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		<id>http://de.evo-art.org/index.php?action=history&amp;feed=atom&amp;title=Computational_Aesthetics_2008</id>
		<title>Computational Aesthetics 2008 - Versionsgeschichte</title>
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		<updated>2026-04-19T11:40:05Z</updated>
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	<entry>
		<id>http://de.evo-art.org/index.php?title=Computational_Aesthetics_2008&amp;diff=31971&amp;oldid=prev</id>
		<title>Gubachelier: /* Table of contents */</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Computational_Aesthetics_2008&amp;diff=31971&amp;oldid=prev"/>
				<updated>2015-11-08T18:04:25Z</updated>
		
		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Table of contents&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&#039;diff-marker&#039; /&gt;
				&lt;col class=&#039;diff-content&#039; /&gt;
				&lt;col class=&#039;diff-marker&#039; /&gt;
				&lt;col class=&#039;diff-content&#039; /&gt;
				&lt;tr style=&#039;vertical-align: top;&#039; lang=&#039;de&#039;&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Nächstältere Version&lt;/td&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Version vom 8. November 2015, 18:04 Uhr&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l28&quot; &gt;Zeile 28:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 28:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Murat Germen: [[Inadvertent - Ars Accidentalis]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, [[Jon McCormack]] (Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 1-8 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/001-008 http://research.sabanciuniv.edu/8829/1/ars_accidentalis_final_submission_murat-germen.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Murat Germen: [[Inadvertent - Ars Accidentalis]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, [[Jon McCormack]] (Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 1-8 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/001-008 http://research.sabanciuniv.edu/8829/1/ars_accidentalis_final_submission_murat-germen.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Elodie Fourquet: Composition in Perspectives. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, [[Jon McCormack]] (Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 9-16 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/009-016 http://www.cgl.uwaterloo.ca/~ecdfourq/composition/FourquetCAE2008.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Elodie Fourquet: &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Composition in Perspectives&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, [[Jon McCormack]] (Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 9-16 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/009-016 http://www.cgl.uwaterloo.ca/~ecdfourq/composition/FourquetCAE2008.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Sven Banisch, Mateu Sbert: [[Fast Visualisation and Interactive Design of Deterministic Fractals]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, [[Jon McCormack]] (Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 17-24 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/017-024 http://www.researchgate.net/profile/Sven_Banisch/publication/220795332_Fast_Visualisation_and_Interactive_Design_of_Deterministic_Fractals/links/53d620000cf2a7fbb2ea8996?ev=pub_ext_doc_dl&amp;amp;origin=publication_list&amp;amp;inViewer=true&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Sven Banisch, Mateu Sbert: [[Fast Visualisation and Interactive Design of Deterministic Fractals]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, [[Jon McCormack]] (Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 17-24 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/017-024 http://www.researchgate.net/profile/Sven_Banisch/publication/220795332_Fast_Visualisation_and_Interactive_Design_of_Deterministic_Fractals/links/53d620000cf2a7fbb2ea8996?ev=pub_ext_doc_dl&amp;amp;origin=publication_list&amp;amp;inViewer=true&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gubachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Computational_Aesthetics_2008&amp;diff=31968&amp;oldid=prev</id>
		<title>Gubachelier: /* Bibtex */</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Computational_Aesthetics_2008&amp;diff=31968&amp;oldid=prev"/>
				<updated>2015-11-08T18:00:50Z</updated>
		
		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Bibtex&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&#039;diff-marker&#039; /&gt;
				&lt;col class=&#039;diff-content&#039; /&gt;
				&lt;col class=&#039;diff-marker&#039; /&gt;
				&lt;col class=&#039;diff-content&#039; /&gt;
				&lt;tr style=&#039;vertical-align: top;&#039; lang=&#039;de&#039;&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Nächstältere Version&lt;/td&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Version vom 8. November 2015, 18:00 Uhr&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot; &gt;Zeile 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Bibtex == &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Bibtex == &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;@proceedings{Brown:2008:2381333,&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/ins&gt;@proceedings{Brown:2008:2381333,&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160; editor = {Brown, Paul and Cunningham, Douglas W. and Interrante, Victoria and McCormack, Jon},&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160; editor = {Brown, Paul and Cunningham, Douglas W. and Interrante, Victoria and McCormack, Jon},&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160; title = {Computational Aesthetics&amp;#039;08: Proceedings of the Fourth Eurographics Conference on Computational Aesthetics in Graphics, Visualization and Imaging},&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160; title = {Computational Aesthetics&amp;#039;08: Proceedings of the Fourth Eurographics Conference on Computational Aesthetics in Graphics, Visualization and Imaging},&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l21&quot; &gt;Zeile 21:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 21:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160; publisher = {Eurographics Association},&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160; publisher = {Eurographics Association},&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160; address = {Aire-la-Ville, Switzerland, Switzerland},&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#160; address = {Aire-la-Ville, Switzerland, Switzerland},&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;}&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt; &lt;/ins&gt;}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Table of contents==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Table of contents==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gubachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Computational_Aesthetics_2008&amp;diff=31967&amp;oldid=prev</id>
