http://de.evo-art.org/index.php?action=history&feed=atom&title=Computational_Esthetics 2026-05-15T14:53:03Z Versionsgeschichte dieser Seite in de_evolutionary_art_org MediaWiki 1.27.4 http://de.evo-art.org/index.php?title=Computational_Esthetics&diff=1773&oldid=prev 2014-11-26T22:03:28Z

<p>Die Seite wurde neu angelegt: „Scha, R., Bod, R.: Computationele Esthetica. In: Informatie en Informatiebeleid 11(1), 54–63 (1993), English translation: Computational Esthetics == Refer…“</p> <p><b>Neue Seite</b></p><div>Scha, R., Bod, R.: Computationele Esthetica. In: Informatie en Informatiebeleid 11(1), 54–63 (1993), English translation: Computational Esthetics <br /> <br /> <br /> == Reference ==<br /> Scha, R., Bod, R.: Computationele Esthetica. In: Informatie en Informatiebeleid 11(1), 54–63 (1993), English translation: Computational Esthetics<br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> Formal theories which compute the &quot;beauty coefficient&quot; of visual patterns, fail to do justice to the complexity of the esthetic experience. These &quot;computational esthetic&quot; models do, however, embody some notions that are needed to build formal models of human perceptual processes -- and these, in their turn, must be the basis of any empirically adequate esthetic theory.<br /> <br /> Though the esthetic experience remains one of the most enigmatic side-effects of human perception, several mathematical models have been proposed which assign to visual patterns a &quot;beauty coefficient&quot; -- a number that is intended to correlate with the degree of esthetic pleasure the pattern evokes. Such theories seem a little naive, because they focus on a quantitative and absolute beauty judgment. They disregard the qualitative aspects of specific esthetic experiences, and do not account for the context-dependence and variability of beauty-judgments. It is interesting, nevertheless, to look at the operation of these excessively simplistic beauty calculations; if we integrate them with other ideas from perceptual psychology and computational linguistics, they may in fact constitute a starting point for the development of more adequate formal models.<br /> <br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> <br /> == Used References ==<br /> Roland Barthes: Éléments de Sémiologie. Paris: Éditions du Seuil, 1964.<br /> <br /> Max Bense: Aesthetica. Einführung in die neue Aesthetik. Baden-Baden: Agis-Verlag, 1965.<br /> <br /> G.D. Birkhoff: Collected Mathematical Papers. New York: American Mathematical Society, 1950.<br /> <br /> Rens Bod: &quot;Using an Annotated Corpus as a Virtual Grammar.&quot; Proceedings EACL&#039;93, Utrecht, 1993.<br /> <br /> William Desmond: Art and the Absolute. Albany, NY: SUNY Press, 1986.<br /> <br /> Karl Gerstner: &quot;The Precision of Sensation&quot; In: H. Stierlin (ed.): &quot;The Spirit of Colors. The Art of Karl Gerstner&quot;. Cambridge, Mass.: The MIT Press, 1981.<br /> <br /> R. Gunzenhäuser: Mass und Information als ästhetische Kategorien. Baden-Baden: Agis Verlag, 1975.<br /> <br /> Immanuel Kant: Kritik der Urteilskraft. 1799.<br /> <br /> Susanne Langer: Problems of Art. New York: Charles Scribner&#039;s Sons, 1957.<br /> <br /> E.L.J. Leeuwenberg: &quot;A Perceptual Coding Language for Visual and Auditory Patterns.&quot; Am. J. Psychology, 84 (1971).<br /> <br /> Remko Scha: &quot;Virtual Grammars en Creative Algorithms.&quot; Gramma/TTT, 1,1 (1992).<br /> <br /> Claude E. Shannon: &quot;A Mathematical Theory of Communication.&quot; Bell Syst. Techn. J., 27 (1948).<br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> http://iaaa.nl/rs/compestE.html<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===</div>

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