http://de.evo-art.org/index.php?action=history&feed=atom&title=Generative_Art_2007 Generative Art 2007 - Versionsgeschichte 2026-06-10T11:36:08Z Versionsgeschichte dieser Seite in de_evolutionary_art_org MediaWiki 1.27.4 http://de.evo-art.org/index.php?title=Generative_Art_2007&diff=3557&oldid=prev Gbachelier: /* Table of contents */ 2015-01-18T13:24:44Z <p>‎<span dir="auto"><span class="autocomment">Table of contents</span></span></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 18. Januar 2015, 13:24 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l71" >Zeile 71:</td> <td colspan="2" class="diff-lineno">Zeile 71:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Suresh Sethi: Light Play. In: [[Generative Art 2007]]. http://www.generativeart.com/on/cic/papersGA2007/27.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Suresh Sethi: Light Play. In: [[Generative Art 2007]]. http://www.generativeart.com/on/cic/papersGA2007/27.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* [[<del class="diffchange diffchange-inline">T. </del>Unemi]], <del class="diffchange diffchange-inline">D. Bisig</del>: Identity SA <del class="diffchange diffchange-inline">- </del>an <del class="diffchange diffchange-inline">interactive swarm</del>-based <del class="diffchange diffchange-inline">animation </del>with a <del class="diffchange diffchange-inline">deformed reflection</del>. In: [[Generative Art 2007]]<del class="diffchange diffchange-inline">. </del>http://www.generativeart.com/on/cic/papersGA2007/GA07UnemiBisig.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* [[<ins class="diffchange diffchange-inline">Tatsuo </ins>Unemi]] <ins class="diffchange diffchange-inline">and Bisig</ins>, <ins class="diffchange diffchange-inline">Daniel</ins>: <ins class="diffchange diffchange-inline">[[</ins>Identity SA <ins class="diffchange diffchange-inline">– </ins>an <ins class="diffchange diffchange-inline">Interactive Swarm</ins>-based <ins class="diffchange diffchange-inline">Animation </ins>with a <ins class="diffchange diffchange-inline">Deformed Reflection]]</ins>. In: [[Generative Art 2007]]<ins class="diffchange diffchange-inline">, </ins>http://www.generativeart.com/on/cic/papersGA2007/GA07UnemiBisig.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Hengfeng Zuo, Mark Jones: Using Organic and Curvaceous Forms as a Reference Point for New Product Development. In: [[Generative Art 2007]]. http://www.generativeart.com/on/cic/papersGA2007/29.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Hengfeng Zuo, Mark Jones: Using Organic and Curvaceous Forms as a Reference Point for New Product Development. In: [[Generative Art 2007]]. http://www.generativeart.com/on/cic/papersGA2007/29.pdf</div></td></tr> </table> Gbachelier http://de.evo-art.org/index.php?title=Generative_Art_2007&diff=2501&oldid=prev Gbachelier: /* Table of contents */ 2014-12-25T13:45:04Z <p>‎<span dir="auto"><span class="autocomment">Table of contents</span></span></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 25. Dezember 2014, 13:45 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l31" >Zeile 31:</td> <td colspan="2" class="diff-lineno">Zeile 31:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Daniel Bisig, Martin Neukom, John Flury: Interactive Swarm Orchestra. In: [[Generative Art 2007]]. http://www.generativeart.com/on/cic/papersGA2007/ISO_GA_2007.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Daniel Bisig, Martin Neukom, John Flury: Interactive Swarm Orchestra. In: [[Generative Art 2007]]. http://www.generativeart.com/on/cic/papersGA2007/ISO_GA_2007.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Eleftheria Fasoulaki: [[Genetic Algorithms in Architecture: a Necessity or a Trend?]] http://www.generativeart.com/on/cic/papersGA2007/09.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Eleftheria Fasoulaki: [[Genetic Algorithms in Architecture: a Necessity or a Trend?]] <ins class="diffchange diffchange-inline">In: [[Generative Art 2007]]. </ins>http://www.generativeart.com/on/cic/papersGA2007/09.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* E. Friedrich, C. Derix, S. Hanna: Emergent Form from Structural Optimisation of the Voronoi Polyhedra Structure. In: [[Generative Art 2007]]. http://www.generativeart.com/on/cic/papersGA2007/10.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* E. Friedrich, C. Derix, S. Hanna: Emergent Form from Structural Optimisation of the Voronoi Polyhedra Structure. In: [[Generative Art 2007]]. http://www.generativeart.com/on/cic/papersGA2007/10.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l126" >Zeile 126:</td> <td colspan="2" class="diff-lineno">Zeile 126:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Andren: Digital Remake. In: [[Generative Art 2007]]. http://www.generativeart.com/on/cic/papersGA2007/p12.