		<title>Gubachelier am 8. November 2015 um 18:00 Uhr</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Computational_Aesthetics_2008&amp;diff=31967&amp;oldid=prev"/>
				<updated>2015-11-08T18:00:21Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&#039;diff-marker&#039; /&gt;
				&lt;col class=&#039;diff-content&#039; /&gt;
				&lt;col class=&#039;diff-marker&#039; /&gt;
				&lt;col class=&#039;diff-content&#039; /&gt;
				&lt;tr style=&#039;vertical-align: top;&#039; lang=&#039;de&#039;&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Nächstältere Version&lt;/td&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Version vom 8. November 2015, 18:00 Uhr&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot; &gt;Zeile 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Bibtex == &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Bibtex == &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;@proceedings{Brown:2008:2381333,&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; editor = {Brown, Paul and Cunningham, Douglas W. and Interrante, Victoria and McCormack, Jon},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; title = {Computational Aesthetics&amp;#039;08: Proceedings of the Fourth Eurographics Conference on Computational Aesthetics in Graphics, Visualization and Imaging},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; year = {2008},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; isbn = {978-3-905674-08-8},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; issn = {1816-0859},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; location = {Lisbon, Portugal},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; url = {http://dl.acm.org/citation.cfm?id=2381333&amp;amp;picked=prox&amp;amp;cfid=558819604&amp;amp;cftoken=68186175, http://de.evo-art.org/index.php?title=Computational_Aesthetics_2008 },&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; publisher = {Eurographics Association},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; address = {Aire-la-Ville, Switzerland, Switzerland},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Table of contents==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Table of contents==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gubachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Computational_Aesthetics_2008&amp;diff=31966&amp;oldid=prev</id>
		<title>Gubachelier: /* Links */</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Computational_Aesthetics_2008&amp;diff=31966&amp;oldid=prev"/>
				<updated>2015-11-08T17:58:48Z</updated>
		
		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Links&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&#039;diff-marker&#039; /&gt;
				&lt;col class=&#039;diff-content&#039; /&gt;
				&lt;col class=&#039;diff-marker&#039; /&gt;
				&lt;col class=&#039;diff-content&#039; /&gt;
				&lt;tr style=&#039;vertical-align: top;&#039; lang=&#039;de&#039;&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Nächstältere Version&lt;/td&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Version vom 8. November 2015, 17:58 Uhr&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l64&quot; &gt;Zeile 64:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 64:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Sonstige Links ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Sonstige Links ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;http://dl.acm.org/citation.cfm?id=2381333&amp;amp;picked=prox&amp;amp;cfid=558819604&amp;amp;cftoken=68186175&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gubachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Computational_Aesthetics_2008&amp;diff=3678&amp;oldid=prev</id>
		<title>Gbachelier am 20. Januar 2015 um 16:08 Uhr</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Computational_Aesthetics_2008&amp;diff=3678&amp;oldid=prev"/>
				<updated>2015-01-20T16:08:39Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&#039;diff-marker&#039; /&gt;
				&lt;col class=&#039;diff-content&#039; /&gt;
				&lt;col class=&#039;diff-marker&#039; /&gt;
				&lt;col class=&#039;diff-content&#039; /&gt;
				&lt;tr style=&#039;vertical-align: top;&#039; lang=&#039;de&#039;&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Nächstältere Version&lt;/td&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Version vom 20. Januar 2015, 16:08 Uhr&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l15&quot; &gt;Zeile 15:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 15:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Artistic Content&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Artistic Content&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Murat Germen: [[Inadvertent - Ars Accidentalis]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 1-8 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/001-008 http://research.sabanciuniv.edu/8829/1/ars_accidentalis_final_submission_murat-germen.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Murat Germen: [[Inadvertent - Ars Accidentalis]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jon McCormack&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;(Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 1-8 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/001-008 http://research.sabanciuniv.edu/8829/1/ars_accidentalis_final_submission_murat-germen.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Elodie Fourquet: Composition in Perspectives. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 9-16 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/009-016 http://www.cgl.uwaterloo.ca/~ecdfourq/composition/FourquetCAE2008.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Elodie Fourquet: Composition in Perspectives. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jon McCormack&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;(Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 9-16 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/009-016 http://www.cgl.uwaterloo.ca/~ecdfourq/composition/FourquetCAE2008.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Sven Banisch, Mateu Sbert: [[Fast Visualisation and Interactive Design of Deterministic Fractals]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 17-24 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/017-024 http://www.researchgate.net/profile/Sven_Banisch/publication/220795332_Fast_Visualisation_and_Interactive_Design_of_Deterministic_Fractals/links/53d620000cf2a7fbb2ea8996?ev=pub_ext_doc_dl&amp;amp;origin=publication_list&amp;amp;inViewer=true&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Sven Banisch, Mateu Sbert: [[Fast Visualisation and Interactive Design of Deterministic Fractals]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jon McCormack&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;(Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 17-24 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/017-024 http://www.researchgate.net/profile/Sven_Banisch/publication/220795332_Fast_Visualisation_and_Interactive_Design_of_Deterministic_Fractals/links/53d620000cf2a7fbb2ea8996?ev=pub_ext_doc_dl&amp;amp;origin=publication_list&amp;amp;inViewer=true&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Katayoon Etemad, Faramarz F. Samavati, Przemyslaw Prusinkiewicz: [[Animating Persian Floral Patterns]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 25-32 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/025-032 http://innovis.cpsc.ucalgary.ca/innovis/uploads/Publications/Publications/animating.