http://de.evo-art.org/index.php?action=history&feed=atom&title=Generative_Art_2010 2026-05-08T10:23:55Z Versionsgeschichte dieser Seite in de_evolutionary_art_org MediaWiki 1.27.4 http://de.evo-art.org/index.php?title=Generative_Art_2010&diff=3544&oldid=prev 2015-01-18T12:29:58Z

<p>‎<span dir="auto"><span class="autocomment">Table of contents</span></span></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 18. Januar 2015, 12:29 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l33" >Zeile 33:</td> <td colspan="2" class="diff-lineno">Zeile 33:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Cui Jia, Ming Xi Tang: [[Chinese pattern design using generative shape grammar]]. In: [[Generative Art 2010]]. http://www.generativeart.com/on/cic/GA2010/2010_10.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Cui Jia, Ming Xi Tang: [[Chinese pattern design using generative shape grammar]]. In: [[Generative Art 2010]]. http://www.generativeart.com/on/cic/GA2010/2010_10.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Daniel Bisig and [[Tatsuo Unemi]]: Cycles - Blending Natural and Artificial Properties in a Generative Artwork. In: [[Generative Art 2010]]. http://www.generativeart.com/on/cic/GA2010/2010_11.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Daniel Bisig and [[Tatsuo Unemi]]: <ins class="diffchange diffchange-inline">[[</ins>Cycles - Blending Natural and Artificial Properties in a Generative Artwork<ins class="diffchange diffchange-inline">]]</ins>. In: [[Generative Art 2010]]. http://www.generativeart.com/on/cic/GA2010/2010_11.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Enrica Colabella: Sensus communis. In: [[Generative Art 2010]]. http://www.generativeart.com/on/cic/GA2010/2010_12.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Enrica Colabella: Sensus communis. In: [[Generative Art 2010]]. http://www.generativeart.com/on/cic/GA2010/2010_12.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l129" >Zeile 129:</td> <td colspan="2" class="diff-lineno">Zeile 129:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Yota Morimoto: s0: cellular automata audio-visual performance. In: [[Generative Art 2010]]. http://www.generativeart.com/on/cic/GA2010/b15.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Yota Morimoto: s0: cellular automata audio-visual performance. In: [[Generative Art 2010]]. http://www.generativeart.com/on/cic/GA2010/b15.pdf</div></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2">&#160;</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Links ==</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>== Links ==</div></td></tr> </table>

Gbachelier http://de.evo-art.org/index.php?title=Generative_Art_2010&diff=2445&oldid=prev 2014-12-24T16:20:10Z

<p></p> <a href="http://de.evo-art.org/index.php?title=Generative_Art_2010&amp;diff=2445&amp;oldid=2378">Änderungen zeigen</a>

Gbachelier http://de.evo-art.org/index.php?title=Generative_Art_2010&diff=2378&oldid=prev 2014-12-22T15:55:41Z

