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		<id>http://de.evo-art.org/index.php?action=history&amp;feed=atom&amp;title=Generation_and_evaluation_of_artworks</id>
		<title>Generation and evaluation of artworks - Versionsgeschichte</title>
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		<updated>2026-05-18T15:33:51Z</updated>
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		<title>Gubachelier: /* Links */</title>
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				<updated>2015-11-17T12:41:18Z</updated>
		
		<summary type="html">&lt;p&gt;‎&lt;span dir=&quot;auto&quot;&gt;&lt;span class=&quot;autocomment&quot;&gt;Links&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;
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				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Nächstältere Version&lt;/td&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Version vom 17. November 2015, 12:41 Uhr&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l68&quot; &gt;Zeile 68:&lt;/td&gt;
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&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Links ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Links ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Full Text === &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Full Text === &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/mc96.pdf &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https://www.researchgate.net/publication/2801984_Generation_and_Evaluation_of_Artworks&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
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&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Sonstige Links ===&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;=== Sonstige Links ===&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/mc96.pdf &lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;−&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;https://www.researchgate.net/publication/2801984_Generation_and_Evaluation_of_Artworks&lt;/del&gt;&lt;/div&gt;&lt;/td&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gubachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Generation_and_evaluation_of_artworks&amp;diff=32297&amp;oldid=prev</id>
		<title>Gubachelier: Die Seite wurde neu angelegt: „== Reference == Penousal Machado,  Cardoso, Amílcar: Generation and evaluation of artworks. In: Proceedings of the 1st European …“</title>
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				<updated>2015-11-17T12:40:54Z</updated>
		
