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		<id>http://de.evo-art.org/index.php?action=history&amp;feed=atom&amp;title=Painting_With_Triangles</id>
		<title>Painting With Triangles - Versionsgeschichte</title>
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		<updated>2026-04-21T14:20:49Z</updated>
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	<entry>
		<id>http://de.evo-art.org/index.php?title=Painting_With_Triangles&amp;diff=31824&amp;oldid=prev</id>
		<title>Gubachelier am 5. November 2015 um 20:20 Uhr</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Painting_With_Triangles&amp;diff=31824&amp;oldid=prev"/>
				<updated>2015-11-05T20:20:03Z</updated>
		
		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table class=&quot;diff diff-contentalign-left&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;← Nächstältere Version&lt;/td&gt;
				&lt;td colspan=&#039;2&#039; style=&quot;background-color: white; color:black; text-align: center;&quot;&gt;Version vom 5. November 2015, 20:20 Uhr&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l11&quot; &gt;Zeile 11:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Zeile 11:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Bibtex == &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Bibtex == &amp;#160;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; @inproceedings{Benjamin:2014:PT:2630397.2630399,&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; author = {Benjamin, Mark D. and DiVerdi, Stephen and Finkelstein, Adam},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; title = {Painting with Triangles},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; booktitle = {Proceedings of the Workshop on Non-Photorealistic Animation and Rendering},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; series = {NPAR &amp;#039;14},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; year = {2014},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; isbn = {978-1-4503-3020-6},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; location = {Vancouver, British Columbia, Canada},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; pages = {13--20},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; numpages = {8},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; url = {http://doi.acm.org/10.1145/2630397.2630399 http://de.evo-art.org/index.php?title=Painting_With_Triangles },&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; doi = {10.1145/2630397.2630399},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; acmid = {2630399},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; publisher = {ACM},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; address = {New York, NY, USA},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; keywords = {digital painting, triangle mesh, vector graphics},&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot;&gt;&amp;#160;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;+&lt;/td&gt;&lt;td style=&quot;color:black; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt; } &lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Used References ==&lt;/div&gt;&lt;/td&gt;&lt;td class=&#039;diff-marker&#039;&gt;&amp;#160;&lt;/td&gt;&lt;td style=&quot;background-color: #f9f9f9; color: #333333; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #e6e6e6; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;== Used References ==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gubachelier</name></author>	</entry>

	<entry>
		<id>http://de.evo-art.org/index.php?title=Painting_With_Triangles&amp;diff=3749&amp;oldid=prev</id>
