http://de.evo-art.org/index.php?action=history&feed=atom&title=Computational_Aesthetics_2007 Computational Aesthetics 2007 - Versionsgeschichte 2026-06-20T21:24:30Z Versionsgeschichte dieser Seite in de_evolutionary_art_org MediaWiki 1.27.4 http://de.evo-art.org/index.php?title=Computational_Aesthetics_2007&diff=31991&oldid=prev Gubachelier: /* Table of contents */ 2015-11-09T12:29:27Z <p>‎<span dir="auto"><span class="autocomment">Table of contents</span></span></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 9. November 2015, 12:29 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l34" >Zeile 34:</td> <td colspan="2" class="diff-lineno">Zeile 34:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Stylized Images&#039;&#039;&#039;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Stylized Images&#039;&#039;&#039;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Vera Rivotti, João Proença, Joaquim A. Jorge, Mario Costa Sousa: [[Composition Principles for Quality Depiction and Aesthetics]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on [[Computational Aesthetics 2007]]. 37-44 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/037-044</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Vera Rivotti, João Proença, Joaquim A. Jorge, Mario Costa Sousa: [[Composition Principles for Quality Depiction and Aesthetics]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on [[Computational Aesthetics 2007]]. 37-44 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/037-044 <ins class="diffchange diffchange-inline">https://fenix.tecnico.ulisboa.pt/downloadFile/395137461894/resumo.pdf</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* David Mould: [[Stipple Placement using Distance in a Weighted Graph]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on [[Computational Aesthetics 2007]]. 45-52 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/045-052 http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/045-052 http://people.scs.carleton.ca/~mould/papers/stipple.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* David Mould: [[Stipple Placement using Distance in a Weighted Graph]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on [[Computational Aesthetics 2007]]. 45-52 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/045-052 http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/045-052 http://people.scs.carleton.ca/~mould/papers/stipple.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l83" >Zeile 83:</td> <td colspan="2" class="diff-lineno">Zeile 83:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Chris L. Nelson: Spiritual Art: Evoking the Numinous using a 3D Computer Game Engine. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on [[Computational Aesthetics 2007]]. 171-177 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/171-177 http://researchonline.ballarat.edu.au:8080/vital/access/services/Download/vital:1059/DS1?origin=publication_detail</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Chris L. Nelson: Spiritual Art: Evoking the Numinous using a 3D Computer Game Engine. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on [[Computational Aesthetics 2007]]. 171-177 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/171-177 http://researchonline.ballarat.edu.au:8080/vital/access/services/Download/vital:1059/DS1?origin=publication_detail</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2">&#160;</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Links ==</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Links ==</div></td></tr> </table> Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2007&diff=31985&oldid=prev Gubachelier am 9. November 2015 um 12:19 Uhr 2015-11-09T12:19:57Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 9. November 2015, 12:19 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l11" >Zeile 11:</td> <td colspan="2" class="diff-lineno">Zeile 11:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Bibtex == &#160;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Bibtex == &#160;</div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> @proceedings{Cunningham:2007:2381255,</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> editor = {Cunningham, Douglas W. and Meyer, Gary and Neumann, L\&#039;{a}szl\&#039;{o}},</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> title = {Computational Aesthetics&#039;07: Proceedings of the Third Eurographics Conference on Computational Aesthetics in Graphics, Visualization and Imaging},</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> year = {2007},</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> isbn = {978-3-905673-43-2},</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> issn = {1816-0859},</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> location = {Alberta, Canada},</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> url = {http://dl.acm.org/citation.cfm?id=2381255&amp;picked=prox&amp;cfid=558819604&amp;cftoken=68186175, http://de.evo-art.org/index.php?title=Computational_Aesthetics_2007 },</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> publisher = {Eurographics Association},</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> address = {Aire-la-Ville, Switzerland, Switzerland},</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> } </ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Table