<p></p> <table class="diff diff-contentalign-left" data-mw="interface"> <col class='diff-marker' /> <col class='diff-content' /> <col class='diff-marker' /> <col class='diff-content' /> <tr style='vertical-align: top;' lang='de'> <td colspan='2' style="background-color: white; color:black; text-align: center;">← Nächstältere Version</td> <td colspan='2' style="background-color: white; color:black; text-align: center;">Version vom 22. Dezember 2014, 15:55 Uhr</td> </tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l31" >Zeile 31:</td> <td colspan="2" class="diff-lineno">Zeile 31:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Celestino Soddu: Curved spacetime perspective as generative engine. Intersubjectivity &amp; Contrapunctus. http://www.generativeart.com/on/cic/GA2010/2010_9.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Celestino Soddu: Curved spacetime perspective as generative engine. Intersubjectivity &amp; Contrapunctus. http://www.generativeart.com/on/cic/GA2010/2010_9.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Cui Jia, Ming Xi Tang: Chinese pattern design using generative shape grammar. http://www.generativeart.com/on/cic/GA2010/2010_10.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Cui Jia, Ming Xi Tang: <ins class="diffchange diffchange-inline">[[</ins>Chinese pattern design using generative shape grammar<ins class="diffchange diffchange-inline">]]</ins>. http://www.generativeart.com/on/cic/GA2010/2010_10.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Daniel Bisig and [[Tatsuo Unemi]]: Cycles - Blending Natural and Artificial Properties in a Generative Artwork. http://www.generativeart.com/on/cic/GA2010/2010_11.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Daniel Bisig and [[Tatsuo Unemi]]: Cycles - Blending Natural and Artificial Properties in a Generative Artwork. http://www.generativeart.com/on/cic/GA2010/2010_11.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l39" >Zeile 39:</td> <td colspan="2" class="diff-lineno">Zeile 39:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Hector Rodriguez: Flowpoints: A Generative Image Creation Method Using Optical Flow. http://www.generativeart.com/on/cic/GA2010/2010_13.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Hector Rodriguez: Flowpoints: A Generative Image Creation Method Using Optical Flow. http://www.generativeart.com/on/cic/GA2010/2010_13.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Hyeri Rhee, Moonryul Jung: Programmed life: Evolutionary Imagery of Data Visualization with Aesthetic Moods in terms of Genetic Algorithm. http://www.generativeart.com/on/cic/GA2010/2010_14.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Hyeri Rhee, Moonryul Jung: <ins class="diffchange diffchange-inline">[[</ins>Programmed life: Evolutionary Imagery of Data Visualization with Aesthetic Moods in terms of Genetic Algorithm<ins class="diffchange diffchange-inline">]]</ins>. http://www.generativeart.com/on/cic/GA2010/2010_14.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Ioannis Chatzikonstantinou: Structural Optimisation as a means for exploring design alternatives. http://www.generativeart.com/on/cic/GA2010/2010_15.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Ioannis Chatzikonstantinou: Structural Optimisation as a means for exploring design alternatives. http://www.generativeart.com/on/cic/GA2010/2010_15.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l47" >Zeile 47:</td> <td colspan="2" class="diff-lineno">Zeile 47:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Karina Moraes Zarzar: Innovation, Identity and Sustainability in H.P. Berlage’ Stock Exchange. http://www.generativeart.com/on/cic/GA2010/2010_17.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Karina Moraes Zarzar: Innovation, Identity and Sustainability in H.P. Berlage’ Stock Exchange. http://www.generativeart.com/on/cic/GA2010/2010_17.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Katja Knecht; Reinhard König: Generating floor plan layouts with K-D tree algorithms and evolutionary strategies. http://www.generativeart.com/on/cic/GA2010/2010_18.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Katja Knecht; Reinhard König: <ins class="diffchange diffchange-inline">[[</ins>Generating floor plan layouts with K-D tree algorithms and evolutionary strategies<ins class="diffchange diffchange-inline">]]</ins>. http://www.generativeart.com/on/cic/GA2010/2010_18.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Kenny K. N. Chow, D. Fox Harrell: Embodied Generative Visual Renku: Metaphors through interactions. http://www.generativeart.com/on/cic/GA2010/2010_19.pdf Coding Landscapes, Crossing Metaphors. http://www.generativeart.com/on/cic/GA2010/b7.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Kenny K. N. Chow, D. Fox Harrell: Embodied Generative Visual Renku: Metaphors through interactions. http://www.generativeart.com/on/cic/GA2010/2010_19.pdf Coding Landscapes, Crossing Metaphors. http://www.generativeart.com/on/cic/GA2010/b7.