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Katayoon Etemad, Faramarz F. Samavati, Przemyslaw Prusinkiewicz: [[Animating Persian Floral Patterns]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jon McCormack&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;(Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 25-32 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/025-032 http://innovis.cpsc.ucalgary.ca/innovis/uploads/Publications/Publications/animating.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Annotation and Representation&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Annotation and Representation&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Stefan Maass, Jürgen Döllner: Seamless Integration of Labels into Interactive Virtual 3D Environments Using Parameterized Hulls. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 33-40 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/033-040 http://www.researchgate.net/go.Deref.html?url=http%3A%2F%2Fwww.hpi.uni-potsdam.de%2Ffileadmin%2Fhpi%2FFG_Doellner%2Fpublications%2F2008%2FMD08%2Fcae2008.pdf&amp;amp;ev=pub_ext_doc_dlext&amp;amp;origin=publication_detail&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Stefan Maass, Jürgen Döllner: Seamless Integration of Labels into Interactive Virtual 3D Environments Using Parameterized Hulls. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jon McCormack&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;(Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 33-40 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/033-040 http://www.researchgate.net/go.Deref.html?url=http%3A%2F%2Fwww.hpi.uni-potsdam.de%2Ffileadmin%2Fhpi%2FFG_Doellner%2Fpublications%2F2008%2FMD08%2Fcae2008.pdf&amp;amp;ev=pub_ext_doc_dlext&amp;amp;origin=publication_detail&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Nadia Boukhelifa, David J. Duke: [[The Aesthetics of the Underworld]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 41-48 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/041-048 http://www.aviz.fr/~nb/publications/2008_Boukhelifa_AestheticsOfTheUnderworld.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Nadia Boukhelifa, David J. Duke: [[The Aesthetics of the Underworld]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jon McCormack&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;(Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 41-48 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/041-048 http://www.aviz.fr/~nb/publications/2008_Boukhelifa_AestheticsOfTheUnderworld.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Luiz Velho, Julio Martins, Alice Bodanzky, Ilana Paterman, Analivia Cordeiro: Expressive Trajectories. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 49-56 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/049-056 http://www.visgraf.impa.br/e-trajectories/ http://www.visgraf.impa.br/e-trajectories/publications/main.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Luiz Velho, Julio Martins, Alice Bodanzky, Ilana Paterman, Analivia Cordeiro: Expressive Trajectories. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jon McCormack&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;(Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 49-56 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/049-056 http://www.visgraf.impa.br/e-trajectories/ http://www.visgraf.impa.br/e-trajectories/publications/main.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Stylized Rendering&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Stylized Rendering&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Thomas Luft, Frank Kobs, Walter Zinser, Oliver Deussen: [[Watercolor Illustrations of CAD Data]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 57-63 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/049-056 http://www.researchgate.net/go.Deref.html?url=http%3A%2F%2Fwww.cgmi.inf.uni-konstanz.de%2Fpublikationen%2F2008%2Fcadillustrations%2FLuft%2520et%2520al.%2520--%2520Watercolor%2520Illustrations%2520of%2520CAD%2520Data.pdf&amp;amp;ev=pub_ext_doc_dlext&amp;amp;origin=publication_detail&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Thomas Luft, Frank Kobs, Walter Zinser, Oliver Deussen: [[Watercolor Illustrations of CAD Data]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jon McCormack&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;(Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 57-63 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/049-056 http://www.researchgate.net/go.Deref.html?url=http%3A%2F%2Fwww.cgmi.inf.uni-konstanz.de%2Fpublikationen%2F2008%2Fcadillustrations%2FLuft%2520et%2520al.%2520--%2520Watercolor%2520Illustrations%2520of%2520CAD%2520Data.pdf&amp;amp;ev=pub_ext_doc_dlext&amp;amp;origin=publication_detail&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Yi-Zhe Song, Paul L. Rosin, Peter M. Hall, John P. Collomosse: [[Arty Shapes]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 65-72 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/065-072 http://eprints.pascal-network.org/archive/00008354/01/Collomosse-CAe-2008.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Yi-Zhe Song, Paul L. Rosin, Peter M. Hall, John P. Collomosse: [[Arty Shapes]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jon McCormack&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;(Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 65-72 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/065-072 http://eprints.pascal-network.org/archive/00008354/01/Collomosse-CAe-2008.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Zainab Meraj, Brian Wyvill, Tobias Isenberg, Amy Ashurst Gooch, Richard Guy: Mimicking Hand-Drawn Pencil Lines. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 73-80 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/073-080 http://tobias.isenberg.cc/VideosAndDemos/Meraj2008MHD http://tobias.isenberg.cc/personal/papers/Meraj_2009_AMU.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Zainab Meraj, Brian Wyvill, Tobias Isenberg, Amy Ashurst Gooch, Richard Guy: Mimicking Hand-Drawn Pencil Lines. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jon McCormack&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;(Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 73-80 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/073-080 http://tobias.isenberg.cc/VideosAndDemos/Meraj2008MHD http://tobias.isenberg.cc/personal/papers/Meraj_2009_AMU.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Computational Photography&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Computational Photography&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Douglas Lanman, Ramesh Raskar, Gabriel Taubin: Modeling and Synthesis of Aperture Effects in Cameras. