http://de.evo-art.org/index.php?action=history&feed=atom&title=Computational_Aesthetics_2015 2026-04-18T12:42:42Z Versionsgeschichte dieser Seite in de_evolutionary_art_org MediaWiki 1.27.4 http://de.evo-art.org/index.php?title=Computational_Aesthetics_2015&diff=31931&oldid=prev 2015-11-07T21:52:21Z

<p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 7. November 2015, 21:52 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l91" >Zeile 91:</td> <td colspan="2" class="diff-lineno">Zeile 91:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>https://diglib.eg.org/handle/10.2312/12609 Expressive 2015 Content</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>https://diglib.eg.org/handle/10.2312/12609 Expressive 2015 Content</div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#Computational Aesthetics Conferences | zurück zu Computational Aesthetics Conferences]]</ins></div></td></tr> </table>

Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2015&diff=31930&oldid=prev 2015-11-07T21:51:46Z

<p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 7. November 2015, 21:51 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Zeile 1:</td> <td colspan="2" class="diff-lineno">Zeile 1:</td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">[[Konferenzen_und_Workshops_zur_Evolution%C3%A4ren_Kunst#Computational Aesthetics Conferences | zurück zu Computational Aesthetics Conferences]] </ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Reference ==</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Reference ==</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>T. Metin Sezgin, Paul L. Rosin: Proceedings of the workshop on Computational Aesthetics, CAE 2015, Istanbul, Turkey, June 20-22, 2015. Eurographics Association 2015. (Expressive 2015: Joint Symposium of Computational Aesthetics (CAe, ISBN: 978-3-905674-89-7), Non-Photorealistic Animation and Rendering (NPAR, ISBN: 978-3-905674-91-0), Sketch-Based Interfaces and Modeling (SBIM, ISBN: 978-3-905674-90-3)) &#160;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>T. Metin Sezgin, Paul L. Rosin: Proceedings of the workshop on Computational Aesthetics, CAE 2015, Istanbul, Turkey, June 20-22, 2015. Eurographics Association 2015. (Expressive 2015: Joint Symposium of Computational Aesthetics (CAe, ISBN: 978-3-905674-89-7), Non-Photorealistic Animation and Rendering (NPAR, ISBN: 978-3-905674-91-0), Sketch-Based Interfaces and Modeling (SBIM, ISBN: 978-3-905674-90-3)) &#160;</div></td></tr> </table>

Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2015&diff=31923&oldid=prev 2015-11-07T21:37:55Z

<p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 7. November 2015, 21:37 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l13" >Zeile 13:</td> <td colspan="2" class="diff-lineno">Zeile 13:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#160; @proceedings{</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#160; @proceedings{</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#160;&#160; editor = {Sezgin, T. Metin and Rosin, Paul L.},</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#160;&#160; editor = {Sezgin, T. Metin and Rosin, Paul L.},</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>&#160;&#160; booktitle = {<del class="diffchange diffchange-inline">CAE &#039;15</del>: <del class="diffchange diffchange-inline">Proceedings </del>of <del class="diffchange diffchange-inline">the Workshop on </del>Computational Aesthetics},</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>&#160;&#160; booktitle = {<ins class="diffchange diffchange-inline">Expressive 2015</ins>: <ins class="diffchange diffchange-inline">Joint Symposium </ins>of Computational Aesthetics <ins class="diffchange diffchange-inline">(CAe), Non-Photorealistic Animation and Rendering (NPAR), Sketch-Based Interfaces and Modeling (SBIM}</ins>},</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#160;&#160; year = {2015},</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#160;&#160; year = {2015},</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#160;&#160; location = {Istanbul, Turkey},</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#160;&#160; location = {Istanbul, Turkey},</div></td></tr> </table>

Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2015&diff=31879&oldid=prev 2015-11-06T19:39:46Z

<p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 6. November 2015, 19:39 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l11" >Zeile 11:</td> <td colspan="2" class="diff-lineno">Zeile 11:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Bibtex == &#160;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Bibtex == &#160;</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>&#160; @proceedings{Sezgin<del class="diffchange diffchange-inline">:2015:2811239</del>,</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>&#160; @proceedings<ins class="diffchange diffchange-inline">{</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>&#160;&#160; <del class="diffchange diffchange-inline">title </del>= {CAE &#039;15: Proceedings of the Workshop on Computational Aesthetics},</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">&#160; editor = </ins>{Sezgin<ins class="diffchange diffchange-inline">, T. Metin and Rosin, Paul L.}</ins>,</div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>&#160;&#160; <ins class="diffchange diffchange-inline">booktitle </ins>= {CAE &#039;15: Proceedings of the Workshop on Computational Aesthetics},</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#160;&#160; year = {2015},</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#160;&#160; year = {2015},</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#160;&#160; location = {Istanbul, Turkey},</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#160;&#160; location = {Istanbul, Turkey},</div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">&#160; url = {https://diglib.eg.org/handle/10.2312/12609 http://de.evo-art.org/index.php?title=Computational_Aesthetics_2015 },</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#160;&#160; publisher = {Eurographics Association},</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#160;&#160; publisher = {Eurographics Association},</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#160;&#160; address = {Aire-la-Ville, Switzerland, Switzerland},</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#160;&#160; address = {Aire-la-Ville, Switzerland, Switzerland},</div></td></tr> </table>

Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2015&diff=31344&oldid=prev 2015-10-27T10:23:40Z

