http://de.evo-art.org/index.php?action=history&feed=atom&title=Bridges_2010 Bridges 2010 - Versionsgeschichte 2026-08-10T20:37:48Z Versionsgeschichte dieser Seite in de_evolutionary_art_org MediaWiki 1.27.4 http://de.evo-art.org/index.php?title=Bridges_2010&diff=4409&oldid=prev Gbachelier am 3. Februar 2015 um 10:17 Uhr 2015-02-03T10:17:44Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 3. Februar 2015, 10:17 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Zeile 1:</td> <td colspan="2" class="diff-lineno">Zeile 1:</td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#The_Bridge_Conferences:_art_and_mathematics | zurück zu The Bridge Conferences: art and mathematics]] </ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Reference ==</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Reference ==</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>George W. Hart and Reza Sarhangi: Bridges 2010, Mathematics, Music, Art, Architecture, Culture. 13th Annual Bridges Conference in the City of Pécs, Hungary, 2010. ISBN: 9780984604203</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>George W. Hart and Reza Sarhangi: Bridges 2010, Mathematics, Music, Art, Architecture, Culture. 13th Annual Bridges Conference in the City of Pécs, Hungary, 2010. ISBN: 9780984604203</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l227" >Zeile 227:</td> <td colspan="2" class="diff-lineno">Zeile 230:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>=== Sonstige Links ===</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>=== Sonstige Links ===</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>http://bridgesmathart.org/past-conferences/bridges-2010/</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>http://bridgesmathart.org/past-conferences/bridges-2010/</div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#The_Bridge_Conferences:_art_and_mathematics | zurück zu The Bridge Conferences: art and mathematics]]</ins></div></td></tr> </table> Gbachelier http://de.evo-art.org/index.php?title=Bridges_2010&diff=4039&oldid=prev Gbachelier: /* Table of contents */ 2015-01-29T16:39:54Z <p>‎<span dir="auto"><span class="autocomment">Table of contents</span></span></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 29. Januar 2015, 16:39 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l41" >Zeile 41:</td> <td colspan="2" class="diff-lineno">Zeile 41:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Carlo H. Séquin: My Search for Symmetrical Embeddings of Regular Maps. In: [[Bridges 2010]]. Pages 85–94 http://archive.bridgesmathart.org/2010/bridges2010-85.html http://archive.bridgesmathart.org/2010/bridges2010-85.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Carlo H. Séquin: My Search for Symmetrical Embeddings of Regular Maps. In: [[Bridges 2010]]. Pages 85–94 http://archive.bridgesmathart.org/2010/bridges2010-85.html http://archive.bridgesmathart.org/2010/bridges2010-85.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Craig S. Kaplan: [[Curve Evolution Schemes for Parquet Deformations]]. In: [[Bridges 2010]]. Pages 95–102 http://archive.bridgesmathart.org/2010/bridges2010-95.html http://archive.bridgesmathart.org/2010/bridges2010-95.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">[[</ins>Craig S. Kaplan<ins class="diffchange diffchange-inline">]]</ins>: [[Curve Evolution Schemes for Parquet Deformations]]. In: [[Bridges 2010]]. Pages 95–102 http://archive.bridgesmathart.org/2010/bridges2010-95.html http://archive.bridgesmathart.org/2010/bridges2010-95.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Robert W. Fathauer: Some Three-dimensional Self-similar Knots. In: [[Bridges 2010]]. Pages 103–110 http://archive.bridgesmathart.org/2010/bridges2010-103.html http://archive.bridgesmathart.org/2010/bridges2010-103.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Robert W. Fathauer: Some Three-dimensional Self-similar Knots. In: [[Bridges 2010]]. Pages 103–110 http://archive.bridgesmathart.org/2010/bridges2010-103.html http://archive.bridgesmathart.org/2010/bridges2010-103.pdf</div></td></tr> </table> Gbachelier http://de.evo-art.org/index.php?title=Bridges_2010&diff=2807&oldid=prev Gbachelier am 2. Januar 2015 um 13:33 Uhr 2015-01-02T13:33:46Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 2. Januar 2015, 13:33 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l53" >Zeile 53:</td> <td colspan="2" class="diff-lineno">Zeile 53:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* B. Lynn Bodner: [[Bourgoin&#039;s 14-Pointed Star Polygon Designs]]. In: [[Bridges 2010]]. Pages 135–142 http://archive.bridgesmathart.org/2010/bridges2010-135.html http://archive.bridgesmathart.org/2010/bridges2010-135.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* B. Lynn Bodner: [[Bourgoin&#039;s 14-Pointed Star Polygon Designs]]. In: [[Bridges 2010]]. Pages 135–142 http://archive.bridgesmathart.org/2010/bridges2010-135.html http://archive.bridgesmathart.org/2010/bridges2010-135.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Gary <del class="diffchange diffchange-inline">R. </del>Greenfield: [[On Generating Dot Paintings in the Style of Howard Arkley]]. In: [[Bridges 2010]]. Pages 143–150 http://archive.bridgesmathart.org/2010/bridges2010-143.html http://archive.bridgesmathart.org/2010/bridges2010-143.