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		<title>Flying Patterns - Versionsgeschichte</title>
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		<title>Gbachelier: Die Seite wurde neu angelegt: „  == Reference == Jean-Marc Castéra: Flying Patterns. In: Bridges 2011. Pages 263–270   == DOI ==  == Abstract == Contribution to the investigation …“</title>
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		<summary type="html">&lt;p&gt;Die Seite wurde neu angelegt: „  == Reference == Jean-Marc Castéra: &lt;a href=&quot;/index.php?title=Flying_Patterns&quot; title=&quot;Flying Patterns&quot;&gt;Flying Patterns&lt;/a&gt;. In: &lt;a href=&quot;/index.php?title=Bridges_2011&quot; title=&quot;Bridges 2011&quot;&gt;Bridges 2011&lt;/a&gt;. Pages 263–270   == DOI ==  == Abstract == Contribution to the investigation …“&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Neue Seite&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&lt;br /&gt;
&lt;br /&gt;
== Reference ==&lt;br /&gt;
Jean-Marc Castéra: [[Flying Patterns]]. In: [[Bridges 2011]]. Pages 263–270 &lt;br /&gt;
&lt;br /&gt;
== DOI ==&lt;br /&gt;
&lt;br /&gt;
== Abstract ==&lt;br /&gt;
Contribution to the investigation on Islamic pentatonic patterns, trying to highlight a multiplicity of points of view.&lt;br /&gt;
1. Firstly, I propose a morphogenesis of the Persian style, and give the following applications :&lt;br /&gt;
- An analysis of two famous traditional patterns that have yet be studied through different view points. One in Karatay,&lt;br /&gt;
Turkey (J. Rigby, [10] P. Cromwell [4]), the other in Maragha, Iran (E. Makovicky [7,8], P.J.Lu and P.J.Steinhardt[6]).&lt;br /&gt;
Where we can see that both are basically the same, coming from the same step in the proposed morphogenesis.&lt;br /&gt;
- The “X-puzzle”, an application from the first step of our morphogenesis (there will be a workshop at the conference).&lt;br /&gt;
&lt;br /&gt;
2. Then, considerations about the “prototiles” (or “girih tiles”) point of view.&lt;br /&gt;
&lt;br /&gt;
3. Last, a relationship is given between “fundamental” and Persian patterns, through a process of decoration.&lt;br /&gt;
Consequently, definition of a new set of prototiles.&lt;br /&gt;
&lt;br /&gt;
All those concepts can be used by designer to create new patterns.&lt;br /&gt;
&lt;br /&gt;
This contribution belongs to a pattern designer point of view, more than to a mathematical or historical point of view.&lt;br /&gt;
As Bridges is dedicated to a meeting of Art and Maths, but inherit a scientific format for its publications, please&lt;br /&gt;
consider this paper as experimental in the sense that the demonstration is given by images more than by words.&lt;br /&gt;
&lt;br /&gt;
== Extended Abstract ==&lt;br /&gt;
&lt;br /&gt;
== Bibtex == &lt;br /&gt;
&lt;br /&gt;
== Used References ==&lt;br /&gt;
[1] Jay Bonner, Three traditions of self-similarity in fourteenth and fifteenth century Islamic geometric&lt;br /&gt;
ornament, Meeting Alhambra, Proc. ISAMA-Bridges, pp.1-12, 2003.&lt;br /&gt;
&lt;br /&gt;
[2] J.Bourgoin, LesEléments de l’ArtArabe, Firmin-Didot,1879. Plates reprinted in Arabic Geometric Pat-&lt;br /&gt;
tern and Design, Dover Publications,1973.&lt;br /&gt;
&lt;br /&gt;
[3] J.M. Castera. Arabesques, Paris, ACR, 1996. English version, 1999.&lt;br /&gt;
&lt;br /&gt;
[4] Peter R. Cromwell, The Search for Quasi-periodicity in Islamic 5-fold Ornament, Math. Intelligencer&lt;br /&gt;
31 no 1, pp36-56, 2009.&lt;br /&gt;
&lt;br /&gt;
[5] C.S.Kaplan, Islamic star patterns from polygons in contact, Graphics Interface, ACM International&lt;br /&gt;
Conference Proceeding Series 112, pp.177-186, 2005.&lt;br /&gt;
&lt;br /&gt;
[6] P.J. Lu and P.J. Steinhardt, Decagonal and quasi-crystalline tilings in medieval Islamic architecture,&lt;br /&gt;
Science 315, pp. 1106-1110, 2007.&lt;br /&gt;
&lt;br /&gt;
[7] E.Makovicky, 800-year old pentagonal tiling fromMaragha, Iran, and the new varieties of aperiodic&lt;br /&gt;
tiling it inspired, Fivefold Symmetry, ed. I. Hargittai, World Scientific, pp.67-86, 1992.&lt;br /&gt;
&lt;br /&gt;
[8] E.Makovicky, Another look at the Blue Tomb of Maragha, a site of the first quasicrystaline Islamic&lt;br /&gt;
pattern, Symmetry: Culture and Science Vol. 19, Numbers 2-3, pp. 127-151, 2008.&lt;br /&gt;
&lt;br /&gt;
[9] G.Necipogglu, The TopkapiScroll : Geometry and Ornament in Islamic Architecture, GettyCenter&lt;br /&gt;
Publication,1995.&lt;br /&gt;
&lt;br /&gt;
[10] J.Rigby, A Turkish interlacing pattern and the golden ratio, Mathematics in School, Vol. 34 N°.1, pp.&lt;br /&gt;
16-24, 2005.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Links ==&lt;br /&gt;
=== Full Text === &lt;br /&gt;
http://archive.bridgesmathart.org/2011/bridges2011-263.pdf&lt;br /&gt;
&lt;br /&gt;
[[intern file]]&lt;br /&gt;
&lt;br /&gt;
=== Sonstige Links ===&lt;br /&gt;
http://archive.bridgesmathart.org/2011/bridges2011-263.html&lt;/div&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

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