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Andren: Digital Remake. In: [[Generative Art 2007]]. http://www.generativeart.com/on/cic/papersGA2007/p12.pdf</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2">&#160;</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Links ==</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Links ==</div></td></tr> </table> Gbachelier http://de.evo-art.org/index.php?title=Generative_Art_2007&diff=2442&oldid=prev Gbachelier am 24. Dezember 2014 um 16:09 Uhr 2014-12-24T16:09:12Z <p></p> <a href="http://de.evo-art.org/index.php?title=Generative_Art_2007&amp;diff=2442&amp;oldid=2388">Änderungen zeigen</a> Gbachelier http://de.evo-art.org/index.php?title=Generative_Art_2007&diff=2388&oldid=prev Gbachelier am 23. Dezember 2014 um 19:34 Uhr 2014-12-23T19:34:30Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 23. Dezember 2014, 19:34 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1" >Zeile 1:</td> <td colspan="2" class="diff-lineno">Zeile 1:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Reference ==</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Reference ==</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Celestino Soddu (ed.): Generative Art 2007 GA2007, X <del class="diffchange diffchange-inline">generative </del>Art Conference 12-14 December 2007. ISBN: 9788896610084. &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>Celestino Soddu (ed.): Generative Art 2007 GA2007, X <ins class="diffchange diffchange-inline">Generative </ins>Art Conference 12-14 December 2007. ISBN: 9788896610084. &#160;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== DOI ==</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== DOI ==</div></td></tr> </table> Gbachelier http://de.evo-art.org/index.php?title=Generative_Art_2007&diff=2387&oldid=prev Gbachelier am 23. Dezember 2014 um 19:31 Uhr 2014-12-23T19:31:13Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 23. Dezember 2014, 19:31 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l21" >Zeile 21:</td> <td colspan="2" class="diff-lineno">Zeile 21:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Adolfo Benito Narváez Tijerina: Internal Variations of Perceptual Image in Serial Drawings: A Problem of Identity in Perceptual Process. http://www.generativeart.com/on/cic/papersGA2007/03.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Adolfo Benito Narváez Tijerina: Internal Variations of Perceptual Image in Serial Drawings: A Problem of Identity in Perceptual Process. http://www.generativeart.com/on/cic/papersGA2007/03.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* E. Grabska, B. Strug, G. Ślusarczyk: Hypergraph-based Evolutionary Design System. http://www.generativeart.com/on/cic/papersGA2007/04.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* E. Grabska, B. Strug, G. Ślusarczyk: <ins class="diffchange diffchange-inline">[[</ins>Hypergraph-based Evolutionary Design System<ins class="diffchange diffchange-inline">]]</ins>. http://www.generativeart.com/on/cic/papersGA2007/04.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Brigid Burke: An Enchanted Aisle Integrating Sound and Visuals in Performance. http://www.generativeart.com/on/cic/papersGA2007/05.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Brigid Burke: An Enchanted Aisle Integrating Sound and Visuals in Performance. http://www.generativeart.com/on/cic/papersGA2007/05.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l31" >Zeile 31:</td> <td colspan="2" class="diff-lineno">Zeile 31:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Daniel Bisig, Martin Neukom, John Flury: Interactive Swarm Orchestra. http://www.generativeart.com/on/cic/papersGA2007/ISO_GA_2007.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Daniel Bisig, Martin Neukom, John Flury: Interactive Swarm Orchestra. http://www.generativeart.com/on/cic/papersGA2007/ISO_GA_2007.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Eleftheria Fasoulaki: Genetic Algorithms in Architecture: a Necessity or a Trend? http://www.generativeart.com/on/cic/papersGA2007/09.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Eleftheria Fasoulaki: <ins class="diffchange diffchange-inline">[[</ins>Genetic Algorithms in Architecture: a Necessity or a Trend?<ins class="diffchange diffchange-inline">]] </ins>http://www.generativeart.com/on/cic/papersGA2007/09.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* E. Friedrich, C. Derix, S. Hanna: Emergent Form from Structural Optimisation of the Voronoi Polyhedra Structure. http://www.generativeart.com/on/cic/papersGA2007/10.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* E. Friedrich, C. Derix, S. Hanna: Emergent Form from Structural Optimisation of the Voronoi Polyhedra Structure. http://www.generativeart.com/on/cic/papersGA2007/10.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Phil Langley, Christian Derix, Paul S. Coates: Meta-Cognitive Mappings: Growing Neural Networks for Generative Urbanism. http://www.generativeart.com/on/cic/papersGA2007/langley_derix_coates%20_GA%202007.