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		<id>http://de.evo-art.org/index.php?action=history&amp;feed=atom&amp;title=Bridges_2013</id>
		<title>Bridges 2013 - Versionsgeschichte</title>
		<link rel="self" type="application/atom+xml" href="http://de.evo-art.org/index.php?action=history&amp;feed=atom&amp;title=Bridges_2013"/>
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		<updated>2026-05-03T06:39:47Z</updated>
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	<entry>
		<id>http://de.evo-art.org/index.php?title=Bridges_2013&amp;diff=4422&amp;oldid=prev</id>
		<title>Gbachelier am 3. Februar 2015 um 19:40 Uhr</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Bridges_2013&amp;diff=4422&amp;oldid=prev"/>
				<updated>2015-02-03T19:40:36Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;a href=&quot;http://de.evo-art.org/index.php?title=Bridges_2013&amp;amp;diff=4422&amp;amp;oldid=4406&quot;&gt;Änderungen zeigen&lt;/a&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Bridges_2013&amp;diff=4406&amp;oldid=prev</id>
		<title>Gbachelier am 3. Februar 2015 um 10:16 Uhr</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Bridges_2013&amp;diff=4406&amp;oldid=prev"/>
				<updated>2015-02-03T10:16:15Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&#039;diff-marker&#039; /&gt;
				&lt;col class=&#039;diff-content&#039; /&gt;
				&lt;col class=&#039;diff-marker&#039; /&gt;
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				&lt;tr style=&#039;vertical-align: top;&#039; lang=&#039;de&#039;&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Nächstältere Version&lt;/td&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Version vom 3. Februar 2015, 10:16 Uhr&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Zeile 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#The_Bridge_Conferences:_art_and_mathematics | zurück zu The Bridge Conferences: art and mathematics]] &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Reference ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Reference ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;George Hart, Reza Sarhangi (eds.): Bridges 2013, Mathematics, Music, Art, Architecture, Culture. Bridges Conference at the University of Twente and Saxion University of Applied Sciences Enschede, the Netherlands, 2013. ISBN: 978-1-938664-06-9&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;George Hart, Reza Sarhangi (eds.): Bridges 2013, Mathematics, Music, Art, Architecture, Culture. Bridges Conference at the University of Twente and Saxion University of Applied Sciences Enschede, the Netherlands, 2013. ISBN: 978-1-938664-06-9&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l253&quot; &gt;Zeile 253:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 256:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Sonstige Links ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Sonstige Links ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;http://bridgesmathart.org/past-conferences/bridges-2013/&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;http://bridgesmathart.org/past-conferences/bridges-2013/&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#The_Bridge_Conferences:_art_and_mathematics | zurück zu The Bridge Conferences: art and mathematics]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Bridges_2013&amp;diff=3894&amp;oldid=prev</id>
		<title>Gbachelier: /* Table of contents */</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Bridges_2013&amp;diff=3894&amp;oldid=prev"/>
				<updated>2015-01-28T10:55:30Z</updated>
		
		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Table of contents&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&#039;diff-marker&#039; /&gt;
				&lt;col class=&#039;diff-content&#039; /&gt;
				&lt;col class=&#039;diff-marker&#039; /&gt;
				&lt;col class=&#039;diff-content&#039; /&gt;
