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		<id>http://de.evo-art.org/index.php?action=history&amp;feed=atom&amp;title=Dynamic_Sketching%3A_Simulating_the_Process_of_Observational_Drawings</id>
		<title>Dynamic Sketching: Simulating the Process of Observational Drawings - Versionsgeschichte</title>
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		<updated>2026-04-12T13:13:38Z</updated>
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	<entry>
		<id>http://de.evo-art.org/index.php?title=Dynamic_Sketching:_Simulating_the_Process_of_Observational_Drawings&amp;diff=31831&amp;oldid=prev</id>
		<title>Gubachelier am 5. November 2015 um 20:29 Uhr</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Dynamic_Sketching:_Simulating_the_Process_of_Observational_Drawings&amp;diff=31831&amp;oldid=prev"/>
				<updated>2015-11-05T20:29:26Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Nächstältere Version&lt;/td&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Version vom 5. November 2015, 20:29 Uhr&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot; &gt;Zeile 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Bibtex == &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Bibtex == &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; @inproceedings{Liu:2014:DSS:2630099.2630103,&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; author = {Liu, Jingbo and Fu, Hongbo and Tai, Chiew-Lan},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; title = {Dynamic Sketching: Simulating the Process of Observational Drawing},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; booktitle = {Proceedings of the Workshop on Computational Aesthetics},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; series = {CAe &amp;#039;14},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; year = {2014},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; isbn = {978-1-4503-3019-0},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; location = {Vancouver, British Columbia, Canada},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; pages = {15--22},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; numpages = {8},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; url = {http://doi.acm.org/10.1145/2630099.2630103 http://de.evo-art.org/index.php?title=Dynamic_Sketching:_Simulating_the_Process_of_Observational_Drawings },&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; doi = {10.1145/2630099.2630103},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; acmid = {2630103},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; publisher = {ACM},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; address = {New York, NY, USA},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; keywords = {animation, observational drawing, sketching},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; } &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Used References ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Used References ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gubachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Dynamic_Sketching:_Simulating_the_Process_of_Observational_Drawings&amp;diff=3766&amp;oldid=prev</id>
		<title>Gbachelier: Die Seite wurde neu angelegt: „== Reference == Jingbo Liu, Hongbo Fu and Chiew-Lan Tai: Dynamic Sketching: Simulating the Process of Observational Drawings. In: Computational Aesthetic…“</title>
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				<updated>2015-01-25T19:23:51Z</updated>
		
		<summary type="html">&lt;p&gt;Die Seite wurde neu angelegt: „== Reference == Jingbo Liu, Hongbo Fu and Chiew-Lan Tai: &lt;a href=&quot;/index.php?title=Dynamic_Sketching:_Simulating_the_Process_of_Observational_Drawings&quot; title=&quot;Dynamic Sketching: Simulating the Process of Observational Drawings&quot;&gt;Dynamic Sketching: Simulating the Process of Observational Drawings&lt;/a&gt;. In: Computational Aesthetic…“&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Neue Seite&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Reference ==&lt;br /&gt;
Jingbo Liu, Hongbo Fu and Chiew-Lan Tai: [[Dynamic Sketching: Simulating the Process of Observational Drawings]]. In: [[Computational Aesthetics 2014]]. &lt;br /&gt;
&lt;br /&gt;
== DOI ==&lt;br /&gt;
http://dx.doi.org/10.1145/2630099.2630103 &lt;br /&gt;
&lt;br /&gt;
== Abstract ==&lt;br /&gt;
The creation process of a drawing provides a vivid visual progression, allowing the audience to better comprehend the drawing. It also enables numerous stroke-based rendering techniques. In this work we tackle the problem of simulating the process of observational drawing, that is, how people draw lines when sketching a given 3D model. We present a multi-phase drawing framework and the concept of sketching entropy, which provides a unified way to model stroke selection and ordering, both within and across phases. We demonstrate the proposed ideas for the sketching of organic objects and show a visually plausible simulation of their dynamic sketching process.&lt;br /&gt;
&lt;br /&gt;
== Extended Abstract ==&lt;br /&gt;
&lt;br /&gt;
== Bibtex == &lt;br /&gt;
&lt;br /&gt;
== Used References ==&lt;br /&gt;
Forrester Cole , Aleksey Golovinskiy , Alex Limpaecher , Heather Stoddart Barros , Adam Finkelstein , Thomas Funkhouser , Szymon Rusinkiewicz, Where do people draw lines?, ACM Transactions on Graphics (TOG), v.27 n.3, August 2008  http://doi.acm.org/10.1145/1360612.1360687&lt;br /&gt;
