http://de.evo-art.org/index.php?action=history&feed=atom&title=Masterpiece%3A_Interactive_Evolution_in_Visual_Domain 2026-05-17T12:12:02Z Versionsgeschichte dieser Seite in de_evolutionary_art_org MediaWiki 1.27.4 http://de.evo-art.org/index.php?title=Masterpiece:_Interactive_Evolution_in_Visual_Domain&diff=4114&oldid=prev 2015-01-30T11:38:19Z

<p>Die Seite wurde neu angelegt: „ == Reference == Artemis Moroni, Rafael Bocaletto Maiolla and and Jônatas Manzolli: <a href="/index.php?title=Masterpiece:_Interactive_Evolution_in_Visual_Domain" title="Masterpiece: Interactive Evolution in Visual Domain">Masterpiece: Interactive Evolution in Visual Domain</a>. In: Bridges 20…“</p> <p><b>Neue Seite</b></p><div><br /> <br /> == Reference ==<br /> Artemis Moroni, Rafael Bocaletto Maiolla and and Jônatas Manzolli: [[Masterpiece: Interactive Evolution in Visual Domain]]. In: [[Bridges 2008]]. Pages 409–412 <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> A research on interactive generation of visual composition is described here. This paper introduces MasterPiece, an<br /> evolutionary environment implemented as a tool for manipulating visual structures using genetic algorithms.<br /> MasterPiece allows to evolve visual compositions and also to genetically manipulate, edit, store and recover them,<br /> acting as a laboratory for experiences applied to the visual composition. Visual compositions are considered here as<br /> two-dimensional images generated by the computer by combining pre-defined shapes inspired in a Kandinsky<br /> artwork. Some visual results are presented.<br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> <br /> == Used References ==<br /> [1] Dawkins, R.: The Blind Watchmaker. Penguin Books, London (1991)<br /> <br /> [2] Todd, S., Latham, W.: Evolutionary Art and Computers. Academic Press (1992)<br /> <br /> [3] Bentley, P., Corne, D.: Creative Evolutionary Systems. Morgan Kaufmann, San Francisco (2002)<br /> <br /> [4] Goldberg, D. E.: The Race, the Hurdle, and the Sweet Spot: Lessons from Genetic Algorithms for the<br /> Automation of Design Innovation and Creativity. In: Bentley, P. (ed.), Evolutionary Design by<br /> Computers, pp. 105—118. Morgan Kaufmann, San Francisco (1999)<br /> <br /> [5] http://lispsfmp.wordpress.com/2008/02/24/wassily-kandinsky/<br /> <br /> [6] Holland, J. H. Adaptation in Natural and Artificial Systems. University of Michigan Press, (1975)<br /> <br /> [7] Sims, K.: Interactive Evolution of Equations for Procedural Models. The Visual Computer 9, 466—<br /> 476 (1993)<br /> <br /> [8] Kandinsky, W. Point and Line to Plane. Dover, 1979.<br /> <br /> [9] Kandinsky, W. Concerning the Spiritual in Art. Dover, 1977.<br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> http://archive.bridgesmathart.org/2008/bridges2008-409.pdf<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> http://archive.bridgesmathart.org/2008/bridges2008-409.html</div>

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