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		<id>http://de.evo-art.org/index.php?action=history&amp;feed=atom&amp;title=Brush_Stroke_Ordering_Techniques_for_Painterly_Rendering</id>
		<title>Brush Stroke Ordering Techniques for Painterly Rendering - Versionsgeschichte</title>
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	<entry>
		<id>http://de.evo-art.org/index.php?title=Brush_Stroke_Ordering_Techniques_for_Painterly_Rendering&amp;diff=31941&amp;oldid=prev</id>
		<title>Gubachelier am 8. November 2015 um 16:54 Uhr</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Brush_Stroke_Ordering_Techniques_for_Painterly_Rendering&amp;diff=31941&amp;oldid=prev"/>
				<updated>2015-11-08T16:54:39Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&#039;diff-marker&#039; /&gt;
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				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Nächstältere Version&lt;/td&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Version vom 8. November 2015, 16:54 Uhr&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l13&quot; &gt;Zeile 13:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 13:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Bibtex == &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Bibtex == &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; @inproceedings{Northam:2010:BSO:2381312.2381323,&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; author = {Northam, L. and Istead, J. and Kaplan, C.},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; title = {Brush Stroke Ordering Techniques for Painterly Rendering},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; booktitle = {Proceedings of the Sixth International Conference on Computational Aesthetics in Graphics, Visualization and Imaging},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; series = {Computational Aesthetics&amp;#039;10},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; year = {2010},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; isbn = {978-3-905674-24-8},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; location = {London, United Kingdom},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; pages = {59--66},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; numpages = {8},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; url = {http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH10/059-066, http://de.evo-art.org/index.php?title=Brush_Stroke_Ordering_Techniques_for_Painterly_Rendering },&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; doi = {10.2312/COMPAESTH/COMPAESTH10/059-066},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; acmid = {2381323},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; publisher = {Eurographics Association},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; address = {Aire-la-Ville, Switzerland, Switzerland},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; } &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Used References ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Used References ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gubachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Brush_Stroke_Ordering_Techniques_for_Painterly_Rendering&amp;diff=1908&amp;oldid=prev</id>
		<title>Gbachelier: Die Seite wurde neu angelegt: „  == Reference == Lesley Northam, Joe Istead, Craig S. Kaplan: Brush Stroke Ordering Techniques for Painterly Rendering. In: Pauline Jepp, Oliver Deussen (Eds.…“</title>
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				<updated>2014-12-01T14:55:41Z</updated>
		
		<summary type="html">&lt;p&gt;Die Seite wurde neu angelegt: „  == Reference == Lesley Northam, Joe Istead, Craig S. Kaplan: Brush Stroke Ordering Techniques for Painterly Rendering. In: Pauline Jepp, Oliver Deussen (Eds.…“&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Neue Seite&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&lt;br /&gt;
&lt;br /&gt;
== Reference ==&lt;br /&gt;
Lesley Northam, Joe Istead, Craig S. Kaplan: Brush Stroke Ordering Techniques for Painterly Rendering. In: Pauline Jepp, Oliver Deussen (Eds.): Eurographics Workshop on Computational Aesthetics, 2010. 59-66&lt;br /&gt;
&lt;br /&gt;
== DOI ==&lt;br /&gt;
http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH10/059-066&lt;br /&gt;
&lt;br /&gt;
== Abstract ==&lt;br /&gt;