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 81-88 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/081-088 http://mesh.brown.edu/dlanman/research/CAe2008/Lanman-ApertureEffects.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Douglas Lanman, Ramesh Raskar, Gabriel Taubin: Modeling and Synthesis of Aperture Effects in Cameras. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jon McCormack&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;(Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 81-88 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/081-088 http://mesh.brown.edu/dlanman/research/CAe2008/Lanman-ApertureEffects.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* László Neumann, Ramón Hegedüs, Gábor Horváth, Rafael García: Applications of High Precision Imaging Polarimetry. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 89-97 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/089-097 http://www.icrea.cat/Web/GetFile.asmx/Download?idFile=Vd19DvfUg8o%3D&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* László Neumann, Ramón Hegedüs, Gábor Horváth, Rafael García: Applications of High Precision Imaging Polarimetry. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jon McCormack&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;(Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 89-97 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/089-097 http://www.icrea.cat/Web/GetFile.asmx/Download?idFile=Vd19DvfUg8o%3D&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Daniel M. Germán: [[Improving Scans of Black and White photographs by Recovering the Print Maker&amp;#039;s Artistic Intent]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 99-106 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/099-106 http://turingmachine.org/~dmg/papers/dmg2008_cae_negatives.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Daniel M. Germán: [[Improving Scans of Black and White photographs by Recovering the Print Maker&amp;#039;s Artistic Intent]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jon McCormack&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;(Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 99-106 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/099-106 http://turingmachine.org/~dmg/papers/dmg2008_cae_negatives.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Automated Analysis of Art&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Automated Analysis of Art&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Neil A. Dodgson: [[Regularity and Randomness in Bridget Riley&amp;#039;s early Op Art]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 107-114 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/107-114 http://www.cl.cam.ac.uk/~nad10/pubs/cae08.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Neil A. Dodgson: [[Regularity and Randomness in Bridget Riley&amp;#039;s early Op Art]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jon McCormack&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;(Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 107-114 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/107-114 http://www.cl.cam.ac.uk/~nad10/pubs/cae08.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Jaume Rigau, Miquel Feixas, Mateu Sbert: [[Informational Dialogue with Van Gogh&amp;#039;s Paintings]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 115-122 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/115-122 http://ima.udg.edu/~rigau/Publications/Rigau08C.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Jaume Rigau, Miquel Feixas, Mateu Sbert: [[Informational Dialogue with Van Gogh&amp;#039;s Paintings]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jon McCormack&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;(Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 115-122 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/115-122 http://ima.udg.edu/~rigau/Publications/Rigau08C.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Thomas Hurtut, Yann Gousseau, Farida Cheriet, Francis Schmitt: [[Pictorial Analysis of Line-drawings]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 123-130 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/123-130 http://www.professeurs.polymtl.ca/thomas.hurtut/files/ca2008.pdf http://www.researchgate.net/profile/Farida_Cheriet/publication/220795316_Pictorial_Analysis_of_Line-drawings/links/0deec5314a6c3e06a1000000?ev=pub_ext_doc_dl&amp;amp;origin=publication_detail&amp;amp;inViewer=true&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Thomas Hurtut, Yann Gousseau, Farida Cheriet, Francis Schmitt: [[Pictorial Analysis of Line-drawings]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jon McCormack&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;(Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 123-130 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/123-130 http://www.professeurs.polymtl.ca/thomas.hurtut/files/ca2008.pdf http://www.researchgate.net/profile/Farida_Cheriet/publication/220795316_Pictorial_Analysis_of_Line-drawings/links/0deec5314a6c3e06a1000000?ev=pub_ext_doc_dl&amp;amp;origin=publication_detail&amp;amp;inViewer=true&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Christian Wallraven, Douglas W. Cunningham, Roland W. Fleming: [[Perceptual and Computational Categories in Art]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 131-138 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/131-138 http://www.kyb.tuebingen.mpg.de/fileadmin/user_upload/files/publications/CAE2008-Wallraven_5163%5B0%5D.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Christian Wallraven, Douglas W. Cunningham, Roland W. Fleming: [[Perceptual and Computational Categories in Art]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jon McCormack&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;(Eds.): Eurographics Workshop on [[Computational Aesthetics 2008]]. 131-138 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/131-138 http://www.kyb.tuebingen.mpg.de/fileadmin/user_upload/files/publications/CAE2008-Wallraven_5163%5B0%5D.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Links ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Links ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Computational_Aesthetics_2008&amp;diff=3674&amp;oldid=prev</id>
		<title>Gbachelier am 20. Januar 2015 um 16:01 Uhr</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Computational_Aesthetics_2008&amp;diff=3674&amp;oldid=prev"/>
				<updated>2015-01-20T16:01:55Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
