http://de.evo-art.org/index.php?action=history&feed=atom&title=Magic_Geometry%3A_Mosaics_in_the_Alhambra 2026-04-20T09:54:50Z Versionsgeschichte dieser Seite in de_evolutionary_art_org MediaWiki 1.27.4 http://de.evo-art.org/index.php?title=Magic_Geometry:_Mosaics_in_the_Alhambra&diff=4254&oldid=prev 2015-01-31T21:09:31Z

<p>Die Seite wurde neu angelegt: „ == Reference == Miroslav Lovric: <a href="/index.php?title=Magic_Geometry:_Mosaics_in_the_Alhambra" title="Magic Geometry: Mosaics in the Alhambra">Magic Geometry: Mosaics in the Alhambra</a>. In: <a href="/index.php?title=Bridges_2003" title="Bridges 2003">Bridges 2003</a>. Pages 423–432 == DOI == == Abstract == There is much…“</p> <p><b>Neue Seite</b></p><div><br /> <br /> == Reference ==<br /> Miroslav Lovric: [[Magic Geometry: Mosaics in the Alhambra]]. In: [[Bridges 2003]]. Pages 423–432 <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> There is much to see and admire in the Alhambra Palace: its exquisite rooms, decorated with stone and<br /> wood carvings, finest ornaments, and calligraphy; night sky represented in ceilings built of thousands of<br /> pieces of wood; gardens, courtyards and fountains; monuments, towers, archways - the list is endless.<br /> Quite possibly, an immense wealth of ornamental patterns, friezes, mosaics, star designs, and brickwork<br /> motifs tops the list. Among those, mosaics are perhaps the most interesting and the most intriguing.<br /> Scientists and artists working in the Islamic world pushed geometry to its limits, creating patterns and<br /> configurations whose sophistication has never been surpassed. Investigating numerous possibilities, based<br /> on experience and long tradition, builders of mosaics in the Alhambra created them all - in the sense of<br /> the mathematics theorem on the classification of plane crystallographic groups (or wallpaper patterns).<br /> Mosaics are an invitation for a &#039;dynamic&#039; experience, different from enjoying a picture of a landscape.<br /> Our eye is not able to focus on one location; there is no centre, no boundary and no preferred direction.<br /> This paper suggests the use of a vocabulary from geometry to express some of our visual experiences<br /> related to mosaics.<br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> <br /> == Used References ==<br /> [AS] SJ. Abas, A.S. Salman, Symmetries o/Islamic Geometric Patterns, World Scientific, 1995.<br /> <br /> [C] K. Critchlow, Islamic Patterns: An Analytical and Cosmological Approach, Thames and<br /> Hudson, 1976.<br /> <br /> [GGS] B. Grunbaum,Z. Grunbaum, G.C. Sheppard, Symmetry in Moorish and Other Ornaments,<br /> Compo &amp; Maths. With Appls. Vol. 12B, Nos. 3/4, pp. 641-653, 1986.<br /> <br /> [GS] B. Grunbaum, G.C. Sheppard, Tilings and Patterns, W.H. Freeman and Co, 1987.<br /> <br /> [Ma] B.P. Maldonado, Estudios Sombre La Alhambra, I, Patronato de la Alhambra, 1975.<br /> <br /> [MO] E.MOller, Gruppentheoretisched und Strukturanalytische Untersuchung der Maurischen<br /> Ornamente aus der Alhambra in Granada, Ph.D. thesis, University of ZUrich, Baublatt,<br /> ROschlikon, 1944.<br /> <br /> [PG] R. Perez-Gomez, The Four Regular Mosaics Missing in the Alhambra, Comput. Math.<br /> Applic, Vol. 14, No.2, pp. 133-137, 1987.<br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> http://archive.bridgesmathart.org/2003/bridges2003-423.pdf<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> http://archive.bridgesmathart.org/2003/bridges2003-423.html</div>

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