Painterly rendering algorithms often mimic classical hand-painting techniques to automatically generate stylized paintings from input images. These algorithms use a combination of techniques to express a variety of styles and artistic properties (e.g., contrast, mood), but often restrict the user from controlling the rendering order of overlapping brush strokes. This paper illustrates the importance of brush stroke ordering in creating stylistic effects and presents a layer-based painterly rendering algorithm that allows the user to specify a brush stroke ordering. Several of the presented orderings enable the renderer to reduce detail obstruction, simulate handpainting techniques and enhance artistic styles.&lt;br /&gt;
&lt;br /&gt;
== Extended Abstract ==&lt;br /&gt;
&lt;br /&gt;
== Bibtex == &lt;br /&gt;
&lt;br /&gt;
== Used References ==&lt;br /&gt;
J. P. Collomosse , P. M. Hall, Painterly Rendering using Image Salience, Proceedings of the 20th UK conference on Eurographics, p.122, June 11-13, 2002 http://dl.acm.org/citation.cfm?id=787788&amp;amp;CFID=588525319&amp;amp;CFTOKEN=29804931&lt;br /&gt;
&lt;br /&gt;
Bruce Gooch , Greg Coombe , Peter Shirley, Artistic Vision: painterly rendering using computer vision techniques, Proceedings of the 2nd international symposium on Non-photorealistic animation and rendering, June 03-05, 2002, Annecy, France  http://doi.acm.org/10.1145/508530.508545&lt;br /&gt;
&lt;br /&gt;
Paul Haeberli, Paint by numbers: abstract image representations, Proceedings of the 17th annual conference on Computer graphics and interactive techniques, p.207-214, September 1990, Dallas, TX, USA  http://doi.acm.org/10.1145/97879.97902&lt;br /&gt;
&lt;br /&gt;
James Hays , Irfan Essa, Image and video based painterly animation, Proceedings of the 3rd international symposium on Non-photorealistic animation and rendering, June 07-09, 2004, Annecy, France  http://doi.acm.org/10.1145/987657.987676&lt;br /&gt;
&lt;br /&gt;
Aaron Hertzmann, Painterly rendering with curved brush strokes of multiple sizes, Proceedings of the 25th annual conference on Computer graphics and interactive techniques, p.453-460, July 1998 http://doi.acm.org/10.1145/280814.280951&lt;br /&gt;
&lt;br /&gt;
Aaron Hertzmann, Paint By Relaxation, Computer Graphics International 2001, p.47-54, July 03-06, 2001 http://dl.acm.org/citation.cfm?id=735238&amp;amp;CFID=588525319&amp;amp;CFTOKEN=29804931&lt;br /&gt;
&lt;br /&gt;
Peter Litwinowicz, Processing images and video for an impressionist effect, Proceedings of the 24th annual conference on Computer graphics and interactive techniques, p.407-414, August 1997  http://doi.acm.org/10.1145/258734.258893&lt;br /&gt;
&lt;br /&gt;
MAYER R.: The Artist&amp;#039;s Handbook of Materials and Techniques, 3rd ed. The Viking Press, Inc., New York, 1970.&lt;br /&gt;
&lt;br /&gt;
MUGNAINI J.: Oil Painting: Techniques and Materials. Reinhold Book Corporation, New York, 1969.&lt;br /&gt;
&lt;br /&gt;
O&amp;#039;BRIAN P.: Pablo Ruiz Picasso. W. W. Norton and Co., New York, 1994.&lt;br /&gt;
&lt;br /&gt;
Sven C. Olsen , Bruce A. Maxwell, Fluid simulation as a tool for painterly rendering, ACM SIGGRAPH 2004 Posters, August 08-12, 2004, Los Angeles, California  http://doi.acm.org/10.1145/1186415.1186444&lt;br /&gt;
&lt;br /&gt;
Youngsup Park , Kyunghyun Yoon, Painterly animation using motion maps, Graphical Models, v.70 n.1-2, p.1-15, January, 2008  http://dx.doi.org/10.1016/j.gmod.2007.06.001&lt;br /&gt;
&lt;br /&gt;
RICHMOND L.: Fundamentals of Oil Painting. Watson-Guptill Publications, New York, 1970.&lt;br /&gt;
&lt;br /&gt;
Maria Shugrina , Margrit Betke , John Collomosse, Empathic painting: interactive stylization through observed emotional state, Proceedings of the 4th international symposium on Non-photorealistic animation and rendering, June 05-07, 2006, Annecy, France  http://doi.acm.org/10.1145/1124728.1124744&lt;br /&gt;
&lt;br /&gt;
STEFAN SCHLECHTWEG T. G., STROTHOTTE T.: Renderbots-multi-agent systems for direct image generation. Computer Graphics Forum 24, 2 (2005), 137-148. &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Links ==&lt;br /&gt;
=== Full Text === &lt;br /&gt;
[extern file]&lt;br /&gt;
&lt;br /&gt;
[[intern file]]&lt;br /&gt;
&lt;br /&gt;
=== Sonstige Links ===&lt;br /&gt;
http://dl.acm.org/citation.cfm?id=2381312.2381323&amp;amp;coll=DL&amp;amp;dl=GUIDE&amp;amp;CFID=588525319&amp;amp;CFTOKEN=29804931&lt;/div&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

	</feed>