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">[[</ins>Gary Greenfield<ins class="diffchange diffchange-inline">]]</ins>: [[On Generating Dot Paintings in the Style of Howard Arkley]]. In: [[Bridges 2010]]. Pages 143–150 http://archive.bridgesmathart.org/2010/bridges2010-143.html http://archive.bridgesmathart.org/2010/bridges2010-143.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Bjarne Jespersen: Geometric Tools for the Magic Woodcarver. In: [[Bridges 2010]]. Pages 151–158 http://archive.bridgesmathart.org/2010/bridges2010-151.html http://archive.bridgesmathart.org/2010/bridges2010-151.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Bjarne Jespersen: Geometric Tools for the Magic Woodcarver. In: [[Bridges 2010]]. Pages 151–158 http://archive.bridgesmathart.org/2010/bridges2010-151.html http://archive.bridgesmathart.org/2010/bridges2010-151.pdf</div></td></tr> </table> Gbachelier http://de.evo-art.org/index.php?title=Bridges_2010&diff=2735&oldid=prev Gbachelier am 31. Dezember 2014 um 19:43 Uhr 2014-12-31T19:43:43Z <p></p> <a href="http://de.evo-art.org/index.php?title=Bridges_2010&amp;diff=2735&amp;oldid=2724">Änderungen zeigen</a> Gbachelier http://de.evo-art.org/index.php?title=Bridges_2010&diff=2724&oldid=prev Gbachelier am 31. Dezember 2014 um 19:34 Uhr 2014-12-31T19:34:14Z <p></p> <a href="http://de.evo-art.org/index.php?title=Bridges_2010&amp;diff=2724&amp;oldid=2701">Änderungen zeigen</a> Gbachelier http://de.evo-art.org/index.php?title=Bridges_2010&diff=2701&oldid=prev Gbachelier am 30. Dezember 2014 um 19:03 Uhr 2014-12-30T19:03:23Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 30. Dezember 2014, 19:03 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l207" >Zeile 207:</td> <td colspan="2" class="diff-lineno">Zeile 207:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Simon Morgan, Jacqueline Sack and Eva Knoll: Creative Learning with Giant Triangles. Pages 523–530 http://archive.bridgesmathart.org/2010/bridges2010-523.html http://archive.bridgesmathart.org/2010/bridges2010-523.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Simon Morgan, Jacqueline Sack and Eva Knoll: Creative Learning with Giant Triangles. Pages 523–530 http://archive.bridgesmathart.org/2010/bridges2010-523.html http://archive.bridgesmathart.org/2010/bridges2010-523.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Reza Sarhangi: A Workshop in Geometric Constructions of Mosaic Designs. Pages 531–538 http://archive.bridgesmathart.org/2010/bridges2010-531.html http://archive.bridgesmathart.org/2010/bridges2010-531.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Reza Sarhangi: <ins class="diffchange diffchange-inline">[[</ins>A Workshop in Geometric Constructions of Mosaic Designs<ins class="diffchange diffchange-inline">]]</ins>. Pages 531–538 http://archive.bridgesmathart.org/2010/bridges2010-531.html http://archive.bridgesmathart.org/2010/bridges2010-531.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* E.B. Meenan and B.G. Thomas: Escher-type Tessellations and Pull-up Polyhedra: Creative Learning for the Classroom. Pages 539–544 http://archive.bridgesmathart.org/2010/bridges2010-539.html http://archive.bridgesmathart.org/2010/bridges2010-539.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* E.B. Meenan and B.G. Thomas: <ins class="diffchange diffchange-inline">[[</ins>Escher-type Tessellations and Pull-up Polyhedra: Creative Learning for the Classroom<ins class="diffchange diffchange-inline">]]</ins>. Pages 539–544 http://archive.bridgesmathart.org/2010/bridges2010-539.html http://archive.bridgesmathart.org/2010/bridges2010-539.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* János Szász Saxon: POLY-UNIVERSE—Knowledge Produce Toy Family. Pages 545–550 http://archive.bridgesmathart.org/2010/bridges2010-545.html http://archive.bridgesmathart.org/2010/bridges2010-545.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* János Szász Saxon: <ins class="diffchange diffchange-inline">[[</ins>POLY-UNIVERSE—Knowledge Produce Toy Family<ins class="diffchange diffchange-inline">]]</ins>. Pages 545–550 http://archive.bridgesmathart.org/2010/bridges2010-545.html http://archive.bridgesmathart.org/2010/bridges2010-545.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Karl Schaffer and Erik Stern: Workshop on Mathematics and Dance. Pages 551–554 http://archive.bridgesmathart.org/2010/bridges2010-551.html http://archive.bridgesmathart.org/2010/bridges2010-551.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Karl Schaffer and Erik Stern: Workshop on Mathematics and Dance. Pages 551–554 http://archive.bridgesmathart.org/2010/bridges2010-551.html http://archive.bridgesmathart.org/2010/bridges2010-551.pdf</div></td></tr> </table> Gbachelier http://de.evo-art.org/index.php?title=Bridges_2010&diff=2700&oldid=prev Gbachelier am 30. Dezember 2014 um 16:22 Uhr 2014-12-30T16:22:58Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 30. Dezember 2014, 16:22 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l19" >Zeile 19:</td> <td colspan="2" class="diff-lineno">Zeile 19:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* László Lovász: Visual and Logical Beauty in Mathematics. Pages 2–2 http://archive.bridgesmathart.org/2010/bridges2010-2.html http://archive.bridgesmathart.org/2010/bridges2010-2.