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		<title>Chinese pattern design using generative shape grammar - Versionsgeschichte</title>
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		<title>Gbachelier: Die Seite wurde neu angelegt: „== Reference == Cui Jia, Ming Xi Tang: Chinese pattern design using generative shape grammar. In: Generative Art 2010.   == DOI ==  == Abstract == Art desi…“</title>
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				<updated>2014-12-24T17:04:06Z</updated>
		
		<summary type="html">&lt;p&gt;Die Seite wurde neu angelegt: „== Reference == Cui Jia, Ming Xi Tang: Chinese pattern design using generative shape grammar. In: &lt;a href=&quot;/index.php?title=Generative_Art_2010&quot; title=&quot;Generative Art 2010&quot;&gt;Generative Art 2010&lt;/a&gt;.   == DOI ==  == Abstract == Art desi…“&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Neue Seite&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Reference ==&lt;br /&gt;
Cui Jia, Ming Xi Tang: Chinese pattern design using generative shape grammar. In: [[Generative Art 2010]]. &lt;br /&gt;
&lt;br /&gt;
== DOI ==&lt;br /&gt;
&lt;br /&gt;
== Abstract ==&lt;br /&gt;
Art design, especially graphic design, is an abstractive and intuitive process which is&lt;br /&gt;
difficult to formulate apart from visualization. Shape Grammar can be a powerful tool&lt;br /&gt;
using the elements of shapes and rules for transformations. With a rule base, the&lt;br /&gt;
application of Shape Grammar can orient the future shape development to a&lt;br /&gt;
promising direction. Yunnan embroidery patterns have a long history and local&lt;br /&gt;
cultural features. They are created by villagers who lived in the country close to&lt;br /&gt;
nature, with imaginative natural curves, shapes and colours. Most of the applications&lt;br /&gt;
on Shape Grammar so far are based on the orthogonal lines. However, this study&lt;br /&gt;
creates curvy patterns with different colours by analyzing the characters of the&lt;br /&gt;
existing embroideries created by the villagers, aiming at achieving auto-generation of&lt;br /&gt;
new patterns with the similar features. The whole process is based on a generative&lt;br /&gt;
system with a Shape Grammar representation in two-dimensional space. The intent&lt;br /&gt;
of this study is to show that such SG and representation can support human&lt;br /&gt;
designers to create newer styles easily, faster and visually.&lt;br /&gt;
&lt;br /&gt;
== Extended Abstract ==&lt;br /&gt;
&lt;br /&gt;
== Bibtex == &lt;br /&gt;
&lt;br /&gt;
== Used References ==&lt;br /&gt;
[1] Donald A. Norman, 1990; the design of everyday things; ISBN 0-385-26774-6;&lt;br /&gt;
USA&lt;br /&gt;
&lt;br /&gt;
[2] G. Stiny, J. Gips, 1972; Shape Grammars and the Generative Specification of&lt;br /&gt;
Painting and Sculpture; In the Proceedings: C V Freiman(ed) Information Processing&lt;br /&gt;
71; page 1460-1465&lt;br /&gt;
&lt;br /&gt;
[3]Yufei Wang, Jose Pinto Duarte, 2002; Automatic generation and fabrication of&lt;br /&gt;
designs; Automation in Construction; 11; page 291-302&lt;br /&gt;
&lt;br /&gt;
[4]Pascal Muller, Peter Wonka etc. 2006; Procedural Modelling of Buildings; ACM&lt;br /&gt;
Transactions on Graphics; Vol. 25, no. 3; page 614-623&lt;br /&gt;
&lt;br /&gt;
[5]M. Tapia, 1999; A Visual Implementation of a shape grammar system;&lt;br /&gt;
Environment and Planning B: Planning and Design; vol. 26, issue 1, page 59-&lt;br /&gt;
73&lt;br /&gt;
&lt;br /&gt;
[6]M.smyth, E. Edmonds, 2000; Supporting design through the strategic use of&lt;br /&gt;
shape grammars; Knowledge-Based system; 13, page 385-393&lt;br /&gt;
&lt;br /&gt;
[7]Scott C. Chase, 2002; A model for user interaction in grammar-based design&lt;br /&gt;
system; Automation in Construction; 11 page 161-172&lt;br /&gt;
&lt;br /&gt;
[8]Mei Choo Ang, etc. 2006; Combining Evolutionary Algorithms and shape&lt;br /&gt;
Grammar to Generate Branded Product Design; Design Computing and&lt;br /&gt;
Cognition, page 521-539&lt;br /&gt;
&lt;br /&gt;
[9]Ho Cheong Lee, Ming Xi Tang, 2006; Generating stylistically consistent&lt;br /&gt;
product form designs using interactive evolutionary parametric shape&lt;br /&gt;
grammars; CAIDCD &amp;#039;06. 7th International Conference; page 1-6&lt;br /&gt;
&lt;br /&gt;
[10]Michael O’ Neill, etc. 2009; Shape grammars and grammatical evolution for&lt;br /&gt;
evolutionary design; Proceedings of the 11th Annual conference on Genetic&lt;br /&gt;
and evolutionary computation; page 1035-1042&lt;br /&gt;
&lt;br /&gt;
[11]N. Chomosky, Syntactic structures, Mouton, The Hague, 1957&lt;br /&gt;
&lt;br /&gt;
[12]R. Krishnamurti. 1981; The construction of shapes. Environment and&lt;br /&gt;
Planning B: Planning and Design, vol 8, page 5-40&lt;br /&gt;
&lt;br /&gt;
[13]J.S. Gero and L. Ding, 1997; Exploring style Emergence in Architectural&lt;br /&gt;
Designs; CAADRIA &amp;#039;97; page 287-296&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Links ==&lt;br /&gt;
=== Full Text === &lt;br /&gt;
http://www.generativeart.com/on/cic/GA2010/2010_10.pdf&lt;br /&gt;
&lt;br /&gt;
[[intern file]]&lt;br /&gt;
&lt;br /&gt;
=== Sonstige Links ===&lt;/div&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

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