Evolutionary Search for the Artistic Rendering of Photographs - Versionsgeschichte

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Gbachelier: Die Seite wurde neu angelegt: „== Referenz == Collomosse, John: Evolutionary Search for the Artistic Rendering of Photographs. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evol…“

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Die Seite wurde neu angelegt: „== Referenz == Collomosse, John: Evolutionary Search for the Artistic Rendering of Photographs. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evol…“

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== Referenz ==
Collomosse, John: Evolutionary Search for the Artistic Rendering of Photographs. In: Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007, S. 39-62. DOI:

== DOI ==
http://link.springer.com/10.1007/978-3-540-72877-1_2

== Abstract ==

This chapter explores algorithms for the artistic stylization (transformation) of photographs into digital artwork, complementing techniques discussed so far in this book that focus on image generation. Most artistic stylization algorithms operate by placing atomic rendering primitives “strokes” on a virtual canvas, guided by automated artistic heuristics. In many cases the stroke placement process can be phrased as an optimization problem, demanding guided exploration of a high dimensional and turbulent search space to produce aesthetically pleasing renderings. Evolutionary search algorithms can offer attractive solutions to such problems.

This chapter begins with a brief review of artistic stylization algorithms, in particular algorithms for producing painterly renderings from two-dimensional sources. It then discusses how genetic algorithms may be harnessed both to increase control over level of detail when painting (so improving aesthetics) and to enhance usability of parameterized painterly rendering algorithms.