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* László Lovász: Visual and Logical Beauty in Mathematics. Pages 2–2 http://archive.bridgesmathart.org/2010/bridges2010-2.html http://archive.bridgesmathart.org/2010/bridges2010-2.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Julian Voss-Andreae: Quantum Sculpture: Art Inspired by the Deeper Nature of Reality. Pages 3–10 http://archive.bridgesmathart.org/2010/bridges2010-3.html http://archive.bridgesmathart.org/2010/bridges2010-3.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Julian Voss-Andreae: <ins class="diffchange diffchange-inline">[[</ins>Quantum Sculpture: Art Inspired by the Deeper Nature of Reality<ins class="diffchange diffchange-inline">]]</ins>. Pages 3–10 http://archive.bridgesmathart.org/2010/bridges2010-3.html http://archive.bridgesmathart.org/2010/bridges2010-3.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Angela Vierling-Claassen: Models of Surfaces and Abstract Art in the Early 20th Century. Pages 11–18 http://archive.bridgesmathart.org/2010/bridges2010-11.html http://archive.bridgesmathart.org/2010/bridges2010-11.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Angela Vierling-Claassen: Models of Surfaces and Abstract Art in the Early 20th Century. Pages 11–18 http://archive.bridgesmathart.org/2010/bridges2010-11.html http://archive.bridgesmathart.org/2010/bridges2010-11.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Penousal Machado: Expressions, Assemblages and Grammars. Pages 19–26 http://archive.bridgesmathart.org/2010/bridges2010-19.html http://archive.bridgesmathart.org/2010/bridges2010-19.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">[[</ins>Penousal Machado<ins class="diffchange diffchange-inline">]]</ins>: <ins class="diffchange diffchange-inline">[[</ins>Expressions, Assemblages and Grammars<ins class="diffchange diffchange-inline">]]</ins>. Pages 19–26 http://archive.bridgesmathart.org/2010/bridges2010-19.html http://archive.bridgesmathart.org/2010/bridges2010-19.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Tom Verhoeff and Koos Verhoeff: Branching Miter Joints: Principles and Artwork. Pages 27–34 http://archive.bridgesmathart.org/2010/bridges2010-27.html http://archive.bridgesmathart.org/2010/bridges2010-27.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Tom Verhoeff and Koos Verhoeff: Branching Miter Joints: Principles and Artwork. Pages 27–34 http://archive.bridgesmathart.org/2010/bridges2010-27.html http://archive.bridgesmathart.org/2010/bridges2010-27.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l37" >Zeile 37:</td> <td colspan="2" class="diff-lineno">Zeile 37:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Elaine Krajenke Ellison and John Sharp: Tiled Torus Quilt with Changing Tiles. Pages 67–74 http://archive.bridgesmathart.org/2010/bridges2010-67.html http://archive.bridgesmathart.org/2010/bridges2010-67.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Elaine Krajenke Ellison and John Sharp: Tiled Torus Quilt with Changing Tiles. Pages 67–74 http://archive.bridgesmathart.org/2010/bridges2010-67.html http://archive.bridgesmathart.org/2010/bridges2010-67.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Rinus Roelofs: About Weaving and Helical Holes. Pages 75–84 http://archive.bridgesmathart.org/2010/bridges2010-75.html http://archive.bridgesmathart.org/2010/bridges2010-75.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Rinus Roelofs: <ins class="diffchange diffchange-inline">[[</ins>About Weaving and Helical Holes<ins class="diffchange diffchange-inline">]]</ins>. Pages 75–84 http://archive.bridgesmathart.org/2010/bridges2010-75.html http://archive.bridgesmathart.org/2010/bridges2010-75.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Carlo H. Séquin: My Search for Symmetrical Embeddings of Regular Maps. Pages 85–94 http://archive.bridgesmathart.org/2010/bridges2010-85.html http://archive.bridgesmathart.org/2010/bridges2010-85.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Carlo H. Séquin: My Search for Symmetrical Embeddings of Regular Maps. Pages 85–94 http://archive.bridgesmathart.org/2010/bridges2010-85.html http://archive.bridgesmathart.org/2010/bridges2010-85.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Craig S. Kaplan: Curve Evolution Schemes for Parquet Deformations. Pages 95–102 http://archive.bridgesmathart.org/2010/bridges2010-95.html http://archive.bridgesmathart.org/2010/bridges2010-95.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Craig S. Kaplan: <ins class="diffchange diffchange-inline">[[</ins>Curve Evolution Schemes for Parquet Deformations<ins class="diffchange diffchange-inline">]]</ins>. Pages 95–102 http://archive.bridgesmathart.org/2010/bridges2010-95.html http://archive.bridgesmathart.org/2010/bridges2010-95.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Robert W. Fathauer: Some Three-dimensional Self-similar Knots. Pages 103–110 http://archive.bridgesmathart.org/2010/bridges2010-103.html http://archive.bridgesmathart.org/2010/bridges2010-103.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Robert W. Fathauer: Some Three-dimensional Self-similar Knots. Pages 103–110 http://archive.bridgesmathart.org/2010/bridges2010-103.html http://archive.bridgesmathart.org/2010/bridges2010-103.