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				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Nächstältere Version&lt;/td&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Version vom 20. Januar 2015, 16:01 Uhr&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l15&quot; &gt;Zeile 15:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 15:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Artistic Content&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Artistic Content&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Murat Germen: [[Inadvertent - Ars Accidentalis]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;2008. 1-8 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/001-008 http://research.sabanciuniv.edu/8829/1/ars_accidentalis_final_submission_murat-germen.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Murat Germen: [[Inadvertent - Ars Accidentalis]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Computational Aesthetics 2008&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. 1-8 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/001-008 http://research.sabanciuniv.edu/8829/1/ars_accidentalis_final_submission_murat-germen.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Elodie Fourquet: Composition in Perspectives. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;2008. 9-16 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/009-016 http://www.cgl.uwaterloo.ca/~ecdfourq/composition/FourquetCAE2008.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Elodie Fourquet: Composition in Perspectives. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Computational Aesthetics 2008&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. 9-16 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/009-016 http://www.cgl.uwaterloo.ca/~ecdfourq/composition/FourquetCAE2008.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Sven Banisch, Mateu Sbert: [[Fast Visualisation and Interactive Design of Deterministic Fractals]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;2008. 17-24 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/017-024 http://www.researchgate.net/profile/Sven_Banisch/publication/220795332_Fast_Visualisation_and_Interactive_Design_of_Deterministic_Fractals/links/53d620000cf2a7fbb2ea8996?ev=pub_ext_doc_dl&amp;amp;origin=publication_list&amp;amp;inViewer=true&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Sven Banisch, Mateu Sbert: [[Fast Visualisation and Interactive Design of Deterministic Fractals]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Computational Aesthetics 2008&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. 17-24 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/017-024 http://www.researchgate.net/profile/Sven_Banisch/publication/220795332_Fast_Visualisation_and_Interactive_Design_of_Deterministic_Fractals/links/53d620000cf2a7fbb2ea8996?ev=pub_ext_doc_dl&amp;amp;origin=publication_list&amp;amp;inViewer=true&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Katayoon Etemad, Faramarz F. Samavati, Przemyslaw Prusinkiewicz: [[Animating Persian Floral Patterns]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;2008. 25-32 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/025-032 http://innovis.cpsc.ucalgary.ca/innovis/uploads/Publications/Publications/animating.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Katayoon Etemad, Faramarz F. Samavati, Przemyslaw Prusinkiewicz: [[Animating Persian Floral Patterns]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Computational Aesthetics 2008&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. 25-32 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/025-032 http://innovis.cpsc.ucalgary.ca/innovis/uploads/Publications/Publications/animating.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Annotation and Representation&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Annotation and Representation&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Stefan Maass, Jürgen Döllner: Seamless Integration of Labels into Interactive Virtual 3D Environments Using Parameterized Hulls. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;2008. 33-40 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/033-040 http://www.researchgate.net/go.Deref.html?url=http%3A%2F%2Fwww.hpi.uni-potsdam.de%2Ffileadmin%2Fhpi%2FFG_Doellner%2Fpublications%2F2008%2FMD08%2Fcae2008.pdf&amp;amp;ev=pub_ext_doc_dlext&amp;amp;origin=publication_detail&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Stefan Maass, Jürgen Döllner: Seamless Integration of Labels into Interactive Virtual 3D Environments Using Parameterized Hulls. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Computational Aesthetics 2008&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. 33-40 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/033-040 http://www.researchgate.net/go.Deref.html?url=http%3A%2F%2Fwww.hpi.uni-potsdam.de%2Ffileadmin%2Fhpi%2FFG_Doellner%2Fpublications%2F2008%2FMD08%2Fcae2008.pdf&amp;amp;ev=pub_ext_doc_dlext&amp;amp;origin=publication_detail&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Nadia Boukhelifa, David J. Duke: [[The Aesthetics of the Underworld]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;2008. 41-48 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/041-048 http://www.aviz.fr/~nb/publications/2008_Boukhelifa_AestheticsOfTheUnderworld.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Nadia Boukhelifa, David J. Duke: [[The Aesthetics of the Underworld]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Computational Aesthetics 2008&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. 41-48 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/041-048 http://www.aviz.fr/~nb/publications/2008_Boukhelifa_AestheticsOfTheUnderworld.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Luiz Velho, Julio Martins, Alice Bodanzky, Ilana Paterman, Analivia Cordeiro: Expressive Trajectories. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;2008. 49-56 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/049-056 http://www.visgraf.impa.br/e-trajectories/ http://www.visgraf.impa.br/e-trajectories/publications/main.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Luiz Velho, Julio Martins, Alice Bodanzky, Ilana Paterman, Analivia Cordeiro: Expressive Trajectories. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Computational Aesthetics 2008&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. 49-56 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/049-056 http://www.visgraf.impa.br/e-trajectories/ http://www.visgraf.impa.br/e-trajectories/publications/main.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Stylized Rendering&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Stylized Rendering&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Thomas Luft, Frank Kobs, Walter Zinser, Oliver Deussen: [[Watercolor Illustrations of CAD Data]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;2008. 57-63 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/049-056 http://www.researchgate.net/go.Deref.html?url=http%3A%2F%2Fwww.cgmi.inf.uni-konstanz.de%2Fpublikationen%2F2008%2Fcadillustrations%2FLuft%2520et%2520al.%2520--%2520Watercolor%2520Illustrations%2520of%2520CAD%2520Data.pdf&amp;amp;ev=pub_ext_doc_dlext&amp;amp;origin=publication_detail&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Thomas Luft, Frank Kobs, Walter Zinser, Oliver Deussen: [[Watercolor Illustrations of CAD Data]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Computational Aesthetics 2008&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. 