian Evans: The Quinary—Permuting Meaning with Generative Poetry. Pages 333–334 http://archive.bridgesmathart.org/2009/bridges2009-333.html http://archive.bridgesmathart.org/2009/bridges2009-333.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Brian Evans: The Quinary—Permuting Meaning with Generative Poetry. Pages 333–334 http://archive.bridgesmathart.org/2009/bridges2009-333.html http://archive.bridgesmathart.org/2009/bridges2009-333.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Curtis Palmer: Spelunking Adventure II: Combining Cyclons. Pages 335–336 http://archive.bridgesmathart.org/2009/bridges2009-335.html http://archive.bridgesmathart.org/2009/bridges2009-335.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Curtis Palmer: <ins class="diffchange diffchange-inline">[[</ins>Spelunking Adventure II: Combining Cyclons<ins class="diffchange diffchange-inline">]]</ins>. Pages 335–336 http://archive.bridgesmathart.org/2009/bridges2009-335.html http://archive.bridgesmathart.org/2009/bridges2009-335.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Wolfgang Baatz, Massimo Fornasier, Peter A. Markowich and Carola-Bibiane Schönlieb: Binary Based Fresco Restoration. Pages 337–338 http://archive.bridgesmathart.org/2009/bridges2009-337.html http://archive.bridgesmathart.org/2009/bridges2009-337.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Wolfgang Baatz, Massimo Fornasier, Peter A. Markowich and Carola-Bibiane Schönlieb: Binary Based Fresco Restoration. Pages 337–338 http://archive.bridgesmathart.org/2009/bridges2009-337.html http://archive.bridgesmathart.org/2009/bridges2009-337.pdf</div></td></tr> </table>

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<p>Die Seite wurde neu angelegt: „== Reference == Craig S. Kaplan and Reza Sarhangi: Bridges 2009, Mathematics, Music, Art, Architecture, Culture. 12th Annual Bridges Conference, The Banff Cent…“</p> <p><b>Neue Seite</b></p><div>== Reference ==<br /> Craig S. Kaplan and Reza Sarhangi: Bridges 2009, Mathematics, Music, Art, Architecture, Culture. 12th Annual Bridges Conference, The Banff Centre, Banff, Alberta, Canada, 2009. ISBN: 978-0-96652-020-0 <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> <br /> == Extended Abstract ==<br /> <br /> == Reviews==<br /> <br /> == Bibtex == <br /> <br /> == Table of contents==<br /> * The Editors: Front Matter http://archive.bridgesmathart.org/2009/frontmatter.pdf<br /> <br /> <br /> * Erik Demaine and Martin Demaine: Mathematics Is Art. Pages 1–10<br /> <br /> * Robert J. Lang: Mathematical Methods in Origami Design. Pages 11–20<br /> <br /> * Jim Bumgardner: Kircher&#039;s Mechanical Composer: A Software Implementation. Pages 21–28<br /> <br /> * Dmitri Tymoczko: Three Conceptions of Musical Distance. Pages 29–38<br /> <br /> * David Swart: Using Turtles and Skeletons to Display the Viewable Sphere. Pages 39–46<br /> <br /> * Goran Konjevod and Ana Maria Kuprešanin: Notation for a Class of Paperfolded Models. Pages 47–54<br /> <br /> * Philip Van Loocke: The Art of Iterated Function Systems with Expanding Functions. Pages 55–62<br /> <br /> * Karl Schaffer: Harmonious Dances. Pages 63–68<br /> <br /> * Benjamin Wells and Philip Wagner: Bridging Art Museums and Middle School Math Classrooms. Pages 69–78<br /> <br /> * Hartmut F.W. Höft: Combinatoria Poetica: Counting and Visualizing Rhyme Patterns in Sonnets. Pages 