http://de.evo-art.org/index.php?action=history&feed=atom&title=Fractal_analysis_of_Pollock%E2%80%99s_drip_paintings 2026-05-13T17:14:58Z Versionsgeschichte dieser Seite in de_evolutionary_art_org MediaWiki 1.27.4 http://de.evo-art.org/index.php?title=Fractal_analysis_of_Pollock%E2%80%99s_drip_paintings&diff=1296&oldid=prev 2014-11-14T12:19:47Z

<p>Die Seite wurde neu angelegt: „Taylor, R.P., Micolich, A.P., Jonas, D.: Fractal analysis of Pollock’s drip paintings. Nature 399, 422 (1999). == Reference == == DOI == http://dx.doi.or…“</p> <p><b>Neue Seite</b></p><div>Taylor, R.P., Micolich, A.P., Jonas, D.: Fractal analysis of Pollock’s drip paintings. Nature 399, 422 (1999). <br /> <br /> == Reference ==<br /> <br /> == DOI ==<br /> http://dx.doi.org/10.1038/20833<br /> <br /> == Abstract ==<br /> Scientific objectivity proves to be an essential tool for determining the fundamental content of the abstract paintings produced by Jackson Pollock in the late 1940s. Pollock dripped paint from a can onto vast canvases rolled out across the floor of his barn. Although this unorthodox technique has been recognized as a crucial advancement in the evolution of modern art, the precise quality and significance of the patterns created are controversial. Here we describe an analysis of Pollock&#039;s patterns which shows, first, that they are fractal1, reflecting the fingerprint of nature, and, second, that the fractal dimensions increased during Pollock&#039;s career.<br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> <br /> == Used References ==<br /> 1. Mandelbrot, B. B. The Fractal Geometry of Nature (Freeman,<br /> New York, 1977).<br /> <br /> 2. Ott, E. Chaos in Dynamical Systems (Cambridge Univ. Press,<br /> 1993).<br /> <br /> == Links ==<br /> === Full Text === <br /> http://pages.uoregon.edu/msiuo/taylor/art/Nature1.pdf<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===</div>

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