57-63 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/049-056 http://www.researchgate.net/go.Deref.html?url=http%3A%2F%2Fwww.cgmi.inf.uni-konstanz.de%2Fpublikationen%2F2008%2Fcadillustrations%2FLuft%2520et%2520al.%2520--%2520Watercolor%2520Illustrations%2520of%2520CAD%2520Data.pdf&amp;amp;ev=pub_ext_doc_dlext&amp;amp;origin=publication_detail&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Yi-Zhe Song, Paul L. Rosin, Peter M. Hall, John P. Collomosse: [[Arty Shapes]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;2008. 65-72 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/065-072 http://eprints.pascal-network.org/archive/00008354/01/Collomosse-CAe-2008.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Yi-Zhe Song, Paul L. Rosin, Peter M. Hall, John P. Collomosse: [[Arty Shapes]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Computational Aesthetics 2008&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. 65-72 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/065-072 http://eprints.pascal-network.org/archive/00008354/01/Collomosse-CAe-2008.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Zainab Meraj, Brian Wyvill, Tobias Isenberg, Amy Ashurst Gooch, Richard Guy: Mimicking Hand-Drawn Pencil Lines. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;2008. 73-80 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/073-080 http://tobias.isenberg.cc/VideosAndDemos/Meraj2008MHD http://tobias.isenberg.cc/personal/papers/Meraj_2009_AMU.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Zainab Meraj, Brian Wyvill, Tobias Isenberg, Amy Ashurst Gooch, Richard Guy: Mimicking Hand-Drawn Pencil Lines. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Computational Aesthetics 2008&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. 73-80 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/073-080 http://tobias.isenberg.cc/VideosAndDemos/Meraj2008MHD http://tobias.isenberg.cc/personal/papers/Meraj_2009_AMU.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Computational Photography&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Computational Photography&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Douglas Lanman, Ramesh Raskar, Gabriel Taubin: Modeling and Synthesis of Aperture Effects in Cameras. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;2008. 81-88 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/081-088 http://mesh.brown.edu/dlanman/research/CAe2008/Lanman-ApertureEffects.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Douglas Lanman, Ramesh Raskar, Gabriel Taubin: Modeling and Synthesis of Aperture Effects in Cameras. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Computational Aesthetics 2008&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. 81-88 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/081-088 http://mesh.brown.edu/dlanman/research/CAe2008/Lanman-ApertureEffects.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* László Neumann, Ramón Hegedüs, Gábor Horváth, Rafael García: Applications of High Precision Imaging Polarimetry. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;2008. 89-97 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/089-097 http://www.icrea.cat/Web/GetFile.asmx/Download?idFile=Vd19DvfUg8o%3D&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* László Neumann, Ramón Hegedüs, Gábor Horváth, Rafael García: Applications of High Precision Imaging Polarimetry. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Computational Aesthetics 2008&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. 89-97 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/089-097 http://www.icrea.cat/Web/GetFile.asmx/Download?idFile=Vd19DvfUg8o%3D&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Daniel M. Germán: [[Improving Scans of Black and White photographs by Recovering the Print Maker&amp;#039;s Artistic Intent]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;2008. 99-106 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/099-106 http://turingmachine.org/~dmg/papers/dmg2008_cae_negatives.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Daniel M. Germán: [[Improving Scans of Black and White photographs by Recovering the Print Maker&amp;#039;s Artistic Intent]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Computational Aesthetics 2008&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. 99-106 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/099-106 http://turingmachine.org/~dmg/papers/dmg2008_cae_negatives.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Automated Analysis of Art&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;Automated Analysis of Art&amp;#039;&amp;#039;&amp;#039;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Neil A. Dodgson: [[Regularity and Randomness in Bridget Riley&amp;#039;s early Op Art]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;2008. 107-114 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/107-114 http://www.cl.cam.ac.uk/~nad10/pubs/cae08.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Neil A. Dodgson: [[Regularity and Randomness in Bridget Riley&amp;#039;s early Op Art]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Computational Aesthetics 2008&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. 107-114 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/107-114 http://www.cl.cam.ac.uk/~nad10/pubs/cae08.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Jaume Rigau, Miquel Feixas, Mateu Sbert: [[Informational Dialogue with Van Gogh&amp;#039;s Paintings]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;2008. 115-122 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/115-122 http://ima.udg.edu/~rigau/Publications/Rigau08C.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Jaume Rigau, Miquel Feixas, Mateu Sbert: [[Informational Dialogue with Van Gogh&amp;#039;s Paintings]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Computational Aesthetics 2008&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. 115-122 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/115-122 http://ima.udg.edu/~rigau/Publications/Rigau08C.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Thomas Hurtut, Yann Gousseau, Farida Cheriet, Francis Schmitt: [[Pictorial Analysis of Line-drawings]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;2008. 123-130 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/123-130 http://www.professeurs.polymtl.ca/thomas.hurtut/files/ca2008.pdf http://www.researchgate.net/profile/Farida_Cheriet/publication/220795316_Pictorial_Analysis_of_Line-drawings/links/0deec5314a6c3e06a1000000?ev=pub_ext_doc_dl&amp;amp;origin=publication_detail&amp;amp;inViewer=true&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Thomas Hurtut, Yann Gousseau, Farida Cheriet, Francis Schmitt: [[Pictorial Analysis of Line-drawings]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Computational Aesthetics 2008&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. 