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Phil Langley, Christian Derix, Paul S. Coates: <ins class="diffchange diffchange-inline">[[</ins>Meta-Cognitive Mappings: Growing Neural Networks for Generative Urbanism<ins class="diffchange diffchange-inline">]]</ins>. http://www.generativeart.com/on/cic/papersGA2007/langley_derix_coates%20_GA%202007.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Giuseppe Marinelli De Marco, Mauro Palatucci: Cities of the inhabitants or Megalopolis of the nets &quot;Systems Design&quot; between Sensitive and Intellective. http://www.generativeart.com/on/cic/papersGA2007/11.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Giuseppe Marinelli De Marco, Mauro Palatucci: Cities of the inhabitants or Megalopolis of the nets &quot;Systems Design&quot; between Sensitive and Intellective. http://www.generativeart.com/on/cic/papersGA2007/11.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l45" >Zeile 45:</td> <td colspan="2" class="diff-lineno">Zeile 45:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* K. Moraes Zarzar: Identity in the Work of Tadao Ando. An exploratory essay on the problems of how to model identity. http://www.generativeart.com/on/cic/papersGA2007/14.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* K. Moraes Zarzar: Identity in the Work of Tadao Ando. An exploratory essay on the problems of how to model identity. http://www.generativeart.com/on/cic/papersGA2007/14.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Kevin McGuire: Theory of Complexity. http://www.generativeart.com/on/cic/papersGA2007/15.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Kevin McGuire: <ins class="diffchange diffchange-inline">[[</ins>Theory of Complexity<ins class="diffchange diffchange-inline">]]</ins>. http://www.generativeart.com/on/cic/papersGA2007/15.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Leonel Moura: A New Kind of Art: The Robotic Action Painter. http://www.generativeart.com/on/cic/papersGA2007/16.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Leonel Moura: <ins class="diffchange diffchange-inline">[[</ins>A New Kind of Art: The Robotic Action Painter<ins class="diffchange diffchange-inline">]]</ins>. http://www.generativeart.com/on/cic/papersGA2007/16.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Mahmut Cagdas Durmazoglu, Gulen Cagdas: An Agent System Based Tool to Help Designers for Free-Form Shape Generation in Digital Media. http://www.generativeart.com/on/cic/papersGA2007/17.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Mahmut Cagdas Durmazoglu, Gulen Cagdas: An Agent System Based Tool to Help Designers for Free-Form Shape Generation in Digital Media. http://www.generativeart.com/on/cic/papersGA2007/17.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l57" >Zeile 57:</td> <td colspan="2" class="diff-lineno">Zeile 57:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Penny L. Feuerstein: How does the analog “talk” to the digital? The Art of Penny Feuerstein. http://www.generativeart.com/on/cic/papersGA2007/20.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Penny L. Feuerstein: How does the analog “talk” to the digital? The Art of Penny Feuerstein. http://www.generativeart.com/on/cic/papersGA2007/20.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Soghra.V. Sayyaad Rahim: Database Design for Represent Genetic Information and Environment Impression in Architectural Design. http://www.generativeart.com/on/cic/papersGA2007/21.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Soghra.V. Sayyaad Rahim: <ins class="diffchange diffchange-inline">[[</ins>Database Design for Represent Genetic Information and Environment Impression in Architectural Design<ins class="diffchange diffchange-inline">]]</ins>. http://www.generativeart.com/on/cic/papersGA2007/21.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Sehnaz Cenani, Gulen Cagdas: A Shape Grammar Study: Form Generation with Geometric Islamic Patterns. http://www.generativeart.com/on/cic/papersGA2007/22.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Sehnaz Cenani, Gulen Cagdas: <ins class="diffchange diffchange-inline">[[</ins>A Shape Grammar Study: Form Generation with Geometric Islamic Patterns<ins class="diffchange diffchange-inline">]]</ins>. http://www.generativeart.com/on/cic/papersGA2007/22.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* S.F. Chien: Growing a City: Individuals, Interactions, and Emergent Behaviour. http://www.generativeart.com/on/cic/papersGA2007/23.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* S.F. Chien: Growing a City: Individuals, Interactions, and Emergent Behaviour. http://www.generativeart.com/on/cic/papersGA2007/23.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l79" >Zeile 79:</td> <td colspan="2" class="diff-lineno">Zeile 79:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Esra GURBUZ, Gulen CAGDAS: A Generative Model For Anatolian Medreses By Analyzing Of Precedent. http://www.generativeart.com/on/cic/papersGA2007/31.