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		<id>http://de.evo-art.org/index.php?action=history&amp;feed=atom&amp;title=Informational_Dialogue_with_Van_Gogh%27s_Paintings</id>
		<title>Informational Dialogue with Van Gogh&#039;s Paintings - Versionsgeschichte</title>
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		<id>http://de.evo-art.org/index.php?title=Informational_Dialogue_with_Van_Gogh%27s_Paintings&amp;diff=31981&amp;oldid=prev</id>
		<title>Gubachelier am 9. November 2015 um 12:14 Uhr</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Informational_Dialogue_with_Van_Gogh%27s_Paintings&amp;diff=31981&amp;oldid=prev"/>
				<updated>2015-11-09T12:14:55Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Nächstältere Version&lt;/td&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Version vom 9. November 2015, 12:14 Uhr&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l13&quot; &gt;Zeile 13:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 13:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Bibtex == &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Bibtex == &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; @inproceedings{Rigau:2008:IDV:2381333.2381353,&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; author = {Rigau, Jaume and Feixas, Miquel and Sbert, Mateu},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; title = {Informational Dialogue with Van Gogh&amp;#039;s Paintings},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; booktitle = {Proceedings of the Fourth Eurographics Conference on Computational Aesthetics in Graphics, Visualization and Imaging},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; series = {Computational Aesthetics&amp;#039;08},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; year = {2008},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; isbn = {978-3-905674-08-8},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; location = {Lisbon, Portugal},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; pages = {115--122},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; numpages = {8},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; url = {http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/115-122, http://de.evo-art.org/index.php?title=Informational_Dialogue_with_Van_Gogh&amp;#039;s_Paintings },&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; doi = {10.2312/COMPAESTH/COMPAESTH08/115-122},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; acmid = {2381353},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; publisher = {Eurographics Association},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; address = {Aire-la-Ville, Switzerland, Switzerland},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; } &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Used References ==	&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Used References ==	&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gubachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Informational_Dialogue_with_Van_Gogh%27s_Paintings&amp;diff=1944&amp;oldid=prev</id>
		<title>Gbachelier: Die Seite wurde neu angelegt: „  == Reference == Jaume Rigau, Miquel Feixas, Mateu Sbert: Informational Dialogue with Van Gogh&#039;s Paintings. In: Douglas W. Cunningham, Victoria Interrante, Pa…“</title>
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				<updated>2014-12-02T16:47:28Z</updated>
		
		<summary type="html">&lt;p&gt;Die Seite wurde neu angelegt: „  == Reference == Jaume Rigau, Miquel Feixas, Mateu Sbert: Informational Dialogue with Van Gogh&amp;#039;s Paintings. In: Douglas W. Cunningham, Victoria Interrante, Pa…“&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Neue Seite&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&lt;br /&gt;
&lt;br /&gt;
== Reference ==&lt;br /&gt;
Jaume Rigau, Miquel Feixas, Mateu Sbert: Informational Dialogue with Van Gogh&amp;#039;s Paintings. In: Douglas W. Cunningham, Victoria Interrante, Paul Brown, Jon McCormack (Eds.): Eurographics Workshop on Computational Aesthetics, 2008. 115-122&lt;br /&gt;
&lt;br /&gt;
== DOI ==&lt;br /&gt;
http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH08/115-122 &lt;br /&gt;
&lt;br /&gt;
== Abstract ==&lt;br /&gt;