of contents==</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Table of contents==</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l81" >Zeile 81:</td> <td colspan="2" class="diff-lineno">Zeile 92:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>=== Sonstige Links ===</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>=== Sonstige Links ===</div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">http://dl.acm.org/citation.cfm?id=2381255&amp;picked=prox&amp;cfid=558819604&amp;cftoken=68186175</ins></div></td></tr> </table> Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2007&diff=3675&oldid=prev Gbachelier am 20. Januar 2015 um 16:03 Uhr 2015-01-20T16:03:53Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 20. Januar 2015, 16:03 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l15" >Zeile 15:</td> <td colspan="2" class="diff-lineno">Zeile 15:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Computer Graphics and Projections&#039;&#039;&#039;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Computer Graphics and Projections&#039;&#039;&#039;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Daniel M. Germán, Pablo d&#039;Angelo, Michael Gross, Bruno Postle: [[New Methods to Project Panoramas for Practical and Aesthetic Purposes]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics<del class="diffchange diffchange-inline">, </del>2007. 15-22 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/015-022 http://turingmachine.org/~dmg/papers/dmg2007_cae_panos.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Daniel M. Germán, Pablo d&#039;Angelo, Michael Gross, Bruno Postle: [[New Methods to Project Panoramas for Practical and Aesthetic Purposes]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on <ins class="diffchange diffchange-inline">[[</ins>Computational Aesthetics 2007<ins class="diffchange diffchange-inline">]]</ins>. 15-22 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/015-022 http://turingmachine.org/~dmg/papers/dmg2007_cae_panos.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Daniel M. Germán, Lloyd Burchill, Alexandre Duret-Lutz, Sébastien Pérez-Duarte, Emmanuel Pérez-Duarte, Josh Sommers: [[Flattening the Viewable Sphere]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics<del class="diffchange diffchange-inline">, </del>2007. 23-28 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/023-028 http://turingmachine.org/~dmg/papers/dmg2007_cae_flatSphere.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Daniel M. Germán, Lloyd Burchill, Alexandre Duret-Lutz, Sébastien Pérez-Duarte, Emmanuel Pérez-Duarte, Josh Sommers: [[Flattening the Viewable Sphere]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on <ins class="diffchange diffchange-inline">[[</ins>Computational Aesthetics 2007<ins class="diffchange diffchange-inline">]]</ins>. 23-28 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/023-028 http://turingmachine.org/~dmg/papers/dmg2007_cae_flatSphere.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Francisco González García, Mateu Sbert, Miquel Feixas: An Information-Theoretic Ambient Occlusion. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics<del class="diffchange diffchange-inline">, </del>2007. 29-36 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/029-036</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Francisco González García, Mateu Sbert, Miquel Feixas: An Information-Theoretic Ambient Occlusion. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on <ins class="diffchange diffchange-inline">[[</ins>Computational Aesthetics 2007<ins class="diffchange diffchange-inline">]]</ins>. 29-36 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/029-036</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Stylized Images&#039;&#039;&#039;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Stylized Images&#039;&#039;&#039;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Vera Rivotti, João Proença, Joaquim A. Jorge, Mario Costa Sousa: [[Composition Principles for Quality Depiction and Aesthetics]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics<del class="diffchange diffchange-inline">, </del>2007. 37-44 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/037-044</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Vera Rivotti, João Proença, Joaquim A. Jorge, Mario Costa Sousa: [[Composition Principles for Quality Depiction and Aesthetics]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on <ins class="diffchange diffchange-inline">[[</ins>Computational Aesthetics 2007<ins class="diffchange diffchange-inline">]]</ins>. 37-44 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/037-044</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* David Mould: [[Stipple Placement using Distance in a Weighted Graph]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics<del class="diffchange diffchange-inline">, </del>2007. 45-52 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/045-052 http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/045-052 http://people.scs.carleton.ca/~mould/papers/stipple.