<p>‎<span dir="auto"><span class="autocomment">Table of contents</span></span></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 27. Oktober 2015, 10:23 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l33" >Zeile 33:</td> <td colspan="2" class="diff-lineno">Zeile 33:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Stylization&#039;&#039;&#039;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Stylization&#039;&#039;&#039;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Jakub Fišer, Paul Asente, and Daniel Sýkora: [[ShipShape: A Drawing Beautification Assistant]]. In: [[Computational Aesthetics 2015]] SBIM&#039;15, 49-57. http://dx.doi.org/10.2312/exp.20151178 http://dl.acm.org/citation.cfm?id=2810210.2810215&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 http://dcgi.felk.cvut.cz/home/sykorad/Fiser15-SBIM.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">&lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; </ins>Jakub Fišer, Paul Asente, and Daniel Sýkora: [[ShipShape: A Drawing Beautification Assistant]]. In: [[Computational Aesthetics 2015]] SBIM&#039;15, 49-57. http://dx.doi.org/10.2312/exp.20151178 http://dl.acm.org/citation.cfm?id=2810210.2810215&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 http://dcgi.felk.cvut.cz/home/sykorad/Fiser15-SBIM.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Çagla Çıg and Tevfik Metin Sezgin: [[Real-Time Activity Prediction: A Gaze-Based Approach for Early Recognition of Pen-Based Interaction Tasks]]. In: [[Computational Aesthetics 2015]] SBIM&#039;15, 59-65. http://dx.doi.org/10.2312/exp.20151179 http://dl.acm.org/citation.cfm?id=2810210.2810216&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 http://www.researchgate.net/profile/Cagla_Cig/publication/276272037_Real-Time_Activity_Prediction_A_Gaze-Based_Approach_for_Early_Recognition_of_Pen-Based_Interaction_Tasks/links/555452eb08ae6943a86f4999.pdf?inViewer=true&amp;pdfJsDownload=true&amp;disableCoverPage=true&amp;origin=publication_detail</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Çagla Çıg and Tevfik Metin Sezgin: [[Real-Time Activity Prediction: A Gaze-Based Approach for Early Recognition of Pen-Based Interaction Tasks]]. In: [[Computational Aesthetics 2015]] SBIM&#039;15, 59-65. http://dx.doi.org/10.2312/exp.20151179 http://dl.acm.org/citation.cfm?id=2810210.2810216&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 http://www.researchgate.net/profile/Cagla_Cig/publication/276272037_Real-Time_Activity_Prediction_A_Gaze-Based_Approach_for_Early_Recognition_of_Pen-Based_Interaction_Tasks/links/555452eb08ae6943a86f4999.pdf?inViewer=true&amp;pdfJsDownload=true&amp;disableCoverPage=true&amp;origin=publication_detail</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Hristina Hristova, Olivier Le Meur, Rémi Cozot, and Kadi Bouatouch: [[Style-aware Robust Color Transfer]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 67-77. http://dx.doi.org/10.2312/exp.20151180 http://dl.acm.org/citation.cfm?id=2811244&amp;CFID=724111209&amp;CFTOKEN=48939661 http://people.irisa.fr/Hristina.Hristova/styleCT_camera_ready.pdf http://people.irisa.fr/Hristina.Hristova/main.pdf (slides)</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">&lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; </ins>Hristina Hristova, Olivier Le Meur, Rémi Cozot, and Kadi Bouatouch: [[Style-aware Robust Color Transfer]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 67-77. http://dx.doi.org/10.2312/exp.20151180 http://dl.acm.org/citation.cfm?id=2811244&amp;CFID=724111209&amp;CFTOKEN=48939661 http://people.irisa.fr/Hristina.Hristova/styleCT_camera_ready.pdf http://people.irisa.fr/Hristina.Hristova/main.pdf (slides)</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Luis Cardona and Suguru Saito: [[Hybrid-Space Localized Stylization Method for View-Dependent Lines Extracted from 3D Models]]. In: [[Computational Aesthetics 2015]] NPAR&#039;15, 79-89. http://dx.doi.org/10.2312/exp.20151181 http://dl.acm.org/citation.cfm?id=2810002.2810004&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Luis Cardona and Suguru Saito: [[Hybrid-Space Localized Stylization Method for View-Dependent Lines Extracted from 3D Models]]. In: [[Computational Aesthetics 2015]] NPAR&#039;15, 79-89. http://dx.doi.org/10.2312/exp.20151181 http://dl.acm.org/citation.cfm?id=2810002.2810004&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l46" >Zeile 46:</td> <td colspan="2" class="diff-lineno">Zeile 46:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Sema Berkiten, Xinyi Fan, and Szymon Rusinkiewicz: [[Semi-Automatic Digital Epigraphy from Images with Normals]]. In: [[Computational Aesthetics 2015]] NPAR&#039;15, 91-102. http://dx.doi.org/10.2312/exp.20151182 http://dl.acm.org/citation.cfm?id=2810002.2810006&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 http://gfx.cs.princeton.edu/pubs/Berkiten_2015_SDE/epigraphy_NPAR15.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Sema Berkiten, Xinyi Fan, and Szymon Rusinkiewicz: [[Semi-Automatic Digital Epigraphy from Images with Normals]]. In: [[Computational Aesthetics 2015]] NPAR&#039;15, 91-102. http://dx.doi.org/10.2312/exp.20151182 http://dl.acm.org/citation.cfm?id=2810002.2810006&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 http://gfx.cs.princeton.edu/pubs/Berkiten_2015_SDE/epigraphy_NPAR15.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Domingo Martín, Vicente del Sol, Celia Romo, and Tobias Isenberg: [[Drawing Characteristics for Reproducing Traditional Hand-Made Stippling]]. In: [[Computational Aesthetics 2015]] NPAR&#039;15, 103-115. http://dx.doi.org/10.2312/exp.20151183 http://dl.acm.org/citation.cfm?id=2810002.2810007&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 http://tobias.isenberg.cc/personal/papers/Martin_2015_DCR.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">&lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; </ins>Domingo Martín, Vicente del Sol, Celia Romo, and Tobias Isenberg: [[Drawing Characteristics for Reproducing Traditional Hand-Made Stippling]]. In: [[Computational Aesthetics 2015]] NPAR&#039;15, 103-115. http://dx.doi.org/10.2312/exp.20151183 http://dl.acm.org/citation.cfm?id=2810002.2810007&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 http://tobias.isenberg.cc/personal/papers/Martin_2015_DCR.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Kemal Tugrul Yesilbek, Cansu Sen, Serike Cakmak, and T. Metin Sezgin: [[SVM-based Sketch Recognition: Which Hyperparameter Interval to Try]]? In: [[Computational Aesthetics 2015]] SBIM&#039;15, 117-121. http://dx.doi.org/10.2312/exp.20151184 http://dl.acm.org/citation.cfm?id=2810210.2810218&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 http://iui.ku.edu.tr/sezgin_publications/2015/SVM_Hyperparameter_Expressive15.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Kemal Tugrul Yesilbek, Cansu Sen, Serike Cakmak, and T. Metin Sezgin: [[SVM-based Sketch Recognition: Which Hyperparameter Interval to Try]]? In: [[Computational Aesthetics 2015]] SBIM&#039;15, 117-121. http://dx.doi.org/10.2312/exp.20151184 http://dl.acm.org/citation.cfm?id=2810210.2810218&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 http://iui.ku.edu.tr/sezgin_publications/2015/SVM_Hyperparameter_Expressive15.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l66" >Zeile 66:</td> <td colspan="2" class="diff-lineno">Zeile 66:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Synthesis &#039;&#039;&#039;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Synthesis &#039;&#039;&#039;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Brian Wyvill: [[Painting with Flowsnakes]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 171-182. http://dx.doi.org/10.2312/exp.20151190 http://dl.acm.org/citation.cfm?id=2811251&amp;CFID=724111209&amp;CFTOKEN=48939661 http://webhome.cs.uvic.ca/~blob/publications/flowpaint.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">&lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; </ins>Brian Wyvill: [[Painting with Flowsnakes]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 171-182. http://dx.doi.org/10.2312/exp.20151190 http://dl.acm.org/citation.cfm?id=2811251&amp;CFID=724111209&amp;CFTOKEN=48939661 http://webhome.cs.uvic.ca/~blob/publications/flowpaint.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Xuemiao Xu, Linyuan Zhong, Minshan Xie, Jing Qin, Yilan Chen, Qiang Jin, Tien-Tsin Wong, and Guoqiang Han: [[Texture-Aware ASCII Art Synthesis with Proportional Fonts]]. In: [[Computational Aesthetics 2015]] NPAR&#039;15, 183-193. http://dx.doi.org/10.2312/exp.20151191 http://dl.acm.org/citation.cfm?id=2810002.2810009&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Xuemiao Xu, Linyuan Zhong, Minshan Xie, Jing Qin, Yilan Chen, Qiang Jin, Tien-Tsin Wong, and Guoqiang Han: [[Texture-Aware ASCII Art Synthesis with Proportional Fonts]]. In: [[Computational Aesthetics 2015]] NPAR&#039;15, 183-193. http://dx.doi.org/10.2312/exp.20151191 http://dl.acm.org/citation.cfm?id=2810002.2810009&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l72" >Zeile 72:</td> <td colspan="2" class="diff-lineno">Zeile 72:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Angus Graeme Forbes and Javier Villegas: [[Video Granular Synthesis]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 195-201. http://dx.doi.org/10.2312/exp.20151192 http://dl.acm.org/citation.cfm?id=2811252&amp;CFID=724111209&amp;CFTOKEN=48939661 https://www.evl.uic.edu/documents/forbes_videogranularsynthesis_cae2015.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Angus Graeme Forbes and Javier Villegas: [[Video Granular Synthesis]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 195-201. http://dx.doi.org/10.2312/exp.20151192 http://dl.acm.org/citation.cfm?id=2811252&amp;CFID=724111209&amp;CFTOKEN=48939661 https://www.evl.uic.edu/documents/forbes_videogranularsynthesis_cae2015.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Katrin Lang and Marc Alexa: [[The Markov Pen: Online Synthesis of Free-Hand Drawing Styles]]. In: [[Computational Aesthetics 2015]] NPAR&#039;15, 203-215. http://dx.doi.org/10.2312/exp.20151193 http://dl.acm.org/citation.cfm?id=2810002.2810010&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 http://cybertron.cg.tu-berlin.de/klang/markov-pen/</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">&lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; </ins>Katrin Lang and Marc Alexa: [[The Markov Pen: Online Synthesis of Free-Hand Drawing Styles]]. In: [[Computational Aesthetics 2015]] NPAR&#039;15, 203-215. http://dx.doi.org/10.2312/exp.20151193 http://dl.acm.org/citation.cfm?id=2810002.2810010&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 http://cybertron.cg.tu-berlin.de/klang/markov-pen/</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Links ==</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Links ==</div></td></tr> </table>

Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2015&diff=31343&oldid=prev 2015-10-27T10:16:25Z

<p>‎<span dir="auto"><span class="autocomment">Table of contents</span></span></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 27. Oktober 2015, 10:16 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l28" >Zeile 28:</td> <td colspan="2" class="diff-lineno">Zeile 28:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Martin Guay, Rémi Ronfard, Michael Gleicher, and Marie-Paule Cani: [[Adding Dynamics to Sketch-based Character Animations]]. In: [[Computational Aesthetics 2015]] SBIM&#039;15, 27-34. http://dx.doi.org/10.2312/exp.20151176 http://dl.acm.org/citation.cfm?id=2810210.2810213&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 https://hal.inria.fr/hal-01154847/document &#160;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Martin Guay, Rémi Ronfard, Michael Gleicher, and Marie-Paule Cani: [[Adding Dynamics to Sketch-based Character Animations]]. In: [[Computational Aesthetics 2015]] SBIM&#039;15, 27-34. http://dx.doi.org/10.2312/exp.20151176 http://dl.acm.org/citation.cfm?id=2810210.2810213&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 https://hal.inria.fr/hal-01154847/document &#160;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Daniel Berio and Frederic Fol Leymarie: [[Computational Models for the Analysis and Synthesis of Graffiti Tag Strokes]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 35-47. http://dx.doi.org/10.2312/exp.20151177 http://dl.acm.org/citation.cfm?id=2811242&amp;CFID=724111209&amp;CFTOKEN=48939661 http://doc.gold.ac.uk/autograff/papers/CompModelsGraffitiTagStrokes.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">&lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; </ins>Daniel Berio and Frederic Fol Leymarie: [[Computational Models for the Analysis and Synthesis of Graffiti Tag Strokes]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 35-47. http://dx.doi.org/10.2312/exp.20151177 http://dl.acm.org/citation.cfm?id=2811242&amp;CFID=724111209&amp;CFTOKEN=48939661 http://doc.gold.ac.uk/autograff/papers/CompModelsGraffitiTagStrokes.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l55" >Zeile 55:</td> <td colspan="2" class="diff-lineno">Zeile 55:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Working with Images &#039;&#039;&#039;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Working with Images &#039;&#039;&#039;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Jiayu Li and David Mould: [[Image Warping for a Painterly Effect]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 131-140. http://dx.doi.org/10.2312/exp.20151186 http://dl.acm.org/citation.cfm?id=2811246&amp;CFID=724111209&amp;CFTOKEN=48939661 http://gigl.scs.carleton.ca/sites/default/files/jiayu_li/warping-eg.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">&lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; </ins>Jiayu Li and David Mould: [[Image Warping for a Painterly Effect]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 131-140. http://dx.doi.org/10.2312/exp.20151186 http://dl.acm.org/citation.cfm?id=2811246&amp;CFID=724111209&amp;CFTOKEN=48939661 http://gigl.scs.carleton.ca/sites/default/files/jiayu_li/warping-eg.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Lena Gieseke, Sven Klingel, and Martin Fuchs: [[Shake it up - Image Decomposition and Rearrangements of Its Constituents]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 141-147. http://dx.doi.org/10.2312/exp.20151187 http://dl.acm.org/citation.cfm?id=2811247&amp;CFID=724111209&amp;CFTOKEN=48939661 http://www.visus.uni-stuttgart.de/uploads/tx_vispublications/Gieseke_SIU_2015.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">&lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; </ins>Lena Gieseke, Sven Klingel, and Martin Fuchs: [[Shake it up - Image Decomposition and Rearrangements of Its Constituents]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 141-147. http://dx.doi.org/10.2312/exp.20151187 http://dl.acm.org/citation.cfm?id=2811247&amp;CFID=724111209&amp;CFTOKEN=48939661 http://www.visus.uni-stuttgart.de/uploads/tx_vispublications/Gieseke_SIU_2015.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Amir Semmo, Daniel Limberger, Jan Eric Kyprianidis, and Jürgen Döllner: [[Image Stylization by Oil Paint Filtering using Color Palettes]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 149-158. http://dx.doi.org/10.2312/exp.20151188 http://dl.acm.org/citation.cfm?id=2811248&amp;CFID=724111209&amp;CFTOKEN=48939661 https://hpi.de/fileadmin/user_upload/fachgebiete/doellner/publications/2015/SLKD2015/asemmo-cae2015-authors-version.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">&lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; </ins>Amir Semmo, Daniel Limberger, Jan Eric Kyprianidis, and Jürgen Döllner: [[Image Stylization by Oil Paint Filtering using Color Palettes]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 149-158. http://dx.doi.org/10.2312/exp.20151188 http://dl.acm.org/citation.cfm?id=2811248&amp;CFID=724111209&amp;CFTOKEN=48939661 https://hpi.de/fileadmin/user_upload/fachgebiete/doellner/publications/2015/SLKD2015/asemmo-cae2015-authors-version.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Paul L. Rosin and Yu-Kun Lai: [[Non-Photorealistic Rendering of Portraits]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 159-170. http://dx.doi.org/10.2312/exp.20151189 http://dl.acm.org/citation.cfm?id=2811249&amp;CFID=724111209&amp;CFTOKEN=48939661 http://www.researchgate.net/publication/280093554_Non-Photorealistic_Rendering_of_Portraits</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* <ins class="diffchange diffchange-inline">&lt;span style=&quot;color:red;&quot;&gt;*&lt;/span&gt; </ins>Paul L. Rosin and Yu-Kun Lai: [[Non-Photorealistic Rendering of Portraits]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 159-170. http://dx.doi.org/10.2312/exp.20151189 http://dl.acm.org/citation.cfm?id=2811249&amp;CFID=724111209&amp;CFTOKEN=48939661 http://www.researchgate.net/publication/280093554_Non-Photorealistic_Rendering_of_Portraits</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> </table>

Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2015&diff=31323&oldid=prev 2015-10-26T11:09:04Z

