Gbachelier: Die Seite wurde neu angelegt: „ == Reference == P. Machado and J. Romero: On Evolutionary Computer-Generated Art. The Evolutionary Review: Art, Science, Culture, vol. 2, iss. 1, pp. 156-170,…“

2014-11-10T21:26:28Z

Die Seite wurde neu angelegt: „ == Reference == P. Machado and J. Romero: On Evolutionary Computer-Generated Art. The Evolutionary Review: Art, Science, Culture, vol. 2, iss. 1, pp. 156-170,…“

Neue Seite

== Reference ==
P. Machado and J. Romero: On Evolutionary Computer-Generated Art. The Evolutionary Review: Art, Science, Culture, vol. 2, iss. 1, pp. 156-170, 2011.

== DOI ==

== Abstract ==

== Extended Abstract ==

== Bibtex ==

== Used References ==
Arnheim, Rudolf. Towards a Psychology of Art/Entropy and Art: An
Essay on Disorder and Order. Berkeley: University of California
Press, 1966.

Appel, Kenneth, and Wolfgang Haken. “The Solution of the Four-
Color Map Problem.” Scientific American 237 (1977): 108–21.

Baker, Ellie. “Evolving Line Drawings.” Technical Report TR-21-
93, Harvard University Center for Research in Computing
Technology, 1993.

Baluja, Shumeet, Dean Pomerlau, and Jochem Todd. “Towards
Automated Artificial Evolution for Computer-Generated
Images.” Connection Science 6 (1994): 325–54.

Collomosse, John. “Evolutionary Search for the Artistic Rendering
of Photographs.” In The Art of Artificial Evolution: A Handbook
on Evolutionary Art and Music, edited by Juan Romero and
Penousal Machado, 39–62. Berlin: Springer, 2007.

Darwin, Charles. On the Origin of Species. London: John Murray,
1859.

Dawkins, Richard. The Blind Watchmaker: Why the Evidence of Evolu-
tion Reveals a Universe without Design. New York: W.W. Norton,
1987.

Dennett, Daniel. Darwin’s Dangerous Idea. London: Penguin, 1995.

Dissanayake, Ellen. What Is Art For? Seattle: University of Wash-
ington Press, 1987.

Draves, Scott. Electric Sheep, http://www.electricsheep.org.

———. “Evolution and Collective Intelligence of the Electric
Sheep.” In The Art of Artificial Evolution: A Handbook on Evo-
lutionary Art and Music, edited by Juan Romero and Penousal
Machado, 63–78. Berlin: Springer, 2007.

Dubbin, Greg, and Stanley Kenneth. “Learning to Dance through
Interactive Evolution.” In Applications of Evolutionary Compu-
tation, EvoApplications 2010: EvoCOMNET, EvoENVIRON-
MENT, EvoFIN, EvoMUSART, and EvoTRANSLOG, Istanbul,
Turkey, April 7–9, 2010, Proceedings, Part II, edited by Cecilia
Di Chio et al., 331–40. Berlin: Springer, 2010.

Durbin, Richard, and David Willshaw. “An Analogue Approach
to the Travelling Salesman Problem Using an Elastic Net
Method.” Nature 326 (1987): 689–91.

Field, David, Anthony Hayes, and Robert F. Hess. “The Roles of
Polarity and Symmetry in the Perceptual Grouping of Con-
tour Fragments.” Spatial Vision 1 (2000): 51–66.

Fisher Yuval. Fractal Image Compression: Theory and Application. New
York: Springer, 1995.

Greenfield, Gary. “Co-Evolutionary Methods in Evolutionary Art.”
In The Art of Artificial Evolution: A Handbook on Evolutionary
Art and Music, edited by Juan Romero and Penousal Machado,
357–80. Berlin: Springer, 2007.

———. “Color Dependent Computational Aesthetics for Evolving
Expressions.” In Bridges: Mathematical Connections in Art, Music,
and Science; Conference Proceedings, edited by Reza Sarhangi,
9–16. Winfield, KS: Central Plains Book Manufacturing, 2002.