		<title>Gbachelier: Die Seite wurde neu angelegt: „== Reference == Mark Benjamin, Adam Finkelstein and Stephen DiVerdi: Painting With Triangles. In: Computational Aesthetics 2014.   == DOI == http://dx.…“</title>
		<link rel="alternate" type="text/html" href="http://de.evo-art.org/index.php?title=Painting_With_Triangles&amp;diff=3749&amp;oldid=prev"/>
				<updated>2015-01-25T12:04:02Z</updated>
		
		<summary type="html">&lt;p&gt;Die Seite wurde neu angelegt: „== Reference == Mark Benjamin, Adam Finkelstein and Stephen DiVerdi: &lt;a href=&quot;/index.php?title=Painting_With_Triangles&quot; title=&quot;Painting With Triangles&quot;&gt;Painting With Triangles&lt;/a&gt;. In: &lt;a href=&quot;/index.php?title=Computational_Aesthetics_2014&quot; title=&quot;Computational Aesthetics 2014&quot;&gt;Computational Aesthetics 2014&lt;/a&gt;.   == DOI == http://dx.…“&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Neue Seite&lt;/b&gt;&lt;/p&gt;&lt;div&gt;== Reference ==&lt;br /&gt;
Mark Benjamin, Adam Finkelstein and Stephen DiVerdi: [[Painting With Triangles]]. In: [[Computational Aesthetics 2014]]. &lt;br /&gt;
&lt;br /&gt;
== DOI ==&lt;br /&gt;
http://dx.doi.org/10.1145/2630397.2630399 &lt;br /&gt;
&lt;br /&gt;
== Abstract ==&lt;br /&gt;
Although vector graphics offer a number of benefits, conventional vector painting programs offer only limited support for the traditional painting metaphor. We propose a new algorithm that translates a user&amp;#039;s mouse motion into a triangle mesh representation. This triangle mesh can then be composited onto a canvas containing an existing mesh representation of earlier strokes. This representation allows the algorithm to render solid colors and linear gradients. It also enables painting at any resolution. This paradigm allows artists to create complex, multi-scale drawings with gradients and sharp features while avoiding pixel sampling artifacts.&lt;br /&gt;
&lt;br /&gt;
== Extended Abstract ==&lt;br /&gt;
&lt;br /&gt;
== Bibtex == &lt;br /&gt;
&lt;br /&gt;
== Used References ==&lt;br /&gt;
Ryoichi Ando , Reiji Tsuruno, Vector fluid: a vector graphics depiction of surface flow, Proceedings of the 8th International Symposium on Non-Photorealistic Animation and Rendering, June 07-10, 2010, Annecy, France  http://doi.acm.org/10.1145/1809939.1809954&lt;br /&gt;
&lt;br /&gt;
Paul Asente , Nathan Carr, Creating contour gradients using 3D bevels, Proceedings of the Symposium on Computational Aesthetics, July 19-21, 2013, Anaheim, California  http://doi.acm.org/10.1145/2487276.2487283&lt;br /&gt;
&lt;br /&gt;
Benjamin B. Bederson , James D. Hollan, Pad++: a zooming graphical interface for exploring alternate interface physics, Proceedings of the 7th annual ACM symposium on User interface software and technology, p.17-26, November 02-04, 1994, Marina del Rey, California, USA  http://doi.acm.org/10.1145/192426.192435&lt;br /&gt;
&lt;br /&gt;
Deborah F. Berman , Jason T. Bartell , David H. Salesin, Multiresolution painting and compositing, Proceedings of the 21st annual conference on Computer graphics and interactive techniques, p.85-90, July 1994  http://doi.acm.org/10.1145/192161.192181&lt;br /&gt;
&lt;br /&gt;
Bremer, P. T., Porumbescu, S. D., Kuester, F., Joy, K., and Hamann, B. 2001. Virtual clay modeling using adaptive distance fields. Tech. Rep. CSE-2001-7, University of California, Davis.&lt;br /&gt;
&lt;br /&gt;
Nathan A. Carr , John C. Hart, Painting detail, ACM Transactions on Graphics (TOG), v.23 n.3, August 2004  http://doi.acm.org/10.1145/1015706.1015809&lt;br /&gt;
&lt;br /&gt;
Doug DeCarlo , Anthony Santella, Stylization and abstraction of photographs, ACM Transactions on Graphics (TOG), v.21 n.3, July 2002  http://doi.acm.org/10.1145/566654.566650&lt;br /&gt;
&lt;br /&gt;
