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<p>Die Seite wurde neu angelegt: „ == Reference == Craig S. Kaplan: <a href="/index.php?title=Curve_Evolution_Schemes_for_Parquet_Deformations" title="Curve Evolution Schemes for Parquet Deformations">Curve Evolution Schemes for Parquet Deformations</a>. In: <a href="/index.php?title=Bridges_2010" title="Bridges 2010">Bridges 2010</a>. Pages 95–102 == DOI == == Abstract == In th…“</p> <p><b>Neue Seite</b></p><div><br /> <br /> == Reference ==<br /> Craig S. Kaplan: [[Curve Evolution Schemes for Parquet Deformations]]. In: [[Bridges 2010]]. Pages 95–102 <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> In this paper, I consider the question of how to carry out aesthetically pleasing evolution of the curves that make up<br /> the edges in a parquet deformation. Within the framework of simple arrangements of square tiles, I explore curve<br /> evolution models based on grids, iterated function systems, and organic labyrinthine paths.<br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> <br /> == Used References ==<br /> [1] Marc Alexa, Daniel Cohen-Or, and David Levin. As-rigid-as-possible shape interpolation. In SIG-<br /> GRAPH ’00: Proceedings of the 27th annual conference on Computer graphics and interactive tech-<br /> niques, pages 157–164, New York, NY, USA, 2000. ACM Press/Addison-Wesley Publishing Co.<br /> <br /> [2] David Douglas and Thomas Peucker. Algorithms for the reduction of the number of points required to<br /> represent a digitized line or its caricature. The Canadian Cartographer, 10(2):112–122, 1973.<br /> <br /> [3] George Hart. Growth forms. In Craig S. Kaplan and Reza Sarhangi, editors, Proceedings of Bridges<br /> 2009: Mathematics, Music, Art, Architecture, Culture, pages 207–214. InType Libra, 2009.<br /> <br /> [4] Douglas Hofstadter. Metamagical Themas: Questing for the Essence of Mind and Pattern. Bantam<br /> Books, 1986.<br /> <br /> [5] William S. Huff. The Parquet Deformations, from the Basic Design Studio of William S. Huff at<br /> Carnegie-Mellon University, Hochschule f ̈ur Gestaltung and State University of New York at Buffalo<br /> from 1960 to 1980. Unpublished.<br /> <br /> [6] Craig S. Kaplan. Metamorphosis in Escher’s art. In Bridges 2008: Mathematical Connections in Art,<br /> Music and Science, pages 39–46, 2008.<br /> <br /> [7] Craig S. Kaplan. Introductory Tiling Theory for Computer Graphics. Morgan &amp; Claypool, 2009.<br /> <br /> [8] Craig S. Kaplan and Robert Bosch. TSP art. In Bridges 2005: Mathematical Connections in Art, Music<br /> and Science, pages 301–308, 2005.<br /> <br /> [9] Xiaofeng Mi, Doug DeCarlo, and Matthew Stone. Abstraction of 2d shapes in terms of parts. In NPAR<br /> ’09: Proceedings of the 7th International Symposium on Non-Photorealistic Animation and Rendering,<br /> pages 15–24, New York, NY, USA, 2009. ACM.<br /> <br /> [10] Hans Pedersen and Karan Singh. Organic labyrinths and mazes. In NPAR ’06: Proceedings of the 4th<br /> international symposium on Non-photorealistic animation and rendering, pages 79–86. ACM Press,<br /> 2006.<br /> <br /> [11] Thomas W. Sederberg, Peisheng Gao, Guojin Wang, and Hong Mu. 2D shape blending: An intrinsic<br /> solution to the vertex path problem. In James T. Kajiya, editor, Computer Graphics (SIGGRAPH ’93<br /> Proceedings), volume 27, pages 15–18, August 1993.<br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> http://archive.bridgesmathart.org/2010/bridges2010-95.pdf<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> http://archive.bridgesmathart.org/2010/bridges2010-95.html</div>

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