123-130 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/123-130 http://www.professeurs.polymtl.ca/thomas.hurtut/files/ca2008.pdf http://www.researchgate.net/profile/Farida_Cheriet/publication/220795316_Pictorial_Analysis_of_Line-drawings/links/0deec5314a6c3e06a1000000?ev=pub_ext_doc_dl&amp;amp;origin=publication_detail&amp;amp;inViewer=true&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Christian Wallraven, Douglas W. Cunningham, Roland W. Fleming: [[Perceptual and Computational Categories in Art]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;, &lt;/del&gt;2008. 131-138 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/131-138 http://www.kyb.tuebingen.mpg.de/fileadmin/user_upload/files/publications/CAE2008-Wallraven_5163%5B0%5D.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Christian Wallraven, Douglas W. Cunningham, Roland W. Fleming: [[Perceptual and Computational Categories in Art]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Computational Aesthetics 2008&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]]&lt;/ins&gt;. 131-138 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/131-138 http://www.kyb.tuebingen.mpg.de/fileadmin/user_upload/files/publications/CAE2008-Wallraven_5163%5B0%5D.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Links ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Links ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Computational_Aesthetics_2008&amp;diff=3239&amp;oldid=prev</id>
		<title>Gbachelier: /* Reference */</title>
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				<updated>2015-01-12T21:15:27Z</updated>
		
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				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot; &gt;Zeile 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Reference ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Reference ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Computational Aesthetics 2008: Eurographics Workshop on Computational Aesthetics, Lisbon, Portugal, 2008. Eurographics Association 2008 ISBN 978-3-905674-08-8&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Douglas W. Cunningham, Victoria Interrante, Paul Brown, &lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;[[&lt;/ins&gt;Jon McCormack&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;]] &lt;/ins&gt;(Eds.): Computational Aesthetics 2008: Eurographics Workshop on Computational Aesthetics, Lisbon, Portugal, 2008. Eurographics Association 2008 ISBN 978-3-905674-08-8&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== DOI ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== DOI ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Computational_Aesthetics_2008&amp;diff=1936&amp;oldid=prev</id>
		<title>Gbachelier: /* Table of contents */</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Computational_Aesthetics_2008&amp;diff=1936&amp;oldid=prev"/>
				<updated>2014-12-02T16:07:48Z</updated>
		
		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Table of contents&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
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				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Nächstältere Version&lt;/td&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Version vom 2. Dezember 2014, 16:07 Uhr&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l19&quot; &gt;Zeile 19:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 19:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Elodie Fourquet: Composition in Perspectives. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics, 2008. 9-16 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/009-016 http://www.cgl.uwaterloo.ca/~ecdfourq/composition/FourquetCAE2008.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Elodie Fourquet: Composition in Perspectives. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics, 2008. 9-16 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/009-016 http://www.cgl.uwaterloo.ca/~ecdfourq/composition/FourquetCAE2008.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Sven Banisch, Mateu Sbert: [[Fast Visualisation and Interactive Design of Deterministic Fractals]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics, 2008. 17-24 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/017-024 http://www.researchgate.net/profile/Sven_Banisch/publication/220795332_Fast_Visualisation_and_Interactive_Design_of_Deterministic_Fractals/links/53d620000cf2a7fbb2ea8996?ev=pub_ext_doc_dl&amp;amp;origin=&lt;del class=&quot;diffchange diffchange-inline&quot;&gt;publication_detail&lt;/del&gt;&amp;amp;inViewer=true&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Sven Banisch, Mateu Sbert: [[Fast Visualisation and Interactive Design of Deterministic Fractals]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics, 2008. 17-24 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/017-024 http://www.researchgate.net/profile/Sven_Banisch/publication/220795332_Fast_Visualisation_and_Interactive_Design_of_Deterministic_Fractals/links/53d620000cf2a7fbb2ea8996?ev=pub_ext_doc_dl&amp;amp;origin=&lt;ins class=&quot;diffchange diffchange-inline&quot;&gt;publication_list&lt;/ins&gt;&amp;amp;inViewer=true&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Katayoon Etemad, Faramarz F. Samavati, Przemyslaw Prusinkiewicz: [[Animating Persian Floral Patterns]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics, 2008. 25-32 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/025-032 http://innovis.cpsc.ucalgary.ca/innovis/uploads/Publications/Publications/animating.pdf&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;* Katayoon Etemad, Faramarz F. Samavati, Przemyslaw Prusinkiewicz: [[Animating Persian Floral Patterns]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics, 2008. 25-32 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/025-032 http://innovis.cpsc.ucalgary.ca/innovis/uploads/Publications/Publications/animating.pdf&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Computational_Aesthetics_2008&amp;diff=1931&amp;oldid=prev</id>
		<title>Gbachelier: Die Seite wurde neu angelegt: „== Reference == Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Computational Aesthetics 2008: Eurographics Workshop on Computati…“</title>
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				<updated>2014-12-02T12:06:43Z</updated>
		
		<summary type="html">&lt;p&gt;Die Seite wurde neu angelegt: „== Reference == Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Computational Aesthetics 2008: Eurographics Workshop on Computati…“&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Neue Seite&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Reference ==&lt;br /&gt;
Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Computational Aesthetics 2008: Eurographics Workshop on Computational Aesthetics, Lisbon, Portugal, 2008. Eurographics Association 2008 ISBN 978-3-905674-08-8&lt;br /&gt;
&lt;br /&gt;
== DOI ==&lt;br /&gt;
&lt;br /&gt;
== Abstract ==&lt;br /&gt;
&lt;br /&gt;
== Extended Abstract ==&lt;br /&gt;
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== Reviews==&lt;br /&gt;
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== Bibtex == &lt;br /&gt;
&lt;br /&gt;
== Table of contents==&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Artistic Content&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
