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<p>Die Seite wurde neu angelegt: „ == Reference == <a href="/index.php?title=Craig_S._Kaplan" title="Craig S. Kaplan">Craig S. Kaplan</a>: <a href="/index.php?title=Metamorphosis_in_Escher%E2%80%99s_Art" title="Metamorphosis in Escher’s Art">Metamorphosis in Escher’s Art</a>. In: <a href="/index.php?title=Bridges_2008" title="Bridges 2008">Bridges 2008</a>. Pages 39–46 == DOI == == Abstract == M.C. Escher returne…“</p> <p><b>Neue Seite</b></p><div><br /> <br /> == Reference ==<br /> [[Craig S. Kaplan]]: [[Metamorphosis in Escher’s Art]]. In: [[Bridges 2008]]. Pages 39–46 <br /> <br /> == DOI ==<br /> <br /> == Abstract ==<br /> M.C. Escher returned often to the themes of metamorphosis and deformation in his art, using a small set of pictorial<br /> devices to express this theme. I classify Escher’s various approaches to metamorphosis, and relate them to the works<br /> in which they appear. I also discuss the mathematical challenges that arise in attempting to formalize one of these<br /> devices so that it can be applied reliably.<br /> <br /> == Extended Abstract ==<br /> <br /> == Bibtex == <br /> <br /> == Used References ==<br /> [1] F. H. Bool, J. R. Kist, J. L. Locher, and F. Wierda. M. C. Escher: His Life and Complete Graphic<br /> Work. Harry N. Abrams, Inc., 1992.<br /> <br /> [2] Bart de Smit and Henrik W. Lenstra. The mathematical structure of Escher’s Print Gallery. Notices of<br /> the American Mathematical Society, 50(4):446–451, 2003.<br /> <br /> [3] Douglas J. Dunham. Creating hyperbolic escher patterns. In H. S. M. Coxeter et al., editor, M.C. Es-<br /> cher: Art and Science, pages 241–247. Elsevier Science Publishers B.V., 1986.<br /> <br /> [4] Bruno Ernst. The Magic Mirror of M. C. Escher. Ballantine Books, New York, 1976.<br /> <br /> [5] M. C. Escher. Escher on Escher: Exploring the Infinite. Henry N. Abrams, Inc., 1989. Translated by<br /> Karin Ford.<br /> <br /> [6] Branko Gr ̈unbaum and G. C. Shephard. Tilings and Patterns. W. H. Freeman, 1987.<br /> <br /> [7] Douglas Hofstadter. Metamagical Themas: Questing for the Essence of Mind and Pattern. Bantam<br /> Books, 1986.<br /> <br /> [8] Craig S. Kaplan and David H. Salesin. Escherization. In Proceedings of the 27th annual confer-<br /> ence on Computer graphics and interactive techniques (SIGGRAPH 2000), pages 499–510. ACM<br /> Press/Addison-Wesley Publishing Co., 2000.<br /> <br /> [9] Craig S. Kaplan and David H. Salesin. Dihedral Escherization. In GI ’04: Proceedings of the 2004<br /> conference on Graphics interface, pages 255–262. Canadian Human-Computer Communications So-<br /> ciety, 2004.<br /> <br /> [10] J. F. Rigby. Butterflies and snakes. In H. S. M. Coxeter et al., editor, M.C. Escher: Art and Science,<br /> pages 211–220. Elsevier Science Publishers B.V., 1986.<br /> <br /> [11] Doris Schattschneider. M.C. Escher: Visions of Symmetry. Harry N. Abrams, second edition, 2004.<br /> <br /> [12] Thomas W. Sederberg, Peisheng Gao, Guojin Wang, and Hong Mu. 2D shape blending: An intrinsic<br /> solution to the vertex path problem. In James T. Kajiya, editor, Computer Graphics (SIGGRAPH ’93<br /> Proceedings), volume 27, pages 15–18, aug 1993.<br /> <br /> [13] Jane Yen and Carlo S ́equin. Escher sphere construction kit. In Proceedings of the 2001 symposium on<br /> Interactive 3D graphics, pages 95–98. ACM Press, 2001.<br /> <br /> <br /> == Links ==<br /> === Full Text === <br /> http://archive.bridgesmathart.org/2008/bridges2008-39.pdf<br /> <br /> [[intern file]]<br /> <br /> === Sonstige Links ===<br /> http://archive.bridgesmathart.org/2008/bridges2008-39.html</div>

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