http://de.evo-art.org/index.php?action=history&feed=atom&title=Bridges_2012 Bridges 2012 - Versionsgeschichte 2026-04-14T18:14:55Z Versionsgeschichte dieser Seite in de_evolutionary_art_org MediaWiki 1.27.4 http://de.evo-art.org/index.php?title=Bridges_2012&diff=4423&oldid=prev Gbachelier am 4. Februar 2015 um 12:24 Uhr 2015-02-04T12:24:51Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 4. Februar 2015, 12:24 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l44" >Zeile 44:</td> <td colspan="2" class="diff-lineno">Zeile 44:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Carlo H. Séquin: From Möbius Bands to Klein-Knottles. In: [[Bridges 2012]]. Pages 93–102 http://archive.bridgesmathart.org/2012/bridges2012-93.html http://archive.bridgesmathart.org/2012/bridges2012-93.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Carlo H. Séquin: From Möbius Bands to Klein-Knottles. In: [[Bridges 2012]]. Pages 93–102 http://archive.bridgesmathart.org/2012/bridges2012-93.html http://archive.bridgesmathart.org/2012/bridges2012-93.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Saul Schleimer and Henry Segerman: [[Sculptures in S3]]. In: [[Bridges 2012]]. Pages 103–110 http://archive.bridgesmathart.org/2012/bridges2012-103.html http://archive.bridgesmathart.org/2012/bridges2012-103.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">&lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; </ins>Saul Schleimer and Henry Segerman: [[Sculptures in S3]]. In: [[Bridges 2012]]. Pages 103–110 http://archive.bridgesmathart.org/2012/bridges2012-103.html http://archive.bridgesmathart.org/2012/bridges2012-103.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Rinus Roelofs: [[Splitting Tilings]]. In: [[Bridges 2012]]. Pages 111–118 http://archive.bridgesmathart.org/2012/bridges2012-111.html http://archive.bridgesmathart.org/2012/bridges2012-111.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">&lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; </ins>Rinus Roelofs: [[Splitting Tilings]]. In: [[Bridges 2012]]. Pages 111–118 http://archive.bridgesmathart.org/2012/bridges2012-111.html http://archive.bridgesmathart.org/2012/bridges2012-111.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Walt van Ballegooijen: [[Playing with the Platonics: A New Class of Polyhedra]]. In: [[Bridges 2012]]. Pages 119–124 http://archive.bridgesmathart.org/2012/bridges2012-119.html http://archive.bridgesmathart.org/2012/bridges2012-119.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Walt van Ballegooijen: [[Playing with the Platonics: A New Class of Polyhedra]]. In: [[Bridges 2012]]. Pages 119–124 http://archive.bridgesmathart.org/2012/bridges2012-119.html http://archive.bridgesmathart.org/2012/bridges2012-119.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* William F. Duffy: [[Sculpture Inspired by Connectivity in Nature]]. In: [[Bridges 2012]]. Pages 125–132 http://archive.bridgesmathart.org/2012/bridges2012-125.html http://archive.bridgesmathart.org/2012/bridges2012-125.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">&lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; </ins>William F. Duffy: [[Sculpture Inspired by Connectivity in Nature]]. In: [[Bridges 2012]]. Pages 125–132 http://archive.bridgesmathart.org/2012/bridges2012-125.html http://archive.bridgesmathart.org/2012/bridges2012-125.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Tiffany C. Inglis and Craig S. Kaplan: [[Circle patterns in Gothic Architecture]]. In: [[Bridges 2012]]. Pages 133–140 http://archive.bridgesmathart.org/2012/bridges2012-133.html http://archive.bridgesmathart.org/2012/bridges2012-133.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">&lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; </ins>Tiffany C. Inglis and Craig S. Kaplan: [[Circle patterns in Gothic Architecture]]. In: [[Bridges 2012]]. Pages 133–140 http://archive.bridgesmathart.org/2012/bridges2012-133.html http://archive.bridgesmathart.org/2012/bridges2012-133.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Jay Bonner and Marc Pelletier: [[A 7-Fold System for Creating Islamic Geometric Patterns Part 1: Historical Antecedents]]. In: [[Bridges 2012]]. Pages 141–148 http://archive.bridgesmathart.org/2012/bridges2012-141.html http://archive.bridgesmathart.org/2012/bridges2012-141.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">&lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; </ins>Jay Bonner and Marc Pelletier: [[A 7-Fold System for Creating Islamic Geometric Patterns Part 1: Historical Antecedents]]. In: [[Bridges 2012]]. Pages 141–148 http://archive.bridgesmathart.org/2012/bridges2012-141.html http://archive.bridgesmathart.org/2012/bridges2012-141.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Marc Pelletier and Jay Bonner: [[A 7-Fold System for Creating Islamic Geometric Patterns Part 2: Contemporary Expression]]. In: [[Bridges 2012]]. Pages 149–156 http://archive.bridgesmathart.org/2012/bridges2012-149.html http://archive.bridgesmathart.org/2012/bridges2012-149.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">&lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; </ins>Marc Pelletier and Jay Bonner: [[A 7-Fold System for Creating Islamic Geometric Patterns Part 2: Contemporary Expression]]. In: [[Bridges 2012]]. Pages 149–156 http://archive.bridgesmathart.org/2012/bridges2012-149.html http://archive.bridgesmathart.org/2012/bridges2012-149.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* B. Lynn Bodner: [[The Topkapı Scroll&#039;s Thirteen-Pointed Star Polygon Design]]. In: [[Bridges 2012]]. Pages 157–164 http://archive.bridgesmathart.org/2012/bridges2012-157.html http://archive.bridgesmathart.org/2012/bridges2012-157.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">&lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; </ins>B. Lynn Bodner: [[The Topkapı Scroll&#039;s Thirteen-Pointed Star Polygon Design]]. In: [[Bridges 2012]]. Pages 157–164 http://archive.bridgesmathart.org/2012/bridges2012-157.html http://archive.bridgesmathart.org/2012/bridges2012-157.