http://de.evo-art.org/index.php?action=history&feed=atom&title=From_the_Angle_of_Quasicrystals 2026-07-02T08:08:05Z Versionsgeschichte dieser Seite in de_evolutionary_art_org MediaWiki 1.27.4 http://de.evo-art.org/index.php?title=From_the_Angle_of_Quasicrystals&diff=4045&oldid=prev 2015-01-29T16:52:43Z

<p>Die Seite wurde neu angelegt: „ == Reference == Jean-Marc Castéra: <a href="/index.php?title=From_the_Angle_of_Quasicrystals" title="From the Angle of Quasicrystals">From the Angle of Quasicrystals</a>. In: <a href="/index.php?title=Bridges_2010" title="Bridges 2010">Bridges 2010</a>. Pages 215–222 == DOI == == Abstract == Opened in December…“</p> <p><b>Neue Seite</b></p><div><br /> <br /> == Reference ==<br /> Jean-Marc Castéra: [[From the Angle of Quasicrystals]]. In: [[Bridges 2010]]. Pages 215–222 <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> Opened in December 2009 and dedicated to quasicrystals and their application in art and architecture, “From the<br /> Angle of Quasicrystals” is a permanent exhibition/installation at the “Palais de la découverte” museum in Paris. The<br /> physicist Denis Gratias, one of the most prominent theoreticians in quasicrystals, was in charge of the “pure<br /> scientific” part, while I was to be the artist of the band.<br /> <br /> A spot located between the planetarium and the Pi-room was put at our disposal. We wanted this space to be<br /> entirely structured by a unique quasicrystalline pattern, visible at different scales.<br /> <br /> This pattern covers continuously two adjacent walls and the floor. A display cabinet showing real quasicrystals is<br /> inserted at an angle in accordance with the pattern, and two custom pieces of furniture are designed and placed, also<br /> matching the structure. One piece of furniture is used as table for a kind of puzzle especially made for this<br /> installation, intended for visitors to play with, and the other includes a display screen for an interactive software<br /> program and slide show with my applications of quasicrystals to architecture.<br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> <br /> == Used References ==<br /> [1] : Jay Bonner, 2003, Three traditions of self-similarity in fourteenth and fifteenth century Islamic<br /> geometric ornament, Meeting Alhambra, Proc. ISAMA-Bridges 2003, p. 1--12.<br /> <br /> [2] : J.M. Castera, Arabesques for Abu Dhabi, Symmetry : Culture and Science Vol. 19, 2008.<br /> <br /> [3] : J.M. Castera, Play with infinity, Meeting Alhambra, Proc. ISAMA-Bridges 2003, pp. 189-196, 2003.<br /> <br /> [4] : J.M. Castera, H.Jolis, Géométrie douce, éditions 61/2, Paris, 1992.<br /> <br /> [5] : J.M. Castera, , Arabesques, ACR éditions, Paris, 1996 (French), 1999 (English).<br /> <br /> [6] : D. Gratias, A. Katz, Tiling and Quasicrystals, in Lectures on Quasicrystals, Les éditions de<br /> physique, Les Ulis, 1994.<br /> <br /> [7] : E. Makovicky, F. Rull Pérez and P. Fenoll Hach-Alí, Mirador de Lindaraja: Islamic ornamental<br /> patterns based on octagonal lattice in Alhambra, Granada, and Alcazar, Sevilla, Spain, Boletín Sociedad<br /> Espaňola Mineralogía 19 (1986), 1-26, 1992.<br /> <br /> [8] : M. Senechal, The Mysterious Mr. Ammann, The Mathematical Intelligencer, 26:4, 2004.<br /> <br /> [9] : D. Shechtman, I. Blech, D. Gratias et J. W. Cahn, Metallic Phase with Long-Range Orientational<br /> Order and No Translational Symmetry, Phys. Rev. Lett. 53, 1951-1953 (1984).<br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> http://archive.bridgesmathart.org/2010/bridges2010-215.pdf<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> http://archive.bridgesmathart.org/2010/bridges2010-215.html</div>

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