&lt;br /&gt;
Doug DeCarlo , Szymon Rusinkiewicz, Highlight lines for conveying shape, Proceedings of the 5th international symposium on Non-photorealistic animation and rendering, August 04-05, 2007, San Diego, California  http://doi.acm.org/10.1145/1274871.1274881&lt;br /&gt;
&lt;br /&gt;
Hongbo Fu , Shizhe Zhou , Ligang Liu , Niloy J. Mitra, Animated construction of line drawings, ACM Transactions on Graphics (TOG), v.30 n.6, December 2011  http://doi.acm.org/10.1145/2070781.2024167&lt;br /&gt;
&lt;br /&gt;
Stephane Grabli , Fredo Durand , Francois X. Sillion, Density Measure for Line-Drawing Simplification, Proceedings of the Computer Graphics and Applications, 12th Pacific Conference, p.309-318, October 06-08, 2004 http://dl.acm.org/citation.cfm?id=1026054&amp;amp;CFID=588525319&amp;amp;CFTOKEN=29804931&lt;br /&gt;
&lt;br /&gt;
Stéphane Grabli , Emmanuel Turquin , Frédo Durand , François X. Sillion, Programmable rendering of line drawing from 3D scenes, ACM Transactions on Graphics (TOG), v.29 n.2, p.1-20, March 2010  http://doi.acm.org/10.1145/1731047.1731056&lt;br /&gt;
&lt;br /&gt;
Martin Guay , Marie-Paule Cani , Rémi Ronfard, The line of action: an intuitive interface for expressive character posing, ACM Transactions on Graphics (TOG), v.32 n.6, November 2013  http://doi.acm.org/10.1145/2508363.2508397&lt;br /&gt;
&lt;br /&gt;
Donald H. House , Mayank Singh, Line Drawing as a Dynamic Process, Proceedings of the 15th Pacific Conference on Computer Graphics and Applications, p.351-360, October 29-November 02, 2007  http://dx.doi.org/10.1109/PG.2007.42&lt;br /&gt;
&lt;br /&gt;
Emmanuel Iarussi , Adrien Bousseau , Theophanis Tsandilas, The drawing assistant: automated drawing guidance and feedback from photographs, Proceedings of the 26th annual ACM symposium on User interface software and technology, October 08-11, 2013, St. Andrews, Scotland, United Kingdom  http://doi.acm.org/10.1145/2501988.2501997&lt;br /&gt;
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Evangelos Kalogerakis , Derek Nowrouzezahrai , Simon Breslav , Aaron Hertzmann, Learning hatching for pen-and-ink illustration of surfaces, ACM Transactions on Graphics (TOG), v.31 n.1, p.1-17, January 2012  http://doi.acm.org/10.1145/2077341.2077342&lt;br /&gt;
&lt;br /&gt;
Kavakli, M., Scrivener, S. A., and Ball, L. J. 1998. Structure in idea sketching behaviour. Design Studies 19, 4 (Oct.), 485--517.&lt;br /&gt;
&lt;br /&gt;
Jyh-Ming Lien , John Keyser , Nancy M. Amato, Simultaneous shape decomposition and skeletonization, Proceedings of the 2006 ACM symposium on Solid and physical modeling, June 06-08, 2006, Cardiff, Wales, United Kingdom  http://doi.acm.org/10.1145/1128888.1128919&lt;br /&gt;
&lt;br /&gt;
Mattesi, M. 2011. Force: Animal Drawing: Animal Locomotion and Design Concepts for Animators, 1 ed. Focal Press.&lt;br /&gt;
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Novick, L. R., and Tversky, B. 1987. Cognitive constraints on ordering operations: The case of geometric analogies. Journal of Experimental Psychology: General 116, 1, 50--67.&lt;br /&gt;
&lt;br /&gt;
Szymon Rusinkiewicz , Forrester Cole , Doug DeCarlo , Adam Finkelstein, Line drawings from 3D models, ACM SIGGRAPH 2008 classes, August 11-15, 2008, Los Angeles, California  http://doi.acm.org/10.1145/1401132.1401188&lt;br /&gt;
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Shannon, C. E. 1948. A Mathematical Theory of Communication. Bell System Technical Journal 27, 3 (July), 379--423.&lt;br /&gt;
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Suwa, M. 2003. Constructive perception: Coordinating perception and conception toward acts of problem-finding in a creative experience. Japanese Psychological Research 45, 4, 221--234.&lt;br /&gt;
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Team, W. F. C. 2005. The Art of Basic Drawing. Walter Foster.&lt;br /&gt;
	&lt;br /&gt;
Tversky, B., and Suwa, M. 2009. Thinking With Sketches. Tools for Innovation 1, 9, 75--85.&lt;br /&gt;
&lt;br /&gt;
Tversky, B., Agrawala, M., Heiser, J., Lee, P., Hanrahan, P., Phan, D., Stolte, C., and Daniel, M.-p. 2006. Cognitive Design Principles: from Cognitive Models to Computer Models. Model-based reasoning in science and engineering, 1--20.&lt;br /&gt;
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van Sommers, P. 1984. Drawing and cognition: descriptive and experimental studies of graphic production processes. Cambridge University Press.&lt;br /&gt;
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Youyi Zheng , Chiew-Lan Tai , Oscar Kin-Chung Au, Dot Scissor: A Single-Click Interface for Mesh Segmentation, IEEE Transactions on Visualization and Computer Graphics, v.18 n.8, p.1304-1312, August 2012  http://dx.doi.org/10.1109/TVCG.2011.140&lt;br /&gt;
&lt;br /&gt;
Youyi Zheng , Chiew-Lan Tai , Eugene Zhang , Pengfei Xu, Pairwise Harmonics for Shape Analysis, IEEE Transactions on Visualization and Computer Graphics, v.19 n.7, p.1172-1184, July 2013  http://dx.doi.org/10.1109/TVCG.2012.309&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Links ==&lt;br /&gt;
=== Full Text === &lt;br /&gt;
http://sweb.cityu.edu.hk/hongbofu/doc/Dynamic_sketching_CAe14.pdf&lt;br /&gt;
&lt;br /&gt;
[[intern file]]&lt;br /&gt;
&lt;br /&gt;
=== Sonstige Links ===&lt;/div&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

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