http://de.evo-art.org/index.php?action=history&feed=atom&title=Composite_Digital_Mosaics_using_Duotone_Tiles 2026-06-13T11:11:05Z Versionsgeschichte dieser Seite in de_evolutionary_art_org MediaWiki 1.27.4 http://de.evo-art.org/index.php?title=Composite_Digital_Mosaics_using_Duotone_Tiles&diff=2806&oldid=prev 2015-01-02T13:31:27Z

<p>Die Seite wurde neu angelegt: „== Reference == <a href="/index.php?title=Gary_Greenfield" title="Gary Greenfield">Gary Greenfield</a>: Composite Digital Mosaics using Duotone Tiles. In: <a href="/index.php?title=Bridges_2009" title="Bridges 2009">Bridges 2009</a>. Pages 155–162 == DOI == == Abstract == We descri…“</p> <p><b>Neue Seite</b></p><div>== Reference ==<br /> [[Gary Greenfield]]: Composite Digital Mosaics using Duotone Tiles. In: [[Bridges 2009]]. Pages 155–162 <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> We describe a method for combining a foreground image and a background image to make digital mosaics using<br /> duotone tiles. Unlike the tiles of thumbnail images used in photomosaics, our duotone tiles each consist of precisely<br /> two colors. Our method uses diffusion limited aggregation (DLA) to approximate via a curve the foreground image<br /> which is then composited over a pixellated enlargement of the background image.<br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> <br /> == Used References ==<br /> [1] Bosch R., Constructing domino portraits, Tribute to a Mathemagician, Cipra B. (Ed.), 2004, 251–256.<br /> <br /> [2] Greenfield G., Composite diffusion limited aggregation paintings, Bridges Donostia: Bridges 2007:<br /> Mathematical Connections in Art, Music and Science, Sarhangi R. and Barrallo J. (Eds.), 2007, 15–20.<br /> <br /> [3] Greenfield G., Connectivity and a diffusion limited aggregation digital image magnification technique,<br /> Proceedings of the 13-th International Conference on Geometry and Graphics, Weiss G. (Ed.), CD-<br /> ROM (ISBN 978-3-86780-042-6), 2008.<br /> <br /> [4] Kaplan C. S. and Bosch R., TSP art, Renaissance Banff: Bridges 2005: Mathematical Connections in<br /> Art, Music and Science, Sarhangi R. and Moody R. V. (Eds.), 2005, 301-308.<br /> <br /> [5] Knowlton, K., Knowlton Mosaics: Computer Assisted Portrait Art, http://www.knowltonmosaics.com/<br /> (accessed 1 April 2009).<br /> <br /> [6] Knuth, D., The Stanford GraphBase: A Platform for Combinatorial Computing, ACM Press, New York,<br /> 1993.<br /> <br /> [7] Kobayashi Y., Niitsu T., Takahashi K., and Shimoida S., Mathematical modeling of metal leaves, Math-<br /> ematics Magazine, Volume 76, Number 4, 2003, 295–298.<br /> <br /> [8] Long J., Modeling dendritic structures for artistic effects, M.Sc. Thesis, University of Saskatchewan,<br /> 2007.<br /> <br /> [9] Orosz I., Istvan Orosz Bridges 2008, Exhibition Publication, Utisz Bt., 2008.<br /> <br /> [10] Sah S. B., Ciesielski V., Sousa D., and Berry M., Comparison between genetic algorithm and genetic<br /> programming performance for photomosaic generation, Simulated Evolution and Learning 2008 Pro-<br /> ceedings, Li X. et al. (Eds.), Springwer Verlag LNCS 5361, 2008, 259–268.<br /> <br /> [11] Silvers R., Photomosaics, Henry Holt and Company, New York, NY, 1997.<br /> <br /> [12] UTISZ, The homepage of Istvan Orosz, http://web.axelero.hu/utisz/page.htm (accessed March 2009).<br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> http://archive.bridgesmathart.org/2009/bridges2009-155.pdf <br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> http://archive.bridgesmathart.org/2009/bridges2009-155.html</div>

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