http://de.evo-art.org/index.php?action=history&feed=atom&title=Exploring_aesthetic_pattern_formation 2026-05-07T07:35:48Z Versionsgeschichte dieser Seite in de_evolutionary_art_org MediaWiki 1.27.4 http://de.evo-art.org/index.php?title=Exploring_aesthetic_pattern_formation&diff=2606&oldid=prev 2014-12-27T16:08:01Z

<p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 27. Dezember 2014, 16:08 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l2" >Zeile 2:</td> <td colspan="2" class="diff-lineno">Zeile 2:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Reference ==</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Reference ==</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Bentley<del class="diffchange diffchange-inline">, K.</del>: Exploring aesthetic pattern formation. In: <del class="diffchange diffchange-inline">Soddu, C. (ed.) </del>Generative <del class="diffchange diffchange-inline">Arts Conference Proceedings</del>, pp. 201–213 (2002) &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">Katie A </ins>Bentley: Exploring aesthetic pattern formation. In: Generative <ins class="diffchange diffchange-inline">Art 2002</ins>, pp. 201–213 (2002)<ins class="diffchange diffchange-inline">.</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> </table>

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<p>Die Seite wurde neu angelegt: „ == Reference == Bentley, K.: Exploring aesthetic pattern formation. In: Soddu, C. (ed.) Generative Arts Conference Proceedings, pp. 201–213 (2002) == DO…“</p> <p><b>Neue Seite</b></p><div><br /> <br /> == Reference ==<br /> Bentley, K.: Exploring aesthetic pattern formation. In: Soddu, C. (ed.) Generative Arts Conference Proceedings, pp. 201–213 (2002) <br /> <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> This paper is an exploration of an interdisciplinary nature. Through studies in fine art,<br /> pattern formation in nature, and artificial life, a mechanism for the artistic process is<br /> presented. Asynchronous updating schemes implemented in cellular automata and<br /> pheromonal agent swarms were evolved to produce aesthetic patterns and compared<br /> favourably to non-evolved synchronous production methods. The curious adaptive properties<br /> of the resulting patterns were investigated.<br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> <br /> == Used References ==<br /> Frisch, K, V. (1975). Animal Architecture. Hutchinson of London, 1st edition.<br /> <br /> Di Paolo, E. A. (2001). Rhythmic and non-rhythmic attractors in asynchronous<br /> random boolean networks. To appear in BioSystems.<br /> <br /> Harvey, I. and Bossomaier, T. (ECAL97). Time out of joint: Attractors in<br /> asynchronous random boolean networks. In Husbands, P. and Harvey, I., editors,<br /> Proceedings of the Fourth European Conference on Artificial Life, pages 67–75.<br /> <br /> Wolpert, L. and Stein, W, D. (1984). Positional information and pattern formation. In<br /> Malacinski, G. M. and Bryant, S. V, editors, Pattern Formation, pages 3–22.<br /> Macmillan Publishing Company, New York.<br /> <br /> Kauffman, S. (1984). Pattern generation and regeneration. In Malacinski, G. M. and<br /> Bryant, S. V., editors, Pattern Formation, pages 73–102. Macmillan Publishing<br /> Company, New York.<br /> <br /> Bonabeau, E., Guerin, S., Snyers, D., Kuntz, P., and Theraulaz, G. (1992). Three<br /> dimensional architectures grown by simple stigmergic agents. Biosystems, 56:13–32.<br /> <br /> Grass ́e, P.-P. (1959). La Reconstruction du nid et les coordinations inter-<br /> individuelles chez Bellicositermes natalensis et Cubitermes sp. La th ́eorie de la<br /> stigmergie:. Elsevier Science.<br /> <br /> Pask, G. (1962). Principles of Self-organisation, chapter A Proposed Evolutionary<br /> Model, pages 229–253. Symposium Publications Division, Pergamon Press, Oxford.<br /> <br /> Dawkins, R. (1991). The Blind Watchmaker. Penguin Books.<br /> <br /> Sims, K. (1991). Artificial evolution for computer graphics. In Computer Graphics<br /> (Siggraph ’91 proceedings), pages 319–328.<br /> <br /> Dorin, A. (2001). Aesthetic fitness and artificial evolution for the selection of imagery<br /> from the mythical library. To appear in Advances in Artificial Life Proc 6th European<br /> Conf on Artificial Life.<br /> <br /> Hornby, G. and Pollack, J. (2001b). Evolving l-systems to generate virtual creatures.<br /> Elsevier Science Ireland.<br /> <br /> Coates, P and Carranza, P, M. (2001). Swarm modelling: The use of swarm<br /> intelligence to generate architectural form. CECA University of East London,<br /> London. http://ceca.uel.ac.uk/cad/ : visited 2002-03-14.<br /> <br /> Tchalenko, J. (2002). The painters eye revisited. Science and Art: Seeing Both Sides,<br /> Wellcome News Supplement, The Wellcome Trust, 5:24–25.<br /> <br /> Ades, D. (1995). Dali. World of Art Series, Thames and Hudson Ltd.<br /> <br /> Donaldson, J. (1970). The Elements of Beauty. Also, Reflections on the harmony of<br /> sensibility and reason. Garland Publishing, New York.<br /> <br /> Graven, J. (1968). Non Human Thought. Arlington Books, London.<br /> <br /> Bentley, K. (2002). Evolving Asynchronous Adaptive Systems for an Exploration of<br /> Aesthetic Pattern Formation. EASy MSc Thesis. Available at:<br /> www.cs.ucl.ac.uk/staff/k.bentley (14/11/02).<br /> <br /> Murray, J. D. (1989). Mathematical Biology. Springer-Verlag, Berlin.<br /> <br /> Levy, S. (1992). Artificial Life: The Quest for a New Creation. Penguin Books,<br /> London.<br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> http://www.generativeart.com/on/cic/papersGA2002/20.pdf<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===</div>

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