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* David Mould: [[Stipple Placement using Distance in a Weighted Graph]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on <ins class="diffchange diffchange-inline">[[</ins>Computational Aesthetics 2007<ins class="diffchange diffchange-inline">]]</ins>. 45-52 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/045-052 http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/045-052 http://people.scs.carleton.ca/~mould/papers/stipple.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Ross Maciejewski, Tobias Isenberg, William M. Andrews, David S. Ebert, Mario Costa Sousa: [[Aesthetics of Hand-Drawn vs. Computer-Generated Stippling]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics<del class="diffchange diffchange-inline">, </del>2007. 53-56 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/053-056 http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.416.8106 http://www.cs.rug.nl/~isenberg/personal/papers/Maciejewski_2007_AHD.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Ross Maciejewski, Tobias Isenberg, William M. Andrews, David S. Ebert, Mario Costa Sousa: [[Aesthetics of Hand-Drawn vs. Computer-Generated Stippling]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on <ins class="diffchange diffchange-inline">[[</ins>Computational Aesthetics 2007<ins class="diffchange diffchange-inline">]]</ins>. 53-56 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/053-056 http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.416.8106 http://www.cs.rug.nl/~isenberg/personal/papers/Maciejewski_2007_AHD.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Colors and Visualization&#039;&#039;&#039;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Colors and Visualization&#039;&#039;&#039;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Chris Bennett, Jody Ryall, Leo Spalteholz, Amy Gooch: The Aesthetics of Graph Visualization. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics<del class="diffchange diffchange-inline">, </del>2007. 57-64 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/057-064 http://www.researchgate.net/publication/220795329_The_Aesthetics_of_Graph_Visualization/links/0deec51b608656a246000000 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Chris Bennett, Jody Ryall, Leo Spalteholz, Amy Gooch: The Aesthetics of Graph Visualization. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on <ins class="diffchange diffchange-inline">[[</ins>Computational Aesthetics 2007<ins class="diffchange diffchange-inline">]]</ins>. 57-64 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/057-064 http://www.researchgate.net/publication/220795329_The_Aesthetics_of_Graph_Visualization/links/0deec51b608656a246000000 &#160;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Caroline Larboulette: [[Celtic Knots Colorization based on Color Harmony Principles]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics<del class="diffchange diffchange-inline">, </del>2007. 65-72 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/065-072 http://www.gmrv.es/Publications/2007/Lar07/larboulette_ca07.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Caroline Larboulette: [[Celtic Knots Colorization based on Color Harmony Principles]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on <ins class="diffchange diffchange-inline">[[</ins>Computational Aesthetics 2007<ins class="diffchange diffchange-inline">]]</ins>. 65-72 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/065-072 http://www.gmrv.es/Publications/2007/Lar07/larboulette_ca07.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* László Neumann, Martin Cadík, Antal Nemcsics: [[An Efficient Perception-based Adaptive Color to Gray Transformation]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics<del class="diffchange diffchange-inline">, </del>2007. 73-80 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/073-080 http://cadik.posvete.cz/color_to_gray/ http://cadik.posvete.cz/color_to_gray/color_to_gray-cae07-fin.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* László Neumann, Martin Cadík, Antal Nemcsics: [[An Efficient Perception-based Adaptive Color to Gray Transformation]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on <ins class="diffchange diffchange-inline">[[</ins>Computational Aesthetics 2007<ins class="diffchange diffchange-inline">]]</ins>. 73-80 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/073-080 http://cadik.posvete.cz/color_to_gray/ http://cadik.posvete.cz/color_to_gray/color_to_gray-cae07-fin.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Model Manipulation&#039;&#039;&#039;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Model Manipulation&#039;&#039;&#039;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Franz Gruber, Georg Glaeser: [[Magnetism and Minimal Surfaces - a Different Tool for Surface Design]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics<del class="diffchange diffchange-inline">, </del>2007. 81-88 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/081-088</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Franz Gruber, Georg Glaeser: [[Magnetism and Minimal Surfaces - a Different Tool for Surface Design]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on <ins class="diffchange diffchange-inline">[[</ins>Computational Aesthetics 2007<ins class="diffchange diffchange-inline">]]</ins>. 