<p>‎<span dir="auto"><span class="autocomment">Table of contents</span></span></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 26. Oktober 2015, 11:09 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l24" >Zeile 24:</td> <td colspan="2" class="diff-lineno">Zeile 24:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Li Ji, Amy Gooch, L. Gammon, Brian Wyvill: [[Rendering artistic light patterns]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 1-13. http://dx.doi.org/10.2312/exp.20151174 http://dl.acm.org/citation.cfm?id=2811241&amp;CFID=724111209&amp;CFTOKEN=48939661</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Li Ji, Amy Gooch, L. Gammon, Brian Wyvill: [[Rendering artistic light patterns]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 1-13. http://dx.doi.org/10.2312/exp.20151174 http://dl.acm.org/citation.cfm?id=2811241&amp;CFID=724111209&amp;CFTOKEN=48939661</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Qiuying Xu, Yotam Gingold, and Karan Singh: [[Inverse Toon Shading: Interactive Normal Field Modeling with Isophotes]]. In: [[Computational Aesthetics 2015]] SBIM&#039;15, 15-25. http://dx.doi.org/10.2312/exp.20151175 http://dl.acm.org/citation.cfm?id=2810210.2810212&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Qiuying Xu, Yotam Gingold, and Karan Singh: [[Inverse Toon Shading: Interactive Normal Field Modeling with Isophotes]]. In: [[Computational Aesthetics 2015]] SBIM&#039;15, 15-25. http://dx.doi.org/10.2312/exp.20151175 http://dl.acm.org/citation.cfm?id=2810210.2810212&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 <ins class="diffchange diffchange-inline">http://www.dgp.toronto.edu/~karan/papers/inverse_toon_shading_SBIM2015.pdf</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Martin Guay, Rémi Ronfard, Michael Gleicher, and Marie-Paule Cani: [[Adding Dynamics to Sketch-based Character Animations]]. In: [[Computational Aesthetics 2015]] SBIM&#039;15, 27-34. http://dx.doi.org/10.2312/exp.20151176 http://dl.acm.org/citation.cfm?id=2810210.2810213&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Martin Guay, Rémi Ronfard, Michael Gleicher, and Marie-Paule Cani: [[Adding Dynamics to Sketch-based Character Animations]]. In: [[Computational Aesthetics 2015]] SBIM&#039;15, 27-34. http://dx.doi.org/10.2312/exp.20151176 http://dl.acm.org/citation.cfm?id=2810210.2810213&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 <ins class="diffchange diffchange-inline">https://hal.inria.fr/hal-01154847/document </ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Daniel Berio and Frederic Fol Leymarie: [[Computational Models for the Analysis and Synthesis of Graffiti Tag Strokes]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 35-47. http://dx.doi.org/10.2312/exp.20151177 http://dl.acm.org/citation.cfm?id=2811242&amp;CFID=724111209&amp;CFTOKEN=48939661</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Daniel Berio and Frederic Fol Leymarie: [[Computational Models for the Analysis and Synthesis of Graffiti Tag Strokes]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 35-47. http://dx.doi.org/10.2312/exp.20151177 http://dl.acm.org/citation.cfm?id=2811242&amp;CFID=724111209&amp;CFTOKEN=48939661 <ins class="diffchange diffchange-inline">http://doc.gold.ac.uk/autograff/papers/CompModelsGraffitiTagStrokes.pdf</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Stylization&#039;&#039;&#039;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Stylization&#039;&#039;&#039;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Jakub Fišer, Paul Asente, and Daniel Sýkora: [[ShipShape: A Drawing Beautification Assistant]]. In: [[Computational Aesthetics 2015]] SBIM&#039;15, 49-57. http://dx.doi.org/10.2312/exp.20151178 http://dl.acm.org/citation.cfm?id=2810210.2810215&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Jakub Fišer, Paul Asente, and Daniel Sýkora: [[ShipShape: A Drawing Beautification Assistant]]. In: [[Computational Aesthetics 2015]] SBIM&#039;15, 49-57. http://dx.doi.org/10.2312/exp.20151178 http://dl.acm.org/citation.cfm?id=2810210.2810215&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 <ins class="diffchange diffchange-inline">http://dcgi.felk.cvut.cz/home/sykorad/Fiser15-SBIM.pdf</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Çagla Çıg and Tevfik Metin Sezgin: [[Real-Time Activity Prediction: A Gaze-Based Approach for Early Recognition of Pen-Based Interaction Tasks]]. In: [[Computational Aesthetics 2015]] SBIM&#039;15, 59-65. http://dx.doi.org/10.2312/exp.20151179 http://dl.acm.org/citation.cfm?id=2810210.2810216&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Çagla Çıg and Tevfik Metin Sezgin: [[Real-Time Activity Prediction: A Gaze-Based Approach for Early Recognition of Pen-Based Interaction Tasks]]. In: [[Computational Aesthetics 2015]] SBIM&#039;15, 59-65. http://dx.doi.org/10.2312/exp.20151179 http://dl.acm.org/citation.cfm?id=2810210.2810216&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 <ins class="diffchange diffchange-inline">http://www.researchgate.net/profile/Cagla_Cig/publication/276272037_Real-Time_Activity_Prediction_A_Gaze-Based_Approach_for_Early_Recognition_of_Pen-Based_Interaction_Tasks/links/555452eb08ae6943a86f4999.pdf?inViewer=true&amp;pdfJsDownload=true&amp;disableCoverPage=true&amp;origin=publication_detail</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Hristina Hristova, Olivier Le Meur, Rémi Cozot, and Kadi Bouatouch: [[Style-aware Robust Color Transfer]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 67-77. http://dx.doi.org/10.2312/exp.20151180 http://dl.acm.org/citation.cfm?id=2811244&amp;CFID=724111209&amp;CFTOKEN=48939661 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Hristina Hristova, Olivier Le Meur, Rémi Cozot, and Kadi Bouatouch: [[Style-aware Robust Color Transfer]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 67-77. http://dx.doi.org/10.2312/exp.20151180 http://dl.acm.org/citation.cfm?id=2811244&amp;CFID=724111209&amp;CFTOKEN=48939661 <ins class="diffchange diffchange-inline">http://people.irisa.fr/Hristina.Hristova/styleCT_camera_ready.pdf http://people.irisa.fr/Hristina.Hristova/main.pdf (slides)</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Luis Cardona and Suguru Saito: [[Hybrid-Space Localized Stylization Method for View-Dependent Lines Extracted from 3D Models]]. In: [[Computational Aesthetics 2015]] NPAR&#039;15, 79-89. http://dx.doi.org/10.2312/exp.20151181 http://dl.acm.org/citation.cfm?id=2810002.2810004&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Luis Cardona and Suguru Saito: [[Hybrid-Space Localized Stylization Method for View-Dependent Lines Extracted from 3D Models]]. In: [[Computational Aesthetics 2015]] NPAR&#039;15, 79-89. http://dx.doi.org/10.2312/exp.20151181 http://dl.acm.org/citation.cfm?id=2810002.2810004&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l44" >Zeile 44:</td> <td colspan="2" class="diff-lineno">Zeile 44:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Recognition &#039;&#039;&#039;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Recognition &#039;&#039;&#039;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Sema Berkiten, Xinyi Fan, and Szymon Rusinkiewicz: [[Semi-Automatic Digital Epigraphy from Images with Normals]]. In: [[Computational Aesthetics 2015]] NPAR&#039;15, 91-102. http://dx.doi.org/10.2312/exp.20151182 http://dl.acm.org/citation.cfm?id=2810002.2810006&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Sema Berkiten, Xinyi Fan, and Szymon Rusinkiewicz: [[Semi-Automatic Digital Epigraphy from Images with Normals]]. In: [[Computational Aesthetics 2015]] NPAR&#039;15, 91-102. http://dx.doi.org/10.2312/exp.20151182 http://dl.acm.org/citation.cfm?id=2810002.2810006&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 <ins class="diffchange diffchange-inline">http://gfx.cs.princeton.edu/pubs/Berkiten_2015_SDE/epigraphy_NPAR15.pdf</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Domingo Martín, Vicente del Sol, Celia Romo, and Tobias Isenberg: [[Drawing Characteristics for Reproducing Traditional Hand-Made Stippling]]. In: [[Computational Aesthetics 2015]] NPAR&#039;15, 103-115. http://dx.doi.org/10.2312/exp.20151183 http://dl.acm.org/citation.cfm?id=2810002.2810007&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Domingo Martín, Vicente del Sol, Celia Romo, and Tobias Isenberg: [[Drawing Characteristics for Reproducing Traditional Hand-Made Stippling]]. In: [[Computational Aesthetics 2015]] NPAR&#039;15, 103-115. http://dx.doi.org/10.2312/exp.20151183 http://dl.acm.org/citation.cfm?id=2810002.2810007&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 <ins class="diffchange diffchange-inline">http://tobias.isenberg.cc/personal/papers/Martin_2015_DCR.pdf</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Kemal Tugrul Yesilbek, Cansu Sen, Serike Cakmak, and T. Metin Sezgin: [[SVM-based Sketch Recognition: Which Hyperparameter Interval to Try]]? In: [[Computational Aesthetics 2015]] SBIM&#039;15, 