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l47" >Zeile 47:</td> <td colspan="2" class="diff-lineno">Zeile 47:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Darrah Chavey: Strip Symmetry Groups of African Sona Designs. Pages 111–118 http://archive.bridgesmathart.org/2010/bridges2010-111.html http://archive.bridgesmathart.org/2010/bridges2010-111.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Darrah Chavey: Strip Symmetry Groups of African Sona Designs. Pages 111–118 http://archive.bridgesmathart.org/2010/bridges2010-111.html http://archive.bridgesmathart.org/2010/bridges2010-111.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Christopher Carlson: Interactive Exploration of Corporate Logos: From Mercedes Benz to Sea Creatures. Pages 119–126 http://archive.bridgesmathart.org/2010/bridges2010-119.html http://archive.bridgesmathart.org/2010/bridges2010-119.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Christopher Carlson: <ins class="diffchange diffchange-inline">[[</ins>Interactive Exploration of Corporate Logos: From Mercedes Benz to Sea Creatures<ins class="diffchange diffchange-inline">]]</ins>. Pages 119–126 http://archive.bridgesmathart.org/2010/bridges2010-119.html http://archive.bridgesmathart.org/2010/bridges2010-119.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Ljiljana Radovic and Slavik Jablan: Vasarely&#039;s Work—Invitation to Mathematical and Combinatorial Visual Games. Pages 127–134 http://archive.bridgesmathart.org/2010/bridges2010-127.html http://archive.bridgesmathart.org/2010/bridges2010-127.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Ljiljana Radovic and Slavik Jablan: <ins class="diffchange diffchange-inline">[[</ins>Vasarely&#039;s Work—Invitation to Mathematical and Combinatorial Visual Games<ins class="diffchange diffchange-inline">]]</ins>. Pages 127–134 http://archive.bridgesmathart.org/2010/bridges2010-127.html http://archive.bridgesmathart.org/2010/bridges2010-127.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* B. Lynn Bodner: Bourgoin&#039;s 14-Pointed Star Polygon Designs. Pages 135–142 http://archive.bridgesmathart.org/2010/bridges2010-135.html http://archive.bridgesmathart.org/2010/bridges2010-135.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* B. Lynn Bodner: <ins class="diffchange diffchange-inline">[[</ins>Bourgoin&#039;s 14-Pointed Star Polygon Designs<ins class="diffchange diffchange-inline">]]</ins>. Pages 135–142 http://archive.bridgesmathart.org/2010/bridges2010-135.html http://archive.bridgesmathart.org/2010/bridges2010-135.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Gary R. Greenfield: On Generating Dot Paintings in the Style of Howard Arkley. Pages 143–150 http://archive.bridgesmathart.org/2010/bridges2010-143.html http://archive.bridgesmathart.org/2010/bridges2010-143.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Gary R. Greenfield: <ins class="diffchange diffchange-inline">[[</ins>On Generating Dot Paintings in the Style of Howard Arkley<ins class="diffchange diffchange-inline">]]</ins>. Pages 143–150 http://archive.bridgesmathart.org/2010/bridges2010-143.html http://archive.bridgesmathart.org/2010/bridges2010-143.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Bjarne Jespersen: Geometric Tools for the Magic Woodcarver. Pages 151–158 http://archive.bridgesmathart.org/2010/bridges2010-151.html http://archive.bridgesmathart.org/2010/bridges2010-151.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Bjarne Jespersen: Geometric Tools for the Magic Woodcarver. Pages 151–158 http://archive.bridgesmathart.org/2010/bridges2010-151.html http://archive.bridgesmathart.org/2010/bridges2010-151.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l59" >Zeile 59:</td> <td colspan="2" class="diff-lineno">Zeile 59:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Hideki Tsuiki: Imaginary Cubes—Objects with Three Square Projection Images. Pages 159–166 http://archive.bridgesmathart.org/2010/bridges2010-159.html http://archive.bridgesmathart.org/2010/bridges2010-159.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Hideki Tsuiki: Imaginary Cubes—Objects with Three Square Projection Images. Pages 159–166 http://archive.bridgesmathart.org/2010/bridges2010-159.html http://archive.bridgesmathart.org/2010/bridges2010-159.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Michael Hansmeyer: Design by Subdivision. Pages 167–174 http://archive.bridgesmathart.org/2010/bridges2010-167.html http://archive.bridgesmathart.org/2010/bridges2010-167.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Michael Hansmeyer: <ins class="diffchange diffchange-inline">[[</ins>Design by Subdivision<ins class="diffchange diffchange-inline">]]</ins>. Pages 167–174 http://archive.bridgesmathart.org/2010/bridges2010-167.html http://archive.bridgesmathart.org/2010/bridges2010-167.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Antal Kelle: Artformer Geometry. Pages 175–182 http://archive.bridgesmathart.org/2010/bridges2010-175.html http://archive.bridgesmathart.org/2010/bridges2010-175.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Antal Kelle: Artformer Geometry. Pages 175–182 http://archive.bridgesmathart.org/2010/bridges2010-175.html http://archive.bridgesmathart.org/2010/bridges2010-175.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Stanley Spencer: Creating and Modifying Images Using Newton&#039;s Method for Solving Equations. Pages 183–190 http://archive.bridgesmathart.org/2010/bridges2010-183.html http://archive.bridgesmathart.org/2010/bridges2010-183.