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l65" >Zeile 65:</td> <td colspan="2" class="diff-lineno">Zeile 65:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Michele Emmer: The Idea of Space, from Topology to Virtual Architecture. http://www.generativeart.com/on/cic/GA2010/2010_26.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Michele Emmer: The Idea of Space, from Topology to Virtual Architecture. http://www.generativeart.com/on/cic/GA2010/2010_26.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* Miguel Carvalhais: Towards a model for artificial aesthetics. http://www.generativeart.com/on/cic/GA2010/2010_27.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* Miguel Carvalhais: <ins class="diffchange diffchange-inline">[[</ins>Towards a model for artificial aesthetics<ins class="diffchange diffchange-inline">]]</ins>. http://www.generativeart.com/on/cic/GA2010/2010_27.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Myrto Theodoraki: Flows of movement: intensities, singularities and attractors as event generators’. http://www.generativeart.com/on/cic/GA2010/2010_28.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Myrto Theodoraki: Flows of movement: intensities, singularities and attractors as event generators’. http://www.generativeart.com/on/cic/GA2010/2010_28.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* N.Onur Sonmez, I. Sevil Sariyildiz, Arzu Erdem: Automated evaluation and generation of graphic arrangements through adaptive evolution. http://www.generativeart.com/on/cic/GA2010/2010_29.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* N.Onur Sonmez, I. Sevil Sariyildiz, Arzu Erdem: <ins class="diffchange diffchange-inline">[[</ins>Automated evaluation and generation of graphic arrangements through adaptive evolution<ins class="diffchange diffchange-inline">]]</ins>. http://www.generativeart.com/on/cic/GA2010/2010_29.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Nikolay Popov: Exploring Architectural Possibilities with Flocking Algorithms. http://www.generativeart.com/on/cic/GA2010/2010_30.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Nikolay Popov: Exploring Architectural Possibilities with Flocking Algorithms. http://www.generativeart.com/on/cic/GA2010/2010_30.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* [[Philip Galanter]]: Complexity, Neuroaesthetics, and Computational Aesthetic Evaluation. http://www.generativeart.com/on/cic/GA2010/2010_31.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* [[Philip Galanter]]: <ins class="diffchange diffchange-inline">[[</ins>Complexity, Neuroaesthetics, and Computational Aesthetic Evaluation<ins class="diffchange diffchange-inline">]]</ins>. http://www.generativeart.com/on/cic/GA2010/2010_31.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Robert Spahr: Generative Art from Digital Leftovers or: How I Learned to Stop Worrying and Love the CRUFT. http://www.generativeart.com/on/cic/GA2010/2010_32.pdf American Dream Cycle. http://www.generativeart.com/on/cic/GA2010/b23.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Robert Spahr: Generative Art from Digital Leftovers or: How I Learned to Stop Worrying and Love the CRUFT. http://www.generativeart.com/on/cic/GA2010/2010_32.pdf American Dream Cycle. http://www.generativeart.com/on/cic/GA2010/b23.pdf</div></td></tr> <tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l83" >Zeile 83:</td> <td colspan="2" class="diff-lineno">Zeile 83:</td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Takao Kobayashi: Contents creation system using pattern recognition Technology. http://www.generativeart.com/on/cic/GA2010/2010_35.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Takao Kobayashi: Contents creation system using pattern recognition Technology. http://www.generativeart.com/on/cic/GA2010/2010_35.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>−</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>* [[Tatsu Unemi]]: A Breeding Tool for Abstract Animations and Its Applications. http://www.generativeart.com/on/cic/GA2010/2010_36.pdf</div></td><td class='diff-marker'>+</td><td style="color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>* [[Tatsu Unemi]]: <ins class="diffchange diffchange-inline">[[</ins>A Breeding Tool for Abstract Animations and Its Applications<ins class="diffchange diffchange-inline">]]</ins>. http://www.generativeart.com/on/cic/GA2010/2010_36.pdf</div></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"></td></tr> <tr><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Y. Fang: Generative Method in Traditional Chinese Garden Design. http://www.generativeart.com/on/cic/GA2010/2010_37.pdf</div></td><td class='diff-marker'>&#160;</td><td style="background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;"><div>* Y. Fang: Generative Method in Traditional Chinese Garden Design. http://www.generativeart.com/on/cic/GA2010/2010_37.pdf</div></td></tr> </table>

