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== Referenz ==
[[Penousal Machado | Machado, Penousal]]; [[Juan Romero | Romero, Juan]]; [[Bill Manaris | Manaris, Bill]]: Experiments in Computational Aesthetics. In: [[Literatur_zur_Evolutionären_Kunst#Romero_.26_Machado:_The_Art_of_Artificial_Evolution | Romero, Juan; Machado, Penousal: The Art of Artificial Evolution. Springer, Berlin, 2007]], S. 381-415.

== DOI ==
http://link.springer.com/10.1007/978-3-540-72877-1_18

== Abstract ==
A novel approach to the production of evolutionary art is presented. This approach is based on the promotion of an arms race between an adaptive classifier and an evolutionary computation system. An artificial neural network is trained to discriminate among images previously created by the evolutionary engine and famous paintings. Once training is over, evolutionary computation is used to generate images that the neural network classifies as paintings. The images created throughout the evolutionary run are added to the training set and the process is repeated. This iterative process leads to the refinement of the classifier and forces the evolutionary algorithm to explore new paths. The experimental results attained across iterations are presented and analyzed. Validation tests were conducted in order to assess the changes induced by the refinement of the classifier and to identify the types of images that are difficult to classify. Taken as a whole, the experimental results show the soundness and potential of the proposed approach.

== Extended Abstract ==

== Bibtex ==

== Links ==
=== Full Text ===
[http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/mrm07a.pdf extern file]

[[intern file]]

=== Sonstige Links ===

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 == Bibtex ==
+ @incollection{
+ year={2008},
 == Used References ==

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	== Bibtex ==		== Bibtex ==
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		+	== Used References ==
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		+
		+	Romero, J. (2002). Metodología Evolutiva para la Construcción de Modelos Cognitivos Complejos. Exploración de la Creatividad Artificial en Composición Musical. PhD thesis. University of Corunha. Corunha, Spain (in Spanish)
		+
		+	Romero, J., Machado, P., Santos, A., Cardoso, A. (2003). On the development of critics in evolutionary computation artists. In Günther, R., et al., eds.: Applications of Evolutionary Computing, EvoWorkshops 2003: EvoBIO, EvoCOMNET, EvoHOT, EvoIASP, EvoMUSART, EvoSTOC. Vol. 2611 of LNCS. Essex, UK. Springer
		+
		+	Manaris, B., Purewal, T., McCormick, C. (2002). Progress towards recognizing and classifying beautiful music with computers — MIDI-encoded music and the Zipf–Mandelbrot law. In: Proceedings of the IEEE SoutheastCon. Columbia, SC
		+
		+	Manaris, B., Romero, J., Machado, P., Krehbiel, D., Hirzel, T., Pharr, W., Davis, R. (2005). Zipf’s law, music classification and aesthetics. Computer Music Journal, 29(1): 55–69
		+
		+	Manaris, B., Roos, P., Machado, P., Krehbiel, D., Pellicoro, L., Romero, J. (2007). A corpus-based hybrid approach to music analysis and composition. In: Proceedings of the 22nd Conference on Artificial Intelligence (AAAI 07). Vancouver, BC
		+
		+	Machado, P., Romero, J., Santos, A., Cardoso, A., Manaris, B. (2004). Adaptive critics for evolutionary artists. In Günther, R., et al., eds.: Applications of Evolutionary Computing, EvoWorkshops 2004: EvoBIO, EvoCOMNET, EvoHOT, EvoIASP, EvoMUSART, EvoSTOC. Vol. 3005 of LNCS. Coimbra, Portugal. Springer, 435–444
		+
		+	Machado, P., Romero, J., Cardoso, A., Santos, A. (2005). Partially interactive evolutionary artists. New Generation Computing – Special Issue on Interactive Evolutionary Computation, 23(42): 143–155
		+
		+	Machado, P. (2007). Inteligência Artificial e Arte. PhD thesis. University of Coimbra. Coimbra, Portugal (in Portuguese)
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		+	Machado, P., Cardoso, A. (1998). Computing aesthetics. In Oliveira, F., ed.: Proceedings of the XIVth Brazilian Symposium on Artificial Intelligence: Advances in Artificial Intelligence. Vol. 1515 of LNCS. Porto Alegre, Brazil. Springer, 219–229
		+
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		+	Manaris, B.Z., Vaughan, D., Wagner, C., Romero, J., Davis, R.B. (2003). Evolutionary music and the Zipf–Mandelbrot law: Developing fitness functions for pleasant music. In Günther, R., et al., eds.: Applications of Evolutionary Computing, EvoWorkshop 2003: EvoBIO, EvoCOP, EvoIASP, EvoMUSART, EvoROB, and EvoSTIM. Vol. 2611 of LNCS. Springer, 522–534
		+
		+	Machado, P., Romero, J., Manaris, B., Santos, A., Cardoso, A. (2003). Power to the critics — A framework for the development of artificial art critics. In: IJCAI 2003 Workshop on Creative Systems. Acapulco, Mexico
		+
		+	Manaris, B., Machado, P., McCauley, C., Romero, J., Krehbiel, D. (2005). Developing fitness functions for pleasant music: Zipf’s law and interactive evolution systems. In Rothlauf, F., et al., eds.: Applications of Evolutionary Computing, EvoWorkshops 2005: EvoBIO, EvoCOMNET, EvoHOT, EvoIASP, EvoMUSART, EvoSTOC. Vol. 3449 of LNCS. Lausanne, Switzerland. Springer, 498–507
		+
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		+	Cope, D. (1992). On the algorithmic representation of musical style. In Laske, O., ed.: Understanding Music with AI: Perspectives on Music Cognition. MIT Press. Cambridge, Massachusetts, 354–363
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		+
		+	Zell, A., Mamier, G., Vogt, M., Mache, N., Hübner, R., Döring, S., Herrmann, K.U., Soyez, T., Schmalzl, M., Sommer, T., et al. (2003). SNNS: Stuttgart Neural Network Simulator User Manual, Version 4.2. Technical Report 3/92. University of Stuttgart. Stuttgart
		+
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		+
		+

	== Links ==		== Links ==

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 == Links ==
 === Full Text ===
-[http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/mrm07a.pdf extern file]
+http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/mrm07a.pdf
 [[intern file]]
 === Sonstige Links ===

Experiments in Computational Aesthetics - Versionsgeschichte

Gubachelier am 2. November 2015 um 20:32 Uhr

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Gbachelier am 12. Oktober 2014 um 08:56 Uhr

Gbachelier: Die Seite wurde neu angelegt: „ == Referenz == Machado, Penousal; Romero, Juan; Manaris, Bill: Experiments in Computational Aesth…“