Stephen DiVerdi , Aravind Krishnaswamy , Radomir Mech , Daichi Ito, A lightweight, procedural, vector watercolor painting engine, Proceedings of the ACM SIGGRAPH Symposium on Interactive 3D Graphics and Games, March 09-11, 2012, Costa Mesa, California  http://doi.acm.org/10.1145/2159616.2159627&lt;br /&gt;
&lt;br /&gt;
Stephen DiVerdi , Aravind Krishnaswamy , Radomir Mech , Daichi Ito, Painting with Polygons: A Procedural Watercolor Engine, IEEE Transactions on Visualization and Computer Graphics, v.19 n.5, p.723-735, May 2013  http://dx.doi.org/10.1109/TVCG.2012.295&lt;br /&gt;
&lt;br /&gt;
Sarah F. Frisken , Ronald N. Perry , Alyn P. Rockwood , Thouis R. Jones, Adaptively sampled distance fields: a general representation of shape for computer graphics, Proceedings of the 27th annual conference on Computer graphics and interactive techniques, p.249-254, July 2000  http://doi.acm.org/10.1145/344779.344899&lt;br /&gt;
&lt;br /&gt;
Yu-Kun Lai , Shi-Min Hu , Ralph R. Martin, Automatic and topology-preserving gradient mesh generation for image vectorization, ACM Transactions on Graphics (TOG), v.28 n.3, August 2009  http://doi.acm.org/10.1145/1531326.1531391&lt;br /&gt;
&lt;br /&gt;
Gregory Lecot , Bruno Levy, Ardeco: automatic region detection and conversion, Proceedings of the 17th Eurographics conference on Rendering Techniques, June 26-28, 2006, Nicosia, Cyprus  http://dx.doi.org/10.2312/EGWR/EGSR06/349-360&lt;br /&gt;
&lt;br /&gt;
Zicheng Liao , Hugues Hoppe , David Forsyth , Yizhou Yu, A Subdivision-Based Representation for Vector Image Editing, IEEE Transactions on Visualization and Computer Graphics, v.18 n.11, p.1858-1867, November 2012  http://dx.doi.org/10.1109/TVCG.2012.76&lt;br /&gt;
&lt;br /&gt;
William E. Lorensen , Harvey E. Cline, Marching cubes: A high resolution 3D surface construction algorithm, ACM SIGGRAPH Computer Graphics, v.21 n.4, p.163-169, July 1987  http://doi.acm.org/10.1145/37402.37422&lt;br /&gt;
&lt;br /&gt;
James McCann , Nancy S. Pollard, Real-time gradient-domain painting, ACM Transactions on Graphics (TOG), v.27 n.3, August 2008  http://doi.acm.org/10.1145/1360612.1360692&lt;br /&gt;
&lt;br /&gt;
Diego Nehab , Hugues Hoppe, Random-access rendering of general vector graphics, ACM Transactions on Graphics (TOG), v.27 n.5, December 2008  http://doi.acm.org/10.1145/1409060.1409088&lt;br /&gt;
&lt;br /&gt;
Alexandrina Orzan , Adrien Bousseau , Holger Winnemöller , Pascal Barla , Joëlle Thollot , David Salesin, Diffusion curves: a vector representation for smooth-shaded images, ACM Transactions on Graphics (TOG), v.27 n.3, August 2008  http://doi.acm.org/10.1145/1360612.1360691&lt;br /&gt;
&lt;br /&gt;
Ken Perlin , Luiz Velho, Live paint: painting with procedural multiscale textures, Proceedings of the 22nd annual conference on Computer graphics and interactive techniques, p.153-160, September 1995  http://doi.acm.org/10.1145/218380.218437&lt;br /&gt;
	&lt;br /&gt;
G. Ramanarayanan , K. Bala , B. Walter, Feature-based textures, Proceedings of the Fifteenth Eurographics conference on Rendering Techniques, June 21-23, 2004, Norrköping, Sweden  http://dx.doi.org/10.2312/EGWR/EGSR04/265-274&lt;br /&gt;
&lt;br /&gt;
Jonathan Richard Shewchuk, Delaunay refinement algorithms for triangular mesh generation, Computational Geometry: Theory and Applications, v.22 n.1-3, p.21-74, May, 2002  http://dx.doi.org/10.1016/S0925-7721(01)00047-5&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
== Links ==&lt;br /&gt;
=== Full Text === &lt;br /&gt;
http://gfx.cs.princeton.edu/pubs/Benjamin_2014_PWT/tripaint.pdf&lt;br /&gt;
&lt;br /&gt;
[[intern file]]&lt;br /&gt;
&lt;br /&gt;
=== Sonstige Links ===&lt;/div&gt;</summary>
		<author><name>Gbachelier</name></author>	</entry>

	</feed>