				&lt;tr style=&#039;vertical-align: top;&#039; lang=&#039;de&#039;&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Nächstältere Version&lt;/td&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Version vom 28. Januar 2015, 10:55 Uhr&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l39&quot; &gt;Zeile 39:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 39:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Koji Miyazaki: [[Multidimensional Impossible Polycubes]]. In: [[Bridges 2013]]. Pages 79–86 http://archive.bridgesmathart.org/2013/bridges2013-79.html http://archive.bridgesmathart.org/2013/bridges2013-79.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Koji Miyazaki: [[Multidimensional Impossible Polycubes]]. In: [[Bridges 2013]]. Pages 79–86 http://archive.bridgesmathart.org/2013/bridges2013-79.html http://archive.bridgesmathart.org/2013/bridges2013-79.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Phil Webster: [[Fractal Islamic Geometric Patterns Based on Arrangements of &lt;del class=&quot;diffchange diffchange-inline&quot;&gt;{&lt;/del&gt;n/2&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;} &lt;/del&gt;Stars]]. In: [[Bridges 2013]]. Pages 87–94 http://archive.bridgesmathart.org/2013/bridges2013-87.html http://archive.bridgesmathart.org/2013/bridges2013-87.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Phil Webster: [[Fractal Islamic Geometric Patterns Based on Arrangements of n/2 Stars]]. In: [[Bridges 2013]]. Pages 87–94 http://archive.bridgesmathart.org/2013/bridges2013-87.html http://archive.bridgesmathart.org/2013/bridges2013-87.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Anne Burns: [[Removing Tremas with a Rational Function]]. In: [[Bridges 2013]]. Pages 95–102 http://archive.bridgesmathart.org/2013/bridges2013-95.html http://archive.bridgesmathart.org/2013/bridges2013-95.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Anne Burns: [[Removing Tremas with a Rational Function]]. In: [[Bridges 2013]]. Pages 95–102 http://archive.bridgesmathart.org/2013/bridges2013-95.html http://archive.bridgesmathart.org/2013/bridges2013-95.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Bridges_2013&amp;diff=2731&amp;oldid=prev</id>
		<title>Gbachelier am 31. Dezember 2014 um 19:40 Uhr</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Bridges_2013&amp;diff=2731&amp;oldid=prev"/>
				<updated>2014-12-31T19:40:55Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;a href=&quot;http://de.evo-art.org/index.php?title=Bridges_2013&amp;amp;diff=2731&amp;amp;oldid=2721&quot;&gt;Änderungen zeigen&lt;/a&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Bridges_2013&amp;diff=2721&amp;oldid=prev</id>
		<title>Gbachelier am 31. Dezember 2014 um 19:32 Uhr</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Bridges_2013&amp;diff=2721&amp;oldid=prev"/>
				<updated>2014-12-31T19:32:22Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;a href=&quot;http://de.evo-art.org/index.php?title=Bridges_2013&amp;amp;diff=2721&amp;amp;oldid=2682&quot;&gt;Änderungen zeigen&lt;/a&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Bridges_2013&amp;diff=2682&amp;oldid=prev</id>
		<title>Gbachelier am 29. Dezember 2014 um 09:47 Uhr</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Bridges_2013&amp;diff=2682&amp;oldid=prev"/>
				<updated>2014-12-29T09:47:50Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&#039;diff-marker&#039; /&gt;
				&lt;col class=&#039;diff-content&#039; /&gt;
				&lt;col class=&#039;diff-marker&#039; /&gt;
				&lt;col class=&#039;diff-content&#039; /&gt;
				&lt;tr style=&#039;vertical-align: top;&#039; lang=&#039;de&#039;&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Nächstältere Version&lt;/td&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Version vom 29. Dezember 2014, 09:47 Uhr&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l173&quot; &gt;Zeile 173:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 173:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Chia-Chin Tsoo, Chern Chuang and Bih-Yaw Jin: Mathematical Beading as Molecular Analog Computation: An Example from Beaded Sierpiński Buckyball. Pages 487–490 http://archive.bridgesmathart.org/2013/bridges2013-487.html http://archive.bridgesmathart.org/2013/bridges2013-487.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Chia-Chin Tsoo, Chern Chuang and Bih-Yaw Jin: Mathematical Beading as Molecular Analog Computation: An Example from Beaded Sierpiński Buckyball. Pages 487–490 http://archive.bridgesmathart.org/2013/bridges2013-487.html http://archive.bridgesmathart.org/2013/bridges2013-487.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Curtis Palmer: Retrograde Rotation Illusions in Turntable Animations of Concentric Icosahedral Domains. Pages 491–494 http://archive.bridgesmathart.org/2013/bridges2013-491.html http://archive.bridgesmathart.org/2013/bridges2013-491.