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Stanley Spencer: <ins class="diffchange diffchange-inline">[[</ins>Creating and Modifying Images Using Newton&#039;s Method for Solving Equations<ins class="diffchange diffchange-inline">]]</ins>. Pages 183–190 http://archive.bridgesmathart.org/2010/bridges2010-183.html http://archive.bridgesmathart.org/2010/bridges2010-183.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Michael Field: Using Mathematics in Art. Pages 191–198 http://archive.bridgesmathart.org/2010/bridges2010-191.html http://archive.bridgesmathart.org/2010/bridges2010-191.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Michael Field: Using Mathematics in Art. Pages 191–198 http://archive.bridgesmathart.org/2010/bridges2010-191.html http://archive.bridgesmathart.org/2010/bridges2010-191.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l71" >Zeile 71:</td> <td colspan="2" class="diff-lineno">Zeile 71:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Devrim Işikkaya: Early Modern Art Layouts in Breuer&#039;s Design. Pages 207–214 http://archive.bridgesmathart.org/2010/bridges2010-207.html http://archive.bridgesmathart.org/2010/bridges2010-207.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Devrim Işikkaya: Early Modern Art Layouts in Breuer&#039;s Design. Pages 207–214 http://archive.bridgesmathart.org/2010/bridges2010-207.html http://archive.bridgesmathart.org/2010/bridges2010-207.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Jean-Marc Castéra: From the Angle of Quasicrystals. Pages 215–222 http://archive.bridgesmathart.org/2010/bridges2010-215.html http://archive.bridgesmathart.org/2010/bridges2010-215.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Jean-Marc Castéra: <ins class="diffchange diffchange-inline">[[</ins>From the Angle of Quasicrystals<ins class="diffchange diffchange-inline">]]</ins>. Pages 215–222 http://archive.bridgesmathart.org/2010/bridges2010-215.html http://archive.bridgesmathart.org/2010/bridges2010-215.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* István Lénárt: Gauss, Bolyai, Lobachevsky — in General Education? (Hyperbolic Geometry as Part of the Mathematics Curriculum). Pages 223–230 http://archive.bridgesmathart.org/2010/bridges2010-223.html http://archive.bridgesmathart.org/2010/bridges2010-223.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* István Lénárt: Gauss, Bolyai, Lobachevsky — in General Education? (Hyperbolic Geometry as Part of the Mathematics Curriculum). Pages 223–230 http://archive.bridgesmathart.org/2010/bridges2010-223.html http://archive.bridgesmathart.org/2010/bridges2010-223.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l79" >Zeile 79:</td> <td colspan="2" class="diff-lineno">Zeile 79:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* István Orosz: Art with a Double Meaning. Pages 239–246 http://archive.bridgesmathart.org/2010/bridges2010-239.html http://archive.bridgesmathart.org/2010/bridges2010-239.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* István Orosz: Art with a Double Meaning. Pages 239–246 http://archive.bridgesmathart.org/2010/bridges2010-239.html http://archive.bridgesmathart.org/2010/bridges2010-239.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Javier Barrallo: Expanding the Mandelbrot Set into Higher Dimensions. Pages 247–254 http://archive.bridgesmathart.org/2010/bridges2010-247.html http://archive.bridgesmathart.org/2010/bridges2010-247.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Javier Barrallo: <ins class="diffchange diffchange-inline">[[</ins>Expanding the Mandelbrot Set into Higher Dimensions<ins class="diffchange diffchange-inline">]]</ins>. Pages 247–254 http://archive.bridgesmathart.org/2010/bridges2010-247.html http://archive.bridgesmathart.org/2010/bridges2010-247.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Douglas McKenna: Swhirling Squares: A Simple Math Flip-Book Animation. Pages 255–262 http://archive.bridgesmathart.org/2010/bridges2010-255.html http://archive.bridgesmathart.org/2010/bridges2010-255.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Douglas McKenna: Swhirling Squares: A Simple Math Flip-Book Animation. Pages 255–262 http://archive.bridgesmathart.org/2010/bridges2010-255.html http://archive.bridgesmathart.org/2010/bridges2010-255.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l113" >Zeile 113:</td> <td colspan="2" class="diff-lineno">Zeile 113:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* László Vörös: Specialties of Models of the 6-dimensional Cube. Pages 353–358 http://archive.bridgesmathart.org/2010/bridges2010-353.html http://archive.bridgesmathart.org/2010/bridges2010-353.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* László Vörös: Specialties of Models of the 6-dimensional Cube. Pages 353–358 http://archive.bridgesmathart.org/2010/bridges2010-353.html http://archive.bridgesmathart.org/2010/bridges2010-353.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Tim Boykett: Aesthetic and Mathematical Research: A Comparism with two Examples. Pages 359–362 http://archive.bridgesmathart.org/2010/bridges2010-359.html http://archive.bridgesmathart.org/2010/bridges2010-359.