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<p>Die Seite wurde neu angelegt: „== Reference == Celestino Soddu (ed.): Generative Art 2010 GA2010, XIII generative Art Conference 15-17 December 2010. ISBN 978-88-96610-06-0. == DOI == == …“</p> <p><b>Neue Seite</b></p><div>== Reference ==<br /> Celestino Soddu (ed.): Generative Art 2010 GA2010, XIII generative Art Conference 15-17 December 2010. ISBN 978-88-96610-06-0. <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> <br /> == Extended Abstract ==<br /> <br /> == Reviews==<br /> <br /> == Bibtex == <br /> <br /> == Table of contents==<br /> &#039;&#039;&#039;P A P E R S&#039;&#039;&#039;<br /> <br /> Aant van der Zee, Bauke de Vries: Energy consumption as design principle re-investigated.<br /> <br /> Alain Lioret: Galatema: A Framework for Generative Cinema. <br /> <br /> Alan Dunning, Paul Woodrow: Machine imagination: closed eye hallucination and the Ganzfeld effect. <br /> <br /> Alberto de Campo: Varia Zoosystematica Profundorum. Modelling deep sea communication collaboratively. <br /> <br /> Anthony Viscardi: WITH DRAWING: to see if you see what you see. <br /> <br /> Bassey Ndon: Computer generative art: painting experience. <br /> <br /> Betül Tuncer, Sinan Mert Sener: “Mirror(er)” as a Plug-in for Urban Design. <br /> <br /> Celestino Soddu: Curved spacetime perspective as generative engine. Intersubjectivity &amp; Contrapunctus. <br /> <br /> Cui Jia, Ming Xi Tang: Chinese pattern design using generative shape grammar. <br /> <br /> Daniel Bisig and Tatsuo Unemi: Cycles - Blending Natural and Artificial Properties in a Generative Artwork. <br /> <br /> Enrica Colabella: Sensus communis. <br /> <br /> Hector Rodriguez: Flowpoints: A Generative Image Creation Method Using Optical Flow. <br /> <br /> Hyeri Rhee, Moonryul Jung: Programmed life: Evolutionary Imagery of Data Visualization with Aesthetic Moods in terms of Genetic Algorithm <br /> <br /> Ioannis Chatzikonstantinou: Structural Optimisation as a means for exploring design alternatives. <br /> <br /> Jian You Li: The Parametric Sketch in the Conceptual Stage of Industrial Design. <br /> <br /> Karina Moraes Zarzar: Innovation, Identity and Sustainability in H.P. Berlage’ Stock Exchange. <br /> <br /> Katja Knecht; Reinhard König: Generating floor plan layouts with K-D tree algorithms and evolutionary strategies. <br /> <br /> Kenny K. N. Chow, D. Fox Harrell: Embodied Generative Visual Renku: Metaphors through interactions. Coding Landscapes, Crossing Metaphors. <br /> <br /> Laurel Johannesson: Acqua del Velluto Sospesa ~ Interactive Video Painting. <br /> <br /> Luis Alfonso de la Fuente Suarez: Architectural Complexity: Hiding the Underlying Order. <br /> <br /> Marie-Pascale Corcuff: Forms,shapes, diagrams, and generative processes. <br /> <br /> Mario Verdicchio: Generative vs Non-Generative Art in the Verification of the Institutional Stance. <br /> <br /> Martha Gelarden: Separated at Birth: A Secret Conversation. <br /> <br /> Mehrdad Garousi, Mehdi Damali Amiri, Firouzeh Akbari, Hamed Akbari: Incendia and fractal architecture + artwork Seven pointed star. <br /> <br /> Michele Emmer: The Idea of Space, from Topology to Virtual Architecture. <br /> <br /> Miguel Carvalhais: Towards a model for artificial aesthetics. <br /> <br /> Myrto Theodoraki: Flows of movement: intensities, singularities and attractors as event generators’. <br /> <br /> N.Onur Sonmez, I. Sevil Sariyildiz, Arzu Erdem: Automated evaluation and generation of graphic arrangements through adaptive evolution.<br /> <br /> Nikolay Popov: Exploring Architectural Possibilities with Flocking Algorithms.<br /> <br /> Philip Galanter: Complexity, Neuroaesthetics, and Computational Aesthetic Evaluation.<br /> <br /> Robert Spahr: Generative Art from Digital Leftovers or: How I Learned to Stop Worrying and Love the CRUFT. American Dream Cycle. <br /> <br /> Sana Murrani: Architecture of generative situations. <br /> <br /> Silvia Titotto, Clice Mazzilli, Carlo Ostorero: Bionic textiles. <br /> <br /> Takao Kobayashi: Contents creation system using pattern recognition Technology.<br /> <br /> Tatsu Unemi: A Breeding Tool for Abstract Animations and Its Applications. <br /> <br /> Y. Fang: Generative Method in Traditional Chinese Garden Design. <br /> <br /> <br /> &#039;&#039;&#039;POSTERS / INSTALLATIONS / LIVE-PERFORMANCES&#039;&#039;&#039;<br /> <br /> Alberto de Campo: Varia Zoosystematica Profundorum.<br /> <br /> Alison Clifford, Graeme Truslove: Substratum: audiovisual artwork.<br /> <br /> Enrica Colabella, Celestino Soddu: Posters of Generative Design Course and Lab. <br /> <br /> Gaganjit Singh: Polyhedra morphologies and drawing machines. <br /> <br /> Isabela Ferrante, Silvia Titotto: Moebius room. <br /> <br /> Mark-David Hosale: An Uncommon Affair At Tooting Bec Common. <br /> <br /> Mehrdad Garousi: Seven pointed star.<br /> <br /> Kazushi Mukaiyama: WAVO: an interactive ball to express light waves with Wave equation.<br /> <br /> Libero Acerbi: The wave particle of Art. <br /> <br /> Manuel A. Baez: The Phenomenological garden.<br /> <br /> Maris Cacka: Design ideas in the context of design tendencies in Latvia of DU students. <br /> <br /> Sujin Lee: Time visualization by Other I’s.<br /> <br /> Jason M. Reizner: Quadruplicity Drinks Procrastination. <br /> <br /> Dzenbii African Percussion: Voices and sounds of Africa in Visionary Variations.<br /> <br /> André Rangel, Anne-Kathrin Siegel: SoLu Hiperinstrument. <br /> <br /> Fernanda Nardy Bellicieri, Hânia Cecília Pilan: The road: Passengers. <br /> <br /> Florian Gruber, Nikolaus Hartmann, Thomas Lorenz: Infection. <br /> <br /> Giuseppe Caglioti, Marco Marcon, Tatiana Tchouvileva: The PiezoMusiColor Project. <br /> <br /> Yota Morimoto: s0: cellular automata audio-visual performance. <br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> http://www.generativeart.com/bookshop/ebooks_free/GA2010ebook.pdf <br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> �http://www.generativeart.com/on/cic/GA2010/GA2010_papers.html</div>

Gbachelier