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Esra GURBUZ, Gulen CAGDAS: A Generative Model For Anatolian Medreses By Analyzing Of Precedent. http://www.generativeart.com/on/cic/papersGA2007/31.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Muhamad Lukman, Yun Hariadi, Achmad Haldani Destiarmand: Batik Fractal : Traditional Art to Modern Complexity. http://www.generativeart.com/on/cic/papersGA2007/32.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Muhamad Lukman, Yun Hariadi, Achmad Haldani Destiarmand: <ins class="diffchange diffchange-inline">[[</ins>Batik Fractal : Traditional Art to Modern Complexity<ins class="diffchange diffchange-inline">]]</ins>. http://www.generativeart.com/on/cic/papersGA2007/32.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Renato Saleri Lunazzi: Alter EVO: an interactive evolutionary computation tool for instant architecture processing. http://www.generativeart.com/on/cic/papersGA2007/33.pdf &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Renato Saleri Lunazzi: <ins class="diffchange diffchange-inline">[[</ins>Alter EVO: an interactive evolutionary computation tool for instant architecture processing<ins class="diffchange diffchange-inline">]]</ins>. http://www.generativeart.com/on/cic/papersGA2007/33.pdf &#160;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Justin Marshall, Ertu Unver, Paul Atkinson: AutoMAKE: Generative systems, digital manufacture and craft production. http://www.generativeart.com/on/cic/papersGA2007/34.pdf 404</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Justin Marshall, Ertu Unver, Paul Atkinson: AutoMAKE: Generative systems, digital manufacture and craft production. http://www.generativeart.com/on/cic/papersGA2007/34.pdf 404</div></td></tr> </table> Gbachelier http://de.evo-art.org/index.php?title=Generative_Art_2007&diff=2259&oldid=prev Gbachelier am 14. Dezember 2014 um 20:00 Uhr 2014-12-14T20:00:53Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 14. Dezember 2014, 20:00 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l81" >Zeile 81:</td> <td colspan="2" class="diff-lineno">Zeile 81:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Muhamad Lukman, Yun Hariadi, Achmad Haldani Destiarmand: Batik Fractal : Traditional Art to Modern Complexity. http://www.generativeart.com/on/cic/papersGA2007/32.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Muhamad Lukman, Yun Hariadi, Achmad Haldani Destiarmand: Batik Fractal : Traditional Art to Modern Complexity. http://www.generativeart.com/on/cic/papersGA2007/32.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Renato Saleri Lunazzi: Alter EVO: an interactive evolutionary computation tool for instant architecture processing. http://www.generativeart.com/on/cic/papersGA2007/33.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Renato Saleri Lunazzi: Alter EVO: an interactive evolutionary computation tool for instant architecture processing. http://www.generativeart.com/on/cic/papersGA2007/33.pdf &#160;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Justin Marshall, Ertu Unver, Paul Atkinson: AutoMAKE: Generative systems, digital manufacture and craft production. http://www.generativeart.com/on/cic/papersGA2007/34.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Justin Marshall, Ertu Unver, Paul Atkinson: AutoMAKE: Generative systems, digital manufacture and craft production. http://www.generativeart.com/on/cic/papersGA2007/34.pdf <ins class="diffchange diffchange-inline">404</ins></div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Marcella Giulia Lorenzi, Mauro Francaviglia: Painting with light: generative artworks or “setting in motion” the fourth dimension. http://www.generativeart.com/on/cic/papersGA2007/35.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Marcella Giulia Lorenzi, Mauro Francaviglia: Painting with light: generative artworks or “setting in motion” the fourth dimension. http://www.generativeart.com/on/cic/papersGA2007/35.pdf</div></td></tr> </table> Gbachelier http://de.evo-art.org/index.php?title=Generative_Art_2007&diff=2258&oldid=prev Gbachelier am 14. Dezember 2014 um 19:53 Uhr 2014-12-14T19:53:18Z <p></p> <a href="http://de.evo-art.org/index.php?title=Generative_Art_2007&amp;diff=2258&amp;oldid=2257">Änderungen zeigen</a> Gbachelier http://de.evo-art.org/index.php?title=Generative_Art_2007&diff=2257&oldid=prev Gbachelier am 14. Dezember 2014 um 16:24 Uhr 2014-12-14T16:24:47Z <p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 14. Dezember 2014, 16:24 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l15" >Zeile 15:</td> <td colspan="2" class="diff-lineno">Zeile 15:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Papers&#039;&#039;&#039;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Papers&#039;&#039;&#039;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; 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color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Bogdan Soban: Generative Post-processing as an Effective Approach in Art.