From the pioneering work by Birkhoff, several measures have been proposed to quantify the aesthetic content of art. After Bense&amp;#039;s application of information theory to Birkhoff&amp;#039;s ideas, the concept of informational aesthetics appears. In this paper, we analyze a selection of van Gogh&amp;#039;s paintings using a set of informational aesthetic measures based on the entropy of the palette, the compressibility of the image, and an information channel to capture the basic structure of the painting. The values of these measures match fairly well against the different styles in van Gogh&amp;#039;s work and allow a quantitative description of these periods. In addition, we present two new measures which quantify the information associated with both color and canvas regions and enable us to visualize the most salient colors and elements of a painting.We believe that informational aesthetic measures can contribute to discovering relevant characteristics of a painting or of a painter&amp;#039;s style.&lt;br /&gt;
&lt;br /&gt;
== Extended Abstract ==&lt;br /&gt;
&lt;br /&gt;
== Bibtex == &lt;br /&gt;
&lt;br /&gt;
== Used References ==	&lt;br /&gt;
J. L. Aragón , Gerardo G. Naumis , M. Bai , M. Torres , P. K. Maini, Turbulent Luminance in Impassioned van Gogh Paintings, Journal of Mathematical Imaging and Vision, v.30 n.3, p.275-283, March 2008  http://dx.doi.org/10.1007/s10851-007-0055-0&lt;br /&gt;
&lt;br /&gt;
BENSE M.: Einführung in die informationsthe-oretische Ästhetik. Grundlegung und Anwendung in der Texttheorie (Introduction to the Information-theoretical Aesthetics. Foundation and Application in the Text Theory). Rowohlt Taschenbuch Verlag GmbH., 1969.&lt;br /&gt;
&lt;br /&gt;
BIRKHOFF G. D.: Aesthetic Measure. Harvard University Press, 1933.&lt;br /&gt;
&lt;br /&gt;
BROOKS D.: The Vincent van Gogh Gallery. http://www.vggallery.com, 2008.&lt;br /&gt;
&lt;br /&gt;
Thomas M. Cover , Joy A. Thomas, Elements of information theory, Wiley-Interscience, New York, NY, 1991 http://dl.acm.org/citation.cfm?id=129837&amp;amp;CFID=588525319&amp;amp;CFTOKEN=29804931&lt;br /&gt;
&lt;br /&gt;
Gary Greenfield, On the origins of the term &amp;quot;Computational aesthetics&amp;quot;, Proceedings of the First Eurographics conference on Computational Aesthetics in Graphics, Visualization and Imaging, May 18-20, 2005, Girona, Spain  http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH05/009-012&lt;br /&gt;
&lt;br /&gt;
Florian Hoenig, Defining computational aesthetics, Proceedings of the First Eurographics conference on Computational Aesthetics in Graphics, Visualization and Imaging, May 18-20, 2005, Girona, Spain  http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH05/013-018&lt;br /&gt;
&lt;br /&gt;
Ming Li , Xin Chen , Xin Li , Bin Ma , P. M.B. Vitanyi, The similarity metric, IEEE Transactions on Information Theory, v.50 n.12, p.3250-3264, December 2004  http://dx.doi.org/10.1109/TIT.2004.838101&lt;br /&gt;
&lt;br /&gt;
LUBIN A. J.: Stranger On The Earth: A Psychological Biography Of Vincent Van Gogh. Da Capo Press, 1996.&lt;br /&gt;
&lt;br /&gt;
Ming Li , Paul Vitányi, An introduction to Kolmogorov complexity and its applications (2nd ed.), Springer-Verlag New York, Inc., Secaucus, NJ, 1997 http://dl.acm.org/citation.cfm?id=261084&amp;amp;CFID=588525319&amp;amp;CFTOKEN=29804931&lt;br /&gt;
&lt;br /&gt;
Penousal Machado , Amílcar Cardoso, Computing Aethetics, Proceedings of the 14th Brazilian Symposium on Artificial Intelligence: Advances in Artificial Intelligence, p.219-228, November 04-06, 1998 http://dl.acm.org/citation.cfm?id=669151&amp;amp;CFID=588525319&amp;amp;CFTOKEN=29804931&lt;br /&gt;
&lt;br /&gt;
MOLES A.: Information Theory and Esthetic Perception. University of Illinois Press, 1968.&lt;br /&gt;
&lt;br /&gt;
NAKE F.: Ästhetik als Informationsverarbeitung: Grundlagen und Anwendungen der Informatik im Bereich ästhetischer Produktion und Kritik. Springer-Verlag, 1974.&lt;br /&gt;
&lt;br /&gt;
RIGAU J., FEIXAS M., SBERT M.: An information theoretic framework for image segmentation. In IEEE International Conference on Image Processing (ICIP &amp;#039;04) (October 2004), vol. 2, IEEE Press, pp. 1193-1196.&lt;br /&gt;
&lt;br /&gt;
Jaume Rigau , Miquel Feixas , Mateu Sbert, Conceptualizing Birkhoff&amp;#039;s aesthetic measure using Shannon entropy and Kolmogorov complexity, Proceedings of the Third Eurographics conference on Computational Aesthetics in Graphics, Visualization and Imaging, June 20-22, 2007, Alberta, Canada  http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH07/105-112&lt;br /&gt;
&lt;br /&gt;
Jaume Rigau , Miquel Feixas , Mateu Sbert, Informational Aesthetics Measures, IEEE Computer Graphics and Applications, v.28 n.2, p.24-34, March 2008  http://dx.doi.org/10.1109/MCG.2008.34&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Links ==&lt;br /&gt;
=== Full Text === &lt;br /&gt;
http://ima.udg.edu/~rigau/Publications/Rigau08C.pdf&lt;br /&gt;
&lt;br /&gt;
[[intern file]]&lt;br /&gt;
&lt;br /&gt;
=== Sonstige Links ===&lt;br /&gt;
http://dl.acm.org/citation.cfm?id=2381333.2381353&amp;amp;coll=DL&amp;amp;dl=GUIDE&amp;amp;CFID=588525319&amp;amp;CFTOKEN=29804931&lt;/div&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

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