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Curtis Palmer: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Retrograde Rotation Illusions in Turntable Animations of Concentric Icosahedral Domains&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. Pages 491–494 http://archive.bridgesmathart.org/2013/bridges2013-491.html http://archive.bridgesmathart.org/2013/bridges2013-491.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Chern Chuang and Bih-Yaw Jin: Construction of Sierpiński Superfullerenes with the Aid of Zome Geometry: Application to Beaded Molecules. Pages 495–498 http://archive.bridgesmathart.org/2013/bridges2013-495.html http://archive.bridgesmathart.org/2013/bridges2013-495.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Chern Chuang and Bih-Yaw Jin: Construction of Sierpiński Superfullerenes with the Aid of Zome Geometry: Application to Beaded Molecules. Pages 495–498 http://archive.bridgesmathart.org/2013/bridges2013-495.html http://archive.bridgesmathart.org/2013/bridges2013-495.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l193&quot; &gt;Zeile 193:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 193:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Laura Shea: Edge Color Patterns in the Bead Truncated Icosahedron. Pages 527–530 http://archive.bridgesmathart.org/2013/bridges2013-527.html http://archive.bridgesmathart.org/2013/bridges2013-527.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Laura Shea: Edge Color Patterns in the Bead Truncated Icosahedron. Pages 527–530 http://archive.bridgesmathart.org/2013/bridges2013-527.html http://archive.bridgesmathart.org/2013/bridges2013-527.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* David Reimann: Point Symmetric Ribbon Patterns using a Hexagonal Motif from M.C. Escher. Pages 531–534 http://archive.bridgesmathart.org/2013/bridges2013-531.html http://archive.bridgesmathart.org/2013/bridges2013-531.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* David Reimann: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Point Symmetric Ribbon Patterns using a Hexagonal Motif from M.C. Escher&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. Pages 531–534 http://archive.bridgesmathart.org/2013/bridges2013-531.html http://archive.bridgesmathart.org/2013/bridges2013-531.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Bojana Ginn: Minimalism, Math, and Biology. Pages 535–538 http://archive.bridgesmathart.org/2013/bridges2013-535.html http://archive.bridgesmathart.org/2013/bridges2013-535.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Bojana Ginn: Minimalism, Math, and Biology. Pages 535–538 http://archive.bridgesmathart.org/2013/bridges2013-535.html http://archive.bridgesmathart.org/2013/bridges2013-535.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l207&quot; &gt;Zeile 207:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 207:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Kristóf Fenyvesi and Eleonóra Stettner: Adventures on the Borderland of Mathematics and Arts: the Kaposvár University&amp;#039;s “CrossBorderScience” Project (2011-2012). Pages 553–554 http://archive.bridgesmathart.org/2013/bridges2013-553.html http://archive.bridgesmathart.org/2013/bridges2013-553.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Kristóf Fenyvesi and Eleonóra Stettner: Adventures on the Borderland of Mathematics and Arts: the Kaposvár University&amp;#039;s “CrossBorderScience” Project (2011-2012). Pages 553–554 http://archive.bridgesmathart.org/2013/bridges2013-553.html http://archive.bridgesmathart.org/2013/bridges2013-553.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Akio Hizume, Yoshikazu Yamagishi and Shoji Yotsutani: Poly-Twistor by 3D printer: Classification of 3D Tori. Pages 555–558 http://archive.bridgesmathart.org/2013/bridges2013-555.html http://archive.bridgesmathart.org/2013/bridges2013-555.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Akio Hizume, Yoshikazu Yamagishi and Shoji Yotsutani: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Poly-Twistor by 3D printer: Classification of 3D Tori&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. Pages 555–558 http://archive.bridgesmathart.org/2013/bridges2013-555.html http://archive.bridgesmathart.org/2013/bridges2013-555.