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Reza Sarhangi: [[Polyhedral Modularity in a Special Class of Decagram Based Interlocking Star Polygons]]. In: [[Bridges 2012]]. Pages 165–174 http://archive.bridgesmathart.org/2012/bridges2012-165.html http://archive.bridgesmathart.org/2012/bridges2012-165.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">&lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; </ins>Reza Sarhangi: [[Polyhedral Modularity in a Special Class of Decagram Based Interlocking Star Polygons]]. In: [[Bridges 2012]]. Pages 165–174 http://archive.bridgesmathart.org/2012/bridges2012-165.html http://archive.bridgesmathart.org/2012/bridges2012-165.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Asaf Degani, Ron Asherov, Peter J. Lu: [[Tiles and Patterns of a Field: From Byzantine Churches to User Interface Design]]. In: [[Bridges 2012]]. Pages 175–182 http://archive.bridgesmathart.org/2012/bridges2012-175.html http://archive.bridgesmathart.org/2012/bridges2012-175.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Asaf Degani, Ron Asherov, Peter J. Lu: [[Tiles and Patterns of a Field: From Byzantine Churches to User Interface Design]]. In: [[Bridges 2012]]. Pages 175–182 http://archive.bridgesmathart.org/2012/bridges2012-175.html http://archive.bridgesmathart.org/2012/bridges2012-175.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* David Chappell: [[Sinuous Meander Patterns in Natural Coordinates]]. In: [[Bridges 2012]]. Pages 183–190 http://archive.bridgesmathart.org/2012/bridges2012-183.html http://archive.bridgesmathart.org/2012/bridges2012-183.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">&lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; </ins>David Chappell: [[Sinuous Meander Patterns in Natural Coordinates]]. In: [[Bridges 2012]]. Pages 183–190 http://archive.bridgesmathart.org/2012/bridges2012-183.html http://archive.bridgesmathart.org/2012/bridges2012-183.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Veronika Irvine: Broadening the Palette for Bobbin Lace: A Combinatorial Approach. In: [[Bridges 2012]]. Pages 191–198 http://archive.bridgesmathart.org/2012/bridges2012-191.html http://archive.bridgesmathart.org/2012/bridges2012-191.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Veronika Irvine: Broadening the Palette for Bobbin Lace: A Combinatorial Approach. In: [[Bridges 2012]]. Pages 191–198 http://archive.bridgesmathart.org/2012/bridges2012-191.html http://archive.bridgesmathart.org/2012/bridges2012-191.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Robert W. Fathauer: [[Two-color Fractal Tilings]]. In: [[Bridges 2012]]. Pages 199–206 http://archive.bridgesmathart.org/2012/bridges2012-199.html http://archive.bridgesmathart.org/2012/bridges2012-199.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">&lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; </ins>Robert W. Fathauer: [[Two-color Fractal Tilings]]. In: [[Bridges 2012]]. Pages 199–206 http://archive.bridgesmathart.org/2012/bridges2012-199.html http://archive.bridgesmathart.org/2012/bridges2012-199.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Elaine Krajenke Ellison: Mohr or Mascheroni? Pages 207–214 http://archive.bridgesmathart.org/2012/bridges2012-207.html http://archive.bridgesmathart.org/2012/bridges2012-207.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Elaine Krajenke Ellison: Mohr or Mascheroni? Pages 207–214 http://archive.bridgesmathart.org/2012/bridges2012-207.html http://archive.bridgesmathart.org/2012/bridges2012-207.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l84" >Zeile 84:</td> <td colspan="2" class="diff-lineno">Zeile 84:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Marcella Giulia Lorenzi and Mauro Francaviglia: Sacred Numbers and Tessellations in Aquileia&#039;s XI Century Mosaics. In: [[Bridges 2012]]. Pages 251–258 http://archive.bridgesmathart.org/2012/bridges2012-251.html http://archive.bridgesmathart.org/2012/bridges2012-251.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Marcella Giulia Lorenzi and Mauro Francaviglia: Sacred Numbers and Tessellations in Aquileia&#039;s XI Century Mosaics. In: [[Bridges 2012]]. Pages 251–258 http://archive.bridgesmathart.org/2012/bridges2012-251.html http://archive.bridgesmathart.org/2012/bridges2012-251.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* San Le: [[Simple Rules for Incorporating Design Art into Penrose and Fractal Tiles]]. In: [[Bridges 2012]]. Pages 259–266 http://archive.bridgesmathart.org/2012/bridges2012-259.html http://archive.bridgesmathart.org/2012/bridges2012-259.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">&lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; </ins>San Le: [[Simple Rules for Incorporating Design Art into Penrose and Fractal Tiles]]. In: [[Bridges 2012]]. Pages 259–266 http://archive.bridgesmathart.org/2012/bridges2012-259.html http://archive.bridgesmathart.org/2012/bridges2012-259.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Nathaniel A. Baylas IV, Teofina A. Rapanut, Ma. Louise Antonette N. De las Peñas: Weaving Symmetry of the Philippine Northern Kankana-ey. In: [[Bridges 2012]]. Pages 267–274 http://archive.bridgesmathart.org/2012/bridges2012-267.html http://archive.bridgesmathart.org/2012/bridges2012-267.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Nathaniel A. Baylas IV, Teofina A. Rapanut, Ma. Louise Antonette N. De las Peñas: Weaving Symmetry of the Philippine Northern Kankana-ey. In: [[Bridges 2012]]. Pages 267–274 http://archive.bridgesmathart.org/2012/bridges2012-267.html http://archive.bridgesmathart.org/2012/bridges2012-267.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l104" >Zeile 104:</td> <td colspan="2" class="diff-lineno">Zeile 104:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Mehmet Vurkaç: Balanço: The Contour of Relative Offbeatness. In: [[Bridges 2012]]. Pages 329–336 http://archive.bridgesmathart.org/2012/bridges2012-329.html http://archive.bridgesmathart.org/2012/bridges2012-329.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Mehmet Vurkaç: Balanço: The Contour of Relative Offbeatness. In: [[Bridges 2012]]. Pages 329–336 http://archive.bridgesmathart.org/2012/bridges2012-329.html http://archive.bridgesmathart.org/2012/bridges2012-329.