http://de.evo-art.org/index.php?action=history&feed=atom&title=Computational_aesthetics_based_on_gaze_patterns 2026-05-18T00:41:53Z Versionsgeschichte dieser Seite in de_evolutionary_art_org MediaWiki 1.27.4 http://de.evo-art.org/index.php?title=Computational_aesthetics_based_on_gaze_patterns&diff=966&oldid=prev 2014-11-04T12:35:59Z

<p>Die Seite wurde neu angelegt: „ == Reference == Greenfield, G.R. (2003). Computational aesthetics based on gaze patterns. Presentation at ISAMA 2003 and the 6th Annual Bridges Conference. …“</p> <p><b>Neue Seite</b></p><div><br /> <br /> == Reference ==<br /> Greenfield, G.R. (2003). Computational aesthetics based on gaze patterns. Presentation at ISAMA 2003 and the 6th Annual Bridges Conference. <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> Generative art systems usually rely on the technique of user-guided evolution to enable &quot;artists&quot;<br /> to interactively search through populations of images in order to breed those images which show<br /> aesthetic promise. We consider algorithmic criteria for automating the aesthetic evaluation step.<br /> Our criteria are inspired by a recent description of techniques used for controlling the aesthetic<br /> reorganization of photorealistic imagery. Surprisingly, our approach seems to impose a rigid<br /> style on the images we evolve. A drawback to our method is that eventually it fails to clearly<br /> differentiate between non-degenerate and degenerate images. We consider how improvements<br /> might be made.<br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> <br /> == Used References ==<br /> [1] Brill, B., The endless wave, 2002 Bridges Conference Proceedings (ed. R. Sarhangi), 2002,<br /> 55-66.<br /> <br /> [2] Chao, D., Forrest, S., Generating biomorphs with an aesthetic immune system, Artificial Life<br /> VIII Conference Proceedings (ed. R. Standish et al), MIT Press, Cambridge, MA, 2003, 89-92.<br /> <br /> [3] DeCarlo, D., Santella, A., Stylization and abstraction of photographs, ACM &#039;fransactions on<br /> Graphics, 21, July, 2002, 769-776.<br /> <br /> [4] Edmonds, E., Candy, L., Creativity, art practice, and knowledge, Commu.nications of the<br /> ACM, 10, October 2002, 91-95.<br /> <br /> [5] Greenfield, G., Mathematical building blocks for evolving expresssions, 2000 Bridges Confer-<br /> ence Proceedings (ed. R. Sarhangi), 2000, 61-70.<br /> <br /> [6] Greenfield,· G., Art and artificial life - a coevolutionary approach, Artificial Life VII Confer-<br /> ence Proceedings (ed. M. Bedau et al), MIT Press, Cambridge, MA, 2000, 529-536.<br /> <br /> [7] Greenfield, G., Color dependent computational aesthetics for evolving expressions, 2002<br /> Bridges Conference Proceedings (ed. R. Sarhangi), 2002, 9--16.<br /> <br /> [8] van Hemert, J., Jansen, M., An engineering approach to evolutionary art, Technical Report<br /> TR-OI-01, Leiden University, 2001.<br /> <br /> [9] Klinger, A., Salingaros, N., A pattern measure, Environment and Planning B: Planning and<br /> Design, 27 (2000) 537-547.<br /> <br /> [10] Knowlton, K., http://www.artists-nh.com/knowlton.htm ???<br /> <br /> [11] Krawczyk, R., The art of spirolaterals, The Millennial Open Symposium on the Arts and<br /> Interdisciplinary Computing (eds. D. Salesin and C. Sequin), 2000, 127-136.<br /> <br /> [12] Priebe, N., ToWards a characterization of self-similar tilings via derived Voronoi tesSelations,<br /> Geometriae Dedicata,79 (2000) 239-265.<br /> <br /> [13] Ruderman,D., Cronin, T., Chiao, C., Statistics of cone responses to natural images: implica-<br /> tions for visual coding, J. Opt. Soc. of America, 15 (2001) 2036-2045.<br /> <br /> [14] Sims, K, Artificial evolution for computer graphics, Computer GrnphiC8, 25 (1991) 319-328.<br /> <br /> [15] Sprott, J., The computer artist and art critic,Practal Horizons (ed. C. Pickover), 1996, 77-115.<br /> <br /> [16] Staudek,T.,Machala, P., Exact aesthetics of visual patterns. Researchsketch SIGGRAPH 2002,<br /> San Antonio, July 2002. (Working papers at http://www.fi.muni.cz/~toms/publications .html.) 403<br /> http://www.academia.edu/6471700/Recent_exact_aesthetics_applications<br /> <br /> [17] Unemi, T., SBART 2.4: an IEC tool for creating two-dimensional images, movies, and collages,<br /> Leonardo, 35 (2002) 189-192.<br /> <br /> [18] Voss, D., Sex is best, WIRED, December, 1995, 156-157.<br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> http://archive.bridgesmathart.org/2003/bridges2003-85.pdf<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===</div>

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