Inadvertent - Ars Accidentalis - Versionsgeschichte

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== Reference ==
Murat Germen: Inadvertent - Ars Accidentalis. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics, 2008. 1-8

== DOI ==
http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/001-008

== Abstract ==
Even though art is the product of an intentional act of fabrication, the serendipitous spill of an ink or paint, the unforeseen slip of a pen or brush, sudden shake of a camera in the analog realm have the potential of generating an unconscious lead in the planned course of action. The consequential shift in direction may completely change the aesthetics and content of an artwork. An artist should always be open to such 'accidental' dimension which will help him / her to take the original idea out of its initial framework and recontextualize it for a new conception. The outcomes of software "failures" in digital technology made a similar type of aesthetics emerge: Glitch aesthetics. The "dirty" and sometimes "chaotic" nature of glitches made things look much more organic and human, as opposed to mechanically computerized. This unrefined aesthetics has recently become so popular among designers that some of them have made specific websites as tributes to the process. Despite the fact that the accidental dimension in art looks more compatible with analog practices, there are various instances it finds its niche in the digital world as well. Mystifying benefits like freedom from preconceptions, momentary skepticism about planned course of action, avoiding mechanical thinking / prejudices, reaching a more natural / authentic result, discovering unusual and unique aesthetical domains, etc. will always make 'ars accidentalis' an indispensable part of art practice.

== Extended Abstract ==

== Bibtex ==

== Used References ==
BOGLE, A., 1981. Chance in art - The indeterminacy aesthetic 2. Art New Zealand Magazine, No. 22 / Summer 1981-82, Auckland, New Zealand.
http://www.art-newzealand.com/Issues21to30/chance22.htm (Accessed: 01/05/2008).

BRIGGS, J., 1994. Fractals "The Patterns of Chaos". Thames and Hudson Ltd, London.

CASCONE, K., 2000. Computer Music Journal, pp. 12-18.

DENNER, M. A., 2003. Accidental Art: Tolstoy's Poetics of Unintentionality. Philosophy and Literature, 27.2, pp. 284-303. 〈http://icproxy.sabanciuniv.edu:2144 /journals/philosophy_and_literature/ v027/27.2denner.html〉 (Accessed: 23/12/2007).

HUHN, T., 1985. Adorno's Aesthetics of Illusion. The Journal of Aesthetics and Art Criticism, Vol. 44, No. 2, pp. 181-189.

KANT, I. The Critique of Judgment. Translated by James Creed Meredith, eBooks@Adelaide, 2004. 〈http://ebooks.adelaide.edu.au/k/kan t/immanuel/k16j/index.html〉 (Accessed: 19/02/2008).

MORADI, I., 2004. Glitch Aesthetics. A dissertation submitted in partial fulfillment of the requirements for BA Hons degree in Multimedia Design, School of Design Technology, Department of Architecture, The University of Huddersfield. Web Distributable Version. (Accessed: 19/02/2008).

PIERCE, J. R., CHALLINOR, M., 1971. On Randomness in Art. Leonardo, Vol. 4, No. 4, The MIT Press, pp. 407-408. 〈http://www.jstor.org/stable/1572532〉 (Accessed: 01/05/2008).

ROSE, B., 1975. Frankenthaler. Harry N. Abrams, Inc., New York, p. 85.

TORMEY, J. F., TORMEY, A., 1983. Art and Ambiguity. Leonardo, Vol. 16, No. 3, Special Issue: Psychology and the Arts, The MIT Press, pp. 183-187 Philosophy and Literature, 27.2, pp. 284-303. 〈http://www.jstor.org/stable/1574910〉 (Accessed: 01/05/2008).

ZUNJIC, B. Deduction of the Judgment of Taste by Immanuel Kant. An outline by Dr. Bob Zunjic for his course coded PHL 230. 〈http://www.uri.edu/personal/szunjic /philos/deduct.htm〉 (Accessed: 23/12/2007).

WIKIPEDIA. Abstract Expressionism. Stable URL: 〈http://en.wikipedia.org/wiki/Abstract_expressionism〉 (Accessed: 01/05/2008).

WIKIPEDIA. Frank Stella. Stable URL: 〈http://en.wikipedia.org/wiki/Frank_ Stella〉 (Accessed: 01/05/2008).

WIKIPEDIA. Helen Frankenthaler. Stable URL: 〈http://en.wikipedia.org/wiki/Helen_ Frankenthaler〉 (Accessed: 01/05/2008).

== Links ==
=== Full Text ===
http://research.sabanciuniv.edu/8829/1/ars_accidentalis_final_submission_murat-germen.pdf

[[intern file]]

=== Sonstige Links ===
http://dl.acm.org/citation.cfm?id=2381333.2381335&coll=DL&dl=GUIDE&CFID=588525319&CFTOKEN=29804931

← Nächstältere Version		Version vom 8. November 2015, 17:58 Uhr
Zeile 13:		Zeile 13:

	== Bibtex ==		== Bibtex ==
		+	@inproceedings{Germen:2008:IAA:2381333.2381335,
		+	author = {Germen, Murat},
		+	title = {Inadvertent - Ars Accidentalis},
		+	booktitle = {Proceedings of the Fourth Eurographics Conference on Computational Aesthetics in Graphics, Visualization and Imaging},
		+	series = {Computational Aesthetics'08},
		+	year = {2008},
		+	isbn = {978-3-905674-08-8},
		+	location = {Lisbon, Portugal},
		+	pages = {1--8},
		+	numpages = {8},
		+	url = {http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/001-008, http://de.evo-art.org/index.php?title=Inadvertent_-_Ars_Accidentalis },
		+	doi = {10.2312/COMPAESTH/COMPAESTH08/001-008},
		+	acmid = {2381335},
		+	publisher = {Eurographics Association},
		+	address = {Aire-la-Ville, Switzerland, Switzerland},
		+	}