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Tim Boykett: <ins class="diffchange diffchange-inline">[[</ins>Aesthetic and Mathematical Research: A Comparism with two Examples<ins class="diffchange diffchange-inline">]]</ins>. Pages 359–362 http://archive.bridgesmathart.org/2010/bridges2010-359.html http://archive.bridgesmathart.org/2010/bridges2010-359.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Jesús Hernando: Alhambra&#039;s Nazari Single Tile Patterns Guided Tour. Pages 363–366 http://archive.bridgesmathart.org/2010/bridges2010-363.html http://archive.bridgesmathart.org/2010/bridges2010-363.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Jesús Hernando: <ins class="diffchange diffchange-inline">[[</ins>Alhambra&#039;s Nazari Single Tile Patterns Guided Tour<ins class="diffchange diffchange-inline">]]</ins>. Pages 363–366 http://archive.bridgesmathart.org/2010/bridges2010-363.html http://archive.bridgesmathart.org/2010/bridges2010-363.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Zsolt Lengvarszky: An Origami Puzzle of Intersecting Cubes. Pages 367–370 http://archive.bridgesmathart.org/2010/bridges2010-367.html http://archive.bridgesmathart.org/2010/bridges2010-367.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Zsolt Lengvarszky: An Origami Puzzle of Intersecting Cubes. Pages 367–370 http://archive.bridgesmathart.org/2010/bridges2010-367.html http://archive.bridgesmathart.org/2010/bridges2010-367.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l125" >Zeile 125:</td> <td colspan="2" class="diff-lineno">Zeile 125:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Nahid Tootoonchi: Mathematical Interpretation of Graphic and Poster Design in Iran. Pages 379–382 http://archive.bridgesmathart.org/2010/bridges2010-379.html http://archive.bridgesmathart.org/2010/bridges2010-379.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Nahid Tootoonchi: Mathematical Interpretation of Graphic and Poster Design in Iran. Pages 379–382 http://archive.bridgesmathart.org/2010/bridges2010-379.html http://archive.bridgesmathart.org/2010/bridges2010-379.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Ma. Louise Antonette N. De Las Peñas, Eden Delight B. Provido and René P. Felix: On Torsion Free Subgroups of $p32$ and Related Colored Tilings. Pages 383–386 http://archive.bridgesmathart.org/2010/bridges2010-383.html http://archive.bridgesmathart.org/2010/bridges2010-383.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Ma. Louise Antonette N. De Las Peñas, Eden Delight B. Provido and René P. Felix: <ins class="diffchange diffchange-inline">[[</ins>On Torsion Free Subgroups of $p32$ and Related Colored Tilings<ins class="diffchange diffchange-inline">]]</ins>. Pages 383–386 http://archive.bridgesmathart.org/2010/bridges2010-383.html http://archive.bridgesmathart.org/2010/bridges2010-383.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Jonathan McCabe: Cyclic Symmetric Multi-Scale Turing Patterns. Pages 387–390 http://archive.bridgesmathart.org/2010/bridges2010-387.html http://archive.bridgesmathart.org/2010/bridges2010-387.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Jonathan McCabe: <ins class="diffchange diffchange-inline">[[</ins>Cyclic Symmetric Multi-Scale Turing Patterns<ins class="diffchange diffchange-inline">]]</ins>. Pages 387–390 http://archive.bridgesmathart.org/2010/bridges2010-387.html http://archive.bridgesmathart.org/2010/bridges2010-387.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Bih-Yaw Jin, Chern Chuang and Chia-Chin Tsoo: Constructing Molecules with Beads: The Geometry of Topologically Nontrivial Fullerenes. Pages 391–394 http://archive.bridgesmathart.org/2010/bridges2010-391.html http://archive.bridgesmathart.org/2010/bridges2010-391.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Bih-Yaw Jin, Chern Chuang and Chia-Chin Tsoo: Constructing Molecules with Beads: The Geometry of Topologically Nontrivial Fullerenes. Pages 391–394 http://archive.bridgesmathart.org/2010/bridges2010-391.html http://archive.bridgesmathart.org/2010/bridges2010-391.pdf</div></td></tr> </table> Gbachelier http://de.evo-art.org/index.php?title=Bridges_2010&diff=2180&oldid=prev Gbachelier: /* Table of contents */ 2014-12-10T12:39:44Z <p>‎<span dir="auto"><span class="autocomment">Table of contents</span></span></p> <a href="http://de.evo-art.org/index.php?title=Bridges_2010&amp;diff=2180&amp;oldid=2179">Änderungen zeigen</a> Gbachelier http://de.evo-art.org/index.php?title=Bridges_2010&diff=2179&oldid=prev Gbachelier: Die Seite wurde neu angelegt: „== Reference == George W. Hart and Reza Sarhangi: Bridges 2010, Mathematics, Music, Art, Architecture, Culture. 13th Annual Bridges Conference in the City of P…“ 2014-12-10T11:51:29Z <p>Die Seite wurde neu angelegt: „== Reference == George W. Hart and Reza Sarhangi: Bridges 2010, Mathematics, Music, Art, Architecture, Culture. 13th Annual Bridges Conference in the City of P…“</p> <p><b>Neue Seite</b></p><div>== Reference ==<br /> George W. Hart and Reza Sarhangi: Bridges 2010, Mathematics, Music, Art, Architecture, Culture. 