———. “Evolving Aesthetic Images Using Multiobjective Opti-
mization.” In Evolutionary Computation, CEC 2003 Proceed-
ings, Vol. 3, edited by Bob McKay et al., 1903–09. Canberra,
Australia: IEEE Press, 2003.

———. “Robot Paintings Evolved Using Simulated Robots.” In
Applications of Evolutionary Computing, EvoWorkshops 2006:
EvoBIO, EvoCOMNET, EvoHOT, EvoIASP, EvoINTERAC-
TION, EvoMUSART, and EvoSTOC, Budapest, Hungary, April
10–12, 2006, Proceedings, edited by Franz Rothlauf et al.,
611–21. Berlin: Springer, 2006.

Hart, David August. “Toward Greater Artistic Control for Interac-
tive Evolution of Images and Animation.” In Applications of
Evolutionary Computing, EvoWorkshops 2007: EvoCoMnet, Evo-
FIN, EvoIASP, EvoINTERACTION, EvoMUSART, EvoSTOC
and EvoTransLog Proceedings, edited by Giacobini et al., 527–36.
Berlin: Springer, 2007.

Hemberg, Martin, Achim Menges, Katrin Jonas, Michel da Costa
Gonçalves, and Steve Fuchs. “Genr8: Architects Experience
with an Emergent Design Tool.” In The Art of Artificial Evolu-
tion: A Handbook on Evolutionary Art and Music, edited by Juan
Romero and Penousal Machado, 167–88. Berlin: Springer,
2007.

Hervás, Raquel, Jason Robinson, and Pablo Gervás. “Evolutionary
Assistance in Alliteration and Allelic Drivel.” In Applications of
Evolutinary Computing, EvoWorkshops 2007: EvoCoMnet, Evo-
FIN, EvoIASP,EvoINTERACTION, EvoMUSART, EvoSTOC
and EvoTransLog Proceedings, edited by Giacobini et al., 537–46.
Berlin: Springer, 2007.

Holland, John H. Adaptation in Natural and Artificial Systems. Ann
Arbor, MI: University of Michigan Press, 1975

———. “Building Blocks, Cohort Genetic Algorithms, and
Hyperplane-Defined Functions.” Evolutionary Computation 8
(2000): 373–91.

Hopfield, John. “Neurons with Graded Response Have Collective
Computational Properties Like Those of Two-State Neurons.”
Proceedings of the National Academy of Sciences of the United States
of America 81 (1984): 3088–92.

Jacob, Christian, and Gerald Hushlak. “Evolutionary and Swarm
Design in Science, Art, and Music.” In The Art of Artificial
Evolution: A Handbook on Evolutionary Art and Music, edited
by Juan Romero and Penousal Machado, 145–66. Berlin:
Springer, 2007.

Kirkpatrick, Scott, D. Gelatt Jr., and Mario P. Vecchi. “Optimization
by Simulated Annealing.” Science 220 (1983): 671–80.

Koza, John. Genetic Programming: On the Programming of Computers
by Means of Natural Selection. Cambridge: MIT Press, 1992.

Lewis, Matthew. “Evolutionary Visual Art and Design.” In The Art
of Artificial Evolution: A Handbook on Evolutionary Art and Music,
edited by Juan Romero and Penousal Machado, 3–37. Berlin:
Springer, 2007.

Machado, Penousal, and Amilcar Cardoso. “Computing Aesthetics.”
XIVth Brazilian Symposium on Artificial Intelligence SBIA’98
(Porto Alegre, Brazil), edited by Flávio Moreira de Oliveira,
219–29. Berlin: Springer, 1998.

———.“All the Truth about NEvAr.” Applied Intelligence, Special
Issue on Creative Systems 16 (2002): 101–19

Machado, Penousal, and Fernando Graça. “Evolutionary Pointillist
Modules: Evolving Assemblages of 3D Objects.” In Applica-
tions of Evolutionary Computing, EvoWorkshops 2008: EvoCOM-
NET, EvoFIN, EvoHOT, EvoIASP, EvoMUSART, EvoNUM,
EvoSTOC, and EvoTransLog, Naples, Italy, March 26–28, 2008
Proceedings, edited by Mario Giacobini et al., 453–62. Berlin:
Springer, 2008.

