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		<id>http://de.evo-art.org/index.php?action=history&amp;feed=atom&amp;title=Open_Problems_in_Evolutionary_Music_and_Art</id>
		<title>Open Problems in Evolutionary Music and Art - Versionsgeschichte</title>
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		<id>http://de.evo-art.org/index.php?title=Open_Problems_in_Evolutionary_Music_and_Art&amp;diff=31663&amp;oldid=prev</id>
		<title>Gubachelier am 1. November 2015 um 21:25 Uhr</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Open_Problems_in_Evolutionary_Music_and_Art&amp;diff=31663&amp;oldid=prev"/>
				<updated>2015-11-01T21:25:02Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Nächstältere Version&lt;/td&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Version vom 1. November 2015, 21:25 Uhr&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l15&quot; &gt;Zeile 15:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 15:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Bibtex == &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Bibtex == &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; @incollection{&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; year={2005},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; isbn={978-3-540-25396-9},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; booktitle={Applications of Evolutionary Computing},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; volume={3449},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; series={Lecture Notes in Computer Science},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; editor={Rothlauf, Franz and Branke, Jürgen and Cagnoni, Stefano and Corne, DavidWolfe and Drechsler, Rolf and Jin, Yaochu and Machado, Penousal and Marchiori, Elena and Romero, Juan and Smith, GeorgeD. and Squillero, Giovanni},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; doi={10.1007/978-3-540-32003-6_43},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; title={Open Problems in Evolutionary Music and Art},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; url={http://dx.doi.org/10.1007/978-3-540-32003-6_43 http://de.evo-art.org/index.php?title=Open_Problems_in_Evolutionary_Music_and_Art },&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; publisher={Springer Berlin Heidelberg},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; author={McCormack, Jon},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; pages={428-436},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; language={English}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; }&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Used References ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Used References ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gubachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Open_Problems_in_Evolutionary_Music_and_Art&amp;diff=654&amp;oldid=prev</id>
		<title>Gbachelier: Die Seite wurde neu angelegt: „    == Reference ==  McCormack, Jon: Open Problems in Evolutionary Music and Art. In: Literatur_zur_Evolution%C3%A4ren_Kunst#EvoMUSART_200…“</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Open_Problems_in_Evolutionary_Music_and_Art&amp;diff=654&amp;oldid=prev"/>
				<updated>2014-10-16T08:24:49Z</updated>
		
		<summary type="html">&lt;p&gt;Die Seite wurde neu angelegt: „    == Reference == &lt;a href=&quot;/index.php?title=Jon_McCormack&quot; title=&quot;Jon McCormack&quot;&gt; McCormack, Jon&lt;/a&gt;: Open Problems in Evolutionary Music and Art. In: Literatur_zur_Evolution%C3%A4ren_Kunst#EvoMUSART_200…“&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Neue Seite&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&lt;br /&gt;
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== Reference ==&lt;br /&gt;
[[Jon McCormack | McCormack, Jon]]: Open Problems in Evolutionary Music and Art. In: [[Literatur_zur_Evolution%C3%A4ren_Kunst#EvoMUSART_2005_2 | EvoMUSART 2005]], S. 428-436. &lt;br /&gt;
&lt;br /&gt;
== DOI ==&lt;br /&gt;
http://link.springer.com/10.1007/978-3-540-32003-6_43&lt;br /&gt;
&lt;br /&gt;
== Abstract ==&lt;br /&gt;
Applying evolutionary methods to the generation of music and art is a relatively new field of enquiry. While there have been some important developments, it might be argued that to date, successful results in this domain have been limited. Much of the present research can be characterized as finding adhoc methods that can produce subjectively interesting results. In this paper, it is argued that a stronger overall research plan is needed if the field is to develop in the longer term and attract more researchers. Five ‘open problems’ are defined and explained as broad principle areas of investigation for evolutionary music and art. Each problem is explained and the impetus and background for it is described in the context of creative evolutionary systems.&lt;br /&gt;
