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<p>Die Seite wurde neu angelegt: „ == Referenz == Nake, F.: <a href="/index.php?title=Information_aesthetics:_an_heroic_experiment" title="Information aesthetics: an heroic experiment">Information aesthetics: an heroic experiment</a>. J. Math. Arts 6(2–3), 65–75 (2012) == DOI == http://dx.doi.org/10.1080/17513…“</p> <p><b>Neue Seite</b></p><div><br /> == Referenz == <br /> Nake, F.: [[Information aesthetics: an heroic experiment]]. J. Math. Arts 6(2–3), 65–75 (2012) <br /> <br /> == DOI ==<br /> http://dx.doi.org/10.1080/17513472.2012.679458<br /> <br /> == Abstract ==<br /> Information Aesthetics was a short-lived but influential attempt to establish a mathematically rigorous aesthetic theory without subjective elements. It was based on information theory, semiotics and communication theory. It was mainly developed in Germany and France during the 1960s. It not only gained some influence among designers and artists, but also among teachers of art. Its concepts turned out to be reductionist and schematic, which we argue led to its eventual disappearance, if not failure. We provide a retrospective of its assumptions and results, and draw conclusions for current attempts at algorithmically evaluating the aesthetic merits of a work of art.<br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> @article{doi:10.1080/17513472.2012.679458,<br /> author = { Frieder Nake },<br /> title = {Information Aesthetics: An heroic experiment},<br /> journal = {Journal of Mathematics and the Arts},<br /> volume = {6},<br /> number = {2-3},<br /> pages = {65-75},<br /> year = {2012},<br /> doi = {10.1080/17513472.2012.679458},<br /> URL = {http://dx.doi.org/10.1080/17513472.2012.679458 http://de.evo-art.org/index.php?title=Information_aesthetics:_an_heroic_experiment },<br /> eprint = {http://dx.doi.org/10.1080/17513472.2012.679458}<br /> }<br /> <br /> == Used References == <br /> [1] A.G. Baumgarten, Ästhetik, Vol 2, Meiner, Latin/<br /> German, Hamburg, 2007. (First publ. 1750/1758).<br /> <br /> [2] M. Bense, Aesthetica. Einfu¨hrung in die neue<br /> Ästhetik, Agis, Baden-Baden, 1965 (4 vols in one, first<br /> 1954–1960).<br /> <br /> [3] M. Bense, Einfu¨hrung in die informationstheoretische<br /> Ästhetik, Rowohlt, Reinbek, 1969.<br /> <br /> [4] M. Bense, ‘The projects of generative aesthetics,<br /> in Cybernetics, Art, and Ideas, J. Reichardt, ed., Studio<br /> Vista, London, 1971, pp. 57–60.<br /> <br /> [5] M. Bense and G. Nees, Computer-grafik, rot 19,<br /> Distribution Elisabeth Walther, Stuttgart, 1965.<br /> <br /> [6] D.E. Berlyne, Aesthetics and Psychobiology, Appleton-<br /> Century-Crofts, New York, 1971.<br /> <br /> [7] G.D. Birkhoff, A mathematical theory of aesthetics, The<br /> Rice Inst. Pamphlet. 19 (1932), pp. 189–342 (again in<br /> Collected Mathematical Papers, Vol. 3, New York, 1950,<br /> pp. 392–535).<br /> <br /> [8] H. Bro¨ g, Semiotische und numerische Analyse zweier<br /> Holzschnitte von Albrecht Du¨rer, Dr. phil. diss.,<br /> University of Stuttgart, 1968.<br /> <br /> [9] R.C. Davis, An evaluation and test of Birkhoff’s aesthetic<br /> measure formula, J. Gen. Psychology. 15 (1936),<br /> pp. 231–240.<br /> <br /> [10] H.J. Eysenck, The empirical determination of an aesthetic<br /> formula, Psychol. Rev. 48 (1941), pp. 83–92.<br /> <br /> [11] H.J. Eysenck, The experimental study of the ‘‘good<br /> gestalt’’ – a new approach, Psychol. Rev. 49 (1942),<br /> pp. 344–364.<br /> <br /> [12] H.G. Frank, Informations a¨sthetik und erste<br /> Anwendung auf die mime pure, Schnelle, Quickborn,<br /> 1959, 1968.<br /> <br /> [13] H.G. Frank, Kybernetische Analysen subjektiver<br /> Sachverhalte, Schnelle, Quickborn, 1964.<br /> <br /> [14] H.G. Frank and H.W. Franke, A¨ sthetische Information.<br /> Eine Einfu¨hrung in die kybernetische A¨ sthetik, KoPa¨ d,<br /> Munich, 1997.<br /> <br /> [15] R. Garnich, Konstruktion Design Ästhetik, Dr. phil.<br /> diss., University of Stuttgart, 1968.<br /> <br /> [16] C. Gianetti, Cybernetic aesthetics and communication, a<br /> theme in the MediaArtNet database, no date. Available<br /> at http://www.medienkunstnetz.de/themes/aesthetics_of_the_digital/cybernetic_aesthetics, accessed 1 August<br /> 2011.<br /> <br /> [17] R. Gunzenha¨ user, Ästhetisches Maß und ästhetische<br /> Information, Schnelle, Quickborn, 1962.<br /> <br /> [18] G.R. Kiefer, Zur Semiotisierung der Umwelt. Eine<br /> exemplarische Ero¨rterung der sekunda¨ren Architektur,<br /> Dr. phil. diss., University of Stuttgart, 1970.<br /> <br /> [19] M. Kiemle, Ästhetische Probleme der Architektur unter<br /> dem Aspekt der Informations a¨sthetik, Schnelle,<br /> Qickborn, 1967.<br /> <br /> [20] T. Lutz, U¨ ber ein Programm zur Erzeugung stochastischlogistischer<br /> Texte, Grundl. studien aus Kyb. u.<br /> Geisteswiss. 1 (1960), pp. 11–16.<br /> <br /> [21] S. Maser, Numerische Ästhetik, Habil. diss., University<br /> of Stuttgart, 1970.<br /> <br /> [22] A.A. Moles, Information Theory and Esthetic Perception,<br /> University of Illinois Press, Urbana, IL, 1968 (French<br /> original 1958).<br /> <br /> [23] F. Nake, Äthetik als Informationsverarbeitung,<br /> Springer, Wien and New York, 1974.<br /> <br /> [24] G. Nees, Generative Computergraphik, Siemens, Munich,<br /> 1969 (2nd ed. with a new introduction, Kaleidoskopien<br /> 6, Berlin, 2006).<br /> <br /> [25] C.E. Shannon and W. Weaver, The<br /> Mathematical Theory of Communication,<br /> University of Illinois Press, Urbana, IL, 1964 (first<br /> printing 1949).<br /> <br /> [26] C.P. Snow, The Two Cultures and the Scientific<br /> Revolution, The Rede Lecture 1959, Cambridge<br /> University Press, Cambridge, 1959.<br /> Journal of Mathematics and the Arts 75<br /> Downloaded by<br /> <br /> == Links == <br /> <br /> === Full Text === <br /> <br /> <br /> [[internal file]] <br /> <br /> <br /> === Sonstige Links ===</div>

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