Machado, Penousal, Juan Romero, and Bill Manaris. “Experiments
in Computational Aesthetics: An Iterative Approach to Sty-
listic Change in Evolutionary Art.” In The Art of Artificial
Evolution: A Handbook on Evolutionary Art and Music, edited
by Juan Romero and Penousal Machado, 381–415. Berlin:
Springer, 2007.

McCormack, Jon. “Aesthetic Evolution of L-Systems Revisited.”
Applications of Evolutionary Computing, EvoWorkshops2004:
EvoBIO, EvoCOMNET, EvoHOT, EvoIASP, EvoMUSART,
EvoSTOC (Coimbra, Portugal), edited by Günther Raidl et
al., 475–86. Berlin: Springer, 2004.

———.“Facing the Future: Evolutionary Possibilities for Human-
Machine Creativity.” In The Art of Artificial Evolution: A Hand-
book on Evolutionary Art and Music, edited by Juan Romero and
Penousal Machado, 417–51. Berlin: Springer, 2007.

Miranda, Eduardo Reck, and John Al Biles, eds. Evolutionary Com-
puter Music. London: Springer, 2007.

Neufeld, Craig, Brian Ross, and William Ralph. “The Evolution of
Artistic Filters.” In The Art of Artificial Evolution: A Handbook
on Evolutionary Art and Music, edited by Juan Romero and
Penousal Machado, 335–56. Berlin: Springer, 2007.

Nichio, Kenichi. “Fuzzy Fitness Assignment in an Interactive
Genetic Algorithm for a Cartoon Face Search.” In Genetic
Algorithms and Fuzzy Logic Systems: Soft Computing Perspective,
edited by Elie Sancheze, Takanori Shibata, and Lotfi Zadeh,
175–92. River Edge, NJ: World Scientific Publishing Co.,
1997.

Pontecorvo, Michael S., and Neil Elzenga. “Exploring Designer/
Consumer Dialog in Evolutionary Design Systems.” In AISB
Symposium on Creative Evolutionary Systems, edited by Peter
Bentley and David Corne, 115–24. Brighton: Society for the
Study of Artificial Intelligence and Simulation of Behaviour,
1999.

Romero, Juan and Penousal Machado, eds. The Art of Artificial
Evolution: A Handbook on Evolutionary Art and Music. Berlin:
Springer, 2007.

Sims, Karl. “Artificial Evolution for Computer Graphics.” ACM
Computer Graphics 25 (1991): 319–28.

Saunders, Rob, and John S. Gero. “The Digital Clockwork Muse:
A Computational Model of Aesthetic Evolution” In AISB’01
Symposium on Artificial Intelligence and Creativity in Arts and
Science, edited by Geraint Wiggins, 12–21. Brighton: Soci-
ety for the Study of Artificial Intelligence and Simulation of
Behaviour, 2001.

Takagi, Hideyuki. “Interactive Evolutionary Computation: Fusion
of the Capacities of EC Optimization and Human Evalua-
tion” Proceedings of the IEEE 9, no. 89 (2001): 1275–96.

Teller, Astro. “Smart Machines, and Why We Fear Them.” New York
Times, March 21, 1998.

Todd, Steven, and William Latham. Evolutionary Art and Computers.
Winchester, UK: Academic Press, 1992.

Tyler, Christopher. Human Symmetry Perception and Its Computational
Analysis. Mahwah, NJ: Lawrence Erlbaum Associates, 2002.

World, Linda. “Aesthetic Selection: The Evolutionary Art of Steven
Rooke.” IEEE Computer Graphics and Applications 1 (1996):16.

== Links ==
=== Full Text ===
http://fmachado.dei.uc.pt/wp-content/papercite-data/pdf/mr11.pdf

[[intern file]]

=== Sonstige Links ===

On Evolutionary Computer-Generated Art - Versionsgeschichte

Gbachelier: Die Seite wurde neu angelegt: „ == Reference == P. Machado and J. Romero: On Evolutionary Computer-Generated Art. The Evolutionary Review: Art, Science, Culture, vol. 2, iss. 1, pp. 156-170,…“