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== Reference ==
Gary Greenfield: On the Origins of the Term "Computational Aesthetics". In: László Neumann, Mateu Sbert, Bruce Gooch, Werner Purgathofer (Eds.): Eurographics Workshop on Computational Aesthetics. 2005. 9-12

== DOI ==
http://dx.doi.org/10.2312/COMPAESTH/COMPAESTH05/009-012

== Abstract ==
To provide some background, as well as a historical context, for the Eurographics 2005 Workshop on Graphics, Visualization and Imaging we provide a chronology, complete with references, covering various research activities that invoke the term 'aesthetics" in a computational setting. Much of the research cited focuses on the problem of making numerical assessments of the aesthetic content of works of art.

== Extended Abstract ==

== Bibtex ==

== Used References ==
BEK B., (Ed.): The theory of information and the new aesthetics, bit international, Vol. 1, Zagreb, 1968.

BENSE M.: Aesthetica. Einfuehrung in die neue Aesthetik, Agis-Verlag, Baden-Baden, 1965.

BENSE M.: projekte generativer asthetik, rot, No. 19, Stuttgart, February, 1965.

BENSE M.: kleine abstrakte aesthetik, rot, No. 38, Stuttgart, March, 1969.

BERLYNE D.: Aesthetics and Psychobiology, Appleton-Century Crofts, New York, NY, 1971.

BERLYNE D.: Studies in the new Experimental Aesthetics: Steps Toward an Objective Psychology of Aesthetic Appreciation, Hemisphere Publishing Corporation, Washington, D.C., 1974.

BIRKHOFF G.D.: A Mathematical Theory of Aesthetics, The Rice Institute, Pamphlet, 1932.

BIRKHOFF G.D.: Aesthetic Measure, Harvard University Press, Cambridge, MA, 1933.

BIRKHOFF G.D.: Collected Mathematical Papers, American Mathematical Society, New York, 1950.

BALUJA S., POMERLEAU D., JOCHEM T. Towards automated artificial evolution for computer-generated images, Connection Science, Vol. 6, 1994, 325-354.

DAGSTUHL AESTHETIC COMPUTING WORKSHOP: Aesthetic computing manifesto, Leonardo, Vol. 36, No. 4, 2003, 255.

FISHWICK P., DIEHL S., PROPHET J., LÖWGREN J.: Perspectives on aesthetic computing, Leonardo, Vol. 38, No. 2, 2005, 133-141.

FRANK H.: Informationsästhetik. Grundlagen-probleme und erste Anwendung auf die mime pure, PhD thesis, Schnelle, Quickborn, 1959.

GIANNETTI C.: Cybernetic aesthetics and communication, MECAD e-journal, 2005, www.medienkunstnetz.de/themes/aesthetics_of_ the_digital/cybernetic_aesthetics/.

GREENFIELD G.: Art and artificial life -- a coevolutionary approach. In Artificial Life VII: Proceedings of the Seventh International Conference on Artificial Life, Bedau M. et al, (Eds.), MIT Press, 2000, pp. 529-536.

GREENFIELD G. Simulated aesthetics and evolving artworks: a coevolutionary approach, Leonardo, Vol. 35, No. 3, 2002, 283-289.

GREENFIELD G.: Color dependent computational aesthetics for evolving expressions. In Bridges 2002 Conference Proceedings, Sarhangi R., (Ed.), Central Plain Book Manufacturing, Winfield, KS, 2002, pp. 9-16.

GREENFIELD G.: Computational aesthetics and gaze patterns. In ISAMA-BRIDGES 2003 Conference Proceedings, 2003, pp. 85-92.

Gary R. Greenfield, Computational aesthetics as a tool for creativity, Proceedings of the 5th conference on Creativity & cognition, April 12-15, 2005, London, United Kingdom http://doi.acm.org/10.1145/1056224.1056259

GUNZENHÄUSER R.: Ästhetisches Mass und ästhetische information, PhD thesis, Schnelle, Quickborn, 1962.

KLINGER A., SALINGAROS N.: A pattern measure, Environment and Planning B: Planning and Design, Vol. 27, 2000, 537-547.

LEYTON M.: International Society for Mathematical and Computational Aesthetics, IS-MCA web site, 1994, http://www.rci.rutgers.edu/˜mleyton/ISMA.htm.

LEYTON M.: Personal communication, April 23, 2005.