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>Bogdan Soban: Generative Post-processing as an Effective Approach in Art.</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#160; &#160;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#160; &#160;</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Adolfo Benito Narváez Tijerina: Internal Variations of Perceptual Image in Serial Drawings: A Problem of Identity in Perceptual Process.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>Adolfo Benito Narváez Tijerina: Internal Variations of Perceptual Image in Serial Drawings: A Problem of Identity in Perceptual Process.</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>E. Grabska, B. Strug, G. Ślusarczyk: Hypergraph-based Evolutionary Design System. &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>E. Grabska, B. Strug, G. Ślusarczyk: Hypergraph-based Evolutionary Design System. &#160;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Brigid Burke: An Enchanted Aisle Integrating Sound and Visuals in Performance. &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>Brigid Burke: An Enchanted Aisle Integrating Sound and Visuals in Performance. &#160;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Christine McLoughlin: The ‘Un-Authored’ Object. &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; 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Chien: Growing a City: Individuals, Interactions, and Emergent Behaviour. &#160;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Shuenn-Ren Liou: Section as Form Generator under Digital Environment.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>Shuenn-Ren Liou: Section as Form Generator under Digital Environment.</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>S. T. Elias-Ozkan, B. Özkan: From Clay Cones to Tesserae: the Generative Art of Mosaic Making. &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>S. T. Elias-Ozkan, B. Özkan: From Clay Cones to Tesserae: the Generative Art of Mosaic Making. &#160;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Steffen Lehmann: Hidden in the Urban Fabric: Art + Architecture – a Case Study of Collaboration in interdisciplinary Contexts. &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>Steffen Lehmann: Hidden in the Urban Fabric: Art + Architecture – a Case Study of Collaboration in interdisciplinary Contexts. &#160;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Suresh Sethi: Light Play. &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>Suresh Sethi: Light Play. &#160;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[T. Unemi]], D. Bisig: Identity SA - an interactive swarm-based animation with a deformed reflection. &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>[[T. Unemi]], D. 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font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>Hengfeng Zuo, Mark Jones: Using Organic and Curvaceous Forms as a Reference Point for New Product Development. &#160;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Elif Günay, Gülen ÇAGDAŞ : A Generative Model For Object Design From Letters In Playground. &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>Elif Günay, Gülen ÇAGDAŞ : A Generative Model For Object Design From Letters In Playground. &#160;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; 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vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Muhamad Lukman, Yun Hariadi, Achmad Haldani Destiarmand: Batik Fractal : Traditional Art to Modern Complexity</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>Muhamad Lukman, Yun Hariadi, Achmad Haldani Destiarmand: Batik Fractal : Traditional Art to Modern Complexity</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; 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color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Marcella Giulia Lorenzi, Mauro Francaviglia: Painting with light: generative artworks or “setting in motion” the fourth dimension. &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>Marcella Giulia Lorenzi, Mauro Francaviglia: Painting with light: generative artworks or “setting in motion” the fourth dimension. &#160;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; 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color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Song Jinghua, Yu Yang, Xiong Yan, Guo Xisheng: Research framework on the analytical method of the contributing factor of settlement generation. &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; 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border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#160; &#160;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#160; &#160;</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l97" >Zeile 97:</td> <td colspan="2" class="diff-lineno">Zeile 97:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Performances, Posters and Installations&#039;&#039;&#039;</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>&#039;&#039;&#039;Performances, Posters and Installations&#039;&#039;&#039;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Eiman Mohamed Elgewely, Medhat Mohamed Metwally, Walaa Mohamed Sheta: Developing Cyberspace Design as a Digital Extension to future Interior Spaces. &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; 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Invisible World is an installation that draws its content from the context within which it is placed.