13th Annual Bridges Conference in the City of Pécs, Hungary, 2010. ISBN: 9780984604203<br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> <br /> == Extended Abstract ==<br /> <br /> == Reviews==<br /> <br /> == Bibtex == <br /> <br /> == Table of contents==<br /> * The Editors: Front Matter http://archive.bridgesmathart.org/2010/frontmatter.pdf <br /> <br /> * Ernő Rubik: The System Approach and Design. Pages 1–1<br /> <br /> * László Lovász: Visual and Logical Beauty in Mathematics. Pages 2–2<br /> <br /> * Julian Voss-Andreae: Quantum Sculpture: Art Inspired by the Deeper Nature of Reality. Pages 3–10<br /> <br /> * Angela Vierling-Claassen: Models of Surfaces and Abstract Art in the Early 20th Century. Pages 11–18<br /> <br /> * Penousal Machado: Expressions, Assemblages and Grammars. Pages 19–26<br /> <br /> * Tom Verhoeff and Koos Verhoeff: Branching Miter Joints: Principles and Artwork. Pages 27–34<br /> <br /> * Sarah Glaz: Poetry Inspired by Mathematics. Pages 35–42<br /> <br /> * Yang Liu and Godfried Toussaint: Types of Repetition and Multistable Perception in the Frieze Patterns on the Marble Pavement of the Cathedral of Siena. Pages 43–50<br /> <br /> * Chiara Tuffanelli: Mirrors and Spheres: The Geometry within the “Tall Tree and the Eye”. Pages 51–58<br /> <br /> * James Mai: Compositional Constraints of Simultaneous Color Contrast: Toward a Classification of Types. Pages 59–66<br /> <br /> * Elaine Krajenke Ellison and John Sharp: Tiled Torus Quilt with Changing Tiles. Pages 67–74<br /> <br /> * Rinus Roelofs: About Weaving and Helical Holes. Pages 75–84<br /> <br /> * Carlo H. Séquin: My Search for Symmetrical Embeddings of Regular Maps. Pages 85–94<br /> <br /> * Craig S. Kaplan: Curve Evolution Schemes for Parquet Deformations. Pages 95–102<br /> <br /> * Robert W. Fathauer: Some Three-dimensional Self-similar Knots. Pages 103–110<br /> <br /> * Darrah Chavey: Strip Symmetry Groups of African Sona Designs. Pages 111–118<br /> <br /> * Christopher Carlson: Interactive Exploration of Corporate Logos: From Mercedes Benz to Sea Creatures. Pages 119–126<br /> <br /> * Ljiljana Radovic and Slavik Jablan: Vasarely&#039;s Work—Invitation to Mathematical and Combinatorial Visual Games. Pages 127–134<br /> <br /> * B. Lynn Bodner: Bourgoin&#039;s 14-Pointed Star Polygon Designs. Pages 135–142<br /> <br /> * Gary R. Greenfield: On Generating Dot Paintings in the Style of Howard Arkley. Pages 143–150<br /> <br /> * Bjarne Jespersen: Geometric Tools for the Magic Woodcarver. Pages 151–158<br /> <br /> * Hideki Tsuiki: Imaginary Cubes—Objects with Three Square Projection Images. Pages 159–166<br /> <br /> * Michael Hansmeyer: Design by Subdivision. Pages 167–174<br /> <br /> * Antal Kelle: Artformer Geometry. Pages 175–182<br /> <br /> * Stanley Spencer: Creating and Modifying Images Using Newton&#039;s Method for Solving Equations. Pages 183–190<br /> <br /> * Michael Field: Using Mathematics in Art. Pages 191–198<br /> <br /> * Dirk Huylebrouck: Regular Polyhedral Lattices of Genus 2: 11 Platonic Equivalents? Pages 199–206<br /> <br /> * Devrim Işikkaya: Early Modern Art Layouts in Breuer&#039;s Design. Pages 207–214<br /> <br /> * Jean-Marc Castéra: From the Angle of Quasicrystals. Pages 215–222<br /> <br /> * István Lénárt: Gauss, Bolyai, Lobachevsky — in General Education? (Hyperbolic Geometry as Part of the Mathematics Curriculum). Pages 223–230<br /> <br /> * Francesco De Comité: A General Procedure for the Construction of Mirror Anamorphoses. Pages 231–238<br /> <br /> * István Orosz: Art with a Double Meaning. Pages 239–246<br /> <br /> * Javier Barrallo: Expanding the Mandelbrot Set into Higher Dimensions. Pages 247–254<br /> <br /> * Douglas McKenna: Swhirling Squares: A Simple Math Flip-Book Animation. Pages 255–262<br /> <br /> * Douglas G. Burkholder: Brunnian Weavings. Pages 263–270<br /> <br /> * Caspar Schwabe: Eureka and Serendipity: The Rudolf von Laban Icosahedron and Buckminster Fuller&#039;s Jitterbug. Pages 271–278<br /> <br /> * György Darvas: Projection of Point Sets to a Lower Dimension with Applications in the Arts. Pages 279–286<br /> <br /> * Joel C. Langer: The Vitruvian Figure of Eight. Pages 287–292<br /> <br /> * Paul Gailiunas: A Fractal Celtic Key Pattern? Pages 293–298<br /> <br /> * Russell Jay Hendel: Biblical Cantillations. Pages 299–304<br /> <br /> * Tatiana Bonch-Osmolovskaya: Some Possibilities of Russian Combinatorial Literature. Pages 305–310<br /> <br /> * János Malina: Amateur and Pioneer: Simon Stevin (ca. 1548–1620) about Music Theory. Pages 311–316<br /> <br /> * Sándor Kabai: 30 Cubes on a Rhombic Triacontahedron. Pages 317–322<br /> <br /> * Michael Longuet-Higgins: On Growth, Form and Yin-Yang. Pages 323–328<br /> <br /> * Carsten Miller: Everything is Number—Mathematics Meets Arts. Pages 329–334<br /> <br /> * B.G. Thomas: Viruses and Crystals: Science Meets Design. Pages 335–340<br /> <br /> * Chirashree Bhattacharya and Rachel Wells Hall: Geometrical Representations of North Indian Thāts and Rāgs. Pages 341–346<br /> <br /> * Douglas Dunham: Hyperbolic Vasarely Patterns. Pages 347–352<br /> <br /> * László Vörös: Specialties of Models of the 6-dimensional Cube. Pages 353–358<br /> <br /> * Tim Boykett: Aesthetic and Mathematical Research: A Comparism with two Examples. Pages 359–362<br /> <br /> * Jesús Hernando: Alhambra&#039;s Nazari Single Tile Patterns Guided Tour. Pages 363–366<br /> <br /> * Zsolt Lengvarszky: An Origami Puzzle of Intersecting Cubes. Pages 367–370<br /> <br /> * Daylene Zielinski: Beautiful Homework: The Artists&#039; Critique Group in the Mathematics Classroom. Pages 371–374<br /> <br /> * Gail Kaplan: Parabolic Connections: Linking History, Art, Acoustics, and Mathematics. Pages 375–378<br /> <br /> * Nahid Tootoonchi: Mathematical Interpretation of Graphic and Poster Design in Iran. Pages 379–382<br /> <br /> * Ma. Louise Antonette N. De Las Peñas, Eden Delight B. Provido and René P. Felix: On Torsion Free Subgroups of $p32$ and Related Colored Tilings. Pages 383–386<br /> <br /> * Jonathan McCabe: Cyclic Symmetric Multi-Scale Turing Patterns. Pages 387–390<br /> <br /> * Bih-Yaw Jin, Chern Chuang and Chia-Chin Tsoo: Constructing Molecules with Beads: The Geometry of Topologically Nontrivial Fullerenes. Pages 391–394<br /> <br /> * John M. Sullivan: Minimal Flowers. Pages 395–398<br /> <br /> * Tibor Tarnai: Ivory Polyhedra Turned on a Lathe. Pages 399–402<br /> <br /> * Charles Gunn: Ribbon Edges: a New Impulse for Geometric Sculpture. Pages 403–406<br /> <br /> * Koert Feenstra: Moiré II. Pages 407–410<br /> <br /> * Mehrdad Garousi and Hamid Reza Dezfoolian: Constructing Sierpinski Triangle with Rings. Pages 411–414<br /> <br /> * Carla Farsi: Mathematical Models for Argentine Tango. Pages 415–418<br /> <br /> * Nicholas Abruzzo: Toward a Tesseract Theater. Pages 419–422<br /> <br /> * Andreia Hall, Rosa Amélia Martins and Carlota Simões: Exploring Symmetry in Elementary Schools. Pages 423–426<br /> <br /> * David A. Reimann: Patterns from Archimedean Tilings Using Generalized Truchet Tiles Decorated with Simple Bézier Curves. Pages 427–430<br /> <br /> * Eleonóra Stettner: Playing with the Möbius Band. Pages 431–434<br /> <br /> * M. G. Marques and M. Pires: Creating Cartoon Images with Functions: A Pedagogical Project. Pages 435–438<br /> <br /> * Ferhan Kızıltepe: Review of a Cinema Film from the Perspective of Symmetry: “The Pillow Book”. Pages 439–442<br /> <br /> * János Erdős: Sphaerica: Interactive Spherical Geometry Software. Pages 443–446<br /> <br /> * Jacques Beck: Multisculpture or Polymorphic Sculpture: A Different Approach to Sculpture to Challenge and Nurture Reflection: Both in the Sculptor and in the Viewer. Pages 447–450<br /> <br /> * Louise Mabbs: Borromean Rings &amp; Three Fold Knots. Pages 451–454<br /> <br /> * Jan W. Marcus: Cylinder Anamorphosis of Impossible Structures. Pages 455–458<br /> <br /> * Eliana Manuel Pinho: Ad Quadratum Ad Infinitum. Pages 459–462<br /> <br /> * Samuel Verbiese: The K5 Graph Turned into a Golden Pyramid. Pages 463–466<br /> <br /> * Mike Kostner, Franz Schubert and Carola-Bibiane Schönlieb: Chaos, Noise, Randomness and Coincidence as Constitutional for Generative Art. Pages 467–470<br /> <br /> * Pedro Campos and Ana Isabel Portugal: Seeing with the Mind: from the Matrix into the Cloud. Pages 471–474<br /> <br /> * Harlan J. Brothers: Mandel-Bach Journey: A Marriage of Musical and Visual Fractals. Pages 475–478<br /> <br /> * David I. McCooey: Models of Locally Regular Heptagonal Dodecahedra. Pages 479–482<br /> <br /> * Henry Segerman: The Sunflower Spiral and the Fibonacci Metric. Pages 483–486<br /> <br /> * Zoltán Juhász: Classification and Comparison of Different Folk Music Traditions Using Self Learning Algorithms. Pages 487–490<br /> <br /> * Toshihiro Bando, Masamichi Kobayashi, Yuri Sakurai: Matière of Painting Analyzed by Wavelet Transform. Pages 491–492<br /> <br /> * Ion Bica: Oscillatory Solutions for Sine-Gordon Equation. Pages 493–494<br /> <br /> * Anna Virágvölgyi: Tile Color Matching Using Simple Universal Cycles. Pages 495–496<br /> <br /> * John A. Hiigli: Intertransformability. Pages 497–498<br /> <br /> * Daniel Lőrincz, Brigitta Szilágyi and Ágnes Urbin: Perspective with Six Vanishing Points. Pages 499–500<br /> <br /> * Philippe Bootz: Use of Pseudo Functions in Digital Creation. Pages 501–502<br /> <br /> * Joel Varland: The Visualization of Flow. Pages 503–504<br /> <br /> * Julie Rogers Varland: The Qualitative and Quantitative World of Robert Wilson&#039;s Theater. Pages 505–506<br /> <br /> * Robert McDermott: Revisiting Mat Board Models for A Physical Proof of Five and Only Five Regular Solids or Polyhedron. Pages 507–508<br /> <br /> * Kenneth Brecher: Anamorphic, Kaleidoscopic and Sculptural Mirror Reflections. Pages 509–510<br /> <br /> * Lajos Szilassi: Locally and Globally Regular Toroids with Less than 16 Hexagonal Faces. Pages 511–512<br /> <br /> * F. Farkas Tamás: Impossible Ornaments. Pages 513–514<br /> <br /> * Vi Hart: Mathematical Balloon Twisting for Education. Pages 515–522<br /> <br /> * Simon Morgan, Jacqueline Sack and Eva Knoll: Creative Learning with Giant Triangles. Pages 523–530<br /> <br /> * Reza Sarhangi: A Workshop in Geometric Constructions of Mosaic Designs. Pages 531–538<br /> <br /> * E.B. Meenan and B.G. Thomas: Escher-type Tessellations and Pull-up Polyhedra: Creative Learning for the Classroom. Pages 539–544<br /> <br /> * János Szász Saxon: POLY-UNIVERSE—Knowledge Produce Toy Family. Pages 545–550<br /> <br /> * Karl Schaffer and Erik Stern: Workshop on Mathematics and Dance. Pages 551–554<br /> <br /> * Zsófia Ruttkay: Programming for Artists with Processing. Pages 555–558<br /> <br /> * Janka Szilágyi and Jill Zarazinski: Using Roller Coasters to Bridge Mathematics, Science and the Arts. Pages 559–560<br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> http://archive.bridgesmathart.org/2010/index.html<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> http://bridgesmathart.org/past-conferences/bridges-2010/</div> Gbachelier