http://de.evo-art.org/index.php?action=history&feed=atom&title=Interactive_pen-and-ink_illustration 2026-04-04T22:44:10Z Versionsgeschichte dieser Seite in de_evolutionary_art_org MediaWiki 1.27.4 http://de.evo-art.org/index.php?title=Interactive_pen-and-ink_illustration&diff=1075&oldid=prev 2014-11-08T20:39:40Z

<p>Die Seite wurde neu angelegt: „ == Reference == Salisbury, M.P., Anderson, S.E., Barzel, R., Salesin, D.H. (1994). Interactive pen-and-ink illustration. In: Proc. ACM SIGGRAPH. Florida, USA,…“</p> <p><b>Neue Seite</b></p><div><br /> == Reference ==<br /> Salisbury, M.P., Anderson, S.E., Barzel, R., Salesin, D.H. (1994). Interactive pen-and-ink illustration. In: Proc. ACM SIGGRAPH. Florida, USA, 101–108. <br /> <br /> == DOI ==<br /> http://dx.doi.org/10.1145/192161.192185 <br /> <br /> == Abstract ==<br /> <br /> We present an interactive system for creating pen-and-ink illustrations. The system uses stroke textures—collections of strokes arranged in different patterns—to generate texture and tone. The user “paints” with a desired stroke texture to achieve a desired tone, and the computer draws all of the individual strokes.The system includes support for using scanned or rendered images for reference to provide the user with guides for outline and tone. By following these guides closely, the illustration system can be used for interactive digital halftoning, in which stroke textures are applied to convey details that would otherwise be lost in this black-and-white medium.By removing the burden of placing individual strokes from the user, the illustration system makes it possible to create fine stroke work with a purely mouse-based interface. Thus, this approach holds promise for bringing high-quality black-and-white illustration to the world of personal computing and desktop publishing.<br /> <br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> <br /> == Used References ==<br /> Brian Cabral , Leith Casey Leedom, Imaging vector fields using line integral convolution, Proceedings of the 20th annual conference on Computer graphics and interactive techniques, p.263-270, September 1993 http://doi.acm.org/10.1145/166117.166151<br /> <br /> J Canny, A computational approach to edge detection, IEEE Transactions on Pattern Analysis and Machine Intelligence, v.8 n.6, p.679-698, Nov. 1986 http://dx.doi.org/10.1109/TPAMI.1986.4767851<br /> <br /> Tunde Cockshott, John Patterson, and David England. Modelling the Texture of Paint. In Proceedings of EUROGRAPHICS &#039;92, pages C- 217 to C-226, September 1992.<br /> <br /> Adam Finkelstein , David H. Salesin, Multiresolution curves, Proceedings of the 21st annual conference on Computer graphics and interactive techniques, p.261-268, July 1994 http://doi.acm.org/10.1145/192161.192223<br /> <br /> M. Gangnet , J.-C. Hervé , T. Pudet , J.-M. van Thong, Incremental computation of planar maps, Proceedings of the 16th annual conference on Computer graphics and interactive techniques, p.345-354, July 1989 http://doi.acm.org/10.1145/74333.74369<br /> <br /> Arthur L. Guptill. Rendering in Pen and Ink. Watson-Guptill Publica-tions, New York, 1976.<br /> <br /> Paul Haeberli, Paint by numbers: abstract image representations, Proceedings of the 17th annual conference on Computer graphics and interactive techniques, p.207-214, September 1990, Dallas, TX, USA http://doi.acm.org/10.1145/97879.97902<br /> <br /> Paul Haeberli and Mark Segal. Texture Mapping as a Fundamen-tal Drawing Primitive. In Proceedings of the Fourth Annual EURO-GRAPHICS Workshop on Rendering, pages 259-266, Paris, June 1993. Ecole Normale Superieure.<br /> <br /> Douglas Kirkland. Icons. Collins Publishers San Francisco, San Fran-cisco, California, 1993.<br /> <br /> John-Peter Lewis, Texture synthesis for digital painting, Proceedings of the 11th annual conference on Computer graphics and interactive techniques, p.245-252, January 1984 http://doi.acm.org/10.1145/800031.808605<br /> <br /> Theo Pavlidis , Christopher J. Van Wyk, An automatic beautifier for drawings and illustrations, ACM SIGGRAPH Computer Graphics, v.19 n.3, p.225-234, Jul. 1985 http://doi.acm.org/10.1145/325165.325240<br /> <br /> Henry C. Pitz. Ink Drawing Techniques. Watson-Guptill Publications, New York, 1957.<br /> <br /> The Premisys Corporation, Chicago. Squiggle, 1993.<br /> <br /> Takafumi Saito , Tokiichiro Takahashi, Comprehensible rendering of 3-D shapes, Proceedings of the 17th annual conference on Computer graphics and interactive techniques, p.197-206, September 1990, Dallas, TX, USA http://doi.acm.org/10.1145/97879.97901<br /> <br /> Robert Sedgewick, Algorithms, Addison-Wesley Longman Publishing Co., Inc., Boston, MA, 1984<br /> <br /> Gary Simmons. The Technical Pen. Watson-Guptill Publications, New York, 1992.<br /> <br /> Steve Strassmann, Hairy brushes, Proceedings of the 13th annual conference on Computer graphics and interactive techniques, p.225-232, August 1986 http://doi.acm.org/10.1145/15922.15911<br /> <br /> Ivan E. Sutherland, Sketch pad a man-machine graphical communication system, Proceedings of the SHARE design automation workshop, p.6.329-6.346, January 1964 http://doi.acm.org/10.1145/800265.810742<br /> <br /> Robert Ulichney, Digital halftoning, MIT Press, Cambridge, MA, 1987<br /> <br /> Georges Winkenbach , David H. Salesin, Computer-generated pen-and-ink illustration, Proceedings of the 21st annual conference on Computer graphics and interactive techniques, p.91-100, July 1994 http://doi.acm.org/10.1145/192161.192184<br /> <br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> http://grail.cs.washington.edu/pub/papers/pen-and-ink.pdf<br /> <br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===</div>

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