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Godfried Toussaint: On the Question of Meter in African Rhythm: A Quantitative Mathematical Assessment. Pages 559–562 http://archive.bridgesmathart.org/2013/bridges2013-559.html http://archive.bridgesmathart.org/2013/bridges2013-559.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Godfried Toussaint: On the Question of Meter in African Rhythm: A Quantitative Mathematical Assessment. Pages 559–562 http://archive.bridgesmathart.org/2013/bridges2013-559.html http://archive.bridgesmathart.org/2013/bridges2013-559.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l223&quot; &gt;Zeile 223:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 223:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Eva Knoll, Wendy Landry and Tara Taylor: Mat Weaving: Towards the Möbius Band. Pages 579–586 http://archive.bridgesmathart.org/2013/bridges2013-579.html http://archive.bridgesmathart.org/2013/bridges2013-579.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Eva Knoll, Wendy Landry and Tara Taylor: Mat Weaving: Towards the Möbius Band. Pages 579–586 http://archive.bridgesmathart.org/2013/bridges2013-579.html http://archive.bridgesmathart.org/2013/bridges2013-579.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Ioana Browne, Michael Browne, Mircea Draghicescu, Cristina Draghicescu and Carmen Ionescu: A Fun Approach to Teaching Geometry and Inspiring Creativity. Pages 587–592 http://archive.bridgesmathart.org/2013/bridges2013-587.html http://archive.bridgesmathart.org/2013/bridges2013-587.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Ioana Browne, Michael Browne, Mircea Draghicescu, Cristina Draghicescu and Carmen Ionescu: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;A Fun Approach to Teaching Geometry and Inspiring Creativity&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. Pages 587–592 http://archive.bridgesmathart.org/2013/bridges2013-587.html http://archive.bridgesmathart.org/2013/bridges2013-587.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Mehmet Vurkaç: Workshop: Make Your Own MP3 with “Algorhythmic” Generation and Aksak—Euclidean Synthesis. Pages 593–596 http://archive.bridgesmathart.org/2013/bridges2013-593.html http://archive.bridgesmathart.org/2013/bridges2013-593.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Mehmet Vurkaç: Workshop: Make Your Own MP3 with “Algorhythmic” Generation and Aksak—Euclidean Synthesis. Pages 593–596 http://archive.bridgesmathart.org/2013/bridges2013-593.html http://archive.bridgesmathart.org/2013/bridges2013-593.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Bridges_2013&amp;diff=2681&amp;oldid=prev</id>
		<title>Gbachelier am 28. Dezember 2014 um 21:27 Uhr</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Bridges_2013&amp;diff=2681&amp;oldid=prev"/>
				<updated>2014-12-28T21:27:50Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;a href=&quot;http://de.evo-art.org/index.php?title=Bridges_2013&amp;amp;diff=2681&amp;amp;oldid=2165&quot;&gt;Änderungen zeigen&lt;/a&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Bridges_2013&amp;diff=2165&amp;oldid=prev</id>
		<title>Gbachelier: /* Table of contents */</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Bridges_2013&amp;diff=2165&amp;oldid=prev"/>
				<updated>2014-12-09T14:58:01Z</updated>
		
		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Table of contents&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Nächstältere Version&lt;/td&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Version vom 9. Dezember 2014, 14:58 Uhr&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l63&quot; &gt;Zeile 63:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 63:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Robert W. Fathauer: Iterative Arrangements of Polyhedra—Relationships to Classical Fractals and Haüy Constructions. Pages 175–182 http://archive.bridgesmathart.org/2013/bridges2013-175.html http://archive.bridgesmathart.org/2013/bridges2013-175.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Robert W. Fathauer: Iterative Arrangements of Polyhedra—Relationships to Classical Fractals and Haüy Constructions. Pages 175–182 http://archive.bridgesmathart.org/2013/bridges2013-175.html http://archive.bridgesmathart.org/2013/bridges2013-175.