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Stanley Spencer: [[Introducing the Use of the Primary Isosceles Triangles of Regular Polygons to Produce Self Similar Patterns]]. In: [[Bridges 2012]]. Pages 337–344 http://archive.bridgesmathart.org/2012/bridges2012-337.html http://archive.bridgesmathart.org/2012/bridges2012-337.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">&lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; </ins>Stanley Spencer: [[Introducing the Use of the Primary Isosceles Triangles of Regular Polygons to Produce Self Similar Patterns]]. In: [[Bridges 2012]]. Pages 337–344 http://archive.bridgesmathart.org/2012/bridges2012-337.html http://archive.bridgesmathart.org/2012/bridges2012-337.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Brent Collins: Commissioning a Bridge. In: [[Bridges 2012]]. Pages 345–348 http://archive.bridgesmathart.org/2012/bridges2012-345.html http://archive.bridgesmathart.org/2012/bridges2012-345.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Brent Collins: Commissioning a Bridge. In: [[Bridges 2012]]. Pages 345–348 http://archive.bridgesmathart.org/2012/bridges2012-345.html http://archive.bridgesmathart.org/2012/bridges2012-345.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l114" >Zeile 114:</td> <td colspan="2" class="diff-lineno">Zeile 114:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Eve Torrence; Models of Stellations of the Icosahedron. In: [[Bridges 2012]]. Pages 359–360 http://archive.bridgesmathart.org/2012/bridges2012-359.html http://archive.bridgesmathart.org/2012/bridges2012-359.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Eve Torrence; Models of Stellations of the Icosahedron. In: [[Bridges 2012]]. Pages 359–360 http://archive.bridgesmathart.org/2012/bridges2012-359.html http://archive.bridgesmathart.org/2012/bridges2012-359.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Radmila Sazdanovic: [[Fisheye View of Tessellations]]. In: [[Bridges 2012]]. Pages 361–364 http://archive.bridgesmathart.org/2012/bridges2012-361.html http://archive.bridgesmathart.org/2012/bridges2012-361.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">&lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; </ins>Radmila Sazdanovic: [[Fisheye View of Tessellations]]. In: [[Bridges 2012]]. Pages 361–364 http://archive.bridgesmathart.org/2012/bridges2012-361.html http://archive.bridgesmathart.org/2012/bridges2012-361.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* David A. Reimann: [[Point Symmetry Patterns on a Regular Hexagonal Tessellation]]. In: [[Bridges 2012]]. Pages 365–368 http://archive.bridgesmathart.org/2012/bridges2012-365.html http://archive.bridgesmathart.org/2012/bridges2012-365.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">&lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; </ins>David A. Reimann: [[Point Symmetry Patterns on a Regular Hexagonal Tessellation]]. In: [[Bridges 2012]]. Pages 365–368 http://archive.bridgesmathart.org/2012/bridges2012-365.html http://archive.bridgesmathart.org/2012/bridges2012-365.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Bojana Ginn: Knots as Processes in Art and Mathematics. In: [[Bridges 2012]]. Pages 369–372 http://archive.bridgesmathart.org/2012/bridges2012-369.html http://archive.bridgesmathart.org/2012/bridges2012-369.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Bojana Ginn: Knots as Processes in Art and Mathematics. In: [[Bridges 2012]]. Pages 369–372 http://archive.bridgesmathart.org/2012/bridges2012-369.html http://archive.bridgesmathart.org/2012/bridges2012-369.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l138" >Zeile 138:</td> <td colspan="2" class="diff-lineno">Zeile 138:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Pau Atela: The MathStudio Pendulum Project. In: [[Bridges 2012]]. Pages 403–404 http://archive.bridgesmathart.org/2012/bridges2012-403.html http://archive.bridgesmathart.org/2012/bridges2012-403.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Pau Atela: The MathStudio Pendulum Project. In: [[Bridges 2012]]. Pages 403–404 http://archive.bridgesmathart.org/2012/bridges2012-403.html http://archive.bridgesmathart.org/2012/bridges2012-403.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Hans Kuiper: [[Optical Minimal Art]]. In: [[Bridges 2012]]. Pages 405–408 http://archive.bridgesmathart.org/2012/bridges2012-405.html http://archive.bridgesmathart.org/2012/bridges2012-405.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">&lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; </ins>Hans Kuiper: [[Optical Minimal Art]]. In: [[Bridges 2012]]. Pages 405–408 http://archive.bridgesmathart.org/2012/bridges2012-405.html http://archive.bridgesmathart.org/2012/bridges2012-405.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Susan McBurney: [[From Two Dimensions to Four---and Back Again]]. In: [[Bridges 2012]]. Pages 409–412 http://archive.bridgesmathart.org/2012/bridges2012-409.html http://archive.bridgesmathart.org/2012/bridges2012-409.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">&lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; </ins>Susan McBurney: [[From Two Dimensions to Four---and Back Again]]. In: [[Bridges 2012]]. Pages 409–412 http://archive.bridgesmathart.org/2012/bridges2012-409.html http://archive.bridgesmathart.org/2012/bridges2012-409.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Jay Zimmerman and Kevin Zimmerman: Portraits of Groups in Three Dimensions. In: [[Bridges 2012]]. Pages 413–414 http://archive.bridgesmathart.org/2012/bridges2012-413.html http://archive.bridgesmathart.org/2012/bridges2012-413.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Jay Zimmerman and Kevin Zimmerman: Portraits of Groups in Three Dimensions. In: [[Bridges 2012]]. Pages 413–414 http://archive.bridgesmathart.org/2012/bridges2012-413.html http://archive.bridgesmathart.org/2012/bridges2012-413.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l150" >Zeile 150:</td> <td colspan="2" class="diff-lineno">Zeile 150:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Tatyana Sorokina: Symmetry and Bivariate Splines. In: [[Bridges 2012]]. Pages 421–424 http://archive.bridgesmathart.org/2012/bridges2012-421.html http://archive.bridgesmathart.org/2012/bridges2012-421.