81-88 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/081-088</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Douglas W. Cunningham, Christian Wallraven, Roland W. Fleming, Wolfgang Straßer: Perceptual Reparameterization of Material Properties. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics<del class="diffchange diffchange-inline">, </del>2007. 89-96 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/089-096</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Douglas W. Cunningham, Christian Wallraven, Roland W. Fleming, Wolfgang Straßer: Perceptual Reparameterization of Material Properties. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on <ins class="diffchange diffchange-inline">[[</ins>Computational Aesthetics 2007<ins class="diffchange diffchange-inline">]]</ins>. 89-96 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/089-096</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Yuki Morimoto, Reiji Tsuruno, Kiyoshi Tomimatsu: Liquid Penetration Modeling for Cloth Dyeing. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics<del class="diffchange diffchange-inline">, </del>2007. 97-104 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/097-104 http://www.exp.im.dendai.ac.jp/pdf_video/07CAe_dyeing.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Yuki Morimoto, Reiji Tsuruno, Kiyoshi Tomimatsu: Liquid Penetration Modeling for Cloth Dyeing. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on <ins class="diffchange diffchange-inline">[[</ins>Computational Aesthetics 2007<ins class="diffchange diffchange-inline">]]</ins>. 97-104 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/097-104 http://www.exp.im.dendai.ac.jp/pdf_video/07CAe_dyeing.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Style Analysis and Metrics&#039;&#039;&#039;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Style Analysis and Metrics&#039;&#039;&#039;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Jaume Rigau, Miquel Feixas, Mateu Sbert: [[Conceptualizing Birkhoff&#039;s Aesthetic Measure Using Shannon Entropy and Kolmogorov Complexity]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics<del class="diffchange diffchange-inline">, </del>2007. 105-112 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/105-112 http://ima.udg.edu/~rigau/Publications/Rigau07B.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Jaume Rigau, Miquel Feixas, Mateu Sbert: [[Conceptualizing Birkhoff&#039;s Aesthetic Measure Using Shannon Entropy and Kolmogorov Complexity]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on <ins class="diffchange diffchange-inline">[[</ins>Computational Aesthetics 2007<ins class="diffchange diffchange-inline">]]</ins>. 105-112 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/105-112 http://ima.udg.edu/~rigau/Publications/Rigau07B.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Marc Alexa: [[Extracting the Essence from Sets of Images]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics<del class="diffchange diffchange-inline">, </del>2007. 113-120 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/113-120 https://www.cl.cam.ac.uk/teaching/1415/C00/E1-essence.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Marc Alexa: [[Extracting the Essence from Sets of Images]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on <ins class="diffchange diffchange-inline">[[</ins>Computational Aesthetics 2007<ins class="diffchange diffchange-inline">]]</ins>. 113-120 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/113-120 https://www.cl.cam.ac.uk/teaching/1415/C00/E1-essence.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Interaction&#039;&#039;&#039;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Interaction&#039;&#039;&#039;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Christian Wallraven, Kathrin Kaulard, Cora Kürner, Robert Pepperell, Heinrich H. Bülthoff: [[In the Eye of the Beholder - Perception of Indeterminate Art]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics<del class="diffchange diffchange-inline">, </del>2007. 121-128 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/121-128 http://www.kyb.tuebingen.mpg.de/fileadmin/user_upload/files/publications/CAe-2007-Wallraven.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Christian Wallraven, Kathrin Kaulard, Cora Kürner, Robert Pepperell, Heinrich H. Bülthoff: [[In the Eye of the Beholder - Perception of Indeterminate Art]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on <ins class="diffchange diffchange-inline">[[</ins>Computational Aesthetics 2007<ins class="diffchange diffchange-inline">]]</ins>. 121-128 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/121-128 http://www.kyb.tuebingen.mpg.de/fileadmin/user_upload/files/publications/CAe-2007-Wallraven.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Arlene Stamp, Tobias Isenberg, M. Sheelagh T. Carpendale: [[A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics<del class="diffchange diffchange-inline">, </del>2007. 129-134 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/129-134 http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.192.8965 http://www.cs.rug.nl/~isenberg/personal/papers/Stamp_2007_CSP.