http://de.evo-art.org/index.php?action=history&feed=atom&title=Embodied_creativity 2026-04-15T03:03:24Z Versionsgeschichte dieser Seite in de_evolutionary_art_org MediaWiki 1.27.4 http://de.evo-art.org/index.php?title=Embodied_creativity&diff=32245&oldid=prev 2015-11-14T22:05:13Z

<p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 14. November 2015, 22:05 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l22" >Zeile 22:</td> <td colspan="2" class="diff-lineno">Zeile 22:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#160;&#160; publisher = {Schloss Dagstuhl - Leibniz-Zentrum fuer Informatik, Germany},</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#160;&#160; publisher = {Schloss Dagstuhl - Leibniz-Zentrum fuer Informatik, Germany},</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#160;&#160; address = {Dagstuhl, Germany},</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#160;&#160; address = {Dagstuhl, Germany},</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>&#160;&#160; URL = {http://drops.dagstuhl.de/opus/volltexte/2009/2217},</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>&#160;&#160; URL = {http://drops.dagstuhl.de/opus/volltexte/2009/2217<ins class="diffchange diffchange-inline">, http://de.evo-art.org/index.php?title=Embodied_creativity </ins>},</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#160;&#160; annote = {Keywords: Creativity, embodied cognition, conceptual space}</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#160;&#160; annote = {Keywords: Creativity, embodied cognition, conceptual space}</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#160; }</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#160; }</div></td></tr> </table>

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<p>Die Seite wurde neu angelegt: „ == Reference == McLean, Alex: <a href="/index.php?title=Embodied_creativity" title="Embodied creativity">Embodied creativity</a>. In: <a href="/index.php?title=Dagstuhl_Seminar_09291_2009:_Computational_Creativity:_An_Interdisciplinary_Approach" title="Dagstuhl Seminar 09291 2009: Computational Creativity: An Interdisciplinary Approach">Dagstuhl Seminar 09291 2009: Computational Creativity: An Interdisciplinary Approach</a>. == DOI …“</p> <p><b>Neue Seite</b></p><div><br /> == Reference ==<br /> McLean, Alex: [[Embodied creativity]]. In: [[Dagstuhl Seminar 09291 2009: Computational Creativity: An Interdisciplinary Approach]]. <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> By taking the view of embodied cognition summarised here, we may define embodied creative search, where sensory-motor faculties are used to navigate a geometric space, in direct metaphor to a search through a physical space. In this view, creative computation requires concepts to be represented in a manner at least sympathetic with the way humans perceive, act and introspect. <br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> @InProceedings{mclean:DSP:2009:2217,<br /> author = {Alex McLean},<br /> title = {Embodied creativity},<br /> booktitle = {Computational Creativity: An Interdisciplinary Approach},<br /> year = {2009},<br /> editor = {Margaret Boden and Mark D&#039;Inverno and Jon McCormack},<br /> number = {09291},<br /> series = {Dagstuhl Seminar Proceedings},<br /> ISSN = {1862-4405},<br /> publisher = {Schloss Dagstuhl - Leibniz-Zentrum fuer Informatik, Germany},<br /> address = {Dagstuhl, Germany},<br /> URL = {http://drops.dagstuhl.de/opus/volltexte/2009/2217},<br /> annote = {Keywords: Creativity, embodied cognition, conceptual space}<br /> }<br /> <br /> == Used References ==<br /> Barsalou, L. W. (2009). Simulation, situated conceptualization, and prediction. Philosophical Transactions of the Royal Society B: Biological Sciences, 364(1521):1281–1289.<br /> <br /> Boden, M. (1990). The Creative Mind. Abacus.<br /> <br /> Forth, J., McLean, A., and Wiggins, G. (2008). Musical creativity on the conceptual level. In<br /> IJWCC 2008.<br /> <br /> G ̈ardenfors, P. (2000). Conceptual Spaces: The Geometry of Thought. The MIT Press.McLean, A. and Wiggins, G. (2009). Words, movement and timbre. In Proceedings of NIME.<br /> <br /> Murphy, G. L. (2002). The Big Book of Concepts (Bradford Books). The MIT Press.<br /> <br /> Wiggins, G. A. (2006a). A preliminary framework for description, analysis and comparison of creative systems. Journal of Knowledge Based Systems.<br /> <br /> Wiggins, G. A. (2006b). Searching for computational creativity. New Generation Computing, 24(3):209–222.<br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> http://drops.dagstuhl.de/opus/volltexte/2009/2217/pdf/09291.McLeanAlex.Paper.2217.pdf<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> http://drops.dagstuhl.de/opus/frontdoor.php?source_opus=2217</div>

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