LINKOV V., STAUDEK. T.: Personality characteristics and aesthetic preference for chaotic curves, Journal of Mathematics & Design, Vol. 4, No. 1, Buenos Aires, AR, June, 2004, 297-304.

Penousal Machado , Amílcar Cardoso, Computing Aethetics, Proceedings of the 14th Brazilian Symposium on Artificial Intelligence: Advances in Artificial Intelligence, p.219-228, November 04-06, 1998 http://dl.acm.org/citation.cfm?id=669151&CFID=588525319&CFTOKEN=29804931

MOLES A.: Information Theory and Esthetic Perception, University of Illinois Press, Urbana, IL, 1968.

MOLES A.: Kybernetik und Kunstwerk, Asthetik, Henckmann W., (Ed.), Darmstadt, 1979, 329-330.

NAKE F.: Ästhetik als Informationsverarbeitung , Springer, Wien, New York, 1974.

NAKE F.: Art in the time of the artificial, Leonardo, Vol. 31, No. 3, 1998, 163-164.

Frieder Nake, Computer art: a personal recollection, Proceedings of the 5th conference on Creativity & cognition, April 12-15, 2005, London, United Kingdom http://doi.acm.org/10.1145/1056224.1056234

RAMOS V.: On the implicit and on the artificial - morphogenesis and emergent aesthetics in autonomous collective systems. In ARCHITOPIA Book Art, Architecture and Science, INSTITUT D'ART CONTEMPORAIN, Maubant J.L. et al, (Eds.), February 2002, Chapter 2, pp. 25-57, http://alfa.ist.utl.pt/cvrm/staff/vramos/ref_37.html.

SCHA R., BOD R.: Computationele Esthetica, Informatie en Informatiebeleid, Vol. 11, No. 1, 1993, 54-63. (English translation obtained from http://iaaa.nl/rs/compestE.html.).

STINY G., GIPS J.: Algorithmic Aesthetics: Computer-Models for Criticism and Design in the Arts, University of California Press, Berkeley, CA, 1978.

STINY G., GIPS J.: Shape grammars and the algorithmic specification of painting and sculpture. In Proceedings of IFIP Congress 71, Volume 2 - Applications, Ljubljana, Yugoslavia, August 23-28, 1971, North-Holland, 1972.

SBERT M., NEUMANN L.: Computational aesthetics for architectural applications, Joint action Girona-Montreal research proposal, 2002.

STAUDEK T.: Exact Aesthetics. Object and Scene to Message, PhD thesis, Faculty of Informatics, Masaryk University of Brno, August, 2002.

Tomáš Staudek , Petr Machala, Recent exact aesthetics applications, ACM SIGGRAPH 2002 conference abstracts and applications, July 21-26, 2002, San Antonio, Texas http://doi.acm.org/10.1145/1242073.1242254

STAUDEK T.: Computer-aided aesthetic evaluation of visual patterns. In ISAMA-BRIDGES 2003 Conference Proceedings, July, 2003, pp. 143-149.

== Links ==
=== Full Text ===
[extern file]

[[intern file]]

=== Sonstige Links ===
http://dl.acm.org/citation.cfm?id=2381219.2381221&coll=DL&dl=GUIDE&CFID=588525319&CFTOKEN=29804931

@@ Zeile 16: / Zeile 16: @@
   booktitle = {Computational Aesthetics in Graphics, Visualization and Imaging},
   editor = {Laszlo Neumann and Mateu Sbert and Bruce Gooch and Werner Purgathofer},
-  title = {{On the Origins of the Term Computational Aesthetics}},
+  title = {On the Origins of the Term Computational Aesthetics},
   author = {Greenfield, Gary},
   year = {2005},

@@ Zeile 13: / Zeile 13: @@
 == Bibtex ==
 == Used References ==
@@ Zeile 94: / Zeile 106: @@
 == Links ==
 === Full Text ===
-[extern file]
+http://ibrarian.net/navon/paper/On_the_Origins_of_the_Term__Computational_Aesthet.pdf?paperid=12360749
 [[intern file]]

On the Origins of the Term "Computational Aesthetics" - Versionsgeschichte

Gubachelier: /* Bibtex */

Gubachelier am 5. November 2015 um 21:13 Uhr

Gbachelier: Die Seite wurde neu angelegt: „ == Reference == Gary Greenfield: On the Origins of the Term "Computational Aesthetics". In: László Neumann, Mateu Sbert, Bruce Gooch, Werner Purgathofer (E…“