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Arlene Stamp, Tobias Isenberg, M. Sheelagh T. Carpendale: [[A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on <ins class="diffchange diffchange-inline">[[</ins>Computational Aesthetics 2007<ins class="diffchange diffchange-inline">]]</ins>. 129-134 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/129-134 http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.192.8965 http://www.cs.rug.nl/~isenberg/personal/papers/Stamp_2007_CSP.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Holly Schmidt, Uta Hinrichs, Alan Dunning, M. Sheelagh T. Carpendale: memory [en]code - Building a Collective Memory within a Tabletop Installation. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics<del class="diffchange diffchange-inline">, </del>2007. 135-142 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/135-142 http://www.utahinrichs.de/uta/uploads/Publications/Publications/Schmidt_2007_memoryencode.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Holly Schmidt, Uta Hinrichs, Alan Dunning, M. Sheelagh T. Carpendale: memory [en]code - Building a Collective Memory within a Tabletop Installation. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on <ins class="diffchange diffchange-inline">[[</ins>Computational Aesthetics 2007<ins class="diffchange diffchange-inline">]]</ins>. 135-142 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/135-142 http://www.utahinrichs.de/uta/uploads/Publications/Publications/Schmidt_2007_memoryencode.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* David W. Sprague, Amy Ashurst Gooch: Individual Realities: [[Customizing Aesthetics in Shared Immersive Virtual Environments]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.): Eurographics Workshop on Computational Aesthetics<del class="diffchange diffchange-inline">, </del>2007. 143-149 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/143-149 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* David W. Sprague, Amy Ashurst Gooch: Individual Realities: [[Customizing Aesthetics in Shared Immersive Virtual Environments]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.): Eurographics Workshop on <ins class="diffchange diffchange-inline">[[</ins>Computational Aesthetics 2007<ins class="diffchange diffchange-inline">]]</ins>. 143-149 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/143-149 &#160;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Artistic Papers&#039;&#039;&#039;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Artistic Papers&#039;&#039;&#039;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Jeremy Rotsztain: ColorScheme. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.): Eurographics Workshop on Computational Aesthetics<del class="diffchange diffchange-inline">, </del>2007. 151-156 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/151-156 http://www.mantissa.ca/projects/colorscheme.php &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Jeremy Rotsztain: ColorScheme. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.): Eurographics Workshop on <ins class="diffchange diffchange-inline">[[</ins>Computational Aesthetics 2007<ins class="diffchange diffchange-inline">]]</ins>. 151-156 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/151-156 http://www.mantissa.ca/projects/colorscheme.php &#160;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Randy Jones: A Poetics of Simulation for Audiovisual Performance. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics<del class="diffchange diffchange-inline">, </del>2007. 157-162 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/157-162 http://www.mistic.ece.uvic.ca/publications/2007_cae_poetics.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Randy Jones: A Poetics of Simulation for Audiovisual Performance. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on <ins class="diffchange diffchange-inline">[[</ins>Computational Aesthetics 2007<ins class="diffchange diffchange-inline">]]</ins>. 157-162 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/157-162 http://www.mistic.ece.uvic.ca/publications/2007_cae_poetics.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Vicky Isley, Paul Smith: Theatre of Restless Automata. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics<del class="diffchange diffchange-inline">, </del>2007. 163-166 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/163-166</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Vicky Isley, Paul Smith: Theatre of Restless Automata. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on <ins class="diffchange diffchange-inline">[[</ins>Computational Aesthetics 2007<ins class="diffchange diffchange-inline">]]</ins>. 163-166 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/163-166</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Elif E. Ayiter: The Bridge Project. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics<del class="diffchange diffchange-inline">, </del>2007. 167-170 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/167-170 http://citrinitas.com/papers/bridgeproject-site/index.html https://www.academia.edu/attachments/14602699/download_file?st=MTQxNzI4Mjc5OCw4Ny4xODcuMTQxLjk1LDIxMzgxNjAz&amp;s=swp-toolbar&amp;ct=MTQxNzI4MjkzMCwzNDU1MTUsMjEzODE2MDM=</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Elif E. Ayiter: The Bridge Project. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on <ins class="diffchange diffchange-inline">[[</ins>Computational Aesthetics 2007<ins class="diffchange diffchange-inline">]]</ins>. 167-170 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/167-170 http://citrinitas.com/papers/bridgeproject-site/index.html https://www.academia.edu/attachments/14602699/download_file?st=MTQxNzI4Mjc5OCw4Ny4xODcuMTQxLjk1LDIxMzgxNjAz&amp;s=swp-toolbar&amp;ct=MTQxNzI4MjkzMCwzNDU1MTUsMjEzODE2MDM=</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Chris L. Nelson: Spiritual Art: Evoking the Numinous using a 3D Computer Game Engine. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics<del class="diffchange diffchange-inline">, </del>2007. 171-177 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/171-177 http://researchonline.ballarat.edu.au:8080/vital/access/services/Download/vital:1059/DS1?origin=publication_detail</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Chris L. Nelson: Spiritual Art: Evoking the Numinous using a 3D Computer Game Engine. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on <ins class="diffchange diffchange-inline">[[</ins>Computational Aesthetics 2007<ins class="diffchange diffchange-inline">]]</ins>. 171-177 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/171-177 http://researchonline.ballarat.edu.au:8080/vital/access/services/Download/vital:1059/DS1?origin=publication_detail</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> </table> Gbachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2007&diff=1949&oldid=prev Gbachelier: Die Seite wurde neu angelegt: „== Reference == Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.): Computational Aesthetics 2007: Eurographics Worksh…“ 2014-12-02T17:17:18Z <p>Die Seite wurde neu angelegt: „== Reference == Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.): Computational Aesthetics 2007: Eurographics Worksh…“</p> <p><b>Neue Seite</b></p><div>== Reference ==<br /> Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.): Computational Aesthetics 2007: Eurographics Workshop on Computational Aesthetics in Graphics, Visualization and Imaging, Banff, Alberta, Canada, June 20-22, 2007. Eurographics Association 2007 ISBN 978-3-905673-43-2<br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> <br /> == Extended Abstract ==<br /> <br /> == Reviews==<br /> <br /> == Bibtex == <br /> <br /> == Table of contents==<br /> &#039;&#039;&#039;Computer Graphics and Projections&#039;&#039;&#039;<br /> <br /> * Daniel M. Germán, Pablo d&#039;Angelo, Michael Gross, Bruno Postle: [[New Methods to Project Panoramas for Practical and Aesthetic Purposes]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics, 2007. 15-22 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/015-022 http://turingmachine.org/~dmg/papers/dmg2007_cae_panos.pdf<br /> <br /> * Daniel M. Germán, Lloyd Burchill, Alexandre Duret-Lutz, Sébastien Pérez-Duarte, Emmanuel Pérez-Duarte, Josh Sommers: [[Flattening the Viewable Sphere]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics, 2007. 23-28 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/023-028 http://turingmachine.org/~dmg/papers/dmg2007_cae_flatSphere.pdf<br /> <br /> * Francisco González García, Mateu Sbert, Miquel Feixas: An Information-Theoretic Ambient Occlusion. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics, 2007. 29-36 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/029-036<br /> <br /> &#039;&#039;&#039;Stylized Images&#039;&#039;&#039;<br /> <br /> * Vera Rivotti, João Proença, Joaquim A. Jorge, Mario Costa Sousa: [[Composition Principles for Quality Depiction and Aesthetics]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics, 2007. 37-44 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/037-044<br /> <br /> * David Mould: [[Stipple Placement using Distance in a Weighted Graph]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics, 2007. 45-52 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/045-052 http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/045-052 http://people.scs.carleton.ca/~mould/papers/stipple.pdf<br /> <br /> * Ross Maciejewski, Tobias Isenberg, William M. Andrews, David S. Ebert, Mario Costa Sousa: [[Aesthetics of Hand-Drawn vs. Computer-Generated Stippling]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics, 2007. 53-56 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/053-056 http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.416.8106 http://www.cs.rug.nl/~isenberg/personal/papers/Maciejewski_2007_AHD.pdf<br /> <br /> &#039;&#039;&#039;Colors and Visualization&#039;&#039;&#039;<br /> <br /> * Chris Bennett, Jody Ryall, Leo Spalteholz, Amy Gooch: The Aesthetics of Graph Visualization. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics, 2007. 57-64 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/057-064 http://www.researchgate.net/publication/220795329_The_Aesthetics_of_Graph_Visualization/links/0deec51b608656a246000000 <br /> <br /> * Caroline Larboulette: [[Celtic Knots Colorization based on Color Harmony Principles]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics, 2007. 65-72 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/065-072 http://www.gmrv.es/Publications/2007/Lar07/larboulette_ca07.pdf<br /> <br /> * László Neumann, Martin Cadík, Antal Nemcsics: [[An Efficient Perception-based Adaptive Color to Gray Transformation]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics, 2007. 