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Tatyana Sorokina: Symmetry and Bivariate Splines. In: [[Bridges 2012]]. Pages 421–424 http://archive.bridgesmathart.org/2012/bridges2012-421.html http://archive.bridgesmathart.org/2012/bridges2012-421.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Roberta La Haye: [[Geometry and Art with a Circle Cutter]]. In: [[Bridges 2012]]. Pages 425–428 http://archive.bridgesmathart.org/2012/bridges2012-425.html http://archive.bridgesmathart.org/2012/bridges2012-425.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">&lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; </ins>Roberta La Haye: [[Geometry and Art with a Circle Cutter]]. In: [[Bridges 2012]]. Pages 425–428 http://archive.bridgesmathart.org/2012/bridges2012-425.html http://archive.bridgesmathart.org/2012/bridges2012-425.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Maryam Ashkan: Significance of Pointed Domes: Morphology, Typologies, and Geometrical Design. In: [[Bridges 2012]]. Pages 429–432 http://archive.bridgesmathart.org/2012/bridges2012-429.html http://archive.bridgesmathart.org/2012/bridges2012-429.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Maryam Ashkan: Significance of Pointed Domes: Morphology, Typologies, and Geometrical Design. In: [[Bridges 2012]]. Pages 429–432 http://archive.bridgesmathart.org/2012/bridges2012-429.html http://archive.bridgesmathart.org/2012/bridges2012-429.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l218" >Zeile 218:</td> <td colspan="2" class="diff-lineno">Zeile 218:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Laura M. Shea: The Seven Principles of Angle Stitching---A Geometrically Based Beading Technique. In: [[Bridges 2012]]. Pages 535–538 http://archive.bridgesmathart.org/2012/bridges2012-535.html http://archive.bridgesmathart.org/2012/bridges2012-535.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Laura M. Shea: The Seven Principles of Angle Stitching---A Geometrically Based Beading Technique. In: [[Bridges 2012]]. Pages 535–538 http://archive.bridgesmathart.org/2012/bridges2012-535.html http://archive.bridgesmathart.org/2012/bridges2012-535.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Darrah Chavey: [[Depression Glass and Nested Symmetry Groups]]. In: [[Bridges 2012]]. Pages 539–542 http://archive.bridgesmathart.org/2012/bridges2012-539.html http://archive.bridgesmathart.org/2012/bridges2012-539.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">&lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; </ins>Darrah Chavey: [[Depression Glass and Nested Symmetry Groups]]. In: [[Bridges 2012]]. Pages 539–542 http://archive.bridgesmathart.org/2012/bridges2012-539.html http://archive.bridgesmathart.org/2012/bridges2012-539.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Maryam Rahnemoonfar and Afshin Asefpour Vakilian: A Novel Geometric Pattern Extraction by Means of a Level-Set Method. In: [[Bridges 2012]]. Pages 543–544 http://archive.bridgesmathart.org/2012/bridges2012-543.html http://archive.bridgesmathart.org/2012/bridges2012-543.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Maryam Rahnemoonfar and Afshin Asefpour Vakilian: A Novel Geometric Pattern Extraction by Means of a Level-Set Method. In: [[Bridges 2012]]. Pages 543–544 http://archive.bridgesmathart.org/2012/bridges2012-543.html http://archive.bridgesmathart.org/2012/bridges2012-543.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l244" >Zeile 244:</td> <td colspan="2" class="diff-lineno">Zeile 244:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Ellen Gergely, Kerry Mitchell, Martin Wesolowski: Space-filling Curves as Design Elements. In: [[Bridges 2012]]. Pages 589–592 http://archive.bridgesmathart.org/2012/bridges2012-589.html http://archive.bridgesmathart.org/2012/bridges2012-589.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Ellen Gergely, Kerry Mitchell, Martin Wesolowski: Space-filling Curves as Design Elements. In: [[Bridges 2012]]. Pages 589–592 http://archive.bridgesmathart.org/2012/bridges2012-589.html http://archive.bridgesmathart.org/2012/bridges2012-589.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Jay Bonner: [[Creating Non-Systematic Islamic Geometric Patterns with Complex Combinations of Star Forms]]. In: [[Bridges 2012]]. Pages 593–598 http://archive.bridgesmathart.org/2012/bridges2012-593.html http://archive.bridgesmathart.org/2012/bridges2012-593.pdf (c&amp;p problem in References)</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">&lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; </ins>Jay Bonner: [[Creating Non-Systematic Islamic Geometric Patterns with Complex Combinations of Star Forms]]. In: [[Bridges 2012]]. Pages 593–598 http://archive.bridgesmathart.org/2012/bridges2012-593.html http://archive.bridgesmathart.org/2012/bridges2012-593.pdf (c&amp;p problem in References)</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Joseph D. Clinton: Let&#039;s Make a (36)D (36)L Chiral Tessellation Dance. In: [[Bridges 2012]]. Pages 599–606 http://archive.bridgesmathart.org/2012/bridges2012-599.html http://archive.bridgesmathart.org/2012/bridges2012-599.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Joseph D. Clinton: Let&#039;s Make a (36)D (36)L Chiral Tessellation Dance. In: [[Bridges 2012]]. Pages 599–606 http://archive.bridgesmathart.org/2012/bridges2012-599.html http://archive.bridgesmathart.org/2012/bridges2012-599.pdf</div></td></tr> </table> Gbachelier http://de.evo-art.org/index.php?title=Bridges_2012&diff=4407&oldid=prev Gbachelier am 3. Februar 2015 um 10:16 Uhr 2015-02-03T10:16:49Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 3. Februar 2015, 10:16 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Zeile 1:</td> <td colspan="2" class="diff-lineno">Zeile 1:</td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#The_Bridge_Conferences:_art_and_mathematics | zurück zu The Bridge Conferences: art and mathematics]] </ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Reference ==</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Reference ==</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Robert Bosch, Douglas McKenna, Reza Sarhangi: Bridges 2012, Mathematics, Music, Art, Architecture, Culture. 