Gbachelier: Die Seite wurde neu angelegt: „ == Reference == Machado, P., Cardoso, A.: Model Proposal for a Constructed Artist. In: Callaos, N. et al.: (eds.) In: Proc. SCI’97/ISAS’97. Caracas, vol …“

2014-11-08T11:45:27Z

Die Seite wurde neu angelegt: „ == Reference == Machado, P., Cardoso, A.: Model Proposal for a Constructed Artist. In: Callaos, N. et al.: (eds.) In: Proc. SCI’97/ISAS’97. Caracas, vol …“

Neue Seite

== Reference ==
Machado, P., Cardoso, A.: Model Proposal for a Constructed Artist. In: Callaos, N. et al.: (eds.) In: Proc. SCI’97/ISAS’97. Caracas, vol II, pp. 521–528 (1997).

== DOI ==
http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.37.886

== Abstract ==
This paper is dedicated to the development of constructed
artists, i.e., computer programs capable of creating artworks
with little or no human intervention. We make an analysis and
critic of some of the most prominent work on this field. We
give a description of the main characteristics that a system
should have, in order to be considered a constructed artist.
These characteristics include the capacity of making aesthetic
judgments, which takes us to the origins of art and aesthetics,
for which we present a brief theory. Finally we propose a
model for the development of a constructed artist. This model
has the capability of performing aesthetic evaluation, through
the use of neural networks. The images are generated using a
genetic algorithm, and represented using Fractal Image
Encoding. This type of methodology allows the representation
and, consequently, the generation of any type of image.

== Extended Abstract ==

== Bibtex ==

== Used References ==
[1] D. Morris, The Biology of Art.

[2] D. Morris, The Human Animal, BBC Books, 1994.

[3] D. Schattschneider, Escher, M. C. - Visions of symmetry,
W. H. Freeman and Company, 1990.

[4] E. Burton, “Representing Representation: AI and
Drawing”, Computers & Art, Intellect Books 1997, pp.55-
75.

[5] F. Pereira, L. Macedo, C. Grilo, A. Cardoso, “Towards a
Computational Case-Based Model for Creative Planning”,
First European Workshop on Cognitive Modeling, 1996.

[6] G. Vignaux, Les Sciences Cognitives - Une Introduction,
Éditions La Décoverte, 1992.

[7] J. Graf, W. Banzhaf, “Interactive Evolution Of Images”,
Evolutionary Programming IV, MIT Press, 1995.

[8] K. Sims, “Artificial Evolution for Computer Graphics”,
SIGGRAPH’91, Computer Graphics, Vol. 25, No. 4, pp.
319-328, ACM.

[9] L. Spector, A. Alpern, “Criticism, Culture, and the
Automatic Generation of Artwork”s, AAAI-94, MIT Press.
[10]L. Tolstoy, What is Art,.

[11]L.A. Quintás, Estética de la Creatividad. Promociones e
Publicaciones Universitarias S. A.,1987.

[12]M. Graves, Test de Apreciacion de Dibujos, The
Psychological Corporation, 1977.

[13]M. Minsky, The Society of Mind. Simon & Schuster,
1986.

[14]M.F. Barnsley, Fractals Everywhere (Second ed.),
Academic Press Professional, 1993.

[15]R. Dawkins, The Blind Watchmaker, W.W. Norton &
Company Inc., 1987.

[16]R. Kurzweil, The Age of the Intelligent Machines, 1990.

[17]S. Baluja, D. Pomerlau, J. Todd, “Towards Automated
Artificial Evolution for Computer-Generated Images”.
Connection Science, 6(2), 1994, pp. 325-354.

[18]Y. Fisher (Ed.), Fractal Image Compression - Theory and
Application, Springer-Verlag, 1994.

== Links ==
=== Full Text ===
http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/mc97.pdf

[[intern file]]

=== Sonstige Links ===

Model Proposal for a Constructed Artist - Versionsgeschichte

Gbachelier: Die Seite wurde neu angelegt: „ == Reference == Machado, P., Cardoso, A.: Model Proposal for a Constructed Artist. In: Callaos, N. et al.: (eds.) In: Proc. SCI’97/ISAS’97. Caracas, vol …“