73-80 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/073-080 http://cadik.posvete.cz/color_to_gray/ http://cadik.posvete.cz/color_to_gray/color_to_gray-cae07-fin.pdf<br /> <br /> &#039;&#039;&#039;Model Manipulation&#039;&#039;&#039;<br /> <br /> * Franz Gruber, Georg Glaeser: [[Magnetism and Minimal Surfaces - a Different Tool for Surface Design]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics, 2007. 81-88 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/081-088<br /> <br /> * Douglas W. Cunningham, Christian Wallraven, Roland W. Fleming, Wolfgang Straßer: Perceptual Reparameterization of Material Properties. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics, 2007. 89-96 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/089-096<br /> <br /> * Yuki Morimoto, Reiji Tsuruno, Kiyoshi Tomimatsu: Liquid Penetration Modeling for Cloth Dyeing. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics, 2007. 97-104 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/097-104 http://www.exp.im.dendai.ac.jp/pdf_video/07CAe_dyeing.pdf<br /> <br /> &#039;&#039;&#039;Style Analysis and Metrics&#039;&#039;&#039;<br /> <br /> * Jaume Rigau, Miquel Feixas, Mateu Sbert: [[Conceptualizing Birkhoff&#039;s Aesthetic Measure Using Shannon Entropy and Kolmogorov Complexity]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics, 2007. 105-112 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/105-112 http://ima.udg.edu/~rigau/Publications/Rigau07B.pdf<br /> <br /> * Marc Alexa: [[Extracting the Essence from Sets of Images]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics, 2007. 113-120 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/113-120 https://www.cl.cam.ac.uk/teaching/1415/C00/E1-essence.pdf<br /> <br /> &#039;&#039;&#039;Interaction&#039;&#039;&#039;<br /> <br /> * Christian Wallraven, Kathrin Kaulard, Cora Kürner, Robert Pepperell, Heinrich H. Bülthoff: [[In the Eye of the Beholder - Perception of Indeterminate Art]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics, 2007. 121-128 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/121-128 http://www.kyb.tuebingen.mpg.de/fileadmin/user_upload/files/publications/CAe-2007-Wallraven.pdf<br /> <br /> * Arlene Stamp, Tobias Isenberg, M. Sheelagh T. Carpendale: [[A Case Study from the Point of View of Aesthetics: A Dialogue Between an Artist and a Computer Scientist]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics, 2007. 129-134 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/129-134 http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.192.8965 http://www.cs.rug.nl/~isenberg/personal/papers/Stamp_2007_CSP.pdf<br /> <br /> * Holly Schmidt, Uta Hinrichs, Alan Dunning, M. Sheelagh T. Carpendale: memory [en]code - Building a Collective Memory within a Tabletop Installation. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics, 2007. 135-142 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/135-142 http://www.utahinrichs.de/uta/uploads/Publications/Publications/Schmidt_2007_memoryencode.pdf<br /> <br /> * David W. Sprague, Amy Ashurst Gooch: Individual Realities: [[Customizing Aesthetics in Shared Immersive Virtual Environments]]. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.): Eurographics Workshop on Computational Aesthetics, 2007. 143-149 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/143-149 <br /> <br /> &#039;&#039;&#039;Artistic Papers&#039;&#039;&#039;<br /> <br /> * Jeremy Rotsztain: ColorScheme. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.): Eurographics Workshop on Computational Aesthetics, 2007. 151-156 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/151-156 http://www.mantissa.ca/projects/colorscheme.php <br /> <br /> * Randy Jones: A Poetics of Simulation for Audiovisual Performance. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics, 2007. 157-162 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/157-162 http://www.mistic.ece.uvic.ca/publications/2007_cae_poetics.pdf<br /> <br /> * Vicky Isley, Paul Smith: Theatre of Restless Automata. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics, 2007. 163-166 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/163-166<br /> <br /> * Elif E. Ayiter: The Bridge Project. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics, 2007. 167-170 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/167-170 http://citrinitas.com/papers/bridgeproject-site/index.html https://www.academia.edu/attachments/14602699/download_file?st=MTQxNzI4Mjc5OCw4Ny4xODcuMTQxLjk1LDIxMzgxNjAz&amp;s=swp-toolbar&amp;ct=MTQxNzI4MjkzMCwzNDU1MTUsMjEzODE2MDM=<br /> <br /> * Chris L. Nelson: Spiritual Art: Evoking the Numinous using a 3D Computer Game Engine. In: Douglas W. Cunningham, Gary W. Meyer, László Neumann, Alan Dunning, Raquel Paricio (Eds.):Eurographics Workshop on Computational Aesthetics, 2007. 171-177 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/171-177 http://researchonline.ballarat.edu.au:8080/vital/access/services/Download/vital:1059/DS1?origin=publication_detail<br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> [extern file]<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===</div> Gbachelier