15th Annual Bridges Conference at Towson University Towson, Maryland, USA, 2012. ISBN: 978-1-938664-00-7</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>Robert Bosch, Douglas McKenna, Reza Sarhangi: Bridges 2012, Mathematics, Music, Art, Architecture, Culture. 15th Annual Bridges Conference at Towson University Towson, Maryland, USA, 2012. ISBN: 978-1-938664-00-7</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l269" >Zeile 269:</td> <td colspan="2" class="diff-lineno">Zeile 272:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>=== Sonstige Links ===</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>=== Sonstige Links ===</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>http://bridgesmathart.org/past-conferences/bridges-2012/</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>http://bridgesmathart.org/past-conferences/bridges-2012/</div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#The_Bridge_Conferences:_art_and_mathematics | zurück zu The Bridge Conferences: art and mathematics]]</ins></div></td></tr> </table> Gbachelier http://de.evo-art.org/index.php?title=Bridges_2012&diff=3989&oldid=prev Gbachelier: /* Table of contents */ 2015-01-29T11:35:15Z <p>‎<span dir="auto"><span class="autocomment">Table of contents</span></span></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 29. Januar 2015, 11:35 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l241" >Zeile 241:</td> <td colspan="2" class="diff-lineno">Zeile 241:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Ellen Gergely, Kerry Mitchell, Martin Wesolowski: Space-filling Curves as Design Elements. In: [[Bridges 2012]]. Pages 589–592 http://archive.bridgesmathart.org/2012/bridges2012-589.html http://archive.bridgesmathart.org/2012/bridges2012-589.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Ellen Gergely, Kerry Mitchell, Martin Wesolowski: Space-filling Curves as Design Elements. In: [[Bridges 2012]]. Pages 589–592 http://archive.bridgesmathart.org/2012/bridges2012-589.html http://archive.bridgesmathart.org/2012/bridges2012-589.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Jay Bonner: [[Creating Non-Systematic Islamic Geometric Patterns with Complex Combinations of Star Forms]]. In: [[Bridges 2012]]. Pages 593–598 http://archive.bridgesmathart.org/2012/bridges2012-593.html http://archive.bridgesmathart.org/2012/bridges2012-593.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Jay Bonner: [[Creating Non-Systematic Islamic Geometric Patterns with Complex Combinations of Star Forms]]. In: [[Bridges 2012]]. Pages 593–598 http://archive.bridgesmathart.org/2012/bridges2012-593.html http://archive.bridgesmathart.org/2012/bridges2012-593.pdf <ins class="diffchange diffchange-inline">(c&amp;p problem in References)</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Joseph D. Clinton: Let&#039;s Make a (36)D (36)L Chiral Tessellation Dance. In: [[Bridges 2012]]. Pages 599–606 http://archive.bridgesmathart.org/2012/bridges2012-599.html http://archive.bridgesmathart.org/2012/bridges2012-599.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Joseph D. Clinton: Let&#039;s Make a (36)D (36)L Chiral Tessellation Dance. In: [[Bridges 2012]]. Pages 599–606 http://archive.bridgesmathart.org/2012/bridges2012-599.html http://archive.bridgesmathart.org/2012/bridges2012-599.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l260" >Zeile 260:</td> <td colspan="2" class="diff-lineno">Zeile 260:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Ho-Gul Park and Taeyoung Choi: A Workshop on Making Modified Truncated Icosahedra Using 4D Frame. In: [[Bridges 2012]]. Pages 643–646 http://archive.bridgesmathart.org/2012/bridges2012-643.html http://archive.bridgesmathart.org/2012/bridges2012-643.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Ho-Gul Park and Taeyoung Choi: A Workshop on Making Modified Truncated Icosahedra Using 4D Frame. In: [[Bridges 2012]]. Pages 643–646 http://archive.bridgesmathart.org/2012/bridges2012-643.html http://archive.bridgesmathart.org/2012/bridges2012-643.pdf</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2">&#160;</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Links ==</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Links ==</div></td></tr> </table> Gbachelier http://de.evo-art.org/index.php?title=Bridges_2012&diff=2733&oldid=prev Gbachelier am 31. Dezember 2014 um 19:42 Uhr 2014-12-31T19:42:48Z <p></p> <a href="http://de.evo-art.org/index.php?title=Bridges_2012&amp;diff=2733&amp;oldid=2722">Änderungen zeigen</a> Gbachelier http://de.evo-art.org/index.php?title=Bridges_2012&diff=2722&oldid=prev Gbachelier am 31. Dezember 2014 um 19:33 Uhr 2014-12-31T19:33:04Z <p></p> <a href="http://de.evo-art.org/index.php?title=Bridges_2012&amp;diff=2722&amp;oldid=2684">Änderungen zeigen</a> Gbachelier http://de.evo-art.org/index.php?title=Bridges_2012&diff=2684&oldid=prev Gbachelier am 29. Dezember 2014 um 13:43 Uhr 2014-12-29T13:43:32Z <p></p> <a href="http://de.evo-art.org/index.php?title=Bridges_2012&amp;diff=2684&amp;oldid=2683">Änderungen zeigen</a> Gbachelier http://de.evo-art.org/index.php?title=Bridges_2012&diff=2683&oldid=prev Gbachelier am 29. Dezember 2014 um 10:04 Uhr 2014-12-29T10:04:33Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 29. Dezember 2014, 10:04 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l17" >Zeile 17:</td> <td colspan="2" class="diff-lineno">Zeile 17:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* John Mather: Science, Art, Beauty, the Meaning of Life, and the James Webb Telescope. Pages 1–8 http://archive.bridgesmathart.org/2012/bridges2012-1.html http://archive.bridgesmathart.org/2012/bridges2012-1.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* John Mather: Science, Art, Beauty, the Meaning of Life, and the James Webb Telescope. Pages 1–8 http://archive.bridgesmathart.org/2012/bridges2012-1.html http://archive.bridgesmathart.org/2012/bridges2012-1.