</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Robert Spahr: CRUFT. &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; 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font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>San Base: Dynamic Painting.</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>William Yip: How the Ai art works?</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>William Yip: How the Ai art works?</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Vera Bighetti: CO²nscience. &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>Vera Bighetti: CO²nscience. &#160;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Giorgos Artopoulos: It&#039;s a parasite!</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>Giorgos Artopoulos: It&#039;s a parasite!</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Raffaella Pavani, Donato Trigiante: Artistic Periods (Until Chaos).</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>Raffaella Pavani, Donato Trigiante: Artistic Periods (Until Chaos).</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Umberto Roncoroni: Gdesign.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>Umberto Roncoroni: Gdesign.</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Siddharth: The emergent X.</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>Siddharth: The emergent X.</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>Andren: Digital Remake. &#160;</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins class="diffchange diffchange-inline">* </ins>Andren: Digital Remake. &#160;</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> </table> Gbachelier http://de.evo-art.org/index.php?title=Generative_Art_2007&diff=2256&oldid=prev Gbachelier am 14. Dezember 2014 um 16:22 Uhr 2014-12-14T16:22:46Z <p></p> <a href="http://de.evo-art.org/index.php?title=Generative_Art_2007&amp;diff=2256&amp;oldid=2255">Änderungen zeigen</a> Gbachelier http://de.evo-art.org/index.php?title=Generative_Art_2007&diff=2255&oldid=prev Gbachelier: Die Seite wurde neu angelegt: „== Reference == Celestino Soddu (ed.): Generative Art 2007 GA2007, X generative Art Conference 12-14 December 2007. ISBN: == DOI == == Abstract == == Exten…“ 2014-12-14T12:58:45Z <p>Die Seite wurde neu angelegt: „== Reference == Celestino Soddu (ed.): Generative Art 2007 GA2007, X generative Art Conference 12-14 December 2007. ISBN: == DOI == == Abstract == == Exten…“</p> <p><b>Neue Seite</b></p><div>== Reference ==<br /> Celestino Soddu (ed.): Generative Art 2007 GA2007, X generative Art Conference 12-14 December 2007. ISBN: <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> <br /> == Extended Abstract ==<br /> <br /> == Reviews==<br /> <br /> == Bibtex == <br /> <br /> == Table of contents==<br /> &#039;&#039;&#039;Papers&#039;&#039;&#039;<br /> <br /> Celestino Soddu: Endless interpretations, infinite in the mirror.<br /> <br /> Bogdan Soban: Generative Post-processing as an Effective Approach in Art.<br /> <br /> <br /> Internal Variations of Perceptual Image in Serial Drawings: A Problem of Identity in Perceptual Process.<br /> <br /> Adolfo Benito Narváez Tijerina.<br /> <br /> Design Studies Lab, Autonomous University of Nuevo León, México<br /> <br /> <br /> <br /> Hypergraph-based Evolutionary Design System<br /> <br /> E. Grabska<br /> <br /> B. Strug<br /> <br /> G. Ślusarczyk.<br /> <br /> Faculty of Physics, Astronomy and Applied Computer Science, Jagiellonian University, Cracow, Poland<br /> <br /> <br /> <br /> An Enchanted Aisle Integrating Sound and Visuals in Performance<br /> <br /> Brigid Burke<br /> <br /> Clarinettist, composer and visual artist, Australia<br /> <br /> <br /> <br /> The ‘Un-Authored’ Object<br /> <br /> Christine McLoughlin<br /> <br /> Fine Art: Environmental Art, Glasgow School of Art, Scotland, UK<br /> <br /> <br /> <br /> Autonomous Systems for Interactive Digital Art<br /> <br /> Chu-Yin CHEN<br /> <br /> Jean-Claude HOYAMI<br /> <br /> Arts et Technologies de l’Image – Université Paris 8, France<br /> <br /> <br /> <br /> Interactive Swarm Orchestra<br /> <br /> Daniel Bisig<br /> <br /> Martin Neukom<br /> <br /> John Flury<br /> <br /> Institute for Computer Music and Sound Technology, Zurich Univ. of the Arts, Switzerland<br /> <br /> <br /> <br /> Genetic Algorithms in Architecture: a Necessity or a Trend?