* Murat Germen: [[Inadvertent - Ars Accidentalis]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics, 2008. 1-8 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/001-008 http://research.sabanciuniv.edu/8829/1/ars_accidentalis_final_submission_murat-germen.pdf&lt;br /&gt;
&lt;br /&gt;
* Elodie Fourquet: Composition in Perspectives. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics, 2008. 9-16 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/009-016 http://www.cgl.uwaterloo.ca/~ecdfourq/composition/FourquetCAE2008.pdf&lt;br /&gt;
&lt;br /&gt;
* Sven Banisch, Mateu Sbert: [[Fast Visualisation and Interactive Design of Deterministic Fractals]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics, 2008. 17-24 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/017-024 http://www.researchgate.net/profile/Sven_Banisch/publication/220795332_Fast_Visualisation_and_Interactive_Design_of_Deterministic_Fractals/links/53d620000cf2a7fbb2ea8996?ev=pub_ext_doc_dl&amp;amp;origin=publication_detail&amp;amp;inViewer=true&lt;br /&gt;
&lt;br /&gt;
* Katayoon Etemad, Faramarz F. Samavati, Przemyslaw Prusinkiewicz: [[Animating Persian Floral Patterns]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics, 2008. 25-32 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/025-032 http://innovis.cpsc.ucalgary.ca/innovis/uploads/Publications/Publications/animating.pdf&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Annotation and Representation&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
* Stefan Maass, Jürgen Döllner: Seamless Integration of Labels into Interactive Virtual 3D Environments Using Parameterized Hulls. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics, 2008. 33-40 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/033-040 http://www.researchgate.net/go.Deref.html?url=http%3A%2F%2Fwww.hpi.uni-potsdam.de%2Ffileadmin%2Fhpi%2FFG_Doellner%2Fpublications%2F2008%2FMD08%2Fcae2008.pdf&amp;amp;ev=pub_ext_doc_dlext&amp;amp;origin=publication_detail&lt;br /&gt;
&lt;br /&gt;
* Nadia Boukhelifa, David J. Duke: [[The Aesthetics of the Underworld]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics, 2008. 41-48 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/041-048 http://www.aviz.fr/~nb/publications/2008_Boukhelifa_AestheticsOfTheUnderworld.pdf&lt;br /&gt;
&lt;br /&gt;
* Luiz Velho, Julio Martins, Alice Bodanzky, Ilana Paterman, Analivia Cordeiro: Expressive Trajectories. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics, 2008. 49-56 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/049-056 http://www.visgraf.impa.br/e-trajectories/ http://www.visgraf.impa.br/e-trajectories/publications/main.pdf&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Stylized Rendering&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
* Thomas Luft, Frank Kobs, Walter Zinser, Oliver Deussen: [[Watercolor Illustrations of CAD Data]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics, 2008. 57-63 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/049-056 http://www.researchgate.net/go.Deref.html?url=http%3A%2F%2Fwww.cgmi.inf.uni-konstanz.de%2Fpublikationen%2F2008%2Fcadillustrations%2FLuft%2520et%2520al.%2520--%2520Watercolor%2520Illustrations%2520of%2520CAD%2520Data.pdf&amp;amp;ev=pub_ext_doc_dlext&amp;amp;origin=publication_detail&lt;br /&gt;
&lt;br /&gt;
* Yi-Zhe Song, Paul L. Rosin, Peter M. Hall, John P. Collomosse: [[Arty Shapes]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics, 2008. 65-72 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/065-072 http://eprints.pascal-network.org/archive/00008354/01/Collomosse-CAe-2008.pdf&lt;br /&gt;
&lt;br /&gt;
* Zainab Meraj, Brian Wyvill, Tobias Isenberg, Amy Ashurst Gooch, Richard Guy: Mimicking Hand-Drawn Pencil Lines. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics, 2008. 73-80 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/073-080 http://tobias.isenberg.cc/VideosAndDemos/Meraj2008MHD http://tobias.isenberg.cc/personal/papers/Meraj_2009_AMU.pdf&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Computational Photography&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
* Douglas Lanman, Ramesh Raskar, Gabriel Taubin: Modeling and Synthesis of Aperture Effects in Cameras. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics, 2008. 81-88 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/081-088 http://mesh.brown.edu/dlanman/research/CAe2008/Lanman-ApertureEffects.pdf&lt;br /&gt;
&lt;br /&gt;
* László Neumann, Ramón Hegedüs, Gábor Horváth, Rafael García: Applications of High Precision Imaging Polarimetry. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics, 2008. 89-97 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/089-097 http://www.icrea.cat/Web/GetFile.asmx/Download?idFile=Vd19DvfUg8o%3D&lt;br /&gt;
&lt;br /&gt;
* Daniel M. Germán: [[Improving Scans of Black and White photographs by Recovering the Print Maker&amp;#039;s Artistic Intent]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics, 2008. 99-106 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/099-106 http://turingmachine.org/~dmg/papers/dmg2008_cae_negatives.pdf&lt;br /&gt;
&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;Automated Analysis of Art&amp;#039;&amp;#039;&amp;#039;&lt;br /&gt;
&lt;br /&gt;
* Neil A. Dodgson: [[Regularity and Randomness in Bridget Riley&amp;#039;s early Op Art]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics, 2008. 107-114 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/107-114 http://www.cl.cam.ac.uk/~nad10/pubs/cae08.pdf&lt;br /&gt;
&lt;br /&gt;
* Jaume Rigau, Miquel Feixas, Mateu Sbert: [[Informational Dialogue with Van Gogh&amp;#039;s Paintings]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics, 2008. 115-122 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/115-122 http://ima.udg.edu/~rigau/Publications/Rigau08C.pdf&lt;br /&gt;
&lt;br /&gt;
* Thomas Hurtut, Yann Gousseau, Farida Cheriet, Francis Schmitt: [[Pictorial Analysis of Line-drawings]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics, 2008. 123-130 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/123-130 http://www.professeurs.polymtl.ca/thomas.hurtut/files/ca2008.pdf http://www.researchgate.net/profile/Farida_Cheriet/publication/220795316_Pictorial_Analysis_of_Line-drawings/links/0deec5314a6c3e06a1000000?ev=pub_ext_doc_dl&amp;amp;origin=publication_detail&amp;amp;inViewer=true&lt;br /&gt;
&lt;br /&gt;
* Christian Wallraven, Douglas W. Cunningham, Roland W. Fleming: [[Perceptual and Computational Categories in Art]]. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics, 2008. 131-138 DOI: http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/131-138 http://www.kyb.tuebingen.mpg.de/fileadmin/user_upload/files/publications/CAE2008-Wallraven_5163%5B0%5D.pdf&lt;br /&gt;
&lt;br /&gt;
== Links ==&lt;br /&gt;
=== Full Text === &lt;br /&gt;
[extern file]&lt;br /&gt;
&lt;br /&gt;
[[intern file]]&lt;br /&gt;
&lt;br /&gt;
=== Sonstige Links ===&lt;/div&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

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