== Extended Abstract ==

== Bibtex ==

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-[http://personal.ee.surrey.ac.uk/Personal/J.Collomosse/pubs/Collomosse-AAEChapter-2007.pdf extern file]
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	== Bibtex ==		== Bibtex ==
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		+	== Used References ==
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		+
		+	Salisbury, M.P., Wong, M.T., Hughes, J.F., Salesin, D.H. (1997). Orientable textures for image-based pen-and-ink illustration. In: Proc. ACM SIGGRAPH. Los Angeles, USA, 401–406
		+
		+	Litwinowicz, P. (1997). Processing images and video for an impressionist effect. In: Proc. ACM SIGGRAPH. Los Angeles, USA, 407–414
		+
		+	Hertzmann, A. (1998). Painterly rendering with curved brush strokes of multiple sizes. In: Proc. ACM SIGGRAPH, 453–460
		+
		+	Haeberli, P. (1990). Paint by numbers: Abstract image representations. In: Proc. ACM SIGGRAPH. Vol. 4, 207–214, Figs. 1 and 4. http://doi.acm.org/10.1145/97879.97902
		+
		+	Haggerty, M. (1991). Almost automatic computer painting. IEEE Computer Graphics and Applications, 11(6): 11–12
		+
		+	Treavett, S., Chen, M. (1997). Statistical techniques for the automated synthesis of non-photorealistic images. In: Proc. Eurographics UK, 201–210
		+
		+	Shiraishi, M., Yamaguchi, Y. (2000). An algorithm for automatic painterly rendering based on local source image approximation. In: Proc. ACM NPAR
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		+	Curtis, C., Anderson, S., Seims, J., Fleischer, K., Salesin, D.H. (1997). Computer-generated watercolor. In: Proc. ACM SIGGRAPH, 421–430
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		+	Hertzmann, A., Jacobs, C., Oliver, N., Curless, B., Salesin, D.H. (2001). Image analogies. In: Proc. ACM SIGRGAPH, 327–340
		+
		+	Hertzmann, A. (2001). Paint by relaxation. In: Proc. Computer Graphics Intl. (CGI), 47–54
		+
		+	Collomosse, J.P., Hall, P.M. (2005). Genetic paint: A search for salient paintings. In: Applications of Evolutionary Computing, EvoWorkshops 2004. Vol. 3449 of LNCS, 437–447
		+
		+	Gooch, B., Coombe, G., Shirley, P. (2002). Artistic vision: Painterly rendering using computer vision techniques. In: Proc. ACM NPAR, 83–90
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		+	DeCarlo, D., Santella, A. (2002). Abstracted painterly renderings using eye-tracking data. In: Proc. ACM SIGGRAPH, 769–776
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		+	Meier, B. (1996). Painterly rendering for animation. In: Proc. ACM SIGGRAPH, 447–484
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		+	Hertzmann, A., Perlin, K. (2000). Painterly rendering for video and interaction. In: Proc. ACM NPAR, 7–12
		+
		+	Wang, J., Xu, Y., Shum, H.Y., Cohen, M. (2004). Video tooning. In: Proc. ACM SIGGRAPH, 574–583
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		+	Collomosse, J.P., Rowntree, D., Hall, P.M. (2005). Stroke surfaces: Temporally coherent non-photorealistic animations from video. IEEE Trans. Visualization and Comp. Graphics, 11(5): 540–549
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		+	Kass, M., Witkin, A., Terzopoulos, D. (1987). Active contour models. Intl. Journal of Computer Vision (IJCV), 1(4): 321–331
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		+	Gombrich, E.H. (1960). Art and Illusion. Phaidon Press Ltd.. Oxford
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		+	Collomosse, J.P., Hall, P.M. (2002). Painterly rendering using image salience. In: Proc. Eurographics UK, 122–128
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		+	Holland, J. (1975). Adaptation in Natural and Artificial Systems. An Introductory Analysis with Applications to Biology, Control, and Artificial Intelligence. University Michigan Press
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		+	de Jong, K. (1988). Learning with genetic algorithms. Machine Learning, 3: 121–138
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		+	Goldberg, D. (1989). Genetic Algorithms in Search, Optimization, and Machine Learning. Addison-Wesley. Reading, MA ISBN: 0-201-15767-5.
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		+	Hall, P.M., Owen, M., Collomosse, J.P. (2004). A trainable low-level feature detector. In: Proc. Intl. Conf. on Pattern Recognition (ICPR). Vol. 1, 708–711
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		+	Walker, K.N., Cootes, T.F., Taylor, C.J. (1998). Locating salient object features. In: Proc. British Machine Vision Conf. (BMVC). Vol. 2, 557–567
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		+	Agarwala, A. (2002). Snaketoonz: A semi-automatic approach to creating cel animation from video. In: Proc. ACM NPAR, 139–147
		+
		+	Collomosse, J.P. (2006). Supervised genetic search for parameter selection in painterly rendering. In: Applications of Evolutionary Computing, EvoWorkshops 2006. Vol. 3907, 599–610
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		+	Christoudias, C., Georgescu, B., Meer, P. (2002). Synergism in low level vision. In: Intl. Conf. on Pattern Recog. (ICPR). Vol. 4, 150–155
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		+	Hertzmann, A. (2002). Fast paint texture. In: Proc. ACM NPAR, 91–96
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		+	Russell, J.A. (1997). Reading emotion from and into faces: Rsurrecting a dimensional-contextual perspective. In Russel, J.A., Fernández-Dols, J.M., eds.: The Psychology of Facial Expression. Cambridge University Press, 295–320
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	== Links ==		== Links ==

@@ Zeile 1: / Zeile 1: @@
 == Referenz ==
-[[John Collomosse | Collomosse, John]]: Evolutionary Search for the Artistic Rendering of Photographs. In: [[Literatur_zur_Evolutionären_Kunst#Romero_.26_Machado:_The_Art_of_Artificial_Evolution | Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007]], S. 39-62. DOI:
+[[John Collomosse | Collomosse, John]]: Evolutionary Search for the Artistic Rendering of Photographs. In: [[Literatur_zur_Evolutionären_Kunst#Romero_.26_Machado:_The_Art_of_Artificial_Evolution | Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007]], S. 39-62.
 == DOI ==

@@ Zeile 1: / Zeile 1: @@
 == Referenz ==
-Collomosse, John: Evolutionary Search for the Artistic Rendering of Photographs. In: [[Literatur_zur_Evolutionären_Kunst#Romero_.26_Machado:_The_Art_of_Artificial_Evolution | Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007]], S. 39-62. DOI:
+[[John Collomosse | Collomosse, John]]: Evolutionary Search for the Artistic Rendering of Photographs. In: [[Literatur_zur_Evolutionären_Kunst#Romero_.26_Machado:_The_Art_of_Artificial_Evolution | Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007]], S. 39-62. DOI:
 == DOI ==

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 == Links ==
-=== text ===
+=== Full Text ===
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