<br /> <br /> Eleftheria Fasoulaki<br /> <br /> Department of Architecture, Massachusetts Institute of Technology<br /> <br /> <br /> <br /> Emergent Form from Structural Optimisation of the Voronoi Polyhedra Structure<br /> <br /> E. Friedrich<br /> <br /> C. Derix<br /> <br /> S. Hanna<br /> <br /> Bartlett School of Graduate Studies, University College London, London<br /> <br /> School of Architecture and Visual Arts, University of East London<br /> <br /> <br /> <br /> Meta-Cognitive Mappings: Growing Neural Networks for Generative Urbanism<br /> <br /> Phil Langley, Christian Derix, Paul S. Coates<br /> <br /> Bartlett School of Graduate Studies, University College London, London<br /> <br /> <br /> <br /> Cities of the inhabitants or Megalopolis of the nets &quot;Systems Design&quot; between Sensitive and Intellective<br /> <br /> Giuseppe Marinelli De Marco<br /> <br /> Mauro Palatucci<br /> <br /> ISIA Rome, school of design, Italy<br /> <br /> <br /> <br /> Uncovering social urban form in dynamics<br /> <br /> Chun-Shuo Hsiao<br /> <br /> Department of Architecture, Chaoyang University of Technology, Taichung, Taiwan.<br /> <br /> <br /> <br /> You Get as Much as You Generate<br /> <br /> Tjark Ihmels<br /> <br /> Director of Institute for Media Art and Design<br /> <br /> Institute for Media Art and Design, University of Applied Sciences, Mainz, Germany<br /> <br /> <br /> <br /> Identity in the Work of Tadao Ando. An exploratory essay on the problems of how to model identity<br /> <br /> K. Moraes Zarzar<br /> <br /> Faculty of Architecture, Delft University of Technology, Delft, The Netherlands<br /> <br /> <br /> <br /> Theory of Complexity<br /> <br /> Kevin McGuire<br /> <br /> Ottawa, Canada<br /> <br /> <br /> <br /> A New Kind of Art: The Robotic Action Painter<br /> <br /> Leonel Moura<br /> <br /> Artist, Lisbon, Portugal<br /> <br /> <br /> <br /> An Agent System Based Tool to Help Designers for Free-Form Shape Generation in Digital Media<br /> <br /> Mahmut Cagdas Durmazoglu<br /> <br /> Gulen Cagdas<br /> <br /> Faculty of Architecture, Istanbul Technical University, Istanbul, Turkey<br /> <br /> <br /> <br /> The Generative Powers of Textiles<br /> <br /> Margaret C. Perivoliotis-Chryssovergis<br /> <br /> Department of Interior Architecture and Design<br /> <br /> Faculty of Graphic and Applied Arts<br /> <br /> Technological Educational Institute (TEI), Athens, Greece<br /> <br /> <br /> <br /> Automatic Generation of Aesthetic Images for Computer-Assisted Virtual Fashion Design<br /> <br /> Mickaël NAUD<br /> <br /> Paul RICHARD<br /> <br /> François CHAPEAU-BLONDEAU<br /> <br /> Jean-Louis FERRIER<br /> <br /> Laboratoire d’Ingénierie des Systèmes Automatisés (LISA), University of Angers, Angers, France<br /> <br /> <br /> <br /> How does the analog “talk” to the digital? The Art of Penny Feuerstein<br /> <br /> Penny L. Feuerstein<br /> <br /> Department of Art and Technology, The School Of The Art Institute Of Chicago, USA<br /> <br /> <br /> <br /> Database Design for Represent Genetic Information and Environment Impression in Architectural Design<br /> <br /> Soghra.V. Sayyaad Rahim<br /> <br /> Department of Architecture and Civil engineering, Islamic Azad University of Qazvin, Iran<br /> <br /> <br /> <br /> A Shape Grammar Study: Form Generation with Geometric Islamic Patterns<br /> <br /> Sehnaz Cenani<br /> <br /> Gulen Cagdas<br /> <br /> Faculty of Architecture, Istanbul Technical University, Istanbul, Turkey<br /> <br /> <br /> <br /> Growing a City: Individuals, Interactions, and Emergent Behaviour<br /> <br /> S.F. Chien<br /> <br /> Department of Architecture, National Cheng Kung University, Tainan, Taiwan<br /> <br /> <br /> <br /> Section as Form Generator under Digital Environment<br /> <br /> Shuenn-Ren Liou<br /> <br /> Department of Architecture, Tunghai University, Taichung, Taiwan<br /> <br /> <br /> <br /> From Clay Cones to Tesserae: the Generative Art of Mosaic Making<br /> <br /> S. T. Elias-Ozkan<br /> <br /> Department of Architecture, Middle East Technical University, Ankara, Turkey.<br /> <br /> B. Özkan<br /> <br /> School of Design, Politecnico di Milano, Milan, Italy<br /> <br /> <br /> <br /> Hidden in the Urban Fabric: Art + Architecture – a Case Study of Collaboration in interdisciplinary Contexts<br /> <br /> Steffen Lehmann<br /> <br /> School of Architecture and Built Environment,The University of Newcastle, Australia<br /> <br /> <br /> <br /> Light Play<br /> <br /> Suresh Sethi<br /> <br /> School of Art, Design and Media, Nanyang Technological University, Singapore<br /> <br /> <br /> <br /> Identity SA - an interactive swarm-based animation with a deformed reflection<br /> <br /> T. Unemi<br /> <br /> Department of Information Systems Science, Soka University, Tokyo, Japan.<br /> <br /> D. Bisig<br /> <br /> Artificial Intelligence Laboratory, University of Zurich, Switzerland.