Computational Aesthetics 2006 - Versionsgeschichte

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@@ Zeile 59: / Zeile 59: @@
 * Amy Gooch: Visualizing Pentimenti: the Hidden History in a Painting.
-* [[Gary R. Greenfield]]: [[Evolutionary Computation and Image Re-Coloring]]. Presentation: http://www.dagstuhl.de/Materials/Files/06/06221/06221.GreenfieldGary.Slides.ppt
+* [[Gary Greenfield]]: [[Evolutionary Computation and Image Re-Coloring]]. Presentation: http://www.dagstuhl.de/Materials/Files/06/06221/06221.GreenfieldGary.Slides.ppt
 * Hartmann, Knut; Götzelmann, Timo ; Kamran, Ali; Strothotte, Thomas: [[Mapped Pictures: Aesthetic Image Annotations]]. Presentation: http://www.dagstuhl.de/Materials/Files/06/06221/06221.HartmannKnut.Slides.pdf

@@ Zeile 59: / Zeile 59: @@
 * Amy Gooch: Visualizing Pentimenti: the Hidden History in a Painting.
-* Gary R. Greenfield: [[Evolutionary Computation and Image Re-Coloring]]. Presentation: http://www.dagstuhl.de/Materials/Files/06/06221/06221.GreenfieldGary.Slides.ppt
+* [[Gary R. Greenfield]]: [[Evolutionary Computation and Image Re-Coloring]]. Presentation: http://www.dagstuhl.de/Materials/Files/06/06221/06221.GreenfieldGary.Slides.ppt
 * Hartmann, Knut; Götzelmann, Timo ; Kamran, Ali; Strothotte, Thomas: [[Mapped Pictures: Aesthetic Image Annotations]]. Presentation: http://www.dagstuhl.de/Materials/Files/06/06221/06221.HartmannKnut.Slides.pdf
@@ Zeile 71: / Zeile 71: @@
 * Jepp, Pauline; Wyvill, Brian; Sousa, Mario Costa: Flocking Strokes. Presentation: http://www.slideworld.org/viewslides.aspx/Flocking-Strokes-ppt-13700
-* Craig S. Kaplan: A note on optimization.
+* [[Craig S. Kaplan]]: A note on optimization.
 * Leyvand, Tommer; Cohen-Or, Daniel; Dror, Gideon; Lischinski, Dani: [[Digital Face Beautification]]. (http://leyvand.com/research/beautification/ http://leyvand.com/research/beautification/dfb_sketch.pdf http://leyvand.com/research/beautification2008/ http://leyvand.com/research/beautification2008/attractiveness2008.pdf)

← Nächstältere Version		Version vom 8. November 2015, 17:53 Uhr
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	== Bibtex ==		== Bibtex ==
		+	@InProceedings{gooch_et_al:DSP:2007:875,
		+	author = {Bruce Gooch and L{\'a}szl{\'o} Neumann and Werner Purgathofer and Mateu Sbert},
		+	title = {06221 Abstracts Collection -- Computational Aestethics in Graphics, Visualization and Imaging},
		+	booktitle = {Computational Aesthetics in Graphics, Visualization and Imaging},
		+	year = {2007},
		+	editor = {Bruce Gooch and L{\'a}szl{\'o} Neumann and Werner Purgathofer and Mateu Sbert},
		+	number = {06221},
		+	series = {Dagstuhl Seminar Proceedings},
		+	ISSN = {1862-4405},
		+	publisher = {Internationales Begegnungs- und Forschungszentrum f{\"u}r Informatik (IBFI), Schloss Dagstuhl, Germany},
		+	address = {Dagstuhl, Germany},
		+	URL = {http://drops.dagstuhl.de/opus/volltexte/2007/875, http://de.evo-art.org/index.php?title=Computational_Aesthetics_2006 },
		+	annote = {Keywords: Lighting Design and Image Relighting, Non-Photorealistic Rendering, Technical Illustration, Medical Illustration, Computational Color Harmony, }
		+	}

	== Table of contents==		== Table of contents==

@@ Zeile 81: / Zeile 81: @@
 * Ivan Viola: Importance-Driven Focus of Attention. (Ivan Viola , Miquel Feixas , Mateu Sbert , Meister Eduard Gröller: [[Importance-Driven Focus of Attention]] (2006). http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.67.5983 http://www.cg.tuwien.ac.at/research/publications/2006/vis-foa/vis-foa-pdf.pdf)
-* Daniel Weiskopf: Aesthetics and Relativity. (http://www.vis.uni-stuttgart.de/~weiskopf/publications/index.html [[Visualization of Four-Dimensional Spacetimes]]: https://publikationen.uni-tuebingen.de/xmlui/handle/10900/48159)
+* Daniel Weiskopf: Aesthetics and Relativity. (http://www.vis.uni-stuttgart.de/~weiskopf/publications/index.html [[Visualization of Four-Dimensional Spacetimes]]: https://publikationen.uni-tuebingen.de/xmlui/handle/10900/48159 https://publikationen.uni-tuebingen.de/xmlui/bitstream/handle/10900/48159/pdf/01dissertation.pdf?sequence=1&isAllowed=y)
 == Links ==