117-121. http://dx.doi.org/10.2312/exp.20151184 http://dl.acm.org/citation.cfm?id=2810210.2810218&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Kemal Tugrul Yesilbek, Cansu Sen, Serike Cakmak, and T. Metin Sezgin: [[SVM-based Sketch Recognition: Which Hyperparameter Interval to Try]]? In: [[Computational Aesthetics 2015]] SBIM&#039;15, 117-121. http://dx.doi.org/10.2312/exp.20151184 http://dl.acm.org/citation.cfm?id=2810210.2810218&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 <ins class="diffchange diffchange-inline">http://iui.ku.edu.tr/sezgin_publications/2015/SVM_Hyperparameter_Expressive15.pdf</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Alexandra Bonnici and Kenneth P. Camilleri: [[A Combined Junction-Cue Dictionary for Labelling Sketch Drawings with Artistic Shadows and Table-line Cues]]. In: [[Computational Aesthetics 2015]] SBIM&#039;15, 123-129. http://dx.doi.org/10.2312/exp.20151185 http://dl.acm.org/citation.cfm?id=2810210.2810219&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Alexandra Bonnici and Kenneth P. Camilleri: [[A Combined Junction-Cue Dictionary for Labelling Sketch Drawings with Artistic Shadows and Table-line Cues]]. In: [[Computational Aesthetics 2015]] SBIM&#039;15, 123-129. http://dx.doi.org/10.2312/exp.20151185 http://dl.acm.org/citation.cfm?id=2810210.2810219&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l55" >Zeile 55:</td> <td colspan="2" class="diff-lineno">Zeile 55:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Working with Images &#039;&#039;&#039;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Working with Images &#039;&#039;&#039;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Jiayu Li and David Mould: [[Image Warping for a Painterly Effect]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 131-140. http://dx.doi.org/10.2312/exp.20151186 http://dl.acm.org/citation.cfm?id=2811246&amp;CFID=724111209&amp;CFTOKEN=48939661 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Jiayu Li and David Mould: [[Image Warping for a Painterly Effect]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 131-140. http://dx.doi.org/10.2312/exp.20151186 http://dl.acm.org/citation.cfm?id=2811246&amp;CFID=724111209&amp;CFTOKEN=48939661 <ins class="diffchange diffchange-inline">http://gigl.scs.carleton.ca/sites/default/files/jiayu_li/warping-eg.pdf</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Lena Gieseke, Sven Klingel, and Martin Fuchs: [[Shake it up - Image Decomposition and Rearrangements of Its Constituents]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 141-147. http://dx.doi.org/10.2312/exp.20151187 http://dl.acm.org/citation.cfm?id=2811247&amp;CFID=724111209&amp;CFTOKEN=48939661 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Lena Gieseke, Sven Klingel, and Martin Fuchs: [[Shake it up - Image Decomposition and Rearrangements of Its Constituents]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 141-147. http://dx.doi.org/10.2312/exp.20151187 http://dl.acm.org/citation.cfm?id=2811247&amp;CFID=724111209&amp;CFTOKEN=48939661 <ins class="diffchange diffchange-inline">http://www.visus.uni-stuttgart.de/uploads/tx_vispublications/Gieseke_SIU_2015.pdf</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Amir Semmo, Daniel Limberger, Jan Eric Kyprianidis, and Jürgen Döllner: [[Image Stylization by Oil Paint Filtering using Color Palettes]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 149-158. http://dx.doi.org/10.2312/exp.20151188 http://dl.acm.org/citation.cfm?id=2811248&amp;CFID=724111209&amp;CFTOKEN=48939661 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Amir Semmo, Daniel Limberger, Jan Eric Kyprianidis, and Jürgen Döllner: [[Image Stylization by Oil Paint Filtering using Color Palettes]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 149-158. http://dx.doi.org/10.2312/exp.20151188 http://dl.acm.org/citation.cfm?id=2811248&amp;CFID=724111209&amp;CFTOKEN=48939661 <ins class="diffchange diffchange-inline">https://hpi.de/fileadmin/user_upload/fachgebiete/doellner/publications/2015/SLKD2015/asemmo-cae2015-authors-version.pdf</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Paul L. Rosin and Yu-Kun Lai: [[Non-Photorealistic Rendering of Portraits]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 159-170. http://dx.doi.org/10.2312/exp.20151189 http://dl.acm.org/citation.cfm?id=2811249&amp;CFID=724111209&amp;CFTOKEN=48939661 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Paul L. Rosin and Yu-Kun Lai: [[Non-Photorealistic Rendering of Portraits]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 159-170. http://dx.doi.org/10.2312/exp.20151189 http://dl.acm.org/citation.cfm?id=2811249&amp;CFID=724111209&amp;CFTOKEN=48939661 <ins class="diffchange diffchange-inline">http://www.researchgate.net/publication/280093554_Non-Photorealistic_Rendering_of_Portraits</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Synthesis &#039;&#039;&#039;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Synthesis &#039;&#039;&#039;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Brian Wyvill: [[Painting with Flowsnakes]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 171-182. http://dx.doi.org/10.2312/exp.20151190 http://dl.acm.org/citation.cfm?id=2811251&amp;CFID=724111209&amp;CFTOKEN=48939661 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Brian Wyvill: [[Painting with Flowsnakes]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 171-182. http://dx.doi.org/10.2312/exp.20151190 http://dl.acm.org/citation.cfm?id=2811251&amp;CFID=724111209&amp;CFTOKEN=48939661 <ins class="diffchange diffchange-inline">http://webhome.cs.uvic.ca/~blob/publications/flowpaint.pdf</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Xuemiao Xu, Linyuan Zhong, Minshan Xie, Jing Qin, Yilan Chen, Qiang Jin, Tien-Tsin Wong, and Guoqiang Han: [[Texture-Aware ASCII Art Synthesis with Proportional Fonts]]. In: [[Computational Aesthetics 2015]] NPAR&#039;15, 183-193. http://dx.doi.org/10.2312/exp.20151191 http://dl.acm.org/citation.cfm?id=2810002.2810009&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Xuemiao Xu, Linyuan Zhong, Minshan Xie, Jing Qin, Yilan Chen, Qiang Jin, Tien-Tsin Wong, and Guoqiang Han: [[Texture-Aware ASCII Art Synthesis with Proportional Fonts]]. In: [[Computational Aesthetics 2015]] NPAR&#039;15, 183-193. http://dx.doi.org/10.2312/exp.20151191 http://dl.acm.org/citation.cfm?id=2810002.2810009&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Angus Graeme Forbes and Javier Villegas: [[Video Granular Synthesis]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 195-201. http://dx.doi.org/10.2312/exp.20151192 http://dl.acm.org/citation.cfm?id=2811252&amp;CFID=724111209&amp;CFTOKEN=48939661</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Angus Graeme Forbes and Javier Villegas: [[Video Granular Synthesis]]. In: [[Computational Aesthetics 2015]] CAE&#039;15, 195-201. http://dx.doi.org/10.2312/exp.20151192 http://dl.acm.org/citation.cfm?id=2811252&amp;CFID=724111209&amp;CFTOKEN=48939661 <ins class="diffchange diffchange-inline">https</ins>://<ins class="diffchange diffchange-inline">www</ins>.<ins class="diffchange diffchange-inline">evl</ins>.<ins class="diffchange diffchange-inline">uic</ins>.<ins class="diffchange diffchange-inline">edu</ins>/<ins class="diffchange diffchange-inline">documents</ins>/<ins class="diffchange diffchange-inline">forbes_videogranularsynthesis_cae2015</ins>.<ins class="diffchange diffchange-inline">pdf</ins></div></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>&#160;</div></td><td colspan="2">&#160;</td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del class="diffchange diffchange-inline">* Katrin Lang and Marc Alexa: [[The Markov Pen: Online Synthesis of Free-Hand Drawing Styles]]. In: [[Computational Aesthetics 2015]] NPAR&#039;15, 203-215. http</del>://<del class="diffchange diffchange-inline">dx</del>.<del class="diffchange diffchange-inline">doi</del>.<del class="diffchange diffchange-inline">org/10</del>.<del class="diffchange diffchange-inline">2312</del>/<del class="diffchange diffchange-inline">exp.20151193 http://dl.acm.org</del>/<del class="diffchange diffchange-inline">citation.cfm?id=2810002</del>.<del class="diffchange diffchange-inline">2810010&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661</del></div></td><td colspan="2">&#160;</td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>&#160;</div></td><td colspan="2">&#160;</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Katrin Lang and Marc Alexa: [[The Markov Pen: Online Synthesis of Free-Hand Drawing Styles]]. In: [[Computational Aesthetics 2015]] NPAR&#039;15, 203-215. http://dx.doi.org/10.2312/exp.20151193 http://dl.acm.org/citation.cfm?id=2810002.2810010&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 http://cybertron.cg.tu-berlin.de/klang/markov-pen/</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Links ==</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Links ==</div></td></tr> </table>

Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2015&diff=31312&oldid=prev 2015-10-25T14:07:13Z

<p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 25. Oktober 2015, 14:07 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l22" >Zeile 22:</td> <td colspan="2" class="diff-lineno">Zeile 22:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Rendering and Modeling&#039;&#039;&#039;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Rendering and Modeling&#039;&#039;&#039;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Li Ji, Amy Gooch, L. Gammon, Brian Wyvill: [[Rendering artistic light patterns]]. In: [[Computational Aesthetics 2015]], 1-13. http://dx.doi.org/10.2312/exp.20151174 http://dl.acm.org/citation.cfm?id=2811241&amp;CFID=724111209&amp;CFTOKEN=48939661</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Li Ji, Amy Gooch, L. Gammon, Brian Wyvill: [[Rendering artistic light patterns]]. In: [[Computational Aesthetics 2015]] <ins class="diffchange diffchange-inline">CAE&#039;15</ins>, 1-13. http://dx.doi.org/10.2312/exp.20151174 http://dl.acm.org/citation.cfm?id=2811241&amp;CFID=724111209&amp;CFTOKEN=48939661</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Qiuying Xu, Yotam Gingold, and Karan Singh: [[Inverse Toon Shading: Interactive Normal Field Modeling with Isophotes]]. In: [[Computational Aesthetics 2015]], 15-25. http://dx.doi.org/10.2312/exp.20151175 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Qiuying Xu, Yotam Gingold, and Karan Singh: [[Inverse Toon Shading: Interactive Normal Field Modeling with Isophotes]]. In: [[Computational Aesthetics 2015]] <ins class="diffchange diffchange-inline">SBIM&#039;15</ins>, 15-25. http://dx.doi.org/10.2312/exp.20151175 <ins class="diffchange diffchange-inline">http://dl.acm.org/citation.cfm?id=2810210.2810212&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Martin Guay, Rémi Ronfard, Michael Gleicher, and Marie-Paule Cani: [[Adding Dynamics to Sketch-based Character Animations]]. In: [[Computational Aesthetics 2015]], 27-34. http://dx.doi.org/10.2312/exp.20151176 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Martin Guay, Rémi Ronfard, Michael Gleicher, and Marie-Paule Cani: [[Adding Dynamics to Sketch-based Character Animations]]. In: [[Computational Aesthetics 2015]] <ins class="diffchange diffchange-inline">SBIM&#039;15</ins>, 27-34. http://dx.doi.org/10.2312/exp.20151176 <ins class="diffchange diffchange-inline">http://dl.acm.org/citation.cfm?id=2810210.2810213&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Daniel Berio and Frederic Fol Leymarie: [[Computational Models for the Analysis and Synthesis of Graffiti Tag Strokes]]. In: [[Computational Aesthetics 2015]], 35-47. http://dx.doi.org/10.2312/exp.20151177 http://dl.acm.org/citation.cfm?id=2811242&amp;CFID=724111209&amp;CFTOKEN=48939661</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Daniel Berio and Frederic Fol Leymarie: [[Computational Models for the Analysis and Synthesis of Graffiti Tag Strokes]]. In: [[Computational Aesthetics 2015]] <ins class="diffchange diffchange-inline">CAE&#039;15</ins>, 35-47. http://dx.doi.org/10.2312/exp.20151177 http://dl.acm.org/citation.cfm?id=2811242&amp;CFID=724111209&amp;CFTOKEN=48939661</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Stylization&#039;&#039;&#039;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Stylization&#039;&#039;&#039;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Jakub Fišer, Paul Asente, and Daniel Sýkora: [[ShipShape: A Drawing Beautification Assistant]]. In: [[Computational Aesthetics 2015]], 49-57. http://dx.doi.org/10.2312/exp.20151178 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Jakub Fišer, Paul Asente, and Daniel Sýkora: [[ShipShape: A Drawing Beautification Assistant]]. In: [[Computational Aesthetics 2015]] <ins class="diffchange diffchange-inline">SBIM&#039;15</ins>, 49-57. http://dx.doi.org/10.2312/exp.20151178 <ins class="diffchange diffchange-inline">http://dl.acm.org/citation.cfm?id=2810210.2810215&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 </ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Çagla Çıg and Tevfik Metin Sezgin: [[Real-Time Activity Prediction: A Gaze-Based Approach for Early Recognition of Pen-Based Interaction Tasks]]. In: [[Computational Aesthetics 2015]], 59-65. http://dx.doi.org/10.2312/exp.20151179 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Çagla Çıg and Tevfik Metin Sezgin: [[Real-Time Activity Prediction: A Gaze-Based Approach for Early Recognition of Pen-Based Interaction Tasks]]. In: [[Computational Aesthetics 2015]] <ins class="diffchange diffchange-inline">SBIM&#039;15</ins>, 59-65. http://dx.doi.org/10.2312/exp.20151179 <ins class="diffchange diffchange-inline">http://dl.acm.org/citation.cfm?id=2810210.2810216&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Hristina Hristova, Olivier Le Meur, Rémi Cozot, and Kadi Bouatouch: [[Style-aware Robust Color Transfer]]. In: [[Computational Aesthetics 2015]], 67-77. http://dx.doi.org/10.2312/exp.20151180 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Hristina Hristova, Olivier Le Meur, Rémi Cozot, and Kadi Bouatouch: [[Style-aware Robust Color Transfer]]. In: [[Computational Aesthetics 2015]] <ins class="diffchange diffchange-inline">CAE&#039;15</ins>, 67-77. http://dx.doi.org/10.2312/exp.20151180 <ins class="diffchange diffchange-inline">http://dl.acm.org/citation.cfm?id=2811244&amp;CFID=724111209&amp;CFTOKEN=48939661 </ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Luis Cardona and Suguru Saito: [[Hybrid-Space Localized Stylization Method for View-Dependent Lines Extracted from 3D Models]]. In: [[Computational Aesthetics 2015]], 79-89. http://dx.doi.org/10.2312/exp.20151181 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Luis Cardona and Suguru Saito: [[Hybrid-Space Localized Stylization Method for View-Dependent Lines Extracted from 3D Models]]. In: [[Computational Aesthetics 2015]] <ins class="diffchange diffchange-inline">NPAR&#039;15</ins>, 79-89. http://dx.doi.org/10.2312/exp.20151181 <ins class="diffchange diffchange-inline">http://dl.acm.org/citation.cfm?id=2810002.2810004&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Recognition &#039;&#039;&#039;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Recognition &#039;&#039;&#039;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Sema Berkiten, Xinyi Fan, and Szymon Rusinkiewicz: [[Semi-Automatic Digital Epigraphy from Images with Normals]]. In: [[Computational Aesthetics 2015]], 91-102. http://dx.doi.org/10.2312/exp.20151182 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Sema Berkiten, Xinyi Fan, and Szymon Rusinkiewicz: [[Semi-Automatic Digital Epigraphy from Images with Normals]]. In: [[Computational Aesthetics 2015]] <ins class="diffchange diffchange-inline">NPAR&#039;15</ins>, 91-102. http://dx.doi.org/10.2312/exp.20151182 <ins class="diffchange diffchange-inline">http://dl.acm.org/citation.cfm?id=2810002.2810006&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 </ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Domingo Martín, Vicente del Sol, Celia Romo, and Tobias Isenberg: [[Drawing Characteristics for Reproducing Traditional Hand-Made Stippling]]. In: [[Computational Aesthetics 2015]], 103-115. http://dx.doi.org/10.2312/exp.20151183 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Domingo Martín, Vicente del Sol, Celia Romo, and Tobias Isenberg: [[Drawing Characteristics for Reproducing Traditional Hand-Made Stippling]]. In: [[Computational Aesthetics 2015]] <ins class="diffchange diffchange-inline">NPAR&#039;15</ins>, 103-115. http://dx.doi.org/10.2312/exp.20151183 <ins class="diffchange diffchange-inline">http://dl.acm.org/citation.cfm?id=2810002.2810007&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 </ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Kemal Tugrul Yesilbek, Cansu Sen, Serike Cakmak, and T. Metin Sezgin: [[SVM-based Sketch Recognition: Which Hyperparameter Interval to Try]]? In: [[Computational Aesthetics 2015]], 117-121. http://dx.doi.org/10.2312/exp.20151184 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Kemal Tugrul Yesilbek, Cansu Sen, Serike Cakmak, and T. Metin Sezgin: [[SVM-based Sketch Recognition: Which Hyperparameter Interval to Try]]? In: [[Computational Aesthetics 2015]] <ins class="diffchange diffchange-inline">SBIM&#039;15</ins>, 117-121. http://dx.doi.org/10.2312/exp.20151184 <ins class="diffchange diffchange-inline">http://dl.acm.org/citation.cfm?id=2810210.2810218&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661 </ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Alexandra Bonnici and Kenneth P. Camilleri: [[A Combined Junction-Cue Dictionary for Labelling Sketch Drawings with Artistic Shadows and Table-line Cues]]. In: [[Computational Aesthetics 2015]], 123-129. http://dx.doi.org/10.2312/exp.20151185 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Alexandra Bonnici and Kenneth P. Camilleri: [[A Combined Junction-Cue Dictionary for Labelling Sketch Drawings with Artistic Shadows and Table-line Cues]]. In: [[Computational Aesthetics 2015]] <ins class="diffchange diffchange-inline">SBIM&#039;15</ins>, 123-129. http://dx.doi.org/10.2312/exp.20151185 <ins class="diffchange diffchange-inline">http://dl.acm.org/citation.cfm?id=2810210.2810219&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Working with Images &#039;&#039;&#039;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Working with Images &#039;&#039;&#039;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Jiayu Li and David Mould: [[Image Warping for a Painterly Effect]]. In: [[Computational Aesthetics 2015]], 131-140. http://dx.doi.org/10.2312/exp.20151186 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Jiayu Li and David Mould: [[Image Warping for a Painterly Effect]]. In: [[Computational Aesthetics 2015]] <ins class="diffchange diffchange-inline">CAE&#039;15</ins>, 131-140. http://dx.doi.org/10.2312/exp.20151186 <ins class="diffchange diffchange-inline">http://dl.acm.org/citation.cfm?id=2811246&amp;CFID=724111209&amp;CFTOKEN=48939661 </ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Lena Gieseke, Sven Klingel, and Martin Fuchs: [[Shake it up - Image Decomposition and Rearrangements of Its Constituents]]. In: [[Computational Aesthetics 2015]], 141-147. http://dx.doi.org/10.2312/exp.20151187 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Lena Gieseke, Sven Klingel, and Martin Fuchs: [[Shake it up - Image Decomposition and Rearrangements of Its Constituents]]. In: [[Computational Aesthetics 2015]] <ins class="diffchange diffchange-inline">CAE&#039;15</ins>, 141-147. http://dx.doi.org/10.2312/exp.20151187 <ins class="diffchange diffchange-inline">http://dl.acm.org/citation.cfm?id=2811247&amp;CFID=724111209&amp;CFTOKEN=48939661 </ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Amir Semmo, Daniel Limberger, Jan Eric Kyprianidis, and Jürgen Döllner: [[Image Stylization by Oil Paint Filtering using Color Palettes]]. In: [[Computational Aesthetics 2015]], 149-158. http://dx.doi.org/10.2312/exp.20151188 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Amir Semmo, Daniel Limberger, Jan Eric Kyprianidis, and Jürgen Döllner: [[Image Stylization by Oil Paint Filtering using Color Palettes]]. In: [[Computational Aesthetics 2015]] <ins class="diffchange diffchange-inline">CAE&#039;15</ins>, 149-158. http://dx.doi.org/10.2312/exp.20151188 <ins class="diffchange diffchange-inline">http://dl.acm.org/citation.cfm?id=2811248&amp;CFID=724111209&amp;CFTOKEN=48939661 </ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Paul L. Rosin and Yu-Kun Lai: [[Non-Photorealistic Rendering of Portraits]]. In: [[Computational Aesthetics 2015]], 159-170. http://dx.doi.org/10.2312/exp.20151189 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Paul L. Rosin and Yu-Kun Lai: [[Non-Photorealistic Rendering of Portraits]]. In: [[Computational Aesthetics 2015]] <ins class="diffchange diffchange-inline">CAE&#039;15</ins>, 159-170. http://dx.doi.org/10.2312/exp.20151189 <ins class="diffchange diffchange-inline">http://dl.acm.org/citation.cfm?id=2811249&amp;CFID=724111209&amp;CFTOKEN=48939661 </ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Synthesis &#039;&#039;&#039;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Synthesis &#039;&#039;&#039;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Brian Wyvill: [[Painting with Flowsnakes]]. In: [[Computational Aesthetics 2015]], 171-182. http://dx.doi.org/10.2312/exp.20151190 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Brian Wyvill: [[Painting with Flowsnakes]]. In: [[Computational Aesthetics 2015]] <ins class="diffchange diffchange-inline">CAE&#039;15</ins>, 171-182. http://dx.doi.org/10.2312/exp.20151190 <ins class="diffchange diffchange-inline">http://dl.acm.org/citation.cfm?id=2811251&amp;CFID=724111209&amp;CFTOKEN=48939661 </ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Xuemiao Xu, Linyuan Zhong, Minshan Xie, Jing Qin, Yilan Chen, Qiang Jin, Tien-Tsin Wong, and Guoqiang Han: [[Texture-Aware ASCII Art Synthesis with Proportional Fonts]]. In: [[Computational Aesthetics 2015]], 183-193. http://dx.doi.org/10.2312/exp.20151191 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Xuemiao Xu, Linyuan Zhong, Minshan Xie, Jing Qin, Yilan Chen, Qiang Jin, Tien-Tsin Wong, and Guoqiang Han: [[Texture-Aware ASCII Art Synthesis with Proportional Fonts]]. In: [[Computational Aesthetics 2015]] <ins class="diffchange diffchange-inline">NPAR&#039;15</ins>, 183-193. http://dx.doi.org/10.2312/exp.20151191 <ins class="diffchange diffchange-inline">http://dl.acm.org/citation.cfm?id=2810002.2810009&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Angus Graeme Forbes and Javier Villegas: [[Video Granular Synthesis]]. In: [[Computational Aesthetics 2015]], 195-201. http://dx.doi.org/10.2312/exp.20151192 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Angus Graeme Forbes and Javier Villegas: [[Video Granular Synthesis]]. In: [[Computational Aesthetics 2015]] <ins class="diffchange diffchange-inline">CAE&#039;15</ins>, 195-201. http://dx.doi.org/10.2312/exp.20151192 <ins class="diffchange diffchange-inline">http://dl.acm.org/citation.cfm?id=2811252&amp;CFID=724111209&amp;CFTOKEN=48939661</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Katrin Lang and Marc Alexa: [[The Markov Pen: Online Synthesis of Free-Hand Drawing Styles]]. In: [[Computational Aesthetics 2015]], 203-215. http://dx.doi.org/10.2312/exp.20151193 &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Katrin Lang and Marc Alexa: [[The Markov Pen: Online Synthesis of Free-Hand Drawing Styles]]. In: [[Computational Aesthetics 2015]] <ins class="diffchange diffchange-inline">NPAR&#039;15</ins>, 203-215. http://dx.doi.org/10.2312/exp.20151193 <ins class="diffchange diffchange-inline">http://dl.acm.org/citation.cfm?id=2810002.2810010&amp;coll=DL&amp;dl=GUIDE&amp;CFID=724111209&amp;CFTOKEN=48939661</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> </table>

Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2015&diff=31311&oldid=prev 2015-10-25T13:44:26Z

<p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 25. Oktober 2015, 13:44 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l32" >Zeile 32:</td> <td colspan="2" class="diff-lineno">Zeile 32:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Stylization&#039;&#039;&#039;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Stylization&#039;&#039;&#039;</div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Jakub Fišer, Paul Asente, and Daniel Sýkora: [[ShipShape: A Drawing Beautification Assistant]]. In: [[Computational Aesthetics 2015]], 49-57. http://dx.doi.org/10.2312/exp.20151178 </ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Çagla Çıg and Tevfik Metin Sezgin: [[Real-Time Activity Prediction: A Gaze-Based Approach for Early Recognition of Pen-Based Interaction Tasks]]. In: [[Computational Aesthetics 2015]], 59-65. http://dx.doi.org/10.2312/exp.20151179 </ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Hristina Hristova, Olivier Le Meur, Rémi Cozot, and Kadi Bouatouch: [[Style-aware Robust Color Transfer]]. In: [[Computational Aesthetics 2015]], 67-77. http://dx.doi.org/10.2312/exp.20151180 </ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Luis Cardona and Suguru Saito: [[Hybrid-Space Localized Stylization Method for View-Dependent Lines Extracted from 3D Models]]. In: [[Computational Aesthetics 2015]], 79-89. http://dx.doi.org/10.2312/exp.20151181 </ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Recognition &#039;&#039;&#039;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Recognition &#039;&#039;&#039;</div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Sema Berkiten, Xinyi Fan, and Szymon Rusinkiewicz: [[Semi-Automatic Digital Epigraphy from Images with Normals]]. In: [[Computational Aesthetics 2015]], 91-102. http://dx.doi.org/10.2312/exp.20151182 </ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Domingo Martín, Vicente del Sol, Celia Romo, and Tobias Isenberg: [[Drawing Characteristics for Reproducing Traditional Hand-Made Stippling]]. In: [[Computational Aesthetics 2015]], 103-115. http://dx.doi.org/10.2312/exp.20151183 </ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Kemal Tugrul Yesilbek, Cansu Sen, Serike Cakmak, and T. Metin Sezgin: [[SVM-based Sketch Recognition: Which Hyperparameter Interval to Try]]? In: [[Computational Aesthetics 2015]], 117-121. http://dx.doi.org/10.2312/exp.20151184 </ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Alexandra Bonnici and Kenneth P. Camilleri: [[A Combined Junction-Cue Dictionary for Labelling Sketch Drawings with Artistic Shadows and Table-line Cues]]. In: [[Computational Aesthetics 2015]], 123-129. http://dx.doi.org/10.2312/exp.20151185 </ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Working with Images &#039;&#039;&#039;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Working with Images &#039;&#039;&#039;</div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Jiayu Li and David Mould: [[Image Warping for a Painterly Effect]]. In: [[Computational Aesthetics 2015]], 131-140. http://dx.doi.org/10.2312/exp.20151186 </ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Lena Gieseke, Sven Klingel, and Martin Fuchs: [[Shake it up - Image Decomposition and Rearrangements of Its Constituents]]. In: [[Computational Aesthetics 2015]], 141-147. http://dx.doi.org/10.2312/exp.20151187 </ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Amir Semmo, Daniel Limberger, Jan Eric Kyprianidis, and Jürgen Döllner: [[Image Stylization by Oil Paint Filtering using Color Palettes]]. In: [[Computational Aesthetics 2015]], 149-158. http://dx.doi.org/10.2312/exp.20151188 </ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Paul L. Rosin and Yu-Kun Lai: [[Non-Photorealistic Rendering of Portraits]]. In: [[Computational Aesthetics 2015]], 159-170. http://dx.doi.org/10.2312/exp.20151189 </ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Synthesis &#039;&#039;&#039;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Synthesis &#039;&#039;&#039;</div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Brian Wyvill: [[Painting with Flowsnakes]]. In: [[Computational Aesthetics 2015]], 171-182. http://dx.doi.org/10.2312/exp.20151190 </ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Xuemiao Xu, Linyuan Zhong, Minshan Xie, Jing Qin, Yilan Chen, Qiang Jin, Tien-Tsin Wong, and Guoqiang Han: [[Texture-Aware ASCII Art Synthesis with Proportional Fonts]]. In: [[Computational Aesthetics 2015]], 183-193. http://dx.doi.org/10.2312/exp.20151191 </ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Angus Graeme Forbes and Javier Villegas: [[Video Granular Synthesis]]. In: [[Computational Aesthetics 2015]], 195-201. http://dx.doi.org/10.2312/exp.20151192 </ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">* Katrin Lang and Marc Alexa: [[The Markov Pen: Online Synthesis of Free-Hand Drawing Styles]]. In: [[Computational Aesthetics 2015]], 203-215. http://dx.doi.org/10.2312/exp.20151193 </ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Links ==</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Links ==</div></td></tr> </table>

Gubachelier http://de.evo-art.org/index.php?title=Computational_Aesthetics_2015&diff=31310&oldid=prev 2015-10-24T21:58:31Z

<p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 24. Oktober 2015, 21:58 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l11" >Zeile 11:</td> <td colspan="2" class="diff-lineno">Zeile 11:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Bibtex == &#160;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Bibtex == &#160;</div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> @proceedings{Sezgin:2015:2811239,</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">&#160; title = {CAE &#039;15: Proceedings of the Workshop on Computational Aesthetics},</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">&#160; year = {2015},</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">&#160; location = {Istanbul, Turkey},</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">&#160; publisher = {Eurographics Association},</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">&#160; address = {Aire-la-Ville, Switzerland, Switzerland},</ins></div></td></tr> <tr><td colspan="2">&#160;</td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"> } </ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Table of contents ==</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Table of contents ==</div></td></tr> </table>

Gubachelier