		<summary type="html">&lt;p&gt;Die Seite wurde neu angelegt: „== Reference == &lt;a href=&quot;/index.php?title=Penousal_Machado&quot; title=&quot;Penousal Machado&quot;&gt;Penousal Machado&lt;/a&gt;, &lt;a href=&quot;/index.php?title=Am%C3%ADlcar_Cardoso&amp;amp;action=edit&amp;amp;redlink=1&quot; class=&quot;new&quot; title=&quot;Amílcar Cardoso (Seite nicht vorhanden)&quot;&gt; Cardoso, Amílcar&lt;/a&gt;: &lt;a href=&quot;/index.php?title=Generation_and_evaluation_of_artworks&quot; title=&quot;Generation and evaluation of artworks&quot;&gt;Generation and evaluation of artworks&lt;/a&gt;. In: Proceedings of the 1st European …“&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Neue Seite&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Reference ==&lt;br /&gt;
[[Penousal Machado]], [[Amílcar Cardoso | Cardoso, Amílcar]]: [[Generation and evaluation of artworks]]. In: Proceedings of the 1st European Workshop on Cognitive Modeling, CM’96, pp. 96–39&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== DOI ==&lt;br /&gt;
&lt;br /&gt;
== Abstract ==&lt;br /&gt;
This paper is dedicated to the development of constructed artists, i.e., computer programs&lt;br /&gt;
capable of creating artworks with little or no human intervention. We make an analysis and critic of some&lt;br /&gt;
of the most prominent work on this field. We give a description of the main characteristics that a system&lt;br /&gt;
should have, in order to be considered a constructed artist. These characteristics include the capacity of&lt;br /&gt;
making aesthetic judgments, which takes us to the origins of art and aesthetics, for which we present a&lt;br /&gt;
brief theory. Finally we propose a model for the development of a constructed artist. This model has the&lt;br /&gt;
capability of performing aesthetic evaluation, through the use of neural networks. The images are&lt;br /&gt;
generated using a genetic algorithm, and represented using Fractal Image Encoding. This type of&lt;br /&gt;
methodology allows the representation and, consequently, the generation of any type of image.&lt;br /&gt;
&lt;br /&gt;
== Extended Abstract ==&lt;br /&gt;
&lt;br /&gt;
== Bibtex == &lt;br /&gt;
&lt;br /&gt;
== Used References ==&lt;br /&gt;
Baluja, S., Pomerlau, D., &amp;amp; Todd, J. (1994). Towards Automated Artificial Evolution for Computer-Generated Images. Connection Science, 6(2), 325-354.&lt;br /&gt;
&lt;br /&gt;
Barnsley, M. F. (1993). Fractals Everywhere (Second ed.). Academic Press Professional.&lt;br /&gt;
&lt;br /&gt;
Busch, H., &amp;amp; Silver, B. (1995). Porque Pintam os Gatos - Uma Teoria da Estética Felina. Centralivros, Lda.&lt;br /&gt;
&lt;br /&gt;
Dawkins, R. (1987). The Blind Watchmaker. W.W. Norton &amp;amp; Company, Inc.&lt;br /&gt;
&lt;br /&gt;
Fisher, Y. (Ed.). (1994). Fractal Image Compression - Theory and Application. Springer-Verlag.&lt;br /&gt;
&lt;br /&gt;
Graf, J., &amp;amp; Banzhaf, W. (1995). Interactive Evolution Of Images. In J. R. McDonnell, R. G. Reynolds, &amp;amp; D. B. Fogel (Ed.), Evolutionary Programming IV, MIT Press.&lt;br /&gt;
&lt;br /&gt;
Graves, M. (1977). Test de Apreciacion de Dibujos, The Psychological Corporation.&lt;br /&gt;
&lt;br /&gt;
Hurtgen, B., Mols, P., &amp;amp; Simon, S. F. (1994). Fractal Transform Coding of Color Images. In SPIE’94.&lt;br /&gt;
&lt;br /&gt;
Kurzweil, R. (1990). The Age of the Intelligent Machines.&lt;br /&gt;
&lt;br /&gt;
Minsky, M. (1986). The Society of Mind. Simon &amp;amp; Schuster.&lt;br /&gt;
&lt;br /&gt;
Moles, A. (1990). Arte e Computador. Afrontamento.&lt;br /&gt;
&lt;br /&gt;
Morris, D. (1994). The Human Animal. BBC Books.&lt;br /&gt;
&lt;br /&gt;
Pickover, C. A. (1991). Computers and the Imagination - Visual Adventures Beyond the Edge. New York: ST. Martin Press, Inc.&lt;br /&gt;
&lt;br /&gt;
Quintás, L. A. (1987). Estética de la Creatividad. Promociones e Publicaciones Universitarias, S. A.&lt;br /&gt;
&lt;br /&gt;
Schattschneider, D. (1990). Escher, M. C. - Visions of symmetry. New York: W. H. Freeman and Company.&lt;br /&gt;
&lt;br /&gt;
Sims, K. (1991). Artificial Evolution for Computer Graphics. In SIGGRAPH’91, in Computer Graphics, 25 (pp. 319-328). Las Vegas: ACM.&lt;br /&gt;
&lt;br /&gt;
Sims, K. (1994). Evolving 3d Morphology and Behavior by Competition. In R. Brooks &amp;amp; P. Maes (Ed.), Artificial Life IV, (pp. 28-39). MIT Press.&lt;br /&gt;
&lt;br /&gt;
Sims, K. (1994). Evolving Virtual Creatures. In SigGraph’94, Computer Graphics, (pp. 15-22).&lt;br /&gt;
&lt;br /&gt;
Spector, L., &amp;amp; Alpern, A. (1994). Criticism, Culture, and the Automatic Generation of Artworks. In AAAI-94. MIT Press.&lt;br /&gt;
&lt;br /&gt;
Todd, S., &amp;amp; Latham, W. (1992). Evolutionary Art and Computers. Academic Press.&lt;br /&gt;
&lt;br /&gt;
Vignaux, G. (1991). Les Sciences Cognitives - Une Introduction. Paris: Éditions La Décoverte.&lt;br /&gt;
&lt;br /&gt;
World, L. (1996). Aesthetic Selection: The Evolutionary Art of Steven Rooke. IEEE Computer Graphics and Applications(16(1), January 1996)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Links ==&lt;br /&gt;
=== Full Text === &lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
[[intern file]]&lt;br /&gt;
&lt;br /&gt;
=== Sonstige Links ===&lt;br /&gt;
http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/mc96.pdf &lt;br /&gt;
&lt;br /&gt;
https://www.researchgate.net/publication/2801984_Generation_and_Evaluation_of_Artworks&lt;/div&gt;</summary>
		<author><name>Gubachelier</name></author>	</entry>

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