79–86<br /> <br /> * Carlo H. Séquin: Tubular Sculptures. Pages 87–96<br /> <br /> * Bruce Kessler: Comic Books That Teach Mathematics. Pages 97–104<br /> <br /> * John Brosz, Sheelagh Carpendale, Faramarz Samavati, Hao Wang and Alan Dunning: Art and Nonlinear Projection. Pages 105–114<br /> <br /> * Russell Hendel: Aesthetically Pleasing Azulejo Patterns. Pages 115–122<br /> <br /> * Carolyn Yackel: Marking a Physical Sphere with a Projected Platonic Solid. Pages 123–130<br /> <br /> * Glenn Laigo, Ma. Louise Antonette N. De las Peñas and René Felix: Coloring Uniform Honeycombs. Pages 131–138<br /> <br /> * Robert Bosch and Andrew Pike: Map-Colored Mosaics. Pages 139–146<br /> <br /> * B. Lynn Bodner: The Unique Eleven-Pointed Star Polygon Design of the Topkapı Scroll. Pages 147–154<br /> <br /> * Gary Greenfield: Composite Digital Mosaics using Duotone Tiles. Pages 155–162<br /> <br /> * Douglas Dunham: The Symmetry of “Circle Limit IV” and Related Patterns. Pages 163–168<br /> <br /> * Vi Hart: Symmetry and Transformations in the Musical Plane. Pages 169–176<br /> <br /> * B.G. Thomas: Counterchange Patterns and Polyhedra. Pages 177–182<br /> <br /> * Rinus Roelofs: Non-Flat Tilings with Flat Tiles. Pages 183–192<br /> <br /> * Vladimir Bulatov: Using Polyhedral Stellations for Creation of Organic Geometric Sculptures. Pages 193–198<br /> <br /> * Robert Rollings: Polyhedra Through the Beauty of Wood. Pages 199–206<br /> <br /> * George Hart: Growth Forms. Pages 207–214<br /> <br /> * James Luke Akridge, Rachel Bowman, Peter Hamburger and Bruce Kessler: Using Works of Visual Art to Teach Matrix Transformations. Pages 215–222<br /> <br /> * Tom Verhoeff and Koos Verhoeff: Regular 3D Polygonal Circuits of Constant Torsion. Pages 223–230<br /> <br /> * Anne Burns: A Garden of Statistically Self-Similar Plants. Pages 231–238<br /> <br /> * Akio Hizume and Yoshikazu Yamagishi: Real Tornado. Pages 239–242<br /> <br /> * Paul Gailiunas: Concave Hexagons. Pages 243–250<br /> <br /> * Robert Fathauer: A New Method for Designing Iterated Knots. Pages 251–258<br /> <br /> * Jay Zimmerman: A Group Portrait on a Surface of Genus Five. Pages 259–264<br /> <br /> * Carl Bracken, Gary Fitzpatrick and Nadya Markin: Tiling the Musical Canon with Augmentations of the Ashanti Rhythmic Pattern. Pages 265–270<br /> <br /> * Walt van Ballegooijen, Paul Gailiunas and Dániel Erdély: Spidronised Space-Fillers. Pages 271–278<br /> <br /> * Susan Gerofsky, Francisco Gomez, David Rappaport and Godfried Toussaint: Spirograph Patterns and Circular Representations of Rhythm: Exploring Number Theory Concepts Through Visual, Tangible and Audible Representations. Pages 279–286<br /> <br /> * Susan McBurney: On Constructing a Virtual Loom. Pages 287–292<br /> <br /> * Katayoon Etemad and Sheelagh Carpendale: ShamsehTrees: Providing Hierarchical Context for Nodes of Interest. Pages 293–300<br /> <br /> * Bathsheba Grossman: Talking About Math/Art: The Long Pause. Pages 301–302<br /> <br /> * Jim Bumgardner: The Whitney Music Box. Pages 303–304<br /> <br /> * Darrah Chavey: Mathematical Experiments with African Sona Designs. Pages 305–308<br /> <br /> * Gail Kaplan: Honors Seminar: A Creative Interdisciplinary Approach for Student Exploration. Pages 309–312<br /> <br /> * Mehrdad Garousi and Khalil Taleslami: Realistic Image Making with Mandelbrot Set. Pages 313–314<br /> <br /> * Tamara Lakins: An Interdisciplinary First Seminar on Symmetry. Pages 315–316<br /> <br /> * Peter Smith: This Equation is Art. Pages 317–318<br /> <br /> * André Génard: ZenArt, graphic geometrical modules. Pages 319–320<br /> <br /> * Samuel Verbiese: Amazing Labyrinths, further Amazing Labyrinths, further developments. Pages 321–322<br /> <br /> * Edward Belbruno: Finding a New Route to the Moon Using Paintings. Pages 323–324<br /> <br /> * David Reimann: Text from Truchet Tiles. Pages 325–326<br /> <br /> * Sandy Spitzer: Geometry and Geodesy: Estimating the Earth&#039;s Circumference with Prospective Elementary Teachers. Pages 327–328<br /> <br /> * Liselott Flodén, Anders Holmbom, Marianne Olsson and Jens Persson: A Myriad Shades of Green. Pages 329–330<br /> <br /> * Fatma Mete: Geometric Transformations in Surface Design Generation. Pages 331–332<br /> <br /> * Brian Evans: The Quinary—Permuting Meaning with Generative Poetry. Pages 333–334<br /> <br /> * Curtis Palmer: Spelunking Adventure II: Combining Cyclons. Pages 335–336<br /> <br /> * Wolfgang Baatz, Massimo Fornasier, Peter A. Markowich and Carola-Bibiane Schönlieb: Binary Based Fresco Restoration. Pages 337–338<br /> <br /> * Joel Varland: Plane, Space, Cubism and Perpetual Displacement in 3D Design. Pages 339–340<br /> <br /> * Elaine F. Ellison: Mathematical Classroom Quilts. Pages 341–342<br /> <br /> * Stephen Luecking: Mathematical Iconography in Gaudí&#039;s Cosmos. Pages 343–344<br /> <br /> * Susan Happersett: Chaos – The Movie. Pages 345–346<br /> <br /> * Michael Frantz: The Frustrated Mathematician. Pages 347–348<br /> <br /> * Billy C. Scannell, Ben Van Dusen and R.P. Taylor: An Optical Demonstration of Fractal Geometry. Pages 349–350<br /> <br /> * S. Louise Gould: Using Geometer&#039;s Sketchpad to Construct Pop-up Polyhedra as a Tool for Classroom Study of Geometry. Pages 351–354<br /> <br /> * Krystyna Laycraft: Chaos, Complexity, and Creativity. Pages 355–362<br /> <br /> * Suzie Garfield: Stories Count: Narrative Approaches to Quantitative Learning. Pages 363–366<br /> <br /> * E.B. Meenan and B.G. Thomas: Creating Islamic Patterns from Folded Shapes. Pages 367–374<br /> <br /> * Patricia Bentley: Workshop: Working With Patterns To Introduce Mathematics Concepts To Young Children. Pages 375–378<br /> <br /> * Eva Knoll and Tara Taylor: Exploring Some of the Mathematical Properties of Chains. Pages 379–382<br /> <br /> * Susan Gerofsky: Bridges 09 Interactive Workshop: The Geometry of Longsword and Rapper Sword Locks. Pages 383–384<br /> <br /> * Greg Beiles and Daphne Rosenwald: The Beautiful Triangle. Pages 385–388<br /> <br /> * Duncan Melville and Sarah Melville: Perspectives on Perspective. Pages 389–394<br /> <br /> * Benjamin Wells and Philip Wagner: Workshop on The Fusion Project: Bridging Art Museums and Middle School Math Teachers. Pages 395–402<br /> <br /> * Robert McDermott: A Workshop to Build Three Simple Tensegrity Models for K-12 Mathematics Classrooms. Pages 403–408<br /> <br /> * Eva Knoll: Transferring Patterns: From Twill to Peyote Stitch. Pages 409–412<br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> http://archive.bridgesmathart.org/2009/index.html<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> http://bridgesmathart.org/past-conferences/bridges-2009/</div>

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