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Marcel Tünnissen: Polyhedra with Folded Regular Heptagons. Pages 183–190 http://archive.bridgesmathart.org/2013/bridges2013-183.html http://archive.bridgesmathart.org/2013/bridges2013-183.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;* &lt;/ins&gt;Marcel Tünnissen: Polyhedra with Folded Regular Heptagons. Pages 183–190 http://archive.bridgesmathart.org/2013/bridges2013-183.html http://archive.bridgesmathart.org/2013/bridges2013-183.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Mike Naylor: Math Runes. Pages 191–198 http://archive.bridgesmathart.org/2013/bridges2013-191.html http://archive.bridgesmathart.org/2013/bridges2013-191.pdf &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Mike Naylor: Math Runes. Pages 191–198 http://archive.bridgesmathart.org/2013/bridges2013-191.html http://archive.bridgesmathart.org/2013/bridges2013-191.pdf &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l244&quot; &gt;Zeile 244:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 244:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Jay Kappraff: A Fractal Wallhanging. Pages 639–642 http://archive.bridgesmathart.org/2013/bridges2013-639.html http://archive.bridgesmathart.org/2013/bridges2013-639.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Jay Kappraff: A Fractal Wallhanging. Pages 639–642 http://archive.bridgesmathart.org/2013/bridges2013-639.html http://archive.bridgesmathart.org/2013/bridges2013-639.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Links ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Links ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Bridges_2013&amp;diff=2164&amp;oldid=prev</id>
		<title>Gbachelier am 9. Dezember 2014 um 14:57 Uhr</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Bridges_2013&amp;diff=2164&amp;oldid=prev"/>
				<updated>2014-12-09T14:57:19Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;a href=&quot;http://de.evo-art.org/index.php?title=Bridges_2013&amp;amp;diff=2164&amp;amp;oldid=2163&quot;&gt;Änderungen zeigen&lt;/a&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Bridges_2013&amp;diff=2163&amp;oldid=prev</id>
		<title>Gbachelier: Die Seite wurde neu angelegt: „== Reference == George Hart, Reza Sarhangi (eds.): Bridges 2013, Mathematics, Music, Art, Architecture, Culture. Bridges Conference at the University of Twente…“</title>
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				<updated>2014-12-09T11:17:57Z</updated>
		
		<summary type="html">&lt;p&gt;Die Seite wurde neu angelegt: „== Reference == George Hart, Reza Sarhangi (eds.): Bridges 2013, Mathematics, Music, Art, Architecture, Culture. Bridges Conference at the University of Twente…“&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Neue Seite&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Reference ==&lt;br /&gt;
George Hart, Reza Sarhangi (eds.): Bridges 2013, Mathematics, Music, Art, Architecture, Culture. Bridges Conference at the University of Twente and Saxion University of Applied Sciences Enschede, the Netherlands, 2013. ISBN: 978-1-938664-06-9&lt;br /&gt;
&lt;br /&gt;
== DOI ==&lt;br /&gt;
&lt;br /&gt;
== Abstract ==&lt;br /&gt;
&lt;br /&gt;
== Extended Abstract ==&lt;br /&gt;
&lt;br /&gt;
== Reviews==&lt;br /&gt;
&lt;br /&gt;
== Bibtex == &lt;br /&gt;
&lt;br /&gt;
== Table of contents ==&lt;br /&gt;
* The Editors: Front Matter &lt;br /&gt;
&lt;br /&gt;
* Harold Kroto: An Arts Project Uncovering an Important Scientific Advance. Pages 1–8&lt;br /&gt;
&lt;br /&gt;
* Jarke J. van Wijk: Math for Visualization, Visualizing Math. Pages 9–12&lt;br /&gt;
&lt;br /&gt;
* Paul Gailiunas: Patterns for Skew Mad Weave Polyhedra. Pages 13–18&lt;br /&gt;
&lt;br /&gt;
* Robert Crease: The Beauty of Equations. Pages 19–26&lt;br /&gt;
&lt;br /&gt;
* Sarah Glaz: Mathematical Ideas in Ancient Indian Poetry. Pages 27–34&lt;br /&gt;
&lt;br /&gt;
* Stephen Luecking: Mathematics Education and Early Abstract Art. Pages 35–42&lt;br /&gt;
&lt;br /&gt;
* Gary Greenfield: Ant Paintings Based on the Seed Foraging Behavior of P. barbatus. Pages 43–48&lt;br /&gt;
&lt;br /&gt;
* Michael Bartholomew-Biggs: Poetry &amp;amp; Algorithms. Pages 49–54&lt;br /&gt;
&lt;br /&gt;
* Stephanie Toussaint: A Comparative Geometric Analysis of the Patterns Found on the Pavement Mosaics of the Chedworth Roman Villa. Pages 55–62&lt;br /&gt;
