http://de.evo-art.org/index.php?action=history&feed=atom&title=Islamic_Art%3A_An_Exploration_of_Patterns 2026-05-27T13:05:16Z Versionsgeschichte dieser Seite in de_evolutionary_art_org MediaWiki 1.27.4 http://de.evo-art.org/index.php?title=Islamic_Art:_An_Exploration_of_Patterns&diff=4157&oldid=prev 2015-01-30T21:01:11Z

<p>Die Seite wurde neu angelegt: „ == Reference == Carol Bier: <a href="/index.php?title=Islamic_Art:_An_Exploration_of_Patterns" title="Islamic Art: An Exploration of Patterns">Islamic Art: An Exploration of Patterns</a>. In: <a href="/index.php?title=Bridges_2006" title="Bridges 2006">Bridges 2006</a>. Pages 525–532 == DOI == == Abstract == As an historian o…“</p> <p><b>Neue Seite</b></p><div><br /> <br /> == Reference ==<br /> Carol Bier: [[Islamic Art: An Exploration of Patterns]]. In: [[Bridges 2006]]. Pages 525–532 <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> As an historian of Islamic art in the Department of Art History at the Maryland Institute College of Art, I am<br /> continually learning as I endeavor to teach my students about pattern. Teaching about pattern in Islamic art has<br /> facilitated my own exploration of geometry in ways that also benefits my students. This visual presentation<br /> explores the results of a single assignment that pertains to coloring a linear plate reproduced in Bourgoin’s classic<br /> work [6], Arabic Geometrical Pattern and Design.<br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> <br /> == Used References ==<br /> [1] Albers, J. Interaction of Color. Yale University Press, New Haven. 1975.<br /> <br /> [2] Bier, C. MICA Student Practicums, http://mathforum.org/geomtery/rugs/resources/practicums, 2005.<br /> <br /> [3] Bier, C. “Symmetry and Symmetry-Breaking: An Approach to Understanding Beauty,” Renaissance Banff - Bridges:<br /> Mathematical Connections in Art, Music, and Science, ed. R. Sarhangi and R.V. Moody, pp. 219-26.<br /> <br /> [4] Bier, C. “Geometry and the Interpretation of Meaning: Two Monuments in Iran,” Bridges: Mathematical Connections in Art,<br /> Music, and Science (conference proceedings, July 2002), ed. Reza Sarhangi, Winfield, KS. Pp. 67-78. 2002.<br /> <br /> [5] Bier, C. and Masunaga, D. “Islamic Art at Doris Duke’s Shangri La: Playing with Form and Pattern,” Bridges: Mathematical<br /> Connections in Art, Music, and Science, eds. R. Sarhangi and C. Sequin, pp. 251-58. 2004.<br /> <br /> [6] Bourgoin, J. Arabic Geometrical Pattern and Design. [Repr. 1879] Dover, New York. 1973.<br /> <br /> [7] Beyer, J. Designing Tessellations: The Secret of Interlocking Pattern, Contemporary Books, 1999.<br /> <br /> [8] Castéra, J-M. Arabesques: Decorative Art in Morocco. ACR Éd.Intl. Courbevoie (Paris). 1999.<br /> <br /> [9] Devlin, K. Mathematics: The Science of Patterns. Scientific American Library. 1994.<br /> <br /> [10] Grünbaum, B. and G. C. Shephard. Tilings and Patterns. W. H. Freeman, New York. 1987.<br /> <br /> [11] Komaroff, L. and Carboni, S. The Legacy of Genghis Khan: Courtly Art and Culture in Western Asia, 1256-1353. The<br /> Metropolitan Museum of Art, New York, and Yale University Press, New Haven. 2002.<br /> <br /> [12] Lee, A.J. “Islamic Star Patterns,” Muqarnas 4, pp. 182-97. 1987.<br /> <br /> [13] Loeb, A.L. Color and Symmetry. John Wiley &amp; Sons, New York. 1971.<br /> <br /> [14] Schattschneider, D. M.C. Escher: Visions of Symmetry. Abrams, New York NY. Revised edition, 2004.<br /> <br /> [15] Stevens, P. Handbook of Regular Patterns: An Introduction to Symmetry in Two Dimensions. MIT Press, Cambridge,<br /> Massachusetts and London. 1981; Patterns in Nature.<br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> http://archive.bridgesmathart.org/2006/bridges2006-525.pdf<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> http://archive.bridgesmathart.org/2006/bridges2006-525.html</div>

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