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Ingrid Daubechies: Developing Mathematical Tools to Investigate Art. Pages 9–16 http://archive.bridgesmathart.org/2012/bridges2012-9.html http://archive.bridgesmathart.org/2012/bridges2012-9.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Ingrid Daubechies: <ins class="diffchange diffchange-inline">[[</ins>Developing Mathematical Tools to Investigate Art<ins class="diffchange diffchange-inline">]]</ins>. Pages 9–16 http://archive.bridgesmathart.org/2012/bridges2012-9.html http://archive.bridgesmathart.org/2012/bridges2012-9.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Helaman Ferguson and Claire Ferguson: Celebrating Mathematics in Stone and Bronze: Umbilic Torus NC vs SC. Pages 17–24 http://archive.bridgesmathart.org/2012/bridges2012-17.html http://archive.bridgesmathart.org/2012/bridges2012-17.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Helaman Ferguson and Claire Ferguson: Celebrating Mathematics in Stone and Bronze: Umbilic Torus NC vs SC. Pages 17–24 http://archive.bridgesmathart.org/2012/bridges2012-17.html http://archive.bridgesmathart.org/2012/bridges2012-17.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l41" >Zeile 41:</td> <td colspan="2" class="diff-lineno">Zeile 41:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Carlo H. Séquin: From Möbius Bands to Klein-Knottles. Pages 93–102 http://archive.bridgesmathart.org/2012/bridges2012-93.html http://archive.bridgesmathart.org/2012/bridges2012-93.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Carlo H. Séquin: From Möbius Bands to Klein-Knottles. Pages 93–102 http://archive.bridgesmathart.org/2012/bridges2012-93.html http://archive.bridgesmathart.org/2012/bridges2012-93.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Saul Schleimer and Henry Segerman: Sculptures in S3.Pages 103–110 http://archive.bridgesmathart.org/2012/bridges2012-103.html http://archive.bridgesmathart.org/2012/bridges2012-103.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Saul Schleimer and Henry Segerman: <ins class="diffchange diffchange-inline">[[</ins>Sculptures in S3<ins class="diffchange diffchange-inline">]]</ins>. Pages 103–110 http://archive.bridgesmathart.org/2012/bridges2012-103.html http://archive.bridgesmathart.org/2012/bridges2012-103.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Rinus Roelofs: Splitting Tilings. Pages 111–118 http://archive.bridgesmathart.org/2012/bridges2012-111.html http://archive.bridgesmathart.org/2012/bridges2012-111.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Rinus Roelofs: <ins class="diffchange diffchange-inline">[[</ins>Splitting Tilings<ins class="diffchange diffchange-inline">]]</ins>. Pages 111–118 http://archive.bridgesmathart.org/2012/bridges2012-111.html http://archive.bridgesmathart.org/2012/bridges2012-111.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Walt van Ballegooijen: Playing with the Platonics: A New Class of Polyhedra. Pages 119–124 http://archive.bridgesmathart.org/2012/bridges2012-119.html http://archive.bridgesmathart.org/2012/bridges2012-119.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Walt van Ballegooijen: <ins class="diffchange diffchange-inline">[[</ins>Playing with the Platonics: A New Class of Polyhedra<ins class="diffchange diffchange-inline">]]</ins>. Pages 119–124 http://archive.bridgesmathart.org/2012/bridges2012-119.html http://archive.bridgesmathart.org/2012/bridges2012-119.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* William F. Duffy: Sculpture Inspired by Connectivity in Nature. Pages 125–132 http://archive.bridgesmathart.org/2012/bridges2012-125.html http://archive.bridgesmathart.org/2012/bridges2012-125.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* William F. Duffy: Sculpture Inspired by Connectivity in Nature. Pages 125–132 http://archive.bridgesmathart.org/2012/bridges2012-125.html http://archive.bridgesmathart.org/2012/bridges2012-125.pdf</div></td></tr> </table> Gbachelier http://de.evo-art.org/index.php?title=Bridges_2012&diff=2170&oldid=prev Gbachelier am 9. Dezember 2014 um 20:05 Uhr 2014-12-09T20:05:36Z <p></p> <a href="http://de.evo-art.org/index.php?title=Bridges_2012&amp;diff=2170&amp;oldid=2168">Änderungen zeigen</a> Gbachelier http://de.evo-art.org/index.php?title=Bridges_2012&diff=2168&oldid=prev Gbachelier: Die Seite wurde neu angelegt: „== Reference == Robert Bosch, Douglas McKenna, Reza Sarhangi: Bridges 2012, Mathematics, Music, Art, Architecture, Culture. 15th Annual Bridges Conference at T…“ 2014-12-09T15:43:34Z <p>Die Seite wurde neu angelegt: „== Reference == Robert Bosch, Douglas McKenna, Reza Sarhangi: Bridges 2012, Mathematics, Music, Art, Architecture, Culture. 15th Annual Bridges Conference at T…“</p> <p><b>Neue Seite</b></p><div>== Reference ==<br /> Robert Bosch, Douglas McKenna, Reza Sarhangi: Bridges 2012, Mathematics, Music, Art, Architecture, Culture. 15th Annual Bridges Conference at Towson University Towson, Maryland, USA, 2012. ISBN: 978-1-938664-00-7<br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> <br /> == Extended Abstract ==<br /> <br /> == Reviews==<br /> <br /> == Bibtex == <br /> <br /> == Table of contents==<br /> * Front Matter: The Editors<br /> <br /> * John Mather: Science, Art, Beauty, the Meaning of Life, and the James Webb Telescope. Pages 1–8<br /> <br /> * Ingrid Daubechies: Developing Mathematical Tools to Investigate Art. Pages 9–16<br /> <br /> * Helaman Ferguson and Claire Ferguson: Celebrating Mathematics in Stone and Bronze: Umbilic Torus NC vs SC. Pages 17–24<br /> <br /> * Tom Verhoeff and Koos Verhoeff: Mitered Fractal Trees: Constructions and Properties. Pages 25–32<br /> <br /> * Mike Naylor: The Mathematical Art of Juggling: Using Mathematics to Predict, Describe and Create. Pages 33–40<br /> <br /> * Greg N. Frederickson: My Parade of Algorithmic Mathematical Art. Pages 41–48<br /> <br /> * Yahan Zhou and Rui Wang: An Algorithm for Creating Geometric Dissection Puzzles. Pages 49–56<br /> <br /> * George Hart: Bringing M. C. Escher&#039;s Planaria to Life. Pages 57–64<br /> <br /> * Sarah Glaz: Mathematical Pattern Poetry. Pages 65–72<br /> <br /> * Marion Deutsche Cohen: Math in Poetry: Half of a Course. Pages 73–78<br /> <br /> * Tatiana Bonch-Osmolovskaya: Art of π: Mathematical History and Literary Inspiration. Pages 79–84<br /> <br /> * Yutu Liu, Ergun Akleman, Jianer Chen: Never-ending Storytelling with Discrete-Time Markov Processes. Pages 85–92<br /> <br /> * Carlo H. Séquin: From Möbius Bands to Klein-Knottles. Pages 93–102<br /> <br /> * Saul Schleimer and Henry Segerman: Sculptures in S3.Pages 103–110<br /> <br /> * Rinus Roelofs: Splitting Tilings. Pages 111–118<br /> <br /> * Walt van Ballegooijen: Playing with the Platonics: A New Class of Polyhedra. Pages 119–124<br /> <br /> * William F. Duffy: Sculpture Inspired by Connectivity in Nature. Pages 125–132<br /> <br /> * Tiffany C. Inglis and Craig S. Kaplan: Circle patterns in Gothic Architecture. Pages 133–140<br /> <br /> * Jay Bonner and Marc Pelletier: A 7-Fold System for Creating Islamic Geometric Patterns Part 1: Historical Antecedents. Pages 141–148<br /> <br /> * Marc Pelletier and Jay Bonner: A 7-Fold System for Creating Islamic Geometric Patterns Part 2: Contemporary Expression. Pages 149–156<br /> <br /> * B. Lynn Bodner: The Topkapı Scroll&#039;s Thirteen-Pointed Star Polygon Design. Pages 157–164<br /> <br /> * Reza Sarhangi: Polyhedral Modularity in a Special Class of Decagram Based Interlocking Star Polygons. Pages 165–174<br /> <br /> * Asaf Degani, Ron Asherov, Peter J. Lu: Tiles and Patterns of a Field: From Byzantine Churches to User Interface Design. Pages 175–182<br /> <br /> * David Chappell: Sinuous Meander Patterns in Natural Coordinates. Pages 183–190<br /> <br /> * Veronika Irvine: Broadening the Palette for Bobbin Lace: A Combinatorial Approach. Pages 191–198<br /> <br /> * Robert W. Fathauer: Two-color Fractal Tilings. Pages 199–206<br /> <br /> * Elaine Krajenke Ellison: Mohr or Mascheroni? Pages 207–214<br /> <br /> * Javier Barrallo and Santiago Sánchez-Beitia: Guernica. Pages 215–222<br /> <br /> * Paul Tucker: Moorish Fretwork Revisited. Pages 223–230<br /> <br /> * Dirk Huylebrouck: Polyhedra on an Equilateral Hyperboloid. Pages 231–238<br /> <br /> * Kristóf Fenyvesi: The Experience Workshop MathArt Movement: Experience-centered Education of Mathematics through Arts, Sciences, and Playful Activities. Pages 239–246<br /> <br /> * Dorothy K. Washburn and Donald W. Crowe: The Color Symmetries of the Solstices: Ritual Sandals from the Prehistoric American Southwest. Pages 247–250<br /> <br /> * Marcella Giulia Lorenzi and Mauro Francaviglia: Sacred Numbers and Tessellations in Aquileia&#039;s XI Century Mosaics. Pages 251–258<br /> <br /> * San Le: Simple Rules for Incorporating Design Art into Penrose and Fractal Tiles. Pages 259–266<br /> <br /> * Nathaniel A. Baylas IV, Teofina A. Rapanut, Ma. Louise Antonette N. De las Peñas: Weaving Symmetry of the Philippine Northern Kankana-ey. Pages 267–274<br /> <br /> * Douglas Dunham: Patterned Triply Periodic Polyhedra.Pages 275–282<br /> <br /> * James Mai: Juan Gris&#039; Compositional Symmetry Transformations. Pages 283–290<br /> <br /> * Gary Greenfield: Stigmmetry Prints from Patterns of Circles. Pages 291–298<br /> <br /> * Loe M. G. Feijs: Geometry and Computation of Houndstooth (Pied-de-poule). Pages 299–306<br /> <br /> * Robert P. Crease and Alfred S. Goldhaber: Art of the Quantum Moment. Pages 307–314<br /> <br /> * Nils Kr. Rossing: The Old Art of Rope Work and Fourier Decomposition. Pages 315–322<br /> <br /> * Qing Xing, Gabriel Esquivel, Ergun Akleman: Twisted D-Forms: Design and Construction of D-Forms with Twisted Prismatic Handles with Developable Sides. Pages 323–328<br /> <br /> * Mehmet Vurkaç: Balanço: The Contour of Relative Offbeatness. Pages 329–336<br /> <br /> * Stanley Spencer: Introducing the Use of the Primary Isosceles Triangles of Regular Polygons to Produce Self Similar Patterns. Pages 337–344<br /> <br /> * Brent Collins: Commissioning a Bridge. Pages 345–348<br /> <br /> * Alessandra Capanna, Mauro Francaviglia, Marcella G. Lorenzi: Architecture, Form, Expression: The Helicoidal Skyscraper&#039;s Geometry. Pages 349–356<br /> <br /> * Susan Happersett: Mathematical Sequential Art. Pages 357–358<br /> <br /> * Eve Torrence; Models of Stellations of the Icosahedron. Pages 359–360<br /> <br /> * Radmila Sazdanovic: Fisheye View of Tessellations. Pages 361–364<br /> <br /> * David A. Reimann: Point Symmetry Patterns on a Regular Hexagonal Tessellation. Pages 365–368<br /> <br /> * Bojana Ginn: Knots as Processes in Art and Mathematics. Pages 369–372<br /> <br /> * Stephen Luecking: Building the Schwarz D-Surface from Paper Tiles. Pages 373–376<br /> <br /> * Andrew Lee and Brandon M. Wang: Generating Chinese Knots from Arbitrary Shapes. Pages 377–380<br /> <br /> * Paul Gailiunas: Intersecting Helices. Pages 381–384<br /> <br /> * Karl Kattchee: Rotate, Reflect, Recycle. Pages 385–388<br /> <br /> * Kerry Mitchell: Fun with Chaotic Orbits in the Mandelbrot Set. Pages 389–392<br /> <br /> * Robert J. Krawczyk: Exploring the Visualization of Music. Pages 393–396<br /> <br /> * Bruce Torrence: A Mathematica GUI for Generating Conway Tiles. Pages 397–398<br /> <br /> * Charlene Morrow: The Evolution of An Idea Inspired by 70. Pages 399–402<br /> <br /> * Pau Atela: The MathStudio Pendulum Project. Pages 403–404<br /> <br /> * Hans Kuiper: Optical Minimal Art. Pages 405–408<br /> <br /> * Susan McBurney: From Two Dimensions to Four---and Back Again. Pages 409–412<br /> <br /> * Jay Zimmerman and Kevin Zimmerman: Portraits of Groups in Three Dimensions. Pages 413–414<br /> <br /> * Russell Jay Hendel: Hierarchical Organization in Writing, Poetry, and Mathematics. Pages 415–416<br /> <br /> * Stanley M. Max:The ``Golden Canon&#039;&#039; of Book-Page Design: A Visual Presentation Using Geometer&#039;s Sketchpad. Pages 417–420<br /> <br /> * Tatyana Sorokina: Symmetry and Bivariate Splines. Pages 421–424<br /> <br /> * Roberta La Haye: Geometry and Art with a Circle Cutter. Pages 425–428<br /> <br /> * Maryam Ashkan: Significance of Pointed Domes: Morphology, Typologies, and