&lt;br /&gt;
* Alejandro Erickson: Tatami Maker: A Combinatorially Rich Mechanical Game Board. Pages 63–70&lt;br /&gt;
&lt;br /&gt;
* Tom Verhoeff and Koos Verhoeff: Folded Strips of Rhombuses and a Plea for the √2:1 Rhombus. Pages 71–78&lt;br /&gt;
&lt;br /&gt;
* Koji Miyazaki: Multidimensional Impossible Polycubes. Pages 79–86&lt;br /&gt;
&lt;br /&gt;
* Phil Webster: Fractal Islamic Geometric Patterns Based on Arrangements of {n/2} Stars. Pages 87–94&lt;br /&gt;
&lt;br /&gt;
* Anne Burns: Removing Tremas with a Rational Function. Pages 95–102&lt;br /&gt;
&lt;br /&gt;
* Tatiana Bonch-Osmolovskaya: Antisymmetrical Palindromes in Traditional European and Contemporary Russian Poetry. Pages 103–110&lt;br /&gt;
&lt;br /&gt;
* Xavier Mora and Marta Pellicer: Understanding and measuring rhythmic quality in dance. What is a movement accent? Pages 111–118&lt;br /&gt;
&lt;br /&gt;
* Robert Bosch, Sarah Fries, Mäneka Puligandla and Karen Ressler: From Path-Segment Tiles to Loops and Labyrinths. Pages 119–126&lt;br /&gt;
&lt;br /&gt;
* Francisco González-Quintial, Antonio Sánchez-Parandiet and Javier Barrallo: Approaching an Approximation of Freeform Surfaces by Developable Strips using Apparent Contours. Pages 127–134&lt;br /&gt;
&lt;br /&gt;
* Greg Frederickson: Artfully Folding Hexagons, Dodecagons, and Dodecagrams. Pages 135–142&lt;br /&gt;
&lt;br /&gt;
* Daniela Velichová: The Art of Geometry. Pages 143–150&lt;br /&gt;
&lt;br /&gt;
* Reza Sarhangi: Tiling and Tazhib of Some Special Star Polygons: A Mathematics and Art Case Study. Pages 151–158&lt;br /&gt;
&lt;br /&gt;
* Tiffany C. Inglis and Craig S. Kaplan: Animating Line-based Op Art. Pages 159–166&lt;br /&gt;
&lt;br /&gt;
* Vladimir Bulatov: Bending Circle Limits. Pages 167–174&lt;br /&gt;
&lt;br /&gt;
* Robert W. Fathauer: Iterative Arrangements of Polyhedra—Relationships to Classical Fractals and Haüy Constructions. Pages 175–182&lt;br /&gt;
&lt;br /&gt;
Marcel Tünnissen: Polyhedra with Folded Regular Heptagons. Pages 183–190&lt;br /&gt;
&lt;br /&gt;
* Mike Naylor: Math Runes. Pages 191–198&lt;br /&gt;
&lt;br /&gt;
* Mahsa Kharazmi and Reza Sarhangi: Geometric Analysis of Forumad Mosques&amp;#039; Ornament. Pages 199–206&lt;br /&gt;
&lt;br /&gt;
* Carlo H. Séquin: Cross-Caps—Boy Caps—Boy Cups. Pages 207–216&lt;br /&gt;
&lt;br /&gt;
* Sébastien Pérez-Duarte and David Swart: The Mercator Redemption. Pages 217–224&lt;br /&gt;
&lt;br /&gt;
* B. Lynn Bodner: The Planar Crystallographic Groups Represented at the Alhambra. Pages 225–232&lt;br /&gt;
&lt;br /&gt;
* James Mai: Territories of Color: Towards a New Model of Simultaneous Color Contrast. Pages 233–240&lt;br /&gt;
&lt;br /&gt;
* Loe M.G. Feijs and Jun Hu: Turtles for Tessellations. Pages 241–248&lt;br /&gt;
&lt;br /&gt;
* Taneli Luotoniemi: Knot Designs Based on the Hexagonal Rosette. Pages 249–254&lt;br /&gt;
&lt;br /&gt;
* Michael Eisenberg, Antranig Basman, Sherry Hsi and Hilarie Nickerson: Turtle Temari. Pages 255–262&lt;br /&gt;
&lt;br /&gt;
* Abdalla G.M. Ahmed: AA Weaving. Pages 263–270&lt;br /&gt;
&lt;br /&gt;
* Anna Hartkopf and Andreas Daniel Matt: SURFER in Math Art, Education and Science Communication. Pages 271–278&lt;br /&gt;
&lt;br /&gt;
* Faniry Razafindrazaka and Konrad Polthier: The 6-ring. Pages 279–286&lt;br /&gt;
&lt;br /&gt;
* Javier Barrallo, Santiago Sánchez-Beitia and Francisco González-Quintial: Geometry Experiments with Richard Serra&amp;#039;s Sculpture. Pages 287–294&lt;br /&gt;
&lt;br /&gt;
* Bernat Espigulé Pons: Unfolding Symmetric Fractal Trees. Pages 295–302&lt;br /&gt;
&lt;br /&gt;
* Akihiro Matsuura, Jyunki Hashimoto and Kento Okuno: Geometric Visual Instruments Based on Object Rolling. Pages 303–310&lt;br /&gt;
&lt;br /&gt;
* Robert Hanson and George Hart: Custom 3D-Printed Rollers for Frieze Pattern Cookies. Pages 311–316&lt;br /&gt;
&lt;br /&gt;
* Craig S. Kaplan: Grid-based decorative corners. Pages 317–324&lt;br /&gt;
&lt;br /&gt;
* Donald Spector: John Cage Adores a Vacuum. Pages 325–330&lt;br /&gt;
&lt;br /&gt;
* Douglas Dunham: Escher Patterns on Triply Periodic Polyhedra. Pages 331–336&lt;br /&gt;
&lt;br /&gt;
* Susan Gerofsky: Learning Mathematics Through Dance. Pages 337–344&lt;br /&gt;
&lt;br /&gt;
* Darrah Chavey: Wallpaper Designs of Mirror Curves Inspired by African Sona. Pages 345–352&lt;br /&gt;