<br /> <br /> <br /> <br /> Using Organic and Curvaceous Forms as a Reference Point for New Product Development <br /> <br /> Hengfeng Zuo<br /> <br /> Mark Jones<br /> <br /> School of Design, Southampton Solent University, UK<br /> <br /> <br /> <br /> A Generative Model For Object Design From Letters In Playground<br /> <br /> Elif Günay<br /> <br /> Gülen ÇAGDAŞ <br /> <br /> Istanbul Technical University, Istanbul, Turkey<br /> <br /> <br /> <br /> A Generative Model For Anatolian Medreses By Analyzing Of Precedent<br /> <br /> Esra GURBUZ<br /> <br /> Gulen CAGDAS<br /> <br /> Istanbul Technical University, Istanbul, Turkey<br /> <br /> <br /> <br /> Batik Fractal : Traditional Art to Modern Complexity<br /> <br /> Muhamad Lukman<br /> <br /> Yun Hariadi<br /> <br /> Achmad Haldani Destiarmand<br /> <br /> Pixel People Research and Design Group,<br /> <br /> Bandung Institute of Technology, Bandung, Indonesia<br /> <br /> <br /> <br /> Alter EVO: an interactive evolutionary computation tool for instant architecture processing.<br /> <br /> Renato Saleri Lunazzi<br /> <br /> DEA informatique et productique, Laboratoire MAP aria UMR 694 CNRS – Ministère de la culture et de la Communication.<br /> <br /> <br /> <br /> AutoMAKE: Generative systems, digital manufacture and craft production<br /> <br /> Justin Marshall<br /> <br /> University College Falmouth, Cornwall, UK.<br /> <br /> Ertu Unver<br /> <br /> Paul Atkinson<br /> <br /> School of Art &amp; Design, University of Huddersfield, Huddersfield, UK<br /> <br /> <br /> <br /> Painting with light: generative artworks or “setting in motion” the fourth dimension<br /> <br /> Marcella Giulia Lorenzi<br /> <br /> Laboratory for Scientific Communication, University of Calabria, Arcavacata (CS)<br /> <br /> Mauro Francaviglia<br /> <br /> Department of Mathematics, University of Torino, Torino, Italy.<br /> <br /> Laboratory for Scientific Communication, University of Calabria, Arcavacata (CS), Italy<br /> <br /> <br /> Categorema<br /> <br /> Enrica Colabella<br /> <br /> Generative Design Lab, DiAP, Politecnico di Milano University<br /> <br /> <br /> <br /> Research framework on the analytical method of the contributing factor of settlement generation<br /> <br /> Song Jinghua<br /> <br /> Yu Yang<br /> <br /> Xiong yan<br /> <br /> Guo xisheng<br /> <br /> School of Urban Design, Wuhan University<br /> <br /> <br /> <br /> Is it possible to defend an optimistic view for the future generations?<br /> <br /> Heloisa Helena da Fonseca Carneiro Leão<br /> <br /> Pontificia Universidade Católica São Paulo - Brasil<br /> <br /> <br /> <br /> <br /> <br /> Performances, Posters and Installations<br /> <br /> <br /> <br /> Developing Cyberspace Design as a Digital Extension to future Interior Spaces<br /> <br /> Eiman Mohamed Elgewely<br /> <br /> Medhat Mohamed Metwally<br /> <br /> Department of Interior Architecture, Faculty of Fine Arts, Alexandria University, Egypt.<br /> <br /> Walaa Mohamed Sheta<br /> <br /> Informatics research Institute, Mubarak city for scientific research, Alexandria, Egypt<br /> <br /> <br /> <br /> Architecture is Performance<br /> <br /> Giorgos Artopoulos<br /> <br /> Stanislav Roudavski<br /> <br /> <br /> <br /> The Abstract Video “Triangular Vibrations”<br /> <br /> Gordon Monro.<br /> <br /> Sydney Conservatorium of Music, University of Sydney.<br /> <br /> <br /> <br /> Cross-Section: Performance<br /> <br /> Hee-Seung Choi<br /> <br /> <br /> <br /> Hypothetical Gene Movement: Structural Animation<br /> <br /> Kenneth C Byers<br /> <br /> MA Media Production, Newcastle. UK<br /> <br /> <br /> <br /> Body Degree Zero-Interactive Performance<br /> <br /> Invisible World is an installation that draws its content from the context within which it is placed<br /> <br /> Alan Dunning<br /> <br /> Paul Woodrow<br /> <br /> The Einstein’s Brain Project<br /> <br /> <br /> <br /> CRUFT<br /> <br /> Robert Spahr<br /> <br /> New York, NY<br /> <br /> <br /> <br /> Dynamic Painting<br /> <br /> San Base<br /> <br /> Artist, Richmond Hill, Canada<br /> <br /> <br /> <br /> How the Ai art works?<br /> <br /> William Yip<br /> <br /> Australia<br /> <br /> <br /> <br /> CO²nscience<br /> <br /> Vera Bighetti<br /> <br /> São Paulo- Brasil<br /> <br /> <br /> <br /> It&#039;s a parasite!<br /> <br /> Giorgos Artopoulos<br /> <br /> Stanislav Roudavski<br /> <br /> <br /> <br /> Artistic Periods (Until Chaos)<br /> <br /> Raffaella Pavani, Donato Trigiante<br /> <br /> Politecnico di Milano, Universita’ di Firenze<br /> <br /> Gdesign<br /> <br /> Umberto Roncoroni<br /> <br /> Peru&#039;<br /> <br /> <br /> <br /> The emergent X<br /> <br /> Siddharth<br /> <br /> India<br /> <br /> <br /> <br /> Digital Remake<br /> <br /> Andren<br /> <br /> <br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> http://www.generativeart.com/bookshop/ebooks_free/GA2007ebook.pdf<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===</div> Gbachelier