Geometrical Design. Pages 429–432<br /> <br /> * Kenneth Brecher: The Mazzocchio in Perspective. Pages 433–436<br /> <br /> * Manil Suri: On the Geometry of Metafiction. Pages 437–438<br /> <br /> * Peter Calvache: Dune Surfaces: A Spatial Visualization Technique for Medial Axes in the Plane or on the Sphere. Pages 439–442<br /> <br /> * Brian Evans: To Trace a Creative Thought. Pages 443–446<br /> <br /> * Hartmut F. W. Höft: Images and Illusions from Orthogonal Pairs of Ellipses. Pages 447–448<br /> <br /> * T. Hunter, K. Marinelli, D. Marsh, T. J. Peters: Crystallizing Topology in Molecular Visualizations. Pages 449–452<br /> <br /> * Katarzyna Wasilewska: Mathematics in the World of Dance. Pages 453–456<br /> <br /> * Seyed Mahmood Moeini and Mehrdad Garousi: Fractal Geometry and Persian Carpet. Pages 457–460<br /> <br /> * Ming Tomayko, Sandy Spitzer, Linda Cooper: Escher Unraveled: Using Artwork to Investigate Transformations. Pages 461–462<br /> <br /> * D. Jacob Wildstrom: Structural Qualities and Serial Construction of Tournament Braids. Pages 463–466<br /> <br /> * Maximos A. Kaliakatsos-Papakostas, Andreas Floros, Michael N. Vrahatis: Music Synthesis Based on Nonlinear Dynamics. Pages 467–470<br /> <br /> * J. L. Marsden and B. G. Thomas: Brand Values and the Perception of Symmetry. Pages 471–474<br /> <br /> * Françoise Beck-Pieterhons and Jacques Beck: Diptych View on The Spiral. Pages 475–478<br /> <br /> * Sandy Spitzer: Using Star Polygons to Understand Cyclic Group Structure. Pages 479–480<br /> <br /> * C. J. Fearnley and Jeannie Moberly: Harmonic Perspective. Pages 481–484<br /> <br /> * Boris Kerkez: Extension of Neo-Riemannian PLR-group to Seventh Chords. Pages 485–488<br /> <br /> * Alice Major: Tune and Rhyme: Translation Symmetry at Work. Pages 489–492<br /> <br /> * John Miller: The Immersive Bridge Between Math and Art. Pages 493–494<br /> <br /> * Alice Humphrey and Michael Hann: Steps Towards the Analysis of Geometric Decorative Motifs Using Shape-matching Techniques. Pages 495–498<br /> <br /> * Silvia De Toffoli and Yasuhiro Sakamoto: Meta-Vermeer: A Topological Reinterpretation of a Masterpiece. Pages 499–502<br /> <br /> * Chern Chuang, Bih-Yaw Jin, Wei-Chi Wei, Chia-Chin Tsoo: Beaded Realization of Canonical P, D, and G Triply Periodic Minimal Surfaces. Pages 503–506<br /> <br /> * Frank Gould and S. Louise Gould: Exploring the Projective Plane via Variations on the Faceted Octahedron. Pages 507–508<br /> <br /> * Kyongil Yoon: Analytical Calculation of Geodesic Lengths and Angle Measures on Sphere Tiling of Platonic and Archimedean Solids. Pages 509–512<br /> <br /> * Kimberly Rausch: The Mathematics behind Anamorphic Art. Pages 513–514<br /> <br /> * Heather Pinson and Monica VanDieren: The Creative Process: Risk-taking in an Interdisciplinary Honors Course. Pages 515–518<br /> <br /> * M. G. Marques and M. Pires: Training Teachers after Bridges. Pages 519–522<br /> <br /> * Daniel Whalen: A Topology-Preserving Voxelization Shrinking Algorithm. Pages 523–524<br /> <br /> * Curtis Palmer: Spelunking Adventure III: Close-Pack and Space-Fill Octahedral Domains. Pages 525–526<br /> <br /> * Robert Hanson: Tiling and Weaving with Permutation Functions. Pages 527–528<br /> <br /> * Karl Schaffer: Mathematics and the Ballet Barre. Pages 529–532<br /> <br /> * Samuel Verbiese: Amazing Labyrinths, Further Developments III. Pages 533–534<br /> <br /> * Laura M. Shea: The Seven Principles of Angle Stitching---A Geometrically Based Beading Technique. Pages 535–538<br /> <br /> * Darrah Chavey: Depression Glass and Nested Symmetry Groups. Pages 539–542<br /> <br /> * Maryam Rahnemoonfar and Afshin Asefpour Vakilian: A Novel Geometric Pattern Extraction by Means of a Level-Set Method. Pages 543–544<br /> <br /> * Paul Hildebrandt and Clark Richert: Domes, Zomes, and Drop City. Pages 545–548<br /> <br /> * Robert P. Schneider: A Non-Pythagorean Musical Scale Based on Logarithms. Pages 549–552<br /> <br /> * Xiaoxi Tian: The Art and Mathematics of Tangrams. Pages 553–556<br /> <br /> * Merrill Lessley and Paul Beale: Projecting Mathematical Curves with Laser Light. Pages 557–560<br /> <br /> * Jean Constant: Digital Sangaku. Pages 561–562<br /> <br /> * Carolyn Yackel: Teaching Temari: Geometrically Embroidered Spheres in the Classroom. Pages 563–566<br /> <br /> * Ellie Baker and Susan Goldstine: Bead Crochet Bracelets: What Would Escher Do? Pages 567–572<br /> <br /> * Nils Kr. Rossing: Mathematical Synthesis and Making of Rope Mats and Rosettes. Pages 573–574<br /> <br /> * James Mallos: Evolve Your Own Basket. Pages 575–580<br /> <br /> * Mary Kay Kirchner and Reza Sarhangi: Using Technology to Explore the Geometry of Navajo Weavings. Pages 581–588<br /> <br /> * Ellen Gergely, Kerry Mitchell, Martin Wesolowski: Space-filling Curves as Design Elements. Pages 589–592<br /> <br /> * Jay Bonner: Creating Non-Systematic Islamic Geometric Patterns with Complex Combinations of Star Forms. Pages 593–598<br /> <br /> * Joseph D. Clinton: Let&#039;s Make a (36)D (36)L Chiral Tessellation Dance. Pages 599–606<br /> <br /> * Tom Verhoeff: Combinatorial Choreography. Pages 607–612<br /> <br /> * Andrea Hawksley: Exploring Braids through Dance: The ``Waves of Tory&#039;&#039; Problem. Pages 613–618<br /> <br /> * Karl Schaffer: Math and Dance---Windmills and Tilings and Things. Pages 619–622<br /> <br /> * Diana Cheng, Tanya Berezovski, Cherie Farrington: Mathematical Eyes on Figure Skating. Pages 623–626<br /> <br /> * JoAnne Growney: Poetry-with-Mathematics Workshop. Pages 627–628<br /> <br /> * Ana Pereira do Vale: Musical Composition Without Standard Musical Knowledge. Pages 629–636<br /> <br /> * Luke Wolcott and Elizabeth McTernan: Imagining Negative-Dimensional Space. Pages 637–642<br /> <br /> * Ho-Gul Park and Taeyoung Choi: A Workshop on Making Modified Truncated Icosahedra Using 4D Frame. Pages 643–646<br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> http://archive.bridgesmathart.org/2012/index.html<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> http://bridgesmathart.org/past-conferences/bridges-2012/</div> Gbachelier