&lt;br /&gt;
* Saul Schleimer and Henry Segerman: Triple Gear. Pages 353–360&lt;br /&gt;
&lt;br /&gt;
* Kristóf Fenyvesi, Slavik Jablan and Ljiljana Radović: Following the Footsteps of Daedalus: Labyrinth Studies Meets Visual Mathematics. Pages 361–368&lt;br /&gt;
&lt;br /&gt;
* Rinus Roelofs: The Discovery of a New Series of Uniform Polyhedra. Pages 369–376&lt;br /&gt;
&lt;br /&gt;
* Dirk Huylebrouck: The Moore-Penrose Inverse in Art. Pages 377–382&lt;br /&gt;
&lt;br /&gt;
* Sue Goodman, Alex Mellnik and Carlo H. Séquin: Girl&amp;#039;s Surface. Pages 383–388&lt;br /&gt;
&lt;br /&gt;
* Sebastian Uribe, Susanne Schimpf and Andreas Daniel Matt: How to make an IMAGINARY exhibition. Pages 389–396&lt;br /&gt;
&lt;br /&gt;
* Elaine Krajenke Ellison: Kolmogorov&amp;#039;s Question. Pages 397–398&lt;br /&gt;
&lt;br /&gt;
* Francesco De Comité: Circle Packing Explorations. Pages 399–402&lt;br /&gt;
&lt;br /&gt;
* Kerry Mitchell: Spirolateral-Type Images from Integer Sequences. Pages 403–406&lt;br /&gt;
&lt;br /&gt;
* Hans Kuiper and Walt Van Ballegooijen: 3D SUDOKU Puzzle with 81 Connected Cubes. Pages 407–410&lt;br /&gt;
&lt;br /&gt;
* David Swart: Papercraft Panoramas. Pages 411–414&lt;br /&gt;
&lt;br /&gt;
* Ester Dalvit: Braids: A Mathematics Documentary. Pages 415–418&lt;br /&gt;
&lt;br /&gt;
* Dmitri Kozlov: Form-Finding Experiments with Resilient Cyclic Knots. Pages 419–422&lt;br /&gt;
&lt;br /&gt;
* Elizabeth McTernan and Luke Wolcott: Exquisite Failure: The Telescope as Lived Object. Pages 423–424&lt;br /&gt;
&lt;br /&gt;
* Charles Gunn: Rendering the Whole World with Conformal Curvilinear Perspective. Pages 425–428&lt;br /&gt;
&lt;br /&gt;
* Loe M.G. Feijs and Marina Toeters: Constructing and Applying the Fractal Pied de Poule (Houndstooth). Pages 429–432&lt;br /&gt;
&lt;br /&gt;
* Robert Weadon Rollings: Exploring the Vertices of a Triacontahedron. Pages 433–434&lt;br /&gt;
&lt;br /&gt;
* Miriam Fradera Gajo: Count and Dance: Sardana. Pages 435–436&lt;br /&gt;
&lt;br /&gt;
* Amir Gholami and Mehrdad Garousi: A Digital Tribute to M.C. Escher. Pages 437–438&lt;br /&gt;
&lt;br /&gt;
* Kevin Jardine: Imperfect Congruence: Tiling with Regular Polygons and Rhombs. Pages 439–442&lt;br /&gt;
&lt;br /&gt;
* Manuel Díaz Regueiro: The Equations of Westminster Abbey. Pages 443–444&lt;br /&gt;
&lt;br /&gt;
* Raymond Aschheim: How to 3D-print Complex Networks and Graphs. Pages 445–448&lt;br /&gt;
&lt;br /&gt;
* Ron Asherov: Finding Optimal Paths in Beadworks: What If Euler Were a Beader? Pages 449–452&lt;br /&gt;
&lt;br /&gt;
* Mereke van Garderen and Jarke J. van Wijk: Seifert Surfaces with Minimal Genus. Pages 453–456&lt;br /&gt;
&lt;br /&gt;
* Anna Weltman, Paul Salomon and Justin Lanier: MArTH Madness: Building a Culture of Mathematical Art at Saint Ann&amp;#039;s School. Pages 457–460&lt;br /&gt;
&lt;br /&gt;
* Jean Constant: Symmetry in Mathematics, Physics and Art. Pages 461–464&lt;br /&gt;
&lt;br /&gt;
* János Szász Saxon: Up Suprematism to the “supreMADIsm” on Saxon&amp;#039;s Paintings. Pages 465–468&lt;br /&gt;
&lt;br /&gt;
* Kenneth Brecher: Mathematics, Art and Science of the Pseudosphere. Pages 469–472&lt;br /&gt;
&lt;br /&gt;
* Karl Kattchee: Kandinsky, Math Artist? Pages 473–476&lt;br /&gt;
&lt;br /&gt;
* Jacques Beck, Françoise Beck-Pieterhons and Samuel Verbiese: Three-Dimensional Generalizations of the Triskele. Pages 477–478&lt;br /&gt;
&lt;br /&gt;
* Zsófia Ruttkay, Tamás Páll, Jelena Viskovic and Litza Juhász: Color patterns in Bull by Vasarely. Pages 479–482&lt;br /&gt;
&lt;br /&gt;
* Douglas G. Burkholder: Iterating Borromean Rings on a Sphere. Pages 483–486&lt;br /&gt;
&lt;br /&gt;
* Chia-Chin Tsoo, Chern Chuang and Bih-Yaw Jin: Mathematical Beading as Molecular Analog Computation: An Example from Beaded Sierpiński Buckyball. Pages 487–490&lt;br /&gt;
&lt;br /&gt;
* Curtis Palmer: Retrograde Rotation Illusions in Turntable Animations of Concentric Icosahedral Domains. Pages 491–494&lt;br /&gt;
&lt;br /&gt;
* Chern Chuang and Bih-Yaw Jin: Construction of Sierpiński Superfullerenes with the Aid of Zome Geometry: Application to Beaded Molecules. Pages 495–498&lt;br /&gt;
&lt;br /&gt;
* Zsófia Ruttkay and Litza Juhász: The 3D Effect of Bull by Vasarely. Pages 499–502&lt;br /&gt;
&lt;br /&gt;
* Patrick Honner: Teaching Mathematics Through Image Manipulation. Pages 503–506&lt;br /&gt;