	== Used References ==		== Used References ==

@@ Zeile 28: / Zeile 28: @@
 KANT, I. The Critique of Judgment. Translated by James Creed Meredith, eBooks@Adelaide, 2004.
-http://ebooks.adelaide.edu.au/k/kant/immanuel/k16j/index.htm〉 (Accessed: 19/02/2008).
+http://ebooks.adelaide.edu.au/k/kant/immanuel/k16j/index.htm (Accessed: 19/02/2008).
 MORADI, I., 2004. Glitch Aesthetics. A dissertation submitted in partial fulfillment of the requirements for BA Hons degree in Multimedia Design, School of Design Technology, Department of Architecture, The University of Huddersfield. Web Distributable Version. (Accessed: 19/02/2008).

@@ Zeile 22: / Zeile 22: @@
 CASCONE, K., 2000. Computer Music Journal, pp. 12-18.
-DENNER, M. A., 2003. Accidental Art: Tolstoy's Poetics of Unintentionality. Philosophy and Literature, 27.2, pp. 284-303. 〈http://icproxy.sabanciuniv.edu:2144 /journals/philosophy_and_literature/ v027/27.2denner.html〉 (Accessed: 23/12/2007).
+DENNER, M. A., 2003. Accidental Art: Tolstoy's Poetics of Unintentionality. Philosophy and Literature, 27.2, pp. 284-303.
 HUHN, T., 1985. Adorno's Aesthetics of Illusion. The Journal of Aesthetics and Art Criticism, Vol. 44, No. 2, pp. 181-189.
-KANT, I. The Critique of Judgment. Translated by James Creed Meredith, eBooks@Adelaide, 2004. 〈http://ebooks.adelaide.edu.au/k/kant/immanuel/k16j/index.html〉 (Accessed: 19/02/2008).
+KANT, I. The Critique of Judgment. Translated by James Creed Meredith, eBooks@Adelaide, 2004.
 MORADI, I., 2004. Glitch Aesthetics. A dissertation submitted in partial fulfillment of the requirements for BA Hons degree in Multimedia Design, School of Design Technology, Department of Architecture, The University of Huddersfield. Web Distributable Version. (Accessed: 19/02/2008).
-PIERCE, J. R., CHALLINOR, M., 1971. On Randomness in Art. Leonardo, Vol. 4, No. 4, The MIT Press, pp. 407-408. 〈http://www.jstor.org/stable/1572532〉 (Accessed: 01/05/2008).
+PIERCE, J. R., CHALLINOR, M., 1971. On Randomness in Art. Leonardo, Vol. 4, No. 4, The MIT Press, pp. 407-408.
 ROSE, B., 1975. Frankenthaler. Harry N. Abrams, Inc., New York, p. 85.
-TORMEY, J. F., TORMEY, A., 1983. Art and Ambiguity. Leonardo, Vol. 16, No. 3, Special Issue: Psychology and the Arts, The MIT Press, pp. 183-187 Philosophy and Literature, 27.2, pp. 284-303. 〈http://www.jstor.org/stable/1574910〉 (Accessed: 01/05/2008).
+TORMEY, J. F., TORMEY, A., 1983. Art and Ambiguity. Leonardo, Vol. 16, No. 3, Special Issue: Psychology and the Arts, The MIT Press, pp. 183-187 Philosophy and Literature, 27.2, pp. 284-303. http://www.jstor.org/stable/1574910 (Accessed: 01/05/2008).
-ZUNJIC, B. Deduction of the Judgment of Taste by Immanuel Kant. An outline by Dr. Bob Zunjic for his course coded PHL 230. 〈http://www.uri.edu/personal/szunjic /philos/deduct.htm〉 (Accessed: 23/12/2007).
+ZUNJIC, B. Deduction of the Judgment of Taste by Immanuel Kant. An outline by Dr. Bob Zunjic for his course coded PHL 230. http://www.uri.edu/personal/szunjic/philos/deduct.htm (Accessed: 23/12/2007).
-WIKIPEDIA. Abstract Expressionism. Stable URL: 〈http://en.wikipedia.org/wiki/Abstract_expressionism〉 (Accessed: 01/05/2008).
+WIKIPEDIA. Abstract Expressionism. Stable URL: http://en.wikipedia.org/wiki/Abstract_expressionism (Accessed: 01/05/2008).
-WIKIPEDIA. Frank Stella. Stable URL: 〈http://en.wikipedia.org/wiki/Frank_ Stella〉 (Accessed: 01/05/2008).
+WIKIPEDIA. Frank Stella. Stable URL: http://en.wikipedia.org/wiki/Frank_ Stella (Accessed: 01/05/2008).
-WIKIPEDIA. Helen Frankenthaler. Stable URL: 〈http://en.wikipedia.org/wiki/Helen_ Frankenthaler〉 (Accessed: 01/05/2008).
+WIKIPEDIA. Helen Frankenthaler. Stable URL: http://en.wikipedia.org/wiki/Helen_ Frankenthaler (Accessed: 01/05/2008).
 == Links ==