@@ Zeile 53: / Zeile 53: @@
 * Interrante, Victoria; Saunders, P. Coleman: Color Aesthetics in Visualization and Natural Images.
-* Isenberg, Tobias; Neumann, Petra; Carpendale, Sheelagh; Costa Sousa, Mario; Jorge, Joaquim A.: [[Aesthetics of Hand-Drawn and Computer-Generated Illustrations]]. Presentation: http://www.google.de/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&ved=0CCEQFjAA&url=http%3A%2F%2Finnovis.cpsc.ucalgary.ca%2Finnovis%2Fuploads%2FPublications%2FPublications%2FIsenberg_2006_AHD_Slides.pdf&ei=ouZ6VIWjHcjqOMH0gagK&usg=AFQjCNHk8HoMzbEEwN4bd2vbxi074MYX4g&sig2=9Njcf5zYb4e7GjF1iScXMg
+* Isenberg, Tobias; Neumann, Petra; Carpendale, Sheelagh; Costa Sousa, Mario; Jorge, Joaquim A.: [[Aesthetics of Hand-Drawn and Computer-Generated Illustrations]]. Presentation: http://innovis.cpsc.ucalgary.ca/innovis/uploads/Publications/Publications/Isenberg_2006_AHD_Slides.pdf
 * Jepp, Pauline; Wyvill, Brian; Sousa, Mario Costa: Flocking Strokes. Presentation: http://www.slideworld.org/viewslides.aspx/Flocking-Strokes-ppt-13700

@@ Zeile 47: / Zeile 47: @@
 * Gary R. Greenfield: [[Evolutionary Computation and Image Re-Coloring]]. Presentation: http://www.dagstuhl.de/Materials/Files/06/06221/06221.GreenfieldGary.Slides.ppt
-* Hartmann, Knut; Götzelmann, Timo ; Kamran, Ali; Strothotte, Thomas: [[Mapped Pictures: Aesthetic Image Annotations]]. http://www.google.de/url?sa=t&rct=j&q=&esrc=s&source=web&cd=1&ved=0CCQQFjAA&url=http%3A%2F%2Fwww.dagstuhl.de%2FMaterials%2FFiles%2F06%2F06221%2F06221.HartmannKnut.Slides.pdf&ei=s-F6VP-NH4nYPM3TgKgF&usg=AFQjCNH-0cjehi04PI9iW_SITNefl6RvBA&sig2=X2xfL1-pWQwlfaOABJxmcg
+* Hartmann, Knut; Götzelmann, Timo ; Kamran, Ali; Strothotte, Thomas: [[Mapped Pictures: Aesthetic Image Annotations]]. Presentation: http://www.dagstuhl.de/Materials/Files/06/06221/06221.HartmannKnut.Slides.pdf
 * Donald H. House: An Approach to the Perceptual Optimization of Visualizations. (D. House, A. Bair and C. Ware. An Approach to the Perceptual Optimization of Complex Visualizations, IEEE TVCG, May 2006 http://people.cs.clemson.edu/~dhouse/papers/house-bair-ware-tvcg06.pdf)

@@ Zeile 39: / Zeile 39: @@
 * Ebert, David S.; Sousa, Mario Costa; Stredney, Don; Svakhine, Nikolai: Illustrative Visualization: Goals and Questions.
-* Feixas, Miquel; Sbert, Mateu; González, Francisco; Rigau, Jaume: A Unified Information-Theoretic Framework for Viewpoint Selection. (Miquel Feixas , Mateu Sbert , Francisco González : [[A unified information-theoretic framework for viewpoint selection and mesh saliency]] http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.77.4610&rep=rep1&type=pdf)
+* Feixas, Miquel; Sbert, Mateu; González, Francisco; Rigau, Jaume: A Unified Information-Theoretic Framework for Viewpoint Selection. (Miquel Feixas , Mateu Sbert , Francisco González : [[A unified information-theoretic framework for viewpoint selection and mesh saliency]] http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.77.4610&rep=rep1&type=pdf http://www.researchgate.net/publication/220245081_A_unified_information-theoretic_framework_for_viewpoint_selection_and_mesh_saliency/links/0912f510865711a631000000)
 * Glaeser, Georg; Gruber, Franz: The Beauty of Developable Surfaces. (cited in: S.N. Krivoshapko, Svetlana Shambina: [[DESIGN OF DEVELOPABLE SURFACES AND THE APPLICATION OF THIN-WALLED DEVELOPABLE STRUCTURES]]. 2006. http://saj.rs/uploads/2012/SAJ2013_05_DesignofDevelopebleSurfaces.pdf)

@@ Zeile 41: / Zeile 41: @@
 * Feixas, Miquel; Sbert, Mateu; González, Francisco; Rigau, Jaume: A Unified Information-Theoretic Framework for Viewpoint Selection. (Miquel Feixas , Mateu Sbert , Francisco González : [[A unified information-theoretic framework for viewpoint selection and mesh saliency]] http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.77.4610&rep=rep1&type=pdf)
-* Glaeser, Georg; Gruber, Franz: [[The Beauty of Developable Surfaces]]. (cited in: http://saj.rs/uploads/2012/SAJ2013_05_DesignofDevelopebleSurfaces.pdf)
+* Glaeser, Georg; Gruber, Franz: [[The Beauty of Developable Surfaces]]. (cited in: S.N. Krivoshapko, Svetlana Shambina: DESIGN OF DEVELOPABLE SURFACES
 * Amy Gooch: Visualizing Pentimenti: the Hidden History in a Painting.