&lt;br /&gt;
== Extended Abstract ==&lt;br /&gt;
&lt;br /&gt;
== Bibtex == &lt;br /&gt;
&lt;br /&gt;
== Used References ==&lt;br /&gt;
Dissanayake, E.: Homo Aestheticus: Where Art Comes from and Why. University of Washington Press, Seattle (1995)&lt;br /&gt;
&lt;br /&gt;
Dissanayake, E.: What Is Art For? University of Washington Press, Seattle (1988)&lt;br /&gt;
&lt;br /&gt;
Pinker, S.: How the Mind Works. Penguin Press, Middlesex (1997)&lt;br /&gt;
&lt;br /&gt;
Miller, G.F.: The Mating Mind: How Sexual Choice Shaped the Evolution of Human Nature. William Heinemann, London (2000)&lt;br /&gt;
&lt;br /&gt;
Brown, D.E.: Human Universals. McGraw-Hill, New York (1991)&lt;br /&gt;
&lt;br /&gt;
Miller, G.F.: Evolution of Human Music through Sexual Selection. In: Wallin, N.L., Merker, B., Brown, S. (eds.) The Origins of Music, pp. 329–360. MIT Press, Cambridge (2000)&lt;br /&gt;
&lt;br /&gt;
Dartnall, T. (ed.): Creativity, Cognition, and Knowledge: An Interaction. Praeger, Westport, Connecticut, London (2002)&lt;br /&gt;
 &lt;br /&gt;
Bedau, M.A., McCaskill, J.S., Packard, N.H., Rasmussen, S., Adami, C., Green, D., Ikegami, T., Kaneko, K., Ray, T.S.: Open Problems in Artificial Life. Artificial Life 6(4), 363–376 (2000) &lt;br /&gt;
 &lt;br /&gt;
Langton, C.G.: Artificial Life. In: Langton, C.G. (ed.) Artificial Life, SFI Studies in the Sciences of Complexity, pp. 1–47. Addison-Wesley, Reading (1989)&lt;br /&gt;
&lt;br /&gt;
Bonabeau, E.W., Theraulaz, G.: Why Do We Need Artificial Life? Artificial Life 1(3), 303–325 (1994) &lt;br /&gt;
&lt;br /&gt;
Sims, K.: Artificial Evolution for Computer Graphics. In: Proceedings of SIGGRAPH 1991, Las Vegas, Nevada, July 28 - August 2 (1991); Computer Graphics. ACM SIGGRAPH, New York, NY 25(4), 319–328 (1991)&lt;br /&gt;
&lt;br /&gt;
Rooke, S.: Eons of Genetically Evolved Algorithmic Images. In: Bentley, P.J., Corne, D.W. (eds.) Creative Evolutionary Systems, pp. 339–365. Academic Press, London (2002) &lt;br /&gt;
&lt;br /&gt;
Taylor, T.: Creativity in Evolution: Individuals, Interactions, and Environments. In: Bentley, P.J., Corne, D.W. (eds.) Creative Evolutionary Systems, pp. 79–108. Academic Press, London (2002) &lt;br /&gt;
&lt;br /&gt;
McCormack, J.: Evolving Sonic Ecosystems. Kybernetes 32(1/2), 184–202 (2003) &lt;br /&gt;
&lt;br /&gt;
Kitano, H.: Designing Neural Networks Using Genetic Algorithms with Graph Generation System. Complex Systems 4(4), 461–476 (1990)&lt;br /&gt;
&lt;br /&gt;
Birkhoff, G.D.: Aesthetic Measure. Harvard University Press, Cambridge (1933)&lt;br /&gt;
&lt;br /&gt;
Ramachandran, V.S.: The Emerging Mind. Reith Lectures. BBC in association with Profile Books, London (2003)&lt;br /&gt;
&lt;br /&gt;
Doczi, G.: The Power of Limits: Proportional Harmonies in Nature, Art and Architecture. Shambhala (Distributed by Routledge &amp;amp; Kegan Paul), London (1981)&lt;br /&gt;
&lt;br /&gt;
Nake, F.: How Far Away Are We from the First Masterpiece of Computer Art? In: Brunnstein, K., Raubold, E. (eds.) 13th World Congress 1994, pp. 406–413. Elsevier Science, B.V, North-Holland (1994)&lt;br /&gt;
&lt;br /&gt;
Zelevansky, L.: Beyond Geometry: Experiments in Form, 1940s-70s. MIT Press, Cambridge (2004)&lt;br /&gt;
&lt;br /&gt;
Partridge, D., Rowe, J.: Computers and Creativity. Intellect Books, Oxford, England (1994)&lt;br /&gt;
&lt;br /&gt;
Boden, M.A.: What Is Creativity? In: Boden, M.A. (ed.) Dimensions of Creativity, pp. 75–117. MIT Press, Cambridge (1994)&lt;br /&gt;
&lt;br /&gt;
Saunders, R., Gero, J.S.: Artificial Creativity: A Synthetic Approach to the Study of Creative Behaviour. In: Gero, J.S. (ed.) Proceedings of the Fifth Conference on Computational and Cognitive Models of Creative Design, Key Centre of Design Computing and Cognition, Sydney (2001)&lt;br /&gt;
&lt;br /&gt;
Cariani, P.: Emergence and Artificial Life. In: Langton, C.G., Taylor, C., Farmer, D., Rasmussen, S. (eds.) Artificial Life II. SFI Studies in the Sciences of Complexity, pp. 775–797. Addison-Wesley, Redwood City (1991)&lt;br /&gt;
&lt;br /&gt;
Whitelaw, M.: Metacreation: Art and Artificial Life. MIT Press, Cambridge (2004)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Links ==&lt;br /&gt;
=== Full Text === &lt;br /&gt;
[extern file]&lt;br /&gt;
&lt;br /&gt;
[[intern file]]&lt;br /&gt;
&lt;br /&gt;
=== Sonstige Links ===&lt;/div&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

	</feed>