&lt;br /&gt;
* S. Louise Gould and Franklin Gould: One Mucuboctahedron: Four Ways to View It. Pages 507–510&lt;br /&gt;
&lt;br /&gt;
* Alice Major: Math into Metaphor. Pages 511–514&lt;br /&gt;
&lt;br /&gt;
* Wout Zweers, Valerie Zwart and Onno Bokhove: Making Waves: Visualizing Fluid Flows. Pages 515–518&lt;br /&gt;
&lt;br /&gt;
* J. Brooke Ernest and Ricardo Nemirovsky: Creating Art as a Catalyst for Making Meaningful, Personal Connections to Mathematics. Pages 519–522&lt;br /&gt;
&lt;br /&gt;
* Mara Alagic and Glyn Rimmington: Google Earth: Mathematical Art Forms. Pages 523–526&lt;br /&gt;
&lt;br /&gt;
* Laura Shea: Edge Color Patterns in the Bead Truncated Icosahedron. Pages 527–530&lt;br /&gt;
&lt;br /&gt;
* David Reimann: Point Symmetric Ribbon Patterns using a Hexagonal Motif from M.C. Escher. Pages 531–534&lt;br /&gt;
&lt;br /&gt;
* Bojana Ginn: Minimalism, Math, and Biology. Pages 535–538&lt;br /&gt;
&lt;br /&gt;
* Barbora Kamrlova: How Do Symmetries Come To Children, and Vice Versa? Pages 539–542&lt;br /&gt;
&lt;br /&gt;
* Karl Schaffer: Dances of Heavenly Bodies: Dance, N-body Choreographies, and Change Ringing. Pages 543–546&lt;br /&gt;
&lt;br /&gt;
* Cindy Lawrence: Adding it all Up: Building the National Museum of Mathematics. Pages 547–550&lt;br /&gt;
&lt;br /&gt;
* Dugan J. Hammock: Visualizing 3-Dimensional Manifolds. Pages 551–552&lt;br /&gt;
&lt;br /&gt;
* Kristóf Fenyvesi and Eleonóra Stettner: Adventures on the Borderland of Mathematics and Arts: the Kaposvár University&amp;#039;s “CrossBorderScience” Project (2011-2012). Pages 553–554&lt;br /&gt;
&lt;br /&gt;
* Akio Hizume, Yoshikazu Yamagishi and Shoji Yotsutani: Poly-Twistor by 3D printer: Classification of 3D Tori. Pages 555–558&lt;br /&gt;
&lt;br /&gt;
* Godfried Toussaint: On the Question of Meter in African Rhythm: A Quantitative Mathematical Assessment. Pages 559–562&lt;br /&gt;
&lt;br /&gt;
* Diana Cheng: International Judging System of Figure Skating: A Middle Grades Activity on Decimal Operations. Pages 563–566&lt;br /&gt;
&lt;br /&gt;
* Irene Rousseau: Uncertainty of Structure, Quantity, and Space as our Reality. Pages 567–570&lt;br /&gt;
&lt;br /&gt;
* Dániel Erdély: Hexagons and Their Inner World. Pages 571–572&lt;br /&gt;
&lt;br /&gt;
* Russell Jay Hendel: Aesthetic Appeal of Magic Squares. Pages 573–574&lt;br /&gt;
&lt;br /&gt;
* Ann Hanson: The Mathematics and Art of Spirals Workshop. Pages 575–578&lt;br /&gt;
&lt;br /&gt;
* Eva Knoll, Wendy Landry and Tara Taylor: Mat Weaving: Towards the Möbius Band. Pages 579–586&lt;br /&gt;
&lt;br /&gt;
* Ioana Browne, Michael Browne, Mircea Draghicescu, Cristina Draghicescu and Carmen Ionescu: A Fun Approach to Teaching Geometry and Inspiring Creativity. Pages 587–592&lt;br /&gt;
&lt;br /&gt;
* Mehmet Vurkaç: Workshop: Make Your Own MP3 with “Algorhythmic” Generation and Aksak—Euclidean Synthesis. Pages 593–596&lt;br /&gt;
&lt;br /&gt;
* Ho-Gul Park: A Workshop on N-regular Polygon Torus using 4D frame. Pages 597–600&lt;br /&gt;
&lt;br /&gt;
* Carol Dorf: Poetry in conversation with mathematics. Pages 601–602&lt;br /&gt;
&lt;br /&gt;
* Simon Morgan: Printing by Rolling Möbius Band Stencils: Glide Reflection Embodied in Physical Action. Pages 603–610&lt;br /&gt;
&lt;br /&gt;
* John Belcher and Terrence Blackman: Hearing the Drum of the Rhythm. Pages 611–618&lt;br /&gt;
&lt;br /&gt;
* Andrea Hawksley and Scott Duke Kominers: Flipbook Polyhedra. Pages 619–624&lt;br /&gt;
&lt;br /&gt;
* Ricardo Nemirovsky and J. Brooke Ernest: Alberti&amp;#039;s Window: Projective Geometry as the Geometry of Vision. Pages 625–628&lt;br /&gt;
&lt;br /&gt;
* Alessandra Capanna and Marcella Giulia Lorenzi: RaM - Recycle and Mathematics: the Art of Tiling for Eco-design. Pages 629–634&lt;br /&gt;
&lt;br /&gt;
* Vi Hart: Orbifold and Cut. Pages 635–638&lt;br /&gt;
&lt;br /&gt;
* Jay Kappraff: A Fractal Wallhanging. Pages 639–642&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Links ==&lt;br /&gt;
=== Full Text === &lt;br /&gt;
http://archive.bridgesmathart.org/2013/index.html&lt;br /&gt;
&lt;br /&gt;
[[intern file]]&lt;br /&gt;
&lt;br /&gt;
=== Sonstige Links ===&lt;br /&gt;
http://bridgesmathart.org/past-conferences/bridges-2013/&lt;/div&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

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